Reviews

Most people are not ready for this kind of kdrama, but I guess it's time

It is a very unique drama that really needs to be appreciated. It was a big step to produce a full-length drama tackling about different mental health disorders. This drama is very psych-heavy but I guess people need to be aware of these disorders too. They need proper treatment and not judgement. The story is a bit cliche but they really added a unique touch to it. Since this Psych-themed drama shows how their thoughts run in their minds, I love how they portray these thoughts using animation and exaggeration (for differentiation from reality). People with mental health disorders might not be able to distinguish reality from their imaginations, thoughts, or fantasies, but the people around them could. We should show them that we understand them and we care for them (Just like how Gang Tae does it). It's good that they get treatment. I just wish Mun Yeong will also get treated. I know her character will still develop so let's wait for it. However, we must not romanticize her inappropriate actions. She has anti-social personality disorder which makes her unable to distinguish between right and wrong. This must not be tolerated and Gang Tae is doing a great job correcting her. This is still ongoing but it already made us feel different emotions. It's good that people are becoming more aware of different mental health issues and the triggers that can be associated with it. Thank you, It's Okay To Not Be Okay :)

Music, animations, acting 100% Seo Yeji's voice? 101%!!

PS. I just hope TVN or Netflix will add trigger warnings. The content can be disturbing to some. Trigger warnings would really help.

UPDATE: IT WILL END SOON AND I DONT KNOW WHAT TO FEEL 😭😭 THE EMOTIONS ARE SO REAL I WANNA HUG THEM :(((

UPDATE: OH JUNG SE FOR BEST ACTOR PLS!!! He really did touch our hearts. I really love his character and how he portrayed it :((( ILY Sang-tae oppa!

Leia Mais

When it's so bad, that it's good...

Over the top, filled with cringe comedy and ridiculousness; this drama somehow made me go from shaking my head at its antics to thoroughly enjoying it in an endeared manner

First of all let's talk about the elephant in the room. I am not going to deny that this show is problematic. Even if we skip the fact that this 'family drama' is derived from a very ethically questionable adult webtoon and is bound to direct attention towards the source material, there are still many other things to frown upon.

In the very first episode, the FL (a highschooler) kisses the ML (an adult and a stranger) without his permission, then goes on to be very handsy with him throughout the show despite knowing that he has a girlfriend, beats up people left and right and well, basically does a lot of what your typical drama 'bad boys' usually do. (It's inappropriate behavior regardless of the gender.)

Then, in a very ignorant fashion, for comedic purposes the drama introduces a supporting character (ML's best friend) that has angered the international community for culture appropriation and rightfully so. Korean dramas have never been known to handle sensitive topics 'sensitively' and should know to stay away from them which Backstreet Rookie clearly does not do. It helps that he has reduced screen-time as episodes progress and that the fast forward button comes in particularly handy for his scenes.

So if these things make you shy away from the drama then it's completely understandable and you should do you.

But now for those who were able to walk past the controversy: The thing is while being ignorant, the drama clearly is not malicious. It's pretty obvious that they are just trying way too hard to be funny and sometimes it strikes true and you're left in fits of laughter and other times it doesn't and the result is just embarrassing.

Soon we realize that the FL; a young girl who doesn't have it easy, who lost her father too early, who has been raising her sister alone is quite a lost child inside. She is aggressive at first in her persuit for the ML (who is the only one who seemed to give a shit about her) but soon she becomes more mature and thoughtful. She is strong, stands up for herself and those she cares for and loves fiercely. After you get through the first episodes, she becomes an increasingly likable heroine and you can't help but root for her.

This role doesn't do anything for Ji Chang Wook as an actor. His character is not the typical male lead and not very attractive. He is a pushover, a 30 year old man who lives with his parents, doesn't have a lot of self respect, let's people run over him and despite his good looks, he doesn't do much in the beginning. However, soon you see his strong sense of justice, his love for his own family and the fact that he is literally an actual good human being and so you warm up to him.

The acting is great across the board. The main couple looks so good together (the romance follows with both of them being legal adults) with great chemistry. The OST is stunning and the cringe comedic camera effects during action scenes also grow on you after a while.

The best thing about it, is that even though it's very obviously in your face slapstick, the drama comes with these surprisingly heart warming and emotional moments that sneak up on you and hit you in the feels.

Also, since it is by the same creators as The Fiery Priest, it has A LOT of drama references that are absolutely gold and leave you roaring with laughter.

Overall, it's a light hearted romantic comedy, that doesn't take itself seriously.

So I'd say if you tried the show and couldn't get past the objectionable material, that's perfectly fine but if you are one those who want to watch this show and are hesitating just because of the negativity surrounding it, I suggest you give it a try and let the drama make its case first.

Enjoy!

Leia Mais

In the Name of the People is one of those rare dramas that sounds off-putting in concept, but absolutely nailed the execution. A state-backed modern drama focused on the government's anti-corruption policies was definitely not the show that I would have expected to score monster ratings and captivate audiences of all ages (including the very cynical younger generation), but the show is a testament to how far production and scriptwriting has come in China.

If you asked me to describe this show simply, I would probably liken it to a modern version of Nirvana In Fire, which sounds kind of ridiculous since the contents are so different. While the political intrigue is an integral part of both shows, neither forgets to insert some heart and some solid storytelling to weave its magic - and of course, both shows count on some amazing performances from a largely veteran cast.

Story:

The premise of this show is pretty simple - it's about exposing corrupt government officials, and the twisted web that they weave in a fictional city (and province) in modern China. (FYI - in recent years, with the rise of the new GS, the government's been really cracking down on corruption, especially within government officials, which is why they were okay with turning the novel into a drama).

While Prosecutor Hou Liang Ping is technically the main character, this is really a story about many different people, and how their lives are tied together. The main focus, of course, is telling the politics in a modern Chinese city works, and the scriptwriter does a phenomenal job of outlining many of the problems in Chinese society today without making it too black and white. Because too often, there isn't a clear cut answer, but just acknowledging and highlighting the issue is a major win for citizens.

In this same vein, the characters, even the ones who are exposed to be corrupt, are portrayed in an ambiguous light (and I mean that in the best way). One of the biggest issues with a lot of the shows about political intrigue is that the show is too eager to cast judgement on a character for the audience, but here, you can use your own judgement to decide what you think of a character and his or her actions. Almost all the characters are portrayed in a fairly complete light - so you'll have the full picture of what kind of person they are, what they have done, and why they have done it.

The pace is phenomenal - the first few episodes will leave you absolutely reeling as you're thrown right into a case that opens up the rest of the story - but then it slows down to allow us to catch our breath and to learn a little bit more about the situation and the characters. I think there were some unnecessary scenes, but there was obviously a big attempt to balance the dark and heavy with some light, slice of life moments, and I really did enjoy peeking into the lives of the characters.

Beware - there's a lot of low key and high key propaganda in here - I mean, it is a state-backed show - so it might be a little disconcerting if you aren't used to it, but I didn't find that it took too much away from the story, which was mostly very well thought out, as layers are unpeeled and you learn more and more about just how tangled the web really is.

