Reviews

Playing Peek-a-boo With the Interesting Plotline

Khun Dad!?! Dafug you mean Khun Dad??? And what the hell was that dancing pose? Dude out there looking like a confused triangle. Look, I’m used to people in love having ridiculous nicknames like my Mosquito net, Donut lips, Baboon butt and Chicken thighs. But I draw the line at effing Khun Dad. Dafug?? Can’t believe Bank was able to say that with a straight face and Mos didn’t throw up on him every time he said it.

Anyway, I’m sure y’all remember that abomination when Pit Babe made us throw up our lunch going ‘Mama, Papa’ *race car noises*, right? Yeah, prepare to wanna throw up last christmas’ turkey, cuz there’s a whole new cringe in town.

This week on BLs Cringe Hot 100
#1 Khun Dad. [NEW]
#2 Mama, Papa, Pitbabe. [-1]
#3 I’ll Kiss You Till You Drop, 2gether. [=]
#8 I'll Be Your Vaccine, Fish Upon A Sky [+3]

This was legit me when I heard that nickname for the first time.

SALIN: We are soo in love, let’s have cute nicknames. I’ll call you, Khun Dad. *in love noises*
ME: Did he just say…nah, *shakes head.* I must have misheard.
SALIN: Khun Dad.
ME: God forbid!

WHY Child??? May this level of inlove-ness-ness never locate me! Mister effing Dad?? Why? Peoples, he said Khun Dad with his whole chest!! Maybe I found this repulsive because I’m as romantic as those bl scenes where they think giving their partners that yellow ice tea and drinking it slowly is romantic. Khun Dad. The devil is a liar!

Listen, thanks to dramas, single people have not known peace in this fandom. There’s always some romantic nonsense to make people look 1000 times more single. And in this show, there are so many romantic scenes from both the first and second leads that make single people look like they live in a hole, alone, with 21 cats. And yes, good for them, they are in love. But gawwwd do some of the romantic gestures makes me cringe.

- The Khun Dad
- The I love you in 6 languages or more
- That woman/Salin prisoner who turned into a light in the finale and promised to spend her next life loving Sun in a wig, who is a half snake lord of something. It vexed me, cuz the eff you mean after he locked you up for centuries you wanna be born again and love him? People in love should be abandoned at disneyland on their birthdays.

And do y’all remember that dancing Salin and Sun did on their first? date? That pose at the end was the most effing awkward, embarrassing, unsexiest thing I’d ever seen. Homeboy out there looking like the cousin of that one gingerbread from Shrek. Literally, what the hell was that? Whose idea was that? Get the hell outta here.

Khun Dad. Why, just why? What did we do to deserve this? What did I do to the writers? Why they gonna subject me to that? People In Love Are So Disgusting. Ew.

PLOT
SunsetXvibes feels like a fancy arse dessert I ordered, but when it came, it tasted like cupboard paper with pink sparkles. Cuz, why was the show playing peek-a-boo with the interesting storyline? Mfers had a naked guy napping in some water and spent 98.6% of the drama in the office talking about necklaces. Going in, I thought we were going to see behind the scenes of what happens in these sort of companies. You know, there'd be fashion shows like in the finale, biddings wars to see their designs worn by famous celebrities in magazines and events, you know, the ins and outs of the glamorous world. Instead we got them clicking on computers, talking about designing and meetings.

And okay sure, what I got wasn't want I expected, but interning at a jewellery company, cool, nice, but what about that butt naked dude? When are you going to tell me about him? How does it connect to this main plot?

The screenwriters were like: how many random flashbacks you want with no context or development?

Director: Yes.

Literally, were the flashbacks supposed to intrigue us? The first two times sure, but after we kept getting barely there glances with no correlation to the current plot-line, I straight up went and filled in my own thing.

ME: Ahh, so in his past life, he used to moonlight as a naked river god, who knew some woman. Either that or he went swimming one time and someone stole his cloth. Then I was like ‘hmmm, is it like The Sign? It reminds me of the sign, is a dragon looking snake gonna show up? Then bam, it showed up.

