this movie has strong depressing themes and a lot of brutality, rape, war, self-harm even human humiliation, so if you want to watch it, you need to know.
a movie about a girl who is 15 years old that gets taked by the japanese army in occupied korea in 1943.
along with many other girls who are her age and younger, they get raped, tortured and killed by the japanese troops, while most of her friends died, she survives and manages to escape, While in present day 2015, she is a halmoni now and she meets a young shaman 16 years old who suffered a similar fate of getting raped and later starts living with a shaman, the young girl helps the halmoni to go on a journey to send the lost souls of her old friends ( who got raped/killed in 1943) to a better place.
the movie did an excellent job in being both gloomy, dark and melancholic from minute 1 to the end of the 2 hours. I was in fear and agony all the movie. the writing, the cast and the entire production is damn marvelous. ill never rewatch this. but its a MUST watch even though its gruesome and just depressing.
Based on similar real case called the Nanking rape.
https://en.wikipedia.org/wiki/Nanking_Massacre
No shampoo will save you. you'll cry blood, I did.
movie quotes.
"the women are menstruating and the soldiers just kept on abusing then nonstop"
"If you keep your head and don't lose your wits... you'll survive through anything"
"you should have stayed strong"
"If we go separate ways, i think ill regret being mean to you"
"its like soldiers haunting butterflies"
Stream 720p HD
http://kissasian.com/Drama/Spirits-Homecoming/Movie?id=29308
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This review may contain spoilers
Give it a try
Mostly all reviews praise this show, with a lot of comparisons with Hometown Cha Cha Cha (and rightfully so). There was a lot to like about it, but there were numerous things that really bothered me, hence my lower score.What I liked:
-The acting by all was very good, but I did find Shin Hye Sun's constant pursed lip/pout talking very irritating after a while. I have loved her in other things she's done and never noticed her doing it before. I loved the friends, the families, the townspeople, and Samdal-Ri's little niece was just precious.
-Jeju. The cinematography was just stunning, and if this doesn't increase tourism, I don't know what will.
-I really like the idea of friends that have known each other for years, supportive of one another when apart, and then coming back together like no times has passed.
-2ML. I may have seen this actor in another role at some point in time, but I really liked him here. He had that almost palpable sadness surrounding him. Though it's not really realistic for someone to have one-sided love for that many years, the romantic in me just loved it. I also like how he was at odds with himself as to whether he should tell her or not. On top of that, he was just such a good friend to both the ML and FL.
-The sisters' storylines were well-developed and didn't feel wasted.
-Happy, though lackluster, ending.
-The friendship between the ML and FL. Which brings me to...
What I didn't like:
-For me, there was no chemistry between the leads. I loved them as friends but didn't buy them as a couple at all. Add to that that he thought she broke up with him, she thought he broke up with her, and all I could think was "how hard is it to just talk to each other?"
-So much drinking
-Drunk confessions
-The way the FL was written was problematic for me. She was portrayed as this strong, independent woman, but yet she slinks quietly away when the woman made up lies about her? She doesn't stand up for herself. She attended a long pity party for herself. I realize that the lie was pretty much the whole premise for the show, but it could have been written much better.
-Working with your ex? Nah.
-There needed to be a more satisfactory ending for the evil girl, she just kind of went away. I'm not a big revenge person but come on!
-After the 8-year (I think that was the amount of time it was supposed to be) time skip, we get another two-year time skip at the end. And that one made no sense. Suddenly he's going away to "realize his dream". Throughout the first part of the show, I really got the feeling that he NEVER wanted to leave Jeju.
-The ML's father's story line. It was immature and went on too long. If he was that troubled by Samdal-Ri's family, I'd think he would have moved away or something.
If you are still reading, I'd say give it a try, you might love it. I'm definitely in the minority.
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The story is simple, straightforward and pretty light-hearted. Which means the narrative barely touches the surface of the problems the protagonists are presented with. A few plot points even got abandoned with no explanation; a staple of lazy writing coupled with unmet ambition and an unclear story structure.
However, every now and then we need a drama that doesn't ask anything from us. A drama we can binge watch when we're tired and just want to have a good time. So if you're in the mood for a short and simple drama, this is a decent enough choice.
