Shameless exploitation of BL audience to promote a music career.
It's a good thing Pete can sing, because if he had to fall back on his acting skills he'd starve to death. He doesn't really act at all. He does appear to have memorized his lines, though, so there's that. Tonliew is adorable as Yoshi, and that's largely why I stayed with this.The plot is stock - a standoffish star ends up as the temporary charge of our main character, who has to navigate his star through a maze of ill-wishers including the usual malicious ladyboy, which is becoming such an offensive stereotype that I'm going to start boycotting series with characters like this, and also a cartoonishly evil rival actor - you may not be able to spot him. (Hint: he's the one wearing all black at a Thai beach resort).
I can't recommend this, but it's so short that it won't hurt you to watch it.
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ATTENTION: THIS POST CONTAINS SPOILERS!
ATTENTION: THIS POST CONTAINS SPOILERS!Please do not read if you don’t want to be spoiled!!!
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A simple but effective drama: a murder, a suspect, and a solid story. On the other hand, we have a woman with a very special ability she can detect lies (which would be really useful for us in real life too lol).
Overall, I thought the story was well developed: from their first meeting on the bus, to him becoming her neighbor, the discovery of his identity, the moment she finds out he’s been accused of murder, and how lost she feels because of it. Then the way the story unfolds you’re genuinely surprised by who actually caused the tragedy, even if it’s a bit predictable. From the very beginning, without knowing the plot, I suspected her friend was the culprit. Still, the story stays really cool.The acting is good overall. Not surprising coming from the actress she always delivers. I didn’t know the actor before, so he was a pleasant discovery.
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The story is twisted. In my opinion. If you ask why, it doesn't follow a single plot. It gets very complicated. They've taken all the characters from the martial arts world. There are fight scenes with all of them. They're all presented separately, and they've united to form the Power Gang. This gang is initially portrayed as evil, but later we see that it's a very good gang. It works for the national good. So, can such a gang even exist? At least not a gang. He also poisons the men he employs. If he doesn't give them the pills, they die. He keeps his men under his control. So, you figure out the rest.
The real important thing is the relationships between the four siblings. The eldest brother is the heir, the second brother is neutral, the third brother is the daughter and stepbrother, but they're harmonious and affectionate, and they also have a medical background. The fourth character is the most intelligent and beloved. He's his mother's favorite. His father's secret favorite. His father and mother are murdered. This is how the conflict begins.
Now, the dominant character is the older brother; he takes responsibility, saying he knows everything and can do it. He's uncompromising and very narrow-minded, a naive character who can be easily deceived and convinced. He's a very honest person, but he can't stand anyone putting him in his place. The second brother constantly flatters him and says he's on his side. The female character tries to find a middle ground. The younger brother says he'll do it. He says, "Trust me." They don't listen to him, especially the older brother. They act like they're the younger ones, "How can we trust him?"
I tried to establish the characters here. To me, the second son seems implacable, naive, uninformed, and uncouth, far inferior to his brother in martial arts, yet uncertain in comparison. That's what we're shown. However, later, this character transforms into someone who rules the country. I didn't think it was appropriate for someone so naive, uninformed, uncouth, and ineffective in martial arts to be portrayed at this level. Let's say he took on certain things through a mask. Is he taking on the character as well? Is he taking on the mindset? While they're conveying martial arts, are they also conveying the mind? I didn't understand that. I couldn't make sense of it. There were many things I couldn't make sense of, but I'm saying it's clear.
Another issue I'm having trouble with is the Emperor poisoning the Power Gang Leader. Then he asks, "Where is this guy? Let's reward him. Call him. They say he's dead." He's surprised. I don't understand that at all. What's the point of meeting a man he poisoned himself with such shock and sadness? Did I misunderstand? I don't know. It was absurd. Why would the Emperor have his own country crushed and conquered? These were meaningless things. I couldn't understand those things at all. I couldn't grasp them. It didn't work.