No, but the writers? ruin this. They had a good plot on paper, but they were so busy having the leads act all cutesy, and acting below their adult age with unnecessary nonsense misunderstandings, that, they forgot the actual plot, dragged the flashback reveal and forgot to connect the two stories. Plus that flashback seems to just be hanging around, you know, like that one uncle who comes for christmas and just sits in the corner? He there, we can see him, but like, we all pretending he has on one of them Harry Potter invisibility cloaks. When they finally told us what the hell the flashbacks were about, I’d lost all interest and was like ‘Oh, okay, sure, whatever, move it along. Did I remember to turn off the iron?... Wait, I don't own an iron.’

Although there was no connection of that flashback plot and this current one, cuz it's randomly inserted with no follow ups, it felt far more interesting. Because, the flashbacks plot had: unrequited love, Salin being the reincarnation/spirit? of the trapped lady, Nagas, Sun in a wig from Shein was like some lord or another and Salin killed someone. Interesting stuff, tell me more.

Instead, we get Salin designing something that always gets stolen/patented, the company turning into a dating app for Salin and his friends. Also, what does Yo and Pim do all day? Sure they on the computer but are they designing stuff or just ordering lunch? Then of course in-between the two things happening there are lots of NC scene. From the pool table to that artsy painting room, to Sam's office sofa, to that dressing room... which were all...hihi...yeah...stuff. Having soup while watching/hearing that NC in the finale was unfortunate.

So yeah, I wanted a correlation between the two stories, instead the writers threw the plot with the Naga and murder away to make room for unnecessary stuff. And what the hell was that finale? Talk about if irrelevant lived next door to uneventful and anti-climatic. The finale was filled with awkward cringy scenes. Which meant the flashback plot was quickly wrapped up with nonsense. Literally when did we see lord Sun in a wig always being there to protect Salin? And that was it? that woman who has been trapped for forever turned into a light and died? And since when can Salin close his eyes and summon Sun in a wig? LIKE??? arrgggg. meh. I’m sure the writers wanted the flashbacks to intrigued us, but with no real connection to the main plot it became uninteresting. Cuz really, what was I supposed to be looking forward to with 3 seconds flash back every two episodes?

Also, that man person with a gun in the finale. Who the hell was he? What was his job, and why the hell did he want to steal designs? I'm sure he was introduced in the start, but he's so forgettable and irrelevant that he could have been replaced by one of those necklaces and it wouldn't have made a darn different.

And can we talk about when Salin finally found out what the flashbacks were about? I expected more reaction from him, but homeboy came out of the flashback, ignored everything he saw, and instead went to design a necklace. CHILD??? You not even gonna wonder how this lord who looks like Sun in a wig likes you in this lifetime?? You gonna save your past self or? What kind of dollar store arse reaction was that??

Literally this was him when he finally found out what his dream/nightmares were about.
ME: Wow, Sun's the reincarnation of the lord/guy in the wig???
SALIN: Did you see his necklace?
ME: OMG your past self, who is still in the cave, is alive. There's two of you. You gonna save her?
SALIN: She was the one who gave him the necklace.
ME: You killed that woman. You murdered a person with dark smoke magic.
SALIN: I'm gonna design that necklace.
ME: But---but there's literally two of you in existence right now, and you killed a sister.
SALIN: Anyone have some crayons, I need to start designing.

HOW? Just---HUH? No, but really, dafug was that reaction? If the character himself doesn't think it's important, how are the viewers suppose to be interested or take it serious? That whole flashback story-line felt like it was written so Salin can design a gothic looking necklace to win the competition, which was completely unnecessary. Not gonna lie, that whole award competition felt awkward with unnecessary cringy dialogue from the staff. I'm gonna comfort myself by believing Lin's design won cuz it was different looking than the rest...cuz ain't no way.

