Reviews

Script was boring and unbelievable after episode 30

As usual the innocent face guy was the villain, the script was unoriginal after episode 28, i get that emotions were out of whack when hearing your wife to be may be your sister, but how do you forget a major investigation, especially when you were almost killed. The drama started strong but midway its like they changed the scriptwriter and replaced with someone who didn't have common sense. Main female lead was good until episode 30 then she got weak and stupid, especially for someone running a multi-million company. She added nothing to the show. The actress that played the part was ok. The main male lead was good until said episode. And then it seems like he turned into an idiot. The chairman was a skirt chasing idiot. The mistress was the only one who stayed true and was interesting. I actuall started fast fowarding a lot of parts because they were boring.

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give it a try

there are flaws in the story plot but their chemistry was good. kissing scenes were felt real. some reviews state that they dropped because of the lead's personality but people are like that and they change when they meet the right people. they don't know which is right or wrong so they choose the path whatever their heart says. this series is kinda the same. but not that makes you traumatic. decent scenes with mild obsessed psychic kinda lead. it depends on each person's interest. i liked it even though i hesitated to watch after seeing some negative reviews. just go and give it a try.

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A Promising Start Lost in Slow Pacing and Emotional Flatness

I'm currently on episode 20, and honestly, it's been a disappointment so far. The drama has some decent moments, but nothing really impressive. I went in expecting a serious political story with real tension and high stakes, but instead it feels more like a historical slice-of-life that doesn't really go anywhere. The pacing is extremely draggy, with many scenes stretched out far longer than necessary, making the story feel slow and repetitive. The directing and staging don't help either, as a lot of scenes lack energy, tension, or impact. Despite having a sociopolitical backdrop, the overall tone is surprisingly light and comedic, which makes it hard for me to get fully immersed.

The action scenes also lack any real suspense or sense of danger. A lot of sequences spend too much time on minor details, which further slows the pacing down. Visually, nothing has really left an impression on me either. There aren't any particularly memorable shots, and the cinematography feels pretty standard throughout. I honestly think the drama would have benefited from tighter pacing or fewer episodes.

Episodes 1–12 were actually quite promising, but after that the plot became very predictable. The series leans much more into comedy than serious storytelling, which made it harder for me to stay invested.

The characters are another issue for me. A lot of them feel strangely shallow, as if they're all attending the same summer camp rather than living in a royal court. They rarely convey much emotional depth, and even the emperor feels oddly casual with his soldiers. There's almost no sense of hierarchy, protocol, or professional distance, which makes many interactions feel superficial and less believable.

As for the romance, it hasn't worked for me either. The leads barely spend time together, and the few scenes they do share feel rushed and underdeveloped. Twenty episodes in, the relationship has barely progressed, and I just don't feel any chemistry, spark, or butterflies when they're on screen together. What makes it even more frustrating is that it feels like we're watching the same conversations and the same moments play out over and over again, without any meaningful development or change in their dynamic.

My biggest complaint, though, is probably the tagging. Based on the tags, I expected a serious political drama. In reality, "comedy" and "slice of life" would be much more accurate descriptions. Better tagging would help set expectations properly because, personally, I felt a bit misled.

For now, I'm putting the drama on hold. I haven't decided whether I'll continue or drop it completely, but at this point I'd probably give it a 6.7/10.

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Started to lose interest

How can you start out liking a drama then later as the drama keeps going the storyline loses itself and becomes a chore?

Kept seeing "best drama of the year" and this one didn't make that list for me. I took some points off in my rating.

The ml and fl storyline started to get bland to me and dragged. I started looking forward to watching side characters scenes instead. Sometimes the side characters barely get episodes and when they do all my attention is there.

Stayed watching for Qi Min and his brother I know their scenes are crazy, but their acting was good.

The main storyline got too boring when ML didn't tell
FL his real name. & when FL kept pushing ML away.
When they finally got together I didn't care and skipped them completely.

I do believe without introducing Qi Min storyline in the drama I probably would've dropped it awhile ago if he wasn't in here, but thanks to Deng Kai acting saving my attention span I stayed.

Wish they showed more of Qian Qian character and how did she get there.

Regardless, I hope they get Deng and Snow together for their own drama being mains in the future.

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The Cat Whisperers

I put off watching this because I'm not a fan of animals 'speaking'. It's the voices and too many animal shots. But something kept nagging at me and I couldn't let it go. I feared I would miss out on seeing Khao in a different setting. I'm happy that I gave in.