Another incident involved the meaningless crowd around Cheng Yi, whom everyone agrees on. They don't contribute to the game. In other words, the casting choices were also flawed. I didn't like them. There could have been much better characters and actors suited to him. Some were simple, some were meaningless. We were torn between laughing and crying while watching. For me, the emotional scenes—the scenes of the mother and father's death, the brother's death, and the sister's death—were incredibly moving. Cheng Yi, with his red eyes, truly did justice to these scenes, crying. Some people wondered why he was crying, but even I was moved by the scenes. Beautifully shot, well-shot, good fight scenes, good production and direction. Good costumes. I liked it.
Cheng Yi carried the series single-handedly. Well done. A great performance. I found it successful. It makes you watch. I'm curious and looking forward to watching his next series. Why did Gulnezar Bextiyar, whom I found meaningless, appear in this series? She seemed to have no role. She was a meaningless character. This actress was unnecessary. I'm talking about Gulnezar. I wouldn't have played her. I liked Elenor Lee. A good performance. Xu Zen Xuan performed very well. Well done. Liu Meng Rui performed very well. Well done. I really liked Ding Xiao Ying. She suits the role very well. Well done. Johnny Zhang put in a lot of effort. He did justice to his role. Well done. Edward Zhang started badly but ended well. He made us feel the villain. He made us feel bad. Besides them, Xiao Yan, Ding Yong Dai, Hu Ke, Lu Yong, Zhang Yi Ge, and Julian Cheung were the actors who stood out to me. I was expecting a much better series. It didn't end well. Everyone died. Would I watch it again? No. Would I watch it if there was a sequel? Maybe.
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Cute!!
Loved it till 18th episode and then it felt like it was dragging on. Finished the last couple of episodes in 1.5x. The sibling dynamics were a treat to watch and the cast acted well. I just liked "When I Fly towards you" better because I was watching them parallelly and the general lack of misunderstanding and cliches in When I fly made it a better watch than Hidden Love. One thing that I did like about HL is that female lead was not a damsel in distress and could take a stand and not just for herself - but for the male lead as well. All the female characters written by this author are strong and know their mind - I truly appreciate the fact that these characters are unlike the naive/weak/gullible ones usually found in dramas,.Esta resenha foi útil para você?
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It was good at first, the story was interesting, a little exaggerated but good, but by the middle of it, they started coming and going, getting together then fighting for the silliest reasons... Also I waited the hole series to see the main female character live as who she is, with no make up or hiding, to see the contrast with her time as a "duck", but after she reveals herself in just 1 episode she decides to go back to hiding her real self cos her boyfriend is jealous... it's 2018!!! really are we still hiding our beauty cos a guy feels threaten? PATHETIC.
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D.O.A.
The flaws of “Now We Are Breaking Up” are so numerous and comprehensive that evaluating it feels more like issuing an autopsy report than a typical review. In the event any reader requires a synopsis, a successful fashion photographer (Jang Ki Yong’s Jae Guk) and a clothing designer (Song Hye Kyo’s Young Eun) romance each other while attempting to overcome the many obstacles that seek to disrupt their relationship. There’s more but it’s not necessary to delve into beyond that one sentence.If the production early on seemed to have one viable strength, it was the pairing of Kim Joo Heon’s PR firm CEO Do Hoon and Choi Hee Seo’s mercurial Chi Sook. That they were the most colorful personalities on this drama should be considered a scientifically proven fact. That they would wind up as the secondary romantic couple was obvious from early on. That the entertainment value would noticeably increase each time they were together on screen (for a while) was plain. And then once they were together, Do Hoon insisted that Chi Sook drink tea instead of wine. He declined any physical contact. He basically seemed bent on discontinuing anything she did for fun. The actors shouldn’t carry the blame here as both from the drop portrayed the characters as vibrant and warm. The writing, sadly, for this subplot was determined to take this drama’s most engaging characters and bleach them with a concentrated boredom solution.
