A story of a cat and a cornered mouse
Note: This character-driven movie has explicit sexual content and nudity.STORY (No spoilers)
What happens when a cat who fell in love with a promiscuous mouse long ago decides to back it into a corner? Both are from different worlds and both come with their own personal baggages. Can they make it work?
I've read the manga on which the movie was based - it's one of my favourites because the main characters in it were incredibly flawed and insecure people but their insecurities and issues were just so relatable and understandable, I found myself immersed in their characters and in their story. Now, as an adaptation of the manga itself, I'd give this movie a 65% score in terms of its closeness to the original work i.e. it was generally faithful in broad strokes and in some detailed places, but there were still fairly noticeable differences, especially in terms of character vibe and personality and in some event modifications. Hence, I can understand why fans of the manga might feel disappointed or dissatisfied with this adaptation.
However, I'm going out on a limb here to say that I actually still appreciated this work despite the changes made to it. The movie had none of the internal monologues of the original but through the way scenes were presented and acted, we could still understand the internal turmoil and struggles of the characters and their changing perspectives/ feelings and that was a personal testament that both the acting and the direction of the movie was excellent.
There were also quite a few things about this movie that really fascinated me - some of the dialogue, the choice and arrangement of certain scenes, the camerawork, the use of imagery, lighting and sound, etc. The way it was filmed and presented gave off a gritty, moody, sometimes lonely and desolate vibe, and there was something about the whole combination that made me come away from this movie feeling this interesting mix of unsettled yet at peace, curious yet satisfied, sad yet happy. It's a movie that somehow struck certain chords with me and resonated in a curious way.
The best analogy I can give for my experience of this movie was like listening to a piece of music being played in minor key - the melody has certain notes and chords which give the piece a sort of asymmetrical form or disharmonic sound, but the overall tune still flows as a cohesive melodic piece which somehow evokes a myriad of feelings for the listener after it's all finished. It was beautifully haunting to me.
ACTING/ CAST
OKURA TADAYOSHI as Ootomo Kyouichi. He played a rather different Ootomo vis-a-vis the manga.
Manga!Ootomo was sort of your weak-willed-straight-guy - too accommodating, too eager to please and too easily seduced by women. Movie!Ootomo was a lot more reserved and inscrutable, more introverted and quiet, hiding a lot of thoughts underneath a silent facade. Viewers who don't know about Ootomo's background, habits and tendencies will probably find this movie!Ootomo to be very difficult to read or understand, and sometimes, even I had to pause a scene or rewatch it to try and figure out what was going on inside movie!Ootomo's head.
But, to be fair, if one takes the time to observe a little closely and to put his actions into the movie context, I found that movie!Ootomo was a very interesting and enigmatic character whose inner thoughts can actually be perceived through his actions (or non-actions, as it were). It's like, you can almost see the wheels in his head turning as he observes the situation and the people around him, especially Imagase, and internally forming his own conclusions and decisions. I liked this very subtle and nuanced portrayal.
NARITA RYO as Imagase Wataru. Again, another different portrayal from the manga counterpart.
Manga!Imagase was a very cold, aloof and well-dressed man who, only in Ootomo's presence, would become hysterical and paranoid due to his insecurities and fears. Movie!Imagase had a more laid-back and Bohemian vibe but I liked how you could so totally see his constant desperation and insecurities over Ootomo which he tries so hard to hide beneath a lackadaisical and nonchalant facade. His constant questioning and inquiring, his constant snooping and monitoring, totally expose his paranoia and his fear, and personally for me, some of Imagase's scenes were particularly beautifully directed and shot to show just how lonely and forlorn and pained he felt at times. I liked how the actor Narita Ryo was able to give off this fragile feeling during the key moments of the movie.
MUSIC
Honestly, this was the least memorable part for me. Very subtle soundtrack and score which is probably very suitable for the subdued and muted mood of the film.
RE-WATCH VALUE
If you're not too put off by the disappointing adaptation or by the fickleness and weirdness of the characters, I'd like to encourage you to consider rewatching because I personally found that I understood a lot of the hidden and subtle messages and scenes better upon a rewatch, and that made the movie even more fascinating and interesting to me.