The show served a meal of predictably. The calmness of the script was so against what they were in for the past few years and it took a lot of getting used to. I began to wonder when the exceptional would happen. Then Lynx had a dream in the last episode that would leave me a mess. Napkins aplenty. He pulled one of the most emotional farewell scenes ever written. The ribbons streams, the messages and his tesrful pleading with mother. His actual goodbye to JuJu the next morning was so eloquent in the understatement. The tear that fell then the breakdown. Perfect.

Khao deserves the praise. He fluctuates effortlessly between his emotions. He can reel it in and dish it out with the perfect pitch. First did well also, as the cat whisperer. More sedated but that's the role.

The other support actors did deliver in their roles. Great is another who has the power to captivate and charm.

I am so glad that I got to see this. My main thing is that it landed on the perfect balance and left a warm feeling at the end.

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Speaking cats are not my cup of tea.... A show with a bitter aftertaste

When the president of GMMTV is the executive producer of series, I know it can't be good.But I bet if they made a series where FirstKao reads the entries in the telephone-book (you remember the books you got every year in ancient times?) the reviews would be flooded with 10. So I will not be surprised when I get review-bombed (again).

Kao knows how to act, but a weak script can't save him. The show leaves an bitter aftertaste because of course this is the last show of the WinnySatang couple. They did not have a romantic storyline but just the finale revealed that they will be happily ever after. Besides that we got cringy "cat-voices" which did kill the show for me.

The recipe of most GMMTV productions is a feel good show, nothing serious, a bit fluffy and also nothing really keeping me hooked storywise. It's all just plain and simple and for me quite boring. The storyline with the mom was the highlight even when it was quite sad but besides that it had not much to offer.

Production quality was impecable this time around. The best thing I can say: the cats were adorable and I'm happy the show is over because regardless of cute animals and a cute couple, nothing could safe the series with such a lame script.

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JossGawin’s Impactful Performance & A Standout OST – A Memorable GMMTV Series

Only Friends” and its sequel “Dream On” deliver an intense, character-driven story that stays with you long after the final episode. One of the strongest elements is definitely the OST, especially “No One Can” by Gawin Caskey. The song captures the emotional tension of the series perfectly — raw, haunting, and incredibly memorable. It fits the tone of the story so well that it feels like an extension of the characters’ inner worlds.
I also want to highlight the performances of Joss Wayar and Gawin Caskey. Their chemistry and acting are genuinely impactful. Both portray complicated emotions with so much depth, especially in the more emotional and confrontational scenes. They bring their characters to life in a way that feels real and believable — you can truly feel their struggles, vulnerabilities, and connections.
Overall, this series stands out because of its bold storytelling, powerful OST, and the strong performances from the cast, especially JossGawin. If you enjoy relationship-focused dramas with great acting and memorable music, this is absolutely worth watching.

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A series that will warm your heart!

A very heartfelt and comforting series that leans more towards the slice-of-life genre, focusing on family bonds and human relationships, rather than being a classic rom-com. It features dramatic and fantasy elements, with the latter not being a silly or annoying trait. The show is actually very grounded and manages to incorporate the aspect of the talking cats very naturally to the story, adding only charm and soul to the series, which makes it unique in the right way.

The writing is solid overall and fun in the way it draws parallels between cats and humans. Every detail matters, serving as a means to progress the plot or contribute to the development of each character. As for the characters themselves, interestingly, almost from the very beginning, they feel very fleshed out, set within a strong world-built that makes you feel like you already know who they are and care about them. It was also refreshing to see the older characters having a substantial contribution to the story and being given proper attention, rather than being reduced to simple plot devices.

Acting-wise, whether the series demanded a more dramatic performance or micro expressions, First and Khaotung's portrayal always felt very natural and their chemistry was beautiful. Of course, credit goes to the very capable cast they were surrounded by as well. Both veteran and young actors did a great job at portraying their characters along with the actors who voiced the cats.

Overall, I genuinely enjoyed this series and I definitely recommend it to people who prefer more light-hearted dramas or feel stressed and overwhelmed. I didn't expect to get as invested in this storyline as I did, but I was pleasantly surprised by the emotions it evoked in me and the sense of healing and comfort it provided in every episode, making me look forward to the next one. It's not a gripping type of series with intense cliffhangers or heavy conflicts --and it doesn't aim to be-- but every element, from the characters and the writing to aesthetics and the music, is made with a lot of care, leaving a warm and positive aftertaste.

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Sweet and mellow slice of life

One reason I started watching verticals is because it's such a new form and I'm curious about how people might start to develop new ways of telling stories. Mostly at this point it's a capitalist slop of hot garbage, but I felt like this show is a move in the direction of "hey, we've got a unique new way of presenting a story, what can we do to make use of a vertical's particular features."