Although it was never a prominent arc, one of the welcome diversions through the first half of its run was the antagonistic but flirty banter between Oh He Sun’s layabout rich boy Chi Hyung and Yura’s no-nonsense Hye Rin. The opposites attract relationship trope is popular because it’s like the equivalent of a layup in basketball - anyone with any basic skill can accomplish it. But after regular, albeit intermittent, screen time after Chi Hyung’s introduction for the next few episodes, this narrative essentially vanishes.
That’s not all the subplots though. Several episodes in, Young Eun’s father retires from his school principal position which then launches her mother’s seemingly long-planned scheme to pursue divorce and independence. It would seem that she long held a grudge for being left managing the household and felt unappreciated. How this manifested were scenes where the father would discover that daily tasks around the house were more difficult that he imagined, became angry, demanded help from the mother who would then mock his inability and refuse to help him. The entire storyline was unnecessary and meant less time for what might have been (hypothetically) more compelling viewing. It was made worse by repeating in near verbatim form the scene with one household activity after another - breakfast, cleaning, laundry, etc.
And there’s still another secondary storyline. Park Hyo Joo’s Mi Suk had been a runway model but her glory days are long behind her. Her husband is hitting on a younger woman at work. Her two best friends are living the glamorous single life. Her mother-in-law is a monster. And then she gets a terminal cancer diagnosis. What follows is one of the few times that “Now We Are Breaking Up” manages to connect a measurable sequence with consistent emotional resonance. She faces the grim diagnosis head on. She strengthens her friendships with Young Eun and Chi Sook. She shines as Jae Guk photographs her. And she makes an out-of-retirement victory lap appearance as a model. Had the storyline ended here, this would have been a solitary bright spot but instead, her character elects to befriend the husband’s admirer and recruit her as her replacement and it’s given an almost matter-of-fact treatment as if a terminally ill woman would ordinarily dismiss the anger and feelings of betrayal to reach out to her husband’s mistress with friendly gestures. It’s such an exotically bizarre turn to take that even the would-be-mistress is flummoxed by the sequence. But does any party take notice of the obvious madly waving red flag? Nope.
As for the primary arc of the romance between Young Eun and Jae Guk, it earns a place on the podium of most bland and passionless couples to see the screen in recent memory. Jae Guk is primarily a one dimensional character except for the rare scene where he is actively working as a photographer. His conversations with friends, family and, in particular, with Young Eun are a cycle of lifeless expressions, monotone delivery and rehashed subject matter. The central conflict propped up against our romance is that Jae Guk’s older brother, now deceased, had a relationship with Young Eun while engaged to another woman. It is somewhat of a provincial, old-fashioned conflict which doesn’t translate particularly well to an audience that isn’t always steeped in longstanding Korean cultural norms. Still, even if it was a compelling dilemma for Jae Guk, the exposition of it by interactions with his adoptive mother (Cha Hwa Yeon’s wealthy socialite Hye Ok) and his brother’s ex-fiancee (Yoon Jung Hee’s department store exec Yoo Jung) should be filled with unrestrained emotional outbursts of anger, resentment, jealousy, blame and grief. Instead, it’s three characters, each of them in an endlessly mechanical and mundane manner, sleepwalking through generic dialogue.
Relatively more positive thanks to a steady diet of work crises, Young Eun has some depth as a character, both individually and in her relationships with her friends, family and colleagues. The portrayal of Young Eun, disappointingly, is irrefutably bad. Song Hye Kyoo did not earn her A List Status by accident. She has a long and accomplished resume’. And she may not be a naturally dynamic actor, but her performance here is unrecognizable against her previous work. Whether Song Hye Kyo was following an editorial decision for Young Eun to be an expressionless automaton or she was left to her own devices to interpret the character in such a manner, it is a colossal bomb. The character has many admirable qualities - perseverance with her work and loyalty for her friends among others - but none of them connect to a viewer through Song Hye Kyo’s wooden performance. What would be a compelling drama (or documentary) is one that follows how Song Hye Kyo terminates her current representation and finds a new agency that can keep her away from an insufferable dud like this going forward.
