Chapter 12 – A Beauty, At the Edge of the Water: Analysis (Part 1)
Resumé of the first part :
In this section of Chapter 12 from "Lost You Forever/Once Promised" by Tong Hua, the story unfolds at a banquet organized by Little Zhu Rong to celebrate the victors of the Autumn Tournament. The scene is lively, with people indulging in various activities such as roasting lamb, drinking, singing, dancing, and even wrestling.
Zhuan Xu and Xiao Liu, accompanied by Ah Nian, join the festivities. Zhuan Xu points out that the last day of the tournament is the most enjoyable, as the pressure of the matches is over, and people can relax and celebrate.
The focus then shifts to a dance performance, where Sheng Nong Xing Yue, a character from the Sheng Nong tribe, is leading a group of girls in a traditional step dance. Zhuan Xu, prompted by others, joins the dancing group and, with his experience of living among commoners, effortlessly participates in the lively dance. Xing Yue and Zhuan Xu gradually become the center of attention in the dancing circle.
However, Ah Nian, Zhuan Xu's younger sister, becomes upset and storms off, expressing her disapproval of Xing Yue's behavior. Xiao Liu explains that the Xuan Yuan Kingdom, to which both tribes belong, has a tradition of passion and wildness. Xing Yue's upbringing in Xuan Yuan Castle has made her accustomed to men and women dancing together.
The scene takes a turn when Xing Yue introduces her twin older brother, Chi Sui Feng Long, to Zhuan Xu, Ah Nian, and Xiao Liu. Feng Long, who resembles Xing Yue but carries a different impression, engages in polite conversation with Ah Nian and Xiao Liu. It is revealed that Feng Long is a good friend of Tu Shan Jing, a character mentioned earlier, and that they want to throw a party to celebrate the reunion of Jing and Yi Yang.
Feng Long extends an invitation to Zhuan Xu and his companions to join the celebration, emphasizing the desire to include them in their circle of friends. Zhuan Xu readily accepts the invitation, and it becomes apparent that Feng Long is interested in establishing a connection with Zhuan Xu.
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In the drama (ep.17) a scene is added where we see CX thanking TSJ for introducing him to Feng Long:
This introduction of Feng Long will be crucial in near future to CX to expend his power.
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Notice: As they meet TSJ was starting to say to Cang Xuan (Zhuan Xu) that he in FFYY have nothing to do together, that he is doing all his best to severe that link...But was cuted by CX....:D...
...........and cuted to FLong subject.
This scene show how Tushan Jing is not passive at all. And is activly concerned by his situation.
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The first novel section ends with Zhuan Xu encouraging Xiao Liu to attend the party, implying that there might be something worth witnessing. The dynamics between the characters are evolving, and social connections are being established, setting the stage for further developments in the story.
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Chapter 12 – A Beauty, At the Edge of the Water: Analysis (Part 2)
Resumé of this part:
In this part of Chapter 12, the story progresses as Zhuan Xu takes Ah Nian to the party celebrating the Autumn Tournament victors, leaving Xiao Liu to enjoy the festivities on her own. The lively atmosphere, however, contrasts with Xiao Liu's internal feelings, as she reflects on her own sense of detachment and the need to maintain a facade of happiness.
The scene shifts to a spectacular fireworks display over the Chi Sui river, where Tu Shan Jing and Yi Yang are clearly visible on a ship. The description of Yi Yang's grace and elegance under the fireworks leaves a deep impression on Xiao Liu, who, despite living as a man for two hundred years, feels a mix of shame and envy.
Upon returning to the residence late at night, Zhuan Xu is waiting for Xiao Liu, expressing concern for her safety. Xiao Liu, in a seemingly carefree manner, mentions wanting to wear a beautiful skirt. Zhuan Xu reassures her, emphasizing that she will never disappoint him and Master. There's a subtle exchange that hints at Xiao Liu's internal struggle with her identity and the expectations placed on her.
