Reviews

Chess Game Within Chess Game, Maze-Like Writing, Intricate Plots With Compelling Characters

Finally, after waiting for nearly 5 years, the much-anticipated Joy of Life Season 2 comes with a bang. While the first season basically one of the best written scripts in the past 10 years in Cdramaland, the 2nd season as expected still managed to retain the same quality, vibe and layers with new interesting characters and stories.

Again, the things that made Joy of Life stand out among the sea of Cdramas is the maze-like writing and compelling characters. The depth and layers the script possessed are truly one of the best I've seen in the past years. I love how the writer have trust in the audience to interpret and understand the depth of the script on their own -- without telling us via monologue or dialog between the characters. It was so smartly written, with intricate and complicated plots also with so many layers for every characters. The Emperor's wisdom is the greatest example of this -- there are always layers to his words, not just 2 but sometimes 3 to 4 layers. Take example the lunch meeting between him, Fan Xian and his 4 sons -- the Emperor's always want his government clean as he took pride in them but at the same time, 'You can investigate, but not until it threaten my position and my ego.' -- he likes Fan Xian bold enough to make that accusation regarding 2nd Prince's treason, but at the same time, he throw Fan Xian's batch into the lake to save face towards the 4 of his sons but behind the scenes, he gave Fan Xian the Tiger squad to assist him with the corruption case. He is very calculative with everyone and there is always wisdom in his action -- he gets things done without dirtying his hands. He plans, make use of someone and still get what he wants in the end.

Some people might confuse it with plot holes or out of characters behaviors but when we decipher the scene that happened, it proved how we can’t simply interpret the scenes from the surface only. Like Fan Xian poisoning the 2nd Prince. It is truly deliberately done on purpose to mess with the 2nd Prince -- it wasnt because he is reckless or stupid. Fan Xian wants the 2nd Prince to taste his own medicine as he simply treats the 2nd Prince's life as worthless just like the 2nd Prince's view of everyone else's lives. But look now how his life is in danger, look how he behaves -- scared like everyone's else -- very embarrassing to witness. If Fan Xian really want to kill him, he will not purposely show him the poison and later give him an antidote. This is all part of his mind games. He never intended to kill the 2nd Prince. But, he achieve his purpose which is to send the 2nd Prince a message on how his life, just like everyone else is fleeting and can be gone at any time. This served as a warning to him. Also, this again to highlight that Fan Xian has always been petty with a Slam Dunk reference ''Sorry, my hand slipped'' when he threw the wheelchair to the 2nd Prince -- the pettiness that totally mirrored Rukawa & Sakuragi. XD

Also, how upon rewatching, you discover more thing about existing scenes from before. Like how we can view certain characters differently upon knowing more about them like the 1st Prince for an example. It is after all not about pissing contest against Fan Xian during his entrance to the Capital -- but more towards he wants to test Fan Xian's character as he is the man who is going to marry Wan'er and in charge of Treasury in the future. Then later, his future alliance with Fan Xian comes as no surprise as he is a man with moral and just because of that, he will help Fan Xian with his mission to create a better world for everyone.

Also, the foreshadowing is really strong in this season! Like how Fan Xian check the pulse of Prime Minister and the mirror scene where he checks it again in front of the Emperor. Or the foreshadowing that the Prime Minister keep telling Fan Xian to learn how to be cunning like The Emperor or to never to trust him -- like he predicted Fan Xian will oppose the Emperor in the future. Or First Prince's faceless paintings to Princess Royal's saying 'There is someone who doesn’t appreciate her beauty' -- all these are hints for the coming 3rd season that’s about to come. I love how conversations between the characters are either laced with poisons or secrets and that the ''joy'' of watching of Joy of Life. All the little details in the drama makes the story -- I love to catch all of these as it usually served as hints on which characters we should trust or not. For an example, the way it always emphasis how the 2nd Prince use human as stair when he took the carriage while Fan Xian's Dad, using a normal stool. Also the special feature on Chan Ping Ping's chair -- it shows how he is still after all still guarded against the Emperor. Same with how even before the revelations, I knew it was the Crown Prince who brunt the village down and it wasn’t the 2nd Prince. This is effective storytelling as when you combined all the hints one by one and understood the nature of each character, you know what to expect from them -- like the Crown Prince already show his fangs since the first season and only this season we know how dark he truly is -- probably darker than the 2nd Prince.

I love how 95% of the casts are still the same. And it awe me how they didn’t seemed to age except Zhang Ruoyun did lose a lot of weight from the previous season. And again this season, he returned more kick-ass than before -- Fan Xian is still literally one of the most layered, rich and brilliant character I have encounter in Cdramas. He didn’t lose all the characteristic that made him so spell-bindingly shining -- almost like a sun, in fact, this season he just further confirm why he remain my most favorite fictional character -- with how colorful, how unyielding, how he didn’t seem to care for anything but actually care too much, and how he is very uninterested with the power game, yet very good at playing it. He is like a male lead I always want in my dramas -- the one that I always root since he never ever makes any stupid decisions, like ever. I guess I watched too many dramas with the leads yielding to the bad guys' request when they are put in the corner so Fan Xian, is a refreshing case since you can threat him with his love ones, yet he still won’t follow your requests since he is playing the game better than anyone. I'm so happy that all my favorite veteran actors; The Emperor, Chan Ping Ping, Fan Jian, Prime Minister, Fei Jie all reprising their roles and in this season and we get to see many layers of them even more.

And even the new actors, I actually enjoy them -– it’s actually very rare for me to actually love mostly 95% of the characters in one single drama but how can you not? They are all written with little quirks that makes them interesting like the charismatic 1st Prince, the nervous but funny Beiqi Princess and some small supporting actor such as the 2nd Prince Guard -- on how dumb he looks, and always seemed to judge the Prince and how he is studying for imperial exam. Or the even the new Yan Bingyan -- I adore him. I love how he will always try not to laugh everytime Fan Xian did something funny. And it is the best where he finally let a big smile after being trolled by Fan Xian to pay for the whole breakfast.

