Reviews

For Mature Audience

1. BEFORE I ADDRESS THE DRAMA, I JUST WANT TO PUT IT OUT THERE THAT PEOPLE CAN'T THINK FOR THEMSELVES: Why do people rely heavily on negative comments online instead of watching the drama first in order to judge it? Second, too many POJ shippers coming to bash the drama as well as people who wants to see POJ in a "republican drama." Very immature and delusional behaviors. You can't expect to see glitz and glamour as well as "easy to understand" characters in a republican story plot, therefore be mature enough to watch or don't watch PERIOD. I'm so tired of seeing all the immature rants and complaints. Third, if you think OVERDO is bad, then you haven't seen "republican dramas." This era had always been dramatic and heavy to watch because it is during war times and dark times. If you want me to recommend a drama worser, then go watch "War of Flames," loves the actors, but plot was messy and unbearable.

2. PRODUCTION, ACTING, & STORYLINE: There are definitely way worser production than OVERDO, so it was unnecessary for people to spread hate. Two, the acting was superb on all ends. No matter it was the main or supporting cast. I will dive into Wang Churan's character since she is getting the most hate. Ren Susu was never meant to be this happy, jolly, easygoing character, therefore I am lost at people wanting her to be expressive and lively. She is meant to be cold, mono, and expressionless because she only knows "revenge, pain, suffering, and misfortunes." As you can see, there are times she gave in to Qingyi because she wants to let go, and on the other hand, she has a duty to revenge her parents and everyone she loved. She's an orphan, guys, she literally doesn't have anyone other than Qingyi therefore her pain is immense. Which brings me to the next point, because she knows she can't let go of her revenge, she protects Qingyi from her dangerous life by pushing him away therefore he does not get caught in the misfortunes. Because that man loves her and WILL DIE FOR HER. Also did everyone forget the fact that Qingyu tried to separate Ren Susu from Qingyi by pushing her to kill Li Rhongzhang knowing she was on a suicide mission?? Yes exactly, that's why Ren Susu does not want Qingyi involved in her life, because Qingyu also wanted her dead and gone from Qingyi. Third, storyline was decently written, it was just fast paced therefore we didn't spend a lot of time watching character development. If you understood then you understood, if you didn't then go back and rewatch it. Also if you've watched the BTS, you can see that there was so much more acting and emotions done behind the scenes, but because of limited episodes, a lot of scenes were cut short. As for ZLH, he nailed his character as expected. Qingyi made every scene emotional and painful because he is so selfless when it comes to Ren Susu.

3. Overall, I think it's evident, we need another ZLH and WCR drama with a more loving storyline. Because these two are not only power visuals, but they need a better script to bring their potentials to the screen.

Leia Mais

Je ne m'attendais pas à autant rire devant ce drama...

Avec "Absolute Value of Romance", on suit Yeo Eui-Ju, une lycéenne qui mène une double vie 🥷. Le jour, c'est une élève tout ce qu'il y a de plus normale, mais la nuit, elle écrit des web-romans en secret... et plus précisément des histoires de BL 🤣 . Sauf que tout part complètement en vrille lorsque quatre nouveaux professeurs débarquent dans son lycée... Forcément, avec une imagination comme la sienne, chaque petit détail devient une nouvelle scène à écrire 🤩...

Je vais pas mentir... au bout de dix minutes, je me suis dit : "OK... ce drama est complètement barré." 😅 Et soit tu montes dans le train dès le départ, soit tu peux le drop tout de suite... Ici, il ne faut clairement pas chercher du réalisme. Le drama assume totalement son humour absurde, ses situations improbables et son côté "WTF". Personnellement, c'est exactement ce qui m'a plu. Je crois que ça faisait longtemps qu'une comédie ne m'avait pas autant fait rire.

Bon... petite confession 🤫, avec des profs comme ça, ma scolarité aurait clairement pris un autre tournant. Je détestais les maths à l'époque... mais avec Ga Woo-Su comme prof, je pense que j'aurais été beaucoup moins pressée que la sonnerie retentisse 🤭

Concernant les personnages, celle qui porte ce joyeux bazar sur ses épaules, c'est Kim Hyang-Gi 🫶🏻. C'était la première fois que je la voyais dans un drama, et franchement quelle bonne surprise !!! J'ai trouvé qu'elle avait une énergie très communicative, ses expressions sont hilarantes... franchement belle découverte. On sent qu'elle s'amuse dans son rôle... et du coup ben moi aussi 😜.