MAIN CHARACTERS: Fun but shallow
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The three leads are and remain two-dimensional. Though some characters (essentially Ma Sung Tae, the male lead) earn some growth, it's really not enough to add real complexity. However, the lack of character depth fits the lighthearted tone of the show. Keep in mind that, precisely because the characters are shallow, the acting (or lack thereof) won't really leave much of an impression.
Kang Cho Hong (female lead played by Yoon So Hee): She's cute, has power-infused charm, physical strength (provided by magic) and a generous heart. She's also naïve and immature, with the rules of her powers forcing her to be dependant on "finding love". Thankfully, her charms supersede her immaturity, leaning her towards a likable --albeit very flawed lead.
Ma Sung Tae (male lead played by Hyun Woo): Though he's an interesting character, it does take a while to get used to the actor. Take that with a grain of salt since whether you enjoy his acting depends on your personal taste. While some of us found his acting wooden and awkward, others loved him and swooned at his scenes. That said, Sung Tae is a chaebol whose secretly craving love. He's logical, gentle and, most importantly, willing to learn, adapt and change his views. He's also stubborn, arrogant and short-tempered.
Hwang Jae Wook (second male lead played by Hong Bin): He's a kind, selfless and handsome artist who's stuck in the underdog position when it comes to courting Cho Hong. Of course, he's also shown to be childish, irresponsible and immature. Out of the three leads, he's the most undeveloped and, perhaps because of that, he comes across as generic. He's a character that you can't really hate nor love and who's ultimately unmemorable.
SUPPORT CHARACTERS: Comic relief
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They were incredibly shallow but they did add some needed flavor to the overall story.
PORTRAYAL OF ROMANCE: Realistically immature
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Despite the urban fantasy setting, the romance was portrayed realistically. Which means the leads had to deal with misunderstandings, many of which were caused by poor communication. Thankfully, the misunderstandings got resolved fast in large part due to Ma Sung Tae's earnestness to make things work. He was habitually the one pushing Cho Hong to explain "what he did wrong" so he could "set things right".
If you're looking for a romance where both characters are active (and invested) in developing their relationship, then you'll enjoy this one. Even if it's not memorable, their relationship is fun and nurturing, with both characters putting their hearts on the line to make things work.
And if you're hesitating due to the love triangle, then be at ease. Kang Cho Hong is very assertive, so she doesn't flip-flop between the men.
OVERALL: Recommended as an absurdly light drama
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This isn't a unique or memorable drama. It's not even well structured. It has flaws in logic and, sadly, the main conflict gets resolved in a very absurd way (possibly due to the writers running out of time or ideas).
Nonetheless, for the most part, the drama is entertaining. A key to enjoying the show is to lower your expectations to avoid disappointments. So if you're tired and are looking for something very light to kill time, you might want to check this one out.
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Their mouths were filled with words, but their souls were clothed with the unsaid.
The very first week of February, I have realized that I have always desired to live between the borders of the city and the countryside. I both want the busyness of the city and the passive greenery of the countryside; just like how I always found Iceland fascinating with its crisp weather spring and cold, wrathful volcanoes and glaciers.As I watched Drive My Car, it seemed like I was able to dwell between such paradoxical parallels. I, myself, was in that red Saab 900 having a trip around all my own melancholia, detachment, joy, death, transformation, grace, and, perhaps, hoping that my final destination would be life, itself.
We, the audience, are actually the red Saab 900. As the car took its ride everywhere, it saw the sunny cities only to be blocked by hard, metal and concrete buildings. It hears of the city's sweet promises of opportunities, only to be disturbed by the rushing expressways. Then, it goes a little further from the city only to witness that the natured trees and floras were cold with thick snows. This was also how we perceive the characters in the film: there was beauty and brokenness within them.
Anton Chekhov's Uncle Vanya was featured in the film in which the main protagonist was working to direct an adaptation of the play using multiple languages: Filipino, Mandarin, Japanese, Korean, Malay, and even sign language. In spite of its multilingual feature, there is a certain silence or repression imprisoning the film. Their mouths were filled with words, but their souls are clothed with the unsaid.
The silence embracing the film, though, was greatly rich. There were some parts that I was close to shedding a tear even though there were no exaggeratedly loud neither emotively suggestive background music and acting performances. It was not emotionally manipulative and it truly was its genuine intentions and authenticity that moved me.
