This review may contain spoilers
SLOW
I’m currently on episode 18 and they are spending so much time on this particular case. Even so far to touch on the backstory of two side characters who have no connection to the main leads. I do not care about two side characters love story…let’s move the main lead love story already. It’s so frustrating. I might drop it.When other reviewers complained about pacing I thought maybe it would be fine. I am thinking that watching it at double speed would be better but then I wouldn’t be able to read it.
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Insane! Intricate and very tragic.
As the title says, super intricate story, you'll be knocked the f out by some twists and turns, but more importantly, tragic. So tragic that you should be in a good mood to watch this, especially if you've lost someone recently, or in general bc of murder, psychopathy etc.Can't say anything other (long ass) revoeuwera have not said, without spoiling. Just jump on in and you'll be pleasantly surprised by how well this series is constructed.
oh before I forget, watch episode 1-15, then the movie Mouse: The Predator (which consists of 2 episodes, and then episodes 16-20. Have fun!!
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THIS JUST HEALED SOMETHING IN ME :’)
• did it really portray properly what it had intended to ??? YES.— the acting, everyone’s acting is great HONESTLY. the only complaints i see is about jisoo’s acting and if you actually see the drama without the intention of hating jisoo or becoming a critic you’ll see everyone is just hating and they’re either being paid by a “certain” organization OR are just bitter and jealous because jisoo CARRIED this whole drama on her back — she acted cringe in the virtual simulation because it was intentional (go nag the director hos) and the story needed that. she was natural, expressive and PERFECT for the genre but also of course still new to the genre she’ll get WAYYY better her future is clear in kdramaland.
— the OSTs were so good and viral hungry. every song fitted the series and the whole story and plot entirely. I’ll listen to most of them regularly.
— the plot was so interesting it was fresh, ambitious collected and everything was working so good together. i was living for the different povs of the main leads. there was no unnecessary drama, love triangles, “distended to be together since they were kids” plot, dumb/extra characters every character served a purpose with the utmost depth. i loved the emotional build up between the mains. it could be slow paced at times but it was what the storyline needed. it delivers its message perfectly. “past relationships could scar and scare us for the longest, but it’s okay to start again whenever it feels right with the right person without worrying about whatever the future might hold”
— the cameos, i liked it so much. it was so amusing and refreshing to see all those bit parts with some being very critical to the storyline and fl’s development. I NEED JISOO AND SEO KANG JOON IN A DRAMA RIGHT NOWWWWW !! their chemistry was everything
— the mains relationship were so well portrayed and well thought out. it felt so natural everything about it. the slow burn, pacing of it, confession, hesitation, suspension, misunderstandings and the actual dating arc etc. PERFECTION
it definitely COULD have been PERFECT but it’s still beyond decent and it’s probably one of the best 2026 kdramas AND couple. i loved the drama. Give it a try and don’t listen to no hater.
also kyungnam is such a man. a whole walking green flag i miss them already .. jisoo needs to pick up those casting calls mama.
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A King, A Matchmaker, and the Woman Between Them
The storyline of this drama was very well written and thoughtfully developed. Both the male lead (ML) and female lead (FL) portrayed their roles with great ease and depth, expressing strong emotions through their performances. The female lead brought a touch of humor to the story at times, which made her character very enjoyable to watch. In contrast, the male lead often appeared expressionless, but this worked beautifully for his character because he was hiding his true feelings beneath the surface.The supporting characters also played an important role in strengthening the story. Each one added something meaningful, helping the plot feel fuller and more engaging.
The central story revolves around a man of low birth who is later revealed to be the king. He falls in love with a young woman of humble background, but because she lacks the manners and standards expected of royalty, he seeks help from a matchmaking agency that specializes in bringing people together in love. His hope is that they can help transform her into a proper lady suitable for royal life.
During her training, however, the leader of the agency begins to fall in love with her. This creates many twists and emotional turns in the storyline as feelings grow and loyalties are tested.
In the end, the king must let her go, realizing that her happiness lies elsewhere. She ultimately falls in love with the agency’s leader. The drama concludes on a satisfying note, showing how each character finds their own happiness with the person they truly love.
