Reviews

Adventure of the straw hats

There was an amazing tale of me riding in the adventures of piartes going through their ups and downs.

Adventure of the Straw Hats

***Disclaimer: This is just my opinion. We don't have to agree, and I'm not here to argue with anyone.***



OVERVIEW

One Piece is a story about a group of people who come together to form a team known as the pirates, who call themselves the Straw Hats, as they set out to find the supreme treasure of all treasures, the One Piece.

DETAILED REVIEW (CONTAINS SPOILERS)

Initial Thoughts

Right from episode one i was actually being held hostage by this. The setup of their adventures was slow-paced, but they never really had a single dull moment where my eyes would go dim.

The character's dynamics were great, showing the growing layers of their friendship as they learned more about their antics and put their trust in their teammates, and I would learn, too, what trust is all about.

A tale of adventure, with an unbreakable friendship that makes you laugh, giggle, smile, and feel sober, where you could actually learn what having true friends means, and where you could know what adventures are like

Themes & Character

The drama involved a pirate team of five (one added later on), going through the perilous dangers to find the one piece, adding the villain arc was given to an organization called Baroque Works, whose names are known by numbers, days, events, who also want the one piece. Their journey in finding the one piece made them grow stronger in their friendships, trust, emotions, and skills. It equally made some to be actually brave, seeing themselves for who they really are.

Luffy exhibits a captain who have an absolute trust in his teammates, who would never leave anyone of his teammates behind, a character who isn't driven by his emotions to act, instead he goes on his instinct, a character who loves wearing on a smile and laughs which is actually real never shrinks back at his responsibility, never shrinks back from a fight, never feels threatened even when he is faced with a much powerful opponent, he carries on the show as he depicts a character that will die just to protects his crew, this captain is very well deserved.

Roronao Zoro embodies a quiet and aloof character who is the sword of the team, his sword speaks in place of his mouth, He subtly wants to depicts someone aloof but he got lots of words as we got the see in more of the episodes less of the caring type that actually care more without showing it, He is one on the team where you actually see him training not doubting his progressions when beating his enemy in an actual fight.

Nami throws in as the cartographer of the team leading the way to the one-piece, Her character embodies a reserving nature than all talking one were we could see that when she got her worries she just keep it to herself rather than spelling it out to her teammates, a character who doesn't want to be a burden unto her teammates, so she keep some secrets.

Usopp embodies the storyteller of the team, which gives off all-talking vibes, not being reserved or secretive in nature. He is one character where I could see development (weak to strong, fear to strength), where I actually got to see him move on from needing external help to save his friends to becoming one needing to die just to save his friend, his encounter and discussions with Brogy. Were naratively well written

Sanji embodies the chef of the team, and also one who doesn't fight with his swords or with a catapult or with devil's fruit powers. Getting to see him fight with his legs and hands was one of my favorite layouts of this character, where you can see him bleeding some blood like a normal human. Sanji is described as a funny, talkative, caring, and emotionally attached character.

Miss Wednesday/Nefatari Vivi embodies a princess whose kingdom is getting lost to Baroque, went undercover to uncover their Mr. 0 identity, joins our pirate crew on their adventures, and also goes to save her Kingdom from THE hands of the Baroque works with the help of the straw hats.


Likes

As the story seems to delve deeper into some of into some of the fight scenes where they didn't just make the fight scenes a fast paced one e.g when no 9 said they were an 100 men waiting to be fought by Roronao Zoro, really loved as they delved in him killing the 100 while counting their, not him killing the 100 with the screen shut down on us.

The cinematography, visuals, and aesthetics are worthy of a handclap, giving in all well-executed shots, the visuals at the small island (can't remember the name well) kept me on my toes wanting to see more, like the shots of Luffy at the head of the dinosaur above the ground, which were a really well-perfected one.
The cinematography at the sea with the movement of their boats was really spectacular.

Love, as they never created any unnecessary misunderstanding between the straw hats, was the journey they had to fill in any shortcomings with their time together.

One of my favorite loves was for Luffy, who doesn't have to fear anyone; even when they were stronger than him, they were no threats unto him. He was really commendable for that.

Their friendships is very well commendable, as we can see how they just draw closer and bringing in the new friend (princess of Alabasta) in their great dynamics.

The settings that our straw hats didn't have to win every fight were great; sometimes, they just had to get beaten to learn more.

