Reviews

Siren’s Kiss, A Kiss Best Skipped

Siren’s Kiss feels like a plot written without a clear outline, which is messy, unfocused, and ultimately unbearable to watch. As a fan of thrillers, this was a major disappointment. Even with a few convincing performances, most notably the villain played by Kim Jung-hyun, the writing is simply too sloppy to save the series.
Given the title, one would expect a cohesive narrative centered on seduction, manipulation, and fatal allure. Initially, Park Min-young’s character appears to fit this premise: an irresistibly attractive woman who lures men for their money and ultimately kills them. But that idea is quickly abandoned. The “siren’s kiss” concept all but disappears, leaving the story directionless and thematically hollow.
Instead, the drama overwhelms itself with subplots like office politics, workplace bullying, fraud schemes, and on top of that, the show leans heavily on the same tired narrative, " everyone is haunted by their past.” Trauma is endlessly recycled as motivation and long-suppressed resentment. Rather than adding emotional weight, these elements feel obligatory and lazily stitched together.
To make things worse, Wi Ha-joon’s character, initially introduced as an insurance agent, begins cosplaying like a detective, conducting investigations far beyond what his role would reasonably require. Does an insurance agent really need to go that far? And after all that, everything ultimately boils down to something painfully basic: stalking and revenge, making the entire journey feel like a waste of time. Ugh.
Visually, Park Min-young’s appearance is also distracting. Her overly polished, emaciated look comes across as a repetition of roles she has played countless times before, making her performance feel dull rather than intriguing. In the end, Siren’s Kiss is a missed opportunity, at least for me.

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When ‘Yes’ Takes Too Long: A Love Story in Hesitation

“Countdown to Yes” presents a heartfelt exploration of love, timing, and emotional vulnerability, anchored by a compelling friends-to-lovers premise. The story follows Minato and Wataru, two childhood best friends who reunite after three years apart, only to confront feelings that had quietly grown beneath the surface during their time away from each other.

At its core, the series thrives on the emotional authenticity of its characters. Minato emerges as the more self-assured of the two, open-hearted, decisive, and ready to embrace the possibility of love without hesitation. His journey is grounded in clarity; he knows what he wants and isn’t afraid to pursue it. In contrast, Wataru is defined by his internal conflict. While he clearly reciprocates Minato’s feelings, he is paralyzed by the fear of change specifically, the risk of losing what they already have should a romantic relationship fail. This tension between desire and fear becomes the emotional backbone of the narrative.

The chemistry between the leads is one of the show’s strongest assets. Their dynamic feels natural and lived-in, with small, quiet moments,lingering glances, unspoken understanding, and subtle shifts in body language, conveying just as much as the dialogue. The series does an excellent job of illustrating that their connection goes beyond friendship; it’s in these understated interactions that the depth of their affection truly resonates. Additionally, the inclusion of flashbacks that reveal when their feelings first began to change adds an extra layer of emotional weight, allowing viewers to fully appreciate the gradual evolution of their bond.

However, while the emotional foundation is strong, the pacing ultimately undermines the story’s impact. The central conflict, Wataru’s indecisiveness, is stretched far longer than necessary, causing the narrative to feel stagnant at times. What could have been a nuanced exploration of fear and vulnerability instead becomes repetitive, with the same hesitation revisited without significant progression. This overextension detracts from the overall momentum and leaves the latter half of the series feeling less satisfying than it could have been.

The show also succeeds in weaving together themes of friendship, romantic relationships, and family dynamics, creating a well-rounded emotional landscape. Each element contributes to a broader understanding of the characters and their motivations. That said, the storytelling occasionally lacks refinement, particularly in how conflicts are introduced and resolved. Given the relatively short runtime, there was a missed opportunity to streamline the narrative and focus more on the development of Minato and Wataru as a couple once their feelings were fully acknowledged.

Visually, the series delivers a mixed experience. While certain scenes are beautifully framed and enhanced by a thoughtfully curated soundtrack, the overall cinematography falls short of expectations, especially considering the characters’ shared passion for photography. This aspect could have been used more intentionally to reflect their perspectives and emotional states, adding a richer visual dimension to the storytelling.