The movie might feel a bit abrupt and truncated vis-a-vis the manga but it still a complete cohesive piece and I found the choice of certain scenes and the way the whole thing was directed gave this movie a very different style, tone and story from its original work, and I personally appreciated its almost indie-like feel.
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End of review, thanks for reading.
Indeed, I could end my review here, since the above is basically all the drama left me with. But to the precious 18 hours – or something – I’ve dedicated to this show, I owe at least a more in-depth epitaph.
"Something in the rain" would have worked wonderfully as a 2 hour movie: the plot can be easily condensed in so short a time, we would have enjoyed a lovely on-screen chemistry and there would have been still room for the artsy cinematography the drama likes so much to sport. But, alas, the writer and director opted for a long narration, taking one conflict and a half and building this repetitive and aggravating slice of “real” life around it. What in the beginning seemed like beautiful aesthetics meant to create an atmosphere and enhance the plot, turned soon enough to be a trick to hide the lack of it. Because of that, the cinematography became, in my eyes, one of the drama flaws.
Let me make this clear: I have absolutely nothing against a slow pace that helps the viewer enter the world of the characters. I love small details: a meaningful glance, a trembling hand, a quiet dialogue that says it all, but here scenes are simply overstretched, even the most mundane, irrelevant ones. I have actually timed a scene: a character gets out of a taxi and walks unobserved on the road for as much as 65 seconds (try to count in your head and you’ll realize it’s an eternity). The camera stays still and the character walks. No close-up shot of the face expression, no weird or telling gate, no encounter to be remembered later on, just a walk that bears no significance whatsoever in the plot, except perhaps that it teaches us how people walk in Korea. I could go on describing scenes like this one, there are a handful. When a 2 whole minutes hug came, I truly became restless. And bored.
All the while, most characters are extremely bi-dimentional. No explanation, flashback or insight is given to justify their motivations. They are trapped in this present bubble and immortalized with one or two character traits only. We are left to speculate about their past, future and, at times, present. This show isn’t centered around a meaty plot, but does not focus on characterization either. There’s only so much a believable on-screen chemistry and artsy aesthetics can do to keep my interest alive.
Which brings me to the love story itself. The only positive trait of this romance is it’s realism, at least in the beginning. However, because these two jump from meeting on the road to being madly in love, I was deprived of my favourite part of romance, that is the falling in love process. Worse, episode after episode I started feeling like a voyeur, peeping through the keyhole to spy on an ordinary albeit pretty married couple in its daily routine. Since voyeurism isn’t my favourite hobby, I lost interest very soon in the nth walk with or without umbrella or yet another scene with these two frolicking around with the ever-present music that should tell a story but does not. They have no heart-to-heart chat, they don’t talk about their dreams, their plans, their future together, they hide more than they tell. Why these two people who have very little in common should love each other is not for us to know. Ah, yes! They are both gorgeous, that must be it.
The tension is all built around the opposition of a mother who’s in serious need of good therapy in whatever culture we set this story. Don’t get me started on the ex boyfriend arc and the harassment on the working place: the first goes nowhere and the second takes an eternity to go… where did it go?
Not yet happy, these badly outlined characters are for the most part disagreeable. If I have to watch a slice of life drama, I want to become attached to these people, but here I grew increasingly indifferent to all of them, otp included. The heroine is possibly the one who frustrated me the most and no amount of sociological analysis on the customs of South Korea will ever make me love a grown up woman who can’t stand up for her rights and for the people she supposedly loves. The fact that the author decided to portray a female lead who never learns from her own mistakes put a huge distance between me and her and makes the ending, good or bad, senseless. If it was my fault to expect something different, than I’ll take the blame, but at least I have learned something and will try to be a wiser viewer in the future (i.e., drop the hot potato before it scorches).
Finally, the music! Two good songs repeated ad nauseam and another old-fashioned two that made seaweeds grow in my ears. That’s the ost – an inappropriate definition anyway, since ost stands for “Original Sound Track”, that is, songs or music created on purpose for the show. I doubt Carla Bruni (?), Bruce Willis (??) or even talented Rachael Yamagata met to create this meager ensemble.