DisLikes

No matter how good some certain flaws take place. While they get beaten by the villains, meeting with the villains again, they get to beat the villains LIKE WHY, when I don't get to see any of them training (except Roronao Zoro could actually see him train with his swords) or performing any strategies to beat the villains, a plot hole.

Getting annoyed at why they don't get to kill their enemies/get to see them alive, you could actually see some of them are just there to complete the plot script, then they are killed by their fellow partner.

Why do I feel they are really making the plot slow, for the making of S3 and S4 equally with how slow-paced it is, S3 will be all about Alabasta, won't be surprised, if they even say S5, that is Netflix behavior.

Final Thoughts

This drama was a thrilling tale of adventure, friendship, loyalty, villain arcs, and battles, a good experience that cannot be missed. The drama started with A good and ended with this is a lot better.

The plot not being able to delve more into the arc of the straw hats & the navy (Smoker) i mean, their dynamics were seen in episode one that was really we just find him chasing them not reaching them, and we actually see smoker in the seventh role don't think it is well deserved, i mean others down that cast definitely had more screen-time than smoker.

The past relationship between chopper and the Dr hilurk was really my most unexpected settling scene of the drama where i could feel what it felt to have the love of a real doctor, what it meant to save lives at the risks of your life what it felt to be loved deeply by your closed one where they could go through fire for you (was really an endearing one) and hide some secrets that will cost you pen.

Chopper joining the crew was a delight to me, as we now actually have a doctor in our crew. The dynamics between Chopper and the witch doctor were perfectly executed; they gave me a real tsundre relationship, which really gave me smiles.


A nice watch in starting my 2026 drama journey, giving this 9.0, the flaws couldn't have made up for these 9, but the moments enjoyed just got to override these flaws



Thanks for reading & happy watching

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A Beautiful Concept Lost in Its Own Loop

ok ok OK i went into this with zero expectations and somehow got emotionally adopted by this chaotic little gremlin of a drama 😭

we’ve got your classic transmigration setup, BUT from a slightly different angle. it’s lowkey giving Doppelganger meets Fortune Writer energy… but with better chemistry 👀

AND bro… why is the plot actually hooking me?? like hello?? i came here for vibes, not to be INVESTED. explain yourself.
this is NOT a “think too hard” type of show. actually pls don’t.
The OST SLAPS. i’m vibing. no notes.

i’m on ep 9, slightly confused, heavily entertained, and accidentally invested. kisses still pending tho. will update as i go 😭

✨ Ep. 10–28 Update ✨

Ok, holy shit. I need a moment—because this concept?? INSANELY good.

Like… imagine characters inside a fictional story waking up, becoming self-aware, trying to fight the plot itself—only to be told by the author’s consciousness to stay in line and follow the script exactly as written.

But then—here’s where my brain short-circuited—if they’re capable of awakening, doesn’t that mean they were written with the very traits that allow them to rebel? And if that’s the case… aren’t they technically still behaving according to the script by trying to break it???

Yeah. I spiraled. I paused. I stared at the wall. I came back a different person.

Now—execution wise 👀

The first part of this mini drama? STRONG. Like, genuinely gripping. I was invested, emotionally attached, rooting HARD for the FL. It had momentum, intrigue, that “just one more episode” energy.

But as the story progresses… I won’t lie, it starts looping a bit. The same narrative beats, the same turns—it gets repetitive, and eventually a little exhausting. By the time I reached the finale, I wasn’t as locked in as I was at the start, which is a shame because the idea itself deserved a tighter, more focused run. This definitely could’ve hit harder with fewer episodes and sharper pacing.

Now let’s talk about the SML because—HELLO???

He is, hands down, the most layered character in this entire beautifully chaotic setup. The quiet resignation, the acceptance of his fate, and yet still choosing to act out of love for the FL?? Sir??? BRO??? My flabber was thoroughly ghasted.

You can tell the drama wants to touch on deeper philosophical questions—free will vs. determinism, identity within a narrative, all that good existential spice—but it doesn’t fully go there (which, fair, given the format and budget).

Still… I cannot lie—I would pay GOOD money to see a big-budget, high-quality production take this exact concept and go absolutely feral with it. Because the potential?? Astronomical.

The leads had solid chemistry—some kisses (not dead fish, but not exactly setting the screen on fire either 😌), and the supporting cast honestly added a lot of charm to the whole experience.

Overall, if you just go with the flow, don’t overanalyze too hard (learn from my mistakes), and give it a bit of grace when it comes to plot consistency—this is a fun, slightly mind-bending little ride with a cute, satisfying ending for both the leads and the SML.