Acting/Cast:

This show featured probably one of the phenomenal casts in recent history, with a slew of talented, well known veteran actors, who took the roles and absolutely made it their own. In particular, Wu Gang and Zhang Zhi Jian, as opposing politicians, gave amazing performances that gave their characters, who were already interesting, even more depth. Hats off to the other established actors as well (there's too many to name, honestly), in particular Hou Yong, who is probably the reason why a lot of people kept watching the show, as he guest starred in the first couple of episodes as a small town politician and gave an absolutely electrifying performance, and Bai Zhi Di as the elderly retired Chen Yan Shi, who was a cynical and jaded ex-prosecutor and totally reminded me of my own grandfather.

I also loved Ding Hai Feng as the playful police commissioner and Ke Lan, who was a smart, sassy, and hilarious female prosecutor - the two of them often stole the scenes that they were in. If someone ever wants to do a spinoff based on these two, I'm definitely in.

Zhang Feng Yi, who I love, was sadly wasted in his role - he did what he could with it, but it really wasn't an interesting character since Sha Rui Jin was probably the most straight laced character in the entire show (aka boring). He is such a talented actor and I really wanted to see him in a more riveting role.

Lu Yi has received a lot of criticism for his acting, some of which is valid, but a lot of it is a bit unfair given how talented his costars are. Lu Yi does more idol dramas than anything else - I mean, he's not going to be amazing. He was fine - not great, not bad - but serviceable. And considering his character really was just meant to be a foil to some of the other characters so there really wasn't much depth there, he didn't need to be amazing.

Ensemble casts are the best when everyone's performances are elevated, and that's how I felt here.

Overall:

I think you have to have some context of what modern Chinese society looks like to be able to really enjoy this show - even though a lot of the main characters are politicians, there's a relatability factor to it that really strikes a chord with the audience as the show touches on various social issues. I am pleasantly surprised by how much I enjoyed this show to the point where I'm still discussing it with my parents. For those who dismiss this show as pure propaganda, I feel that's a bit unfair to a well thought out, well acted drama that does have a lot of fantastic social and political commentary. I would definitely recommend it!

Leia Mais

A Love Forged On The Edge Of Hatred, Tempered By Silence And Pain

"Feud", also known as "Lin Jiang Xian" (Lament of the River Immortal), presents itself as a xianxia drama rooted in misunderstanding, but beneath its surface lies a haunting, layered tale of how grief can blur the line between love and hatred.

At the heart of the story is the tragic bond between Hua Ruyue and Bai Jiusi: two souls once intertwined by fate, only to be torn apart by pain and betrayal. Their relationship, rich with longing and unresolved devotion, forms the emotional backbone of the drama. Their journey was never about romance, but of healing — a reflection of how love, when wounded deeply, can either wither into ruin or be transformed into redemption.

STORYLINE ₊ ⊹❀
The drama opens with a deceptively lighthearted tone, focusing on the fairytale-like romance between Li Qingyue and Bai Jiusi. Their sweet, almost innocent dynamic hints at a familiar setup. At first glance, it feels like a typical love story within a xianxia setting, and yet, something about it feels quietly off. There were no backstories offered, no clear exposition given, especially regarding the main leads. This deliberate withholding of context created a sense of mystery which piqued at my interest. I thought this choice of narrative is one of the drama's strength because as the story progresses, it unravels into something far more tragic and complex.

After the illusion of simplicity fades with the revelation of Li Qingyue's true identity as Hua Ruyue, the tone of the drama takes a dramatic and somber turn. Her reemergence is not merely just a shocking twist, but a pivotal moment that reframes everything that came before. What once appeared to be the beginning of their love is actually just a continuation of a deeply fractured bond. For me, this arc marks the start of their true story, it is what made the drama more emotionally engaging and narratively unique. Each revelation drew me deeper into their twisted entanglement.

The transition from the first half to the second half of the story was seamless —it felt organic rather than jarring. The pacing struck the right balance, and the nonlinear structure of storytelling, through the use of flashbacks, added richness and layers to the characters and their relationship. What stood out most during this part was how the drama avoided a simplistic narrative of right and wrong. Instead, it carved out a space for both Hua Ruyue and Bia Jiusi to exist as flawed, grieving individuals — not heroes or villains, but as two souls shaped by their heartbreak and longing. The moral ambiguity embedded in their contrasting ideologies became the lens through which their pain and conflict were explored. I appreciated how the drama didn't ask to choose sides, it rather asked to understand.

Furthermore, the side characters weren't merely added as background figures, each of them carried enough weight and nuance to feel real rather than one-dimensional. Fan Linger wasn't confined to the typical trope of an annoying second female lead ; her arc became one of self-love and growth. The Jingyuan Sect deviated from the usual portrayal of a hypocritical or power-hungry factions in xianxia dramas. Even Xiao Jingshan, who walked the darker path wasn't portrayed as inherently evil but as someone affected by the weight of his pain. While the romance wasn't the central focus of the drama, the chemistry between the main leads was palpable, and the few moments of affection and tenderness they shared felt both authentic and heart fluttering.

The drama's conclusion wasn't a conventional happy ending, but one far more meaningful and symbolic. It didn't erase the suffering and tragedy Bai Jiusi and Hua Ruyue endured, instead it illuminated their long emotional journey towards healing. It was deeply moving to witness each character learn to let go of their hatred, resentment, attachments, and obsession. In the end, it wasn't about neat resolutions, but about choosing peace after pain, and choosing love even in the aftermath of loss.

The CGI in the drama wasn't anything groundbreaking, it was more in line with what you'd expect from older xianxia productions but it did serve its purpose. The cinematography, on the other hand, was visually pleasing and managed to capture the tone of the story well. As for the costume designs, what particularly stood out for me was for the main leads. I especially adored the intricate details in Hua Ruyue's hair pieces, and the soft, elegant color tones of Bai Jiusi's hanfu which suited him perfectly. I only found one aspect lacking, it was the sound effects. At times, they were overpowering the dialogue in certain scenes. Also, the comedic sound cues felt misplaced and distracting, like the glass shattering sounds.

CHARACTERS & ACTING ₊ ⊹❀
Bai Lu as Hua Ruyue | Li Qingyue
Hua Ru Yue is the most compassionate immortal god to exist. From the moment she first opened her eyes to the world, her heart was already soft. Despite her divine status, she never turned a blind eye to mortals suffering. She saw their pain, recognized their worth, and treated them not as lesser beings, but as lives equally deserving of dignity and care. Beneath her gentle spirit, lies an unshakable will. Hua Ruyue doesn't confine herself to the rigid laws of heaven, nor does she flinch at the face of fate. She is strong minded and unyielding, she follows her own truth even when the cost is great.

Meeting Meng Chi, a mortal whom she saved, marked the beginning of Hua Ruyue’s fated entanglement with cause and effect. His life was like a mirror — one that reflected the eternal divide between immortals and mortals. Birth, aging, sickness, death… the joys and sorrows of mortal life pass like fleeting shadows in the eyes of gods. But in an instant, Hua Ruyue came to understand the weight of those fleeting moments. She saw how "love" — that fragile, flickering flame, is what mortals cling to even when knowing they are destined to fade. And in that, she realized how divine power means nothing if it’s only used to look down with pity. Its true meaning lies in the courage to share in the pain of all living beings.

