Everyone on this show needed to go outside and touch grass, my GOD
If you're looking for a revenge drama about rich people behaving badly, you'd be better off watching The Glory, which is an altogether more satisfying execution of this story. That said, I do love watching horrible people get their just desserts, so I ate this up regardless.The acting was quite good and Park Gyu Young was especially captivating as A-Ri, which says a lot about her skill as an actress because the script didn't really give her much to work with. It felt like we, the audience, were kept at arms-length from her for the entire show and even after watching all 12 episodes, I don't feel like I really know her as a character at all. The same goes for Si-Hyeon and I wish Lee Chung Ah had gotten a meatier role and a chance to do more than just look wan and melancholy. I do like that they maintained their friendship as I was convinced for the first few episodes that it was gonna be an All About Eve situation. The less said about the romance (if you can even call it that), the better, because what the hell was that? Congrats to this show for having one of the weirdest "romances" I've ever seen, I guess.
As someone who doesn't really care about Instagram or influencers, I found most of the conflict quite petty and hard to take seriously, and even though A-Ri's reputation (and by extension, her livelihood) was on the line, the stakes never really felt that high. I also think there was a huge missed opportunity for the show to say something about privilege, as A-Ri's massive success was not just due to her hard work, but her fashion knowledge from her wealthy upbringing and her industry connections thanks to her father's old company.
Ultimately, this was a fascinating peek into a world that is so outwardly glamorous and a good reminder to get off the internet once in a while, but instead of skewering modern internet/influencer culture, the show fell into its own trap and gave us the filtered, Instagram-ready version instead.
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Seeds of Plot that Never Sprouted
As a personal creed, I never drop any drama as soon as I start to watch it. And so with at that in mind, I was not ready for what awaited me as I started watching Snowdrop. With each passing episode, it became clear to me that the writer had watched every hostage and spy movie produced in the 90's as her source of "Inspiration", only weakly tagging Romeo and Juliet later as her literary source. If Shakespeare had seen what is being considered adaptations of his best work, he would sooner rise from the grave and pelt us with Wilt's and Thou's. In fact, until now, many literary scholars and professors would debate the merits, messages and hidden meaning of Shakespeare's best work. These days, the only scholars and professors who pay attention to Yoo Hyun Mi's Snowdrop, are the ones looking to cancel it.First off, before we can discuss Snowdrop the drama, we need to quickly touch on the OST. Initially, when I first watched the drama, I found the OST/Music quite distracting as there are so many jarring tonal and musical shifts in the first few episodes that essentially ushers you from one emotion to another, without a second thought to the emotional whiplash you may feel from such jarring tonal shift. From suspense, satire, romance, and slice of life, the music of the first few episodes felt so intrusive, that there was a fierce disconnect between the scenes being portrayed and the music being played. Thankfully the music/OST eventually finds the sweet spot in the back half of the episodes, where the beautiful music intensified what would normally be dull scenes of poor plotting and acting. In the back half, the music/OST are almost powerful enough to save the production. The beautiful tone of the music has a choir like quality which has an uplifting effect, much needed in the drama. But what I found weird was that, although there were a few scenes which seemed to have Christian undertones, the plot did nothing with it, other than to use it as a symbolism of blind faith. A symbolism that isn't presented often enough or given enough credence that the scenes of praying, feel very out of place. This is one of those scenes though, which needs further research to understand. You see, the original name of Snowdrop was supposed to be Ehwa University, a South Korean university that was started by a Boston Missionary Sister. And you know what? The plot does nothing with this information, it becomes just another unnecessary plot that does nothing for the story, but provide them a place to sit down and kneel.
Given the backdrop of 1988, I was half-expecting some amount of nostalgia to permeate its script to allow viewers to allow a reprieve on the dark tone the script intended to take, and appreciate some of the beauty and simplicity the historical refences would have. But instead, the whole drama is so stuck on the message it wanted to force, that there was nary a time to enjoy anything beautiful in the drama, which ironically included the romance between Young Ro and Soo Ho. And with little time given to enjoy anything in the dire situation they are in, the viewership started drowning in the watery plot, started getting lost in the labyrinth of plot holes, as the badly colorized plot started to mesh together, and started blurring lines, that were timid to begin with. In fact, without the buoyant properties of the stellar acting cast, the drama could easily have drowned in all the ludicrousness the plot was touting as realism.
Seeing as each episode boasted a staggering 90 minutes of drama, I patiently waited to see how the plot would grow as each episode passed. After the last minute of the 1,400 minute run time ticked, I was left with an empty feeling. The potentially beautiful garden that the writer had started was left in disarray as seeds of plot were left unwatered, many of the seeds the writer had sowed in the earlier episodes where neglected the necessary sustenance needed for development and thus withered away. Each episode, I waited to see the seedlings grow into the titular Snowdrop, and every episode, I am left disappointed to see the seedlings bereft of even the simplest of courtesies. The garden was riddled with potholes, partially created by the aggressively shouting dinosaurs that decried their existence with wails or shouts.