A chaotic, thought-provoking pit stop… that almost broke my brain, but I enjoyed the journey anyway ✨

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Episode 1 was calm before the storm

Love You Teacher starts off soft, warm, and almost comforting but there’s this quiet feeling that something deeper is coming.
The introduction to the characters feels natural and easy to connect with. The chemistry is there right from the start, not forced, just simple and genuine. You can already see their bond and relationship dynamic in small moments, and that’s what makes it feel real.
What stood out to me the most is how peaceful everything feel like the story is letting you breathe before it takes that away. There’s a sense of innocence and normalcy that makes you attached quickly, which honestly makes me a little scared for what’s coming next.
If this is just the beginning, then this series is definitely building up to something emotional. And I can already tell, it’s going to hurt.

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A Captivating BL That Blends Youth, Mystery and Emotion

Just finished Forget Your Enemy and I have… thoughts 😭

At first, I was ready to give this a solid 9.5/10. The premise alone? So good. A man wakes up after an accident with his memories stuck in his teenage years, only to find out his biggest high school rival somehow became the love of his life?? The emotional tension, the confusion, the potential?? I was LOCKED IN.

And the drama really pulls you in from episode one. The mix of high school flashbacks and present day is actually so compelling… in theory. You get to see how everything started while also dealing with the emotional fallout in the present. It adds depth, it adds angst, it gives everything more weight.

Ja Woon and Ha Neul? Amazing chemistry. Like genuinely. Their dynamic feels natural, layered, and sometimes painful in a good way. The enemies to lovers progression hits, the emotional beats land, and both actors really sell it.
Visually, it’s also really pretty. The cinematography is soft, polished, very emotional. For a miniseries, it feels complete and impactful.

BUT.
Why did the plot suddenly decide to lose its mind after episode 6???
The first few episodes already had me slightly confused because the timeline keeps jumping like it’s doing cardio, and the two male leads looks the same so I’m just out here guessing the year based on hairstyles and vibes.

And then we get… her.
So this girl is a fan, obsessed, fine. Then she finds out the actor is gay and instead of moving on like a normal person, she goes full crime thriller. Grabs a knife, tries to kill him… MISSES… and kills HIS DAD instead. Not her target. His dad. Wrong target, wrong everything. I had to sit there and process the level of chaos.

And somehow it gets worse.
She’s clearly unwell, so naturally the system’s response is: jail. But not just jail. Jail with unlimited stationery because she’s sending out threatening letters like she’s running a subscription service. Who is funding this??
Then the brother enters the chat. The ONLY family member left. You’d think he’d bring even a drop of logic into this situation. Absolutely not. He agrees to help plan a hit and run like it’s a casual weekend activity.

BUT WAIT.
This man really applies for a job at the SAME cafe as his target… gets hired… learns how to make coffee… befriends him… all just to plan running him over??? Sir, this is not a revenge plan, this is a full-time career commitment. You’re out here steaming milk and doing latte art for vehicular manslaughter???

Like in real life do you have to go this far. You’re telling me you filled out an application, passed an interview, worked shifts, and smiled at customers just to commit a crime later?? The dedication is insane, the logic is nonexistent.

Anyway. I had to deduct a full point for this absolute mess of a plotline because WHAT was going on.

BUT I will be fair.
Bonus points for the NC scenes because wow. Episode 2 and episode 8?? I was NOT prepared. Korean BLs usually play it safe but this one said no, let’s be bold. And the peach scene 👀🍑 I’m still recovering.
Episode 5’s car scene is also wild. Intense, emotional, slightly unhinged in the best way, especially with how it blends reality and Ki Ha Neul’s imagination. Short but VERY memorable.

So final rating: 8.5/10. Deduct one point for plot chaos, add points back for boldness and those scenes that had me staring at my screen in shock.

Messy, confusing, slightly unhinged… but I was entertained, I won’t lie.

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A Gripping Historical Crime Drama That Delivers Everything

Coroner’s Diary completely blew me away. It’s rare to find a historical drama that balances murder, investigation, romance, and action this well, especially without relying on modern technology. No DNA, no computers, yet every case feels sharp, clever, and incredibly satisfying to watch.

The story follows a woman living under a hidden identity after her family’s tragic downfall, and her journey into medicine and forensic investigation is fascinating. Watching her perform autopsies and solve crimes using traditional techniques is one of the drama’s biggest strengths. Every case feels layered and purposeful, with just enough mystery to keep you hooked.

