The Art of Strategic Retreat
Immortal Ascension is the long-awaited live-action adaptation of the hit xianxia web-novel A Record of a Mortal's Journey to Immortality by Wang Yu (忘语), a defining work of the "mortal cultivation" sub-genre. While the novel chronicles protagonist Han Li's thousand-year journey over a sprawling 2,400 chapters, this ambitious adaptation condenses the first 200 years into 30 episodes. It is set in a brutal, realistic immortal world where might makes right. The Heavenly Dao (天道) is indifferent to concepts of "good" or "evil"; the path to immortality isn't about grand morality or predestined genius, but about raw power and survival. Here, cunning, alchemy, and artifacts can trump sheer talent.Three borrowed bowls of flour for flatbread. That is why an ordinary village boy, Han Li, stumbles on to a thousand year path to immortality. It isn't a profound or carefully considered decision or even a conscious choice on his part —just survival instinct, pure and simple. It begins in Shenshou Valley, a place that opens his eyes to a world beyond his wildest imagination and offers his first chilling glimpse into the callous utilitarianism and transactional nature of cultivation relationships. He picks up the underappreciated skill of gardening and chances upon his most invaluable artifact. From his first mentor, Physician Mo, Han Li learns the core secret to immortality: live to fight another day. He is the master of the art of strategic retreat—my lips would twitch every time he began stealthily backing away at the slightest hint of hostility.
Han Li is an unconventional protagonist. He isn't motivated by naive heroism and chooses a path that is ultimately selfish and solitary. Often underestimated, he prevails through cautious pragmatism and resourcefulness, relying on methodical long-term planning, deception, and fleeing unwinnable conflicts. Despite the running gag that Han Li is very plain, Yang Yang is perfectly cast. His immaculate appearance and radiant, ageless glow convey the aura of a character who is ultimately unattainable. I've never been a fan of his acting, but this is by far his best role. His portrayal is exquisite: the careful circumspection in his movements, the nuanced flicker in his eyes, the micro-expressions that signal he is always watchful and calculating; that fraught stillness when sensing danger; and the intense, cold-blooded ruthlessness in combat. Yang Yang's power, grace, and natural athleticism are on full display. Instead of just standing around uselessly waving a fan (Who Rules the World), he delivers multiple thrilling, intense, and brilliantly choreographed action sequences that showcase Han Li's ability to think on his feet, using his cunning and resources to level the playing field. The visual effects, however, are a bit dated and at times overwhelm the impressive stunt work, detracting from how flawlessly Yang Yang executes difficult mid-air acrobatics while staying completely in character.
I love the decision to shoot mostly on location—it vividly reinforces the vastness, timelessness, and solitude of Han Li's journey. It may have made lighting and framing more difficult to control, but it's far superior to the typical fake, over-lit, and stagnant xianxia set. The plot feels condensed, and the pacing is uneven, alternating rapidly between character introductions, heavy world-building via dialogue, and high-octane action. Some important characters—Physician Mo, Mo Caihuan, and a few of Han Li's Yellow Maple Valley mentors—are fleshed out, but too many others zip by cursorily. While Wang Duo plays the villain with great relish and humor, Wang Chan's character is a cardboard cutout, because Han Li's greatest antagonist is truly the indifferent universe—and Han Li himself, and the humanity he must leave behind.
At times, this feels like a video game, but it is actually a quite sad and profound story. The narrative tone doesn't indulge in sadness; Han Li's moments of temptation and regret are subtle and transient: a pause, a concealed glance behind lowered eyelids, the slightest hesitation, the moment he gives in to a brief hug. It's all in the subtext, in how he regularly shouts out to Li Feiyu, recalling his last mortal friend. Han Li is not a relatable protagonist; it's hard to feel sorry for him, as he does not feel sorry for himself or for the people he coldly leaves behind.