And while the flashback plot wasn’t giving us much, the main plot wasn’t keeping my interest either. Lots of cutesy stuff, with adults acting below their age and not much else going on. Cuz the plot with who has been stealing/patenting designs ended in 0.2 seconds. It was so anti-climatic and ended so quick, they needed another character to overact and explain it to the viewers for 5 unnecessary minutes complete with an ad. No but the finale was... did they run out of ideas and had 1 hour to fill? Cuz literally, the eff was that work bathroom scene? On the plus side, some of Sal's outfits in this drama slays, so at least I can comfort myself with that. yaay me?

I think MosBank can do so much better than this plot. I saw them in Big Dragon, so seeing them act different here, all calm, cute and innocent, and being all in-true-love is refreshing/different to see. Although they are the leads, I don’t think they are the reason for how unremarkable this turned out. The plot is just very mediocre, sort of repetitive and boring. They didn’t have much to work with. Yes, they had the chemistry to keep fans watching, but unfortunately, their chemistry couldn’t save this. Everything was so meh that in some scenes they seem to even loose their chemistry, and those two has a lot of it, even on random Tuesdays. And there was only so much the supporting cast could add. I hope in their next work, the plot is more interesting, and it doesn’t rely heavily on the actors carrying the show of a poorly executed story.

CHARACTERS
The supporting cast didn’t have much going for them. Still, they each had something small going on, though the ones that stood up the most were the second couples. They were cute. I was cheering for Sam and Yo from the start. Their chemistry was chemistrying. And they knew the correct way to call each other, P'Sam and Nong Yo, very cute, no vomit in sight. Also, was everyone as surprised as I was to find out Sam goes to the gym in-between buying hair gel?

LMAO, was I the only one who laughed at Sam's new look after his secret of being the second son of the company was revealed? Homeboy showed up with a whole new hairstyle, minus glasses, and a single strand of hair threatening to poke him in the eye. I was like, okay, arite, I guess poor people don’t use hair gel, good for you. LOL.

I feel the gl couple could have developed more, instead of Prim spending most of the series being nonchalant. When they did get together, I couldn't really vibe with their chemistry, they cute, but I wanted more reason to cheer for them. Like with Sam and Yo, where they had those little moments that all added to them falling in love. Looking back all I recall of the gl couple is Prim always saying no to whatever Pim was asking her. So yeah, they were there.

My fav scene in this whole series might be when they found out Lin’s dating the CEO. Sam’s face going ‘I can’t believe I’m related to this dumbass’ made me roll with laughter. I also liked when Lin dropped kicked that weirdo. Oh, and how the friends were not surprise that Sam and Yo were dating. I mean, you could cut the intense with a bread knife.

Oh, and what the hell was up with those random foreign language one liners they kept inserting? Is that whats cool these days or am I not chronically online enough to be in the known? First it was just Pim, but then everyone was suddenly doing it...okay? And like, was it me or did the finale never seemed to end? Whenever I thought it was over, another scene popped up.

Now, Back to the Khun Dad debacle. Anyone else wanted to throw tiny rocks at Lin every time he said Khun Dad? That shit was corny and cringy as eff. People in love deserves no rights. And Salin didn’t even say it once and got over it. Every second he was like, Khun Dad do you want to dance? Khun Dad do you want to eat shrimps? Khun Dad see my necklace. Child!! will you keep quiet??? I’m gonna be haunted by this until MosBanks next drama.

Anyway, in the end, it is what it is, and the bad execution of the plot ruined an otherwise interesting story. I expected a lot more from this. I hope MosBank gets to work with a great story(well executed) for their next project, so people see how talented they are. I'll still recommend this to fans, and anyone interested in boss-employee relationship. And to those who like CEO sons pretending to be poor stories, cuz you'd like Sam and Yo.

EDIT: HAHAHAHAHSKJWPRISKEJR.... soooo in the special episode.... Lin is pregnant? Or is gonna get pregnant. Literally, what in the random arse plot was that? sudden... mpreg? well it was planned, but whomst?? who's driving this thing? what's even happening?

That being said, the main song of this drama was soooo good! At least they got one thing right.

Anywho, Khun Dad I guess.

Leia Mais

About a great service of love AKA a fateful, karmic relationship

"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.