Though Meng Chi's life was brief, his impact on Hua Ruyue was profound. She came to see that if immortals are eternal but unfeeling, then they are no different from stone. Mortals may be fragile, but their suffering, born of love and foolish hope, weighs heavier than the sky. Hua Ruyue’s sword did not only slay the drought dragon — it shattered the cold, unyielding rules of the heavenly realm. For only by loving the fleeting can one become unafraid of the impermanence of life.

But even the kindest hearts can break. Hua Ruyue’s descent into hatred was never born of malice, but from heartbreak. A grief so vast, it devoured her light and twisted her love into vengeance. Losing her child, Shi An, was a wound deeper than any suffering she endured afterward. Her hatred towards Bai Jiusi blinded her to the truth, but before she was an immortal god Siling, she was a grieving mother. Hua Ruyue was trapped between the thin line of love and hatred, and though her anger burned fiercely, it was clear she still only loved Bai Jiusi. Each time she tried to kill him, she wasn't afraid to die along with him, because deep down, that love never left. And if proof was ever needed, it lies in Li Qingyue. Although she wasn't real, she was still Hua Ruyue, a part of her untouched by time, pain, and betrayal. How can someone who has endured so much still carry a version of herself so loving, so pure, so tender? That alone speaks of a heart that never fully closed — of a love that, no matter how scarred, still quietly endured.

Hua Ruyue was able to let go of her hatred through the quiet acceptance. It was the time artifact which Xiao Jingshan gave her that allowed her this final journey. She wasn't returning to the past to alter the future or reverse her pain. Instead, she was rewriting it as an act of healing, a way of finding peace within herself. This time, she chose to reunite with Bai Jiusi once more, not as someone who is broken by grief, but as someone who had lived through it, carried its weight, and slowly learned to lay it down. She approached him no longer as a mother ravaged by loss, but as Hua Ruyue, a woman who had loved deeply, suffered greatly, and finally made peace with both.

Hua Ruyue is now undoubtedly one of my most favorite character that Bai Lu had portrayed. She didn't disappoint. She delivered a performance that was both powerful and deeply moving. I have always admired her talent, especially in angsty and emotionally charged scenes, yet she still managed to surprise me with her stellar performance here, particularly during the revelation of Hua Ruyue's suffering in the mortal realm. Those scenes were gut-wrenching, it reminded me of the same emotional devastation I felt when watching her in One and Only. This truly stands out as one of her finest performances to have ever come around. Although, it is a pity that she didn't dub the character herself, her raw acting carried every scene with grace and intensity.

Zeng Shunxi as Bai Jiusi
Bai Jiusi is the opposite of Hua Ruyue. He is bound by the laws of heaven and carried the immense burden of guarding the infinite steel. He had a great sense of responsibility and never wavered from his duty, he was someone more restrained. Unlike Hua Ruyue, he doesn't resist the wheel of fate but accepts it. This wasn’t because he lacked the courage to fight, but because he believes in a natural cycle governed by karma and heaven's order. But that acceptance came at a cost.

Beneath his composed exterior lies a soul full of ache. He loved Hua Ruyue deeply, yet he never once voiced it aloud. Instead, his love was reflected in the way he remained steady, like still water, quietly enduring the storm of her resentment. Every part of him belonged to her. That love never wavered— not even when he lost his memories, not even when his soul was shattered. Even his sword remembered only the love he bore for Hua Ruyue.

Bai Jiusi's tragedy is that of a man who loved too deeply but spoke too little. He often chose restraint over expression as a way to protect others. But in doing so, he unknowingly built a wall between himself and Hua Ruyue. His passivity, though rooted in care, became the very force that allowed distance and misunderstanding to take root. He was not without flaws. Every time he withheld his truth, every time he let the moment pass without reaching for her, the space between them grew. His understanding became a substitute for confrontation, and in trying not to hurt her, he ended up letting her hurt alone. The weight of things unsaid, pain endured quietly and love never spoken became the very ache that defined their bond. In the end, his greatest flaw wasn’t a lack of love, but the silence that cloaked it.

After he learned the truth of Hua Ruyue's suffering and his unintentional role in Shi An's death, he became consumed by overwhelming guilt. That realization shattered what little composure he had left, however, he didn't try to justify himself. His redemption came in the form of self-erasure — allowing Hua Ruyue to strike him down if it could ease even a fraction of her grief. And even in death or near-death, his love remained resolute, never tainted by bitterness or resentment. He let himself become the villain in her story because he believed her pain mattered more than clearing his name.

Yet, his ultimate redemption was not in dying, but in surviving long enough to be there when Hua Ruyue finally let go of her hatred. He was still there, quietly enduring, when she returned from the past having found her peace. And that quiet reunion, free of drama or grand declarations, was his final offering. His love was the kind that asked for nothing in return, a love that didn't seek to be seen, but only to remain.

Zeng Shunxi's performance is remarkable considering this is his first time starring in a xianxia genre drama. His portrayal of Bai Jiusi's inner turmoil and quiet devotion with subtlety spoke volumes of his emotions even in silence. The expression in his eyes which often held more sorrow than words could express added depth to his character. He absolutely also gave an impactful and memorable performance with his heavier scenes. I am looking forward to see him act in this genre again.

OSTs ₊ ⊹❀
The drama didn't have any powerhouse OSTs and the rest of the songs used were not that memorable. The only two songs which I really ended up loving were the ones sang by Bai Lu and Joseph, both these songs had lyrics that matched with the story and characters too.

OVERALL IMPRESSION ₊ ⊹❀
Feud is a compelling tale that goes beyond romance and traditional xianxia. It explores the fragility of love, the devastation of grief, and the moral ambiguity of choice. With its rich character depth, emotional storytelling, and quiet reflections on healing and forgiveness, it's a drama that lingers, not because of how dramatic it is, but because of how deeply it makes you feel. This drama was worth every emotion it pulled from me. I genuinely hope to see Bai Lu and Zeng Shunxi reunite in another project, as their chemistry and performances left a lasting impression.

FAVE SCENES ₊ ⊹❀
- Li Qingyue proposal to Bai Jiusi
- Fan Linger using her shadow to kill Li Qingyue
- Revelation of Li Qingyue being Hua Ruyue
- Sweet moments of Bai Jiusi and Hua Ruyue during the first time they descended to the mortal realm
- Hua Ruyue seeing Meng Chi's painting of her after he passed away
- Hua Ruyue walking to awaken Bai Jiusi who was frozen
- Bai Jiusi learning how to coax his wife from his friends
- Bai Jiusi's amnesia and search of his wife
- Hua Ruyue and her masters late night drinking talks
- Hua Ruyue time with Shi An
- Bai Jiusi soul guiding Hua Ruyue during the final fight

˖ . ݁❀𝜗𝜚❀. ݁₊

"In the long endless night, only the sun brings light. The warmth of the sun is like hope at the end of darkness. And that radiant warmth is what the color gold is like" — Hua Ruyue

Leia Mais

Addictive hot mess but a disservice to mental health

Did I enjoy this drama all the way? YES.
Was this a good fictional story in general? YES.
Was Kim Yoo Jung’s performance brilliant? YES.