Fittingly, at the end of this first phase, we come full circle to a precious piece of flatbread that Nangong Wan casually snatches from him. Ms. Mo would never have done that. It's why she is not the endgame; she isn't ruthless or selfish enough to accompany him on his journey. While this is not a romantic story, the character who moved me most was Ms. Mo. It is with his first love and final obsession that Han Li almost allows himself to be mortal.
I don't know how to feel about this kind of story or Han Li's path. It is inspiring as a tale of how an ordinary person can become extraordinary. And a sobering lesson about at what price. It is a story that has stayed with me. I have to rate it 9/10.
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Doutor Romântico, Professor Kim 2
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Season 2 is as good as Season 1
I've read some of the reviews and I was quite shocked that some of them gave this drama a terrible review/rate when in fact it was a great drama. First, I was a fan of Romantic Doctor that I've watch that first season a lot, and I think watching it again before starting this second season was not a bad move since the charm of medical drama is still there, as well as,the tension, and the romance. I was still amazed on the cases that they've brought every week and how Dr. Kim (along with Dr. Woo Jin and Dr. Eun Jae with the help of Doldam staff) overcome them. It was also good that they still mention the characters of Dr. Kang Dong Joo and Dr. Yoon Seo Jung in some scenes and even have Dr. Do In Bum a cameo that really hype up those last episodes.Second, I also want to praise the new characters for giving a new spice in the drama as they introduce their stories and backgrounds to the viewers. Lastly, I also want to compliment the OST as it gives life to the scenes that makes it more interesting and exciting to watch.
Overall, it is true that it is somehow different to the first season that some of us said that it already lost it charm when they started a new season with different leads. But for me, I think this drama has a different charisma that it captivates the viewers to watch it weekly which is obviously true as it passes a 20 percent viewership rating on its first airing and it breaks it record as a new episode comes. Still, I can say that when it comes to medical-romance drama, "Romantic Doctor" series will be on the number one of my list.
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Not since Dalja’s Spring have I felt that characters other than the main couple received as much loving attention as they did in Miss Korea. And, Miss Korea surpasses Dalja’s Spring at that (Miss Korea now has my favorite secondary couple in the history of Kdrama). But Miss Korea has so much more going for it than the characters, even if they are the best feature. Acting, writing, directing, cinematography, costumes, soundtrack, attention to detail and research – Miss Korea excels in all of these areas. Miss Korea might be, nay, IS the first Kdrama that I can say has no flaws. I wouldn’t change a thing – not one thing – not even the ending, and, as all us Kdrama lovers know, endings are usually the pitfall of every Kdrama no matter how good it is. But Miss Korea’s last episode is as perfect as its first and all the episodes in between.
In fact, there is only one problem with Miss Korea (I know I said it has no flaws, but hear me out)…
…NOT ENOUGH PEOPLE WATCHED IT! It is a travesty that this drama has not been more viewed domestically and abroad. Sure it was going up against the juggernaut of You Who Came from the Stars (or whatever translation you want to use), and that is a good drama, a very entertaining drama, but it’s not perfect (although Jun Ji Hyun is). But in the age of Internet and DVR, that’s no excuse! I wish more people in SK had watched this drama because I want more dramas like it, many more!
I want more Kdramas that feel this organic, with real characters going about their real lives and no makjang craziness! I want a rich, full universe that feels lived in with characters I love who have simple and beautiful hopes and dreams and are capable of achieving them using their own minds and effort rather than ridiculous dues ex machina and unrealistic plot twists. I want soundtracks that rock my world and perfectly match every mood and moment of the drama. I want good actors acting great and previously bad actors going above and beyond our wildest expectations. I want empowered women who are business owners and scientists. I want heroines that blow my mind with their personal strength and honesty and courage. I want OTPs that are honest with each other and even when one tries noble idiocy the other calls b.s. and there are no misunderstandings – EVER! I want careful attention to details and good research into plot devices.
I WANT MORE DRAMAS LIKE MISS KOREA! Watch it and you will too!