This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…

Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.

So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.

This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.

If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.

Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.

At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...

PS:
Must be the 'In-yeon' they keep talking about throughout the movie...


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SIDE NOTE:
In-yeon = a fateful, karmic relationship
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Leia Mais

A lot better than expected

It's an interesting drama based on the reality of how the kpop industry works. I came to this drama because I know OnlyOneOf as a group. Because of that I thought this drama would be really cringe to watch (they are rookie actors and have no experience in acting), but I was honestly surprised with the overall quality. It's a low budget drama, but it's ok in terms of korean BL dramas.
The story was compressed in 8 episodes of 15 minutes what made it feel too rushed. Things were happening too quickly so they used a lot of flashbacks to tell the story. It was smart in storytelling, but as a viewer it feels like you are being attacked with a lot of information from all sides. But that's my only complaint about the script per se. The adaptation from the webtoon was well done and I honestly think it was WAY more sensitive about the topic than the original work.

Like I said before, they have no experience in acting so I wasn't expecting much, but some of them really have a lot of potential. Hyunbin is an annoying, but really charismatic villain. You can know the actor for a villain is good when you feel angry the moment he shows up. In the terms of acting, I think KB was the best one. He looked evil for real. Eden and Jihoon were good as main characters. Eden did look innocent, but not dumb (so common in BL) and Jihoon was an experienced sunbae, but he wasn't an annoyingly cold character for no reason (also common in BL). The characters were well balanced and the actors did well. Nine did a specially greater work in the scenes he was angry which seems a funny thing to actually happen. I don't know if he rehearsed those parts more or if it was fun to him to manhandle KB, as he's the youngest and KB is the oldest.
Jay was an adorable character and I hope to see more characters like him in BL. A character that will back off after hearing a "no". As any BL fan know, characters in Bl usually thinks a "no" means a "try harder".

About the whole plot, I GET that some people will get angry with it. K-pop fans will probably get kinda pissed too. The plot says "the K-pop industry uses gay fanservice to please fans". But is it a lie? EVERY K-pop group will do that and that's set by their company. If you read that and thought "those two (any ship name) don't do that because thy are really close for real", then you know the industry made it work and it already got you. Yes, most idols from same group are probably close, but the fanservice IS REAL, so please don't fool yourself. They will do things on stage, they will lovingly look at each other, they will hug and hold hands and do all that and 80% of the time all this is for show.

All that being said, the whole plot of this is great. It shows how the industry works and how fans respond to it. Now imagine this: companies make their idols do fanservice and among them there are straight people, but there will be queer people too. Imagine working in a place that forces you to PRETEND to be gay as a job, but WON'T ACCEPT you if you ever come out. In this story every main character is canonically queer. Eden even represent a queer kid growing up with a heteronormalized mindset. His first love was a boy, but he never really accepted that part of himself until adulthood.
In the story there's even a part that one of the trainees say there are rumors about Eden and Jihoon as a real couple and he make it sound like a bad thing (as if they weren't pretending to be gay to begin with). In a place like South Korea it' ok if you pretend to be gay, but it's not ok for you to be actually gay. The story is kinda fluffly and soft, but there's a real critique behind it if you pay attention.

Leia Mais

from fun to being overly dramatic

Na Ah Jung (Jeon Jong Seo) works as a guest actress, playing various background roles. She has a gay friend Lee Do Han (Kim Do Han), whom she has known for 15 years. When Do Han needs a wife to appease his family, he asks Ah Jung to be his wife for 3 years. Do Han’s younger brother, Lee Ji Han (Moon Sang Min), is against this plan as he wants his brother to marry for a corporate alliance. Thus, he tries every way to break up their wedding, one being to make her fall in love with him. Ji Han and Ah Jung hate each other at first, but as he's trying, seems like he's the one who starts falling in love...

It started out exciting, I was impressed with the actress Jeon Jong So who played Ah Jung, she's feisty, capable and independent. Her friend/enemy banter with Dohan and Ji Han is great. Their relationships development is comedic and chaotic. Lee Ji Han’s motive didn’t make much sense to me from the start, but it's fine as there were a lot of good stuffs.