Despite its shortcomings, “Countdown to Yes” remains an enjoyable and emotionally resonant watch. The performances are sincere, the central relationship is engaging, and the portrayal of love, particularly the fear that can accompany it, feels grounded and relatable. Ultimately, while the series effectively captures the tenderness of falling in love with someone you’ve always known, it leaves viewers wishing for a more concise narrative and a deeper exploration of life after the long-awaited “yes.”

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Black Mirror meets cliche romance Kdrama

I was suuuper excited to start this show because of its premise. Imagine being able to date multiple characters at once and there never being consequences, it genuinely does feel like more of a game than actual dating just like Mirae’s best friend treated it LOL.

I absolutely loved the cameos of the actors EXCEPT for one and I’m sure all of you know who it is…

Points off for having Siwon in there. I guess kdramas just LOVEEEE giving problematic actors a platform, don’t they?

Overall the kdrama was pretty good. I liked the silly tropes they portrayed in the virtual reality, it reminded me of fanfics I used to read as a teen. I would’ve absolutely loved Boyfriend on Demand irl 🤣🤣🤣

I don’t really have anything to complain about tbh, this show was pretty entertaining from start to finish although it did get boring around like 3 last episodes because WHY did they need to have like the most stupidest miscommunication ever 😭 did they run out of ideas …? like 😭

I’m not gonna be too mad at the cliches since the whole premise is making fun of cliches but then it seems like they completely forgot about the irony of cliches and fully leaned into it with the main couple at the end, it kinda irritated me lol. half of their problems could’ve been easily avoided by talking…and these are two grown adults who described themselves as ‘realists’ in the beginning who don’t get swayed by cliche romance…like alright buddy whatever that means.

also as much as I love Seo Inguk and his role here… Seo Kangjoon…can’t move on from him. He should’ve been the main lead my goodness 😫

This is the first time I’ve watched Jisoo act and I’m actually not that disappointed as I thought I would be. People criticised her acting im snowdrop so I just assumed she’s a bad actress overall but if thats the case, she definitely got better. Her acting wasn’t that bad.

But yeah it was an entertaining show. But really…having Seo Kangjoon and Siwon in the same Kdrama doesn’t sit right with me. Eugh..

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Probably a skip for most but watchable if you want to look at Motoki

Overall, I thought this was fine. If you've been chomping at the bit for more Motoki content like me, I think you'll get what you came for. My expectations were quite low because of the AWFUL graphics of the in-universe game that Sota plays in the first ep, and given the concept of smart farming, I was worried this would be heavily pro-AI or even written by AI, but there are a couple scenes directly addressing AI and seemingly framing it as negative (generative AI at least), so I'm more inclined to think this was a clumsily-written human creation with a low budget.

It is a little too quirky for its own good and Nakamura Yurika's character in particular is weird and kind of pointless. I also wish it had focused more on the actual farming. Instead, a lot of the attention is on broader social issues - workplace harrassment, bullying, migrant workers, tradition vs modernity - which is fine but has been done better in other dramas. But there were still some poignant moments, it did get a genuine laugh out of me a couple of times, and I was able to watch to the end without fast-forwarding, so there was enough there to hold my attention (primarily Motoki lol), and it didn't overstay its welcome.

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Özümü tapdım

Bu serial mənim üçün çox xüsusi oldu. Hekayədə hər şey məni çox təsir etmişdi, xüsusilə baş roldakı qızın xarakteri və gücü mənə çox yaxın gəldi. Bəlkə də baş rol qızda özümü görürdüm, ona görə bu qədər çox sevdim və bağlandım. Serialın romantik məqamları ilə komediya hissələri arasındakı balans mükəmməl idi. Həmçinin, aktyorların bir-biri ilə uyumu (chemistry) çox təbii idi. Musiqilər də hər səhnənin duyğusunu daha dərindən hiss etdirirdi. Əgər həm gülmək, həm də duyğulanmaq istəyirsinizsə, bu serial mütləq izlənilməlidir. Mənim favoritlərim sırasına daxil oldu və bir neçə dəfə yenidən izləyəcəyimə əminəm.