It’s extremely ironic and sad that the episode I enjoyed the most is the discussed last one. If only everything had taken place much earlier on, I’d have liked this drama. Unfortunately, as it stands it makes little sense and the prospect of subjecting myself to a second watch is unthinkable.
My dear 18 hours, RIP.
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This review may contain spoilers
Incase if you can’t get this movie this might be helpful!
At first, The Great Flood may not feel like a “bad” movie, but it can definitely feel confusing, especially if you’re used to traditional K-drama or Korean films with a clear emotional or linear storyline. This movie suddenly shifts tone and narrative, which can be disorienting. However, once you understand what the film is actually about, it becomes deeply meaningful and emotionally powerful.The world in the movie is already ending. Humanity is almost extinct. The experiment exists because humans are trying to recreate humanity, not just biologically, but emotionally. They realize that without real emotions, especially love, the new humanity they create will never truly be human.
This is where An-na and Ja-in come in.
An-na is part of the Emotion Engine Experiment. She agrees to have her brain implanted into a simulation where she relives the same scenario again and again which is loop as y’all know.
Her role is to demonstrate genuine human emotion, particularly maternal love, because nothing is more raw or instinctive than a mother’s love for a child.
Ja-in, the child, is technically “just a subject.” She is supposed to abandon him. She is meant to choose logic over emotion. But she doesn’t. She loves him like a real child — and that is the entire point of the experiment.
An-na is tested to see if she can:
• Form real emotional attachment
• Make moral choices
• Choose love even when logic and rules tell her not to
She fails thousands of times.
The drawings scattered throughout the movie are not random. They represent past loops of the simulation. Each drawing shows Ja-in remembering her words: “I’ll be back. Wait for me.”
That’s why he keeps hiding in the closet every time. That’s why he keeps drawing the helicopter scene — and why the drawings slowly get better and more detailed. He remembers. He learns. He feels.
When An-na once tells him, “Draw me with some color,” the drawings begin to change. This proves emotional memory exists — even inside a simulation.
Her shirt changing numbers shows how many times she has repeated the loop. Each number represents another failure. Another reset. In total, she is trapped for 13,499 attempts, spanning around five years from her perspective (or even longer depending on interpretation). Some theories place it closer to 21,499 days, roughly 58 years, emphasizing the unimaginable emotional weight of the experiment.
The AI systems try to stop her ( mans with gun’s) They want to reset the simulation because the machine only activates when the subject reaches their version of emotional perfection. The world ends over and over because the simulation can run thousands of apocalyptic scenarios faster than real time.
The truth is:
An-na and Ja-in are already dead.
This is a machine using their memories to learn how human emotions work so it can create the next generation of “humans.”
In the end, An-na passes the test because she chooses love over logic.
Ja-in separating from her shows free will — something artificial intelligence cannot fake. When she is allowed to return to Earth, we see others who have also passed similar simulations. Humanity doesn’t survive because bodies are recreated — it survives because love was successfully learned.
The final message of the movie is clear:
Being human isn’t about being real or artificial.
It’s about love, memory, sacrifice, and the choices we make.
This movie isn’t confusing — it’s layered.
And once you understand it, it’s devastatingly beautiful. Also including few extra words I would say the experiment proves humans are defined not by survival instincts, but by who they choose to save, plus many of people have asked why “love” they would better come with something else but going deep down maternal love is used because it’s the hardest emotion to fake or replicate while AI can simulate logic endlessly, but love requires irrational sacrifice…
That’s it!!
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Fluff sprinkled with emotional dread - best combination.
Probably the most surprising and refreshing concept and execution of it we have seen in any k-bl so far. The seamless transition between the cute romance and borderline psychological horror was masterfully crafted, making me crave for a longer and more developed version of the same story.Not gonna lie, the show peaked during episode 6, and the ending fell a little bit short of my expectations, but even with that. I am quite satisfied with the overall progression. Yes, it does face the usual issues as a result of a short drama limitations, like underdeveloped side characters, less detailed world building, lack of side plots to make the story seem more full.
But the good was so good, you kind of don’t care about the rest.
First of all, Tae Myung Ha was a surprisingly complex character forced into an unusual situation that made him face both internal and external struggles, leading to well executed character development. And honestly? He was also simply extremely fun. His cheeky one-liners and confidence of an adult in a teen “drama” was a blast to watch. Lee Tae Vin’s performance just made the character so much better. Easily one of the best performances from k-bls, especially when the actual emotional stakes start to make their entrance.