As the episodes rolled by, I wondered why the writer kept needlessly adding new plot points which she will have to cover up later. The quick answer is, that she didn't bother covering up the plot holes, or she hastily glossed them over in lieu of more new tragic plot points. In fact, after a certain point, it doesn't become a question of HOW the writer will make the FL/ML for tragic, but rather WHEN. As I kept writing theories, and kept predicting how the writer could write herself out of her predicament, the writer would surprise me, by denying these lifelines, and opting instead to martyr her plots over and over again, until there is nothing left but chaos and discontentment. Whenever I feel the writer had an opportunity to add complexity and creativity to her writing, she instead re-iterated some of the same old tired jokes she used earlier. She overused some plot lines and jokes so much, that seeing them rear their repetitive head over and over again worked against the writer as these jokes, which were not funny to begin with, became distractions. Much like the boy who cried wolf, after the 2nd or 3rd time, people will stop caring about these plot devices.
It's not like I don't believe in love at first sight. But you see that isn't the direction the plot took. Young Ro, you see, is just a poorly disguised Deus Ex Machina, that existed solely to keep the Male Lead company during his eventual redemption arc. The writer was so focused on making sure that the Male Lead had a coherent characterization that she neglected to focus any effort on making the female lead's character relevant or real enough on her own merit. And even though the FL is seen as the sole reason for the ML's existence, we are given to many HOWs and never really any WHYs. In fact, it is not just the FL, a lot of the female characters in Snowdrop do not past the Bechdel test as most if not all of them let their lives revolve around the men in their lives. One of the characters in particular literally throws caution in the wind for her "Man", while obviously that man is shown to be cool as a cucumber throughout the show. In fact, ironically, the only women in the plot who has shown a certain duality in her character is also the most reviled one in the drama.
No review of Snowdrop is complete without at least quickly touching on the controversy that mired Snowdrop in lower than expected domestic ratings. After seeing Snowdrop to fruition, I can't help but ask myself the question of WHY? Why did the writer feel she needed to tell this story using this particular historical backdrop, especially if she is picking and choosing what she wanted to be a fiction and non-fiction anyway. When I first read the synopsis of the drama, I had assumed that the writer intended to tell a love story that grew in the tall weeds of political chaos. But instead, what we get is a drama that ironically felt more like a subliminal left wing propaganda ad that reared its ugly head at several times in the drama in obvious and distracting way. The only clear message that the Drama made sure not to miscommunicate to the audiences is how evil and corrupt the ANSP was. But unfortunately the writer wasn't nuanced enough, and instead of allowing the ANSP atrocities to exist as a backdrop for the story, it allowed the backdrop to become a distracting flower bush that continually blocked the intended story from being seen. In fact, as soon as you felt, you would catch a glimpse of the story, the drama would feel the need to remind you of the ineptness and corruption of the ANSP.
Very early on in the drama, it becomes painfully clear to me that the idea of cause and effect were being thrown out the window. The plot doesn't pay much attention to consequences and ramifications, and instead focused on shock tactics that loses its novelty the less tense the situation becomes. As the characters pointed phallic symbols at each other over and over again, the lack of anyone getting shot, made me wonder whether these weapons of non-destruction were nothing more than military grade paperweight. In fact, I should put the word thriller in air quotes, because I was severely bothered by the lack of it. By episode 5, after a lackluster first 4 episodes, it appeared that finally, the plot remembered it's base genre. But after an interesting Ep. 5 though, the plot decides to languish back in it staid writing as if by clockwork. Every supposedly tense situation is diffused by illogical reasoning, and nobody really is punished. The writing, and the plotting had so neutered the spy scenes, that the whole hostage situation felt more like breakfast club, rather than a hostage crisis. People inside the dorm are wondering more whether they would still be able to voted prom queen and king rather than walk the line between life and death.
Of course, if you dig deep enough you will eventually find the depth and complexity of what Yoon Hyun MI is trying to portray, but depending on where you live, you are more likely to hit water and drown in the innate stupidity than find any complex meaning in the writing. When reading Shakespeare's Romeo and Juliet, finding the depth and complexity isn't too difficult, and the emotions, although shrouded in Shakespeare own unique language, is relatable to us; the characters, minus all the killings, feel real. To fully enjoy Snowdrop, you really need to turn off certain parts of your mind as it is a struggle to find the realism in such cartoonish characters, whose portrayed more closely belong to a museum of stereotypical acting, than a supposedly complex plot.