And with Joy of Life, I find all the villains fascinating instead of hating them. I don’t root for them, but I like them as characters. I don’t remember I dislike any villains in the drama -- and we have a lot -- actually a lot of really grey characters. There are always endearing part of them and that includes the very hateable character The Royal Princess. But I like her a lot -- there is some wickedness in her that screamed deranged but all hide in this beautiful and alluring façade. Or the 2nd Prince -- how he seemed all unserious and casual but at the same time enigmatic and mysterious.

While I always love Joy of Life for the menacing storylines and their intrigue plots, Fan Xian's family dynamic is still one of my very favorite parts of the story. I love how the writer explored the Fan family dynamics to the fullest this season; his Dad is the one who takes him home and pretends not to care but we all know he cares the most. Then his step-mum, how Fan Xian honoring her during his wedding. Then Ruo Ruo's blind faith on Fan Xian and the ever adorable Fan Sizhe, he has finally grow up! I love the part where he finally gets those words of care from the Dad. What a wholesome family! Then we have Wan'er -- I adore adore Fan Xian and Wan'er's relationship. Wan'er represent the life that Fan Xian really wants and he finds calm and tranquility with her -- something that he didn’t get from anyone else. Reminds us that despite the world might be chaotic for Fan Xian, he can always return home where he can finally let his guard down and trust his family fully.

What made Joy of Life simply brilliant is how both the good and bad guys are EQUALLY intelligent and brilliant. It wasn’t a one-sided battle of wits. It is a chess games within chess games kind of story -- we always thought Fan Xian control his destiny (even when he act in his own free will) but no, all these are calculated as he is simply a chess piece as they predicted all that moves from him -- even the controversial ones. However, I love the very fact that Fan Xian truly live a very fulfilling life with no regrets so it isn’t frustrating to watch or root for him. One thing in dramas that I dislike when characters always holding back and wait for their next life to change their fate but not Fan Xian. He truly lives his life to the fullest and loving all the people in his life at the best of his ability. Thus, even if he dies in the middle, he lived a fulfilling life with no regrets and stay true to his ideals and principles -- the best kind of life -- suit the drama's title to a T.

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A romcom that knows it's doing too much and still pulls it off well!

The drama is chaotic and it is one of those "why am I grinning like an idiot?" experiences, and honestly, I am pretty much okay about it. It is self-aware of what it wants to be, slightly unhinged yet somehow it is grounded enough to make you emotionally invest in it.

Khun Thee is the biggest gamble here and it paid off left and right. He is arrogant, clueless, and wildly out of touch, but in the harmless, oblivious way rather than malice. But beneath all the over-the-top antics, he is someone who is learning very basic things but important things like sorry and thank you (it is very hard to believe... I KNOW, but once you watch the drama, you will understand). Watching someone emotionally stunted like him learn things was scratch was very effective, even if it was buried under comedy.

In contrast, Peachayarat (Peach) is the exact opposite of him. If I talk math (I don't know why but go with it), in the Venn diagram of the Me and Thee universe, Thee and Peach have no intersection. He is grounded, logical like a "normal" person and emotionally intelligent in a way that doesn't feel preachy. From a distance, he may look like he has everything in control and is living the best life. But once we get to know him, the cracks of loneliness begin to show and from the point of no intersection we have two separate circles slowly drifting closer, breaking a few mathematical rules along the way, until the impossible happens and an intersection appears, a shared space that wasn’t in the original diagram but somehow becomes the only part that matters.

What makes their dynamic click is how perfectly they offset each other. Thee is excess in human form, while Peach is restraint done right. Thee blasts into Peach’s world all chaos, sunshine and sparkle and Peach, very patiently and almost effortlessly, shows him how to take up space without causing damage. Watching them navigate their relationship was both absurd and heartfelt at once, and that strange combination is exactly what makes it work.

Now, most of it worked for me, but what didn’t quite land was that I felt Peach, as an individual character, was neglected. As a lover, we see different layers of him and how much of a delight it is to watch him put Thee in place but I wish we explored his side of the story a little more in detail too. I wanted a bit of his inner world explored. I feel like we saw him more through the lens of Thee on how he reacts to Thee, how he softens or challenges Thee.

Also, the whole mafia background isn't to be taken too seriously. It was a plot device to provide Thee his unique personality but beyond that, it doesn’t carry much weight in the story.

Another thing that bothered me was the supporting characters. I feel like both the other pairs, Tawan - Aran ( Perth- Santa) and Mok - Rome ( Est- William) were underused. While Mok, as an individual character, did stand out with his relationship to Thee. There was such a surprisingly emotional layer in their dynamics. But apart from him, I feel the story would have been exactly the same without the others.
Aran - Tawan's story had so much potential but I didn't find it cohesive to the original storyline. The way kept disappearing and appearing again to serve us crumbs of angst could have been dealt better. Mok- Rome definitely had more screen time and a fleshed-out story compared to other couple, but it felt very superficial. They teased us and it could have been more.
I love William Est & Perth Santa, and I was happy to see them on screen together, so maybe it's just me being greedy to see more of them!

Coming to the comedy, I did enjoy the exaggerated, over-the-top humour with dramatic meltdowns that was both sort of insane but always in-character. It was silly and very self-aware. I straight-up laughed (with sound and everything not just the LOL expression one) at how absurd everything got and honestly had a blast the whole time.