However, the character I'm most curious about is Lee Do Han, as an openly gay man. It was intriguing when he’s introduced, but as the story goes, I'm disappointed with the lack of importance given to his character traits.

Frankly, it gets frustrating when the conflict starts. it’s hard to understand why the leads’ react so dramatically and how they made certain choices. Last four episodes were messy, and practically resolved(?!) Well, the cameo saves the ending... XD Glad it's only 12 episodes!

Find me on Instagram: @kdramajudge

Leia Mais

wow! I started this drama off expecting some light fantasy rom com cheesy drama but oh boy was I in for a surprise, comedy peaked at certain points, mainly from interactions with Hye Ja and Young Soo, but the melodrama really was a big aspect throughout the drama especially the last few episodes, a few times I got jumbled throughout the drama there were a few too many things going on that I couldn’t exactly figure it out or understand it. But there were tiny hints hidden throughout the episodes to help to understand the overall drama.
The acting was great, they really managed to convey the emotions and lay it on thick and raw, really outstanding, especially from support characters
Overall this drama was a real game changer with its sudden plot twist, it always seemed to keep me on my toes throughout the drama, it was enjoyable and really made me think how important time is and how you should spend it and the overall importance.

Leia Mais

The Epic Journey of the True Son of Bei Liang.

This show is a wholesome package. From politics to scheming and strategies, romance and comradeship, family bonds and the journey of growth +cute beasts and martial arts manuals :).....This has a little of everything in a way that doesn't overwhelm you.

This is the story of Xu Feng Nian, the much anticipated future lord of Northern(Bei) Liang. But that doesn't mean he will be under the limelight throughout the show. Each and every person he meets has a character arc that could impress us in the long run. The story is very well developed. The pace may not be uniform but the overall effect is heightened due to this.

This is a show which you must definitely watch once completely before forming an opinion because everything( even what you might think idiotically unintelligible and frustrating) make sense eventually at various check points in the story.
'Once' you finish it I am sure you will hurry to rewatch it and gather clues on what is yet to come.

Can't forget to raise a toast to the stellar cast and their solid performance. Although we have only seen little of some, their roles are too consequential to the storyline to be ignored in the upcoming seasons. So although season 1 has given a worthy closure to the first part of the story, I am looking forward to even brighter follow up seasons.

Leia Mais

A Positively Mixed Bag

Disclaimer: I read the manhwa
All spoilers mentioned are related to the manhwa. Only broad and generalized comments about the Drama was mentioned.

The GOOD:

As a stand alone romance drama, Positively yours was pretty average. It has everything needed for a romantic plot: a prince charming, a damsel, a wicked witch and a supportive cast. If you have NOT read the manhwa I would rate almost 7.

I enjoyed the evil sister in law's villain arc. It was satisfying to watch in a makjang. was she over the top sometimes, yes but I was there for it. I also loved the personal assistant. He was such a scene stealer with his one liners. I enjoyed the supportiveness of ML's niece and FL's coworkers. Often times they banded around the main couple in solidarity. I also liked the messiness of the ML's father. Most times in dramas, the characters are either from two extremes; either great or terrible. That the ML's father was a muddy mess was a delight to watch. He was definitely the SIL's villain origin story and created a lot of problems with his poor decisions. These decisions affected people negatively around him.

Overall the drama was ok but I'm judging from the source material.


The BAD:

As an adaptation, this drama sucked big time. This was one of the worst I've seen. In my opinion, the writers didn't understand the manhwa at all. The reason why the main couple had issues with marriage and relationships was because of their family values and upbringing. Do Jun comes from a large family and feels smothered at times while Hui won's comes from a broken single family unit that practically abandoned her. Do Jun was terrified of the weight of family and responsibility whereas Hui Won was terrified of the hurt that comes from broken trust.

The drama didn't capture this at all. They just did their own thing.