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So far, its the best bl of 2023
I don't know where even to begin. They both are damn cute. Those small touches, talks, kisses. This is everything I want in a drama. Usually, I wouldn't say I like many bls because of too many explicit scenes and not enough actual development or a proper story. but this one exceeded my expectations. The chemistry is damn amazing between these two. and the acting is stellar. Seriously, others should take a look at this and see how to write a show. The plot is insanely simple. but the execution is the thing that matters. They did a really good job with it. and the game at the end was too cute. Seriously cute. Like those choices and finally Wan chose to not run away. The chemistry is amazing. So amazing. Like seriously amazing that you are left with butterflies every time they interact.On to the story. Each episode was better than the previous one. It is so amazing to see both their chemistry expanding as both of them kept on interacting. and yes as I have mentioned in the above, the story was really simple. But the way both of them portrayed the characters and the visuals of the show was damn amazing. It was aesthetically pleasing and the editing was damn good. I liked it. and I would say the ending game at the end of episodes was so damn good. It was like we get to see how their highschool years went on without us having to go deep into flashbacks
Now I wish the run time was longer and the episodes too. but honestly i liked what they did with this. and honestly looking forward to the future projects of the actors. The show mostly focuses on the main leads so we don't get to see much of the side characters. They don't stick out much other than those funny office moments. but I can't ask for more with the given amount of time and am really happy with this. The music was fine. Nothing special but it wasn't jarring too. It was enjoyable.
Overall, I would suggest this drama to every rom com fanatics. This was a really damn good watch. I don't want this to end because this was my most favorite drama that was airing. I am also glad the eighth sense started and I feel like that is going to be a great watch too.
I would totally rewatch this drama again and again. This could totally be one of my comfort dramas because whenever they two share the screen together, I just feel so damn happy for them and couldn't stop smiling.
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Great drama if you know what you're getting
I tend to only be interested in writing a review if I feel like I'm in the minority. Lots of negative reviews of this drama seem to be written by people who were expecting something else. So, let me speak for the other side and clear some things up from the beginning, here's what this drama is about: A woman and her two friends go through a very difficult year together and find strength to get through it by relying on one another. This is an especially character-driven drama, rather than story-driven.Mi-jo is the central character, and her relationship to Chan-young is the primary relationship. I would say that Joo-hee and Seon-U or Jin-Seok are probably the second leads. If this were some rom-com and Mi-jo/Chan-young were the ML and FL, no one would be upset about them taking all the screen time. It's weird that everyone seems upset that the illness isn't the most important storyline--this is about their whole lives and that was a large part of it, but not the only part. I do agree that ALL the side plots eventually got a bit chaotic, but I liked getting small bits of insight into everyone's lives.
I thought it was an interesting move to tell us the ending in eps 2, but it allowed for so much more development of the leads and the (really wonderful) rest of the cast. I loved all the parents, with the glaring exception of one. I loved Mi-jo's sister, I fell in love with Seon-u and his love of Mi-jo. (I took a break from this one to watch Yeon Woo Jin in Shy Boss). Would have liked to see a little more of Joo-hee's relationship, but that's just because Hyun-jun's character seemed to have a lot of potential--but again, they aren't the main characters, so I'm fine with not having every answer.
Another thing that anyone should know by the opening scene, but in case you are wondering: This is a TEAR JERKER. I normally don't like tear jerkers and specifically come to kdrama for the comedy and romance. That said, this was a lovely story about women's friendships. Some of the side plot points were a little over the top (Seon-u's father and his sister; the slapdash adoption that appears late in the story, the jailbird), but they are all meant to get in the way of Mi-jo and Chan-young's friendship, and to show the different ways their friendship has shaped how they respond to difficulties.
Mi-jo is an imperfect heroine. She is anxious, clingy, and a bit of a control freak, maybe that's why she is getting so much negativity in the reviews. But, an imperfect character is way more interesting than a perfect one! Again, if you come to this drama interested in watching the main character move through her life and her relationships, including her close friendship to a terminally ill woman, you will be far less disappointed than if you come to this expecting an ensemble slice of life drama.