“Now We Are Breaking Up” is a bad show; a really, really bad show with a long list of unnecessary subplots and superfluous characters, a bleak desert in place of a primary narrative and scant redeeming qualities of any kind to speak of. Anyone that was central to its creation should be considered potentially contagious with lousy judgment and possible cosmic-level curses and avoided at the longest distances possible.
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Cute story
I never write reviews and wasn't gonna write one but I saw a negative review so here's a positive one 😂here's my opinion on the drama:
The main leads acting are great and the supports acting were all good too and I think only like one of the support character had like not that good acting skills.
The main ost played only like 3 times, I think the song was like 喜欢上你 I'm not really sure i skipped the front and ending but the song 喜欢上你 is good.
The story is not that complicated, it's pretty simple and even though Main Guy Lead seemed like a 小奶狗, like weak and soft and stuff, he's actually not at all, everyone thinks he's dumb but man actually has like a bunch of degrees (idk i don't remember 😂), he's just smart aight :D Female Lead also gives you the impression that she's strong and has no weakness and is a queen and all but she actually has a backstory and a lot of weaknesses and needs protection 🥺 She knows how to deal with stuff herself but there are also parts where he helps her out 🥺 not like those girls who needs a hero to save at every minute dramas. He is also not weak like he can deal with his own stuff too. He's not that mature though and he trusts people too much which led to 😔 (watch the drama if you wanna know 😉) The second couple was super cute too and honestly all the characters fit in the drama very well like idk how to explain but :D This drama is indeed super business based but you can definitely see how much the two of them love each other 🥺 I actually really liked the business parts, even though it's sort of a bit dramatic, business people won't really get on that many hot searches. and yea that's it idk wut else to say 😂
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Uee and Lee Seo Jin took super cliché characters and made them feel real. I'm not a Uee fan, but I was super impressed. Her character goes through so much, and she nailed every moment. I think she's missing some of the charm that other actresses have, so she often comes across as too cold for me (even when she's being sweet), but she gave a very believable performance. Lee Seo Jin gave a great performance too, that proved he's more than just dimples. My only complaint is that some of his really big smiles looked more creepy than genuine. His tears however were extra heartbreaking. Watching their bittersweet relationship is the heart of this drama, and why it worked at all for me.
I admit that in the beginning I didn't like any of the characters. For the first few episodes no one was likable, not even the cute kid. Uee was the most sympathetic in the beginning, but she was also so pathetic that I was frustrated watching her. Then, around episode 4, things finally started to shift for me. Suddenly I was binge watching, barely able to stop myself from watching what happened next. Han Ji Hoon became more charming, Kang Hye Soo became more admirable, and their chemistry started to develop into something engaging. Shin Rin Ah as Eun Sung was also such a strong character that I think she deserves a main character status. She gave a performance that showed she was just as talented as her adult cast members. If she's that good now, I can only imagine how good she can be in the future,
The rest of the supporting cast was excellent as well, even really minor characters, except for one. Kim Young Pil was really bad, like REALLY bad. I almost removed a whole acting point for how bad he was. I'm not sure it was all his fault, because the character was written as being petty and ridiculous, but he just seemed too over the top and fake evil, even for a melodrama. Honestly, all of the characters are pretty one note, and don't have much depth, but the actors managed to insert depth into their performances. Like bad dad Kim Yong Gun, who was text book evil, but he was such a believably unbelievable character who's outrageous actions cured a lot of my boredom with the rest of the plot.
I think the writer is the problem for me. The plot is predictable, it's full of everything you've already seen in a drama. So many of the female characters seemed to be irrationally obsessed with men (husbands, exes, sons) that I often had a hard time empathizing with them. Some of the episodes felt repetitive. There were about five episodes where the literal plot was cry, plan to divorce, cry again. Some other episodes rely heavily on flashbacks, which was annoying. I became invested in the characters and their relationships, so I could never bring myself to stop watching, but I definitely had to push my way through to the end. It did pick up momentum again in the last episodes, and I did like the ending (though it was nothing original), but I just didn't fall in love with this drama the way others did.