What really elevates this drama is the chemistry between the leads. Landy Li as Qin Wan is intelligent, calm, and fiercely independent, while Rui Peng as Yan Chi brings strength and quiet determination. Their slow-burn romance is soft, natural, and genuinely heartwarming without overshadowing the main plot. They complement each other perfectly, both driven by justice and truth.

The action sequences and martial arts are another highlight. They’re well-executed and add intensity without feeling excessive. Combined with the darker themes of revenge, hidden agendas, and political intrigue, the drama never loses momentum.

Coroner’s Diary ticks every box: compelling investigations, strong characters, emotional depth, and a romance that feels earned. It’s easily a 10/10 and one of the most engaging historical crime dramas I’ve seen.

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Nan Pin Di Wang Tai Wu Qing, Ke Wo Shi Ta Bai Yue Guang (2025) is a good adaptation from the web novel "Chuai Diao Yan Qing Nan Zhu, Gou Da Nan Pin Di Wang" by You Gong Yu with Wu Zhu Xi (as Quan Ming He) and Yue Yu Ting (as Shen Yu Ling) in the leading couple’s role. The cast did a good job bringing their characters to life and the leading couple had a very good sensual chemistry. There is a satisfying twist at the end of this version.
In the meantime, this drama can be found in YouTube under the caption:“The emperor is too ruthless, but I am his white moonlight” (https://www.youtube.com/watch?v=NmKzXzlc2kI)
Or:“【完整版结局】21世紀戲精影後意外被穿越女搶氣運的言情女主，她轉身撩上那個高高在上的帝王，都說他喜怒無常陰晴不定，可那天她當眾直呼他的名諱，他卻一臉寵溺把她摟緊懷裏輕吻！ (https://www.youtube.com/watch?v=-jVY4QEkMic)

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Pursuit of Jade: An Antihero Undone by Its Own Narrative

*Final Review*

Pursuit of Jade is one of the most anticipated historical idol dramas of 2026, helmed by the director of last year's dark horse hit Blossoms and written by the screenwriter of Love Like the Galaxy. Adapted from the novel of the same name, the story follows the coming-of-age journey and romance of Fang Changyu (Tian Xiwei) and Xie Zheng (Zhang Linghe) as they navigate war, court politics, and the burdens of filial piety.

Fang Changyu is an incredible character—full of life, love, and optimism that shines through her big round eyes, warm smiles, and small gestures. Raised with martial arts prowess and a knack for butchering pigs to support and raise her younger sister after being orphaned, she grows into a resilient yet warm-hearted young woman. Tian Xiwei does a remarkable job bringing her to life, and throughout Fang Changyu’s journey from a teenager to a woman, she never loses the central charm that even captivates Xie Zheng, the Marquis of Wu’an.

Opposite such a heroic heroine, we have an antihero love interest. Xie Zheng embodies the archetype of an intriguing grey character—domineering and cold, yet with a jade-like presence. We first meet him on the brink of death, saved by Fang Changyu, and he agrees to a fake marriage to give himself time to heal and uncover who tried to kill him. Through this low-key mystery, we come to fall in love with him much as Changyu did, drawn to his depth and complexity. While Changyu grows to understand the darkness in the world while keeping her brightness intact, the Marquis grows to understand that even in darkness there is still light—and even the faintest spark is worth fighting for and holding onto. For Zhang Linghe, this is easily his best acting role to date. His subtle facial expressions, precise bodily movements, and commanding posture fully embody the Marquis—a man forced to grow up too soon, hardened by the battlefield.

One of the most compelling scenes involves the first quarrel between the two leads, set by the riverbank where they first met. The beautiful lighting from the fire illuminates half of the Marquis’s face—one side warm, one side shadowed—highlighting his sarcasm, coldness, and ruthlessness, which contrasts sharply with the warm, quiet man viewers have watched for 17 episodes. Confronting the steadfast, bright-eyed heroine, he steals a kiss; she fights back, pushing against the unfairness and selfishness of the Marquis’s choice. The scene perfectly captures the tension, passion, and complexity of their relationship.

The story itself is structured in an engaging way. The first third focuses on slice-of-life moments, establishing character and relationships; the second third moves into military strategy and chess-like maneuvers; and the final arc centers on palace politics, intrigue, and high-stakes tension.

However, the drama’s deviations from the novel introduce noticeable narrative weaknesses in the second act moving into the third, particularly to the detriment of its antihero. Even without a direct comparison to the source material, Xie Zheng’s lack of screen time and absence of key action sequences undermine his credibility as the Marquis of Wu’an. Some may argue that the story is centered on Changyu, but that reasoning feels insufficient—why must a strong female lead come at the expense of a diminished male counterpart to prove her strength?