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Came for the business lessons ;) , stayed for the tragic love story.

On the second leads: A sad love story, yet so moving and memorable. Started the show ‘cause of #chenxiao & #sunqian, but #zhuyawen & #juliaxiang truly captured my heart. Their real age gap weirded me out a little at first, but how their relationship was developed in the show truly convinced me, and I found myself rooting for the second couple harder, to the point that I wonder how can she ever go on once he is no longer.
Hats off to the second couple’s superb acting.
I don’t like the way she was written off the show. Although they’re moving her out of the way to make room for the the main FL, but it’s too convenient, too arupt and harsh on Juilia Xiang’s character.

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Not what i expected at all

I only wanted to watch this series because of Shin Hye Sun. I have loved all of her previous works, and I knew I wouldn't be disappointed watching something she is in. To be honest, I didn't know what to expect, but I was surprised by what we got.

In my opinion, the story was interesting and hard to predict – which I personally really like. The way the details were revealed made me want to keep going because I just couldn't guess the outcome. It was full of smart twists that keep you watching, even if it might feel slow at times. Personally, I don't think it was boring, but it wasn't a typical thriller either. You just watch it and you want to be smarter than Sarah Kim, but you just can't outsmart her, even when you are sure you can.

The acting was top-tier. Every actor and actress did wonderfully – especially Shin Hye Sun toward the end. There were moments when she didn't even talk, but you knew exactly what she was thinking just by looking at her face. I think her performance was extraordinary.

The colors (or the lack thereof) gave a heavy atmosphere to the whole series. All in all, I recommend watching it and going through this messy journey with Sarah Kim. You slowly get to know who she is, yet you never really get a final answer to that question.

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soft paws, sharp feels

Cat for Cash is one of those rare dramas that quietly pulls you in and then absolutely devastates you—in the gentlest, most unexpected way.

At first glance, it plays like a quirky, feel-good BL rom-com: Lynx, an interpreter who resents his late mother and hates cats, is forced to take over her debt-ridden cat café. To clear the debt, he ends up working with Tiger—a kind-hearted (and very handsome) debt collector who loves cats and can somehow understand their meows. It’s an odd, almost whimsical premise, but the series handles it with surprising sincerity and emotional depth.

The moment I saw the pilot of this series, I knew I was going to watch it for two reasons. First, I’m a cat dad, so my love for cats alone was more than enough to pull me in. Second, FirstKhaotung are the leads—and if only for their acting skills, I was already sold.

What starts as an enemies-to-lovers setup gradually unfolds into a deeply personal story about grief, abandonment, and reconciliation.

The emotional turning point comes early with the death of Lynx’s mother, Je Meow. Her passing doesn’t just set the plot in motion—it defines it. Lynx’s grief is messy, layered with resentment and unresolved pain. He isn’t just mourning her death; he’s mourning a relationship that never felt whole.

As the series progresses, the café becomes more than just a setting—it becomes a space of healing. The cats, each with distinct personalities, act as emotional bridges between Lynx and the memories he’s been trying to avoid.

ne of the most devastating arcs involves Grandma Juju, Lynx’s first adopted cat. In a heartbreaking moment, Lynx finally gains the ability to understand cats—just in time to hear Juju thank him and say goodbye before passing away. That scene hit me on a very personal level. It reminded me of my own cat, who passed away in February, and I genuinely wasn’t prepared for how much that moment would affect me. It’s quiet, restrained, and deeply emotional—no over-the-top dramatics, just raw, honest pain.

Equally powerful is Lynx’s reconciliation with his mother. Through memories, conversations, and the lives she left behind, he begins to understand her love in a way he never could before. It’s not a clean resolution—but it’s honest, and that’s what makes it land.

At the heart of the series is the relationship between Lynx and Tiger.