With such a long run time, it would have made more sense for the writer to flesh out backgrounds of the main characters, or flesh out the characterization of the different characters. But as if she has an obsession's with huge ensemble cast, Snowdrop instead contained a huge cast of characters, who in the end didn't amount to much, except as weak plot devices to keep the plot plodding along. That is not to say there are no good moments in Snowdrop, there are a few moments that are worth watching, but you would need to slog through at least 10 episodes before you reach them, and by that time, if you are binge watching, your mind might already be turned to mush, and your emotions already numbed enough that when the impactful scenes may not be good enough to shake yo from your reverie. The truth of the matter is that proper world building would have made many things in the drama, including the tragic experience and romance shine much more.
Now for the good things. I already mentioned that I felt the OST/Music was vital in making the drama watchable, but the writer/director also lucked out with the casting. Quite a few of the actors I believe put in the performance of their lives, and their acting prowess acted as buoys to keep the drama floating. The power of emotion of Jung Hae In in particular was strong enough to uplift Jisoo's acting as well. And although, I don't think Jisoo's acting was that great, as a rookie actress, I cut her some slack, and she did what I expected a rookie to do; a lot of this also maybe because her character wasn't written that well. Kim Hye Yoon as well deserves a shout out, because at only 25 years old, she is proving to be one of the best actress in the Kdrama industry.
What may be the ultimately infuriating thing about the drama is that although most of the episodes were dull and lifeless, the last 4 episodes were actually written quite well. The writer's vision finally came to fruition in those last few episodes, in those episodes we finally see what the writer was intending in her drama. But unfortunately for me, it was too late, there was too many flaws in the first 10 episodes that became hard to overcome by a few good episodes. If the writer had kept the same tone, style, and plotting in the first 10 episodes, I may give Snowdrop a substantially higher rating. It seemed to be that the writer did not have many ideas to put on paper, and she kept her best plot points for the last 4 episodes, whilst keeping the first 10 episodes for repetitive filler scenes.
P.S.
Below is an excerpt from a deep dive analysis I made on Boon Ok's character, I hope for people to give the character a chance, and sympathize with her the way I did. The whole analysis can be found in the discussion portion of Snowdrop entitled "The Tragedy of Boon Ok".
"To further talk about Boon Ok, we need to quickly touch on the characterization of Young Ro. Are we surprised Disney is behind Snowdrop? Young Ro’s characterization literally screams Disney Princess. The romanticized fantasies, the prince charming, the evil stepmother, the heroic tendencies and the overly optimistic persona are all qualities most modern Disney princess encapsulates. But you know what? Disney princess are called that for a reason, most of the time, they are gilded in fantasy, they don’t often represent realistic portrayal of life. In many ways Young Ro represents the best side of humanity, the side is always optimistic, the hero in all of us. It’s the goodness in humanity we don’t see often. She’s the perfect Kdrama Mary Sue, the heroine, she allows us to stay entrenched in the escapism Kdrama offers."
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A captivating tale of love, adventure, and self-discovery.
The Legend of ShenLi is a delightful and captivating series that takes you on an unforgettable journey through ancient Chinese mythology. With its rich world-building, engaging characters, and thrilling plot, it's a must-watch for fans of the fantasy genre.What sets this show apart is its strong and dynamic female lead, Shen Li, who defies stereotypes and stands out as a powerful and capable heroine. The chemistry between Shen Li and the male lead, Xing Yun, is both heartwarming and humorous, making their interactions a highlight of the series.
The stunning visuals and epic fight scenes are a feast for the eyes, while the emotional depth of the story will keep you invested in the characters' fates. Overall, The Legend of ShenLi is a captivating tale of love, adventure, and self-discovery that will leave you wanting more.
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1The river that ran straight and clear
Correct me if I'm wrong, but my geographical knowledge granted - most rivers run neither straight nor clear. This series promised a raging river and instead delivered a silent stream.Instinctually, it's easy to recognise that The Murky Stream is a drama that is solemn, but unfortunately, that may be the only thing that is consistent about it. Because the narrative, the plot, were all scattered around aimlessly, barely managing to come together in the final moments for a lackluster ending.
I do believe this is a story that requires some knowledge on the era it is set in - unfortunately, I walked in knowing none of it, making me unsure if some facts were true and lost on some contexts. As such, I may not have been able to understand or enjoy this piece of work in it's intended or to the full extent - and for the same purpose, I won't focus on the actual details in the series in my review.
The first three episodes of this series had dreamlike writing - the story ebbed and flowed like the titular stream, nothing was quite clear, everyone seemed highly faceted. With the introduction of every main character, I thought I had it figured out! I could tell how the story was going to go, I could plot out all the major conflicts based on the information we were given, and this was going to be an epic struggle for all our characters - for their duty, dreams or dignity.