Acting-wise, Pond Naravit has the time of his life as Khun Thee, and it clearly shows in his performance. I have seen him in previous dramas and without a doubt, this is his best performance. Phuwin has improved too, since the last time I saw him. This is my highest-rated series of both of them and the roles suited them. Est in glasses was not on my bingo card but I will take and accept anything without complaints. William, Perth, and Santa were okay too, acting-wise, though they didn't get much screen time.
Visually, the drama was stunning. I couldn't find any faults. Though I wasn't a fan of the music choices here.

Overall, this is fun, warm and kind of drama that doesn't take itself too seriously but is surprisingly thoughtful. Will I recommend it? Hell yeah!

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I was never planning on writing a review until I watch this drama.

This review reflects my opinion only.

There are so many positive reviews on this site that I thought I might give this a try to give one among few differing opinions here for those looking for it.

Story:
There is not much logic to be found in this story. As many know already, the e-sport aspect has been butchered by the writer so I'm not gonna pretend to understand the industry and give my two cents.
Too much fluff in the relationship between the leads and any conflict feels superficial. We're not shown why the ML fell for FL, or the process of recognizing his feeling, properly. He just suddenly started to flirt with her for everyone to see.
The plot is very tropey, just like CEO cliché story transplanted to e-sport industry: Genius, super rich male lead with the short tempered girl.
Side characters serve no real purpose other than to react and facilitate the relationship of the main lead couple.

Acting:
Only touching on the leads acting here.
Xu Kai is okay, not great, not too bad either. If he has any brilliance to show, the script wouldn't allow it haha.
Cheng Xiao is very bad at acting, period. She has mostly the same facial expression throughout, wide eye repertoire when she's trying to emote. She even acted the same way after Tong Yao fell off the stairs (can't remember the episode). She's been in a few dramas already, none of which I've watched, and starting with lead character from the beginning. She'll continue to act as leads in the future, but if her performance in this drama is any indication, I wouldn't watch any of them.

IMO, this drama is overhyped on this site.

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LOVE ISN’T BLACK AND WHITE, NEITHER IS LIFE!

***DISCLAIMER: This is just my opinion after watching the drama in it's entirety. I will try to remain unbiased and give an honest review. We don’t have to agree and I’m not here to argue with anyone.***

This show should really be called “The Price / Cost of Love” , “Understanding Love” , “Walking With You” , “The Time of Us” or “Sandcastle” (iykyk❤️)

I enjoyed this drama so much. Contrary to popular belief that this show is “ trash” blah blah blah (insert other bad comments / non-constructive criticism) I feel like it was realistic and people can take various life lessons from it. The biggest lesson that was emphasized was for people to stop sitting around wondering “what if” and instead seize the day, go after what you want / who you want because it might turn into a missed opportunity and you will have to live with regret. The second was don’t make rash decisions in the spur of the moment or lie because you’re afraid of confronting and dealing with your feelings. And lastly, stop running away from your problems because they will eventually catch up to you.

Imo this drama was refreshing considering I’d only ever known Moon Ga Young in juvenile roles. It was nice to see her portray an adult and go through “grown up” issues. I feel like I can finally relate and empathize with her character now.

General Overview:

Su Yeong is a young woman with a dismissive avoidant attachment style who struggles with depression, scars from the past, grief from her brother's death and a broken relationship with her family. She first meets Sang Su when he comes to the bank and she’s his senior who has to train him and help him learn all the tricks to being a bank clerk. They got closer and she really was there for him. Fast forward 3 years later he has been getting promoted while she has remained in the same position. Su Yeong feels as though her life is stagnant and she won’t move forward in her career compared to her peers because they all have college degrees whereas she does not. She develops a bit of a complex because of this and realizes no matter how hard she works or tries she’ll never get promoted. She realizes her place in society as she is from a poor background and has no degree. Everyone looks down on her and makes up rumors about her even though they don’t have a clue about who she is. Sang Su seemingly has a crush on Su Yeong and at the beginning of the drama he attempts to pursue her. They go on one date and agree to go on another however when Sang Su was on his way to meet Su Yeong he hesitates. She can see him from the restaurant… notices his hesitation in coming to see her and she feels horrible. She immediately leaves and essentially shuts him out of her life.

As the story goes along you kind of understand why Su Yeong ignores him and pushes him away. For the first time in her life she was willing to let someone in and truly be happy but in the end she realizes they would’ve never worked out because of their places in society. She ultimately decides it’s better for her to go on without him and pretends to date Jong Hyeon instead at first to get rid of Sang Su and quell her feelings for him but along the way you can see her tenderness for Jong Hyeon as she feels sorry for his unfortunate circumstances and invites him to live with her instead of quitting his job as a security guard and moving away. Enter Mi Gyeong — a college friend of Sang Su who is clearly into him and will do anything to get him wrapped around her little finger. She eventually senses that there is something between Sang Su and Su Yeong and goes out of her way to befriend Su Yeong by giving her gifts, taking her to dinner and finding out what she likes / dislikes. Anything to keep Su Yeong at bay and also guilt trip her into backing off from Sang Su for the sake of friendship. If keep your friends close and your enemies closer was a person, that would be Mi Gyeong. Nevertheless, her plan doesn’t work out because as it is Su Yeong and Sang Su are incapable of staying away from each other.