J'ai beaucoup apprécié les quatre professeurs aussi. Déjà parce qu'ils ont tous une personnalité bien différente, mais surtout parce qu'ils dégagent une vraie complicité ensemble 😍. Je ne sais pas pourquoi, mais ils m'ont plusieurs fois fait penser aux "F4" de "Meteor Garden". Chacun apporte son petit truc, mais celui qui m'a complètement conquise, c'est Ga Woo-Su 🫰🏻. Son côté ultra sérieux mélangé à une maladresse presque involontaire m'a fait rire plus d'une fois... Il a ce petit côté lunaire qui le rend vraiment attachant.

Mais... ce que j'ai vraiment le plus kiffé durant mon visionnage, c'est le décalage permanent entre ce qu'Eui-Ju s'imagine et ce qui se passe réellement... J'ai vraiment rigolé 😂

J'ai vu sur des groupes, etc, que certaines personnes étaient mal à l'aise avec le fait qu'Eui-Ju "fantasme" sur ses professeurs. Honnêtement, ça ne m'a pas dérangée... Qui n'a jamais eu un petit crush sur un prof au lycée ?!? 🤭 Bref, j'ai trouvé que le drama faisait attention à ne jamais franchir la limite. Les professeurs restent professionnels du début à la fin et n'alimentent jamais ses "fantasmes". Au final, c'est surtout son imagination qui crée toutes ces situations plus ou moins cocasses 🤗.

Par contre, j'ai un peu moins accroché à l'arc autour de Ha Su... Jusqu'à ce moment, le drama était juste là pour faire rire sans prise de tête, et j'ai trouvé que cette intrigue venait casser cette bonne humeur 😬... J'aurais préféré qu'il reste fidèle à sa vibe complètement déjantée jusqu'au bout. Même la fin m'a donné cette impression d'aller un peu trop vite... même si, au fond, ça reste assez cohérent avec le rythme du drama, j'aurais aimé savoir ce que chacun devient... 😞

Au final, j'ai vraiment passé un super moment devant "Absolute Value of Romance" 👍🏻. Alors oui, ce n'est clairement pas un drama qu'il faut prendre au sérieux, mais je pense que c'est justement ce qui fait tout son charme. Avec ses épisodes d'une trentaine de minutes, il se binge en un rien de temps et fait parfaitement le job quand on a juste envie de déconnecter et de rigoler un bon coup 🙂. Franchement, si vous acceptez son délire, il y a de grandes chances que vous vous laissiez embarquer vous aussi dans cette folie complètement assumée. ✌🏻

Leia Mais

Strong start and predictable ending

I thought The Shadow Sovereign was just okay. It started off strong but the story became predictable as the episodes went on and I found myself getting bored toward the end. If you are into passionate romance there are a few memorable kissing scenes, but after that, the relationship doesn't develop much further.

The biggest highlight for me was the chemistry between the female lead and the second male lead. Their interactions were far more captivating than the main couple's and I really wish they had been given more screen time and a deeper storyline. The OST music hit the spot.

It was heartbreaking to see how everything unfolded. The second male lead's death by suicide felt especially tragic because he never truly got the chance to reconcile with the female lead. I also felt that the female lead remained so focused on the first male lead and getting justice that their relationship never received the emotional closure it deserved. The emperor's downfall also felt like karma for what he had done to the female lead's mother.

The acting was solid, the chemistry between the second male lead and female lead kept me invested, but the predictable plot and underdeveloped relationships made it less memorable than I had hoped.

Leia Mais

Un Arc-en-Ciel de Nostalgie

La vie est parfois cruelle. Voir un nouveau GTO, 25 ans après le début de ma carrière de Great Teacher, me fait vraiment prendre un sacré coup de vieux.

Comme toute la génération X (oui, Burger King, c'est la génération X, pas les boomers, les années 80 !), j'ai découvert GTO à l'âge d'or des mangas en France, à la fin des années 90, début des années 2000. À cette époque, jeune professeur que j'étais, je cherchais de l'inspiration pour comprendre une jeunesse biberonnée à la PlayStation et aux Pokémons.