I, however, wanted to be proved wrong, because my version of events weren't nearly as twisted or mysterious as they needed to be. I was proved wrong, but I now wish I was right.
Because you see, my predictions were coherent and the primary problem here is with the pace of the story - focusing on the plot, all the nitty - gritty details is not a bad thing, but too much focus on that and you lose track of your narrative, you lose your flow. Multiple seasons (or no), you need a setup, you need your events and you need a payoff, especially when the plot is heavily geared towards political and social themes. The story moved forward without any real direction or turbulence, things were plain and simple, yet made no sense.
No episode after the first trio had much to say, every immediate scene introduced a new character or a new conflict or a new chronicle, but none with any substance. All the details presented needed to have been revealed much earlier or in a much more interesting way. I do recognise that the narrative took on a form that was much closer to real life than reel, which eventually ended up bogging down what could have been an interesting tale.
Thankfully, the final two episodes did have an interesting narrative - but I hated them. Majorly because none of those plotlines had a valid setup. The hurried sequences seemed to be connected to actual historical importance based on the emphasis placed on them - but it was too little too late. It came out of the blue and did nothing to complement the setup in the first three episodes, rather, it felt like a brand new story all of a sudden.
It seems like the story, the dialogues, the bonds between all the characters were written down before the characters were even finalized - and when you're stubborn that the story will go one way and one way only, it doesn't matter how much you work on your characters, they will do and say what the script says, even if it means it goes against the very fiber of the core characteristics you've written for them or even if it means they barely have characteristic of significance, something that makes you remember them. This series is afflicted with the second situation.
This is only enhanced by another massive error they made writing this script, ignoring their leads. Most of them at least. You need them all for the most part, but take any one of them out of the equation and the story would still move forward. I don't see that as a good thing, especially when you're marketing the complex ties between all them to be as murky as your river, it is kind of futile to not give any of them the required screentime or character depth. All of them are one - dimensional, can be summed up in a word, or they have no real personality that allows you to ponder upon the bonds they'll create or the actions they will take.
Siyul for example - he's described as hot headed, but you can see he's kind and fair from his screentime. But that's it? How does that play into Chun's honest idealism? What about Eun's prejudice, or Mudeok's cowardice?
And Siyul is the common link here because there's barely any interaction amongst the other leads. It felt like each of them was on their own personal journey, yet occasionally crossed paths with others, in happenchance.
I suppose my main gripe here is that everything was clear as day - none of it was remotely murky. The story and the character's personalities were both set in stone, neither of budged an inch through the course of the nine episodes.
I have no complaints about the acting or the cinematography, but in this context, they pale in comparison to the writing that stuck out like a sore thumb.
Watching it completely did indurate the fact that many events that happened in the series may be reflective of real life, but once again, I am not well versed in the history of the region and era. I will do some research into this, but whether it was historically accurate or not, ultimately, this was my kind of drama, but with bad execution. On a personal note - I hated how little screentime Seoham had, because to be completely honest, I started it for him. But even discounting my personal feelings on it, objectively speaking, they had so much going for them, but instead of running with it, they sat around toying with ideas that went nowhere and settled for an ending out of left field. Let's say they concluded it as well as they could, with an ambiguous ending, but even if there is a second season, I will not be revisiting it.
6.75/10
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This review may contain spoilers
This is not a romance. This is a missed opportunity of romance.
This drama is not the love story of people who have feelings for each other, love each other and end up living happily ever after. This is a drama about what people can do to people who love them when they do not return their love feelings. So, the characters are most of the time cowardly, manipulative, pathetic, annoying and gesticulating in wrong situations. This happens in real life too as not all relationships are based on true and sincere love. This is what this drama is about. It has a realistic take on adults’ relationships. Adults who do not know their own feelings, ignore them, tone them down or pretend to have feelings… and make choices with their reason that their heart does not agree with.1/ WHAT I LIKED:
- The story and the trajectory of the 5 main characters. None of them is perfect. They all have qualities and flaws that determine their choices. They are all relatable because they all look like human beings led into wrong choices by their human condition and trying to deal with their wrong choices and not the best way.
- The mature take on sex and love. It is not so common in romance kdramas. This drama is not shy about sex, and it tells that there is a difference between love and sex. Just like in real life.
- The cheating: 30% of women and 40% of men have cheated once in their life. No need to throw an anathema to them and pretend to be so much better. People have their own reasons for doing what they do. I did not want to judge them. I just agreed that in their situation, the cheating would happen, and it did happen like in real life. It was steamy and intense. People who can’t stomach cheating as a human emotional state and possible behavior should stay away from this drama.
- The rather realistic depiction of the workplace and colleagues. The friendly ones and the annoying ones who are always gossiping.