(Drama version sadly skiped that scene, and added XL scene as female shapeshifter flirting to unconfortable Xiao Yo....:D...But we still got this one related /but day scenery end ep.17) :
Jings hands heavily shaking... 
Xiao Yao leaving, with excuse that she must change herself...
The novel version is beautifull :
Red, orange, yellow, green, blue, purple……all sorts of colors were rising from the sky from a ship. It illuminated two people standing at the bow of the ship very clearly. The man was wearing a blue robe, standing still and calm, like a bamboo in a forest. The woman was tall and wearing a red robe and appeared to be drunk.
She looked up at the fireworks and teetered a few steps and almost tripped. The man reached out to stead her and she curled into his body like a beautiful vine flower. The ship gradually moved off into the distance along with the fireworks so the spectators all dispersed. Xiao Liu remained at the river’s edge staring at the darkened river.
It was strange, Yi Yang was not the most beautiful woman Xiao Liu had ever seen, but under the fireworks and the way she almost fell and then leaned into Jing, there was a woman’s elegance and beauty that struck Xiao Liu deeply. It made Xiao Liu, who had been living as a man for two hundred years, feel ashamed and envious.
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Zhuan Xu reveals that Master has a surprise for Xiao Liu when they return to Gao Xing, adding an element of curiosity to the narrative. The chapter concludes with Xing Yue and Feng Long surprisingly coming to send them off, symbolizing the acceptance of Zhuan Xu into their social circle. The farewell gesture is a clear indicator of Zhuan Xu's successful integration into the group.
As they depart, a parting gift from Tu Shan Jing is presented to Zhuan Xu, emphasizing the newfound connection between the characters. The ship sails away, leaving behind a sense of accomplishment for Zhuan Xu.
The journey back to Gao Xing is depicted as enjoyable, filled with simple pleasures like snacks and wine. The narrative paints a picture of a relaxed and contented atmosphere, providing a contrast to the earlier tension and struggles.
Upon returning to Five Gods Mountain, the characters go their separate ways, reporting to the Grand Emperor and attending to personal matters. The chapter ends with Zhuan Xu and Xiao Liu sitting in the courtyard, enjoying the warm weather. The story seems to be moving towards a phase of relative calm and stability, setting the stage for further developments in the plot.
Chapter 12 – A Beauty, At the Edge of the Water: Analysis (Part 3)
Resumé of this part :
This part of Chapter 12 brings a significant turn in the story as Xiao Liu returns to Gao Xing and is confronted by two mysterious individuals, Ah Bi and Lie Yang, who have a deep connection with her. The tension and surprise intensify as Xiao Liu discovers the identity of the white-robed young man as Ah Bi and the black-robed young man as Lie Yang.
Ah Bi and Lie Yang are revealed to be demons in disguise who have been deeply concerned about Xiao Liu's well-being. Ah Bi, who is now a man, and Lie Yang, who is a white swallow, express their relief at Xiao Liu's safe return. The emotional reunion reveals the strong bond between them, and it's evident that Xiao Liu means a lot to them.
The revelation about the Face Forming Flower and the possibility of restoring Xiao Liu's true face adds a layer of complexity to her character. It also introduces the Royal Mother, who possesses knowledge about this magical object. The emotional impact of this revelation is palpable as Xiao Liu grapples with the idea of finding her true identity.
The narrative transitions to Jade Mountain, a serene and timeless place where time seems to stand still. The description of the peach blossom forests and the constant temperature over thousands of years adds a mystical and otherworldly atmosphere to the setting. Xiao Liu's initial nervousness dissipates as she recognizes the familiar surroundings of Jade Mountain.
The encounter with the Royal Mother is filled with tension and emotion. The Royal Mother's weathered appearance and desolate eyes create a somber atmosphere, hinting at a troubled past or a burden she carries. Xiao Liu and Zhuan Xu show respect by kneeling before her, emphasizing the significance of this meeting.