Another deviation weakens the thematic core of the story: the loss of jade’s symbolic meaning. In the novel, jade carries a dual significance—Xie Zheng is described as a rare piece of jade, as seen in Fang Changyu’s conversation with Madam Zhao about the fake marriage, and “jade” is also embedded within Changyu’s name. As such, “pursuing jade” operates on two levels: Xie Zheng pursuing Changyu, and Changyu pursuing Xie Zheng. In the drama’s current form, this duality is reduced to a largely one-sided pursuit. Even if the narrative leans toward Xie Zheng pursuing Changyu, his diminished presence and character regression ultimately undermine the very meaning of the title.

In novel storytelling, the actions and deeds of Xie Zheng can be conveyed in a few lines, left to the reader’s imagination—his timely arrival at battles or decisive off-screen maneuvers. In visual storytelling, however, these moments cannot be omitted. They are essential not only to character development but also to world-building. Imagine if we never witnessed Gandalf’s struggle to arrive at the Battle of Helm’s Deep in The Two Towers—if his turning point existed only as an off-screen mention. The emotional payoff and narrative weight would collapse. The same principle applies here: without showing Xie Zheng’s capabilities, the story risks telling rather than demonstrating, weakening its own stakes.

Idol dramas often spend too much time emphasizing star power, but people forget that what truly makes or breaks a narrative is the director, writer, editor, and cinematographer. With the right director—one who understands their actors, their limitations, and the power of visual storytelling—even relatively unknown actors can bring a story to life. Great writing creates great characters, and it also makes the editor’s job much easier, shaping pacing, tension, and emotional resonance. Cinematography, with its use of light and composition to realize the director’s vision, is equally important. Pursuit of Jade happens to have all the right elements to make it work.

With its compelling characters, layered romance, and intricate storytelling, Pursuit of Jade doesn’t just entertain—it draws viewers into a fully realized world of courage, love, and intrigue. Fang Changyu’s growth, Xie Zheng’s complex charm, and the careful balance of slice-of-life warmth, military strategy, and palace politics create a narrative that feels both intimate and epic. For fans of historical idol dramas looking for more than surface-level romance, this series promises a journey that is as visually stunning as it is emotionally resonant—when it allows all of its characters the space to fully shine.

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When Storytelling Feels Effortless and Every Moment Matters

The first thing I want to say before starting this review is that this drama is not a rom-com. It is a historical, mystery, fantasy romance with time travel, so it naturally leans toward a more serious and emotionally grounded tone as the story progresses. I’ve seen many people complain about this shift, but personally, I really liked it. The drama stays true to its core themes instead of forcing lightheartedness where it doesn’t belong.

While it does begin with some comedic and light moments, it gradually evolves into a well-paced story with clean and thoughtful storytelling. From start to finish, it was an incredibly enjoyable experience. In fact, the pacing and consistency are so strong that I barely skipped anything(maybe around 15 seconds in total) which is honestly praise for how engaging and tightly written the story is. Every scene and dialogue feels important, and nothing feels like filler.

The time-slip element is handled in a way that feels engaging rather than confusing, and the transition from humor to deeper emotional storytelling is smooth and well-executed.

The characters are a major highlight. Park Yeon Woo is strong-willed, independent, and easy to root for, while Kang Tae Ha’s emotionally distant personality slowly softens over time. Their relationship develops naturally from strangers to partners, and eventually into something deeper and meaningful. What I especially appreciated is how both leads handled boundaries. Even though there were potential love interests around them, neither of them encouraged those feelings unnecessarily. They were clear, respectful, and emotionally aware, which made the romance feel mature and grounded.

Another beautiful aspect of the drama is the supporting relationships. Yeon Woo’s bond with her best friend/her servant, who feels more like a sister, adds warmth and emotional depth to the story. Their connection brings a sense of comfort and familiarity, making those moments especially memorable.

The dual timeline concept is handled thoughtfully. Keeping the same names for characters in both timelines makes it easier to follow, while also highlighting emotional parallels between past and present. The final episodes are bittersweet, especially with the separation and Yeon Woo’s struggle between the past and present versions of Tae Ha. While the ending may feel a bit rushed to some, I personally felt satisfied with it.