It's not really that this show breaks new ground in the kind of story told, but they put a level of effort into creating unique characters with recognizable roles in the story rather than using the same old trope-laden archetypes and dialog, and then they present the characters' journeys in a way particularly well suited to short form episodes. So often verticals give us these info dumps and compressed scenes where events happen in quick succession in order to move the story faster, but it gives a very "story outline" sort of feel to the show. This show uses the short form to do what I think of as "extreme close ups" of character moments.

As a result, the pace is slow, especially at first, but in a way that makes me want to say "mellow" rather than "boring.," and really fits the slice-of-life genre. The character development and plot movement is achieved by showing us up-close moments in which a character realizes something, changes, makes a decision, or experiences a growing connection with other characters.

For example, at the very beginning of this sort of "flash marriage" set up (they met on an arranged date through a service rather than had parents arrange it), they are polite but akward with each other. One of the first plot sequences is the ML having a conversation with a friend who tells him that intimacy (in the sense of feelings) doesn't come from politeness. It triggers a change in his approach to the FL which shows both that he wants a closer relationship and is the start of the romantic developement (the inciting incident, if you will). The show avoids straight-up exposition and instead lets us *see* the change in a conversation that feels real, an expression on ML's face, and the in the related decisions he makes in the next two-three episodes. We know that the friend's comment landed, we learn the ML's goal, and it happens quickly, but also it feels very grounded and real.

The characters are recognizably linked to a lot of (especially vertical romance) character tropes, but they are dialed down about a million and given specific details and motivations so the characters feel real. For example we have a "abusive mother/kind mother in law" set up, but the abuse feels realistic and rooted in mistaken beliefs about parenting and specific difficulties. Over time, we come to see the mother as loving her children but also deeply misguided and bound by her own struggles rather than as a characiture of pointless malice. The mother-in-law's kindness is not overstated ("here are 25 villas and a private island! You are my only possible daughter-in-law that I recognize and the saviour of our family!!!")--instead there is a sequence of a few episodes in which the mother-in-law's supportive reactions and statements show that she values and respects her in-law as a person and wants to support a healthy marriage between the two.

The sibling relationship is also notably different from so many verticals in that it includes both love and pain (as a sibling, this gets my stamp of approval, and so refreshing over the absolute loyalty/absolute malice dichotomy most seem to go for).

In short, while the characters fill familiar roles and you can sort of guess what kinds of things might happen between them, the execution feels very satisfying because the characters feel more fully formed. We can understand why they take these actions, they change and grow. All presented as a series of important interpersonal moments, which allows the writers to mostly avoid creating stupid scenarios that telegraph what's happening.

It gets decidedly more tropey towards the end and they shove in an early early connection that I don't love, but the show stands as a decent entry into the romance category even outside the vertical subcategory. Definitely worth a watch if you like watching well-crafted characters fall in love.

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This is an absolute masterpiece

What a fantastic gem 💎. The most beautifulI drama I have ever watched over more than 200. I didn’t prioritize watching this great show and I regret. It is absolutely gorgeous and addictive. It has all, so moving, emotional, cute, sadness, Joy, heartbreak, tragic, epic, beautiful love story, fights, Fantasy, everything you can enjoy in this drama style.
The story is amazingly staged, well articulated and rich, you never get bored along these 40 episodes
First, I love the ML, Tantai Jin is everything, handsome, dark, cute, pityfyl, lovable, attaching, majestuous. The actor becomes one of my preferred chinese actors as whenever I see him in a show, he is doing great.
I also like the FL, who is also doing great. They are such a beautiful couple, with wonderful chemistry.
Never cried so much in front of a drama.
This is really a must to watch, and it is my favorite in this style.

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Strong beginning but nc-scenes alone don't tell a story...

While watching the first two episodes, I thought we get something different and interesting from Thailand for a change, but the script writers had no clear vision and in the middle of the series it felt just flat. We got our 2D awful father, of course the family of the other one was not better anyways and we got a side-couple to fill in the minutes.

The nc-scenes in the beginning were a story driver but that also collapsed in the middle of the show. At least they did try very hard to show us always different scenes, but that could not save the series. The endless explainations of the meaning of "peaches" was also getting on my nerves. It's ok to set it up once, but there is no need to repeat it every episode.

The side-couple could have been a balancing force with the sex-driven main couple but that also failed when in episode 4 they had sex quite quickly considering one of them was extremely reserved. After that the side-couple is just an afterthought with barely any screentime.

Production quality was ok, there where the occasional sound problems due to on body microphones, they used a lot of blur for no reason and an excessive amount of lipstick. The pacing was all over the place, especially in dialog scenes between the sentences they streched the time. This made some parts of this show quite boring. Instead of 60 minutes per episode, 40 would have been enough. Overall this is just an average show, started with a strong premise but it ended up in smoke and blur.

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