As the chapter unfolds, it sets the stage for the exploration of Xiao Liu's true identity and the potential consequences of her choices. The reunion with her demonic guardians and the introduction of the Royal Mother add depth to the narrative, raising questions about Xiao Liu's past and the magical elements woven into the story.
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NB: The drama version is in ep.18. There is an added scene of another TSJ proactivly pushing away FFYY, that I will cover a part :).
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Chapter 12 – A Beauty, At the Edge of the Water: Analysis (Part 4)
Resumé of the part 4:
In this continuation of Chapter 12, Xiao Yao undergoes a transformation orchestrated by the Royal Mother, revealing her true form. The Royal Mother offers Xiao Yao the opportunity to stay on Jade Mountain and inherit the position of the Royal Mother, but Xiao Yao declines, choosing a life of uncertainty and adventure over the sedentary life on the mountain.
The Royal Mother's ability to restore Xiao Yao's true form is presented with a sense of mystique and magical beauty. The pool, surrounded by peach blossoms, becomes a symbol of rebirth as Xiao Yao emerges as a naked girl resembling a peach blossom. The description of this scene captures both the enchanting and delicate aspects of the magical world the characters inhabit.
Xiao Yao's decision not to stay on Jade Mountain reflects her independent and adventurous spirit. Despite the potential benefits of regaining her lost powers, she values the freedom to shape her own destiny. The Royal Mother's acknowledgment of Xiao Yao's grown status and the freedom to leave Jade Mountain marks a significant moment in Xiao Yao's journey.
The return to Five Gods Mountain and the subsequent reactions to Xiao Yao's true form further develop the relationships between the characters. Zhuan Xu's internal struggle before seeing Xiao Yao's true form emphasizes the emotional significance of this moment. When Xiao Yao finally reveals herself, the imagery and Zhuan Xu's reaction convey the beauty and uniqueness of her true appearance.
The Grand Emperor's contentment with Xiao Yao's beauty and his acknowledgment of her growth highlight the father-daughter bond. Xiao Yao's playful interaction with the Grand Emperor adds a touch of warmth to the scene, contrasting with the more serious themes of identity and transformation.
The upcoming proclamation of Xiao Yao's identity and the revelation to Consort Jing An and Ah Nian set the stage for further developments in the narrative. The emotional complexity of Xiao Yao's relationship with her mother's look-alike, Consort Jing An, adds depth to the story, hinting at unresolved emotions and potential conflicts.
Ah Nian having a nerveous break down.....:D
Overall, this part of the chapter continues to explore themes of identity, transformation, and familial relationships, blending magical elements with emotional depth. Xiao Yao recovered her true face!.
Chapter 12 – A Beauty, At the Edge of the Water: Analysis (Part 5)
Resumé of this part:
In this section, Xiao Yao faces Ah Nian's emotional reaction to her sudden appearance, and the dynamics within the royal family become more pronounced. The revelation of Consort Jing An's mute status adds a layer of complexity to her character, and Ah Nian's struggle with her emotions unfolds.
Ah Nian's initial reaction to Xiao Yao's presence is filled with anger and disbelief. She questions Xiao Yao's identity and expresses her discomfort at having Xiao Yao sit with the family. The Grand Emperor's decision to reveal Xiao Yao's true identity prompts a confrontation between Ah Nian and Xiao Yao, reflecting the complexities of familial relationships.
Consort Jing An's mute condition is unveiled during this encounter. The revelation adds depth to her character and offers an explanation for her lack of dialogue in previous interactions. Xiao Yao's observation of the Consort's calm and serene demeanor contrasts with her mother's personality, emphasizing the unique qualities of each individual in the story.