Drive My Car truly moved me that I didn't even realize that it could be slow. That slowness, though, was very purposive. For that's how it is to go through grief and to wait for life. It can be slow, as if you are being sucked out of life and light. How could you expect a film about grief and healing to move so fast and quick?
Towards the epilogue, Misaki was seen buying her groceries and driving the red Saab 900 with her new friend, a dog (which made me squirm a little for how adorable it was). At that moment, I understood that life is not the final destination. Life, itself, is the journey. For life does not stop, but it keeps going on. The dead has reached their destination already, but, we, the living, must keep going on with the journey. Keep driving your car, humans.
†† † † † ‡
"What can we do? We must live our lives. Yes, we shall live, Uncle Vanya.
We shall live through the long procession of days before us, and through the long evenings; we shall patiently bear the trials that fate imposes on us; we shall work for others without rest, both now and when we are old;
and when our last hour comes we shall meet it humbly, and there, beyond the grave, we shall say that we have suffered and wept, that our life was bitter, and God will have pity on us.
Ah, then dear, dear Uncle, you and I shall see that bright and beautiful life; we shall rejoice and look back upon our sorrow here; a tender smile -- and -- we shall rest.
I have faith, Uncle, fervent, passionate faith."
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The actors played their roles well. Not to mention the small Tomoya, what a cute and smart kid. He was able to make us feel his emotions, and his love towards his mom. ´
Even though he was the 'killer', I couldn't help but fall for him, wish I could go there and hug him right now.
Please watch it. I have no regrets, and I'm sure you won't either :)
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Ultimate level of 勾心鬥角
Love of Nirvana captivates with its realistic portrayal of modern geopolitics. A small nation, ethnically distinct, is caught between two superpowers, both exploiting its vulnerable people for their gain. This narrative resonates deeply with today’s global conflicts, fitting seamlessly into the dynamics of many contemporary war-torn regions. The way each party's narratives echo current geopolitical rhetoric is striking. As history often teaches us, it repeats itself.Storyline
The plot is compelling. Though viewers receive numerous hints about the villain’s identity, the uncertainty lingers—no one, including the main characters, can be sure. The villain masks his malice with an appearance of benevolence. Amid the political intrigues, a love triangle unfolds, but the female lead quickly discerns her true love. True to the nature of palace historical dramas, the story brims with scheming, deception, danger, and a love that transcends adversity.
Characters
The three main characters deliver standout performances: Wei Zhao (Ren Jia Lun), Jiang Ci (Landy Li), and Pei Yan (Jeremy Tsui). Wei Zhao, who initially tries to kill Jiang Ci multiple times, gradually falls in love with her. Despite the harm he inflicts, Jiang Ci finds herself irresistibly drawn to him. Pei Yan, hopelessly in love with Jiang Ci, is willing to sacrifice everything for her—except his family honor, which continually holds him back. Their respective sidekicks add depth, highlighting the honor and loyalty the male leads inspire among their followers.
Performances
The main cast consists of seasoned actors. Wei Zhao is a deeply conflicted character, torn between consuming hatred and a hidden sense of compassion and duty. Ren Jia Lun portrays Wei Zhao’s cold and brutal exterior with a perpetually stern, frowning expression, making the character wholly believable. As in many of Ren Jia Lun’s dramas, there are no overtly intimate scenes. Still, the subtle storytelling conveys the deep intimacy between Wei Zhao and Jiang Ci.
Landy Li excels as Jiang Ci, effortlessly transitioning from innocence and playfulness to moments of courage and vulnerability. She nails every emotional scene. Jeremy Tsui’s sly smile and sharp features make it difficult to discern Pei Yan’s true motives, yet the actions of his sidekicks provide insight into his character’s internal struggles. Wen Zheng Rong delivers a powerful performance as Rong Yu Die (Pei Yan’s mother), transforming from a ruthless, ambitious figure to a resigned, defeated one. Ryan Zhu (An Cheng) and Zhao Hua Wei (Yi Fei) also shine as the loyal sidekicks of Pei Yan and Wei Zhao, respectively, evoking deep emotional investment from the audience.