The music was good enough that I didn't notice it.
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I loved the first couple episodes. They were exciting and unpredictable (most of the time). But after the eighth ep, it slowed down a lot, so I got bored. Why did I stick with it till the end? I was already halfway through, so I stayed for the romance (haha, this isn't the first time something like this has happened) ;-)
Try this drama if you love light school dramas with a bit of mystery. I was really impressed by the acting of the cast, especially rookie actors Kim Se Jung and Kim Jung Hyun. Their chemistry is over the roof. I found myself skipping through episodes just to get to their scenes. The side storylines were incorporated well. Like sunah said, School 2013 has the best bromance, School 2015 has the best second lead syndrome (rip), and School 2017 has the best male lead. I personally enjoyed School 2015 the most out of all the School series (except for that last episode), but go ahead and give School 2017 a try. It might be your type of drama. :-) It was a fun kdrama, even if it lost steam in the second half.
The final verdict: watch if you enjoy predictable fluffy dramas
Check out:
- Sassy Go Go
- Reply 1988
- Weightlifting Fairy Kim Bok Joo
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The story, first of all, what the heck is it? Like it doesn’t make any sense. The idea was interesting, but the execution is plain bad and boring. There’s no logic to some of the characters actions and what they say, and I’m like what. And this is noted as a rom-com, yet the romance isn’t the greatest in terms of buildup, it just kinda happens. So the chemistry felt off the entire time. And the comedy is the most forced thing ever with many supporting characters just overacting. I feel like the writer should have focused more on the leads slowly functioning in society and a better love story, you know. But whatever, I guess.
Also the characters aren’t memorable.
Dongchan is like bread. White bread. The plain and dry kind. He’s flat out boring and Changwook could’ve done so much better. Though, I do have to say, Miran does have a more interesting personality and she’s got her goals, but I’m still amazed in how she fell in love with Dongchan. Tsk, tsk. What did she see in him???? Probably his handsome face, because same.
The supporting characters were mostly boring, annoying, or hold nothing to the plot. From the villain to the producer to Miran’s ex.
Some scenes I liked though, were some heartwarming moments like Namtae and Miran reuniting. And the transition from the older to younger counterpart.
But my emotional connection with any major character was nonexistent.
I knew I shouldn’t trust this writer considering a certain disaster I disliked. I’m sad to see this as Changwook’s comeback drama. Such a waste of talent of this cast. Ugh. But maybe watch it if you like the actor/actress A LOT, the kisses, the uhh.. Uhhhh… uh.
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I first heard about it because it was officially competing at the Cannes's Movie Festival.
And then I saw that the great Park Chan Wook was the director behind it so I quickly decided to watch it.
BUT, neither did I read the summary first nor watched the trailer ... and maybe I should have had.
Don't get me wrong ! This movie is a masterpiece. But, I wasn't expecting that plotline AT ALL.
You should be aware that it gots some serious mature contents like SEX, BDSM and violence. You can feel really uneasy watching it. But that is the reason why this movie is so beautiful : the darkness and somehow weird feels matches so well with the love story. Some scenes are magical.
But just keep in mind that it is 18+ rated (basically 5 minutes of intense, non-stoping and not-really censured sex)
There is three major arks in the movie: the first two ones where you get to discover and even rediscover the characters and story from different point of views, and the third one where all of your answers are answered & the story ends.
This combination might seems odd to some viewers, as we sometimes get to rewatch the same scenes. But I personally find it really interesting.
The two main actresses are absolutely perfect. They convey all the feels of their characters in an emotional way. As it is stayed in the summary, they will both 'discover some unexpected emotions'. Lesbian relationship in Korean movies are quite unusual and I must say that this one is breaking down HUGE taboos. The geniuses of Park Chan Wook was to gamble on this idea, in a country where he perfectly knows that the critics will get fierce.