Ah Nian's emotional turmoil is palpable as she struggles with the revelation of Xiao Yao's identity. Her emotional outburst, challenging Zhuan Xu to choose between her and Xiao Yao, showcases the underlying tensions within the royal family. Ah Nian's feelings of abandonment and insecurity are evident, highlighting the challenges of navigating familial relationships in a complex political and emotional landscape.
The Grand Emperor's intervention and Zhuan Xu's attempts to comfort Ah Nian emphasize the family dynamics at play. The Grand Emperor's analogy, asking Ah Nian if she could choose between her parents, sheds light on the complexities of family bonds and the challenges faced by the characters in reconciling conflicting emotions.
Xiao Yao's protective stance toward her mother, despite her personal feelings of resentment, showcases the depth of her loyalty and the complexities of her emotions. The family dynamics continue to evolve, setting the stage for further exploration of relationships within the royal family.
The chapter progresses with a walk through Cheng En Palace and the selection of a residence for Xiao Yao. The Grand Emperor's understanding of Xiao Yao's desire to be close to Zhuan Xu reflects a familial bond that goes beyond political considerations. The mention of Xiao Yao's habits formed during her years of wandering adds depth to her character and hints at the challenges of adapting to a settled life.
As Xiao Yao settles into Ming Se Court, the narrative captures the simplicity of her desires and the contrast between her past and present. Zhuan Xu's observation of Xiao Yao's white skin and the peach blossom birthmark serves as a nostalgic moment, recalling their childhood memories. The chapter ends with Xiao Yao getting ready for bed, and the familial connections within the royal family continue to shape the narrative.
Overall, this part of the chapter delves into the emotional complexities of familial relationships, unveiling new facets of characters and setting the stage for further developments in the story. The interplay of emotions, loyalties, and the characters' past experiences contributes to the rich tapestry of the narrative.
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Drama added scene between Grand Emperor and Xiao Yao:
The stare of her father on her recoverd adult face, makes Xiao Yao wonder... 
But ....nothing will be said, that should have been said.
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Xiao Yao and Tushan Jing - In-Depth Analysis Chapter 12:
A Bamboo - A Mask
Extract:
But there was no one around her so who was she acting for?
Xiao Liu laughed – it’s really quite hard to fool oneself.
The sentence "But there was no one around her so who was she acting for? Xiao Liu laughed – it’s really quite hard to fool oneself" holds significant depth and insight into Xiao Liu's emotional state and self-awareness. In the context of the scene involving Jing, this sentence highlights several key elements:
Xiao Liu (Xiao Yao):
Identity and Disguise:
- Xiao Liu's internal struggle with her identity is evident as she attends the festivities. The act of wearing a metaphorical mask highlights her inner conflict and the difficulty of deceiving oneself.
- The question of who she is acting for suggests a complex internal dialogue and a desire for self-exploration.
Emotional Disconnect:
- Despite being surrounded by a lively atmosphere, Xiao Liu feels a sense of dispassion within. This emotional disconnect signifies a deeper internal turmoil that goes beyond the celebratory facade.
- The dichotomy between the exterior appearance of happiness and the interior detachment adds layers to Xiao Liu's character.
Envy and Self-Reflection:
- Xiao Liu's observation of Yi Yang and Jing under the fireworks triggers feelings of envy and shame. Yi Yang's elegance and beauty, especially in moments of vulnerability, evoke a sense of longing and self-reflection in Xiao Liu.
- Living as a man for two hundred years, Xiao Liu's emotions reveal a complex relationship with femininity, societal expectations, and her feelings for Jing.
Tushan Jing :
Symbolism and Presence:
- Jing's calm and still demeanor, likened to a bamboo in a forest, carries symbolic weight. Bamboo is often associated with resilience and flexibility, reflecting Jing's character traits.
Interactions with Yi Yang:
- Jing's interaction with Yi Yang reveals a caring and attentive side, as he steadies her when she almost trips. The imagery of Yi Yang leaning into him like a beautiful vine flower emphasizes her envy of grasp on him .