Unlike many BLs that rely on external conflict or drawn-out misunderstandings, their connection develops organically—through silence, shared routines, and small acts of care. It’s a slow burn that prioritises emotional intimacy over physical expression.

Tiger stands out as a refreshing male lead. Despite being a debt collector, he’s gentle, emotionally intuitive, and deeply compassionate—especially when it comes to Lynx and the cats. There’s also a subtle but powerful layer to his character: his love for cats despite being allergic to them. It becomes a metaphor for loving something fully, even when you can’t hold it close.

Lynx, on the other hand, carries the emotional weight of the story. His journey—from guarded, resentful, and emotionally distant to someone capable of accepting love—is the strongest arc in the series.

That said, the romance may feel understated for some viewers. The series leans heavily into emotional connection, with minimal physical affection. It’s a deliberate choice—artistic and refreshing—but it does leave the relationship sitting in a slightly ambiguous space at times.

The series is anchored by the chemistry and restraint of its leads: First Kanaphan as Tiger delivers a soft, grounded performance filled with warmth and quiet sincerity. Khaoutung Thanawat as Lynx offers a more subdued, internalised portrayal—proving his range with a performance that relies on silence as much as dialogue. Satang Kittiphop as Leo adds tension and emotional contrast. Fresh Arisara as Je Meow leaves a lasting impression—her presence is comforting, even in absence. Even the names of the characters are feline and I love it.

Directed by Kornphom Niyomsilp, the series takes a more intimate, character-driven approach. It avoids flashy storytelling in favour of quiet, reflective moments.

The screenplay by Pongsate Lucksameepong and Nichapat Buranadilok is one of its strongest elements. The pacing is deliberately slow, allowing characters to breathe and relationships to develop naturally. Instead of forcing drama, it builds emotional investment through routine, silence, and subtle gestures.

Visually, the series leans into warm tones, soft lighting, and intimate framing. The cat café feels like a sanctuary—filled with memory, affection, and unresolved pain. The cinematography often feels like watching memories unfold rather than scenes.

The soundtrack deserves special mention. It’s subtle but incredibly effective—knowing exactly when to hold back and when to amplify emotion. Even the opening credits, featuring the cats in playful montages, set the tone beautifully.

At its core, Cat for Cash explores: Grief and unresolved family trauma, forgiveness and reconciliation, found family and love in its quietest, most patient form. It also uses cats as a central metaphor—representing independence, distance, and silent affection. The relationship between Lynx and Tiger mirrors this beautifully: one distant and guarded, the other open and quietly persistent.

In a genre often driven by high drama and big twists, Cat for Cash chooses a softer path. It’s smaller in scale, slower in pace, and far more intimate in execution.

It won’t be for everyone—especially if you’re expecting a more conventional BL with clear romantic milestones. But if you’re open to something quieter, more reflective, and deeply emotional, this series delivers.

It doesn’t scream for attention. It doesn’t force its impact.

It simply stays with you.

I laughed, I cried… and then I cried again. And for a story this gentle to leave that kind of mark—that’s something special.

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Luo and Behold: Family Drama Unfolds

If family drama were a chessboard, Luo Yi Ning would be the quiet player moving pieces while everyone else is busy arguing over the rules. Born as the first daughter of an official yet treated like an afterthought, Yi Ning grows up under the shadow of her father’s favored concubine. With the unexpected support of her estranged half brother Luo Shen Yuan, she returns to the Luo household and steps into a maze of schemes, secrets, and long buried grudges. As she digs deeper into the mystery surrounding her mother’s death, truths begin to unravel, including one that changes everything. Yi Ning is not who she thought she was, and neither is her bond with Shen Yuan. What starts as sibling loyalty slowly blurs into something more, setting the stage for a romance that is as complicated as the family they are trying to survive.

Going into this drama, I could not help but notice how strongly it echoes The Story of Ming Lan. From the mistreated daughter trope to the ever scheming household politics, even down to Yi Ning’s mother being named Gu Min Lan, the resemblance is hard to miss. That said, this drama feels like a lighter, more snackable version. It does not carry the same emotional weight or lasting depth, but it makes up for it by being easy to binge. Revenge is still sweet, the female lead is still clever, and the family drama is still messy in the most watchable way.