Dialogue
The script is well-crafted, with cohesive and engaging dialogue. Given the heavy tone of the drama, comedic moments are sparse. However, the narrative effectively reiterates Wei Zhao’s quest to clear his father’s name, Pei Yan’s ambition for the prime ministership, Rong Yu Die’s obsession with placing her son on the throne, and Jiang Ci’s lighthearted pursuit of tasting the world’s best food and meeting up with her "shifu".
Music
The official soundtrack is phenomenal. Each piece evokes vivid memories of the drama’s key scenes—whether battles, romantic moments, or thinking of homeland. Even without watching the series, the music alone conveys the essence of the story.
Ending and Final Thoughts
The ending is predictable, with subtle clues dropped throughout, yet it still delivers an emotional punch. It’s heart-wrenching that the lovers are kept apart by circumstances, though they remain united in spirit. Personally, I would have preferred seeing them perform the marriage ritual together rather than separately. Perhaps the ending suggests that love transcends physical presence, uniting them spiritually instead.
If you can handle a fast-paced, emotionally intense drama with a bittersweet ending, Love of Nirvana is a must-watch.
TWO THUMBS UP!
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they really did the best with the added side characters tbh, usually they focus so much on the main that it feels flat, but here they gave them each enough background to feel real and I was as invested with them as the mains.
even that random guy everyone sat on was beneficial (I laughed until I cried at that) xD
the movie had enough suspense that it never got boring, and even though it's only 1 hour 40min it still delivered a solid story that puts 2hour movies to shame.
my favorite part was of course the female lead, I love "strong" fls and that means a well written fl, she was smart, funny and amazing.
the ml was the cute kind, he was sloppy but still competent and the little girl was a chip of the old block xD
I never rewatch stuff but I'd love to rewatch this with family or friends, so overall this will join my favorite movies list ❤
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born to be Alive drama, enjoy to watch so good drama,. acting, yang Zi &hu ge perfect
The journey through the first 28 episodes of "Born to Be Alive" has been nothing short of transformative. This drama is a rare gem that balances a gripping narrative with a deep, humanistic core. Set against the breathtaking yet harsh landscapes of the Tibetan Plateau, the story follows Bai Ju (played by Yang Zi) and her relentless pursuit of justice and environmental protection.The Evolution of Bai Ju
Yang Zi’s portrayal of Bai Ju is a breakthrough in her career. From the early episodes where we see her growing up in the Gobi Desert to her transformation into a courageous police officer, Yang Zi captures every layer of her character’s growth. Her dedication to the role is visible not just in her acting, but in her physical transformation—sporting a natural, "outdoorsy" look that perfectly reflects the life of someone living on the plateau. By Episode 28, Bai Ju has evolved from a girl searching for self-worth into a formidable guardian of the land.
A Legend of Two Generations
The dual-narrative structure, which connects the anti-poaching struggles of the 1990s with the modern-day efforts for ecological revitalization, is masterfully executed. Hu Ge, in a special appearance as Duojie, brings a profound sense of gravity to the show. His character, inspired by real-life rangers, represents the legacy of sacrifice that Bai Ju eventually inherits. The interaction between these characters—across different timelines—highlights a faith that is "engraved into the land".
Cinematographic Brilliance
The production quality, led by Daylight Entertainment, is world-class. Filmed on location for over 188 days, the series delivers visual purity that makes the audience feel the weight of the vast, no-man's land. The cinematography captures the "Tibetan aesthetics" beautifully, from the snow-capped mountains to the simple, yet profound, daily lives of the people. This isn't just a drama; it’s a cultural tribute to the guardians of the Qinghai Plateau.
Fighting the Noise
It is clear that the malicious 1-star ratings do not reflect the true quality of this production. Real viewers are captivated by the varied social issues the drama tackles—from the fight against illegal poachers to the complexities of poverty alleviation. The story of Bai Ju catching her brother after he was scammed by human smugglers, or the heartbreaking sacrifices of the mountain patrol team, are moments of high emotional stakes that keep the audience hooked.
Conclusion
"Born to Be Alive" is a powerful testament to the resilience of the human spirit. It is a story where "life protects life," and hope continues to grow even in the harshest environments. As the series approaches its final episodes, it remains a must-watch for anyone who values high-quality scriptwriting and stellar performances. Yang Zi and Hu Ge have truly delivered a masterpiece. Rating: 10/10.
