Reviews

a RomCom it lacks

I watched this series because of Phuwin. He’s an actor I’ve followed with great curiosity because of his versatility and willingness to take on different roles. I’ve always enjoyed the chemistry between Pond and Phuwin, whether in more serious dramas or lighter projects, and they generally complement each other well.

That said, Me and Thee was a little difficult for me to follow. Perhaps it’s because it leans completely into sitcom territory rather than romantic comedy. It lacks the emotional warmth and gradual character development that I usually associate with a good rom-com. Maybe the intention was simply to entertain without asking the audience to think too much and perhaps that’s exactly how it should be watched.

I love comedy when it’s done well because comedy is all about timing. Robin Williams once remarked that comedy demands more emotional honesty and skill than dramatic acting, and I tend to agree. Making people laugh while keeping the characters believable is one of the hardest things an actor can do. Unfortunately, much of the humor here felt forced rather than effortless, making it difficult for me to fully connect with the characters.

I couldn’t help comparing it to Eddie Murphy’s performance in Coming to America. He played a prince with impeccable comedic timing, yet never sacrificed the sincerity of the character. The film balanced comedy and romance beautifully, proving that a rom-com can be hilarious while still allowing its characters to grow.

I’m certain Pond and Phuwin will continue to take on more projects, and I hope they keep challenging themselves with roles that push their range. Pond’s performance in Dalah: Death and the Flowers revealed a far more intense and commanding side of him. His portrayal carried a quiet anger and confidence, and his command of English added another layer of authenticity to the role.

The WillEst pairing also brought a refreshing dynamic to the series. Although they were only in supporting roles, they injected a different energy into the story. I just wish their characters had been given more screen time and substance, as they weren’t enough to add the depth the series needed.

Overall, Me and Thee may appeal to viewers looking for a lighthearted sitcom, but it didn’t quite deliver the blend of comedy, romance, and character development I was hoping for. The cast certainly has the talent; this time, I felt the material simply didn’t allow them to showcase it fully.

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How did this series get all these positive reviews?

It’s slow, has repetitive narrative, unlikable characters, and a frustrating dynamic where characters hide secrets and easily fall for rumours.

I understand a few novels are completely on the negative side with red flag characters but this series adaptation has genuinely made me question why sexual assault is glorified and viewers are actually excited by shit like that!? Even if it’s fiction!

I started watching because of the reviews and gave it a chance till the sixth episode but no more. Done with this atrocious series especially when there are SO many epic and amazing BLs coming out these days.

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This was such a funny show regardless of how kooky the premise is. I didn't expect it to work as well as it did but I was pleasantly surprised on how much it managed to deliver, regardless of the unhinged plot points.
And there were some truly unhinged ones. Like the whole real-world villain plot point? Absolute kookoo town.
Loved the banter and chemistry between the main leads.
Really credible friends to lovers story, although I would have preferred they actually kissed at least once. But I get that the pecks fits the vibe of the story and serves the plot.
However, in the show world, as their dynamic was different, there could've been more than just pecks. But then again, that was another version of him, not really him so I guess it would've been weird...

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A Beautiful Summer Story That I Hope Doesn't Break My Heart

I absolutely love the atmosphere of this series. Every episode captures the feeling of summer so beautifully with its bright colors, peaceful countryside setting, colorful red watermelon fruits and warm sunshine. The family scenes are wholesome, and the fluffy white dog is adorable every time it appears on screen. Like many Japanese BLs, this series finds a great balance between comedy, romance, awkward moments, and everyday life, making it feel relaxing and comforting to watch.

The story follows Natsuki, a high school student struggling with university entrance exams after being dumped by his girlfriend. Wanting to help him, his older sister asks her university boyfriend, Sota, to become Natsuki's private tutor. As they spend more time studying together, their relationship slowly begins to change in ways neither of them expected. The pacing is light, heartwarming, and easy to follow, making it a perfect summer watch.

I am more than halfway through the series and, so far, I am really enjoying it. The plot is light, fun, and full of heartwarming family moments.

However, I am not a fan of cheating, especially when it involves a family member. Natsuki admits that he always ends up liking the things his sister likes, but I really hope this series does not use that as an excuse if cheating becomes part of the story.

The sister is honestly one of my favourite characters. She is kind, supportive, and genuinely cares about her younger brother, even introducing her own boyfriend to help tutor him. If Natsuki develops feelings for Sota, and Sota eventually feels the same way, I have no problem with that as long as Sota ends his relationship with the sister first. But if they secretly fall in love, kiss, or start dating behind her back, then I definitely cannot support it. I really hope the story does not go in that direction because I am genuinely invested now and do not want such a good drama to be ruined.