Cha Yeo Woon was adorable. I do think this character had less to offer compared to Myung Ha (to be fair, it also might be the result of me focuing more on Myung Ha compared to Yeo Woon), but it was also impossible not to care for him with his surprisingly well balanced mix of cat and puppy energy, which Cha Joo Wan aced in his delivery.
Still, out of all the characters, Chun Sang Won was the one that stole my heart. What an iconic character, one that deserves a spotlight and his own drama for sure - especially since we’ve been hinted about his own personal struggles. Fun, driven, confident, but also compassionate and perceptive. Oh Min Su better get his main role project soon, or I will riot.
While the drama is for sure not character driven, and you won’t get any elaborate commentary on social and personal issues, it still torches some topics close to many people's hearts, being a good opener for personal reflections: What happiness means to you? How to open your heart to others? How to allow others to help you, care for you? How to well balance your own needs and the needs of people you care about?
All that said, I think the biggest highlight for me was the execution of the concept with a “nice” twist. Instead of going full silly rom-com, they used the game scenario to add some depth to the characters and some painful thrills. Undoubtedly the director had a clear vision of what and how they wanted to present and thanks to that thoughtful approach, the contrasting atmospheres fitted well together. You think you know how the show will progress, but then you get a massive error and all your expectations fall apart.
What’s more, using the game scenario also allowed the director to deal with the usual issue of “time skips” and not enough screen time to showcase the whole time progression. I need to appreciate when directors and writers use their own set up to their advantage when dealing with potential issues and shortcomings. All the confusion and the feeling of “randomness” was clearly intentional, and for me, matched perfectly with the story.
Overall, extremely enjoyable, well produced, beautifully directed, perfectly acted (especially Lee Tae Vin), with nice and cute chemistry, fun jokes and less fun, but just as enticing stakes.
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Truly wonderful series
I think this is only the 3rd time I've rated something a 10. Note that this is a review of the uncut version - the cut version is significantly less good, and it also cuts out almost all the love scenes, which are mostly very well-done and lovely kissing.The writing is excellent, and personal to the author, which shows in the realism of the writing. The characters are not 2D archetypes - they are complex and flawed, and there are no villains or heroes. The plot is well-thought out, and does not go for a cheap ending. The writing respects the intelligence of the audience, which is a nice change, and there are none of the tired cliches that seem to clog every BL. The two leads don't fit into two neat seme/uke boxes - they are fully realized characters, who react like normal people to situations. Even the house's protecting spirit is a complex character.
The acting is some of the best I've seen in a BL. Partly that's because there are a lot of adults with important parts and they cast very experienced and effective actors - but the two leads are fantastic in this. I thought Nut was terrible in Oxygen, but that must have been bad directing because he's amazing in this - he does the most realistic crying I've ever seen, managing to communiate real grief without childish sobbing. Green has a 2-ep role and he's truly spectacular, putting in a powerful performance (and he's clearly a trained dancer), again contrasting with The Tuxedo where he's distinctly underwhelming. Plan Thanawat as Phat is so cute I can't stand it, and on top of that he can really act - his character can be childish and self-absorbed in a realistic way, balanced by all his good qualities. I really hope we see a lot more of him.
This is not just a cute ghost meets boy story - it really explores how things don't always work out like we hoped, and the need to both seize happiness wherever you can find it, and let go of things you can't change, like the tragedies we all have to face - and even how sometimes you can't completely move on.
There was not a single episode that I walked away from disappointed. None of them are filler, and there is no manufactured drama in Ep 9. There are a few plot lines that probably seem pointless in the cut version, like a lot of Dream and Luck, but their story reinforces the importance of respecting each other's beliefs.
The music is great, from the theme to the use of classical music to the instrumental score, which which does a great job of supporting the story.
I really loved this, and for me it's the best BL of this year so far, and this is turning out to be a fairly strong year.