Overall, I was very happy with this drama. It had a strong story, expressive performances, and an ending that wrapped everything up in a warm and satisfying way.
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A real ROM com drama
One of the best kdrama I have watch just their insane face cards . Jisoo and seo in guk stole the show There acting is superb I just love this drama so much . They have very different plot . A drama with not a similar plot . Jisoo's acting is also superb . If anyone hate her acting so it's just force fully . How she beautifully acts . She is so funny in this drama . The cinematography of this drama is amazing the vibe of this drama is also so cool . The rich boyfriend theme is also that I like the most .Was this review helpful to you?
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Nonsense plot, watch only for the fanservice of DaouOffroad
So i actually dropped this after ep 1 and decided to give it a go again for daouoffroadThe early plot of chasing a girl to make business sounds slightly unrealistic, but again many real life people who are in love makes d*mb moves so I'll just okay fine... & she is an influencer, many people stalk and do weirder stuff to idols. All well is well, then until the last subplot appeared in the last 2 episodes....... by the way i have to say i had a mini-inside-laugh by myself tho in the last 2nd ep, because the kidnappers says 1 million accurately in chinese. I was like hey its really all about money, they pronounced the most clearly in the show. oh & last episode phone call was also accurate all of a sudden, not sure if its dubbed or they spent time on that last scene until it sounded right LOL.
but seriously I can't... ok after making it thru the weird episode 1, finally the show gets better, then suddenly... ep 7-8 comes with weird coded message & unrealistic loan shark or i should say debt collector. They kidnap you to work in a warehouse of parcels!?? WHAT? I mean i was expecting maybe transporting drugs or something illegal then they would get caught and the debt is uncollected but they are in jail what can they do about it... BUT NOOOOO they kidnap you to do labour work in a warehouse.... putting the criminal offense of 'kidnapping' aside, what kind of logic is exchanging hostages ... erm is there no police in the show? like okay you don't need to show us the scene it could just be a discussion after... & i doubt its worth the money and effort to kidnap someone to work in a low pay environment debt-pay worthy.
seriously the show would have done better without the debt collector - coded message - hostages sub plot. if they want something of 'emergency' sub plot at the end they could have simply just added ''shop in financial crisis'' kind of trouble. why add a weird unrealistic debt collector LOL
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Roughly Cut, Surprisingly Heartwarming: A Chaotic Gem
TL;DR Watch this show!!Being a sucker for dating shows—especially the rare ones that actually give you "the feels", this show left me incredibly satisfied. The premise is genuinely surprising: a cast made up entirely of "delinquents" and individuals who have navigated the juvenile training school (JTS) system. Within the first five minutes of the first episode, I was already hooked and laughing.
“Seriously?! Is this a real show?” / “Yes, a show about love.”
These opening lines truly define the charm of the entire viewing experience. While this exchange becomes a "running gag" through the panelists' reactions, it isn't just a joke, it represents a genuine feeling that persists throughout the series. The absurdity of placing a cast of tough "Yankiis" into the polished genre of a reality dating show set in a high school, creates a comedic irony and a deep emotional resonance that kept me fully engaged.
No other dating show has gotten me so invested that I found myself taking detours to research juvenile detention centers (JDC), the "menhera" subculture, and the concept of an "intellectual yakuza." It adds a layer of reality that most shows in this genre lack.
The producer and panelist, led by the incredible MEGUMI (who is fantastic) have done a brilliant job. With AK-69 and Nagano joining her, the panel offers a perfect balance: AK-69 provides serious, lived-in experience and insightful quotes, while Nagano’s comedic reactions add a unique touch to an already great production. Ultimately, seeing the individual growth and progression of the participants leaves you with a sense of warmth that you wouldn't expect.
Honestly I don't care if its all "scripted", showmance or anything like that. This show is a gem and I really hope Netflix produces more season, e.g Single Inferno.
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Secrets, Charm, and a Cast That Made It Shine
Undercover Miss Hong is the kind of drama that keeps you hooked with its mix of mystery, humor, and emotional storytelling. From the first episode, there’s this playful tension in the air where secrets are constantly circling the characters, and it makes every interaction feel meaningful. The pacing stays engaging throughout, and the story balances suspense with lighter moments in a really satisfying way.Park Shin-hye is fantastic in the lead role. She carries the drama with confidence and charisma, delivering both the undercover tension and the emotional moments beautifully. There’s a natural charm in her performance that makes her character incredibly easy to root for, and she manages to balance strength and vulnerability in a way that feels very genuine.