Thanks to a good casting choice, I personally think that he won his bet.
I was surprisingly amazed by Kim Tae Ri (Sook Hee)'s acting. She's new, It's her first movie. The idea of new fits perfectly her character. The way she acted was stunning. I want to see her in more things from now on.
Anyway if you're 18+, interested in some good suspenseful stories and open-minded regarding this movie love plot line, you will definitely enjoy it.
It's not Old Boy sure ...but it is The Handmaiden. They both have their qualities and universe.
Special mention to the ending song which was absolutely gorgeous ... kinda combines all of the feels that this movie gives you.
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Interesting storyline
Omg this has all the bells and whistels from a good fable or story. Has my favorite actor as well. Great hook at the beginning of the story to make you want to watch more. Sets are colorful to the eye and costumes are not over the top but are brautiful none the less. This director keeps it at a fast pace so it doesnt bog down in the middle. Well worth your time to watch and rewatch. Sets on this piece give it that xtra pazazz. Female lead is well matched to the actor and intimate scenes are believable could he have found his soulmate in real life?Esta resenha foi útil para você?
The best level of pining one can imagine.
I’m willing to call it a perfect binge watch material. It’s easy to digest, has amazing chemistry and loveable characters. There is not much unnecessary drama and over the top events. It’s not a groundbreaking story, but it’s a nice and believable youth romance.Not gonna like Cake was the main reason I loved it so much - both with how the character was written and how Santa portrayed him. Funny, charming, entertaining, loyal, but at the same time caring and mature. I am surprised how understanding he was, when his initial introduction was a chaos impersonation. Santa’s acting too, I could see the hearts in his eyes even before he was aware of them. Damn, this boy makes your heart flutter like crazy.
Then we have Seeiw - THE cinnamon roll. Even though more proper and organized, I would say he was acting more his teenage age compared to Cake - especially with more challenging and emotional moments. Which was nice to see - teens acting their age. I do believe his crying got a bit frustrating a few times, but I blame the writer. Sadly Earth’s delivery in that aspect was also not that good, at least in some scenes. Sometimes I watched his scenes and was not sure if he was crying or laughing…
For everyone who enjoys mutual pining - this is THE show for you. The feels were amazing. It’s so obvious to everyone they like each other, but these two teens were painfully blind to it. And I loved every second of it.
Production value was high, especially for the BL. I did not have many issues with directing. The pacing got a bit fast by the end. Not to mention, in my opinion the last two episodes should not even exist - the whole last minute plot addition was unnecessary and did not fit the show.
One of the side couples also made me question reality. I don’t have issues with age gaps, but there are some lines that should not be crossed, and I have a weird feeling that if the genders were swapped, more people would complain.
Overall, I enjoyed it a lot. I appreciated a lot how it was more grounded in reality and not the typical “everyone is gay and the only homophobic people are jealous exes” and no one is afraid of coming out, or even worse - no one is really gay, they just love this one specific person of the same gender.
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A grand historical, passionate and emotionally complex high quality drama
I´d say, “The Queen who Crowns” is an excellent, impressive historical drama that gets under your skin. An emotionally stirring KDrama of the finest quality against a historically real backdrop. The KDrama year 2025 could continue like this..."The Queen who Crowns" brings the first decades of Joseon onto the screens. It is not the first series to take on the historically dazzling personalities of that time. Those early hours of the dynasty are simply captivating. And so, with this KDrama, too, it is not boring at all. On the contrary. And with an increased age rating, "The Queen who Crowns" additionally gains necessary freedom for an not only aesthetically impressive and emotionally impactful, but at times even unrestrained narrative.
However, it doesn't hurt to be somewhat familiar with the historical background. This makes it easier to understand the connections and relationship dynamics. Yet, enjoyment of the series is also possible without prior knowledge. Explanations in the subtitles fortunately provide the corresponding context here and there.