S'il y a une chose que GTO m'a apprise, c'est qu'un adolescent reste un adolescent et qu'un adulte reste un adulte. Ce dernier sera toujours en décalage, quelle que soit l'époque dans laquelle il enseigne ou la posture qu'il adopte pour tenter de leur ressembler. En revanche, s'il reste proche de ses élèves, s'il cherche à les comprendre, s'il s'intéresse à leurs envies, à leurs attentes et à leurs rêves, alors il sera malgré tout en phase avec eux.

Et voilà qu'à 50 ans, le bel âge, Onizuka reprend du service devant des lycéens le nez constamment plongé dans leurs tablettes et désormais coachés par l'intelligence artificielle. Pourtant, il conserve le même humour potache d'ancien yankee des années 90. Mais cet humour fait-il encore mouche aujourd'hui ?

Cela dépend beaucoup de votre état d'esprit. Il y a évidemment le facteur nostalgie, qui touchera avant tout les générations ayant grandi avec GTO. Sorimachi Takashi reprend son rôle à la perfection et n'a absolument rien perdu des mimiques qui lui ont permis d'incarner avec autant de fidélité le personnage du manga, et surtout celui de l'anime. Lorsqu'il se cache derrière un poteau, grimace ou tente maladroitement de rattraper un élève qui veut mettre fin à ses jours, tout est fidèle au matériau d'origine et rappelle une foule de souvenirs.

Comme beaucoup de Français au début des années 2000, je n'avais pas eu l'occasion de découvrir le drama, mais l'anime était déjà exceptionnel. Et ne pas avoir vu la série originale n'est finalement pas un problème : on comprend immédiatement qu'Onizuka a vécu heureux avec Fuyutsuki Azusa durant ces vingt-six dernières années, à l'écran comme dans la vraie vie.

En revanche, pour les générations plus jeunes, des millennials jusqu'à la génération Alpha, le personnage risque d'être plus clivant. Sa familiarité excessive, ses blagues lourdes, son besoin permanent de créer un lien avec ses élèves, tous ces comportements que l'on qualifierait aujourd'hui de... « hara ». Pourtant, GTO dénonçait déjà le harcèlement scolaire, l'éclatement de la cellule familiale ou encore les violences entre élèves et au sein des familles. Le manga abordait ces sujets avec une étonnante modernité alors que la société préférait encore détourner le regard.

Et le voici désormais dépassé par le monde qu'il a lui-même contribué à faire évoluer. Vous serez sans doute, comme moi, touché par son sentiment d'exclusion face à une société qu'il ne comprend plus totalement. Un peu à l'image de la série Extremely Inappropriate!, où la génération de l'ère Shōwa se sent déclassée avant de réaliser que, dans le fond, les êtres humains n'ont pas tant changé que cela.

Rien n'a véritablement changé non plus dans la mise en scène, et c'est peut-être la principale faiblesse de ce nekketsu sensei drama. Aujourd'hui, GTO ne souffre plus seulement de la comparaison avec son illustre prédécesseur, mais avec tous les dramas qui se sont inspirés de lui. Une classe qui le déteste, un élève différent à sauver à chaque épisode, une relation qui se construit progressivement jusqu'à faire de cet élève un allié d'Onizuka… Cette structure, quasiment inventée par Toru Fujisawa, peut désormais paraître bien trop classique, voir de l'âge de pierre.

Des œuvres comme 3 Nen A Gumi ou Assassination Classroom, pour ne citer que les plus célèbres de la décennie précédente, ont modernisé mainte fois cette formule. Face à elles, ce nouveau GTO semble parfois appartenir à une autre époque.

Mais c'est précisément cette volonté de retrouver l'esprit du GTO des années 90 qui rend la série si attachante. Oui, elle joue à fond la carte de la nostalgie, mais le contraste entre Onizuka et ses jeunes collègues est tellement marqué que chaque épisode devient un véritable plaisir. Mention spéciale à Nukumi Meru qui, dans le rôle d'une jeune enseignante de la génération Z, assume avec beaucoup d'autodérision tous les clichés de son époque.

Bien sûr, nous sommes face à une sitcom portée avant tout par ses acteurs et pas grand chose d'autre. Les adolescents sont attachants, l'ambiance rappelle énormément les sitcoms des années 80 et 90 que l'on regardait en rentrant du lycée, jusque dans le générique. J'ai surtout le sentiment que cette série a été produite avec énormément d'amour et de nostalgie, davantage pour rendre hommage à une œuvre culte et à une époque que dans un simple objectif commercial.

