TABLE OF CONTENTSDirect links to sections:
Sources : MDL, Sohu, Baidu, Weibo, Douban, Wikipedia and other articles, recordings from YouTube, Bilibli, Weibo or other media. (highlighted texts lead to sources ; most pictures lead to their sources or further information). Gifs are my own except stated otherwise, and are also linked to their sources. To view the list of my other drama companion pieces (with links to them), check : HERE. |
Completed February 18, 2025
![]() Available on 👉: iQIYI, Viki , bilibili , Dailymotion, Netflix. | 1. BASIC DATATHE WHITE OLIVE TREE白色橄榄树[Báisè Gǎnlǎn Shù].38 episodes - high quality S+ drama Airing from February 1, 2025 on iQIYI (but . "VIPs: from 02-01, 2 new episodes daily at 11:00. Non-VIPs: from 02-01, 1 new episodes daily at 11:00." Can also be watched on Youtube.
<-- Express last 6 episodes to be released on Feb15 18:00 Beijing time, according to the Weibo post Filming dates and places : Filming was scheduled for 150 days in Sìchuān province: Chéngdū, Lèshān, Zìgòng, and Liángshān Yí autonomous prefecture. It started on 2023.09.16 and wrapped on 2024.01.13, The drama passed review successfully on 2024.07.11, to air 38 episodes. The TV series has its own Weibo pages ; see also Douyin links. |
The drama is part of iQiyi's Love On (恋恋剧场),
formerly known as the "Sweet On Theater" series.
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Lèshān/Liángshān Yí set ("Uglai city", "Dōngguó" ) |
Crew :
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Production companies : iQIYI, E-Di-Shen-A (Xiàmén) Film and Television Culture Co., Ltd., Chéngdū Culture and Tourism |
Back to Table of Contents Last updated February 16, 2025
2. Cast :
Complete cast and crew was still not disclosed on Baidu, as of 2024.02.23 but a Twitter post disclosed some already, listed on Baidu later before the more complete cast was published there. There are a lot of extras who are listed in end credits. Below is the list of those that play a significant role ; the "initials" code-names used in Comments section are mentioned under the snapshots of the characters.
By order of appearance | character | actor /actress (v: voiced by) | ||
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![]() | Sòng Rǎn was taking a picture of Royal hotel staff Rina [雷娜], who wanted to send one to her son (away for his studies), when the bombs went off in Uglai City of Dōngguó. |
See also the article about her role and impressions of TWOT (from next section). | ||
![]() ![]() SR | Sòng Rǎn 宋冉, Liángchéng satellite TV’s female reporter [宋记者 Sòng jìzhě] travelled to do interview missions in Dōnguó. After her first brush with death when she stepped on a landmine, she later almost became a victim of a deadly explosion, and later again got into a controversy due to a photo which she took during the bombing attack. About 22-23 years old at the beginning of the story, having gone abroad to get more experience. Her friends at work called her affectionately 冉冉RǎnRǎn. |
She can also sing and play the piano : see "Moonlight Dance" also included in the Music section. Other Liang Jie OST songs and duos: From The Day of Becoming You (2021) Whisperer (耳语者) From Time Flies and You are Here (2021)Read Aloud/Voice (声声念) From You Are My Destiny (2020)For Real/Seriously (当真) From The Eternal Love 2-3 (2018-2021) Half (一半) Please, I Beg You (拜托拜托) Nine Part Rhyme (九张机) - TEL2 (2020, stage - cover of 葉炫清 Yè Xuànqīng original ; MV w.English lyrics) Ruthless painting (无情画) - TEL2 (2021, stage - cover of 王呈章 Wáng Chéngzhāng original) | ||
![]() ![]() ![]() AZ | Lǐ Zàn 李瓒 [Lǐ zhǐdǎo 李指导 "instructor Li"] was an explosive engineer from Xīguó 西国 (West country) who volunteered in war-torn Dōngguó 东国 (East Country). He saved Sòng Rǎn who had stepped on a landmine on her way to evacuation. He met her again in Liángchéng 梁城 (Liáng City). He told her he was not a Chinese citizen but Huáyì (华裔): a person of Chinese descent or ancestry residing outside of China, About 23-24 years old at the beginning of the story, he had studied structural demolition before being hired by Hengsheng construction group in China. |
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![]() ![]() JL | Captain Jiāng Lín 江林 was also a Chinese ethnic soldier from Dōngguó, whom Sòng Rǎn first met during the initial evacuation. He felt a strong sense of responsibility to protect his country, his family, and his friends, and Lǐ Zàn. |
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![]() SB | Ms Shěn Bèi 沈蓓, Sòng Rǎn's superior at the TV station, in competition for the winning reports and for Lǐ Zàn, whom her dad had asked her to meet in blind date. |
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![]() | "Aunt Yang" [杨阿姨 Yáng āyí], Sòng Rǎn's father's wife, mother of her half sister. |
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![]() | Sòng Yāng 宋央 Sòng Rǎn's half sister, still studying in the beginning of the drama and going next to work at 白溪中学 Báixī Middle School. About 21 years old. |
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![]() | Sòng Zhìchéng 宋致诚, Sòng Rǎn 's father. |
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![]() ![]() | Lǐ Qīngchén李清辰 The prescient renovator of the unit above Sòng Rǎn's apartment, who had come to check damages from that unit's leaks and told her that if she did not look too hard, she'd find what she was missing. (He shared a soup with Lǐ Zàn: ep. 12 end) |
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Luó Zhàn 罗战 , a senior engineer from Hengsheng Construction Group in Liángchéng, agreed to an interview; he had been with volunteers in Dōngguó. He was a friend of "A Zàn", and also needed him back to complete work for the company. |
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ep.2 | Rǎn Yǔwēi 冉雨微 Sòng Rǎn's mother, living in Dìchéng 缔城 (5hrs away by train from Liancheng), embittered by her ex husband's "betrayal" and looking down on her daughter who used the house in Liángchéng, inherited from her family. She reminded her that it was only on loan until Sòng Rǎn's young uncle Rǎn Chi would come back from university to get married. In ep.21, Sòng Rǎn explained how her mom divorced in 1998 and joined Dihua Group of which she became a leader. |
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![]() | Director Liú Yǔfēi 刘宇飞, 刘主任 [Liú zhǔrèn] of Liángchéng Satellite TV station who employed Sòng Rǎn and Shěn Bèi. |
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![]() ![]() SX | Sasin/ Sà Xīn 萨辛 a press colleague assigned by the TV station to drive Sòng Rǎn, when she traveled back to Dōngguó. He was part Chinese, but a Dōngguó citizen who joined the military there eventually. He and Benjamin had some issues, but they found some understanding. |
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Benjamin (Běnjiémíng 本杰明) leader of the mercenaries. Discourteous and scathing to Sòng Rǎn and to her colleague Sà Xīn, he still proved that he was not only money grubbing, and serious about defending Dōngguó. He had a thorny crush on Dr Pei after she met her. |
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ep.3 | Doctor Péi Xiǎonán 裴筱楠; she was a Chinese volunteer who came to treat a villager who had been bitten by a viper, while the squad was demining the field. She bantered with Benjamin but stayed aloof, frustrating the self proclaimed "playboy". |
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![]() | Sia [Xīyǎ 西雅], the little girl from Uglai City, wanted to learn how to dismantle landmines because her dog had been killed by one. Lǐ Zàn gave her the white puppy Azàn that he just had saved. |
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![]() | Zoro [Suǒ lóng索隆] was the little boy who played with Sia. They said they were going to be married and Sia wanted to keep their ring, until Lǐ Zàn took him to hospital in the "Carry picture". |
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ep.4 | On the market, an old woman grabbed hold of S and wanted to sell white olive tree seeds to her, claiming they would bring her happiness. |