BUT and here comes,
For a show that introduces the FL as someone with antisocial personality disorder, did this do a good job? NO. Yes Ah Jin has traits present in people with ASPD but is it not a disservice to paint people wjth this disorder as a monster and as evil? Shouldn’t the drama actually delved into her psychology and into understanding how her traumas, her experiences made it difficult for her to connect with others and empathise with others? Having the FL repeat her trauma and act like a victim who has been wronged is mere surface-level characterisation and understanding of ASPD.
If the drama did not want to talk about mental health, why label her as someone with this disorder? What a freaking disservice this was to people who deserve treatment rather than merely being labelled as diabolical / evil / monstrous. Who is Ah Jin beyond the person that is always trying to survive? What are basic likes and dislikes? Who are the people she loves? People with ASPD are capable of loving.. just that they don’t love the same way “normal” humans do.

The documentary framing Ah Jin as a criminal while everyone else became a victim was unfair. What about Ah Jin’s perspective? Again I’m not defending or justifying her actions, but the black and white perspective and one-note characterisations the show re-iterated time and time again was really baffling.

What was the point of the CEO’s character? Was it to merely add some thrill to the show? Till the end I did not understand the purpose he served to the story and to our understanding of Ah Jin’s journey.

Ah Jin used all these men, yes. But she did not put a gun to their heads. If we talk about Ah Jin’s choice in making the horrible decisions she did, we need to talk about Jae Oh and Joon Seo’s choices. Ah Jin never promised them love or flowers. She was clear that she needed them and they willingly stepped in.

Jae Oh’s death made absolute sense. But what about Joon Seo? For someone who “loved” Ah Jin, he never tried to understand her. He always assumed the worst of her, saw her as someone making use of others but never saw her the human. He never saw her as someone who needed support or help. He saw her as someone he wanted to control, someone he hoped would change for him and in the end when she pushed him away, he exposed her to tie her down. His death was no act of martyr. He brought it upon himself. But my question is - why? The writer had the choice to either (1) have Joon Seo walk away as he did 2 episodes prior to the finale or (2) have Joon Seo expose Ah Jin and get her treated. I did not understand his let’s-go-to-hell-together like the writer was trying to spin this into some epic Romeo / Juliet romance. Also what was Jun Seo’s motive in exposing Ah Jin?

And the ending- I am a fan of open endings but this was one of the worst endings the writer could come up with after this journey. Yes she’s alive somewhere and she’ll probably continue to manipulate her way through but humans can’t live their lives on this repeat cycle all the way till the end. There has to be a stop or a change in pattern. In Ah Jin’s case it could have been death, treatment or insanity - either of the three could have been used to conclude her journey but the writer did so in the laziest way.

Also what kind of message does this writer want to give out with Ah Jin surviving while everybody is dead? Again this would have worked as a work of fiction but adding that tag of ASPD did this a huge disservice.

Do I recommend this? Yes. It wasn’t a bad drama per se. The performances were top notch, the score was haunting, the vibe and the dark relationships were different from the usual South Korean dramas. But having said that, this clearly fell shot of being a stellar drama because the complexity of the characters were not fleshed out well enough. In the end, I left this drama not understanding what the CEO, Ah Jin, Jun Seo and Jun Seo’s mum even wanted because they were all just so one-note and didnt feel like actual human beings with a gamut of emotions and a life beyond Ah Jin.

Leia Mais

The plot had so much potential with the reincarnation trope leading the story, but it was never really used. While I enjoyed the beginning episodes quite a lot, at some point I was questioning myself for watching it. It wanted to be deeper, more dramatic and moving, but used all wrong directing choices to achieve it, and in the end, it did not work for me.

CHARACTERS/COUPLES
Truth to be told, I was far more interested in all side/past couples than the main one. I didn’t feel that much chemistry between them. Don’t get me wrong, there were moments when I found them as cute as possible, but I always thought it was more about good directing and not their acting. The romance scenes were simply well written and shot. I still believe Pharm and Dean’s first kiss was filmed in a fantastic way.

I truly loved the fun and entertaining chemistry going on between Team and Win and I wish we could have seen more of them and how they developed feelings for each other. We kind of knew they would end up together… and then they did. Not much of that development was really shown.

Earth and Kao were really good in their roles and I truly did feel the pain and desperation watching their scenes. Wish we could have a prequel telling just their story in greater detail.

Sadly, I felt like Ohm had the same facial expression 90% of the drama, with Fluke showing a bit more diversity: happy grin, shocked grin, massive crying (+ the quite well acted total meltdown in the last episode). While at the beginning I did not mind, at some point I was just bored by their scenes and performance.

Character wise, both Dean and Pharm were nothing special. I mean… Did Dean even have a personality? I did enjoy their relationship though, because, they played off of each other's characteristics well - Pharm being on a shy note and Dean leading the interactions, but as separate characters… they had close to nothing going on.

THAT SAID, I have to applaud the drama for one specific scene. We got some good representation of setting boundaries. When Dean gets a bit too touchy with Pharm, but Pharm quickly puts him back in place, clearly says it was unwanted and it must never happen again. We don’t see scenes like that a lot in BLs.
Also, justice for Manow. Poor girl was literally forgotten at some point of the drama.

DIRECTING
Oh boy. All the long, slow scenes of them doing literally nothing, like… looking at their phone, or cooking but without interacting with each other. The dialogues with way too many pauses. They literally took breaks every 2 or 3 words. There were many scenes that just felt like fillers. Few seconds here, few seconds there… but no content to be found. It made the drama look more aesthetically pleasing, but at the same time, I could not move my finger away from the right arrow on my keyboard, because I was sure there will be more than one occasion I will want to skip the next 5 seconds of them doing nothing.

As I was watching and the story progressed more and more, I could not wait for it to end. It dragged so badly and it was so amazingly slow. Everything was slow. They talked slowly, the shots were slow, the background music was slow, how they moved and walked was slow. I was honestly getting sleepy and tired after watching. The fact that, by an accident, I was able to watch 2 parts of an episode set on 1.5x speed and did not notice says a lot about the directing.

The violin soundtrack started to drive me nuts at some point. It made it seem like every scene was so profound and important and had deeper meaning… most of them did not. The overuse of it made it not an asset, but an annoyance in my eyes (ears?).

WRITING/STORY
I feel like the planning just failed. With the minimum of Team and Win scenes, they should just cut them out completely and make a sequel showing their relationship from the beginning. Focus only on Dean and Pharm and the past story of In and Korn. Show us in more detail how they slowly connected all the dots and accepted their past and current selves.