If you enjoy summer settings, light and fluffy romance, family oriented stories, and the unique charm of Japanese BLs, then this series should definitely be on your watch list. So far, it has been a relaxing and enjoyable watch with beautiful visuals, lovable characters, and a comforting atmosphere. I am hoping it sticks the landing because it has all the ingredients to become one of the standout Japanese BLs of the season.

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Real Art Requires Breaking The Rules

This show is full of tough military men, but the strongest soldier was definitely Trin—for not wavering even just a little as a young man going through his gay awakening in goddamn 1969. While his student Victor, with whom he shares intellectual equality, social ideals, and deeply rooted empathy, goes in for a kiss on three separate occasions, Trin stays firm. He is written as entirely unaffected by romantic crisis. At that point in the story, Trin is not only fighting a heavy, dangerous political war, but his stability with Tanwa is fractured. When a human being is that exhausted and lonely, boundaries naturally blur. When Victor—who mirrors his intellect, values his soul, and is literally willing to die for their cause—offers comfort, leaning into that comfort is only natural. Maybe the books Trin read about homosexuality helped him know immediately who he wants? Maybe he just didn't feel attracted to Victor? No, I think Trin was written with unrealistic emotional certainty. Is this really what the confusion of a 1969 queer awakening looks like? Doesn't it look more like clean romance fantasy? By ensuring Trin is completely immune to Victor’s approaches, the script squanders the raw, electric screen presence of newcomer Peter Deriy, who steals every scene he's in. Trin could have been caught between a deep, revolutionary connection with Victor and a passionate, bohemian escape with Tanwa—and still ultimately choose Tanwa. At least this way, his relationship with Tanwa would feel earned rather than pre-programmed from the start.

True historical queer dramas are critically acclaimed because they lean into the messy, fragile choices people make under immense political and societal pressure. Even though "Be On Cloud" tries very hard to be more than "just BL," whenever they have to choose between artistic integrity and protecting their money makers, the commercial ship will win every single time. "Shine" simply can't outshine the corporate tropes masking as "prestige art". And it also can't hide its plot holes, which leads me to the real main couple of Shine: Naran and Krailert. Their forbidden romance wasn't only about filthy sex in a backroom; they were poetically intertwined, sending each other secret messages through a newspaper column and books in the library. Now that's the kind of romance that make all the girls and gays swoon. Almost every scene carried a narrative purpose and practically drove the plot of the series. But they don't get their happy ending because, all of a sudden, Krailert's wife Dhevi is a supervillain who threatens him to stay with her because otherwise it will affect Naran's safety. Sure, it makes sense that in 1969 she doesn't want a divorce, but her being this scheming, all-knowing mastermind is a bit... sudden?

She instinctively knows that Moira must have cameras in her hotel, which makes me wonder: why wouldn't Moira help Krailert on her own initiative? Why does it require Dhevi to activate her help? It shows the writers didn't know how to resolve the political plot naturally, so they used a cheap plot device to force everyone into their pre-determined endings. Shine loses its momentum by leading to a solution that feels more like a theater play: "Ta-da! And that's how we won against corruption," instead of a clever political conspiracy. In the end, only Trin and Tanwa get their happy ending. By prioritizing commercial fan service over the dangerous friction of a 1969 narrative, "Be On Cloud" proved that their political plot was just a new playground for the same old BL tropes. But real art requires breaking the rules.

C'est la vie.

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Masterpiece

So far, this is the best Korean drama for me. The series truly embodied love from my perspective—a love from childhood that grows with experiences, through suffering, joy, and shared moments.

The father... and I have a weak spot for fathers. I cry with him every time. He exhausted his entire life, which is the real story of fathers: their whole lives are sacrifice and effort for their children and wives. He suffers in silence, strives in silence, and when he looks at them, he smiles—as if that smile is saying: it is worth it.

For me, this drama is a bundle of pure emotions... childhood love, maturity, motherhood, fatherhood... Two people united by love who supported each other, grew up together, raised their children, and held hands until the very end. My heart ached so much when she held his hand before he passed away... because I know that after a lifetime of companionship, when one spouse dies, the other feels the world become empty; everything loses its taste.

I don't even know how to describe this Korean masterpiece. From production to acting, storyline, emotions, and heart-touching dialogue—everyone truly did a great job themselves.