This is similar to the problems I had with "Secret", which has the same writer. Weak characters, a predictable plot, skippable scenes, a pathetic lead character always in tears, dragging episodes...
I did like the direction, the same guy who directed "Kill Me, Heal Me". That, and the cast may be what made me like this drama much more than "Secret". My one complaint is that the blatant product placements were pretty hilarious.
I thought the music was not great either. Some of the music chosen seemed so out of place. I did appreciate that Ji Hoon's ringtone was mo' better blues, which gave some insight in how important music was to the character. Too bad they never incorporated a real musical storyline in the actual script.
That could have helped me understand why he struggled so much to join the company.
Would I watch this again? Only if I am feeling apathetic and want to cry my eyes out to prove I still have feelings.
Overall, I would only recommend this drama to fans of super sad melodramas like "49 Days" (which had too much cloud of impending doom for me), "Scent of a Woman" (which I loved, and had similar themes), or "Secret" (which proved to me I do have a melodrama limit). Romance fans will be able to appreciate the love story, and some of the family themes are heart warming, but this is a drama you have to buy a jumbo tissue box for and then just embrace the chronic eye wetness.
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Tedious
After not enjoying SITR (unlike everyone else in the world, apparently), I should have known better than to waste my time on this drama, considering it's the same writer, director, and main actor.I'll start with the good - there was nothing wrong with the acting, everyone played their part well, I enjoyed the interactions between the sisters, but I think that's as far as I can take the compliments.
STORY: Oh my gosh, there were so many unlikable characters! The ex-boyfriend, both sets of parents and yes, the female lead. Female lead - I think she was supposed to be this outspoken woman, but apparently that only came out with the male lead. With him she was bossy, demanding, cranky and immature ("It must be nice to be able to eat, you must not be bothered by this at all.") She spent almost EVERY episode meeting up with the nightmare of an ex-boyfriend. She was a weakling where he was concerned, even though she knew she didn't love him. Was she trying to be nice? I couldn't quite get it. The ex-boyfriend trying to get her to marry him went on until the next to the last episode. He was just creepy. Give it a rest! Seriously, she should have gotten a restraining order or something. And then there were the parents - I know that it's important to respect your elders, but when your elders don't have any respect for you and won't listen when you say you don't want to marry someone, there's something wrong. Each episode seemed to be just a rehash of the previous one. Should she pursue this new relationship? Should she give the ex another try? The male lead was smitten with the female lead because she came in for hangover medicine? Why these two liked each other was never made clear. Almost all of the conversations revolved around how they were going to manage, because everyone was against them. I realize that Korean mores are different than American, but they made the male lead out to be a terrible person because he had a son. Then when the female lead APOLOGIZED to her mother because she was involved with a man with a child, that really irritated me.
CHEMISTRY: Kisses. I didn't feel chemistry between the leads at all. There were a couple of technically good kisses, but again, I didn't sense chemistry.
COSTUMES: She was a librarian. Was it absolutely necessary to make her dress in such a dowdy way? The clothes and shoes she wore made her look so much older than she was.
OST: Three-four songs on repeat throughout the whole drama. The songs were in English for no discernible reason and they were very distracting.
REWATCH VALUE: Not on a dare!
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This drama was a mess, loved the cute little annimals and the fantasy theme but I had to grit my teeth and force myself through the whole thing. If you're a huge fan of the actors then maybe you'll enjoy it more but as for myself, I can't say I'd recommend this to anyone.
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It wasn't anything WOW and it wasn't anything Ew, it was a really good drama! just that!
The story for me was amazing^^. I love these kind of plots that have to do with Music.
The acting was pretty good, nothing is wrong with it, just some times maybe, they were overreacting with their facial expressions I think. but it wasn't bad. it wasn't done a lot. very few times.
The soundtracks were supreme! i loved every single OST , especially "I am OK" which was kinda the "main" ost from what I understood!