"The Queen who Crowns" offers a grand historical and emotionally complex drama. A special nuance is peeled out of the actual historical context, closely inspected, and dramatically excellently embellished: The complex and dramatic relationship dynamics of King Taejong with his father, the abdicated King Taejo, and his wife, the later Queen Wongyeong.
------ More thoughts about the relationships between former King Taejo, Prince Bang-won and his wife -------
"The Queen who Crowns" offers, among other things, a fantastic interpretation and performance of Taejo, the founder of the Joseon Dynasty. Lee Sung-min ensures we are learning to understand that the self-proclaimed first king of the new dynasty was not only a rather dominant father but a man who truly had great things in mind for his people. The path to achieve his new dynasty was indeed bloody, the power struggle at the turn of the 14th century not yet over, and life at the royal court dangerous. The now abdicated King Taejo, however, is convincingly shown to be torn between his archetypal ideals of a strong Joseon king and the very human feelings as an emotionally entangled father. Through his son Yi Bang-won as King Taejong of this newly founded Joseon nation, he painfully reflects how low human emotions can sink. Noble ambitious monarch and defiant despot, that can be so close together.
Actor Lee Hyun-wook acting historical Yi Bang-won gives the defiant king's son his very personal touch. As a son who desperately hungers for his father's recognition. As a man who would like to wear the pants in the relationship and cannot really handle to see that his straightforward, dominant wife is superior to him in terms of political calculation, overview, and foresight. As a spoiled prince whose frustration tolerance was never really trained, who ultimately confuses defiance with power, he is trying to enforce with ferocity what thus only slips away from him even further: the respect of the two most important people in his life – his father and his actually beloved wife. Bang-won as King Taejong proves to be no counterpart to whom they can trustworthy surrender. One can feel sorry for the king. And that says it all...
Before I get to the queen, who is actually given the stage here, I would like to address one thing that is also in the focus of this KDrama along the way: The crux of the archetypal relationship between king and queen in contrast to the relationship between king and concubines. For the king, he may have both, “saint” and “whore”. The queen however, is doomed to just being the “saint”. Hardly any other historical drama I´ve seen so far had processed the dilemma and explosive dynamics of such an archetypal, almost dehumanized relationship between king and queen so emphatically. While the king gets/takes his space for being a man with needs, too, the queen, as the mother of the nation, is per definition pure and saintly. It´s bad news, if king and queen should actually love each other. There is no room for intimacy and passion in the life of a king and queen. They live an ideal of relationship that stands solely in the service of the nation. Dehumanized, so to speak. Pure archetypes. Pairing between king and queen serves only the reproduction of royal genes. Furthermore the queen´s job is about raising this offspring properly. It is a public relationship and for the nation only. It has (should have!) nothing to do with personal lust and passion. In theory at least...
Nevertheless, the king and his concubines may share their private intimacy in their bedchamber – as long as it pleases the king. And in the case of our defiant, discontented, and somewhat emotionally lost King Taejong, he rather escapes to his concubines, who are willingly serving at his whim, with a warming embrace, a tender word. There he supposedly finds the most submissive subservience, the encouragement, and all that his father and wife deny him for different reasons. In the best case, it may truly nourish him and bring him into his power. In the worst case, he may be manipulated, and thus losing even more ground.
Now to Queen Wongyeong. Chapeau to Cha Joo-young! She gives that imposing historical personality such a strong, beautiful, clever, and quick-witted aura, portraying her as a dominant yet simultaneously sensitive woman, too. It's about time that this queen, who was only historically appreciated late, now also gets the deserved attention in the KDrama orbit!
King Taejong truly had a competent, intelligent, valuable partner at his side. At eye level. In the truest sense also above what concerns convention and customs. Thus, at the same time, courageous enough to take new paths, to think innovatively, and to act fearlessly.
But woe if the king thinks he has the power by virtue of his throne only. No, he must also be able to fill this position with respected personal authority. Most of the time, Taejong is trying to enforce power and respect with force. He truly lacks the necessary personal maturity for the nation´s highest office in many places... and for this great wive. What a shame.