The love triangle in the plot was horrible because Min Uk was the family she had after her parents neglected her. It was like they stole her support system. He was her nieghbour when they were young and he became her safe haven when things were difficult at home. Min Uk was the first person to show her sincerity and because of that she confused her feelings of gratitude for love. It was why she felt so betrayed when her best friends were dating behind her back.

And as much as I enjoyed the SIL, she was the solution to a problem that never existed. The manhwa was character driven so there weren't any real Heroes or Villains. The characters got in their own way because their hang ups.

And the fact that they erased Hui Won's father was crazy. Hui Won's parents are a core part of her character. Hui Won's father was a man who loved love and at the time of Hui Won's pregnancy, he was getting married for the 4th time (I think). He had numerous relationships throughout Hui Won's life and was the main source of her trust issues.


The UGLY:

My biggest gripe with this drama was how they portrayed Hui Won's mother as a bitter, drunk, single woman. There was no denying she was an awful mother. But her faults lay with her being unable to communicate her feelings to her daughter. The parent's marriage failed because of Hui won's father fun loving nature clashed with her mother's ambition. She wanted to be more than just a wife and mother and wanted a career. She did feel a bit a resentment but it wasn't toward Hui Won holding her back but because of the lack of support she received for trying to pursue her career. She loves her daughter but feels burdened by the mistakes that were made. She had a successful career and was even in a relationship but the drama portrayed her so poorly.

Another peeve was the beer company! I mean why choose that hill to die on? Pregnancy and alcohol! There were so many other controversial topics to exploit. Like career driven mothers, single motherhood, children raised in broken family homes, divorce and remarriage and the impact it has on children. The manhwa had so many topics that I couldn't understand why they had to create such a poor one.

As someone who loves when adaptations come to life, Positively Yours failed to satisfy basic storyline.

TLDR: If you read the manhwa you will hate it. If you didn't it's a normal romance drama

Leia Mais

I originally started watching the drama because of the male lead, but I fell in love with the heroine. A lot of people criticize Gypso for over acting, but it fit her role as this dramatic character who dreams of becoming a superstar. She was quirky and fun and I loved her. Push was fantastically attractive and cute, but his character was a little too serious for me to love. It made me blush, scream and cry like a good drama should. It had it'a slow moments, but overall it was great. I totally recommend it. Also if you have a Push thing check out ugly duckling perfect match, his character in that was to die for!

Leia Mais

*Ladies and gentlemen please be warned that you need a tissue box near you when you watch this movie. It is a necessity. And also prepare to look like a mess. *

Story:
You don't understand how amazing this movie is. To people who have viewed others who went to jail with disgust or contempt. Young lady/man you better go and watch this. It will change your thoughts/feelings on this matter. The theme of this movie is not a light one. But the director made it work. A woman who is convicted of manslaughter for accidently killing her abusive husband. Gives birth in jail and chooses to raise her baby boy, Min Woo. But heres the catch, she can only keep him for 18 months. Then afterwards he is sent to adoption. Seriously she made the right choice. You should see the baby boy (absolutely gorgeous), his always smiling and filled with life. There's also the inmates, each with their own story to tell.

Acting/Cast:
The acting was perfection. Whoever played the role for baby Min Woo is the best! I'm a sucker for babies!
Kim Yoon Jin is such an azmazing actress. Her betrayal of Jeong Hye is flawless. I could not imagine someone else even playing the role. She's a woman who loves her baby boy above everything and anything. I love her.
Na Moon Hee, Lee Da Hee, Kang Ye Won, Jung Soo Young, Park Jun Myun are all very commendable actresses. There are others as well but their the main ones. Everyone had this atmosphere, where they feed of each others energy. It was amazing!

Music:
*tears* When they all sang together, I felt like angels were singing. Especially the ending songs, I couldn't stop crying. Music is a very important part of this film.

Rewatch:
You must be all wondering why on earth I haven't given a 10 for this. There is only one reason, I don't want to have another cry fest.

Overall:
10/10. What is there more to say. Except GO AND WATCH IT NOW!