D'autres séries récentes exploitent aujourd'hui cette formule avec davantage de maîtrise et d'ambition, et je vous laisserai établir vous-même la liste. Mais, pour ceux qui ont grandi avec Onizuka, retrouver ce vieux professeur au grand cœur reste un plaisir difficile à bouder.

Leia Mais

A charming movie with small, meaningful moments

This is not a happy movie, however I often found myself smiling at the screen. There is something different about the atmosphere, about the music, the cinematography that really captivates you.

The highlight for me is the ML (Na Kou Chong, not Ted), he's a rain of sunshine, he's someone who brings the spark of magic that keeps this movie alive. One of the very few characters I completely rooted for from start to finish, and people like him really make the world a better place.

I gave the story an 8 - while it created and weaved so many small moments, towards the end everything became a bit fast-forwarded, forced and confusing. I feel like at points we were presented with the facts, the results rather than processes. I personally dislike how much the story shifted towards Ted in the later stages of the movie, I felt it was completely unecessary. Ted should have been left as the starting point of the plot, not used "as catalyst" in order to progress towards the end.

It might look that the small stories contained in the plot don't have much importance in the big picture. However, they show us how much happiness we can bring to people through our actions. Each of them brings a lesson, and their meaning is for us to decide.

Leia Mais

A Refreshing Changeup to Kdrama TV

A YT algorithm referring this Melo movie caught my attention. I reviewed the synopsis and the well known cast of Kdrama actors/ actresses hooked me in. A nice melodramatic tone to the story long and the twist connecting the characters kept it interesting. No shootings, no martial arts action, no fantasy with historical references involved. Just a slice of life story line with sweetness. To Lee Sang Yi as the supporting cast kept the drama lively and laughing considering his recent action kdramas he’s been involved in. The ML and FL did a great job and the cute interaction between each other left me smiling.

Leia Mais

Let's start with the abject truth, that I have already rewatched this several times or turned it on to go to sleep. It's already become a comfort food. lol

Now for the critical explanation:
1. The music choices are immaculate. The sound engineering also deserves praise with the subtle and detailed enhancement of the scenes. Even the title song is, imo, the best BL title song I've heard.
2. The story, while not exactly true to the novel, is perfectly told. I think the right choices were made as far as what to include, what to leave out and what to alter slightly. But nothing deviated from the original heart of the story, which is that two men fall in love while playing the roles of two men who fall in love. And our inability to tell what's real and what's not is exactly aligned with theirs as it progresses. The script is thoughtful and all of the characters feel believable, and in some ways likeable, even the "protagonists". The pacing is perfect. There's no fat on the story but it isn't rushed either. I found myself unable to predict as easily as I normally can with BLs what exactly was going to happen in the next episode.
3. The casting is A+, especially Zhang Zhun, Zhen Xin and Director Chen. Director Chen is hilarious and genuine. The main leads are beautiful and meticulous actors. The subtleties of the choices they made moving in and out of their "true selves" vs their characters was so well done. Side note: They are both pretty criers. And lastly, their chemistry was outstanding. Again it felt genuine and lived in, without needing to go to the extremes of nudity and saliva dripping off of their kisses, the implication of their intimacy was just as effective.

So with that, I really have no notes and this is currently ranked as my #1 BL. Bravo!
And in case you haven't looked, the director is only 27!

Leia Mais

I had fun watching this series

What a fun ride this drama was! It deserves way more love than it's getting.

The chemistry between the two leads was incredible, and they portrayed their characters so naturally. Their performances honestly felt like those of A-list actors.

The funniest part? I was so invested in the mystery that I literally choked watching Episode 4. 😭😂

Even though the ending felt a bit rushed, every episode was worth watching, and I enjoyed every minute of it.

Now I need more mystery-romance dramas like this. I know there are plenty of mystery dramas out there, but romance is usually just a side plot. This one gave me the perfect balance of mystery and romance, exactly what I was looking for, even it's short ,I had fun watching it

I'm giving this series overall 10 even though ending felt rushed because it's satisfies me.it maybe it's depend on individual,but I'm being honest ,this series made me completely worth watching

Leia Mais

An absolute rollercoaster

One of the most anticipated dramas of 2026, it gave me everything I didn't know I needed. A story that was unapologetically and uncompromisingly melo. A cast so beautiful in costumes so outstanding. Emotive and fantastic acting, giving the actors the chance to show their acting range and skills. It had everything.