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An Emotional Story About Losing Everything and Finding What Truly Matters

The Servant Prince is the usual eight episode Japanese BL airing weekly on GagaOOLala. I have to admit, episode one almost made me drop the series. Naoya is described as someone as handsome as a prince, but I personally did not find him attractive. What turned me off the most was his selfish and abusive behaviour toward Takaaki. After he accidentally spilled a drink on him, Naoya demanded that Takaaki lick his bare foot clean. The hardest part to watch was that Takaaki actually did it without resisting. That scene was incredibly uncomfortable because it showed just how much Naoya abused his power and manipulated Takaaki, making it difficult to continue watching after the very first episode.

Thankfully, I decided to continue, and I am so glad I did. Ten years later, their lives completely reverse. Naoya, who once had everything, loses his status and becomes an unemployed man working as a waiter, while Takaaki becomes the successful CEO of a large company. Despite now having wealth, power, and the ability to have anything he wants, Takaaki still chooses to stay by Naoya's side. Their master servant relationship may seem unhealthy at first, but as the story unfolds, you realise it is built on years of unspoken love, codependency, and genuine devotion. Their reunion after so many years completely changed how I viewed both characters.

The most heartbreaking part of the series was not Naoya losing his wealth or his social status, but the way his own father and brother publicly humiliated him for working as a waiter. There is absolutely nothing wrong with honest work, no matter what the job is. This series reminds us that family is not always better than outsiders. While his own blood relatives looked down on him, his colleagues accepted and supported him without judgment. That message hit me harder than anything else.

What I loved most is how this story shows that money and status cannot buy happiness or love. Takaaki may now be a powerful CEO, but the only person he truly wants is Naoya. Their relationship is awkward, emotional, and unique, making every episode more meaningful as they slowly heal old wounds together.

Japanese BLs continue to impress me with their realistic storytelling and powerful character development. Even though the first episode was difficult to watch and almost made me drop the series, I am so glad I kept going because the emotional payoff was worth it. This story is about much more than romance. It explores pride, forgiveness, second chances, family, self worth, and proves that genuine love can survive even after everything else has been lost.

This is not a fluffy BL filled with sweet romance and fan service. Instead, it delivers a mature, realistic, and emotionally powerful story with excellent writing and believable characters whose struggles feel genuine. The unique plot, meaningful life lessons, and emotional depth are what make this series so memorable. Once again, Japanese BL has shown why it continues to stand out with some of the most realistic and powerful storytelling in the genre.

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Why I gave Tide Of Love 10/10 Stars

I gave Tide of Love Season 1 a 10/10 because it completely exceeded my expectations. The story was engaging from the very first episode, and every character felt well developed with believable emotions and growth. The chemistry between the leads was amazing and made every scene together feel natural and heartfelt. I also loved how the series balanced romance, drama, humor, and emotional moments without feeling forced. The acting was excellent, the cinematography was beautiful, and the soundtrack fit every scene perfectly. The ending left me excited for what's next, and it's definitely a series I'll be recommending to others.

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A depressing and pathetic waste of time

Another slow drama with young people suffering trauma. Ha Ran (FL) from loosing both parents and Chan (ML) from loosing his mum and having an overbearing father.

On top of that we have a case of amnesia, hidden identity, misunderstandings, self loathing and self flagellation (metaphorical) and so so many tears - so many cliches and so oh hum. Can’t writers come up with something different?

FL so narrow minded as if she is the only one in the world suffering. She knows that the ML has experienced trauma and the physical and mental damage that is ongoing but ignores it because of her victim mentality and needs and unyielding standards are all that matter- all the supposed growth in character was just a facade. Being open to forgiveness, even of one’s self, is not big in Korean dramas.

The second couple (younger sister ) and Mr Yeon were a better couple and she was the better female in love much more understanding, happy and mature despite her youth and impetuous behaviour.

It was obvious that the boy Han Ra thought she fell in love with (what a joke! She had just strung him along as she was more focused on her own interests ) was loosing interest. No intrigue it was so obvious. All very sad.

The show was so depressing and struggled to watch especially at the beginning. It had repeated flash back memories that just kept piling up and dragging it out. Why do I allow myself to be dragged into these quagmires?

Doesn’t anyone in Korea want happy, normal and real grown up relationships? Can Korean drama not come up with a formula that gives characters real opportunities to grow create sustaining relationships through shared goals, achievements and actions?