There’s a lot of unnecessary drama in between of them fighting feelings for one another, entering relationships they had no business being in because they were still hung up on each other / pining for each other unintentionally. There was literally no need for them to bring other characters into their business/drama. I hated Mi Gyeong, Gyeong Pil, and Jong Hyeon just a little bit more than usual because even when they found out the truth they tried so hard to make Sang Su and Su Yeong’s life more unbearable. That to me proved that their desires were more important than what the people they claimed to “love” needed. If that’s not selfish idk what is. People can call Sang Su and Su Yeong selfish for wanting to break up with them but they were selfish in different ways. Like be so frl, I got sick of them acting like they got the short end of the stick and were done the worst injustice by Sang Su and Su Yeong breaking up with them. Like sometimes people have to make tough decisions for themselves even if it hurts someone else’s feelings. I feel like Su Yeong and Sang Su both always spent their lives putting others before themselves and the one time – THE ONE TIME, they wanted to choose themselves (be selfish) and go after love / the person they truly wanted to be with it was such a huge problem. At least they weren’t trying to stay with their partners and cheat behind their backs. That would’ve been so much worse / messy. The worst part is that they both tried so hard to spare Mi Gyeong and Jong Hyeon feelings but ended up doing the opposite and hurting themselves in the process. They even admitted their faults and apologized multiple times but somehow it was never enough… especially for Mi Gyeong.

Lmao don’t let me get started on her. I just hate how she pretends to be a “nice girl” when she is in fact very self-centered and mean. She befriended Su Yeong because she sensed that there was something going on between her and Sang Su and she thought that if she was nice to her and kept on buying her things she’d feel guilty and back off. It was so disgusting to me the way she’d worm around situations and try to have everyone bend to her will. She wanted to be so different from her father but eventually she realized she was just like him and then defended him by saying "that’s probably how he shows love"??? That was bullsh*t. Not her condoning her father's actions in order to justify hers, then perpetuating her continuous desire to control everyone and everything by trying to buy their favor.

In my humble opinion, Sang Su and Su Yeong’s moments were precious… anytime they talked — really talked and listened to each other on long walks, drank (playing the “truth” / “lying” game), or hung out by the seaside — it was really beautiful. I felt their emotions pull on my heartstrings and bring me to the point of tears several times. For me, it was like “How can two people be so right for each other yet not stand a singular chance of being together?” They had mutual understanding, comfort, and peace whenever they were with each other. The harsh reality is that both were stupid and allowed society and other people's opinions of them ruin what they had. People told them they shouldn’t and couldn’t be together and they believed them instead of believing in their relationship and what they had.

Her leaving Sang Su the last time — I’m sure he saw it coming. She always runs away except this time he decided not to chase after her because he felt like that’s what she wanted, he respected her choice and decided to give her space. Even after four years passed, Sang Su always kept Su Yeong close to his heart. While I’m sure he respected her decision he just couldn’t understand it. I’m guessing Su Yeong just wanted to disappear and have a fresh start but I’m sure a part of her also wanted Sang Su to chase after her or convince her to stay. It’s so messed up when someone feels like a burden and that they’re to blame for all the misfortunes that happen to them in their life. It’s like they feel like they deserve it but ultimately they also think they deserve nothing at all. This is why I can understand Su Yeong distancing herself from everyone and not believing she deserved love or even happiness.

One thing I disliked about this drama was the miscommunication trope. Don’t get me wrong it’s okay when it’s done right but there were a lot of moments you know could’ve been fixed with a simple conversation. Sang Su would’ve listened to her and appreciated the truth. There was so much sneaking around and lying for no reason. Like I can try and understand/empathize with Su Yeong’s reasons… she rather destroy everyone/everything and burn it all to the ground + run away rather than face and conquer her greatest fears. She is distant, cold unfeeling, and avoidant but that legit doesn’t excuse her always wanting to run away / disappear. Sang Su on the other hand never speaks his mind and prefers to suffer in silence / take on the weight of other people's problems. Yes, I get that he’s protective and always wants to save the day but lol some girls (ie. Su Yeong) don’t want to be saved. They just want to be understood and seen/heard for once in their life. Yeah, it sucks but that’s pretty much what I got from their dynamic. In the end, it worked because they really balanced each other out.

Another aspect I absolutely hated about this drama and a lot of others is that they always have all the characters make up with each other. Like even if there’s a huge falling out they always have that plot point where years later they come back and everything is all hearts and flowers. I wouldn’t say that’s realistic because sometimes a person really isn’t for you / meant to be in your life. Sometimes the friendship/relationship was toxic and you know that you’re better off without having them in your life, meeting up to discuss what went wrong, or even making amends. Usually it’s better to just let things be and move on. Live and let live as they say but idk maybe Mi Gyeong and Su Yeong are just super mature to see past their differences… though I doubt it because she legit had to remind Su Yeong how much she resented her in the past but at the same time she missed her ? Make it make sense.

The truth is, some people are just happy knowing you’re not as happy as they are in life — it brings them peace knowing they won and you lost. And I feel like that’s truly how Mi Gyeong sees Su Yeong… she looks at her life as small and inconsequential in comparison… saying it “suits her” Like bffr Su Yeong owns a drawing cafe while she’s a big manager in HQ. Su Yeong gave up her job and her life in Seoul because she knew she wasn’t and would never be accepted. I kind of wish she spent the last four years in college getting a degree so she’d feel better about herself and able to face the world and people with more confidence. Sigh. I also didn’t like the fact that Sang Su never rlly tried to move on from Su Yeong in those four years. I guess he decided a long time ago that she was the one for him and made her occupy all the space in his heart and mind. It’s kinda sad… I know Su Yeong would’ve wanted him to be happy regardless.


Final Thoughts:

If I could sum up this drama into a few words it would be “will they or won’t they?” ahhh if you don’t like slow burns, slice of life dramas or melodramas then do not watch this. Trust me it’s super slow and it’s more pining / longing than the leads actually getting their happy ending until the very last episode. I have to say though their chemistry is really good and you can feel the angst / tension through the screen.

Don’t watch this drama if you are going to view it from a one dimensional lens and blame the characters for being flawed as adults. People mature at different stages and as it turns out some people have to fall down and make mistakes in order to learn and grow from them. Nobody is perfect is what I’m saying and these characters all have their shortcomings, baggage, trauma and scars.