Now to be honest, this is a 9.5 drama to me. I am rating it a perfect 10 to combat antis. This series got a disproportionate amount of hate from antis, bots, people who were looking for reasons not to like it, and people who came into it with expectations for a series that this show clearly wasn't going to be. Now some of the criticism is valid: there was very heavy use of AI (honeslty expected at this point with cdramas), and there was some pretty stilted cinematography in the early episodes. It did not warrant the level of hate it got however.

This show is a melodrama - comparable to some short youtube series dramas. But it stuck to its guns and told a story.

Story:
The story centers on our ML MRQY, the youngest son of a warlord family who was switched a birth and returned to his family around age 12. He is the abused son, the one that everyone hates and blames for everything. This is a common theme throughout the series as he constantly gets blamed for other people's decisions. His life gets derailed after taking the blame for a murder committed by his girlfriend, our FL RSS, and going to prison for 3 years. RSS is a girl on a mission to stop human trafficking and avenge her sisters from the orphanage she grew up in after her family was murdered. She kills one of the traffickers, and (fakes) her death (at the time she was trying to die it just didn't stick). Ultimately, she returns and takes on a new identity as one of her deceased sister's who had a powerful family to continue her quest for revenge. In her quest, she becomes engaged to her ex-boyfriend's brother/ our ML (who believed she was dead for the last 3 years after she shot herself in front of him and fell out of a train)'s older brother.

Over the course of the show, the two have a push and pull relationship, in love but hate each other. In my opinion, MRQY is the only one who has any valid reason for resentment, but he is also the one who is an absolute simp for the FL and yearns for her way to much to ever play hard to get. Meanwhile, FL has way too much trauma to ever let herself just be happy and is constantly sabotaging her relationship with him, even as she simultaneously gives him mixed messages that she does love him.

So as you can see, this show is complicated. We are on a rollercoaster of emotion. It is absolutely melo. People are making emotional, ridiculous decisions left and right, back and forth, up and down. It's insanity. In the background of all this are the politics of republic warlord violence typical for the era and war that show that ultimately, this era was full of chaos and that for there to be any resolution, sacrifice needs to be made.

The ending is a massive wtf that also feels right because to be honest how else was it going to end... a happily ever after.?Unlikely with everything that happened and with these two. We could hope, especially for their son, but unlikely.

Characters/Actors:

MRQY is a walking talking green flag covered in a red flag. He's got the biggest heart and the biggest obsessive streak, and trauma that packs a punch. Abused as a child, abandoned and loathed by two families, replaced by another boy by those same families, the only girl he ever loved shot herself in front of him, used him for murder, his only aspiration to become a doctor was destroyed after being tortured, and his family continues to use him while hating him and constantly berating him. The girl he loves is constantly chosing his brothers, playing into his inferority complex and feelings of inadequacy. And all the while, he'll continue to love her and put himself in harms way for her. He'll pursue justice so people won't be hurt like he was, he'll be prickly but he'll stand up for others.

Zhang Linghe plays MRQY perfectly. He is able to showcase a phenominal range of emotions and action in this role. I think this role gave him the most opportunity to showcase his skill (we even got some comedy with that bellyflop). I admit that I put this show on by to watch list because of ZLH and was keeping up with the filming Reuters when it was in production in 2025 because of ZLH. But even though the bias is massive, I was not disappointed. ZLH delivered a great performance.

RSS is a walking red flag full stop, and I standby almost all her decisions (almost all because I do not standby the baby concealment or pretending to have a relationship with LBZ because that stupid cruel and horrible for no reason at all). She's got vendettas lining up down the block, and is gaslight gatekeep girlbossing her way through life. She was horribly abused with other children when she was young after her family's tragic death, she holds the weight of responsibility for her friends/sisters lives especially after one died saving her, and she has survivor's guilt preventing her from letting herself truly be happy for even a moment or stop chasing after revenge. She has a terrible habit of making decisions for those she loves to protect them, and can be cruel as a result. She also loves fiercely and will pursue justice and vengence with obsession to destroy everything else in her life.

