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The director overdid
The main role died like WTFFFFFFF and the last kiss we get was like f*cking fish in their dreamsEVERYBODY DIED. And what about their poor son?
I'm so f*cked up. Not really sure if it was more about justice or revenge, They're all so f*cking selfish.
F*CK THE HAPPY ENDING IN DREAM. IT WAS A NIGHTMARE.
I WAS REALLY DISAPPOINTED. THIS OVERDO IS REALLY A BIG OVERDO OVERDOING OVERDO OVERDID AND I AM OVER DONE AND CANT MAKE 300 HUNDRED WORDS HERE HOW I AM F*CKED UP RIGHT NOW...I REALLY HAD HIGH HOPES AFTER HAVING WATCHED A HALF OF THE DRAMA AND THE ACTORS DID A GREAT JOB BECAUSE I REALLY STARTED TO HATE REN SUSU....
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"A man is like butter, the husband is the bread"
The Widow is one of those movies I’d love to rate highly as it was the first film directed by a woman in South Korea. Park Nam Ok was treated so poorly that she never made another film. As best as I can tell, the script was also written by a woman. Thank you, ladies, for attempting to break through that iron ceiling. A heads up, the film is missing sound in the last ten minutes and the final part of the last reel is missing altogether. Now to the story…Lee Shin Ja is a widow raising her young daughter Ju. Strapped for cash she meets with her husband’s wealthy friend, Mr. Lee (no relation) accepting money on occasion. Mr. Lee’s wife visits her and tells her to stay away from her husband, thinking the two are having an affair. Shin Ja’s hardscrabble neighbors drive the hoity toity woman off. When Shin Ja takes her daughter to the beach on the weekend, she discovers that Lee’s wife has her own secrets. Ju nearly drowns and Mrs. Lee’s lover, Taek, saves the girl. And before you can say “a man is like butter” we’ve got a love square going on. But wait! There’s more! Taek’s presumed dead lover comes to town. Make that a pentagon. At that point everyone should have heeded the warning sign and stopped.
Shin Ja was referred to as noble and she acted very demurely. She was graceful, spoke quietly, wore traditional clothes, and didn’t drink. She also dressed up and met with men in secluded places to talk and cajole money out of them. Why would a wife think that was suspicious? After meeting one of the men who was only dating a woman for the cash, they fell instantly in love and decided to marry. She then kicked her daughter out to be raised by the odd single dude two doors down. Ju nearly drown because Shin Ja was completely oblivious to the danger of a child in strong ocean surf by herself. If she said, “she’s such a burden” one more time I was ready to throw Shin Ja in the water. The 50s were a tough time for a single woman, especially a widow with a child. I could overlook her wheedling money out of men and looking for a husband. Abandoning her daughter to an older widower for a man was inexcusable. The movie completely lost me at that point. When her lover/common law husband hooked up with someone else, who cared? If this had been a comedy it might have made more sense, as it was, I began to laugh at the ridiculousness of the situations.
To sum up. Five stars to Park Nam Ok for having the strength to create this film, especially when she was blocked from entering the post-sound studio. I cannot imagine what she had to endure from every level of the craft to get this movie finished. I know how I would like the movie to finish ideally and it didn’t include the gigolo artist or company president but rather Shin Ja discovering she could take care of herself and her daughter by herself. Or if it went in a more realistic direction, Ju probably snapped and murdered everyone in their sleep after being shuttled about, ignored, and told what a burden she was. Like I mentioned, I really wanted to like this film, but discarding a child because she hampered romance was something I could not tolerate. I wish I could have said, "better luck next time Park Nam Ok", but she never received that chance. Truly the saddest thing about this film.
6 August 2026
Musical Note: At one point, two characters broke into song, reminiscent of the 1930s duets of Jeanette MacDonald and Nelson Eddy. Because why not, with all the crazy shenanigans going on.
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"A Second Watch of a Timeless Love Story"
A beautiful and unforgettable drama with a story that truly stays with you. I have watched many C-dramas, and although some of their stories slowly fade from my memory, this one is different. *Eternal Love: Ten Miles of Peach Blossoms* left a lasting impression on me.
For me, this is a heavy emotional drama filled with love, pain, sacrifices, and unforgettable moments. The story, characters, and emotions are so deeply portrayed that I still remember them even after finishing the drama. This is truly a masterpiece and a drama that I can watch again and again.
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Such an amazing drama and deserves more recognition!
Si Jin is truly one of my favorite dramas. The cast, the OST, the acting, the storyline... just perfect to me. Everything was so well-written and beautifully paced. Not a single episode felt boring. Every episode ended in a way that made me desperate for the next one.The villains were absolutely ruthless. But seeing them finally get exactly what they deserved was so satisfying. And the main leads finally got the happy ending they deserved after everything they went through from beginning to end. They just kept facing one obstacle after another, so seeing them happy in the end made me feel so satisfied.
I watched Si Jin a year too late, and I honestly wish I could've experienced it while it was airing in 2025. But at the same time, I'm so grateful I found this gem. It's truly become my favorite drama so far.