Perception by Xiao Liu:
- Xiao Liu's perception of Jing includes admiration for his composure and an acknowledgment of the elegance and beauty emanating from his interaction with Yi Yang.
- The contrast between Jing's presence and Xiao Liu's internal struggle adds complexity to their relationship dynamics.
Further more:
Internal Struggle:
- Xiao Liu's question about who she is acting for when there is no one around suggests an internal struggle with her identity and the persona she presents to the world, here related to Tushan Jing.
- The absence of an external audience underscores that this internal conflict is not driven by societal expectations but is a personal and introspective battle.
Authenticity and Self-Deception:
- The laughter that follows Xiao Liu's realization that it's hard to fool oneself reflects a poignant acknowledgment of the difficulty in maintaining authenticity, especially in the absence of external influences.
- The sentence implies that Xiao Liu is cognizant of the potential for self-deception and the challenges of staying true to one's genuine emotions and desires. We saw in context how she was staring at the scenery on the boat with Jing.
Juxtaposition with Jing:
- In the context of the scene involving Jing, this sentence allude to Xiao Liu's awareness of her feelings or actions in the presence of Jing. It raises questions about whether her actions or demeanor are influenced by her own desires or external factors.
Symbolism of Laughter:
- The laughter serves as a complex emotional response. It can be interpreted as a coping mechanism, a realization laced with irony, or a defense mechanism to mask deeper emotions.
- Laughter often symbolizes a range of emotions, from joy to discomfort, and in this context, it adds layers to Xiao Liu's character.
Themes of Self-Discovery:
- This sentence aligns with broader themes of self-discovery, identity, and the challenges individuals face in understanding their true selves.
- Xiao Liu's laughter and acknowledgment of the difficulty in self-deception mark a moment of introspection and, potentially, a step towards a deeper understanding of her own desires and motivations, what is to overcome.
In summary, this sentence encapsulates the internal conflict and self-awareness that Xiao Liu experiences, especially in the context of her relationship with Jing. It invites readers to contemplate the complexities of identity, authenticity, and the challenges inherent in navigating one's true emotions.
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Unveiling the Mysteries - Royal Mother, Xiao Liu's Past, and Magical Elements
In the unfolding narrative of "A Beauty, At the Edge of the Water," the reunion between Xiao Liu (Xiao Yao) and her demonic guardians, Ah Bi and Lie Yang, along with the introduction of the enigmatic Royal Mother, adds layers of complexity to the story. These elements contribute to a deeper understanding of Xiao Liu's past and the magical elements intricately woven into the fabric of the narrative.
Xiao Liu's Reunion with Demonic Guardians: Ah Bi and Lie Yang
Xiao Liu's reunion with Ah Bi and Lie Yang marks a poignant moment in the narrative. The demonic guardians, Ah Bi and Lie Yang, are not only symbolic of Xiao Liu's connection to the magical world but also represent the enduring bonds that transcend time. The narrative uses words like "melodious" and "soothing timbre" to describe Ah Bi's voice, emphasizing the emotional resonance and significance of this reunion. The use of the term "winged fox" to describe Ah Bi not only encapsulates his physical form but also alludes to the magical nature of the beings in Xiao Liu's world.
Moreover, Xiao Liu's embarrassment at Ah Bi's transformation into a man highlights the intricate relationships and expectations within the magical realm. The guardians, who have witnessed Xiao Liu's growth, embody a sense of protective kinship. Their sorrow at Xiao Liu not being her mother, coupled with their acknowledgment of her unique identity, adds emotional depth to the narrative.
The Royal Mother: Enigma and Power
The introduction of the Royal Mother introduces an air of mystery and power into the storyline. The Royal Mother is depicted as a figure with weathered features and desolation in her eyes. These visual descriptions convey a sense of age and perhaps a burden of wisdom or experiences. The peach blossom branch at her fingertip further emphasizes the connection to nature and the magical elements surrounding her.The Royal Mother's ability to manipulate the magical Face Forming Flower within Xiao Liu's body raises questions about Xiao Liu's past and the intricate magical practices existing in the story's universe. The term "magical spiritual object" used to describe the Face Forming Flower implies a significance beyond the physical realm. It serves as a key element that ties Xiao Liu to the magical forces within the peach blossom forest of Jade Mountain.