What’s most important, introduce a conflict AND NOT IN A LAST EPISODE. With the reincarnation trope, there are so many ways to go about it. Giving me Pharm questioning his love for Dean, not being sure if it's real or it's just reminiscence of the relationship In had with Korn, it’s awesome. What’s the point of shoving it in our faces in the last episode? It could have been gradually introduced. The more Pharm knew about the past, the more he would start questioning his feelings for Dean. This way you would have two driving forces for their relationship clashing in an interesting way - them being drawn to each other by the past connection, but also driven away by the fear it’s not real. I guess this isn’t the drama’s fault, since it is based on the novel, but it does not change the fact that there weren’t really any stakes presented. They tried to introduce some struggle by the end, but since the set up was not strong enough, it failed to move me and make me care.

The mental breakdown Pharm had at the end was so ridiculous too. He knew the story, he had flashbacks showing exactly what happened. It’s not like finding the box in the previous episode gave him some new information. He knew it all… And sure, we can argue that the reality of it hit him the moment he saw the photos and the gun, but it still makes no sense pacing wise. Make it happen at least two or three episodes earlier so we can actually feel the pain of then splitting/taking a break. Give me that emotional journey not some cheap emotional thirty second roller coaster with some bullshit “three months later”.

Overall, I guess I was simply not convinced by Fluke and Ohm’s acting so the scenes that might have been sweet, emotional, sad… were, for me, boring. I was not connecting to their feelings so I could not bring myself to care. The moment I started to care, the pace slowed down so painfully, I was getting distracted by the fact nothing was happening. Sad conclusion to the drama I was so excited to watch.

Leia Mais

A recipe with too many ingredients

It’s a story packed with too many ideas, but the poor execution left me disappointed. Don’t get me wrong, there were definitely good elements, and it was entertaining in the beginning, at least until about halfway through. After that, it went downhill fast. It honestly felt like two different writers worked on the script. The first half was brilliant, while the second half was painfully bad. If I didn’t know the production spent 300 million on this project, I’d have thought it was a low-budget drama. The cinematography was average. The wardrobe was average too (some side characters literally wore one costume for the entire show). They would change XQS's hair in one scene and change again on the next without reason. The editing was sloppy. The saving grace of the show was the fight scenes and fight choreography.

There are many more points I could bring up, but I’d have to rewatch episodes to fact-check, and I honestly have no interest in doing that, so I’ll leave those out. Here are the main thoughts that stuck with me:

First, I didn’t like how some of XQS’s greatest achievements, despite him being smart and quick-witted, ended up coming down to sheer luck: swallowing a 60-year power pill, being bitten by a mysterious white snake, receiving power from eight heroes, and so on.

Towards the end, I couldn’t understand why Chief Li knowingly drank the poisoned wine, then went back to the palace again fully aware he’d have to face the same poison and might not survive. He’s supposed to be one of the most powerful figures, yet he came across as utterly defeated. On top of that, the Emperor who gave him the poisoned wine acted surprised and even saddened when he learned of Chief Li’s death. It really makes me question the credibility of the writers.

A lot of questionable choices were made. Characters with strong martial arts skills and big entrances were introduced, only to be taken out by trivial things... Crazy Yan, Chief Li, Rong-er, etc. And just before the final fight between XQS and his second brother, why bother with the sand timer on General Wu instead of just killing him off directly?

The show also hinted at a love triangle between Tang Gege (LSF), Tang Fang, and Red Phoenix, then abandoned it, only to patch it up in the final episodes as if it were an afterthought. Honestly, I started losing interest once the story shifted direction and introduced a new villain, while suddenly making the old villains into “misunderstood good guys.” Their past crimes against the heroes were brushed aside and forgotten. For example, if it weren’t for the Power Gang, the Xiaos wouldn’t have been trapped in the safe house without water and would still be alive. But all was forgiven just because they preserved the bodies (of people they helped kill) as evidence and helped track down the killer. If I were XQS, I’d have held them accountable, maybe made them clean the graves every day for ten years or something.

LSF’s hatred of the Xiao family was so extreme that destroying them consumed his every thought. Yet he never truly got revenge on the person behind the massacre, nor did he apologize to the people he wrongly blamed, especially the Xiaos. He caused a lot of damage, but there was no “I’m sorry.” They just swept it under the rug. And with that, LSF’s purpose was lost. The feud between XQS and LSF disappeared without closure, and LSF ended up as a useless character. I’m sure I wasn’t the only one looking forward to their big showdown.

Another disappointing aspect was the lack of a strong sense of brotherhood. It was there, yes, and their friendship was solid, but within the trio, XQS shone brightly while the other two felt like dim little fireflies, simply existing in the background.

By the time the new villain came around, I had lost focus completely. He felt like just another bad guy I couldn’t care about, and I only kept watching to finish the story. There were still good moments here and there, but overall, the mishandling of the storytelling left me unsatisfied.

And a small rant: whoever invented that drinking cup/saucer design clearly intended half the drink to spill on the ground as an offering to ancestors, because otherwise it’s just a terrible design. The tea cups were perfectly fine. 😅 Okay, don’t come for me on that one, it was a joke.

Leia Mais

the different opinions on this show's ending are actually funny, and totally understandable.

i am not going to lie, at first i hated how the show ended as well, it was so unpredictable (even tho i knew what youngsoo would do); but as i sat down and thought about it more, i realised how and why the ending made perfect sense.

part 1 was an introduction to the story, to the war, to the spheres. an introduction to our characters. a way to show development and underdevelopment. we see them acting according to how the adults want them to act, having no right to choose what they wanted to do after signing that paper (which was also signed by their parents, some of them not even being allowed to say if they wanted to do the military training or not). our main characters are building up relationships, platonic or romantic, they are starting to love each other as more than just school colleagues. we see them being together 24/7 in a world that is could be destroyed.

while part 2 is the destroyed world. we get no adults introduced (other than the criminals in the prison, who aren't even humans to begin with), our main characters are able to vote, to communicate, to make decisions together with no adult telling them otherwise. we see betrayals, fights, and lastly, a massacre. youngsoo was the world character of them all, and not in a way that he was written badly, but in a way that he was a criminal. he did not care about no one in the classroom, from the first episode to the last. if someone says that i am wrong, please remember the time when younghoon died and he was happy he wasnt there anymore because he didn't have any more competition in the classroom. he was only thinking for himself, which until the end was, at most, understandable. but his actions were wrong. extremely wrong. not only did he try to sa soyeon, he killed the only witness (ilha), and then he killed almost all his friends. yes, he went crazy, but his reasoning for his mental stability going down was not it.
at the same time, tho, all the trauma they were going thru, plus the pressure from the adults who were using them, i can try to understand him (not what he did). his character had depth, that i don't really care about, but if i did, i could talk about him for hours. as the story was progressing, i hoped that, maybe, they won't keep the ending from the webtoon, i was wrong. it traumatised me in the worst way possible, but i am here writing this with a smile on my face.