The rewatch value goes to Zero, cause I only find dramas rewatchable when they got some kind of action inside, Well this drama of course doesn't have action xD. so I find it pointless to rewatch it.
Maybe some of you may thing that my score is "TOO GOOD" but, I don't find anything weird with the drama. That's why, and its all personal preferences of course so #peace!
Reasons i watched this? Hyped with the Gfriend Cover at the beginning xD.
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Se a vida te der tangerinas
Eu não tenho palavras pra descrever todos os sentimentos que tive ao ver esse kdrama. Eu sabia desde o primeiro trailer que ele iria me conquistar profundamente. As produções asiáticas sobre a vida tendem a ser as mais marcantes.O que me deixa mais feliz é saber que o alcance desse kdrama foi absurdo. Não acho que outra produção em 2025 consiga fazer o que fizeram em Se a Vida Te Der Tangerinas. Lembro que quando saiu o pôster, a sinopse e até o trailer, muitos disseram que não iam assistir porque achavam o casal sem graça ou a história muito simples.
Pensei que esse ia ser daqueles meus doramas confortos com mais 5 fãs, já que realmente as produções originais da netflix que mais estouram a bolha são comédias românticas bobinhas, com exceção de round 6. Mas aí tive uma linda surpresa ao ver o quanto o streaming acertou nos 4 atos e essa história cativou um público maior.
Primeiramente, que elenco incrível. Desde a escolha dos mais novos até os adultos. A essência da Aesun e do Gwansik não se perdeu em nenhuma estação do ano e muito menos nas diferentes épocas. É lindo e raro ver o crescimento de personagens diante dos seus olhos. Geralmente é estranho ver a troca de atores - senti isso, por exemplo, em reply 1988 com a versão adulta dos protagonistas sendo completamente nada a ver com eles mais jovens - mas no kdrama das tangerinas os atores principais apenas se tornaram mais maduros, mas o olhar, o jeito de falar, entre tantos outros detalhes permaneceram ali.
A escolha da IU para ser a Aesun e também a sua filha foi um dos tantos acertos nesse dorama. Mesmo sendo interpretada pela mesma pessoa e possuindo semelhanças hereditárias na genialidade, você conseguia sentir a diferença entre as duas. Principalmente pela questão geracional, pela criação e por se tratarem realmente de indivíduos diferentes.
Um dorama sobre a vida que mostrou a camada de como pais e filhos são parecidos e diferentes ao mesmo tempo. A realidade escancarada de uma família pobre que quer sempre o melhor pros seus filhos.
Vi na Aesun a minha mãe e a minha avó. Pensei nelas porque a Aesun é o retrato de todas as mães que um dia foram filhas, órfãs e mães. O detalhe mais lindo do processo de desenvolvimento do enredo foi mostrar que o tempo todo era sobre a Aesun. A história que estava sendo contada, as dificuldades, as perdas, os diálogos, às mudanças de estação, todas tinham uma protagonista em destaque: Aesun.
Foi emocionante acompanhar a jornada dessa mulher, mais lindo ainda ver a relação que ela tinha com a mãe e o papel que ela desempenhou pelo bem dos filhos e o fato de ter sido a frente do seu tempo, mas que, infelizmente pela realidade vivida não pôde alcançar vôos mais altos enquanto ainda era jovem e queria muito isso. Mas ainda com as limitações de ser pobre e de ser mulher, a Aesun nunca perdeu a sua essência, nunca parou de sorrir e também nunca ficou parada no mesmo lugar. Ela foi tudo o que podia ser.
E que marido é esse? O Gwansik não era apenas um green flag, ele era aquele campo de flores inteiro. Aquele campo bonito em Jeju onde dois jovens partilharam seus sentimentos de maneira tão apaixonada e emotiva. Eu amei demais o Gwansik e o ótimo marido que ele foi pra Aesun, e o pai batalhador pros seus filhos. Firme e forte, o coração de ferro. Mas que ainda assim, era gentil e sensível, mais derretido que uma manteiga e um doce de pessoa.