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ep.5 JY | Jiāng Yú 江于 was Captain Jiāng Lín's orphaned "brother" or rather cousin, who studied in Báixī middle school in China. Lǐ Zàn felt responsible for the rebellious (but academically gifted) teenager. |
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Wáng Hàn 王翰, Jiāng Yú's classmate in Báixī 白溪 experimental school of Liángchéng, who often got bullied. He felt resentful after feeling discarded without explanation by Jiāng Yú who had been his best friend and defender and suddenly got into fights with him. |
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ep.7 | The unnamed little boy who picked flowers in the barracks grounds. He was saved by Lǐ Zàn from a car bomb shortly after. |
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ep12 | Dr. Hé Shānrán 何山然 specializing in ophthalmology, and a friend of Sòng Rǎn's mother, who had tried unsuccessfully to set up a blind date between him and her daughter. |
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ep.13 | Teacher Fù 付老师 [Fù lǎoshī] Head teacher at Báixī 白溪 experimental school of Liángchéng. She was impartial and looked beyond appearances, defending hr students against online gossip, and open to talk with them and with Jiāng Yú 's new and informal "guardian", with whom she could talk more freely than with the mostly absent grandparents. |
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ep.14 Dr.L | Dr Liáng, 梁医生, Lǐ Zàn's psychiatrist She was a very attentive specialist that Luó Zhàn had refereed Lǐ Zàn to. She tried her best to help Lǐ Zàn cope with and overcome his PTSD and to explain to Luó Zhàn the validity of Lǐ Zàn's decision to return to Dōngguó. She also advised SR. |
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ep.18 | Mr Luó 罗老师 [Luó lǎoshī] Sòng Rǎn's editor |
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ep.20 | Zhāng Jiàn 张健 An engineer who used the Hengsheng Construction Group meeting rooms to celebrate his wedding with colleagues, Luó Zhàn, Lǐ Zàn and Sòng Rǎn. He was scared of displeasing his boss. |
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ep.26 | The psychotic PTSD sufferer was calmed down by music and by Lǐ Zàn who managed to reach beyond his mental wall and bring him some hope. | |||
ep.27 | Jose 何塞 [Hésāi] and his "sān bèng zǐ" 三蹦子 trike was Sòng Rǎn's driver to rediscover the place she had first met Lǐ Zàn ; he came back to drive her to other places. |
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ep.28 | Mógēn /Morgan 摩根 a soldier in the Dōngguó army, under the command of captain Benjamin, to guard the special forces barracks, or go on missions to destroy rebel hideouts and help with demining and bomb disposal. Benjamin authorized his wedding. | |||
ep.29 | The captain of the squad protecting the national shrine of general Matuman (马图曼将军 Mǎtúmàn jiāngjūn). | |||
ep.30 | "Ark"/ Ākènà 阿克那 Terrorist bandit leader in the attack on Matuman shrine. | |||
ep.31 | Abu /Ābù 阿布 Rebel bandit who shot at Benjamin while the captain and Sà Xīn looked for the lost good-luck star. He later ambushed SR. | |||
Alphabetical key to the "initials"/codenames from Comments :
AZ : Ā Zàn / Lǐ Zàn | B : Benjamin | Dr. L : Dr. Liáng | Dr.P : Dr. Péi |
JL : Jiāng Lín | JY : Jiāng Yú | LZ : Luó Zhàn | PXN: Péi Xiǎonán |
SB : Shěn Bèi | SR : Sòng Rǎn | SX : Sà Xīn | WH : Wáng Hàn |
Back to Table of Contents Last updated February 16, 2025
3. Posters, pictures, trailers ... the story of the shooting
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![]() ![]() ![]() ![]() ![]() ![]() ![]() CGI of the "mirage" scenes with the white olive tree grove in the clouds. (episodes 7 and 38) ![]() ![]() Despite all the explosive contents of The White Olive Tree, Chén Zhéyuǎn did not get injured on that shooting, but when he slipped in the shower on January 28, Chinese New Year's eve (!) he suffered a fracture on the collarbone and had to get surgery. Luckily the damage was not too important, so he still was in the mood to celebrate a few days later, and joke that he had read that falling on Chinese New year's eve was "auspicious" and not ominous ; he even could sit on live show for the premiere of The White Olive Tree. ![]() ![]() ![]() | Making Of《白色橄榄树》 [translation into English] was described as a dark tragedy novel about a soldier and a journalist, so the drama adaptation should, after much discussion, tweak the adaptation towards a happy end. "Lǐ Zàn is not just a fictional character, he means a lot to novel fans. They regard him as one of the heroes of the country!" The dramatization was initialy planned as a 40 episodes S+ quality drama to be aired in last quarter of 2024. Two actresses had been too afraid of the FL role: Zhāng Jìngyí quickly declined the role; Wáng Yùwén almost left the production in a pinch, before Liáng Jié quickly stepped in. Drama booting ceremony took place on 2023.09.16 and filming started immediately in Sìchuān, Liángshān Yí autonomous prefecture. Liáng Jié arrived on Sept26 at Xīchāng airport nearby. Additional urban offices and home, city road and studio scenes were shot in Chéngdū, other locales used in Lèshān and Zìgòng (the old chemical plant), Sìchuān province. Filming was scheduled for 150 days. It wrapped on 2024.01.13, and passed review successfully on 2024.07.11, to air 38 episodes (down from 40).Complete cast and crew was still not disclosed on Baidu, as of 2024.02.23 but a Twitter post disclosed some already, listed on Baidu later. News and videos accelerated as of 2024.02.23 - iQiyi released a new video of Behind the scenes and making of footage (4 Gif snippets in left column and below) and cast was announced while pictures of the set were posted for the "city" on a hilltop, that was built for the drama, to look like the real war zone Dōngguó (Eastern country ) from the original novel . The location, rented for the set construction, and revealed to be in the south of Lèshān (bordering to Liángshān) on Douyin, became a tourist attraction in 2024! "Many cultural and tourism locations and urban landmarks became important places for the story. "Traveling with the film and television drama" became a new attraction promoted by Sichuan Tourism starting with Shāwān Qū 沙湾区, central urban area of the prefecture-level city of Lèshān 乐山. The sets of Red Art House (红房子艺术小镇) village were arranged to let tourists take souvenir pictures from scenes in the drama along with the broadcast.." (adapted from Beijing Youth Network, 2025.02.01) One support actress, Florence Tan, gave an interesting interview to asiaone in Nov.2023. During the shooting, Chén Zhéyuǎn interacted with many children on set. Once, off official shooting, camera caught him helping a little mixed ethnicity girl named Mimi, whose coat zipper was broken. They took a souvenir selfie together; later the parents thanked him. (Below, GIF from child actors vlog, 9-19-23) ![]() In the months from their first meeting on set and its adoption, Zàn, also affectionately called "Āzàn" grew from one month puppy to a full size dog. After the shooting, Chén Zhéyuǎn celebrated its "birthday" on 2024-09-02 during the shooting of Fated Hearts, his next drama! Āzàn is an active bitch that likes to run, play in the water, or rest by her master's side, but is less thrilled by robot dogs than Chén Zhéyuǎn was, playing during the shooting of his newest drama Chasing Dreams, with the toy he received from a friend in January 2025: ![]() ![]() Below: "Carry" Sòng Rǎn's picture ![]() ![]() |
Back to Table of Contents Last updated February 17, 2025
4. QUESTIONS AND ANSWERS (part 1)
![]() | Contents :4.1 When does the story start ?4.2. Where is it set, what countries could it have been modeled on ? 4.3 World-building of a "foreign country", the details. 4.4 Role of Lǐ Zàn 4.5 Love despite PTSD and survivor's guilt (mild spoilers) 4.6 The Red Thread Part 2 5.1 Mental conditions PTSD and skewed decisions 5.2 Chinese cities in the drama 5.3 Olive tree, branch and pit symbolism 5.4 The End |