Ko Kyung-pyo brings so much personality and warmth to the story. His performance adds both humor and emotional grounding, making his scenes consistently enjoyable to watch. The chemistry between him and Park Shin-hye feels natural and engaging, and their dynamic adds a lot of heart to the drama.
The rest of the main cast also deserves a lot of praise. Ha Yoon-kyung, Choi Ji-su, and Kang Chae-young all bring their own unique energy to the story. Each character feels distinct and important, and their performances help create a lively and engaging ensemble. Their interactions add layers to the narrative, making the world of the drama feel fuller and more dynamic.
The supporting cast, the OST, and the overall atmosphere all work together nicely to enhance the experience. The music fits the tone well, and the storytelling keeps things interesting without losing its emotional core. Overall, Undercover Miss Hong (2026) is a fun, suspenseful, and character-driven drama with a cast that truly makes it shine. I loved watching the characters interact and grow, and it made the entire journey very enjoyable.
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started out promising and got lost in a maze
Most of the series revolved around a fight that dragged on for about half a series.As Fan Xiao confessed and tried to fix, in every way possible, You Shu Lang's resentment became disconnected and exaggerated.
Maybe that's the problem with bl couples that are too straight or too alpha; more ego, bickering and head-butting, less sensitivity, understanding and acceptance. there's no balance.
Positive:
- main characters well developed
Negative:
- The obsession with smoking was exaggerated and looked like one long commercial for a cigarette company. It didn't look good or contribute in any way.
- repeat names before every sentence too much.
- Fan Xiao's phone ringing was annoying.
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Tian Xiwei ❤️ as Fan Changyu delivers a standout performance that breaks her sweet image. She is gritty and practical moving with a weight that makes her profession feel authentic. Zhang Linghe ❤️as Xie Zheng brings a nuanced vulnerability to the fallen marquis role. His chemistry with Tian Xiwei is a slow burn based on mutual respect and shared trauma. Supporting actors like Li Qing and Ren Hao provide strong humor and depth to the political intrigue.
Directed by Zeng Qing Jie the show has a high quality cinematic feel. Filmed on location in Taizhou the scenery is rich and atmospheric using natural lighting rather than heavy filters. The set design for the village and butcher shop is detailed and realistic giving the world a tactile lived in quality. The action choreography is heavy and impactful matching the characters backgrounds and keeping the stakes feeling real.
Pursuit of Jade is a rare gem that treats its characters with intelligence. It is a must watch for those who want a strong independent female lead and a romance built on partnership.
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My Stubborn — Attractive Cast, but the Emotion Never Truly Lands
When I started My Stubborn, I expected a drama built on tension, attraction, and the clash between two strong personalities. The title itself suggests characters who refuse to give in easily, people who push each other emotionally until something deeper appears between them. Unfortunately, the series never fully manages to translate that idea into a convincing relationship.The casting clearly focused on visuals first. Boat Yongyut has a very particular presence on screen. His beauty is soft and almost feminine, which gives his character a fragile and vulnerable image. That look is probably exactly why he was chosen for the role. He attracts attention immediately, and visually he fits perfectly into the type of character the series seems to want to present. Opposite him, Oat Pasakorn brings a completely different energy. His performance feels stronger, more confident, and much more committed emotionally. Throughout the drama it really feels like he is the one carrying the relationship and trying to make the story believable. Whenever the two share a scene, you can see him putting effort into the emotional tension, trying to create something intense between the characters. This becomes especially visible during the intimate moments. The series clearly uses those scenes as a way to show the emotional connection between the characters. Oat Pasakorn gives everything in those moments. His acting shows vulnerability, attraction, and frustration all at once. You can feel that he is trying to communicate real desire and emotional attachment.