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The best Kdrama I have seen in years

I don't think I ever stopped smiling while watching this series. I have to say that this might be one of the best series I have seen in a while. It's not just good, I enjoyed everything. I'm usually not a big fan of Kdrama and you will rarely catch me watching it and actually enjoying it. This show didn't fail to make me laugh and I was watching a few episodes in the car with my parents and I just could't hold my pokerface.

What I loved the most about this whole show was the ML's. They're both adorable in their own way, but it was extremely obvious who FL would end up with. I have to admit that I disliked Jang a bit and I'm sooo sorry I only wanted Eun Ha to end up with mr Seo and not Jang. Idk but Jang is sweet but he is way too basic and Seo is just super funny and I love him as a character. Kdrama really is rising my standards yes, even as a gay male. Mr Seo is bitterly just a chid in a 'mafia' body. I loved it sooo much when both ML's watched the videos Eun Ha made. Not 2 grown ahh man watching children videos bc they like Eun Ha. The writer (Na Kyung) really did sooo well on the humour.

This show is convincing me to watch all shows where Um Tae Goo appears in. His acting is amzingggg. His raspy voice is super attractive but just everything about him makes me smile. His hugs looked amazing and his kisses were adorable?? Sorry, but I never saw Eun Ha ending up with Jang Hyeon, somehow I just don't see both match. Just everything mr Seo did got me thinking about how adorable he was. Also, his acting really made me cry sometimes which is super rare for me.

The side characters also really added to the story. I love it when Kdrama's add stupid guys who are extremely sweet. I never expected to get emotional over children pork sausages but here I am. They really were sweet but people made the wrong assumptions. Also, one thing I just could't help but think is that II Yeong reminds me of Est Supha. (Thai actors), especially of his role as Mok. Actually a lot of moments reminded me of me and Thee, but probably because I loved that series as well. I have to admit that I did expect Seo and Eun Ha to have a kid at the end as well and I was kindaaaa disappointed.

The misunderstanding between Eun Ha and Seo rlly broke me bro, I never expected to get so emotional over a cutie pie boss. I just felt so bad for Seo when Eun Ha left. I like Eun Ha most of the time but sometimes she was just a bit selfish and sometimes she should've thought about Seo. Seo is clearly just not good at expressing himself. But this show really portrays opposite attracts well. I actually hated Mi Ho at first but the last few episodes made me change my mind and she had a point when she said that Eun Ha just doesn't focus on the numbers but rather the kids and audience (I hope this is understandable).

On production, it has a cute and nice intro. I loveee the animation style and it also suits the series extremely! The transitions are amazing and I love the shots they use. One of the things I love is when series make a certain character look intimidating and then say the cutest thing ever. They did this with Seo which made me smile soooo bad. The series had 2 directors and I'm not familiar with both. I really hope to see more of the screenwriter, Na Kyung aswell. They have to be good at jokes to make such an amazing show. This show also did a great job on sound effects. What I also love is the cute colour pallets they use to style their scene's and the outfits. I am sooo obsessed with Ko Eun Ha's outfits!!

I would definitely recommend this series and it has become one of my favourite series of all time. Maybe this is not for everyone, I saw people liking it but there were always some negative points. I really can't say anything negative about it. Seo was amazing, Eun Ha was adorable and Seo??? I am in love with him. May I find a man like that, oml.

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Realistic comfort drama

Realistic drama in which two people face the ups and downs of surviving the demands of the corporate world, the wounds of the past, family stories and beliefs, and the challenges of living together, balancing the realities of different ways of life and how much you can give while still being yourself.

The plot approach is realistic, without the excessive puritanism of Asian dramas, with the necessary intimacy to make it credible, without being a Western series exploiting sexuality in excess.

Except for the manager, portrayed with excessive exaggeration, all the characters were within proper limits for a drama.

The way both couples resolve their differences and overcome setbacks makes the drama very enjoyable.

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This masterpiece remains unparalleled !!!

Lovely Runner is perfection, a true gold nugget. A stunning and impressive one-off drama. Its worldwide success upon release proves the undeniable quality of this true gem. No other drama can compete with Lovely Runner!

​I usually despise cheesy teenage romances, but this drama was a true revelation—an unexpected love at first sight. This series completely blew me away.

​The incredible chemistry between the lead actors is pure magic, and the emotional depth of the storyline leaves you completely breathless. From the brilliant time-travel plot to the unforgettable soundtrack, every single detail is executed triumphantly. Lovely Runner sets the bar extremely high, completely redefines the genre for me, and will remain an undeniable, legendary masterpiece for years to come. ❤

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