Xiao Liu's Past: Wanderings, Transformations, and Self-Discovery
Xiao Liu's past is shrouded in mystery and unfolds gradually as the narrative progresses. The peach blossom forest of Jade Mountain, described as remote and timeless, serves as a symbolic backdrop to Xiao Liu's wanderings. The juxtaposition of constant beauty and unchanging time conveys a sense of isolation and longing. Xiao Liu's desire to escape this peaceful yet monotonous life reflects a yearning for self-discovery and a departure from the constraints of a predetermined destiny. 
The Face Forming Flower within Xiao Liu's body becomes a key element in her past. Its origin in the peach blossom forest suggests a connection to nature and ancient magic. The Royal Mother's inability to remove the flower but offer assistance in finding Xiao Liu's true face implies a quest for identity and acceptance.The none possibility to remove the FFF show an ingrained connection to her deceased mother and her father- it symbolises their love and their will to protect her.
The term "transformation" holds significance, not merely as a magical ability but as a metaphor for Xiao Liu's journey of self-discovery and acceptance. The Face Forming Flower, initially a source of concern, becomes a tool for Xiao Liu to navigate the complexities of her identity and powers.
Magical Elements: Symbols and Transformations
The peach blossom forest, with its enchanting view, serves as a powerful symbol of the magical world within the narrative. Its unchanging nature echoes the timeless quality of magical forces, while the peach blossoms themselves become symbols of beauty, feminity and transformation. The Royal Mother's use of peach blossoms in magical rituals further underscores their significance in the story.
Transformation emerges as a recurrent theme, manifested in Ah Bi and Lie Yang's ability to shift forms, Xiao Liu's past wanderings, and the Face Forming Flower's dual nature. These transformations are not merely magical occurrences but reflections of characters' evolving identities and the fluidity of their existence in the narrative world .
Conclusion:
The reunion with demonic guardians, introduction of the Royal Mother, exploration of Xiao Liu's past, and the magical elements woven into the narrative collectively contribute to a rich and multifaceted storyline. The use of symbols, vivid descriptions, and carefully chosen words serves to immerse the reader in a world where magic is not merely a fantastical element but an integral part of characters' identities and journeys.
Xiao Liu's quest for self-discovery, the enigmatic nature of the Royal Mother, and the symbolism surrounding magical elements create a tapestry of intrigue and depth. As the narrative unfolds, readers are invited to delve deeper into the magical realm, where transformations, both physical and metaphorical, become the threads binding characters and their destinies. 
The Symbolism of the peach blossom in asian culture related to feminity
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In Asian cultures, especially in Chinese and Japanese traditions, the peach blossom holds significant symbolism related to femininity, love, and beauty. Here are some key aspects of the peach blossom's symbolism:
Femininity and Beauty:
Delicate and Fragile Beauty: The peach blossom is often associated with the delicate and ephemeral nature of feminine beauty. Its short blooming period symbolizes the fleeting nature of youth and attractiveness.
Love and Romance:
Symbol of Love and Romance:
In Chinese culture, the peach blossom is considered a symbol of love and romance. It is often associated with the romantic relationships between lovers, and the blooming of peach blossoms is seen as an auspicious sign for love.
Marriage and Relationships:
Auspicious for Marriage: Peach blossoms are commonly used in traditional Chinese weddings as a symbol of marital happiness and fertility. The imagery of peach blossoms is thought to bring blessings to newlyweds and ensure a harmonious marital life.