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Her Name is Fury
Fight Club meets Infernal Affairs with a dash of La Femme Nikita, Anna, Atomic Blonde, Kill Bill and Villainess, among others. That’s how I would describe this drama in a sentence.My Name is an utterly visceral tale of one woman’s odyssey of vengeance through the deepest pits of Seoul’s dark underbelly and vicious criminal underworld that is seeped in brutality and cruelty. This drama is not for the faint-hearted for its many scenes of pure, unadulterated violence and bloodshed will most certainly induce much consternation indeed.
Based on an original screenplay, this production is helmed by Kim Jin Min, whose previous works include Extracurricular and Lawless Lawyer, and headlined by Han So Hee, of The World of the Married and Nevertheless fame. The Grand Bell Award-winning composer, Hwang Sang Jun, serves as music director.
The narrative is not groundbreaking, for those acquainted with the genre. However, when the re-telling of a similar concept is executed well, it can be an absolute joy to behold and may open doors to new fans of this dark thriller and suspense genre. My Name certainly accomplishes this, in my humble opinion, through a fascinating take on the classic revenge and betrayal plot with a focus on gritty storytelling infused with incredible cast performances and which does not shy away from highly graphic and explicit visual language. For the most part I’m quite pleased with the direction and tempo of the story development which manages to sustain the momentum of the intensity, tension and suspense. I have no major complaints over the design of certain plot devices and twists as well as the final outcome. The fact that there is absolutely zero comedic absurdity and contrived humour is a major boon for me as well.
Over the course of only 8 episodes at 50 minutes each, I did not lose interest or feel a smidgen of boredom. The action is breathlessly high-octane featuring countless fight scenes ranging from mass brawls to hand-to-hand combats involving the use of a variety of weapons. Despite composing a major proportion of the entire drama, some of the quieter and more poignant moments are interspersed throughout, including an extremely brief romantic interlude in the very last episode.
Likewise, as far as the production quality is concerned, there are no discernible major issues. The high production value is reflected in the art direction while technical execution is outstanding. I love the fact that the cinematography perfectly captures the action sequences because oftentimes these scenes are ruined by shoddy camerawork or poor post-production editing and visual effects, which is not the case here. Credit goes to the relentless efforts of the action choreographer and the cast themselves in performing the rather complicated and dangerous stunts. In particular the varied fight scenes involving mixed martial arts movements and knife fights in open spaces as well as cramped indoor settings.
The biggest praise is reserved for the cast themselves, and none more so than the lead actress, Han So Hee. My Name is a character-driven story where the failure or success is fully dependent on the depiction of the main character in question. Thankfully it is the latter because Han So Hee has unreservedly dispelled the doubts surrounding her ability to tackle this lead role which she does so magnificently with aplomb. Sometimes a role does not suit the performer, which seems to be the massive feedback from her previous performance in Nevertheless, but the characterization of Yoon Ji Woo, the FL here, is such a perfect fit for she truly embodies the persona in totality. The believability in her portrayal of sheer agony and torment, single-minded determination and strong will as well as the physical exertions inflicted from the challenges and ordeals that she faces in her pursuit of retribution. It is certainly not an exaggeration to declare unequivocally that Han So Hee thoroughly slayed this role.
Park Hee Soon deserves praise for his portrayal of Choi Moo Jin. This man oozes class, charisma and screen presence as the mafia leader of Dongcheon gang. Together with the hugely experienced and recognisable Kim Sang Ho as police detective Cha Gi Ho, both these men provide excellent support to Han So Hee’s main character that elevates this production to greater heights.
An aspect worth mentioning is the music. I love the retro beats of synthwave which complements the more contemporary rock element in a captivating combo that makes up the score by Hwang Sang Jun, who additionally composed two tracks out of the 3 OSTs in the drama.
My Name featuring Swervy and JEMINN
Mediocre Life featuring Pre-Holiday
A Thought is Haunting Me by Raphael Lake & Royal Baggs
All things considered, it’s been quite a while since I was last invested in a compellingly raw and savage journey of vengeance by a ferocious female character in an Asian drama. I’ve been dying for a bona fide strong FL in every sense of the word. Not a poser or a pretender but an actual badass who literally kicks ass. This has been an incredibly worthwhile viewing experience. Bravo!
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This review may contain spoilers
CEO loses his memory and learns to experience emotions !