Leia Mais

When I read its story and saw it had just one episode, I decided to watch it immediately. I am glad I did. It was a pretty good episodic tale. I love stories which have ghosts in them and if it is a ghost played by Park Shin Hye, of course I had to see it!

While the story is nothing extraordinary, it was pretty engrossing. It was well written and cute overall. It has the right amount of humor and emotions in it. The ending was particularly good. I really wish this was a full length drama. I hope they make something similar because that would be so good!

The actors acted well and the musical score was also good. I really enjoyed watching this and wish that there could be more such kinds of one-episode dramas made. It is really worth a watch. Definitely recommended!

Leia Mais

A drama that deserves more respect and love.

This drama was full of fantastic stories and great actors, but the romance was not the focus here and that's probably why some viewers felt disappointed - they were expecting a light medical romance. Instead, they got some heart warming family dramas, gritty medical dilemmas and a surprisingly sharp critical insight into the highs and lows of the Chinese medical system.
Everything here was expertly done. All the guest actors did an excellent job and the medical cases kept me glued to the screen. The romance wasn't the focus but it was good and left me with a smile on my face. I loved how we got to see the lives of the medical staff, but not to the point that it became a medical soap opera.
If you are looking for a good drama that is full of strong storytelling, this drama is for you.

Leia Mais

Perfect

This is a drama that is performed perfectly by the writers, directors, actors, actresses and all the supporters in this drama.
I won't talk about how sad the ending of this drama is, but I will talk about how the production team of this drama packed the storyline from the first episode that made our feelings sway (in a good way). The extraordinary emotional play of the actors made the audience laugh in some scenes, made the audience feel annoyed in some scenes, and made the audience feel deep sadness in some scenes. This drama takes the love story to a higher level compared to other romance dramas that I have watched. I really agree that this drama can match the quality of the Romeo and Juliet story.

Leia Mais

I never expected that I would come to love this drama this much. Since I don't watch this genre often I didn't want to watch this drama for 3 years.
But I just finished all three seasons within 3 days.

It was really inspiring and enjoying to watch how the teacher, Nakama Yukie portrayed, was able to change the student's view on school, live and teachers. I noticed that teachers like her are quite rare (well I don't have one) and I guess that's also a reason to watch this drama because you'll get hope and you'll have your lessons for your live through this drama.

I really liked the chemistry between Nakama Yukie and Matsumoto Jun who portrayed Sawada Shin and I guess I'm not the only one who would have liked it if there was more.

The main teachers and students each got their own episodes in which we get to know more about their background and how they gradually change to the better.
I also liked the close relationship between the main 5 students (including Sawada Shin) and the teacher.

All in one, it was great drama where you learn about the importance of friendship, family and school (If you didn't already know it).

Leia Mais

This is a historical espionage story full of twists, filled with adorable characters, main or supporting or even antagonists, has fair share of comedy, lots of adventure, friendship and just enough romance to die for, and so much heart that I want to recommend it to everyone.

Our main character Yuan Zhong Xin is a playful cunning street savvy guy, who tends to scheme and compete against Zhao Jian, a proud independent smart girl. They are the kickass otp I've been waiting for, it's so much fun to see two people on the same level, whether against each other or working together. Wang Kuan is also pretty intelligent, but tends to be rather straightlaced. Xiao Jing is a cute innocent girl who's generally the peacemaker, Xue Ying is the simple minded brawns, and Ya Nei is the one with connections. The former three are all smart in slightly different way and devise plans, while the latter three all have their shining moment, and generally follow the plan.

The group go from a ragtag team to slowly getting to know each other, go through life and death and betrayal, to a highly effective team that's always there for each other. It's an incredibly emotionally satisfying journey to watch them grow, the camaraderie is awesome, you can ship any characters you want, since most have some fantastic moments. The supporting characters and antagonists are all very memorable with their share of humanising moments, no matter their allegiance or goals. The antagonists are often temporary due to all the twists, and they tend to be pretty smart, which is refreshing. The familial relationship is incredibly touching as well, like Yuan Zhong Xin's relationship with his brother, Zhao Jian's awesome dad, Lu Guan Nian's mentoring.