we are seeing three wars in the series, one against spheres, one against adults, and one against each others. part 1 was all about the spheres, and the adults, it showed how the kids could fight against both of them and survive. with little sacrifices happening. in the second part, we see the war against each other, which showed us different sides of the kids. they were more mature, not whining that much when they had to do something or when things dont go their way. we see them getting tired, wanting to go home, but still sticking together. there is so much going on in 4 episodes, and ep 7/8 weren't even that long. it keeps you in a state where you can't wait to get to watch the next episode. i was scared the whole time, hoping all of them were going to be alive at the end, yet still knowing that wasn't happening. i was doubting them when they were doubting each other. i felt betrayed when they betrayed each other. i was hurt, i cried with them, i laughed with them, and at the end, something in me died with them as well. altho they didnt stick to the original plot of the story, the main line was still there. kids in war time. no matter what the war was. some of you are failing to see that. they went thru a lot of ups and downs together, they had hopes and their hope died, they were, at the end of the day, just kids.

watching this kdrama was a rollercoaster. i was happy, sad, crying, laughing, anxious, hopeful. but at the end of the day, it gave me comfort (with a lot of anxiety on top). all of my fav characters ended up dead. yes, i did like kimchi, hana, aeseol, and nara, but jangsoo, tae man, yujoong, ilha, soyeon, bora, soocheol, youngshin, all of them, ended up dead. and with ilha's death, followed immediately after by jangsoo, i was petrified. when jangsoo said he'll go find youngsoo, i knew what was going to happen. and when he opened that damned door, i couldnt breathe. he was the reason i was so excited about part 2, and even tho i knew how he ended up in the webtoon, i had a little hope. jangsoo, i miss you.

that 'in other universe' ending, with them graduating, i will take that as the actual ending, and im pretty sure they added that scene as a way for people to choose what ending they want to believe in. younghoon is there, and honestly i never believed he actually died, so thats a bonus. they all graduated guys, they did. and they ended up going to college, and having jobs and families, and happy. thats the real ending (source: trust me bro).

i didnt expect duty after school to be more all of us are dead than all of us are dead, but looks like that title fits them more. i will miss them a lot, somehow i hope for a season 2, even tho i know why they ended part 2 like that (for people to not ask for a season 2).

the actors did such an amazing job. imagine playing jangsoo and having to open that door like 7 times and filming your death in 2 different ways (first they thought it was a sphere that killed him, then they showed youngsoo killing him). i am so glad i started watching this and meeting this amazing, and beautiful cast. can't wait to meet them in a new kdrama.

Leia Mais

you better put your rose-colored glasses on for this one guys

Let's set the scene.

Imagine you are a teenager, just discovering BL and watching a show called Until We Meet Again and you fall in love with a little side couple called WinTeam. And there are rumours that they will get their own show!? The years go by and you still harbour the hope that maybe, just maybe they will get another chance at telling their story again. And then, it happens. News breaks out. Between Us is happening! It is actually happening. You mark your calender and count the days, actively following the countdown on the company's instagram. You stumble over the cast and are little shocked to find five (!) couples listed in there, but you tell yourself it's gonna be fine. You waited three years for this, they know what they are doing. And finally on Nov 6th, the first episode airs. You are thrilled. And you think this show actually managed to live up to the insane hype it gathered over the past few years. Can it be? A show that actually can live up to someone's expectations? And then you keep watching and a few weeks later, you suddenly catch yourself fast forwarding through an episode of your beloved show and you stop and ask yourself: What happened?

If you think to yourself: Wow, this reviewer didn't have to ramble so much in such great detail to tell us this story, it got boring pretty fast. Well, then I guess this show and I have something in common.

Sometimes the best stories are the one's untold. What makes Goncharov so good is that it doesn't exist. And maybe what made WinTeam so popular is the fact that they got just enough screen time to get viewers interested but never enough to give us something. But I'm rambling again.

This show is said to start with Win and Team entering a FWB situation. But the writers, directors, or whoever is to blame for this, didn't seem to know what the key factor of a friends with benefits story is, it's the friends part. They are friends first. Friends before anything else. But Win and Team were barely aquaintances before they hooked up. That's why I think FWB set different expectations that were impossible to fulfill. If you'd ask me I would describe their relationship as a one-night-stand that slowly turned into casual hook-ups with no emotions, then they got to know each other and became friends and developed feelings for each other afterwards. If they had labeled it as such, I'm sure more people would've set their expectations accordingly. There was never a line that got a little too blury for them between being friends and being in a relationship, because they were never friends to begin with.

This show also had a massive time problem. I already mentioned the five couples, one of which only get's blick-and-you'll-miss-it screen time, which is fair because they got their own show already. For the other four well... To summarize it: Wayy too much time was wasted and there was too much back and forth that led to the ending feeling rushed.

Win and Team: Okay, let me be straightforward for once, they could not carry 12 episodes. The beginning was strong, but towards the middle they became more boring. If took these guys 11 out of 12 episodes to finally confess their love for each other. That only gave us one episode with them being happily and sort-of openly in a relationship. And I wish BLs would stop pretending that after you enter a relationship everything is perfect and your get a HEA. I want to see them get together AND how they work in a relationship.

Team's "does he like me or does he treat everyone like that?" didn't make any sense. In UWMA yes, maybe. But not in Between Us where my man was out here leaving his room unlocked for his teammember to come in the middle of the night and sleep in his bed. He was making him breakfast, paying for his lunch, taking care of him when he got sick, driving to his dead cousin's grave to pick him up in the middle of the night while it's pouring, and a bunch of other stuff (not to mention that he literally said something about his FEELIGNS FOR HIM). And Team looked us straight in the eyes and said "yeah but maybe he does it for everyone"??????? ARE THESE OTHER PEOPLE HE'S DOING IT FOR IN THIS ROOM WITH US RIGHT NOW??? And Win too like "nothing every belonged to me, I always had to share" my guy this is not a Barbie doll or your favorite jumper, this is another human being. I'm sorry that you as well suffer from being the Middle ChildTM but pLEASE.

Speaking of which, I would've loved to see not only Team's trauma, but also Win's struggle with trying to please both his parents and supporting his siblings.

Prince and Bee: Their scene felt so out of place, like they gave off such different vibes that I was always so violently taken out of the story every time they appeared on the screen. They were cute, yes, but the acting was lacking. With a little more experience they will make a great couple. I also partly blame the material they had to work with. They couldn't get me invested. Sadly, because the concept was interesting. Also, if my friends would constantly make fun of me, I would not consider them my friends. I'm so over the friend group just being complete assholes to the guy and it never being called out. Saying that a guy is out of his league is one thing but to constantly rub it in his face and make fun of him for trying to make an effort to get with the guy and calling him dumb and whatnot, A and Sea were truly a waste of my time.

Waan and Tul: Probably the side couple I was most intruiged by. They got like five minutes of screen time every other episode and it was not utilised at all. They spent too much time on them talking to their phones. You tell me that Waan who told Tul multiple times "I don't want to meet you in rl" had the audacity to blame him for not telling him immediately that he was T-Rex??? And for some reason Waan hates liars so much that he is not even ready to hear Tul out but we never find out why??? Their story was so intruiging and I liked their chemistry. And the NC scene in ep 12 UFF what happened my dudes? I don't know if it's Yacht or O being uncomfortable kissing men or if it's the directing or idk. But it was really awkward and happened way too fast. We just had the big fight between them and they are already making up in the next episode. Give me at least a few minutes of angst and pining, jesus.