4.1 When does the story start?
We have a clue with the tag tie to the dog's collar in the early episodes : "ZAN .... 1994.10.29 EOD officer I.V.O." i.e. an "Explosive ordnance disposal" officer "leading teams that neutralize chemical, biological, and nuclear weapons, as well as improvised explosive devices (IED)" member of a Volunteer Organization.
So, since the book, published in 2019, presents Lǐ Zàn as a 23 year old in the beginning of the story, and from other clues from the drama and novel, the story is set around 2017-2019.
Sòng Rǎn is slightly younger than Lǐ Zàn ; at the start of the story, she is a reporter discovering and documenting the picturesque old city in foreign Dōngguó and is on the brink of returning home with her harvest of footage and pictures for a travelogue. She is not a senior reporter, but a very junior one, on her first experience abroad, unprepared for danger, although she has read a lot from other reporters who covered unstable and dangerous countries. She has some technical skills, so she can handle both photography, filming, editing, writing, and sometimes live streaming back to China via her company's site, where she is supervised by more experienced Shěn Bèi, both being under the authority of Director Liú Yǔfēi of Liángchéng Satellite TV station.
4.2 Where is it set, what countries could it have been modeled on ?
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It is set in a fictitious "East country " (Dōngguó 东国 =East Country) that borders a "West country" (Xīguó 西国 ) from which Lǐ Zàn is a citizen, but also a Huáyì (华裔) meaning a Chinese descent citizen, as opposed to an expat Huáqiáo (华侨) who would have kept Chinese citizenship. Since we know his father moved back to China for retirement and that Lǐ Zàn spent most of his formative years in Xīguó, we may assume his mother had been a Huáyì citizen of Xīguó or Dōngguó and that East and West countries had perhaps formerly been one country, that experienced a secession, hence their care for the country in which they did not live.
The situation reminds of, in an allegoric way, of other countries that experienced splits or lingering unrest : Yugoslavia in the 1990s, Azerbaijan/Armenia/Nagorno-Karabakh 1989-1991 and 2020, Chechnya 1999-2009, or even Lebanon at the time of the 1990 Palestinian crisis, or Gaza (over five wars in the period 1948-2023 with dire humanitarian consequences).
The models could be either one of the countries mentioned, although Dōngguó looks more Central Asian or Eastern European, than middle eastern, as a crossroads of various people in a mountainous and agricultural small country.
Taking as possible inspiration the former Yugoslavia. That country existed from 1918 to 1992, before exploding into a bloody civil war causing the secession of the 6 constituent republics (Slovenia, Croatia, Bosnia and Herzegovina, Montenegro, Serbia, and Macedonia). The bitter civil war that arose at the time of the split which lasted a decade, from 1991 to 2001, took a heavy toll on the population, but also on outsiders, such as in the NATO bombing of the Chinese embassy in Belgrade on May 7, 1999, and mercenaries and "peace keepers" of all ilk fought each other in factions for years, causing mass murders and refugees seeking refuge where they could.
It may not be total coincidence that some MDL members noticed that the old woman selling the olive tree seeds was speaking in Serbian! MDL member Little Daisy commented on it, explaining the strange mismatched speech of the actress who was in fact reciting a quote from a cartoon in Serbian (which makes the exchange on the market even more weird) !
Olive trees are grown in the countryside on the Balkan peninsula which includes the former Yugoslavia. Interestingly, the name Uglai (used for the English translation of 厄莱城 [Èlái chéng] in the Chinese version of the "ancient city" in the drama) sounds similar to Ugljan which is a place in Croatia, actually an island with a medieval fortress and connections to ancient settlements and colonies along the Dalmatian coast; the Greek and Illyrians had many ancient settlements along the coast and on the peninsula, even further south to present day Bosnia, Albania, North Macedonia, Kosovo (which also had a bitter conflict on the margins of and beyond the war in Yugoslavia from 1991 to 1999).
4.3 World-building of a "foreign country", the details.
The fictitious country had many different ethnic groups but an "original culture" with its own myths, lightly touched on with the Tree symbol. The fictitious Dōngguó and Xīguó had a resident population of Chinese, so the people there could speak Chinese reasonably well (even very well, but we may assume it is just drama transposition of other language such as in dubbing, same as for the accented English used as "lingua franca").
In a way, Dōngguó also mirrors South East Asian (Malaysia, Thailand, Indonesia) or other countries (Ceylon, the Caribbean, South Africa...) with a large population of Chinese people that live alongside the original local people. Countries with enough integration that the latter don't feel surprised and interact with the Chinese almost as if they were their own, using several languages including Chinese ; despite the fact that there is always a distance between the ethnic groups and that these countries have also experienced terrorism and splits.
![]() | The store signs and menus in Dōngguó used a very foreign looking alphabet with letters slanting to the left evoking vaguely Arabic or Cyrillic, but were neither. It is a fictitious alphabet, but not an ideograph script. Some signs were in English, as if the country also had been hosting peace keeping forces using that language, and there is a funny clue to the Dōngguó alphabet with a sign showing the word "Dreaming", name of a bar, almost as a Rosetta stone! |
The country also had its own currency, as shown on the drinks menu in the bar. But it also accepted dollars on the market, as if it was having a dual currency economy like in former Asian countries and even Eastern European ones at the time of the former Soviet Union, where the dollar was used on the "black market". | ![]() |
![]() | Dōngguó seemed to be a hilly or mountainous impoverished country, with remnants of an economy that had known better days, as can be guessed from the faded billboards still advertising for products, and posters on walls, and the rooftop air conditioning unit with blue pipes to the right. |
But it also looked like it had an original culture that resulted from the mix of different populations. It seemed to have agricultural roots and indigenous myths such as the belief in the Tree that was sculpted on a pillar in Uglai city, the "ancient city".![]() | ![]() When in a later episode, they visited the Matuman Holy Temple on a hill (see picture on top of this section), there also was a mention of the white olive tree blessing the country. |
We got a glimpse of mountains and hills, a village, another city called Happo/Hepu, some hours drive from Uglai city (厄莱城 [Èlái chéng]), although a (dangerous) shortcut could be driven over hills. Sòng Rǎn did not spend time in Gamma capital city 伽玛 [Jiāmǎ] which we only know about because it had an airport to fly in and out of Dōngguó.
The conflict in Dōngguó remained unexplained (although we would learn later, in ep.20, that a violent faction wanted to free their imprisoned leader, called "Ke", and took revenge on the local population). It was still unclear even then, if the troubles were the results of a military coup or of a foreign aggression ; the only thing we knew was that the country was on the brink of trouble but still relatively peaceful when Sòng Rǎn came as a young journalist, seeking experience abroad to document the "ancient city", Uglai city in Dōngguó and its interesting population.