Thank you so much Jing Tian & Zhang Wanyi ❤️🔥
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Propose to me Zaddy!
Okay now hear me out! I don't usually vibe well with much toxicity in BL's. There's a balance game usually and this one at first definitely had me frustrated. It did keep my intrigue though with the mystery aspects of it and once we got past the literal hate fu**ing towards the beginning, I was down for the plot and chemistry! I literally wanted to protect Chae Ha so badly though, he was treated like such dirt all because of the father being a murderer thing! Leave my boy alone, hes trying his best in life!Esta resenha foi útil para você?
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A cute end to a partly nice show...
MDL graced us today with the page of the special, which was aired on May 10th (2026) or so. It could have been also just episode 25 of the Part 2, but no, there some people need an extra page. But should it not be "Fourever You Part 2 Special"?This is the typical special I expected. It's mostly cute, it enforces the bond of the "bottom" friends and of course it also have quite childish parts in it. Production quality was on the level we expect from Wabi Sabi, nothing to complain there. Overall this special is nice enough to bring the series to an end. If you watched part 2, you will also like this most probably, even when it's not stellar or earthshattering. At least, it's cute. As usual my rating is only for the uncut version.
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welcome back, Nam!
I really loved this drama! It's my first time watching a Korean horror-serise, and the cast's acting was solid all around. The CGI for the cute little Gumu following the male lead was great, and I really enjoyed his witty, comic-book-style inner thoughts.I also loved the dynamic between the leads—they didn't force an unrealistic romance amidst all the chaos, even though their subtle feelings and mutual care were clear.
The open ending definitely felt like the creators testing the waters for a potential second season if it hits big.
My only gripe was how chaotic the evil spirits became toward the end; new ones kept popping up out of nowhere, which was a bit confusing! But overall, it was a fun watch—welcome back, Nam!
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Une romance pas comme les autres
L'histoire est belle, humaine et triste. Mon cœur se serrait à chaque épisode. Une série sur la vie des stars qui n'est pas toujours rose. Une leçon sur ses choix de vie et les moyens pour les réaliser.Le jeu de Park Bo Gum est exceptionnel, on ressent chacune de ses émotions. On est heureux et triste avec lui.
Mention spéciale pour le clin d'œil de l'importance de la vaccination du papillomavirus pour les hommes.
Une série à voir, avec en plus Beyon Woo Seok, un super casting.
Bon visionnage!
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Une pépite dont on ne se doute pas
Mon conseil, tenez bon les 2 premiers épisodes, on a envie d'abandonner. Mais ce serait une erreur car on finit embarqué avec ces familles, ces amitiés et on veut connaître la suite. Je l'ai dévorée.Comme le titre l'indique, c'est un flash back en 1988, mais jusqu'à la fin, on cherche qui est l'homme qui est avec la conteuse de l'histoire.
J'ai découvert Park Bo Gum avec cette série et son jeu d'acteur est incroyable, il restera toujours pour moi, Choi Taek.
N'hésitez plus, allez au delà du ressenti des premiers épisodes.
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Lo mejor del BL tailandés.
Sin duda, de las mejores producciones BL asiáticas de todos los tiempos.Personajes más maduros y mejor desarrollados que la mayoría de series de temática similar. Música, escenarios, actuaciones, situaciones mejor cuidadas, unidos a la química especial de los protagonista ; Apo y Mile, quizás la mejor dupla. Apo siendo muy superior a la media de actores BL y Mile sirviendo como una buena muleta donde apoyarse.
Por supuesto, no exenta de fallos de coherencia, de guion o de desarrollo de personajes, pero no se trata de comparar el BL tailandés con Tarantino, sino con sus semejantes y en un contexto determinado.
Apo y Mile, la productora BeOnCloud parecieron saber interpretar quiénes son las mayores seguidoras de BL y supieron entender que podría tener mayor acogida ampliando el perfil (mayoritariamente mujeres jóvenes) a un público más maduro y diverso.
La trama en esta ocasión aporta algo más que sus semejantes, y está más integrada para arropar la historia romántica de los protagonistas, aunque sigue prevaleciendo la querencia de telenovelas por historias del tipo rico mafioso conoce enamorándose de gente, en principio, ajena a su círculo.
Merece la pena no solo para seguidores de BL por la acción, los escenarios, la música y el mejor desarrollo en general de la producción. Además, en esta ocasión no sólo hay unas caras (y cuerpos) hermosos al frente, en cuestiones de actuación Nattawin Wattanagitiphat (Apo) podría tener un buen desarrollo profesional merecedor de seguimiento.
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No leer si no aceptas críticas duras.
No todo debería valer.Cada vez me preocupa más que no se esté estudiando el BL asiático, pero encontrar producciones tan enfermas como esta, supera mis límites. La ficción es copiada por los espectadores, y por eso hay que poner límites a lo que se puede representar, lo que rodea la industria, y también al público que pueda acceder a ella.