If you’re not willing to see them as actual human beings with issues and trauma to deal with / faults to overcome then again I reiterate do not watch it.

If however you want to stick around for these two love struck idiots who actually deserve a real chance at happiness and a shot at a real relationship together then do continue / start watching. It’s a rollercoaster ride (an unreasonably slow paced one lol!) so you're definitely going to go through the emotions and really feel for them (especially if you are emotional / have a big heart / empathize with others) If you’re looking for a drama that is more insta lovey and doesn’t have much plot / story building then I suggest you go watch something else.

Overall I gave this drama an 8/10 (initially it was a 7.5 however, I figured disliking the ending alone isn’t fair) My rating is primarily because still find myself thinking of these two and their tumultuous story. I can’t ever let them go / forget and I think that’s the point. They were the definition of “right person wrong time” and I just ate it up. This drama was enjoyable for me and I don’t regret watching at all. I think more people would’ve given this drama a higher rating but the open / bittersweet ending made them take off some points, so to each their own.

Long story short, this drama really stuck with me and I stuck with it because it’s a realistic portrayal of people living their daily lives, experiencing love, kindness, jealousy, heartbreak and everything else in between. It highlights the fact that that love is hard work. It’s not perfect, it’s not a fairytale and not everyone gets a happy ending. It’s solely based on people’s efforts and how much they are willing to compromise for someone else. Love is overcoming obstacles, facing challenges and choosing / fighting to be together. It’s putting another person before yourself (no questions asked) and rooting for their ultimate happiness. It’s choosing to let them go even if it hurts, even if they are happy without you because if you love them you will respect them, their choices, and ultimately want the best for them.

I would recommend this drama to persons who like slow burns, second chance love and slice of life dramas. Honestly, I really liked it — I mean the first episode really drew me in because I was so shocked and had to know what happens next. Obviously this show isn’t for everyone but if it’s for you / worth watching then you should know by episode 3 or 4. Also I'm not sure if speed watching helped me enjoy it more bc I watched this drama on x1.5-x1.75. I find that the pacing in these types of dramas are unnecessarily slow and that tends to make it seem like it just drags on forever. So maybe you could try speeding it up if you're having a hard time getting into it.

I also really enjoyed the OST. It has the perfect balance of fun / flirty upbeat songs mixed with sad and emotional / heartfelt ones. I still listen to it from time to time.

Would I rewatch it? Yes because I am a sucker for slow burns, I loved their moments / interactions and even though the ending is sad / bittersweet… it’s their story. It’s a little messy but it seemed real and I felt like I was with them the whole time — watching, waiting and rooting for them to make it along their individual journeys + also finally coming together, to find peace at the end of it all.

There’s this quote that says “The beautiful journey of today can only begin when we learn to let go of yesterday.” And I feel like it perfectly captures Sang Su and Su Yeong. Even though though their journey came to an end, I believe that the open ending still offered a great deal of hope for them to eventually let go of the past, move forward, and create a new “future happiness” one filled with better memories and without regret.

All in all, I think that the drama did a fantastic job of portraying the ups and downs of love. Sang Su and Su Yeong are not perfect (so far from it actually) but they’re special in their own little way. In my eyes some people are meant to be, just not made to last.

This drama is not for everyone but what I will say is:
THE PEOPLE WHO GET IT GET IT!!!

Anyway, that’s my two cents <3

(Sending love to everyone who stayed and read all this ily!)


Happy watching!

˚ʚ♡ɞ˚

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How to Lose a Plot in 40 Episodes — and Still Walk Away with Liu Yuning's Spine Intact

★★★☆☆ (5/10) — Four stars for Liu Yuning’s lumbar courage, one for the costume budget, zero for narrative mercy.

Some dramas are good. Some are bad. And some exist in that rare third category: the genre-bending fever dream you watch out of loyalty, finish out of morbid curiosity, and then question your entire concept of narrative coherence.

Let’s start with the central mystery: What genre is this?

Is it a romance? No, unless you define romance as one person emotionally bleeding out while the other flicks metaphysical riddles at them. Is it satire? Perhaps. Parody? Sometimes. A parody of a parody? Getting warmer. A slow-burn fantasy with a twist of self-awareness? Possibly, if the “twist” snapped the narrative spine somewhere around episode 12 and nobody told the scriptwriters.

This is not a slow-burn romance, it’s more of a cold shoulder in silk robes. And yet, like many viewers, I clicked play. Why? Three reasons:

The poster, which promised epic fantasy and emotional depth.
The premise, which teased brilliance through narrative self-reference.
Liu Yuning, whose performance, spine, and general ability to suffer gracefully on screen have become the stuff of legend.

He enters as the God of Death, cloaked in threat and charisma, a walking, brooding contradiction of pain and purpose. But as episodes pass, he degrades into what can only be described as the Patron Saint of Emotional Begging. Watching him go from divine menace to doormat philosopher is both impressive and heartbreaking.

And the FL? She knows she's in a novel world. She has foreknowledge of events. She understands the narrative setup. In short, she holds the cheat codes. And what does she do? She gaslights the ML, fumbles assassination plans, and drops half-baked existential quotes like fortune cookies from a bad philosophy class. This could’ve been the smart kind of self-aware fiction, where a character leverages story logic to reshape her fate. Instead, we got 31 episodes of emotional whirligig, poorly planned sabotage, and dialogue that could be summarised as: “Yes, I’m hurting you. But it’s because I read the spoilers.”

Her reactions? Inexplicable. Her growth? Non-existent. Her emotional intelligence? Hovering somewhere between “toddler in a tantrum” and “taxidermied Victorian doll.” And the dialogue? Forget poetic, every line sounds like she's haggling over bootleg scrolls at a metaphysical flea market. Again, this isn’t the actress’s fault. Clearly someone behind the camera instructed her to exceed parody and she committed with wild-eyed determination.