She was leaving Uglai city to go back to China and her family and colleagues in Liángchéng after her stint there, when the trouble flared up and she found herself scrambling to get on the flight she should be boarding to go home from the airport in "Gamma" capital city of Dōngguó. Her chance encounter with Lǐ Zàn made it clear that Dōngguó was still suffering from lingering scars of former warfare, just like the landmines that still take a toll on human lives in Myanmar, Laos, Cambodia, years after the wars and civil wars there. Buildings such as the old bombed out factory where Sòng Rǎn almost got trapped on her return to Dōngguó showed that there were many damaged buildings that probably needed demolition and reconstruction.
4.4 Role of Lǐ Zàn
Lǐ Zàn described himself more in details in ep.21. He had studied "structural demolition" in university in Xīguó, where he was born, before coming back to China with his widowed father (who had been an architect) when he retired to his ancestral town of Jiāngchéng 江城. His mother had been an elementary school teacher who passed away when he was five. After his studies, Lǐ Zàn went to Dōngguó with his boss or supervisor Luó Zhàn 罗战 , a senior engineer from Hengsheng Construction Group, which had projects for demolition of buildings, presumably to make way for new construction. We are led to think that the Chinese company in Liángchéng had cooperation with the local authorities in Dōngguó to demolish damaged building and reconstruct, and that it also provided help in the form of training of demolition experts.So Lǐ Zàn was an instructor lent to the local Dōngguó forces to be an EOD "Explosive ordnance disposal" officer leading teams that could neutralize bombs, landmines, and improvised explosive devices (IED)" acting as a member of a Volunteer Organization. To this end, he had to renew yearly the EOD certificate for demining and bomb disposal, that he had obtained in Xīguó. At home, or perhaps abroad too, he would be tasked with demolition in view of redevelopment and urban projects. He had an interesting model at home that showed he gave thoughts to a large scale demolition program. Although, with times evolving, he would also have to use a digital model, on the USB key that Luó Zhàn gave to him. | ![]() ![]() ![]() |
But after his return, he felt he needed to get back in order to face his traumas, in the hope to get totally healed. Therefore, he went through a psychological assessment to apply for a second stint in Dōngguó.
4.5 Love despite PTSD and survivor's guilt (mild spoilers)
#58 Depression Distorts Reality
| The Scream, Edvard Munch, 1893![]() 创伤后应激障碍 / ptsd[Chuāngshāng hòu yìng jī zhàng'ài] Post-traumatic stress disorder Post-traumatic stress disorder (PTSD) is a mental health condition which is caused by an extremely stressful or terrifying event — either being part of it or witnessing it. Symptoms may include flashbacks, nightmares, severe anxiety and uncontrollable thoughts about the event. They can vary over time lead to alteration of self worth, of interests, detachment from family and friends and in severe cases, destructive behavior (drinking, speeding...) suicide. Events that can lead to PTSD include:
Most people who go through traumatic events may have a hard time adjusting and coping for a short time. But with time and by taking good care of themselves, they usually get better. If the symptoms get worse, last for months or years, and affect their ability to function daily, they may have PTSD. Getting treatment after PTSD symptoms arise can be very important to ease symptoms and help people function better. |
Portraying these heavy mental burdens was not an easy task. Both characters seem to have underlying weaknesses from an undisclosed past that they were reluctant to open up about.
Therefore, Sòng Rǎn repeatedly said she was alright, everything was fine, she already had all her wishes come true... The psychiatrist assessed her as suffering from depression, and her family circumstances (she had a troubled relationship with her divorced parents) probably were one cause, the experience in Dōngguó becoming the trigger. This caused her to lie to Lǐ Zàn and altered her judgement in the case of the Wáng Hàn incident, and to act rashly. It also prevented her from opening up to Lǐ Zàn in earlier scenes, where she "acted shy", hiding her face and eyes in her hands when she was at the open fire scene in ep.7, drunkenly looking at cartoons on her phone, and Lǐ Zàn told her he thought she was "cute". Drinking to "relax" was a thing she did, contrary to Lǐ Zàn who went to the bar with his friend, but refrained from drinking too much alcohol.
Lǐ Zàn was more aware of his own condition as PTSD (post traumatic stress disorder) sufferer when he returned to China, because of his invisible but also provable pain. He had scars and lost his hearing, needing a hearing aid for a while, although the damage was to his mind first. He admitted to "tinnitus and dizziness" and had nightmares, and early after his return to China, seizures of extreme pain that caused him to writhe on the floor and hit his own head on walls. He recognized that it had to do with something he did but couldn't face : at the time of the attack when he got wounded, he had forged in to save people, causing his best friend, Captain Jiāng Lín to get caught in the explosion at the orphanage, and leave him with survivor's guilt.
Medication helped, but he couldn't tell the psychiatrist about the death of his friend. He could only voice his fears to a close friend like Luó Zhàn who could stay clear minded and assess that right intentions did not always result positively. Lǐ Zàn needed someone to give light to his darkness and emptiness, that he described to Sòng Rǎn.
After he regained his memory of the deadly incident, he also felt he needed to confront his past trauma in Dōngguó. With Dr Liáng's approval, and despite Luó Zhàn' s reluctance, he went through a psychological assessment that resulted in his being declared fit to apply for a second stint in Dōngguó as EOD, since such specialists were even more needed there than before.
![]() ![]() | Enigma05 explained her view of Lǐ Zàn's survivors guilt : Survivors guilt is a very powerful thing and it’s not just when it comes to combat zones: people post 9/11 that survived the world trade center collapse while many of their colleagues didn’t also had survivors guilt. Like “why wasn’t it me? It should’ve been me.” That’s what you hear; those people are dealing with survivors guilt. Yes his friend as captain made the choice to rush in and grab the bomb out of his reach and push him away and that was his choice but for LZ because this was his friend and this was his job to him it was it was “it should’ve been me.” Hence the term “survivors guilt.” |
![]() | So despite their attraction, Lǐ Zàn and Sòng Rǎn couldn't get close as ordinary people do, although they tried to go through the moves, making food together, looking at his childhood pictures in his family album (some of those were Chén Zhéyuǎn's real childhood pictures !) sharing an apartment, kissing (click on picture below for full scene, from ep.17), declaring their love and intention to marry eventually. |
The drama often feels disjointed, with long moments suddenly erupting into frenzy. At times, the two protagonists seem enchanted, as though they were "in a bubble" out of time and harsh reality : when they observe the miraculous looking "mirage" of the white olive tree in the clouds, when they dance in the alley... These are moments when both are "in tune" and share happy smiles.
Often, things seem to be "fated", but there are undisclosed explanations. This comment from Wal is in my opinion very true :
The plot makes use of subtleties, leaving many events implied for the viewer to understand, which differentiates it from other dramas that provide information more directly. For example, when she searches for A-Zàn after the explosion, it's clear that she doesn't consider the possibility of A-Zàn being dead, but rather that he has disappeared without a trace. The same applies to Benjamin and Sà Xīn: she knew they were alive, but hadn't heard from them. As for Jiāng Lín, I believe she already knew he was dead, but this wasn't shown as an explicit discovery, which explains why, when informed by A-Zàn, she didn't show a strong emotional reaction.