This drama is your somewhat cliche drama of the male lead losing his memory and the female lead pretends to be the financee, regaining memory . I must say the first half is quite slow and not very interesting!Female lead use to be the student of the male lead( He was her instructor). He eventually becomes an investor of a company basically a CEO. The male lead is special because he doesnt experience any types of emotion. People think he is stone cold but doesnt know that his personality was due to trauma family incident. His ex fiancee couldnt get pass that he doesnt love her. Also in male lead's company the vice president/vice ceo tries to do the male lead dirty by trying to get hi injured in a car accident in Thailand.
Female lead is the secretary of her good friend's company. She is the one that deals with the business which so happens that the male lead's company is also interested. She follows him in Thailand to find him in an car accident. Male lead loses memory and the female lead takes care of him. During this time she knows there are still people after him , so she protects him !She lies and makes up stories about her relationship with the male lead. Honestly those episodes were quite boring. There was also flash backs to when she was a child and the interactions she had with her mom.
I stuck around because I wanted to see the cute lovey dovey kissing scenes!Honestly the intro song shouldnt put all the cute scenes in! It was a lot better when the female lead finally fell in love with the male lead. Man... where there some steamy kisses! Their relationship is super cute!
The storyline picked up fast after he regained his memory! It went in a good direction and a lot of the story flowed well! It was hilarious to see the ceo male lead kinda take revenge on the female lead for lying to him. It was cute that she helped cure him of his not being able to sense emotion! He fell in love with her again! So cute.
There were some side characters that was also the evil/annoying characters, but they didnt have too much screen time!Which is good, too much and this drama would of been complicated. However I felt some characters were kinda unnecessary, like her dad and older brother. I mean her dad was a cute dad who loved the daughter. They dont really have a good relationship until up to the very end.
I would recommend this drama but be ready to skip/forward the first half/ >_<
Love their chemistry, relationship , their kisses !
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I give the production kudos for effort, especially the special effects. They were awesome! They look so real, they merged seamlessly with the real world. I can honest believe that their world is real with all those stuffs in it.
Acting wise, 10/ 10. They cannot pick a better cast.
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This review may contain spoilers
Kill It is a dark intense Korean crime drama that discusses nature vs nurture, illegal organ harvesting, research ethics and medical ethics. The drama is about a professional killer (Kim Soo Hyun) who kills for money and is trying to find out about his past, and an ex-ballerina turned detective (Do Hyun Jin) who is trying to solve the mystery of the serial killings. Soo Hyun was adopted by an experienced professional killer for hire who taught him the profession, and has almost no memories from before he was adopted. I loved the story and finished the drama within two sittings. This drama had a lot of grey areas. Although he is a murderer, Soo Hyun is no where close to being evil, and at times I really felt bad for him. The cast was great. Jung Hae Kyun as Do Jae Hwan was great as the main villain, and I really hated his character. The music was good and fit the drama very well. If you are searching for a happy-go-lucky drama then this drama is definitely not for you. If you are searching for a drama with an amazing story that touched upon touchy subjects, and isn't afraid of watching dark and intense dramas then this drama is for you. Overall I would recommend this drama, and the ending made my eyes water. Was this review helpful to you?
More than just the simple BL it appears to be
Story:Wow, although I know that there have been various BL series where the couple adopt a son, this series took that theme to another level. I think it’s important that this is a Taiwanese series as Taiwan is the first and so far only (not counting Israel) Asian country to legalise same sex marriage and allow partial adoption for same sex couples. This series deals with some serious and prevalent issues that unfortunately many LGBT couples still face to this day, including homophobia, child bullying, and adoption as prime examples of this. It’s clear both Jerry and Damian don’t have supportive parents due to the simple fact that they are hiding their marriage and adoption from their families, and in episode 2 and 3 I understood why that was when watching Jerry’s mum. I’m honestly really happy to see LGBT dramas portray such realistic aspects of gay relationships, such as societal pressure and trying to come to a consensus with something both Jerry and Damian can agree on (in this case it’s having children). I love the fact that they dug deep into Kai’s confusion with having 2 dads instead of a mum and a dad, because it really shows the heteronormative society we live in where children are expected to have a mum and dad despite this fact not affecting anyone else except the family. Episode 5 was by far my favourite because it does such an amazing job to present the fear of coming out, especially to conservative parents which I’ve definitely had a lot of experience with. It was so heartwarming that their love could be accepted and I nearly cried at the final scene. Unfortunately episode 6 was when everything went downhill and they left it with a cliffhanger which will cause a lot of drama if a second season is made. I’m hoping that people uploading episodes illegally won’t affect the production from season 2, because I really need to know what’s going to happen now.