Queen Wongyeong, in turn, pays a high price for her ambitious demeanor and constructive political influence at the royal court: her passionate love for the king, for which there is no more place at the court. But, at least, the queen does not let this stop her from making wise decisions and prudent politics. No matter how adverse the circumstances. Without her, Taejong's reign would ultimately not have been at all, let alone being so valuable for the coming Joseon. Without her, the country would not have experienced one of its greatest kings of the Joseon Dynasty – the following King Sejong, who created, among many other things, an alphabet for his people.
Those two, they paid with their personal relationship over the years of their reign. The KDrama does a great job in recognizing and dignifying their sacrifices, efforts and accomplishments.
Ps:
Episodes 13 and 14 "The Queen who Crowns - Before Sunrise" are a kind of prequel. They begin with the end of Goryeo. It is about our two protagonists meeting and falling in love, starting to dreaming their common dream of a 'better world'... and ultimately materializing it.
This may be well-intentioned, but the dramatic quality unfortunately drops somewhat compared to episodes 1-12. It almost seems as if this was a spontaneous decision in the course of events. Somehow it was done half-heartedly only (possibly under time pressure?). Nevertheless, some striking key scenes, referred to in 1-12, are delivered here, which is nice, though.
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Witch's Romance was the light and fluffy romcom I hoped for!
At first, I read the synopsis of this drama and was unsure about it. It seemed like a plain story line, but the show was a clear example of why some shows do not need to have a over-the-top plot to be outstanding! The first episode automatically drew me in.
In regards to characters: To be honest, I did not mind the age difference between the characters because I have seen some noona dramas/movies in the past, but I wondered if the characters would have good chemistry. Thankfully, the leads had fantastic chemistry which had me coming back for a new episode each time! Not only did the leads get me hooked on the series, but the other characters got me hooked as well. There were so many likable characters in this show and many of them were well developed; it was definitely hard to hate them! The acting was also great, I am surprised many of these actors have not done many major roles yet! The humor was another great component of this show as well. Literally, I would laugh out loud every episode (sorry to my family for this reason! haha!)!
The music in this show was pretty great. The main male lead (Yoon Dong Ha or Park Seo Joon in real life) actually sang a song for the Ost and I was honestly amazed when I realized it. Great actor and singer? Jackpot. As well, the other songs were also catchy and suited the show. The music is something I would actually listen outside of the show. As for rewatch value: I would for sure rewatch it, although I dont usually rewatch shows. I will definitely be recommending this to anyone who asks for drama suggestions.
10/10, Give it a try!
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Half-Cooked, Dont Eat
A hard pass, unless someone buys you dinner to watch it. The plot synopsis here in MDL is a little bit different from the actual story, in the series Yu Dam has lived for 300 years and Dong Baek was in fact a man in his first iteration. And no, they dont die, only Dong Baek is bound to die.The format for Korean BLs are just too short to be properly appreciated. I just dont understand why they cant just increase the episode runtime to better tell the story.
There is an ambitious premise hidden somewhere. It is a fantasy romance and yes, they were trying to do something different from other BL by telling a unique love story that spans hundred of years. It reminded me of another Korean BL "First Love Again". However, just like that series, this story looks good on paper but has failed in execution. What we got are 10 16-minute episodes that spends the first 2 and a half minute recapping and showing the opening credits and another minute and a half end credits. The problem is there is just not enough story in the 12 minute remaining time for me to chew upon. There wasnt enough to savour the characters, it wasnt even enough to taste their chemistry.
The title says The Director Who Buys Me Dinner, but after the first 2 episodes the dinner between Director Min Yu Dam and Soel Dong Baek stopped. I would have loved to see it every episode like some sort of closing credit.