Feminine Virtues:
Representing Feminine Virtues: The peach blossom is sometimes associated with traditional feminine virtues such as grace, gentleness, and modesty. It reflects the idealized qualities of a woman in certain cultural contexts.
Fertility and Longevity:
Symbol of Fertility and Longevity:
In some cultures, the peach tree is believed to have magical properties associated with fertility and longevity. The blossoms, as a representation of the tree, are thought to bring prosperity and a long, healthy life.
Spring and Renewal:
Harbinger of Spring:
Peach blossoms typically bloom in spring, marking the end of winter and the beginning of a new season. This seasonal renewal is often associated with feminine energy and the regenerative power of nature.
Literary and Artistic Symbolism:
Literary and Artistic Motif:
Peach blossoms have been a popular motif in traditional Chinese paintings, poetry, and literature. Artists and poets have used the imagery of peach blossoms to convey themes of love, beauty, and the transience of life.
Taoist Associations:
In Taoist philosophy, the peach tree is considered a sacred tree, and its blossoms symbolize immortality. Legends tell of a Peach Blossom Spring, a utopian land hidden behind a curtain of peach blossoms, further emphasizing its mystical and idealized qualities.
The symbolism of the peach blossom in Asian culture is multifaceted, representing not only the physical beauty of the flower but also deeper cultural and philosophical concepts related to femininity, love, and the cyclical nature of life.
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Images related to Xiao Liu/Xiao Yao scared of the transformation into her true self, seen in ep.17: 
Here with Jing (ep.17)
Here with the Grand Emperor (ep.17) 
Concerns About Physical Appearance:
- Xiao Liu's fear of becoming herself is rooted in worries about her physical appearance. Her comment on whether she will be pretty to Tushan Jing/Yeshiqi, suggests a preoccupation with societal standards of beauty, and an preoccupation if he will find her fitting his tastes.
- This concern is influenced by her experiences of living as a man for two hundred years, during which she likely became accustomed to certain expectations regarding her appearance.
Societal Expectations and Beauty Standards:
- Xiao Liu's fear stem from the expectations placed on women in the society she inhabits. Beauty standards often carry cultural and societal implications, and the pressure to conform to these standards can be overwhelming (Ah Nian, FFYY etc).
- The desire to be considered "pretty" could reflect a broader societal emphasis on physical appearance and its perceived importance, especially for women.
New Obligations and Responsibilities:
- With the revelation of her true identity and the potential recognition as a princess or a member of the royal family, Xiao Liu anticipate new obligations and responsibilities.
- As a member of the royal family, she could be expected to fulfill certain roles, adhere to specific behavioral norms, and potentially marry according to political or societal considerations. These expectations come with a loss of personal freedom and autonomy.
Navigating Gender Roles and Expectations:
- Xiao Liu's fear are also be linked to the challenges of navigating gender roles. After living as a man for such a long time, she certainly worry about conforming to traditional expectations associated with femininity.
- Questions about her appearance are entwined with broader concerns about how she will fit into societal norms and expectations surrounding gender roles.
Identity Crisis and Self-Discovery:
- Xiao Liu's fear could be an expression part of a broader identity crisis. As the process of embracing her true self involve grappling with societal expectations, personal desires, and reconciling her past experiences with her present identity.
- This journey of self-discovery and acceptance bring both internal and external challenges as Xiao Liu navigates the complexities of her newfound identity.
In essence, Xiao Liu's fears encapsulate a range of concerns related to her physical appearance, societal expectations, and potential new obligations as she steps into her role as a member of the royal family. 
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Meanwhile.... in this ep. 18 / ch.12 :Tushang Jing is working hard pushing the mess his family have gotten him into!