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Akiko Ohku special gift
I feel like I'm constantly telling people how Akiko Ohku has a special gift and eye for capturing anxiety, loneliness, and more. But the women she creates are so damn complex, wonderful, vulnerable, anxious but LOUD! They talk, they are active; they have flaws. Their insecurities, fears, and vulnerability never make them passive characters that just exist on the screen. Women in films and on TV are still to a degree depicted as likable and polite. Even the supposedly powerful women characters are powerful but not too powerful to make others uncomfortable. But Akiko Ohku always pushes those boundaries with the women she creates. She also casts another wonderful actress, Non. Just like Mayu, she is so damn good at her job.Was this review helpful to you?
This review may contain spoilers
Major Spoiler Alert!! This is not the typical high school drama. The story line is definitely tricky because it has to do with an "overweight" girl and what you consider to be attractive ("fat" vs. "skinny"). It's no doubt a sensitive topic for many viewers. But I'm not sure what the skinnier version of the FL really had to do with the drama. She appears here and there as an inner voice for the FL and we see her at the end, but to be honest, I didn't really know why she was there. The "overweight" FL was cute, put together, had friends, and she came across as being a "normal" student that faced being bullied for her weight in a brave manner. She liked the ML and wasn't afraid to talk to him or hang out with him (although I really couldn't find the chemistry between them). BUT 10 years later, the skinnier version of her wasn't any braver, seemed nothing like what she was like in high school, and looked SO sad. What happened to the adult FL in the 10 years since high school to make her lose that much weight. I never got the sense that she was obsessed with her weight to begin with. There was such a disconnect between the younger FL and older FL.
The drama spent so much time in high school (barely any time as an adult) that I didn't understand their adult versions. I just knew the FL went on a ton of blind dates (no idea why since she was so pretty). There seemed to be no personal growth for either the FL and ML beyond high school and no happy ending for ANY of them (the leads or any of the side characters). It's like the writer's decided that once high school ended, all connections would end too.
The last scene in the car, literally looked like something that would happen in the middle of a 24 episode drama, instead of the end of a 12 episode series. I was left wondering if there was a season 2 and if not, how depressing. I don't know... I'm at a loss.
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I love this story despite its disconsolate premise and tragic ending. Why? Because first, it makes you grateful in life, of the fact that your family is still with you despite the countless bills you have to pay, of the fact that you're alive and healthy despite the heartbreak you may have suffered or the job you lost just a week ago. It never fails to remind you to be thankful of the people you have in your life and those little things you may take for granted every day (like being able to walk, use your hands, or just simply being able to see the world), to be compassionate, and to be selfless to certain family members who need your time and love. Second, Aya's life story teaches you how to be strong and keep your faith in God. I cannot even imagine what I would do if I had been in Aya's shoes. Imagine, suffering from a ruthless disease without any hope of recovery? Agonizing. Yet, she managed to deal with this very hard blow at such a young age with the maturity of a person maybe twice her age. At 15, she had the whole world at her feet. And yet, she needed to handle this heavy burden. You may ask yourself, "how could this happen to her? why would God allow her to experience such suffering?" For me, it was because she was especially chosen for this mission: to uplift people who had lost hope or are about to lose hope. Losing hope is the most dangerous thing that can happen to anybody. Hopelessness prevents people from thinking that there is still an opportunity to change things and that problems are transient. It's a path to suicide. And it hurts not only yourself but also the people who care about you and those unfortunate enough to come across your way because it makes you numb to another person's pain.
Sawajiri Erika was wonderful, just wonderful. I'm sure her performance in this drama would've made the real Aya in heaven proud and happy. It was earnest as I had felt her struggles, her fears and her gratitude as if she was a close friend. I thought Ryo Nishikido was wooden at first. He didn't seem to express any feeling apart from anger and standoffishness. But later on, when he fell in love with Aya I could see him gradually open up after his brother's tragic death. It was difficult to 'get through' him because he had shut himself out. Not even his parents could understand him. But Aya broke down those walls. I'm grateful that Aya's real mother made the suggestion to the producers that Aya be given a fictional love interest like Haruto. It softened somewhat the impact of her suffering and death because she was given another person to support her and love her. The real Aya must have been really lonely.