That binge factor is honestly one of its biggest strengths. I flew through the episodes like it was a bag of chips I did not mean to finish in one sitting. But the more I watched, the more I felt the story pacing leaned a bit too heavily on the Luo household arc. A large chunk of the drama is dedicated to Yi Ning navigating the Luo family and building her dynamic with Shen Yuan as siblings. While I understand the intention to flesh out the family intrigue, it came at the cost of other relationships that had so much potential. Her time with the Wei family, especially with Duke Ying, felt like a missed opportunity. That side of the story carried warmth and a sense of belonging that Yi Ning had been deprived of her entire life, yet it only appeared briefly near the end. It almost felt unfair that just as she found that sense of home, the story quickly moved her back into the Luo family through marriage.

The romance itself is… complicated, and not always in a good way. Shen Yuan finds out fairly early that he and Yi Ning are not actually siblings, and from that point on, his feelings start to make more sense. Yi Ning, on the other hand, finds out much later in the story. I find it quite a pity how the transition from sibling bond to romantic love is surprisingly smooth, almost too smooth. There is barely any awkwardness, barely any pause, just a quick “my heart flutters now” and we move on. It made me wonder if there really is a thin line between familial affection and romantic feelings, or if the drama simply skipped a few emotional steps along the way. I also wish we had seen more of Shen Yuan’s feelings before that revelation, because his expressions earlier on felt a bit too ambiguous for comfort.

Speaking of Shen Yuan, Zhang Wan Yi delivers exactly what I expected. He is reliable, subtle, and knows how to convey emotions with the smallest changes in expression. His comedic timing also sneaks in at the right moments, adding a bit of charm to an otherwise reserved character. Shen Yuan himself is the definition of quietly impressive. Smart, skilled in martial arts, and secretly successful, he is basically the full package. What stood out to me the most is his selflessness. Even after learning the truth about Yi Ning’s identity, he keeps it hidden to protect her, even if it risks losing her. Thankfully, the writers avoided turning him into an overly possessive character, which made his love feel more grounded. I just wish we got more interactions between him and Duke Ying, because that father in law dynamic had so much comedic potential.

On the other hand, Ci Sha as Lu Jia Xue completely stole my attention. There is something refreshingly raw about his presence. He does not have that polished idol look, and that actually works in his favor. He feels real, grounded, and carries a commanding aura that makes every scene he is in feel tense. Jia Xue is a fascinating character. Not quite a red flag, not quite a green flag, more like a very confusing shade of grey. His love for Yi Ning is genuine, but his methods are questionable, sometimes crossing into unsettling territory. That infamous wedding chamber setup definitely tipped into obsession territory. Still, he brought a level of unpredictability that kept me hooked. Every time he appeared, I felt like something was about to go very right or very wrong.

What frustrated me, though, is how his relationship with Yi Ning was handled. Their entire fallout hinges on a misunderstanding, and for a character as intelligent as Yi Ning, her reaction feels inconsistent. She refuses to hear him out, avoids him, and immediately assumes the worst. Yet with Shen Yuan, she offers endless trust and patience, always giving him the benefit of the doubt. The contrast is jarring. Jia Xue was her first love, the one who stood by her during her loneliest moments, yet their story is brushed aside rather quickly. Without proper closure, it becomes hard to fully invest in her eventual relationship with Shen Yuan. It all starts to feel a bit too formula driven, like the script already decided who endgame should be and forced everything else to fall in line.

Ren Min’s portrayal of Yi Ning sits somewhere in the middle for me. Her acting is definitely still a work in progress. As Yi Ning, there are moments where she shines, especially when the character is being calculating and composed within the Luo household. But there are also scenes that feel awkward or flat, like her fainting scene which honestly made me pause and question what I just watched. Her character also feels inconsistent. She can be patient and strategic one moment, then impulsive and immature the next, especially in her interactions with Jia Xue. I also wish the drama explored her business skills more instead of just telling us she is good at it. Show me the spreadsheets, the negotiations, the girlboss moments please.