Se a Vida Te Der Tangerinas entrou para o meu top 3 de doramas favoritos da vida, foi lindo e emocionante acompanhar todas as estações.
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As I write this I have tears. This is one of the best dramas that I have seen in a long time. The writer and director somehow drew me in and I began an emotional roller coaster ride. I think they bring to light that most people force their selves through life. Sometimes we forget that the most important part of life are the lovely moments with our families and friends. The characters may seem like ordinary people living ordinary lives, but there are so many layers to each of these characters. The story has an extra marital affair, corporate intrigue, child neglect and some violence. here is plenty of suspenseful moments, heartbreaking realizations, and pleasant surprises. I am particularly impressed by the well written character, Park Dong Hoon. All of the extra characters are also very much needed to make this story complete. Some people may think that this drama is slow, but it totally works that way. I can't explain why the characters of this drama touched me, but I cried and laughed and stared blankly.
I like it that Lee Sun Kyun plays Park Dong Hoon with strength and conviction. I had honestly forgotten about this actor since Coffee Prince. He was made for this role. At first I admit I wasn't sure what the big deal was about these brothers, but each episode shows more depth of character until I was totally engrossed in their lives. People talk smack about idol actors and also say that she didn't have to do much talking or acting. To that I say you are so wrong. IU had a quiet strength that was palpable as Lee Ji An. I didn't know what to think of Ji An at first, but I felt sympathy for her and wanted her to succeed no matter what. The other actors are good also.
The music is good.
I may rewatch this sometime.
No matter what genre you usually prefer, I recommend that you watch this drama.
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THIS SUCK
First of all, you have to know that what is being replaced is not one or two things, but everything.1. The weapon is changed with unreasonaable reason, they didnt know gun doesnt work on the monster? Please they shown JIHYE with GUN, JIHYE is YJH student, and YJH is a REGRESOR HE IS SUPPOSED TO KNOW!!!
2. Bihyung looked like a damn labubu in the worst way possible, he looks ugly, the dokkaebi is bad looking making my stomach churn.
3. Sangah being basic healer like thats not Seolhwa job. Sangah literally a fighter, a killer, she kills the enemy with the strings they said she used them to heal? What bs.
4. Dokja being a Hero. His ass is not a Hero for the world, his reason is to see the epilog of twsa, the reason he is still living.
5. Dokjas dad is not abusve. What is the point of changing that? Why would they change that?
6. Dokja does not hate his mom. Why change this too? He is the MC yet his character getting chopped so much.
7. Apparently Heewon is the protagonist of twsa. Come on now, Heewon doesnt exist on twsa why would she be the protagonist? What is YJH then?
8. Dokja hates twsa. This is so bad, twsa the reason he is still alive....why would he hates the novel he has read for Ten years...
9. Tl123(?) the author, Sooyoung(?) tells kdj to write the novel himself. She write the novel for kdj why would she say that?
10. The cgi is shit, theater kids could make better movie that this director.
This is the worst adaptation ever.
Maybe because this is more like taking inspiration but scared of being told plagiarism so they went ahead with calling it adaptation.
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Only for the Fans
Did not understand the hype. It looked like the main goal was to get every main character to kiss each other before the end of the series. While some characters were interesting (e.g. Sand, Ray, Boston), others were rather one-dimensional, bland and just didn't work for me (e.g. Mew, Top, Nick) aka there was nothing likeable or interesting. I truly do not understand what Mew's appeal is and the character Nick was annoyingly frustrating throughout the entire series (yes even until the end!).The only thing that kept it going for me was the development between Sand and Ray, with the exception of some parts towards the end where the story-line did not gel with the characters. If the idea was to make homosexual relationships seem toxic, promiscuous and hedonistic (selfish to a certain extent), then this drama has certainly achieved that.
The lack of good character design and a compelling story-line aside the choice of music was rather refreshing and the acting was actually pretty decent, which helped in getting through the series. I did feel that there was too much emphasis on the intimate/love scenes, and at some point it felt like a whole lot of fan service.
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