In another comment Amarina had an observation about the skillfulness used to portray the inner void of the PTSD sufferer :
I showed the hug scene (ep.15) from yesterday to a coworker who doesn't watch CDramas and I was giving her the brief scene background and she was like "He looks dead inside. Like he's smiling but his eyes are haunted. How is anyone believing he is "okay"?" Until she pointed it out I didn't actually realize just how well he was acting since I had been engrossed in the story unfolding and not really "staring" at the actors so to speak.
4.6 THE RED THREAD![]() | Symbolic things also come into the story, such as the red thread of "Yuè Lǎo" which they both acknowledge binds them together, at the end of episode 18 (月老 : Yuè Lǎo whose full name is 月下老人(Yuè Xià Lǎorén) is a Chinese god of happiness in Chinese folklore who specializes in marriage. It is said that all men and women in the world whose ankles are tied together by the red rope in his bag, no matter how many hardships and tests they encounter, will be happy.) It already appeared as a red string bracelet that got accidentally attached to Sòng Rǎn after the landmine incident. Chén Zhéyuǎn also remarked on that string in the interviews. |
For length reasons, this section was cut into two parts, part 2 follows.
Back to Table of Contents Last updated February 18, 2025
5. QUESTIONS AND ANSWERS (part 2)
![]() | Contents :4.1 When does the story start ?4.2. Where is it set, what countries could it have been modeled on ? 4.3 World-building of a "foreign country", the details. 4.4 Role of Lǐ Zàn 4.5 Love despite PTSD and survivor's guilt (mild spoilers) 4.6 The Red Thread Part 2 5.1 Mental conditions PTSD and skewed decisions 5.2 Chinese cities in the drama 5.3 Olive tree, branch and pit symbolism 5.4 The End |
5.1. Mental conditions PTSD and skewed decisions
Lǐ Zàn was treated for his physical and mental condition: he had experienced hear loss, although it was more a consequence of the "never stopping explosion" tinnitus that plagued his mind. Luó Zhàn had helped him overcome the worst phase, with hearing aids, providing non intrusive help and access to Dr Liáng, the expert psychiatrist, after witnessing his breakdown into a psychotic episode where the din in his head almost drove him insane.
His mind had at first blocked out the traumatic experience, but even though he slowly got better control, he was aware of the risk of "triggers" propelling him back into the gaping "abyss" in his mind, that might even drag others down into it. Despite being encouraged by Dr Liáng to talk with trusted friends and family, he could not bring himself to use Sòng Rǎn as a psychiatric help device. But along the way, he had gained insights in some forms of non chemical help devices such as listening to soothing music Music therapy is indeed recognized as a tool to help patients with mental health trouble. Lǐ Zàn used it later to help a fellow PTSD sufferer who had a violent psychotic episode in Dōngguó. "病人因ptsd发作将裴医生劫持" (iQIYI cut of ep.27) Sòng Rǎn too was blocking out the pain from the memories behind the pictures she had taken. Physical pain too, since her eyes had suffered and she was diagnosed with a bacterial infection that might make her go blind. (iQIYI cut of ep.12) | ![]() ![]() ![]() |
Lǐ Zàn's condition, although he still had a sharp understanding of the environment he lived in, made him miss some signs that Sòng Rǎn too was a sufferer, and that his trying to spare her could boomerang to hurt both him and her again.
She had no idea about the severity of PTSD, being totally self centered around her own depression, itself a milder form of PTSD but with more ancient roots in her existence. Sòng Rǎn had her own issues. She quit the satellite TV station in Liángchéng and started working on a narrative that could be published or used as a script for a Dìchéng TV company she joined next. But that brought her closer to the harsh mom she feared, and far from Lǐ Zàn, who at first remained in Liángchéng before going back to Xīguó for the renewal of his EOD certificate before going back to Dōngguó.
Things took a different turn when the health condition of Sòng Rǎn's mom was revealed : all three suffered and "bravely" hid their pains and the severity of their respective condition, although their efforts to spare the others in the short term could make the outcome more heart breaking. Sòng Rǎn's mom had come round to understand and approve of Lǐ Zàn, but was conscious that she was running out of time. Sòng Rǎn still lied to conceal the severity of her eye condition. Lǐ Zàn was torn between his need to stay by Sòng Rǎn's side, and his need to overcome his PTSD, and to fulfill his promises to Benjamin. How to reconcile conflicting promises : stay and go ? When he finally explained his dilemma to Sòng Rǎn, she made a rash decision...
The emotional roller coaster next led to a making up of the two wounded souls in a scene that shows the skills of the actor :
![]() | This scene was filmed before the PTSD scenes but was masterly interpreted. |
![]() | The rebels wounded Lǐ Zàn grievously, mutilating his right hand, which lost two fingers. Lǐ Zàn's PTSD which he hoped was cured after having freed a family from a bomb in a "dungeon",was rekindled with the new traumas. Sòng Rǎn still hoped she could help him, by staying close on their return to China, with the help of Luó Zhàn who was more a friend than an employer, while she reorganized her book on Dōngguó,and retitled it The White Olive Tree. |
5.2 Chinese cities in the drama
The Chinese cities mentioned have names that are used by several real ones, such as Jiāngchéng in Guǎngdōng province, Liángchéng in Inner Mongolia, Dìchéng in Ānhuī ; although neither one of these are major cities and namesakes exist in Yúnnán or elsewhere. But the climate of Liángchéng in the drama looks too warm for it to be in Inner Mongolia.
We don't know exactly where the drama cities are ; they are also generic names often used in novels and dramas, and not tied sufficiently to reality to evoke more than cities in southern coastal China or in the drainage basin along the Chángjiāng (Yangtse river), which covers a wide part of China and several provinces from upper reaches around Chóngqìng, downstream to Wǔhàn and finally, Shànghǎi, Hángzhōu, and more.
The transition cityscapes shown in the drama also show Běijīng and Chéngdū landmarks with their iconic high rises...
5.3 Olive tree, branch and pit symbolism
![]() | ![]() Pictures link to more info | ![]() |
The olive tree, or more specifically an olive branch, is a symbol of peace and friendship dating back to ancient Greek mythology before Christianity and Islam, before wars and United Nations (UN). The use of the olive branch as a symbol of peace in Western civilization dates back to at least 5th century BC Greece. It is also one of the oldest known trees : humans have grown olive trees for thousands of years. The oldest known olive tree is 1500 years old, but the average life span is 500 years.
The ancient Greeks believed that olive branches represented plenty and drove away evil spirits ; an olive branch was one of the attributes of Eirene, the Greek goddess of peace.
But the mythological origin of the olive tree comes from a creation story in which "Poseidon (the god of the Sea) struck the ground with his mighty trident and created a sea which although impressive, was too salty to drink. Athena, in less dramatic style, knelt and planted something in the ground which grew into an olive tree. This turned out to be a much more useful gift." It is interesting to note that Athena, the daughter of the Greek ruling king of Gods Zeus, was also the Greek goddess of oil, wisdom, peace, and war. And more : courage, inspiration, civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts, and skill. She was known for her strategic skill in warfare, was often portrayed as a companion of heroes, and was the patron goddess of heroic endeavor. Poseidon, who was not pleased with people valuing her gift over his, cursed the city of Athens to droughts and water shortage, but the sacred tree grew hardily on ! So the tree is also a symbol of endurance.
The olive oil was (and still is) used for many things : food, skin care, conservation, and also as fuel for lamps bringing light and enlightenment. Research has proven its benefits for humans. Planting one at home also provides a nice decoration, since the tree can grow slowly in pots, although it is more difficult to start with a seed, called "pit".
