W two worlds Season 2 sc

I don't remember a love triangle in this. It's mostly a couple having a chance to be one again, but it's difficult because FL is so terrible in episode 1.

I answer in PM.

It's kinda true. I never focused on this, but now you say it, I think her hairstyle is often the same. I watched most of her dramas, except two last ones because lack of time.

If it's different hairing you focus on, then those two dramas too:
- River Where the Moon Rises
- The Emperor: Owner of the Mask
And Goblin, but her role is short in this (Guest Role).

Check here: https://mydramalist.com/photos/DXkQo
Drama "Radio Romance".

The resume is wrong. ML is a golf champion (so, indeed is a "golden" choice for women because he's famous with money), and FL has same age and is single. She is not rich but makes a bit more money than many people, as jewelry designer and jewelry boutique manager.

Well, of course I put in the story everything to make audience uneasy and wonder. Not the actual easy drama with cooton girlfriend or boyfriend but real issues. It's what I like in a script: set something difficult to accept but take it seriously and develop it deeply.

Thank you for your reply. I'll maybe do a last try with the drama you rec.
Now I've drop Hua Jai Sila. I've no problem with the "slap & kiss" or the arrogant male lead bothering women, it's a bit for that I was curious to watch.

But concretly, the script is a disaster.

Half of the scenes are useless, repeatitive and don't make the story move forward. ML keeps pursuing FL when he's in the time when he tries to get revenge by sleeping with the sister. It doesn't make sens and all the scenes are painful. The guy blocks her to say what? Nothing. Dialogs are empty, or with basic evasive pretexts. She tries to escape, he follows her, blocks her again, arghhh. I mean, such a scene could be good if there was a purpose and not being repeatitive.
But here, NOTHING.

Same about the "slap & kiss". Maybe funny but out of context. Just watch the korean drama "Iris" to get that well done.

I've to mention also this: at least 5 minutes are wasted each episode because many scene ends with an endless "face of character 1, face of caracter 2, (do it again during 30 second to one minute)" while there is a out of context stressing music. Then you watch that and wait, wait, wait...

And countless plot-holes, even if honestly, for such a drama, I don't care.
I just see it's bad screenplay, and bad writing is a big no for me.

Lee Jong Suk has a special talent: 80% of time, he chooses amazing scripts so you see him mostly in top dramas. Let's hope it will be true again.

Here a funny thing I see for first time: when they are angry, there is a red light in their eyes. I think there is a prop guy dedicated to lit a flashing red light, off-screen.

At episode 7, the situation is interesting: ML's trying to seduce the sister, while he has a reason to be a jerk with the FL. I don't expect all of that being rational but it gives some dramatic scenes.

It doesn't make sense: Mrs Mam buys a tie from Pheera, the husband of Sida's friend, even though she's seen the tie (twice already). So when her husband wears it, she'll recognize it and know where it came from. Mrs. Nam doesn't have a brain (or the scriptwriter).

It's really "slap & kiss", not even one second between. lol.
Red lipsticks are crazy flashy.
Two main actresses (sisters) are pretty.

Just found a plot-hole (among dozen probably), see spoiler below:

It's first lakorn I watch so I chose this one because it's famous. Production is good enough, quality picture, and people say it's an outrageous drama, what I'm looking for.

I'll wait to watch more to know if I like the story or not, but about screenplay, ouch! it's quite bad.
Clearly, it's probably more a general problem than just this drama.
Thai dramas seem light years behind korean ones.

Dialogues on the noze, repeating previous things many times, bad expo thought scenes dedicated for that, where characters says what the other already know. It's sound unatural and fake.
Confrontation scenes should be a highlight, but instead fall into obvious lines (that you should just delete before a better version of the script) and sounding phony like hell.

ML and FL are good actors, but some other are so caricatural.
It's cheap and 90s mexican telenovelas like.

Flashback and situations without depth, ultra-simplistic, or just to show the mother is bad and does bad things. Impossible to trust anything and it's hard to sympathize. It's like a trash adult story was told to children. Cringe!

There are also the background music badly used. Suddenly, a character stares and there is a big noisy music to end the scene, out of place, and stopping abruptly in the worst way or to boot: it transitions into a different scene, cutting the music by another one. Scenes transitions are terribles.
I often get the feeling: not much happens, but we put a stressing BGM for artificial stress.

The guy looks like a puppy and I'd prefered someone more manly. But ok, I'm here for the writing quality, and I guess the writers will tweak it a bit to adapt to the actor.

It's a good drama I will rewatch someday. Sometimes very moving.
It's also get the guiness record of "I meet you by chance in a elevator". ^^

You can read 3 first episodes of W season 2, visual screenplay, on my blog:
https://w-two-worlds-season-2.blogspot.com/
Then you'll have an idea what they became in real life.
Further episodes also have content about their new life (it's in flashback, so to not loose screentime and tell something only when it's important for W2 main story). For example in episode 6, when they have financial problems.
But the main story isn't about to show their new life (it's just a side effect), there is a whole and bold new plot, and danger even more important than in season 1.

Because I've read your enthousiastic comment, I'm now decided to do an article on MDL, an interview of the writer of Yumi Cells.

If only she could has the haircut from your picture.
Because in the drama, ugh! her hairstyle is terrible.

Good dramas never age. If you want definitive proof of that, watch Sandglass (1995), a kdrama with a raw energy you won't find in any drama of recent years.