Visually, the drama keeps things simple. The cinematography and sets do their job but do not leave much of an impression. The CGI is noticeably obvious at times, and overall, the production feels a bit low budget. It does not ruin the experience, but it definitely does not elevate it either.

The ending tries to go big with twists and dramatic reveals, but it felt more like a drama inside a drama. I had already guessed the big ruse, so the final confrontation did not hit as hard as it probably intended. Some moments even leaned into unintentional comedy, especially with how certain reveals were executed. Jia Xue’s ending, in particular, felt anticlimactic, and Yi Ning’s reaction left me more amused than emotional. Still, I have to give credit where it is due. The final scene, with both the Luo and Wei families coming together to celebrate the birth of Yi Ning and Shen Yuan’s son, was genuinely heartwarming. It gave a sense of closure that the rest of the finale struggled to deliver.

At the end of the day, this drama is not groundbreaking, and it definitely has its fair share of flaws and logic gaps. But it is entertaining, addictive, and easy to watch. It is the kind of show you start casually and suddenly realize you are ten episodes deep at 3 a.m. thinking, just one more. And honestly, sometimes that is exactly what you need.

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Good But A Classic Case of Poor Pacing

Pursuit of Jade has all the ingredients for a memorable drama: compelling leads, a strong premise, and emotional depth. But in trying to do everything, it ultimately sort of fumbles its own story.

EP 1 - 18
We open in Lin'an (a cosy little village) and before you know it, we have an arranged marriage between 2 good looking people who clearly have some tension. One who is thought to be dead and the one who saved him. A great combination.

We get to play house for a while, butcher pigs, make friends with single moms, build a found family and beat up ex fiances all while fighting off judgemental neighbours and avoiding the problems in the capital like all Marquis and their wives do.

And then slowly but surely, reality catches up to them and they face a major disaster (EP 18).

EP 18 - 27
The next few episodes we see Changyu navigating grief from the horrible massacre of her village people, the loss of her little sister, separation from her husband and the conscription of her loved ones. She perseveres through it all and even gets conscripted into the army as well.

She goes to the camp in EP 24 where she sees Zheng and her little sister and then we spend the next 3 episodes setting BACK her character development and making her look like a fool.

She becomes this reckless, almost arrogant person who somehow thinks it's okay to flout military laws and bait prisoners, and instead of Zheng to allow her to deal with the consequences of her actions, he wants to be whipped in her steed because he's low-key a masochist.

Zheng still lies to her about his identity and then he proceeds to make a bunch of other people lie to her about it as well.

She also DRUGS him before a BATTLE and miraculously kills a GENERAL with no substantial wounds to her person and what does Zheng do when he shows up? Carries her away from the battlefield of course, to go and have a lover's spat because his true identity has now been revealed.

Does she face any repercussions for DRUGGING the Marquis at such a critical time? No, because she's Mrs. Fan Changyu and the rules don't apply to her. After all she was only trying to be a good wife right?

EP 28 - 30
Prince Changxin is finally introduced in EP 28 and by EP 30 he was dead. I kid you not. Just 2 and a half episodes we spare for this guy. This is someone they hadn't even SHOWN since the beginning. This big bad character shrouded in mystery, only to be killed in 2 strikes (as Changyu so humbly likes to remind us) by a 19 yr old who has alarmingly little experience fighting wars and seasoned, battle hardened generals.

She suddenly has superhuman, Avengers type strength and prowess and the fact that Zheng left her to fight him and went after SUI YUANQING of all people only to LOSE him at the end was the cherry on top of our delusional cake.

Notice how there hasn't been much worth mentioning about Zheng well that's because he's basically a background character when he's not interacting with Changyu and even then she overshadows him. He spends a lot of his time sick/riddled with injury and his only character trait is being Changyu's malewife.

EP 30 - 40
At this point, we have 10 episodes left and then suddenly the weight of the capital and it's schemes comes crashing down.