- The ending. There are two endings. One with ep15 with a sad unhappy ending but more consistent and logical with what happened during the whole drama. I have not read the novel but I felt like the ending with ep16 was especially cooked to give everyone a great situation like everything was bad that ends well. The two leads have an open ending with this ep but personally, I prefer the ending with ep15.
2/ WHAT I DID NOT LIKE:
- The early episodes were confusing and exhausting with the ML and FL acting unclear towards each other.
- Some draggy parts with too much gloomy faces and long contemplating moments
- The story between the ML and his mom could have been better. The mom looked a strong character, but she was quite underused for me.
3/ CHARACTERS/ACTORS:
- ML: The only one with real unconditional Love feelings. But he lacked courage and that drowned his chance. He grew into a more assured person and took responsibility of his feelings and his no-feelings in the end. Not very fond of the actor but he did a decent job looking gloomy and contrite and unable to bury his one-sided Love.
- FL: Self centered complicated person with sad circumstances and low self-esteem but she used them as an excuse to not face her own feelings and act upon them. This led her to make a wrong choice that she will try to assume despite obvious signs it is wrong. I liked Moon Ga young in this role. Different from what I used to see from her.
- SML: Student from a poor family who wanted to woo noona but when she chose him out of frustration for his kindness and for comfort, he suddenly had nothing more to offer her and became lousy and bland.
- SFL : Manipulative, possessive, scheming to always have gains from others. But I liked her bright, smart, and outgoing character. She was immature regarding Love and failed to be lovable and to love her partner. But she did not take it too badly. Of course, the ML was just a challenge and a trophy partner for her. Loved the actress who displayed lots of emotions.
- TML: Kyung Pil. This snake was a bad boyfriend, a bad friend and a bad person whispering bad ideas into the ears of the ML, SFL and FL based on his own sorry past that he chose himself. A dislikeable and pitiful person who slightly improved. The actor was great looking cunning, bitter, disillusioned and not proud of himself.
3/ OST:
Very good. I liked most of the songs and listened to them apart from the drama.
4/ REWATCHABLE VALUE:
It is slow paced and the story is realistic but sad, so I won’t rewatch it.
5/ OVERALL:
It’s a good drama if you can accept that humans are weak and make wrong choices and do wrong things that do not improve their situation on the contrary. Because they lack courage and confidence in themselves, their choice of reason is undermined by their heart’s choice, and it leads to messy situations. In the end, they still manage to put things in the right order and move on to a happier life after a time jump. Despite the contemplative and slow parts, I enjoyed watching these people I had pity and hopes for. Not so entertaining but a slice of life drama I enjoyed. 8/10.
Lesson of the drama: "If you have feelings for someone, take the courage to face your feelings honestly and act upon them. "
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1Best things come in pairs… and season 3 proves the third time is definitely not the charm!
Season 3 landed, and honestly, it struggled to justify its return. The surface-level spectacle is undeniable...the visuals remain stylish, the action choreography is polished and the CGI is praiseworthy. But once the gloss wears off, what remains is a story that seems desperate to convince that it still has depth, when in reality it’s just circling the same drain with more expensive props.Starting with the positives, I enjoyed most of the games. Following the legacy of the previous two seasons, they were imaginative, tense and shot well. The sets were grand, and the larger-than-life vibes were definitely there. The adrenaline rush was present, reminding me what made AIB unique.
But once that wears off, I found it a bit underwhelming. The main issue was the set up itself especially Usagi's return to the Borderland. The reason wasn't justified enough, plus the idea of dealing with trauma and getting closure was very questionable. She was always this resilient, voice of reason kind of person and grounding force for Arisu, but the writers kind of shoved her emotional arc into the background.
Arisu was still the guy trying to strategise his way out of impossible games and succeeding. He really tries to keep it together, but life keeps dealing him impossible hands and somehow, he still manages to play them like a pro.
In previous seasons, seeing them together gave a humane side to all the chaos and tension. Like an escape for us and them...but this season that bond felt eroded and side-lined. In theory, yes, we did see them together, but it barely translated on screen.
We were also introduced to new characters this season and sadly, most of them didn't leave an impact on me and felt like background noise. Some have tragic backstories, sure, but with barely any screen time, it’s hard to actually care. I still remember deaths from season 1 and not from season 3 that I watched yesterday and it is self-explanatory.
You know how we discard the Joker card while playing most games. I had hoped this season would give the Joker card some real weight, but instead, it turned out to be the weakest leader we had so far.
Ryuji caught my attention as a character but the story never fully allowed him to shine. Whether it was the six-episode format or the uneven pacing, many of his traits and potential arcs felt rushed or underexplored.
And then there’s the great “mystery” of Borderland. I was hoping this would flip the tables for me but why give clear answers when you can always drown us in psychological symbolism that looks fancy at first glance but ultimately is all smoke and mirrors.