Image cover :) :
1. Off course FFYY eager to get closer to Jing, choose a private moment to enter his chamber....
2. Jing purposly uncover his body covered with unpleasant sight for FFYY - his scars. 
3. Ouch...Not for her...it's disgusting!. Out she goes! :D! 
3. His servant remark that FFYY was very inconfortable. TSJ 's answer above....
4. As FFYY run to his lovers arms - Tushan Hou - he is very disappointed: 
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Chapter 12 Wrap up:
Jade Mountain: Unraveling the Past and Navigating Motives:
The visit to Jade Mountain acts as a crucial juncture in Xiao Yao's narrative, unraveling layers of her mysterious past and shedding light on her motives. The mythical elements intertwined in this episode deepen the mystical allure of the tale.
Symbol: Jade Mountain
- Represents Xiao Yao's roots and connection to the divine.
- Serves as a mystical realm where her past is interwoven with magical elements.
- Highlights the dichotomy of Jade Mountain, where dreams of control clash with the reality of its constraints.
Dialogue: "I would rather remain this way. Knowing what tomorrow will bring but not knowing what next year will bring."
- Echoes Xiao Yao's preference for uncertainty over the constraints of control.
- Sets the stage for a nuanced exploration of the balance between power and freedom.
Symbol: Face Forming Flower
- Embodies the magical elements within Jade Mountain.
- Represents the intricate connection between Xiao Yao's physical form and the mystical forces at play.
- Raises questions about the origin and purpose of such magical interventions in her life.
Dialogue: "There is much in this world I cannot do."
- Implies the limitations even the Royal Mother faces, adding an air of mystique to the narrative.
- Prompts further inquiry into the boundaries of magical powers within the story's universe.
Tushan Jing and the Dance of Emotions:
The introduction of Tushan Jing, especially in moments of fireworks and shared glances, carries symbolic weight, unraveling Xiao Yao's intricate emotions and the dance between love, envy, and self-discovery.
Symbol: Fireworks
- Symbolize the fleeting and beautiful nature of emotions.
- Reflect the transient and explosive nature of Xiao Yao's feelings.
- Create a backdrop against which the complexities of her relationship with Tushan Jing unfold.
Dialogue: "It made Xiao Liu, who had been living as a man for two hundred years, feel ashamed and envious."
- Illustrates the internal conflict arising from societal expectations and personal desires.
- Marks a moment of vulnerability, stripping away the facade of indifference.
Symbol: Bamboo and Vine Flower
- Represents the contrasting and dangereous FFYY nature vs Tushan Jing .
- Serves as a metaphor for the balance needed in Xiao Yao's own journey of self-discovery.
- Alludes to the interconnectedness of characters and the influence they exert on one another.
Xiao Yao's Inner Turmoil:
Xiao Yao's return to her princess identity brings forth a mix of emotions, from acceptance to a tinge of sadness. The symbols in these moments echo the nuances of her character and the complexities of familial ties.
Symbol: White and Green Attire
- Embody Xiao Yao's choice to adhere to tradition or express her personal preferences.
- Reflect the internal conflict between societal expectations and personal autonomy.
- Highlight Xiao Yao's continuous negotiation between the past and the present.
Dialogue: "I don’t want you to look like your mom, and I definitely never wished for you to look like me."
- Exemplifies the Grand Emperor's acceptance of Xiao Yao's unique identity.
- Marks a departure from conventional parental expectations, emphasizing unconditional love.
Conclusion:
In this chapter of "Xiao Yao's" transformation and reunion, symbols serve as the threads that bind together the narrative's thematic richness. From the mystical elements of Jade Mountain to the dance of emotions in Tushan Jing's presence under the fireworks, each symbol contributes to the unfolding saga of Xiao Yao's self-discovery, familial ties, and the interplay of magical forces in her world.
The narrative, like a captivating painting, draws on these symbols to depict a story that resonates beyond the pages, leaving readers immersed in a world where authenticity, emotion, and magic converge.
Xiang Liu get drunk hearing the news and throw in rage a bottle from a tree. 
While....Ah yes....I forgot to say that Cang Xuan is completly .....not gege reacting at all....
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See ya soon in Chapter 13!
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