Changyu becomes a commander, the truth about her parentage, the Li clan's alliance with Qi Min, Qi Min betraying the Sui clan, Wei Xuan's parentage, Wei Yan and his past lover, Wei Yan and the puppet Emperor, Qi Min's plans of taking the throne, the truth about Eastern palace fire that happened 17 years ago, the truth about the Chongzhou massacre that also happened 17 years ago, etc.

So many plot lines, stories to follow, truths uncovered, loose ends to wrap up and it all ends up condensed and mushed together with a mildly satisfying ending.

The first half takes its time (maybe a bit too much) building an intense, character driven story with emotional stakes and the second half loses restraint and nuance. It's a bit poorly written and things aren't given the time they deserve. I found myself skipping through the last few episodes just to get the end quickly.

Overall, Pursuit of Jade was a promising watch in the beginning and an exhausting one in the end.

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SURPRISINGLY AMAZING!!

don’t even know where to start. i don’t usually leave reviews on this app but even a day after finishing it I constantly think about it so i had to leave a review!!

i thought it would be the usual step sibling situation and whatnot (which I already enjoy watching). after watching the first few eps i felt like the FL would be quite annoying in terms of her childishness however I was fortunately proven wrong!!

i absolutely love her character. she is playful but at the same time caring, calculated and the most important (and surprising for a Chinese drama) BOLD!! she clearly displays what she wants (the ML i mean haha) and I love it!! she doesn’t wait for him to do the first step and it’s perfect due to his distant and cold nature (even though he’s very caring actually).

i also love how he’s so attentive to everything. the last few eps were genuinely so amazing i can’t even give specific details since there’s so many absolutely perfect moments which also gives you a lesson on how a relationship should work believe it or not.

overall if u like distant but caring guy and a playful but straightforward and bold girl WATCH IT IMMEDIATELY!!

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Much better than Season 1

PLOT: A recap (in 4 episodes) of Season 1, continuing the Wayu/Phana relationship (complicated by Pring's persistence and the new love rival, Park), and Ming's attempts to win over Kit. Forth has a one-night stand with Beam (his friend) and decides to win him over.

+++ We see the return of Earth, Ben, Joong, Nine, and Dome. The actors are more convincing than in Season 1, and above all, Pavel lights up the series. It's his first drama, but we can already see his full potential ♡╰(ﾟxﾟ​)╯♡
+++ More dynamic direction (but a jarring edit in the finale)

### I'm still annoyed by Wayu's character; she's childish and indecisive.

=> A pretty good series in the college BL genre. The ending has a cliffhanger.
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Bien meilleur que le S1

PLOT: reprise (en 4 épisodes) de la S1 et suite de la relat° Wayu/Phana (compliquée avec la persistance de Pring et le nouveau love rival, Park), celle de Ming qui tente de conquérir Kit. Forth a une one-night-stand avec Beam (son pote) et décide de le conquérir.

+++ On retrouve Earth, Ben, Joong, Nine et Dome. Les acteurs sont plus convaincants que ds la S1 et surtt, Pavel illumine la série. C'est son 1e drama, mais on voit déjà tout son potentiel ♡╰(ﾟxﾟ​)╯♡
+++ Réalis° plus dynamique (mais un montage brusque ds le final)

### Je suis tjs agacée par le personnage de Wayu, enfantin et qui manque de décision.

=> Assez bonne série dans le genre BL universitaire. The ending has a cliffhanger.

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Not for me

First series of this mega project.

I really liked the telenovela and lakorn vibe it clearly shows on screen. The budget is there, and you can feel that the series is well-crafted, well-acted, and thoughtfully produced. The main couple has good chemistry and works well together.

However, I don’t think this series is really for me. I found it quite slow and sometimes boring. The only moments I truly enjoyed were the ones with the cousins.

I also feel like Rose and Din’s personalities are too bland and a bit too polished there’s a lack of passion or conflict, which is something I was hoping for.

Hopefully, The Water will do better.

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