The UN emblem's design was approved by the General Assembly of the Organization on 7 December 1946. It consists of a map of the world surrounded by two olive branches. The blue background represents peace, as opposed to red for war (this is of course debatable, since Asia always viewed red as the color for joy and luck! but that's what the General Assembly of the organization came up with, so that's also why peace keeping forces from the UN wear blue helmets).
Spiritually, the olive tree means peace, hope, and new beginnings in one's life. This is because it can survive in difficult conditions, teaching us to stay strong during tough times and live in harmony with Nature and people. Its silvery green leaves reflect eternal life, and its fruit represents blessings and plenty. Giving an olive tree has a very profound meaning , because it has always been a symbol of peace, wealth and prosperity . Also known as the “tree of life” given its ability to live for centuries, the olive tree is donated to wish a future full of peace, joy and serenity .Its branches historically used to crown victors in ancient Greece. This not only symbolizes success but also the tranquillity that comes with love.
As for the seed: the olive pit, planting one is asking you to trust that the seed will grow. Allow new experiences and good luck to flow into your life easily and naturally, like the tree sprouts from the seed.
![]() | In another context, anthropologist Edvard Westermarck, in the essay Ritual and Beliefs in Morocco, wrote: “in Islam, [the olive tree] is the cosmic tree par excellence, center and pillar of the world, symbolizes the universal man, the prophet.” On another note, since the conflicts over Palestine, where olive trees were harmed, uprooted, defoliated, it has also become a symbol of Palestine and its struggles. |
In the Chinese song Gǎnlǎn Shù 橄榄树 (The Olive Tree) adapted from the poem by Sānmáo, it became a symbol of the longing for a home country, not only for refugees.
Offering an olive branch can also be used metaphorically, even without the physical twig, to resolve a conflict. An olive branch is a good-faith offer to end a disagreement or conflict. If you want to make up with your friend, you may have "to be the one to extend an olive branch". Such as in offering a truce in a sentence such as : "My brother baked me cookies as an olive branch, but I'm not ready to forgive him for reading my diary."
5.4 End
As expected, everyone can't escape unscathed in a story like The White Olive Tree.... Civil war and terrorism leave casualties and loss of lives that had become dear. Without spoiling the end, here are a few memorials of the fallen, and memories for the survivors :
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![]() | ![]() (私奔 written on the left hand of Lǐ Zàn) Jiangcheng end 2019 |
As promised, the production did not follow totally the end of the novel, which would have been too tragic.. Instead, they chose a depiction of the marriage and had the couple elope to stay together forever. This sent them to find the White Olive Tree | ![]() | ... Blessing their unbreakable love away from the world, in an allegorical dreamy way, keeping an end wish in line with the novel epilogue which laments the ongoing wars: "I would like to dedicate this book to everyone in this world who loves life". |
The transition from reality (message, book, postcard) to a dream and hope follows the theme of the white olive tree "mirage" memory of sightings in the sky, where the pair wished for peace to the world, the children traveling with Shen Bei (leafing through the book The White Olive Tree she received) under the clouds showing the "mirage" once more, and the jump from the backyard where the pair wrote their pledge to elope in front of the tiny sapling planted a year earlier, to the dream of standing below the full grown olive tree, with a clay statuette commemorating their first sighting. ![]() |
At the end of the journey lies sublimation : "What is Sublimation? Sublimation is a defense mechanism that redirects energy from an unacceptable impulse or emotion into a more socially acceptable one. It's seen as a mature form of behavior and is used to cope with difficult situations." "It allows the ego to reduce the anxiety that can be created by unacceptable urges or feelings. It works by channeling negative and unacceptable impulses into behaviors that are positive and socially acceptable."
EPILOGUE : For those who prefer to imagine that Lǐ Zàn and Sòng Rǎn did not simply choose the "easy way out" to suicide (which would be inconsistent with their heroic status), but lived somewhere, away in their own home, for many years and with offspring, like in the novel, the very last pictures of the series show them without the shimmering light, standing under an olive tree similar to the dream-like images when they had "vanished". So the last images can be interpreted as a phantasmagorical happy dream where everything is going to be fine, they will be forever young (as most old people still are in their minds) and the world will be at peace so they can enjoy a free and easy life and let go of the worries of the past. After all their struggles to save lives, why would they have given up on their own ones?
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Back to Table of Contents Last updated February 23, 2025
6. Promotion and Reception
![]() 爱奇艺国际版iQIYI5小时前 来自 微博视频号 (5 hrs before the premiere...)Announcing the new Love On drama, on January 21, 2025 : ![]() ![]() ![]() ![]() | Support came from early promotion from production company and friends of the team, fans of the novel, and the rising "heat index". The buzz was kept alive with a live stream from day of airing and the actors appearing in several shows before and after premiere :
Tán Jiàncì supported 500 seats for The White Olive Tree 云包场/cloud package🔖🙌🏻 Zhāng Yúnlóng (Leon Zhang) : "Everyone , come to see A Zàn tonight 🤩" Chén Hèyī : "Rush ! Come and see Brother Chén"
200 million playbacks on Feb.8, 1:15 am 300 million playbacks on Feb.11, 8:20 pm 400 million playbacks on Feb.16, 11:52 am 500 million playbacks on Feb.22, 3:40 pm
Douban rating on Feb.18 from 31,128 people ![]() TWOT was a drama with a difficult theme, "not for everybody". An easier romance such as costume family drama Perfect Match which competed with it for top spot for a short while before ending earned 5.8 a week earlier while TWOT was still airing. |
![]() | Weekly popularity standing (rank among top ten for week ending date):
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Back to Table of Contents Last updated February 24, 2025
7. INTERVIEWS, LIVE STREAMS AND SOME REVIEWS
About the drama :
The White Olive Tree, October 2024 interview for CCTV. (click on picture to listen to it in full , 6'56 on YouTube)
"If you ask me what I am in his eyes, what kind of existence I represent, I think he considers me a pretty good friend too. He probably trusts me and he is very supportive of me. In fact, when we finished filming, I felt that he was very thankful for me. Of course, I was also very thankful to him. There were many things that were mutual between us. I felt that he could also sense it. I mean, I put in some effort for this drama, and he was always encouraging me, so I felt more motivated. Maybe I'm a bit sentimental, but that's how I felt. "
Chén Zhéyuǎn also explained how the picture with Mimi (the little girl with the broken zipper, see previous section) was taken. "That child had played really well: We saw her and her mother on the roadside as we stopped the car. "Reporter Sòng" gave her a bottle of milk and some food. At first, they were a little afraid and hesitant to accept, but they quickly finished it. After she finished acting, I felt very protective and helped her with her coat. So we took a picture together with her."
Chén Zhéyuǎn's farewell to Lǐ Zàn. When asked about his farewell message on Weibo, Chén Zhéyuǎn said he felt reluctant to part with his character. " I felt that wrapping up was a turning point. I had to say goodbye to him. I had so many things to say but it all boiled down to "Thank you for your hard work"." He added that he would often think in daily life "What would Ā Zàn do?" but that he also felt that Lǐ Zàn was also "someone people admire but feel is out of reach. Even a sense of needing to keep a bit of distance from him, because he doesn't feel entirely real, is too perfect. I think it's hard to find someone like him in real life. ".