Acting/Cast:
—Melvin Sia as “Damian”- Melvin was such a great, natural actor. He has fantastic expression management and his acting is so natural and realistic, which I’m not surprised about knowing he’s already won several awards for his acting prior to this series. His interactions with his “son” and with Mike are so natural I could hardly believe this was the first drama where he played a gay character.
—Mike Lin as “Jerry”- Jerry is another amazing actor whose acting has such a natural feel to it and really draws you in. Jerry is definitely a very relatable character who just wants to travel the world and has such high aspirations yet, with a supportive partner, is still able to settle down while doing whatever he wants. In episode 5 he did an amazing job portraying the fears that those in the LGBT community still face to this day when coming out to close family members and friends. With Melvin I wasn’t surprised to see he was already a successful actor, but I was shocked that Mike is still so new to the industry, having only acted in 1 other series and 2 movies prior to this. Despite being so new he did an amazing job and I really hope to see him in future series too.
Music:
Other than the opening and ending there is nothing particularly memorable about it.
Overall:
A definite 9.5/10 for me. This may only be a short series, but despite its length there is a very strong portrayal of a married gay couple and their adoption, versus how those around them and society as a whole reacts to these connections. It’s definitely worth a watch but I would recommend avoiding the last episode until news of season 2 is officially announced, otherwise it’s going to be a very inconsequential watch.
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Had a bad day? Your own real life romance not going how imagined it would? Work/ school is hard? Then you shouldn't watch another drama about a pair of star crossed lovers who aren't allowed to be together ( although I do like those a lot) and you for sure don't need to watch that drama where two people keep on misunderstading and hurting each other. You don't need to. Not just yet. Just watch these 12 episodes and you'll feel better. Maybe I just got lucky and watched this very normal drama at a very correct time and place and setting of my life ( A time where I needed such lightness) but I hope that happens to you aswell...
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whoever decided on the pacing should be left behind and cut... jk not jk
production: i don't think the production looks low budget at all. even if it is, i didn't mind it and thought it was fitting for the storyline they had in mind.story: this is where they messed up. the plot can be engaging but the screenplay is the worst. the pacing is terrible, i don't know what's happening, and the end was clearly rushed. they could build the relationship more and tell the backstories much more but i ended but not satisfied... they need to invest on better screenplays because this is not it.
acting: the other two actors were good for bl standards, the actors that played yeong woo and yi bin. the other one that played ki jin is clearly a rookie and it showed especially on the "emotional" scene. but the acting didn't bother me it's the pacing that ruined this show for me. kudos on the kissing scene tho! they did a great job and it's not a dead fish kiss. like that's how you do a kissing scene!
ost: the ost is so good. i keep repeating the "wish upon the stars", it's a top 3 bl ost of all time for me
rewatch value: i won't be rewatching the whole show maybe some scenes like their date scene and the kissing scenes.. because that's the only good parts like why would i rewatch a show that has a terrible pacing.
overall: so much potential but they dropped the ball so hard... like the first few episodes are good but then they cannot make stories that feel fleshed out and not rushed. i feel like at this point, kbl need to focus on the story, because that's the reason some of us are watching. the kissing scene saved this bl for me, otherwise, it would've gotten an even lower score.
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Liar Game 2 is a continuation of the first and all the same elements of the 1st Liar Game are in play in this second installment.
The premise is the same but the games are different. I liked that for Nao, the stakes are higher. She gets involved with the games for a purpose and her over the top hope for finding the truth and honesty in humanity becomes a real part of the plot. Again, the relationship between her and Akiyama further solidifies as the games go on. There is character development. Not just for the leads but other character/s as well.
I actually liked the games in this one better; higher stakes, bigger losses, twistier games. All good things!