The plot is very unpredictable, and this is an original script! Which is so rare in this day of (web) novel adaptations, especially for a historical, and one that's so heavily reliant on a good script. I do think the last two arcs aren't as well done, second last arc have some draggy bits, and the twists could feel little forced at times, while the last arc felt a bit rushed towards the end (There's 5 scriptwriter for the series). That doesn't change that there were a lot of choice dialogues, some awesome ones that still applies today, like Zhao Jian's rather feminist values, or Wang Kuan talking about soft power. It also doesn't lessen the heart of these kids that wants to give their all to protect people they love, and the country they vow to protect.

The filter was a little off-putting at first, since I associated with low budget not very good webdramas, this drama is certainly low budget, but the story and acting was on point! It actually quite fit the bright, idealistic, adventure atmosphere of the drama once you get used to it The costumes aren't necessarily historically accurate, but that's okay, it's an idealistic drama about young people in Song, and they all fit their respective characters, which I liked. The music is pretty decent, the fight scenes is sometimes okay, sometimes really lackluster, but it does add in some unintentional comedy.

If you want a fun adventure drama with a lot of heart, please give this drama a try!

P.S. The original creator wrote an epilogue on weibo after lots of messages were sent his way when the drama finished. This drama actually only cover half of the story (he wrote like rough outline of the story, not a script), but the latter half could be hard to write and get pass NRTA due to what it covers (more politics involving Xia). He's in the middle of adapting a well known wuxia novel, and still have two more project, as well as probably Joy of Life s2 now that s1 seems to be doing pretty well. Anyways, I'll spoiler the gist of the short epilogue in the comments for those that finished the drama and need it.

Leia Mais

If Kurosawa Bunzo had given his family the same level of care Karamazov no Kyodai was created with, we might have been talking about a heartwarming comedy here. This atmospheric, psychological ride is a Japanese gem for 2013 thanks to the meticulous way it was built.

In particular, the cinematography is rock solid. The shots inside the Kurosawa house are some of the most gorgeous and use interesting angles to bring out the dark veil hanging over the place. Beyond those deliberately called attention to by the story, decorations and objects often appear in the same frame as characters--acting as mute symbolism for the person or their situation. This aspect is easy to miss the first time around and is a good reason for a re-watch. Some viewers might find them unsettling or even irritating, but occasionally disturbing clips and images appear between stops in the action. I find them instrumental to the feel of the story.

Music is also masterfully utilized, with the orchestrations displaying delicious moodiness. Vocal tracks will be easily recognized by most everyone, as the bulk of them are classics. The lyrics of these songs (like Paint it Black by The Rolling Stones or Nirvana's Smells Like Teen Spirit) could not have suited the situations they were used in better. Honestly, the first time Paint It Black played over a scene, goosebumps came. I also need to give a special mention to the sound effects team, because sometimes a noise would halt the music. For instance, when Isao is talking to Mitsuru at the bar, the sound of his glass settling on the table signals an eerie silence.

All of the brothers were played well, each actor filling their role believably. If I had to pick a favorite though, Ichihara Hayato would win the contest by miles. His portrayal reminds me of a tragic hero from a Gothic romance, tortured and barely keeping it together; but on the outside he's everything you'd want your son to be, handsome, elegant, and successful in his career. Ichihara-san is especially good at acting with his eyes and often made incredible blocking choices in his scenes. It'll be a blessing if he can get more meaty roles like this; he's a magnetic presence on the screen. On the other side of the spectrum is the cartoon-ish detective, who unfortunately was present during all of the scenes inside the interrogation room. His voice drove me crazy, because he kept speaking in this strange purr that sounded more suitable for a villain in a child's anime.

I'll end by saying that while this is a story of pain, abuse, and ultimately murder, it's an easy watch...if you can handle that. The episodes are short and hook you in, especially if this genre is your bag. If you're anything like me, you'll end up eager to get to the end and watch most of it in one go; once you're there, you might just not see the end coming.

Leia Mais