This is not what a heroine should do in a self-aware fiction drama. What should she do?

Observe the narrative structure and learn its rules.
Make allies- power in fiction equals survival.
Use foreknowledge to evolve strategically.
Stop weaponising emotional trauma as plot filler.
Build an actual arc- with intention, consequences, and vulnerability.

Instead, she walks in philosophical circles, drags the ML along with half-truths, and treats emotional consistency like an optional side quest.

Now, let’s talk about writing.

A good script, especially one dealing with stories that reflect on their own structure and romance, needs three things:

Character Consistency- Development, not regression.
Emotional Logic- If we can’t follow the “why,” we stop caring about the “what.”
Earned Moments- Big scenes must be built upon, not dropped in like surprise confetti from a broken ceiling.

This show ignores all three. Pacing oscillates like a caffeinated metronome. Plot arcs appear and vanish like side characters in a dream. Emotional payoffs? Denied. Instead, we get… the bite scene.

Yes. That cringe-crowned moment when the ML, bleeding from a sword wound and barely conscious, is violently shaken and then bitten by the FL in an act that’s equal parts rabid and romantic-adjacent. No tenderness. No catharsis. Just… jaw-dropping nonsense. The kind of scene that makes you question not the actors, but the writer’s grasp of human interaction, or gravity.

And the Crown Prince? Introduced as a man with the comedic energy of someone who might grow donkey ears and burst into song, he later pulls off a sword-wielding redemption arc. How? No one knows. He undergoes a 180° emotional transformation faster than a Netflix recap can say “previously on.” The Emperor, meanwhile, spends what feels like an eternity inventing increasingly sadistic punishments for his son, only to pivot without warning into "Father of the Year" mode. Don’t look for logic here. Our scriptwriter clearly believed they were penning the drama of the century, possibly while sipping hallucinogenic tea or something far stronger.

Even Gárgamel, with his cat Azrael, had clearer motivation than our eyebrow-wielding villain here. And at least Gárgamel knew what he wanted (Smurfs). This villain? He sneers. He raises an eyebrow. He plots vaguely. He exists in a state of permanent dramatic squint, delivering monologues that suggest he thinks he's in Macbeth while everyone else is stuck in Scooby-Doo. With every new plan, he seems one cackle away from asking where the smurfs went. It’s not menace, it’s theatrical confusion. His villainy becomes so exaggerated it borders on self-parody. It’s not that he twirls an actual mustache, it’s more like he’s auditioning for the role of a moustachioed villain straight out of the melodrama bargain bin.

Which brings us to the supporting cast, criminally underused and suspiciously better written. The Nightwalkers? An intriguing and promising concept, sadly underused and left mostly unexplored. The sister? More logical, more emotionally full of subtlety. Fu Gui? A minor character with more clarity and heart than the entire central arc.

Cinematography? Competent. Wardrobe? Sumptuous and repetitive, at least if you're the FL, condemned to recycle the same gown in several key episodes. The ML’s outfits, on the other hand, seem to have enjoyed both budget and narrative respect. Pacing? Like a rubber band stretched too thin over a 40-episode arc. Dialogue? Cringe-worthy at best, with failed attempts at humour that never quite land.

And the ending?

Equal parts predictable and nonsensical, a rare feat. I watched the final stretch at 2x speed, not because I was bored, but because I needed to emotionally outrun the plot.

So what is this drama?

Not a romance. A romance requires mutual emotional investment, vulnerability, and growth. This gave us martyrdom, manipulation, and confusion. Not a parody either, parody implies purpose. This felt more like someone spilled three genres into a blender, added eyeliner and trauma, and hoped for magic.

And yet. Liu Yuning stands tall. His character bleeds, breaks, and somehow survives, narratively, emotionally, and physically. He lends gravitas to a script that doesn’t deserve him, making the unwatchable nearly worthwhile. He does it all armed with nothing but cheekbones and that gaze, the kind that carries centuries of suffering and half the audience’s emotional investment. In the end, this isn’t a drama. It’s a hostage situation. One where the script holds its characters captive, and only LYN attempts a jailbreak, with no tools but his eyes and a well-fitted cloak.

Would I recommend it? Only with caveats.

If you’ve just emerged from the raw anguish of Moon Lovers, the sharp narrative elegance of Story of Kunning Palace, or the unexpected emotional payoff of The Prisoner of Beauty, my advice is simple: give this one a miss, or at least, wait. Let the memory of strong writing cleanse your palate. This drama might wear the costume of intelligence and genre experimentation, but beneath the surface, it sells you a sheep in wolf’s clothing, and expects applause.

Me? I’m off to rewatch Story of the Kunning Palace and TPOB. I need to remember what good writing looks like.

This is just my personal take, and I hope no one gets offended, everyone’s tastes are different, just like in my book club where we all have our own opinions. If you loved this drama, that’s awesome! I’m happy for you. All I ask is that you respect my view, too. After all, variety is what makes stories interesting… even if sometimes the flavour’s not quite to my taste.

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I just finished watching this near midnight and I don't want to put away writing this until the morning. What I'm feeling now demands to be written down.

I don't think I've watched any drama until now that felt so absolutely pointless at the end of it. That doesn't mean that everything was great until the end though.

First of all, it was real slow. Throughout most of the episodes, there isn't anything much happening than characters wallowing in emotions or doing what they do without any background score.
There was no getting used to it, you just had to bear with it. Mostly you bore with it because, while the screenplay inched along and something finally happened, the actors emoted well and those scenes were good.

Also, I can say with certainty, if it were not for my liking both Mike He and Ariel Lin, I wouldn't have made it even halfway through.