By the end, instead of feeling like I had been on a gripping, mind-bending journey, I felt like someone had reheated leftovers from the first two seasons. It technically fed me, but there was no flavour.
Acting-wise, it was good. We have some big names in the cast, and they deliver. It's the writing that held them back. The visuals are really good and polished. Also, Netflix needs to stop milking every golden goose. First Squid Game and now this... *sigh*
So would I recommend it? Honestly, yes and no. If you have already come this far, I am sure it's hard not to give in. It's not unwatchable, but if next to its predecessors, it's pale and weak.
But if you are new and considering starting from season 1...I would recommend to stop at season 2.
Thank you for reading my review! <3
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The story is absolutely amazing and you will fall in love with the characters especially Song Sae Byuk's character Kang Pil Sung, who I absolutely adore, and Go Joon Hee's character Hong Seo Jung, who was like a living angel. The chemistry between those two characters will simply make your heart ache and break all at the same time. Song Sae Byuk really caught me of guard, he literally is probably one of my favorite male leads after this, I just can't tell you how much I loved his character. You really felt the love shared by these two characters.
The other characters were fantastic as well, you really became attached to them which made later episodes pretty painful. Even the evil bastard character Hwang Dae Doo was good in the fact that you really really really hate him.
I will give fair warning when watching this, the last four episodes are very painful to watch, I basically just wanted to cry most of the time. With that being said I don't think the ending was a bad one, in fact I really found some hope in it.
I would definitely recommend this drama. The story, characters, production, music, acting, just about everything was top notch! Still fresh off the last episode and really still feeling my heart breaking a bit and I'm sure the characters will be on my mind and in my heart for a while.
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This review may contain spoilers
TharnType comes back to annoy us all for a very special episode of ignoring all its real issues. Our main couple declare their undying love for each other over and over again in what is nothing but embarrassing fan service while making sure to emphasise that Type is Definitely Not Gay (while everybody else around them is).
Type's big moments of coming out to his friends, family and Kom happen either offscreen, for laughs or in rushed broad strokes with all the emotions stripped from them. I should probably just be happy the writers dealt with those issues at all. They certainly didn't mention Type's trauma, apart from an impetus to his - apparently ongoing - hatred of Bad Gays.
Speaking of Bad Gays, Lhong wanders through to be forgiven by Tharn's brother in a truly disgusting scene that reminds us that Thorn is fine with San being in his brother's life too and therefore clearly doesn't actually care about him. He may as well hang a shingle on his door saying, "All Tharn's abusers are welcome here".
Essentially this "special" consists of random scenes with no real narrative thread or thematic underpinnings. It's basically "stuff fans might like to see" and I'm sure a lot of fans loved it. Even the weird cat/dog scene I'm scrubbing from my mind as we speak.
I guess if you sat through the first 12 episodes you may as well watch it. It changes nothing and adds nothing, except to my annoyance.
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Writing: the poor actors were forced to say so many unnatural lines that people just don't say in real life that even if they were extraordinary, they wouldn't be able to believably deliver them. Next, the transition of fixation/anger into attraction was hodge-podged together out of weird, pretty stupid plot contrivances, and no deep thought on the characters' parts was seen to be put into the changing feelings. It just wasn't believable. Separately, the plot wanted so badly to be unpredictable that it relied on the most annoying, forced twists delivered in clumsy revelations whose timing make next to zero sense. Finally, THAT'S NOT HOW POLICE WORK WTFFFFF every time something totally unbelievable happened with regards to the police work, I was wrenched entirely out of the story. This is why I say it was a failure of ambition: they wanted to do something other than school setting, which is laudable, but didn't take the time or effort to do it well.
Acting/Editing: I combine these because I wonder if all the peculiar pausing in place was due to editing failures and because I really want to believe the actors had better takes than the ones put into the final product. One particular oddity was that the kisses never developed out of the wooden "one person's eyes stay wide and body stiff in surprise" stage, even after the romance developed to a mutually acknowledged stage. Another instance of bad acting or maybe editing is that in a particularly heated scene I couldn't stop laughing because the main actor looked like he got "petulant child" mixed up with "murderous rage". I'm laughing again as I think of it. The rest of my issues I'm willing to put on the writers hurting the actors with just frankly dumb lines/scenarios.
It would have been cute as a manhua, but the choice to put it to real life actors requires more realism, less lazy writing, and fewer dumb gags.