If you like Liar Game than Liar Game 2 is a natural progression. Why stop at the first when you get a chance to re-enter this strange world? I highly recommend this sequel.
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Thanks for believing.
This is an investigative Drama in which Romance is not a throw in the window.
Unlike your everyday detective story (especially the episodic one), This one has only one case through out
and it doesn't rely on how genius or clever the Protagonist is... or how awesome they solve the case.
Its a kind of drama that needs character investment. Every twist the plot will give you will strike lightning in your emotion. Observe, feel, analyze, it was very enjoyable and involving.
I know many viewers will pass this up because of its oldness and unfamiliar cast and if some random user attempt to watch it will drop it once he/she mis-concept it as a boring drama since the atmosphere isn't the same as the one we everyday saw in this generation. But if You have some dedication to taste a somewhat unfamiliar territory...you will be rewarded BIGtime as this was a genuine drama that are so rare and original.
Story
The first couple of scenes will give you an idea what the show will be going' and the first couple of episodes (which is somewhat slow but just need to build up the complexity of the characters).
It may somewhat buffles you especially for casual viewers..but after that..you will have the sense of it after you see ".....!!" and it will start to hook you..till the end. with Mind blown included. You will appreciate it greatly.
Characters
They are all 3-dimensional, They are all ingredients of the story..if one of them is not there, the story will not be completed. All of them behave different.
Any change in their behavior as the plot progresses affects a lot of consequences.
MUSIC
The OST here are overwhelming
The variety of music pieces have a sense of subtlety which is mesmerizing that doesn't need a lyrics to tell what they mean and let say it has a SOUL.
The sounds often tells many things more than the words not only just there to accompany the scenes.
Some dramas often have "saranghe" songs which is somewhat generic but sounds great ..that uses over and over again which is sometimes cheesy and you will not see it here
Replay
I think this drama is even better when see the second time around.
You know already the twist but you will get a lot of reasoning after repeating.
Good!
-Has a Very Complex Plot
-Moderate pace but detailed
-All Characters you see has a 100% importance to the plot
(3 dimensional characters)
-OST are very varied and haunting
-Very replayable especially for its kind
-Unpredictable
-Realistic (some plot devices can be superficial)
Bad?
-Old Drama
-Not Fast enough for casual
-Actors/Actress may not be familliar to you
-There is only one Song (OP)
-Some will think that a mystery drama has low replay value since you know what will happen the 2nd time around
-No Genius detective that uses more than 10% of their brain (this was proven a myth)
-no wacky moments out of nowhere (like we see in others of the same type)
My Enjoyment statistic
E01 8.5 / E02 8.0 / E03 9.0 / E04 10 / E05 9.5
E06 9.5 / E07 9.5 / E08 10 / E09 10 / E10 9.5 /E11 9.5
note: This is a Dark' Mystery Romance Drama but it is Moving.
There are less violence and not as disturbing as you think.
note2: I just put 9 on Cast and replay just you to notice how astonishing the 'story and the 'music is.
I really want to put 10s on all category in the first place.
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Maybe Horikita Maki has retired, but Kimura Fumino looked a bit like Maki (in my opinion) in this dorama. It may be her short hair. It may be her high cheekbones and sweet smile. From certain angles, she looked like Maki.
I don't understand why some people say she was frustrating in the first couple of episodes. I think any girl, especially any girl with bad experience in love, would be wary of any guy, no matter how cute or honest he looks, who approaches her and tells her he is her destiny. It is expected of the girl to be cautious, to be in doubt. If she agreed to be with him from the very beginning, I would have thought she was too naive and easy.
The story has the perfect amount of friendship (Makoto and his "rival", Haruko and Mitsue), good comradeship (Makoto and GOD, Makoto and his boss, Makoto and his coworkers), a nice rival (who is not really a rival, and who is just one of the nicest guys ever), present parents (who are there for their daughter). I liked the different tasks Makoto had to do, since it all served for a reason.
I am not satisfied with the ending. I was left with a "this is it??". I think there should be a SP. There HAS to be.
I love the OP and ED sequences. The dance was cute, and the song is pretty. I also like Yamapi's smirk when both of them are sitting in the couch, in the ED sequence. Only that, that same smirk is somewhat bittersweet in the final episode :(
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