And, Then there is the ending..
After you sit through it all, the way they choose to end it is nothing but absurd. I didn't fully watch the last two episodes. There was no point to continuing with the torturous-ly slow process when the only reasons for watching the show took a beating.

That's all I can put into words now. The only reason any one can have of watching this,in my opinion, is if they like the lead actors, because it's a tough ride even then.

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All the Tropes and All the Charm..

Skipping Love Your Enemy means missing out on some pretty solid writing and acting.. You might have seen losers in love before.. But this drama takes silliness to an entirely new level.. That said.. I have to admit I genuinely enjoyed their relationship.. There were a lot of unexpected heartfelt moments in the drama..

I started watching for JJH.. But the cast surprised me.. I really loved the supporting characters... They delivered great performances.. And the story has its moments.. The comedy was on point.. No unnecessary side plots or gimmicks.. Even the second male lead was well written.. Which is rare in kdramas.. He wasnt annoying at all.. Well not until his last scene..

One of the standout elements in Love Your Enemy is Seok Jiwon’s character design.. Particularly his integrity.. It adds so much depth to his character.. He was truly admirable throughout the drama..

For me the highlight of the drama was their younger version.. Their teenage relationship.. It was so well written.. And the actors really portrayed it with such authenticity.. Honestly they deserved a couple of episodes just for themselves..

Overall.. Love Your Enemy is a refreshing drama.. It has all the tropes.. Childhood friends, Childhood sweethearts, Enemies to lovers, Workplace romance and Second chance romance.. It delivers great humor and a no nonsense storyline.. Easily one of the best romcoms of 2024..

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Cafe Minamdang is a Hoot!

I'm surprised that most of the reviews reflect dissatisfaction with this drama. I'm in episode 10 right now and let me tell ya that I have not had so much fun watching a K drama as I am having now. I'm still laughing at Seo In-guk as Nam Han-joon (I even rewinded some scenes to get another laugh). Who would have thought this guy can do brilliant comedy. So, I'm writing this review even before I finish with the drama just to share my two cents and how much I enjoy watching it.

Cafe Minamdang was Han-joon's brainchild to trick his mother, a deeply religious Catholic, from the shock of knowing that her son and daughter were running a shaman scheme. But behind the facade, Han-joon, riddled with guilt after his best friend prosecutor was murdered, took this route to find the murderer.

I thought the concept of this drama was weird, but after I started watching, I was hooked and it made sense to me. A gifted profiler turned shaman. He did not even have to fake it because he is such a genius in reading people that his transition from profiler to shaman was seamless. A shaman does the same thing: help individuals with issues in their lives by listening to their woes and helping them overcome those challenges.

The mystery thriller/comedy/romance combined would have been a disaster had it not been executed well. What I like most is the epilogue after each episode that gave clarity to the viewers as to what transpired before the crime and any action taken by the characters happened.

And the other characters ie, Oh Yeon-seo as Han Jae-hee, as a hyper detective with her ninja punches and volatile personality (a clear foil to our hero's persona that reminded me of the eccentric detective, Sherlock Holmes), Nam Hye-joon, Han-joo's younger sister, an exceptionally intelligent hacker, his right man and Minamdang's barista, Gong Soo-chul and the loveable Jonathan complete his ensemble of very funny and smart team engaged in fighting crime as well as helping their clients, who of course, paid for their services. Loved the crime squad team of hilarious Jang Doo Jin, Kim Sang Hyup and Na Kwang Tae.

That was a fun ride. Just completed watching and I must say, I was thoroughly entertained. I prefer watching crime thrillers like Voice and Monster with dark and jarring scenes and serious looking characters and since Cafe Minamdang had a serial killer storyline, I took the chance and watched it. In comparison, Cafe Minamdang was like a breath of fresh air with characters that were whip smart, don't take themselves too seriously and maintain their sense of humour in dangerous situations. I think the message these characters wished to convey was for the audience to join the ride and follow them as they solve the crime in their own way.

I highly recommend. If you want laughter and entertainment, at the same time, satisfy your love for crime thrillers, then this drama is for you.

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Generic in Disguise

Attracted by the warm glow, the sparkly dresses paired with fairy-like make-up and accessories, and the funny, almost “never-seen-before” atmosphere in a wuxia/xianxia-ish historical Chinese drama, I thought this would be a refreshing take on the transmigration-into-a-novel trope. But I was proven wrong… unfortunately.

Transmigration was merely a backdrop for a straight-up royal political intrigue, and a generic one at that. Your typical struggle for the throne, with revenge turning a supposed male lead into a villain and a greedy queen who just wants power and money.

The villain, Xiahou Bo, is a hell-bent character who wants the throne and hates Dan at every turn. But his hatred doesn’t feel justified. It often comes across as if his actions are driven by whim rather than depth, which makes his character feel flat and underdeveloped.

The Empress is similar, existing mostly for the audience to hate and condemn for her actions toward Dan.

Our male lead, Xiahou Dan, has so much more to his character and story. He represents the darker side of transmigration, different from the glamorous fantasy one might imagine when traveling into a novel. He entered the novel at the age of fifteen and had to endure everything from that young age. The trauma he experienced and the life he lived are deeply tragic. Yet the way other characters reacted to his story felt lacking, almost as if they never truly processed what he had gone through. Had the lens shifted more toward his perspective, it would have been a far more intriguing drama to watch, even if it meant embracing a darker tone.