LIVE STREAM QUESTIONS AND ANSWERS, FEB.7 (English subtitles on YouTube)
Click on picture to access the full one hour recording on YouTube
In the weeks of airing, the leads were invited to several interviews and live streams such as the one linked above.,
BENSAXIN MOMENTS
One commenter wrote: "their off-screen chemistry has healed me now Watching their interactions behind the scenes brought me comfort and made me appreciate their bond even more which makes the loss in the drama feel a little less painful!" Wàng Tiānchén and Gǔ Zǐchéng 古子成 played Benjamin and Sà Xīn. Wàng Tiānchén was already noticed in his psychopath role Wén Péng, the SML in January 2025 Love Song In Winter. They were both showcased in the February issue of web magazine Glass Vision. The Gif below links to the 4'03 video on Youtube, with English subtitles, posted by "Potatomimi 1" on Feb.16, 2025, which surfed on the popularity of the hit additional "CP" ship which got the name "BenSaxin". ![]() Many Tiktok short videos were devoted to the new "ship". |
REVIEWS
Baidu selected two reviews, other ones below were collected by an update account for news about the drama, on X. Among the MDL reviews, I particularly liked the ones from Enigma05 (A Young Actor Gave Men with Combat & POW PTSD a Real Voice!), from Wal (Rollercoaster of Emotions), gemwendz (Realistic portrayal of the effects of war in a soldier's life which adds interesting comparisons with the book version), 4godess ("A story of life, penetrating to the very bones": raw impressions)
主题寓意 在制作视野上,《白色橄榄树》情节丰富但不刻意渲染悲情,既描绘曲折动人的生活故事,又将年轻人对于世界观、人生观、价值观的思考融入其中,以期收获情感共鸣。剧中,面对危险的年轻人在精神上互相鼓励,共同经历考验,不言放弃,积极帮助无家可归的人们,在食品、医疗等方面积极施以援手,传递跨越国界的爱与希望;在情感态度上,他们坦诚相待,互为精神后盾,彼此扶持和陪伴下携手同行,在这个过程中,他们也为更多人释放出善意与帮助。在传达爱与和平理念的基础上,剧集多元挖掘现实题材的主旨内涵,进一步关注到抑郁症、网络暴力、战后心理综合症等诸多社会议题,延伸叙事视角,拓宽讨论维度,带来正能量与正向价值观的主题表达。 北青网 [引用日期2025-02-05] | Thematic layers From the perspective of production, "White Olive Tree" has rich plots but does not deliberately exaggerate tragedy. It not only depicts tortuous and moving life stories, but also integrates young people's thoughts and outlook on the world, on life, and values into it, in order to gain emotional resonance. In the drama, young people encourage each other spiritually, experience tests together, and do not give up. They actively help homeless people, actively provide help in food, medical care and other aspects, convey love and hope across national borders. In terms of emotional attitudes, they treat each other honestly, support each other and walk hand in hand with each other. In this process, they also express kindness and help more people. The series focused mainly on a realistic concept of love and peace, further focused on many social issues such as depression, cyber violence, and post-war psychological syndrome ; this broadened the dimension of discussion, to further expressions of energy and positive values. Beijing Youth Network 2025, Feb.05 |
《白色橄榄树》没有局限于卿卿我我的儿女私情,而是通过刻画主角和朋友们在极端环境下对爱与和平的坚守,生动诠释人性中对真善美的向往与追求。剧集以较大的篇幅关注了志愿者、记者、特战队队员等个体的生存状态和情感状态。他们虽然有着坚定的职业理想与责任担当,但同样也是有血有肉的平凡个体,在生死面前情感世界也会游弋于使命、焦虑与不安之中。《白色橄榄树》既展现了人类在灾难面前的脆弱与渺小,更表达着普通人内心最深处、最单纯、最质朴善良的人性光芒。该剧凸显的个体性、叙事性与观众形成更有效的共鸣共情,满足了观众深层次的情感需求,引发人们对爱与和平的关注思考。《白色橄榄树》不仅是一场真挚动人的青春组歌,更是一次对爱与和平的深情呼唤。它让观众真切体会到人性的光芒闪烁和生命的顽强坚韧,感受到理想、信念和勇气的温暖力量,在一定程度上实现了跨越荧屏的价值传递与精神感召 。(光明网评) | White Olive Tree" is not limited to a story of young love, but vividly interprets the yearning and pursuit of truth, goodness and beauty in human nature by portraying the protagonist and friends' persistence in love and peace in extreme environments. The series focuses on the living and emotional states of individuals such as volunteers, journalists, special forces members for a large amount of time. Although they have firm professional ideals and responsibilities, they are also ordinary individuals with flesh and blood. In the face of life and death along missions, they experience emotions, anxiety and uneasiness. "The White Olive Tree" not only shows the fragility and insignificance of human beings in the face of disaster, but also expresses the deepest, simplest, and most simple and kind human brilliance in the hearts of ordinary people. The series highlights individuality and narrative to achieve resonance and empathy with the audience, through touching their deep emotional needs, calling for love and peace. It allows the audience to truly experience the brilliance of human nature and the tenacity of life, feel the warm power of ideals, beliefs and courage, and to a certain extent realizes a transmission of those values and spiritual inspiration across the screen. (Guangming.com review) |
A SELECTION OF REVIEWS FROM THE CHINESE WEIBOFrom: |
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" Human warmth and youthful strength The White Olive Tree has attempted to break through genre boundaries and elevate its values. It transforms the peace declaration within the framework of a love drama, shifting from the idol-driven "dream-making" mechanism to an immersive output of the concept of peace. The story in the drama conveys a deep longing for peace and a profound appreciation for life.
The love between Lǐ Zàn and Sòng Rǎn becomes especially precious against the backdrop of the brutal realities of war. Every embrace and every separation is a yearning for a peaceful life.
The main theme no longer floats as a mere slogan but is deeply rooted in the blood and flesh of ordinary people, completing a shift toward cherishing life. This transforms the call for peace into the ultimate care for the dignity of human existence. -
- The standard process of bomb disposal and humanitarian care In The White Olive Tree, you can witness the entire standard procedure for mine and bomb disposal, as well as the specialized equipment used. This includes the mine detector, which detects underground metallic objects through electromagnetic properties to locate landmines, wire cutters, which are very useful for handling mines with fuses, and tripwire mines that are triggered by a pull mechanism. The triggering mechanism is usually "pull-trigger," and these mines have a high level of concealment, making them extremely difficult to spot in the fields.
After watching The White Olive Tree, one becomes even more aware of the profound humanitarian care embedded in the bomb disposal and mine clearance work. This is not only a technical job but a race against death, a life-saving rescue mission.
- What is a guiding-type partner? Lǐ Zàn is the epitome of the gentle, ideal male lead. His affection is quiet but warm. He's always smiling, appearing in front of others with a calm presence. He is the most understanding and caring person. In front of Sòng Rǎn, as a guiding-type lover, Azan is truly captivating. He always lets her make the choice, patiently waiting for her to return his feelings.
- Chén Zhéyuǎn's "Eye Technique" is full of Zan flavor Who understands the weight of "He has a pair of pitch-black eyes"? Chén Zhéyuǎn's clear, shiny black eyes are truly full of Zàn flavor! Whether it's a determined, nervous, or shy gaze, Chén Zhéyuǎn nails every detail, bringing Lǐ Zàn to life in such a vivid way. He really is the Lǐ Zàn I imagined—who could resist kissing him! With those eyes, Chén Zhéyuǎn could succeed at anything!