The fantasy side also wasnt fully explained, there wasnt any proper explanation about how the curse happened, or how the director lived for hundreds of years? Do we even really consider living a long life a curse? Did he meet any previous Dong Baek aside from the first and the current one? Who was that who possessed Dong Baek? Was the curse lifted by the end of the story or if he is still aware that he is or was immortal? Did he just suddenly also forget about his long life? What happens to Dong Baek at the end?
Also, whats the point of the Denis character?
What's sad is you can actually see the making of a good series under all the ingredients they were trying to shove in your mouth. If they just spent a little more time baking the story, and maybe just adding a little more sugary sweetness it would have been great.
I used to like short series but after a few duds i am starting to hate the format. It is very evident that in this series , the short runtime worked against their favor. Open ended stories are good way to end stories but here it just felt lazy.
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I will start with the leads, who are of course major, and a great match. Lee Min Ho and Jun Ji Hyun are awesome to watch together. They look great, they play off of each other well, their chemistry was great at first, then just ok, but they still did not disappoint me. The supporting cast was also great! Heo Joon Jae's partners in crime were a great non traditional bromance. I loved Shim Chung's random friends as well, especially cute but wise Seo Yoon Ah (played by the impressive young actress Shin Rin Ah from "Marriage Contract"). It even had some good villains (which I won't spoil), and an awesome cameo (that was a really nice surprise). So, why didn't i love this show as much as I should have? The plot is very VERY mediocre.
The concept is great, especially in the beginning. It's The Little Mermaid, mixed with Splash, with some thriller elements thrown in. Legend is mainly a romance, but there are some action thriller moments, and there is definitely comedy too. The story, I think, tried to do too much and became more convoluted, and less interesting. There are flashes into the past that are meant to make me care more about the plot, but I just became annoyed because to me it was all so predictable, and repetitive. I wasn't exactly bored by the plot however. I still enjoyed watching because the cast made it entertaining, but the story just felt like it was dragging along at times. Eventually the mystery thriller story resolved, and what aimed to be an emotional love story didn't make me tear up once. Suddenly all that great chemistry turned into two stars doing what's expected, and was more flirting than substance, and tears without emotion.It did have a decent final episode to tie up the loose ends, which i appreciated, but didn't love.
What about the soundtrack? It was too cheesy and literal for me. I'd rather have the music be good, or forgetful, but this OST was a little distracting.
Overall this is a decent romance, with a cool mermaid twist. It reminded me of "My Girlfriend is a Gumiho", and if really you like that drama you may see some parallels too, and at least be entertained. I did love the mermaid look, and its definitely worth mentioning that the mermaid scenes look really cool. So if you are in the mood for a fairytale style romance, I think this is worth watching, but it's probably not one you will stay up all night marathoning through. Honestly, I will probably forget this drama after a while (the only way I would rewatch this), and 20 episodes were too long, but I am still glad I watched.
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The story is just a big WTF! to me, really... and it doesn't always make sense. But incredibly it is still a catchy story lol, this is what BOF is, it somehow hooks you up, but deep inside of you, you know that what you're watching is not good at all.
The acting is just BLEH! although I love Lee Min Ho and now is one of my favorite actors, in BOF he wasn't as good as he is now... it wasn't a terrible acting but it wasn't a good one either... Same for Koo Hye Sun, she's good at dramatic scenes and crying and suffering but she lacks emotion in other scenes like kisses or funny moments and etc...
F4: oh boy! the eyecandy in this story has a 10/10 these four Asian boys doing whatever they want with your feelings and looking hot while they're destroying your heart haha it's just asdfghjk...
And probably what makes this drama a "must see" and a famous one is Yoon Ji Hoo (Kim Hyun Joong) BOF probably has the worst and saddest second lead syndrome ever! REALLY... even if you don't ship JanDi with JiHoo the drama still makes you feel terribly sad about JiHoo's life (a terrible and lonely one) omg! my heart still aches when I remember...
Despite of all that BOF is a very rewatchable story... if you want to cheer up, or cry like crazy or just remember or see hot Asian boys gathered in one drama, just go to BOF. :)
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