Manaow and Phruek: Oh what trist and grey show we would've gotten without them. While I wasn't sold on them in UWMA, I was definitely on board with them in Between Us. Sammy has a great on-screen presence and I love her energy. Even though I gotta say that I wish they would allow Manaow to be a little more serious sometimes, because Sammy can do serious scenes, but the constant over-acting was getting on my nerves a bit. Especially when it was used for cheap comic relief.

Wiew is a ray of sunshine and I'm glad he was added to the cast. But it seemed like he was a middle schooler rather than a high schooler, because he was acting like a child, not a teenager. His naivity was bordering on stupidity a few times, but Santa has a certain charm that makes you overlook it.

I wish this show would've cut down on WinTeam's drama a bit and maybe a couple or two and use this time instead to show us more of the friend group. I missed Team, Pharm, and Manaow so much and the little crumbs we got of them was everything to me.

Between Us feels very 2019 to me, even though this show tried to make some changes and adjust. And I was on board with some of the changes (most noteably the sheer amount of CONSENT LIKE YESS!) but not so much with others. Like New tried to recreate UWMA. Instead of P'Deeeaaan we got Hiiaaaa, ever other second. And now Team is suddenly scared of intimancy and doesn't like kissing his boyfriend for...reasons and he seemed to whine a lot more. And Win is suddenly no longer the flirty, grinning, always down for a joke type of guy but very serious and overprotective of Team. This show tried so hard to be UWMA, but it's not and therefore it didn't hit as much as it could've. Because the passion was there, you could feel the love of the cast members who put their heart into this show. That makes it even more sad that Pharm and Manaow and their friendship with Team felt more like an afterthought, since they got pretty much sidelined with their boyfriends. I did appreciate it though that Win got some bro-love from his two besties.

After seeing a lot of BLs directed by New, I think it's save to say that I just don't vibe with him. I don't know what he's doing but it's not it for me. On top of that I just disagree with his stance on NC scenes. The shade he has thrown at them just doesn't sit right with me. He acts as if Nc scene are inherently something dirty to be ashamed of. And if that's what he thinks, than the problem is him. And I wish he would just get over himself and leave high heat projects alone and get himself some BL scripts that are "pure" and have almost no heat in it. So everyone can be happy. Alas, he seems to get so many stories with interesting concepts (and with a high heat source material).

While we still haven't fully moved past the stereotypical portrayal of a gay relationships, we now get more shows that portray the two parties as equally in love and not one having to constantly chase the other. And excuse me, I have to get this off my chest: IF I HAVE TO WATCH ONE MORE SHOW WHERE ONE PARTY (USUALLY THE YOUNGER/SMALLER ONE) OF AN ALREADY ESTABLISHED RELATIONSHIP SEEMS TO DISLIKE KISSING THEIR BOYFRIEND IN THE COMFORT OF THEIR OWN HOME WITH NO ONE WATCHING I WILL LOSE IT!!!

PS: To like the five people who have not watched Until We Meet Again before watching Between Us, I'm sorry. Seeing Pharm and Dean having a cameo every other episode with little to no context of what the heck is going on must have been confusing as hell. You are truly stronger than I am.

Leia Mais

Everything about this drama is remarkable!!!

This drama got me hooked since day one, and there are various reasons for it:
1) Amazing plot - The plot is completely new,at least for me. The story has developed very well and at also the right pace. It is one of the kinds where you'll probably die out of curiosity trying to imagine what the next episode would be like. I laud the person/people who came with such a story.
2) Remarkable actors - Son Ye Jin was the reason why I started this. But now Hyun Bin has me wrapped around his finger. Seo Ji Hye and Kim Jung Hyun are also brilliant. Everyone's acting is so good, that it feels the roles were written for them.
3) The chemistry between the characters - This is also one of the reasons why I waited for the drama so patiently every week. The chemistry is so good and it makes me ship them way too much.
4) Supporting Cast - The supporting cast has done a splendid job, in fact the entire cast. The scenes involving them have been written really well, you don't wanna skip any scene. Kudos y'all!!!
5) OSTs -I love each and every one of them and I can't help but listen to them all the time. They're all very good!!

All I have to say is, if you're looking a unique story with amazing actors wrapped up together with soothing OSTs, you should most definitely give this a try. :)

Leia Mais

They'll Make You Wish You're in This Kind of Relationship

All the actors and actresses did a good job in acting and chemistry. Story comes with good pacing and relatable situations. Personally for me, the relationship between the female lead with her father, reminds me of my own.

But it's not all sad, don't worry. It has tons of comedy too. I guess besides the script, we have to thank the editing for that. Oh my, I laughed so hard, especially at the bar scene in episode 1.

And of course it has romance. Tbh I'm not really into romance as they tend to be cheesy. But here the romance is not boring, it's cute and sweet (that you wish you had this kind of relationship).

Ost are all very good, the lyrics are really sweet, I love them all. Cinematography is well done too. Tbh first I felt weird about the close up shot of the leads from front, because they almost or actually look at the camera, but later I think it gives different nuance, like you can see their face, their eyes clearly and it suddenly feels like you're the one falling in love haha

Must watch, really.

Leia Mais

Before any of you die-hard BoF fans rage at me for the ratings, please not that this is my own *personal* opinion, ergo you don't have to read it if you don't like it. II'm not trying to be mean or rude, I'm just saying that everyone has an opinion and you have to accept that.
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"Boys Over Flowers" might have been my first drama ever, but I can't really remember. I do remember that this was the first drama I watched I finished. At the time, I really had no idea what to expect, but seeing how much the friend who introduced it to me loved this drama, I figured it had to be pretty good. So I watched it and wondered how exactly a mess like this got such high ratings.
Story: Speaking from an objective standpoint, BoF is a hot mess. The fans must have been really forgiving to fall in love with characters who drove kids to suicide, and a story that had the main couple breaking up and getting together pretty much every other episode. I like romance and watching the OTP get through conflicts victorious, but I also like having another overlying story arc to keep me interested. In here, was there even something beyond Jan Di's and Jun Pyo's romance? I didn't even ship them.
Acting: Lee Min Ho, despite his mane of shame, is a good actor. I haven't really seen him anywhere else, but he's good here. Kim Bum is outstanding and his chemistry with Kim So Eun was pretty much the only reason I kept watching this. Kim Joon didn't really have that many scenes, but he was good and I'm fairly certain the only reason Kim Hyun Joong is here is because they needed another "flower boy" and were running short. He's really not that great of an actor, but pretty moves mountains. I'm not a hater, since I'm a huge fan of his music, but maybe he can brush up on his acting. Ko Hye Sun, frankly speaking, annoyed me to no end. Not just her character, but her in general. I don't think I'll ever watch a drama with her ever again. She's not a bad actor, but I don't feel like she's particularly good either. Plus, her chemistry with Lee Min Ho felt a bit forced.
Music: I'm still not sure if it was meant to be so funny. "Almost Paradise" killed me no matter what scene it showed up in. The director was really unwieldy in using the music wisely and spacing out the songs, so most of the other music grated on my nerves by episode 15.
Rewatch Value: Ha. No. Never. You would have to pay me to get me to sit through it. This drama may have been other people's favorite, but to me it was tedious and long. The plot spun in circles and the angst shot through the roof and there was still no plot beyond Jan Di and Jun Pyo.
Overall: This drama was so popular for a reason, I guess. Pretty is such a powerful force its nearly sentient. Another reason? If you were sincerely rooting for the main couple and honestly really liked them together, you would watch just for them and for the gratification that came with seeing them together. If you really did not care about the main couple, you would probably throw your computer out a window.