- The precise, pure love electric current The White Olive Tree really knows how to capture pure love! Take the slow-motion scene where Sòng Rǎn gives Lǐ Zàn the bracelet—her hand slowly moves toward his until they finally touch. The subtle feeling is like a spark of electricity, making you blush and feel your heart race.
The music and lighting in the show amplify this pure love, making it even more touching. In Chinese dramas, it's rare to find such perfectly captured moments of pure love, but The White Olive Tree has truly nailed it!
- Liáng Jié's precise portrayal of the bitter-sweetness of a secret crush The feelings of a young girl's heart—clenched fists, the marks left by a comb in her hand, a lowered head with hair swaying, eyes cast down, and trembling lashes—are all captured perfectly. The bitter-sweetness of a secret crush is portrayed so well by Liáng Jié.
- The atmosphere brings the audience right into the scene The cinematography is both rich and profound, with every shot seeming like a meticulously crafted work of art, perfectly showcasing the emotions and atmosphere of the story. The war scenes are shot with such realism and intensity that it feels as if you are right there, deeply feeling the tension and brutality.
Chén Zhéyuǎn and Liáng Jié's performances are equally remarkable. Chén Zhéyuǎn brings Lǐ Zàn's courage and determination, along with his delicate inner emotions, to life in just the right way. Liáng Jié perfectly portrays Song Ran's bravery, kindness, and persistent stubbornness. Their interactions are natural and sweet, and their chemistry as a couple is undeniable.
- The beautiful undertone of sadness Watching The White Olive Tree truly made me feel the meaning of "I stand at the beginning of the story, watching them walk toward their inevitable tragic ending." At that time, Lǐ Zàn was still a young man full of ambition, not yet tortured for six months by terrorists and suffering from PTSD, and Sòng Rǎn hadn't yet fallen into depression. Many of the slow-motion shots feel like Sòng Rǎn's memories—such as when Āzàn saves her and they run hand in hand, or when, back in Dōngguó, during the scene where she washes her hair with rice washing water, letting her hair fall. Those moments, when Āzàn reappears and they reunite, are bittersweet, filled with endless beautiful memories beneath the sorrowful undertone.
- The slow, dull pain of a blunt knife cutting into flesh Having endured the ravages of war, there are still moments filled with the warmth of ordinary life, but in the face of war, these moments feel insignificant. Those beautiful scenes appear incredibly fragile. The dull, painful process of loss seeps in slowly, bit by bit, over time. At first, it feels as though nothing has been lost, but only in hindsight do we realize what has truly slipped away.
Lǐ Zàn is like a radiant source of light, casting warmth wherever he goes. But when the light fades, when he no longer has that source of warmth, his life grows frail and hollow. He can no longer continue in numbness. This process isn't sudden, sharp, or unexpected—it quietly dissipates under your watchful eyes, slowly fading away. "
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Back to Table of Contents Last updated February 18, 2025
8. The White Olive Tree OST MUSIC:
First MV 3'17 from Weibo (click on the picture above for full link with sound)
Singer Zhuó Yuán 卓沅: | the first OST released was a simple song "If the wind had color" 《假如风有颜色》click on the picture below to follow the link to the 3'17" recording on YouTube, with Hanzi, pinyin and translation into English :![]() |
The White Olive Tree songs have been posted to Spotify.
TheWhiteOliveTree soundtrack, produced by NetEase Cloud Music, NEM Studios & 额滴神啊 Pictures, features 9 vocalists, with Chen Xueran as music director/composer. It includes 2 albums (Original Songs & Score), with 14 songs & 50 score pieces. --Below, is the full OST 12 songs drama OST list with relevant links (click on pictures) to MVs and notes about singers :
Huáng Lìlíng(aka a-Lin)黄丽玲@天生歌姬A-Lin Weibo ![]() Chinese pop singer of Amis (indigenous) ethnicity, songwriter and music producer, she made her debut in 2003 and won several awards. Music composed, arranged, produced by Chén Xuěrán (see below); Lyrics by Chén Xuěrán and Tomorrow Míng Tiān 明天 (wife of Chén Xuěrán) | 《TE AMO》 (说声我爱你) (opening song/theme song)![]()
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Joey Yung容祖儿/容祖兒[Róng Zǔ'er]@容祖儿 Weibo ![]() Music composed, arranged, produced by Chén Xuěrán ); Lyrics by Tomorrow Míngtiān. | White Island 《白色岛屿》 (ending song/theme song) released Feb1, 2025
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Wéi Lǐ'ān 韦礼安![]() @韋禮安, Weibo Music composed, arranged, produced by Chén Xuěrán ; Lyrics by Tomorrow Míngtiān. |
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Chén Xuěrán陈雪燃@陈雪燃 (Weibo) ![]() Music composed, arranged, produced by Chén Xuěrán ; Lyrics by his wife and business partner Tomorrow Míngtiān: ![]() |
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Sū Shīdīng 苏诗丁@苏诗丁-SU Weibo ![]() Music composed, arranged, produced by Chén Xuěrán; Lyrics by Tomorrow Míngtiān. |
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Zhuó Yuán 卓沅![]() Music composed, arranged, produced by Chén Xuěrán (arranged with KMKZ); Lyrics by Tomorrow Míngtiān. |
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yihuik 苡慧![]() Music composed, arranged, produced by Chén Xuěrán ; Lyrics by Tomorrow Míngtiān. |
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Chén Xuěrán
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Chén Xuěrán
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Budapest Art Orchestra Chorus Music composed, arranged, produced by Chén Xuěrán who often plays with this orchestra ; Lyrics by Chén Xuěrán and his wife Tomorrow Míngtiān: ![]() |
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DorothyMusic composed, arranged, produced by Chén Xuěrán ;Lyrics by Chén Xuěrán |
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Jennifer Foster
Lyrics by Chén Xuěrán and Tomorrow Míngtiān. |
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BONUS MUSIC - Two wonderful songs by Chén Xuěrán where we can see some of the people he works with : Jennifer Foster was in the chorus ; on screen too were cello player Tina Guo (she is a colleague from the time he studied music production in Valencia, and a long-time friend, also celebrated componist Hans Zimmer's favorite cellist) ; drummer Jacob Boyd (who is also a guitarist and mandolinist) ; long haired guitarist Obadiah Brown-Beach (the latter two helped Chén Xuěrán to establish NEM Studios) ; violinist Brita Tastad, and Budapest Art Orchestra. Chén Xuěrán has composed more than 200 songs for Chinese C-Drama, either performing them himself or having them sung by others like Dimash and Zhōu Shēn. "Tomorrow Míngtiān" has a degree in film directing and makes all of Chén Xuěrán's videos including song lyrics. The first song is 《一決芳華》 from the 2020 The Great Ruler OST, and the second is the famous We Won't Be Falling, from 2018 Guardian OST.
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Currently based in Pasadena, Chén Xuěrán's C-drama and C-movie credits include being either an arranger or composer (and occasional singer) for: Princess Agents | Btw, although it was not used in this drama, for those who don't know it, here's a link to the beloved song Gǎnlǎn Shù 橄榄树 (The Olive Tree), lyrics penned by Sānmáo 三毛, and sung by Chyi Yu/Qí Yù 齊豫. It was composed for an old movie about refugees, but can be remembered here. It has been covered by countless singers, and the symbolism is also in tune with the new drama. |
Back to Table of Contents Companion piece completed February 18, 2025
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