Aya's family were wonderful as well. I especially loved the mother and younger sister. Honestly, I initially didn't like her sister because she was petty and mean but she proved me wrong. I loved that she was very protective of Aya whenever people made fun of the latter because she had begun to walk in a funny way as the disease progressed. Oh and the OST? Listening to 'Konayuki' all over again makes my eyes tear up.
There are instances when a drama loses its luster and charm after a lapse of time but you know what, the fact that I watched it more than a couple of years back is immaterial because I realized that the emotional impact and the lessons which this drama gave me remain. So what if it's a "sad" drama? Don't be put off by the nature of the story, it being a tearjerker and such, and that the ending (or every episode, depending on how sensitive you are as a viewer) will most likely make you weep and sniffle. But watch it because it's a story about strength, about hope, about keeping it together no matter what happens in life. Life, after all, is a battlefield. We need to pick ourselves up after every fall, every heartbreak and every failure. Aya was able to do it. So should we.
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1The acting from both of the leads was decent but I didn’t t feel much chemistry between them. The saving grace for this series was the relatively unknown Deng Lun at the time as his acting and screen presence made this drama more enjoyable to watch. His portrayal of the cold blooded Fox Demon Zixu is captivatingly graceful and gorgeous and i was mesmerised by his acting. Deng Lun was able to expresses the coldness of the character but at the same time ones can feel the deep love that he has hidden deep in his heart towards Daji.
To be honest I was more interested in the story between Daji and the Fox Demon than that of the main leads. The chemistry between the Fox Demon and Daji is also more intense.
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I've wanted to watch this movie for months, and once I found it subbed I couldn't wait to see it. First of all the actors were great. Uhm Jung Hwa,Song Seung Hun, and Kim Sang Ho are veterans. You can always expect great acting from them! I was actually impressed by Seo Shin Ae, she's improved a lot since The Queen's Classroom. It was a great cast, and this type of role definetly fits Um Jung Hwa.
The story itself wasn't new at all. Like some people were discussing in the comments, this movie is a remake of a remake of a remake. However, it was my first time watching and I found it to be a very heartwarming family movie. The plot moves at a nice speed and you might even shed some tears here and there. It's not groundbreaking but it is entertaining. Watch it, you won't regret it! Personally I'm always looking for these types of movies. Seeing someone's world get turned upside-down
I honestly cannot remember a single song from this movie. There is a soundtrack CD, with a lot of songs, but they just didn't register with me.
Overall---: I'll definetly be rewatching this movie. It has comedy, drama, and even romance ( although not enough ). I was satisfied by the ending and I think it could even have a second part. The actors fit their characters extremely well and the plot had enough twists to make it a memorable movie.
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I've been waiting for this as a manga reader and it did not disappoint
This drama is a live action adaptation of the manga imawa no kuni no Alice . I read it some years ago and it's been one of my favorites ever since , so I was very excited when I saw it was going to have an adaptation and I'm so happy it's finally here . I knew Sato Shinsuke delivered some well claimed works before and this one did not disappoint either . The story is about 3 high school friends Chota, Karube, and Ryouhei hanging out late one night when they see fireworks. After one blindingly bright explosion, they find themselves waking up in a different world , called the "Borderlands" , there , people are forced to participate in potentially deadly games . Each game is different so you never know what might happen and never get bored , each type of game focuses on different strengths , there are some that test your physical strength , others that drain you psychologically , games that force you to use your mind or even ones where you have to rely and collaborates with others in order to win . There were a few differences from the manga but it stays a pretty faithful adaptation , and personally I liked the new games presented in it or the different approach to them , it was refreshing and felt like a totally new experience for someone like me who've reread the manga many times . I binge watched the series in a day and I already can't wait for the next season , which was hinted for in the last episode .Was this review helpful to you?
This review may contain spoilers
meh
ok! i watched the cdrama og ver of this and i enjoyed how the lines between brother vs not were clear… cuz lowk that was incest LOL. and also enjoyed how there wasn’t a love triangle cuz that’s so yucky. additionally rly rly loved dal in this one. plus the couple was soo cutie. except why was he so dumb and i wish he liked her more throughout and we could see that. main couple was cute ish, good looking. not a lot of character tho!!! like erm idk what their personalities are like… also the dad liking the runaway mom girl was weird for me cuz huhhh how did he like someone so fast. ya this was jsut ok for me pretty cliche and not rly anything new.Was this review helpful to you?