Leia Mais

It's been a while since a drama annoyed me this much. I'm not even sure why I watched every episode of "Lovestruck in the City", but I definitely could have skipped this one. This drama tries to be different by being more self-aware and mimicking a reality TV format. The main characters confess to the camera throughout the show, which got old for me fast, and then we see slices of their lives in reality, how they all connect, and how reality contradicts what they tell the audience. If I'm honest there is only one reason I kept watching... Ji Chang Wook. Sadly, the last drama I saw him in was equally awful "Melting Me Softly", but he is always so charming that I'm willing to watch a terrible drama just to watch him smile and be in love. If this drama had a less appealing actor in his role I would have dropped this after episode one.

So how was the rest of the cast? They were good, but it was hard to separate characters who were badly written from the actor. Kim Ji Won is a perfect example. There was nothing wrong with her performance but her character irritated me for the majority of the drama. She had pretty good chemistry with Chang Wook, but I honestly didn't understand what made him so obsessed with her. The chemistry wasn't enough to carry the weak storyline.

The other main characters did a good enough job of being distinctive but bad writing made their stories pretty dull. I won't spoil how the stories connect but I guess the point was to explore different kinds of relationships (the good and bad) between men and women... friendships, crushes, long-time commitments, encounters with exes, casual relationships, and summer flings are represented. For the entire drama the only character who didn't annoy me at all was Kang Gun, but I was honestly bored by all the other interactions. The women characters is particular are often irrational and make frustrating decisions. I think I was waiting to relate to the characters as I got to know them but that never happened. I was just constantly waiting for the "story" to start. Sadly once it started it turned into one repetitive episode after another.

If I could describe the plot in one word I'd say it felt pointless. If you like the idea of non-sequitur relationship snippets then maybe you will like this more than I did. To me, it felt like filler interrupting the main plot which didn't have enough substance to fill all 16+ episodes. Then there's a weird resolution at the end that feels thrown together, that's interrupted by another random story with random minor characters. I think I would have liked it better, maybe, if there was a different story each week because this just felt like I was watching an unscripted mess. That didn't make it feel more authentic to me either, in fact, it felt more fake, especially with the awkward product placement moments.

Would I watch this again? Hard Pass! Not even for Ji Chang Wook's smile.

Also, the random old school rock "theme" song with the unnecessary music video was equally irritating.

Overall, this drama felt like a concept without a plan. I guess I can piece together moments that I liked enough that it kept me watching, but there were far more frustrating moments that made me wonder why I didn't drop it after every single episode. More than anything I didn't care at all about who stayed together and who didn't, which is bad for a romance-themed drama. There are intimate confessions that seem out of place, especially since the characters seem to have no idea who is listening and responding. Do you enjoy watching people act irrationally in relationships, and drag out misunderstandings, or drive people they care about crazy with their unresolved issues... then enjoy. I can't imagine sitting through this for another season myself, although I can see there being a possible setup for one. Since there were many times I was literally rooting for the main couple to never deal with each other again, I can't recommend this drama. Yes, eventually there are reasons and amends but the frustration to get there made it very anticlimactic. I definitely wasn't lovestruck with this drama. It almost makes "forever alone" seem like the better option.

Leia Mais

A minority of one here

I can understand the praise which all the other reviewers shower on various aspects of this series. The cinematography. The acting. The writing. The music. From a thoroughly dispassionate standpoint, I am able to give "good" ratings to some of those dimensions too. Anyhow, I leave it to The Shipper's many enthusiastic fans to praise it to the skies, as they do. But I found the series so intensely disagreeable that my feelings of shock and unease will probably stay with me a long time whenever I think of The Shipper. In brief, it gives us a very weird message about life and death, and a bitterly homophobic account of human love. The one and only love story here is a heterosexual love story about a girl trapped in a male body. This might lead to an interesting exploration of trans identity, or an attempt to look at a non-binary self-understanding. But no. She's in a male body, that's all, and the nature of the relationship is utterly conventional heterosexual girl/boy romance. As for the same-sex possibility here (no point even referring to the concept of "BL"), it is literally killed off, stone dead. There is no chance of love between males, the storyline seems to say - it's doomed. Fatal. Something which has to be terminated, erased. As happens here. The only way love could exist between two seemingly male persons, the series tells us, is when one of them in reality is a woman - meaning it's not really any sort of "m/m" relationship at all. It's a hideous and cruel message and it's what this whole series is based on. Hence my low rating. Yes, I should have abandoned it long, long ago. And I did. But I came back to see how it ended. I'm sorry I did.

Footnote: I realise I am not in a minority of one. Fortunately. There are a couple of other discerning viewers who were equally alert to, and dismayed by, the crude homophobic message conveyed by The Shipper. Meanwhile, however, I've read the other reviews here, and I'll say that I'm - well, intrigued. One could say they exhibit a ... striking unity. First of all, there are a great many of them. A huge number of reviews. All for The Shipper. OK, very well. This suggests that it was an exceptionally popular series, watched by a very high number of viewers. Was it? I'm not sure I got that impression ... Next: many, if not most, of the reviews are rather close to identical. They seem to follow a set formula. Read along, and you'll quickly get the picture. The reviewer immediately announces that the series isn't "BL" - and always finds space to make some dismissive comment about BL fans. Then we're told that The Shipper is a vastly superior product - with more than a few reviewers going out of their way to pour scorn on BL, yaoi, m/m romance, LGBT material etc. Next, they tell you that this series is an edifying moral lesson, or a series of inspiring moral messages. Finally, they award it a series of 9s and 10s.

Leia Mais

I didn’t think I’d like this, but I really did

I’ve watched so many college BLs. And just when I thought I couldn’t possibly be satisfied by yet another 2 young and dumb boys … I SOMEHOW LOVE THIS!

The story of Kluen and Daonuea is a classic tale of meeting your high school crush after entering college and falling in love with them (all over again). Variations of this plot have been done to death – recall 2moons, 2gether and Bad Buddy? OK, so the plot isn’t terribly original, but so what?

I think Joong and Dunk have created a pretty solid product together with their chemistry. It’s always the chemistry that makes or breaks a typical plot or trope.

The entire show is a string of misunderstandings that could have been averted if they were brave enough to speak plainly from the start. But as the web gradually untangles and their feelings for each other are uncovered, this frustrating rollercoaster ride turns out to be quite lovely and rewarding after all.

Yes, this is yet another college BL. And one day, maybe this high school sweetheart plot will well and truly go extinct. But not this time. And until then, please take it from me: Go watch Star In My Mind.

My full review here: https://asianblreviews.wordpress.com/2022/05/27/star-in-my-mind-bl-review/

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