Wan Chu Ran played an outsanding character. She portrayed the decisiveness and determination of RSS, she made us frustrated with her decisions when watching the show for romance, but gave us reason to admire the character when the show gave us action and revenge. It is impossible to hate the character as the reason for her decisions are clear, but it is likewise impossible to truly hope these characters end up together when one (RSS) keeps hurting the other. Nevertheless, you hope, because WCR gives you those flickers of love, the emotion and expression that shows that every decision is hurting RSS too. You hope that she can heal, you hope that she will live a happy life, but at the same time, part of you knows that it is impossible.

Cinematography

I'm not mad about it. I know a lot of people had a lot to say about the camera editing, and the lighting. But honestly, it wasn't bad for me, it didn't take me out. Maybe the pretty faces kept me distracted.
I'm not even going to bother talking about the AI...

Rewatch value:
Yes. This was a good show, I am going to watch a million edits of the characters and I'm going to rewatch this many times because the action was great, the drama was amazing and it kept me entertained.

Leia Mais

You can't convince me that was JUST acting

The chemistry?!!!

I was genuinely blown away by the harmony between Smart and Boom. The tension. The teasing. The emotions. Are these guys seriously able to cry on command?! The eye contact, the breathing, every little gesture... these actors are unbelievably talented.

Every intimate scene felt so sincere and, once again, so perfectly in sync that it just makes your heart race.

I don't think it's possible to write a review about TopForm without mentioning the honey scene because... LORD. I have never seen anything that sexy in my life.

It's absolutely worth the hype. The cinematography is stunning, but more importantly, what unfolds on screen feels so raw and genuine that it's honestly overwhelming to watch. And once again, I refuse to believe this is just acting. The actors are simply too good for me to believe they were only acting !

For the story itself, I'd say it had a lot of potential during the first few episodes... right until that grumpy old man from Sigma started showing up every five minutes with his homophobic attitude, always at the worst possible moment, just to ruin whatever little bit of peace the characters had managed to find, without ever giving us a truly convincing reason.

I also feel like the supporting characters are... just there. You can tell the director wanted to give them some kind of backstory, but none of them ever feel fully developed, so they end up lacking depth.

Then again... can we really blame them when the two leads spend the entire drama absolutely devouring each other with their eyes and delivering such an incredible performance?

Overall, I'd say I had a really good time watching TopForm.

Sure, I found it a little slow at times, but Smart and Boom's performance alone is more than enough to keep you watching until the very end. What begins as a love story on stage slowly becomes something much more intimate, proving that the most beautiful love stories are often the ones lived far away from the spotlight. <3

Leia Mais

A powerful sense of comfort and nostalgia

Our Generation offers a deeply nostalgic and emotional exploration of youth, friendship, and the bittersweet transition into adulthood. At the heart of this narrative is the relationship between Lin Yingtao, played with remarkable warmth and expressive depth by Zhao Jinmai, and Jiang Qiaoxi, portrayed by Zhang Linghe as a reserved and heavily burdened young man. Zhao Jinmai acts as the emotional anchor of the series, masterfully showcasing her character's growth from a bubbly, empathetic girl into a mature woman navigating societal expectations and personal hardships. The palpable chemistry between the two leads elevates the script, turning simple everyday interactions, school struggles, and letters into poignant milestones of young love.
However, the drama is not without its creative flaws, particularly as the characters branch out into their college and adult eras. There is a noticeable shift in pacing during the later narrative arcs, such as the segments set in Hong Kong, where the storytelling begins to feel fragmented and the emotional progression becomes overly strained. While Zhang Linghe conveys his character’s inner turmoil and trauma quite well, the narrative choice to keep his experiences somewhat hidden from the audience occasionally dulls the narrative momentum and creates an unnecessarily rocky path to reconciliation. Furthermore, the final episodes suffer from a rushed execution, leaving several compelling subplots regarding the supporting characters feeling somewhat neglected and incomplete. Despite these structural missteps in its final third, Our Generation remains a beautifully shot, atmospheric series that succeeds in evoking a powerful sense of comfort and nostalgia. It stands out as a thoughtful youth ensemble piece that, while imperfect in its pacing, is thoroughly redeemed by the grounded performances of its main cast and its tender portrayal of enduring love.

Leia Mais