The problem is that Boat Yongyut rarely matches that level of intensity. Instead of feeling like an equal partner in the relationship, his character often comes across as passive. His expressions and reactions sometimes give the impression of a wounded puppy rather than someone emotionally fighting for the relationship. Because of that imbalance, many scenes that should feel passionate or emotionally explosive end up feeling strangely one-sided. This lack of balance affects the romance itself. Instead of watching two people falling deeply in love, it sometimes feels more like two good friends sharing physical intimacy without a truly convincing emotional bond behind it. The attraction is there, but the deeper connection never fully appears.
The writing also contributes to the problem. The story itself is fairly simple and never really develops the characters beyond their surface personalities. Conflicts appear but are resolved quickly, and emotional moments that could have added depth to the relationship often pass too quickly to leave a lasting impact. The drama wants to create tension, but it rarely gives the characters enough time or development to make that tension meaningful. The production elements don’t add much support either. The music is quite forgettable and rarely enhances the emotional tone of the scenes. Some moments that should feel dramatic or romantic end up feeling flat simply because the atmosphere around them isn’t strong enough.
Despite these issues, the drama isn’t completely without value. Oat Pasakorn’s performance keeps the story watchable, and visually the cast fits the genre very well. But strong visuals alone cannot replace the emotional depth that a romance story requires.
Final Thought
My Stubborn had the ingredients for a much stronger BL drama: attractive actors, a premise built on emotional conflict, and the potential for intense chemistry. Unfortunately, the imbalance between the leads and the weak character development prevent the story from reaching that potential. Oat Pasakorn does his best to carry the emotional weight of the relationship, but without a believable connection from both sides, the romance never truly convinces. It’s watchable for the cast, but it’s not a drama that leaves a strong emotional impact.
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Meh.
This drama had me excited because Roger Kwok was back! But omg it was a huge disappointing load of crap. Roger plays a very rich gold retailer but he had a bunch of really dumb kids who have no idea wtf they are doing. To top things off, Roger also had a brain tumor so was slowly dying from it. To combat this, he decided to marry Hera Chan, this assistant of his that was also 100% in love with Roger. The classic family anti-marriage arguments ensued with all the classic boring tropes. The most interesting part of the drama at the beginning was literally the intro sequence, which had each member of Roger’s family wearing jewellery that had an animal that represented their personality. I thought that was pretty clever, but it was a shame that every single person in the drama - outside of one or two people - suuuuuucked.Roger in the drama had 3 sons and a single daughter. Two of the sons played by Matthew Ho and Andrew Chan were completely useless and stupid, to such a degree that I actively hated the scenes they were in. Andrew Chan is definitely not ready for a main role. The third son played by Joey Law was smarter but his wooden acting made his scenes boring af to watch. And man the daughter, she was boring I couldn’t even bother looking for her name.
So all the sons and their wives hated Hera Chan as they thought she was only with Roger for his money. The hate for her was constant, with Hera getting always getting bullied because she was trying to be a good person. I got so angry at how Hera would put up with so much abuse and not retaliate. She only got interesting in the final 5 or so episodes after her husband was murdered and she had enough so decided to stick up for herself. She openly challenged the family after this and it became much better, but it was too little too late! You don’t have a 25 episode drama and have the only good part at the end! That’s insanity!
The best part of the drama was actually with Him Law. After watching him in roles where it he was this stubborn and impulsive idiot, this drama had him play a role of a very intelligent and level headed man who can solve nearly any problem. He ran a financial consultancy firm that helped rich people invest their money and he really helped Roger Kwok out to deal with his family matters. When we watch the drama we suspected he was out for revenge on Roger’s family because his ex-gf married Matthew Ho, but it turned out Him Law discovered Roger had recommended business to him when he was starting out to help him get back on his feet. Him Law saw Roger Kwok as a benefactor and was repaying his kindness.
So who was the big bad? Weirdly enough it was Mimi Kung. She was in love with Roger but he never paid her any mind, so she ended up with his older brother instead, who was heir to the family business. Later when her husband died in an accident, Roger became the new heir as the rules were it had to pass to a male member of the family, and Mimi only had a daughter. This pissed Mimi off enough to plot for decades and take over the business by having Roger poisoned so his brain tumor would burst, and then having a trust fund with her as the named executor so she could take it all. Her plot was obviously foiled but man the ending was so crap that I stopped caring.