Even after the ending, there are still a few things that leave you curious, and I actually liked that. When you become so attached to the characters, it’s natural to want more of their story, especially their happy moments together. That lingering curiosity, for me, is a sign that the drama did something right.

One thing I would strongly recommend is to avoid reading reviews or comments before finishing the drama. It’s best experienced without outside influence. Many of the questions people raise are actually answered within the story, but skipping scenes or going in with the wrong expectations can take away from the experience.

Overall, this is a drama that rewards patience and attention. It’s not about constant excitement, but about emotional growth, subtle storytelling, and meaningful relationships. If you go in with the right expectations and an open mind, it becomes a deeply satisfying and memorable journey.

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It’s cute

Overall I really liked this drama, plot was nice and touched on serious situations regarding celebrities which is refreshing to see (hopefully those landed for a couple parasocialarsers)

Kinda annoys me that even though they have known eachother for 10 years she seems to still not know him and let herself be bothered by what that crazy rich woman told her, like fr? The man is crearly head over heels for her and she still doubts it. If her worries were about his fame and how ppl would react to them beign together I get it, but she’s doubting his love for her? Also, every time they kissed and stuff felt kinda awkward like I get wanting to be cutesy but they are grown ppl.

Despite this lol, I really enjoyed this romcom and all of the couples were so cute and overall think the storyline was good. The last eps did feel a bit rushed but it was okay.

Honestly will probably rewatch it, I liked it!

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Good, but 10 episodes too long

I really really enjoyed this show until episode 25 or so. The chemistry is great between the too leads, and the slow burn romance is very sweet. Reminded me of Hidden Love (my all time fave) for a bit. The problem is that everything pretty much resolves by episode 25. That means we are treated to 10 extra episodes where nearly nothing
happens. Don't get me wrong, I often praise kdramas and cdramas for giving us what i call a "victory lap". That's what I call when they have 1 or 2 final episodes where everyone is happy. But 10 episodes with no drama, and lovey dovey couple just looking cute together was a bit much.

So enjoy the built up of the romance, because its really good. But I recommend a lot of fast forwarding for the last quarter.

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Your typical Taiwanese BL

I went into this one with pretty high expectations considering its high rating, but it ended up being okay and not so different from other Taiwanese BLs, where there's silly humor and. heart-warming home scenes mixed with random dramatic plot points like attempted assassination. The side ship also started off strong, but the short runtime really worked against them; they didn't really have time to develop, but I ultimately think this was the right decision because our main leads used the screentime well.

What this drama does do really well though, is deaf representation. It approached the topic with sensitivity while showing many different ways to communicate through his relationships with his family and friends. The male lead ended up being my favorite part of the drama and he brought a very soft tenderness to the show.

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Dilraba should pick better dramas.

So, this actually had a decent storyline, but it never developed or grew into anything. It took me a long time to watch this drama because I had a feeling it was going to disappoint. I was excited in the beginning, waiting for this folklore to triumph. It just fell flat for me.

This had so many plot holes and inconsistencies that it just did not work. Dilraba Dilmurat is the guiding light. This was a basic good and evil plot. The only thing was that the good could not fight well, and also lost most of the fights. So, that was a turn-off from the start. I kept waiting for it to get better, but it did not.

This could have been so much better with the special effects and cinematography. The production was cheap and poorly done. One of the things I dislike most about any production is when the lighting is dark. This usually means they have a lot of flaws to hide from the audience. Most of the scenes looked like they were done on a farm and a factory. So, another film where they did not spend money to make, but made money on the famous names.

Dilraba plays a superhero who has no real superpowers and gets hurt more than she should. The leads did not have any type of chemistry. I am not a fan of the ML. They could have cast better for this drama. However, that would not have made it better.

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Great to see them again

I liked this one still, but I definitely think it's generally weaker than the first season.

It doesn't have the more grounded plot of So Mun's normal life — and the bullying plot and So Mun's relationship with his childhood friends were my favorite aspect of last season. Do Hana has this this year, and while it's not a lot, it's once again my favorite part.

I like how this season similarly tries to make a personal connection with its choice of antagonist, and it definitely works. The emotional scenes are great and everyone's acting is great. However, this antagonist and the main villain really were the only ones I cared about, and the smaller villains came across as more annoying and unnecessary to me (especially when the characters spoke in very bad Mandarin sorry).

Of course, we also have a new addition to the Counter family, and while he's fun and well acted, I think he really needed more backstory so his character would have more depth and he'd have a more purposeful character arc.

Overall, still a nice watch, though I really miss the "underdog" feeling we got from the first season.

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