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i love the story
i like first episode it's full of fun and second episode 😂 is really good and i like the main leads so fantastic couple i like to have more from this to couple and it's happy ending ❤️ everyone can watch it's more over now only male main lead have started to acting in main lead it's his first drama to get higher review like 10 iwill give 10 please try to give all your review 10 because then only we can see main male lead in more drama more over he is more sexy try to complete this drama fully
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First of all, Story. The plot is very complex and interesting. At the beginning it's a typical romance but it soon turns out to be more than that. Actually it's a drama about the older generation. The reason why I gave this drama a "2" and that is "dreadful" for the story is because it turns out to be a pretty sad drama. If you like positive, funny, romance stories, do not watch this drama. This series is full of awful characters that got on my nerves all the time.
Second thing is Acting. Most of the actors did a great job especially the older ones. I only gave "7" for acting because I think that one of the main couples, Joo Young and Woo Bin didn't act very well. For me their acting was unrealistic and they didn't show the right emotions.
Music, well, music was good, but it was often too much like in typical soup operas.
When it comes to rewatch value, I gave it a "1" because I would never watch it again. It's just that the plot went into the wrong direction and like I said before, it's a sad kind of drama. Overall I gave it a "5" because it has a lot of postive aspects but also a lot of negavite ones. I hope my review will be somehow helpful to all of you who haven't watched it yet.
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One of the best modern c-dramas in the recent years
Among the normal youth c-drama, there might be some dramas with unexpected depth and warmth. Lighter & Princess is one such drama. Great acting, amazing chemistry, good soundtracks, and wonderful cinematography - this drama has everything the audience needs to enjoy it.Lighter & Princess is adapted from the novel The Lighter and the Princess’ Gown, written by Twentine. The name is taken directly from the story. 'Lighter' symbolizes the ML, Li Xun. He always carries a small lighter along with him, which he got from his father. 'Princess' depicts the FL, Zhu Yun. Li Xun always used to call her Princess and also gifted her a 'princess gown', when they were in college.
L&P proves that rather than an over-the-top plot and dumb comedy, a simple plot and depthy characters are enough to make a drama loved. Lighter & Princess is actually a hard-hitting drama with a slow and subtle plot build. It touches many real life problems as well. The pace of the story was perfect and catchy. The drama started in the present day and shows flashbacks to the past, when the leads were in college and, in Li Xun's case, when he was a high schooler as well. I won't talk much about the plot because of the risk of spoiling something, since the synopsis barely says what actually happens in the drama. The thing about the story that wowed me the most was how everything has a rich backstory. Everything is explained without loopholes. The reason why Li Xun always carries a lighter, why he dyed his hair blonde when he came to college ( yeah, we get to see Chen Fei Yu in blond hair, and believe me, he looks awesome in that! ), and why he always calls Zhu Yun "princess" or "your highness" etc. Everything connects with each other and makes the story beautiful and moving.
The romance in the story is another aspect I liked. Li Xun is an arrogant but brilliant student, who is very much ahead of his class in coding and programming. He was even more gifted and talented than his teacher. He's handsome as hell and attracts many girls, whom he drives away through humiliation. He's always been confident in himself and hasn't had even a bit of self-doubt. Many people admire him for his brilliantness and good looks, but they hate him for his arrogant attitude. He never trusted anyone but himself and always acts like he's the king. He doesn't abide by any rules and thus becomes completely opposite to Zhu Yun's character. Another aspect of the story that I enjoyed was the romance. Li Xun is a conceited but an intelligent student who is well ahead of his peers in coding and programming. One could say tha he I as gifted and talented even more than his teacher. He's also handsome as hell and attracts a lot of girls, whom he drives away through humiliation. He's always been self-confident and has never had any doubts about himself. Many people admire him for his intelligence and good looks, but they also fear and despise him for his arrogant demeanour. He never trusted anyone but himself and always pretended to be a King. He does not follow any rules and so becomes the absolute opposite of Zhu Yun's character. Zhu Yun is the ideal daughter that any parent would desire. She's beautiful, innocent, and pure as well.
When Zhu Yun first meets Li Xun, despite despising him, she's attracted to him by his carefree personality and confidence as well. As far as she could remember, Zhu Yun had always walked along the path that her mother had paved for her. She hasn't made a single decision for herself before and came to study programming because of her mother as well, not because she likes it. Thus, when he, Li Xun, entered her life, Zhu Yun had an urge to step out and experience life by herself. Because of Li Xun, she even started to have a liking for programming as well. Slowly, she saw herself falling in love with him. Li Xun noticed himself caring for the 'princess', who suddenly barged into his life, giving off warmth in his cold life. The romance was kinda slow burn and we got to watch how they warmed up to each other and dealt with every difficulty together.
The side characters were as interesting as the main characters too. No one felt unnecessary, and everyone had their own individual stories even without much screen time. The side characters were absolutely necessary for the plot. My favorite side character is, of course, Ren Di. I love her personality and how she deals with problems and follows her heart. In a way, she's similar to Li Xun but more open and friendly.