If you wondered why Roger Kwok never appeared in the TVB 2025 awards, this is why. He knew this drama sucked.
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I’ve been hooked since the very first episode. I usually end up fast-forwarding through parts of dramas, but with this one, I haven’t felt the need to at all. Every scene feels worth watching. I’m really looking forward to the rest of the drama.
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Whole crazy trainwreck!
But it was entertaining nontheless. FL disguises her as a maid in quest for revenge. Along the way seducing her married employer. It was crazy the way she seduced and manipulated him. The way he fell for her every trick. He could not resist her.The actor portraying ML is a great performer, he does expressions very well and he is after all very handsome. I like that this is not the conventional romance we usually see in Verticals but it is a revenge plot where FL pulls it through the way she planned. ML´s wife is a maniac and a piece of shit, I like the way FL undermined her schemes and was the one instead who pulled all the cards. I also like that ML was a conspirator as well. I enjoyed this Vertical for what it was. As it is explained in the title itself.
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OMG! Vampire — A Funny Concept Ruined by Its Own Writing
I'll admit it: I actually liked the premise of OMG! Vampire. A group of young vampires escaping their oppressive kingdom to live among humans already sounded more original than the average supernatural BL. The series even starts with a ridiculous place called "Thaiwilight City," making it obvious from the beginning that it isn't trying to be the next Interview with the Vampire. It wants to be a parody, and honestly, I was completely fine with that.The problem is that after a promising start, the series quickly runs out of ideas.
Being silly isn't the issue. Some of my favorite comedies are completely absurd. But absurdity still needs structure. Here, every episode throws new jokes, new couples, and new situations at the audience without ever developing any of them properly. The comedy becomes repetitive, the romance feels rushed, and the vampire mythology—which could have made the series unique—never evolves beyond a few entertaining concepts.
The biggest disappointment is the writing.
The rules of the vampire world are introduced but rarely explored. The conflict between vampires and humans never becomes truly threatening. Even the central romance often feels like something that simply happens because the script says it should, not because the characters naturally grow closer. By the middle of the series, I wasn't wondering what would happen next anymore—I was wondering whether the writers actually had a plan.
The cast deserved better.
Visually, I think the actors were well chosen. Frank Thanatsaran and Lee Long Shi certainly look the part, and many supporting actors bring good energy whenever they're on screen. But the characters themselves are so poorly written that it's almost impossible to judge the performances fairly. When motivations change from one episode to another and personalities are reduced to one or two exaggerated traits, even good actors struggle to create believable characters.
That said, one actor constantly caught my attention: Sugus Buntawit.
Every time he appeared, he brought a confidence and charisma that made me wish the camera would stay on him longer. Even many viewers commented that he had "main lead energy," despite being part of the supporting cast. I honestly agree. He has a natural screen presence that several members of the main cast simply couldn't match.
The chemistry between Frank and Lee also never fully convinced me. This wasn't their first project together, but I still struggled to believe the romance. They looked comfortable around each other, yet I rarely felt the emotional attraction that should drive a BL relationship. The friendship worked. The love story didn't.
The production quality is another mixed bag. On one hand, I appreciate that the series fully embraced its campy identity instead of pretending to be a serious gothic drama. On the other hand, some visual effects, editing choices, and comedic timing make the whole production feel much cheaper than it needed to be.
After reading reviews from both fans and critics, I realized something interesting: many people had exactly the same feeling I did. Most weren't criticizing the concept. They were criticizing the execution. Nearly everyone agreed that the idea had potential but that the writing buried it under clichés, awkward humor, and inconsistent storytelling.
That's probably the biggest frustration.
A vampire comedy doesn't have to be serious to be good. It just has to know what story it wants to tell.
OMG! Vampire never seems to figure that out.
Final Thought
OMG! Vampire isn't one of the worst BLs I've ever watched because the premise itself is actually quite entertaining. The cast has potential, there are a few genuinely funny moments, and the series isn't afraid to embrace complete absurdity. But potential only gets you so far. Weak writing, forgettable characters, inconsistent world-building, and a romance that never truly lands turn what could have been a clever vampire comedy into a missed opportunity. The actors deserved a much stronger script than the one they were given.
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