Leer comentarios de personas que "justifican" la violencia, el sexo no consentido, los comportamientos mafiosos, o que no se alteren por mostrar la corrupción política y social, es preocupante. El Bl asiático traspasa muchos límites: desde la horripilante ideal del "fan service", a las relaciones que suele mostrar faltas de madurez, de carácter y de crítica, hasta los comportamientos y comentarios de algunos seguidores que justifican y se recrean en ese tipo de relaciones rancias y poco sanas. Como hay que confiar en la capacidad reflexiva del espectador, no nos atrevemos a poner freno o crear límites. Ahora bien, la locura mental de quien escribió esta novela, quienes la llevan a pantalla en estas condiciones, quienes lo representan, y los que defienden estas "obras" sin criticar sus peligros, son una línea peligrosa para mi. Mi reflexión es sin acabar de ver la serie, ni falta que hace.
El "fan service" de los protagonistas y su trabajo fuera de plató, lo mejor de la serie.
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No leas si eres fan de la serie.
Aburrida, cobarde, le sobra el 90% de los minutos y, de hecho, con ver el comienzo y el final resumido, compruebas que no aporta absolutamente nada.Actualmente con una puntuación de 9 en esta página, sólo puedo entender que los seguidores de los actores principales apoyan la producción por cariño a ellos, pero para los neófitos, la puntuación podría ser confusa.
En toda la serie no pasa absolutamente nada que no puedas imaginar con cualquier pequeña sinopsis o con los primeros minutos. Lo que podría haber sido una reflexión interesante sobre la fe, la religión católica y el remordimiento que han provocado por siglos, se quedó en una mera anécdota sin profundidad. Si las presiones comerciales, sociales o religiosas no permiten al director reflexionar libremente, quizás mejor sería seguir hablando de lo de siempre: adolescentes o jóvenes enamorándose de la manera más ficticia que permite su contexto.
Para una persona que se ha criado en un país católico, es insultante hacer una lectura tan "buenista" del proceso de (no)aceptación y remordimiento continuo que provoca la institución. Además, tanta cautela en exposición de la sexualidad, seguir manteniendo la idea de pecado y arrepentimiento a lo largo de la vida adulta del personaje principal, sólo muestra homofobia interna y externa.
La perpetuación de estas ideas en el 2026 y en un contexto de productora supuestamente a favor de los derechos LGTBI, complica poder tener esperanza en el futuro.
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Love
Spooky in love is a K-drama that beautifully balances romance, humor, and heartfelt emotions. With charismatic characters and incredible chemistry between the lead couple, the story gradually draws you in and makes you root for them every step of the way.Beyond its engaging storyline, the cinematography is stunning, and the soundtrack deserves special recognition. The songs perfectly complement each scene, enhancing the emotions and making many moments even more memorable.
It’s a series that is lighthearted when it needs to be, deeply emotional at the right moments, and leaves you with a sense of nostalgia once it ends. A truly worthwhile K-drama that stays with you long after the final episode.
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The Most Convoluted Age Gap Romance Ever Conceived
This is available on the FOD Shorts app with English subtitles - give it a shot if you're interested!To give credit where it's due, I was actually enjoying this at first. With it being about time tunnels, changing the future, etc. , it could be a little silly and came with the standard cliches, but I thought the overall idea was fun and I liked seeing all the ways Kanato and Misa figured out to communicate. Most of the actors are quite young, so I could forgive the performances being a little rough around the edges.
However, if I had my way, I would've liked it more if their big mission was to save the life of a friend or something, not each other, and if it really had to have romance, it could've come out of the shared experience of helping someone else rather than entwined in their motivation to manipulate time and space to be together. Because as it actually plays out, you have to reeeallly not think too hard about how Misa essentially stalks (and lowkey kinda grooms???) Kanato by approaching him 10 years in the past when he's a little baby elementary schooler to carry out their plan and then stays beside him after they both survive the accident. It ultimately felt like a very roundabout way to write the "we knew each other when we were younger" trope/excuse for this age gap romance. Also, I did laugh when Kanato fades out of existence after one of their attempts fails and could not take his death seriously, I'm so sorry lol.
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Para públicos más maduros.
Partiendo de la dupla protagonista, lo primero que cabe destacar es que parece seguir la línea de KinnPorsche con respecto a intentar ampliar el público de historias BL a rangos más maduros y diversos. El riesgo es importante, sobre todo cuando el perfil de espectadoras de BL asiático sigue siendo en su mayoría mujeres jóvenes que no parecen tener excesivas exigencias, más allá de unos protagonistas hermosos. Apo y Mile aportan imagen y algo más. La calidad actoral de Nattawin Wattanagitiphat (Apo) muestra un pequeño, pero interesante salto, desde el ya decente trabajo en en KinnPorsche. La generosidad de no acaparar el protagonismo y desarrollar la segunda pareja mejor que en otras producciones también es un acierto, sobre todo por la elección de otros dos actores decentes. El contexto histórico y las tramas también parecen apoyar el intento de ampliar el rango de espectadores. Quizás todavía el mundo no está preparado para una gran acogida, pero el esfuerzo es relevante y merecedor de reconocimiento. De las mejores series BL tailandesas y podría incluso estar en esa categoría de las mejores incluso sin el epíteto de BL,Esta resenha foi útil para você?