Now let's talk about the acting. I have not watched any works of Zhang Jing Yi or Chen Fei Yu before, but I have heard people say that Fei Yu's acting was lacking in Ever Night, his first drama. I don't know about it, but in this one he was absolutely phenomenal. I like actors who portray emotions through their eyes, and Fei Yu is one like that. He has gotten on my list of favorite actors with just this drama. Just through his gaze, one could decipher what he's feeling. That pain and anger that had been inside him for solong, we could see it. Zhang Jing Yi's performance made it seem like she was born for this role or that the character was made just for her. Her innocent appearance is perfect for the character and makes it believable.
The cinematography in L&P was simply beautiful. Each and every scene was aesthetically pleasing and very pretty to watch. It's rare to see such top notch cinematography in a c-drama, unless it's historical or xianxia.
The songs and background music used in this drama were catchy and very much in sync with the actual drama. I especially liked the song "Fireworks" by Zhou Shen and the opening theme.
Finally, it has been a long time since I properly liked a modern c-drama. I was disappointed in almost all the modern c-dramas I have seen this year. But, thank God, this came to my rescue. I highly recommend this drama to everyone who has been disappointed in the quality of recent modern C-dramas because I'm sure this won't disappoint you!
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What a Masterpiece!
This movie is a hidden gem, but if you were waiting your typical happy, cute, melodramatic drama well... this is clearly not for you.This movie tells the story of Se-Jin, a 17 years old teen, that gets pregnant and with the help of her new companion (Joo Young, a runaway 17 years old) they do everything possible (and also the impossible compared to other K-Movies) to get her an abortion. But, in the process, this movies shows the society's underworld, rarely shown in this kind of movies. Taboo symbols are common, although the two main leads are minors, this includes: alcohol intake, cigarette smoking, hallucinogens or sedatives, sex, abortion, theft, minors working, bullying, and the list goes on! All this is used to make a critic to society about the hardships faced by teens without somebody to guide them but, clearly, in a very particular way.
The plot is really good and the storyline is easy to follow, though there may be some plot holes. It's is not a particularly fast movie, but it's pace would clearly not get you bored. Nevertheless, in the last 25 minutes the plot line changes a bit, it gets a bit slower and maybe, if we were too excited because of previous events it may get a bit boring, but nothing too serious.
The acting of the two main leads is spectacular. It's amazing how they could portray such personalities in such a natural way. The rest of the cast's acting is good but nothing too remarkable.
Overall, this is a really particular movie, clearly +18. One should start watching the movie knowing this things so to not get disappointed. My personal recommendation is to give it a chance because, almost certainly, you will end enjoying it.
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This review may contain spoilers
Impressive political drama with some romance
First of all this review is for the uncut version, where every episode has a runtime of about one hour. On youtube you see a very cut version which runs only about 45 minutes per episode. Also this series is not a BL. It's just a drama where the main protagonists happen to be gay, one open and the second one not so open. There is a romance part in it but not in the typical fluffy BL style. We see that Vee does admire Nong from the start and he warm ups to him very early. Nong is a grumpy type and very stubborn and it takes time to "warm up" to Vee.The star of this show of course is the story and the superb acting. Every character has his flaws, some have more, some have less, but nobody is perfect. They depict the backstabbing and horse-trading in any politics, but they focused on actual events in Thailand which is a novum. While the series is more a slowburn, there are so many characters to keep track of that I'm happy we had the time to do so.
And the final episode was also atypical to any BL. This season ends on negative and positive notes but they clearly aimed to have a second season because the story is not finished with only eight episodes. So there is hope, we get another eight episodes to get a real happy end.
Because this is not GMMTV, we get a realistic story, with a great cast, good production design and overall an amazing series. If you are only in the fluffy stuff, this series is not for you. If you liked "Shine" you will like this series also.
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This review may contain spoilers
Missed opportunity
*****This does contain spoilers *****This is the go-to show that got me hooked on the Asian market. I can’t tell you how many times I have watched it. I like the English version for falling asleep to -Daniel Kim’s voiceover work for Ahn Hyo-Seop is smooth. 🫠
One thing I don’t understand is how at least 10 years later (after college) Yeon-Jun and Jun-hee are not married. As in love as he is with her, why wait so long to propose? We know Si-Heon takes the entrance exam in 2008 and JunHee goes to New York in 2023 so that’s a HUGE chunk on SiHeon’s part.
Now, for the missed part. Uncle is explaining to YeonJun the meaning of his stores “27” names. It would tie in better with the story line if Koo Yeon Jun were to “fly to New York” when he was 27 years old. It would make more sense to wait those few extra years after school to get finances in order and propose. 🤷🏼♀️
Gather My Tears still hits, especially knowing the tragic background of the artist.
This drama still makes me cry. Every time. ♥️💔
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