Our female lead, Yu Wanyin, is head-on and headstrong. However, the way she processes waking up in a fictional novel feels far too quick and almost unrealistic. Her goal is to survive the story, not by trying to escape the novel, but by making sure she is the one who has the last laugh in the end. That, to me, is the entire issue. There is no moment of grief, no confusion, no desperation to return to her original life. It was strange how easily she seemed to throw her previous life away and fully integrate herself into this world. She barely thought about her family, only bringing them up later when convincing Yong-er to side with her. Her attitude did remind me of Ting Yan from When Destiny Brings the Demon, where she accepted her fate and did not care much for her real life because of how overworked she was. But the drama never showed Yu Wanyin or Wang Cuihua having such a difficult life to justify that kind of detachment. Without that foundation, her mindset feels less like strength and more like narrative convenience.

The chemistry between the leads is there. But perhaps the circumstances placed them together too conveniently and too quickly, leaving no real room for proper development. Because of that absence of growth, the chemistry never moved beyond a slight spark. It was not bland or flat. It simply existed. Not the kind of chemistry that makes you swoon or feel something deeper beyond what is shown on screen.

Other characters also felt used for convenience, with little depth to properly sympathize with or feel intrigued about what happens to them.

Overall, the story failed to meet the expectations built from what the trailer teased. It was not a story about a transmigrator finding her way through a pre-written narrative. Instead, it was your usual historical political plot with a dash of sparkly dresses, pretty make-up, and good lighting.

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This drama was steeped in implausibility, ridiculous writing and plotholes. On the surface, it looks and feels exciting. There is action, romance, politics and betrayal. However, from the first episode, you are treated to nothing but an empty shell of a story, with subpar writing and the use of over the top action scenes to make up for the lack of character development and shallow plot.

The very first episode is at best, laughable, but at worst, unbelievably arrogant of the writers. We are supposed to buy that rich Korean conglomerates have that much influence and power outside of their country, in other continents and can even order around the Catholic Church and a police force in a European country?! Even Samsung doesn't have that much power! :p I was ROFL! However, I was mildly disturbed as I got to thinking. Does the average Korean who has never travelled outside of Korea really believe stuff like that? Something to ponder.

The rest of the drama doesn't get much better. It is from the same writers of Yong Pal, so even though not the train wreck that drama was, it is obvious that they were both born from the same simple and way too overconfident minds. As the story progresses, you can quickly discern the unbalanced character development. Our hero, Je Ha, should be a character with much depth and personality. Unfortunately, the writers apparently did not create him for that purpose at all. The character's sole purpose was to beat people up and to have a little love story with the main female. Poor Ji Chang Wook was totally wasted here. The whole first half of the drama, he barely has any dialogue. All he does is kick ass, kick some more ass, bleed and show his abs. The main female Anna is written so typically that she could have been plucked from any cliched K drama and just inserted into this one. She is sweet, innocent and always in distress. In fact, out of all the characters in this drama, only two show any interesting personalities, depth and growth. Those are Choi Yoo Jin and her brother. Those two characters were the only highly developed ones and I was mesmorized by both whenever they were on the screen. How much better would this drama had been had it focused solely on the schemes and manipulations of those two, instead of adding all that other crap to the mix. >_< Instead, the ending result was nothing but a big mess with an ending left with many loose ends and unexplained things.

I can't recommend this drama to anyone. Well, I take that back. I do recommend episode four. Episode four alone, though. Teehee.

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Like lighting a firecracker only to see a weak spark

1st half was awesome. Riveting and filled with so many twists that you are constantly guessing at who the serial killer is.
The middle felt a bit stupid and seemed like filler episodes showcasing the serial killer of the day.
The latter half started to get good again as it came back to the main story and we get to try to connect all the dots, but the ending was anti-climatic. They rushed to try and explain everything and it ended up becoming a bit too "easy" in wrapping everything up.

The main problem with this drama was there was just too much going on, too many people/relationships and it got very hard trying to keep everything straight. I felt like I had to take notes. Plus the timeline was really messy and confusing (I still don't understand when in the timeline, PD Hong Ju had her baby and why no one would notice that she was pregnant).

But for the most part I was engrossed at finding out who the serial killer was and how it all played out. Acting was great from the entire cast. I am a fan of Seung-gi so I mainly watched this for him. I'm not sure I would have stuck this out if he wasn't in it.
If you are a fan of thrillers or a fan of Seung-gi, then you may enjoy this drama.

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ONE thing I can say about this drama is that it is NOT a RELAXING drama, but a PAINFUL, STRESSING drama. You can't find any laughter or positive scenes in this drama, but you can witness how evil people can go, even if you are close to them.

HOWEVER, considering the plot and the setting, this drama was not that bad like others are criticizing.
I think the ending was well done, despite all the negative and betraying story line until episode 31. Until the end, this drama was full of sad, gruesome, irritating, and questioning scenes. I was really curious how the "motive", the three had in the beginning for Tae Hee, will cause issues, but over all, it was well scripted.
Story: I think it was based on a novel, but the directors did a great job turning into a screenplay. Not only the plot but the choreography and the shooting places were great too.
Acting/Cast: The casting choice had no problem. One thing I want to say is that they lack a bit of facial expression. Everyone had almost only one or two faces that they were really difficult to read their feelings sometimes. Some are criticizing Joy's acting, but I think she did a great job.
Music: I really liked the intense OST they had with violins.
Rewatch Value: If you watched once, I think you may rewatch it if you want to see the cute couple again.

Overall, this drama was well made, and I really enjoyed it. At some point, I was questioning how low everyone will go, since even some promising characters betrayed the viewers. I really loved the way the drama was rapped up, cause it was not something unreal, but logical and reasonable. To be honest, I was also okay if the drama was ended in a completely negative way...

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Ending that rather rushed!

First of all, I’m not gonna write a long ass review about every detail of this drama. Just have a few thoughts that I want to throw it out here. Overall, this is not a bad drama, however it wasn’t that good either. It has so many potential to become a great one to be honest, but the writer-nim surely need to be more creative to make it works.

I do have a huge expectation from this drama since this is the first debut of Actress Jisoo, so I really wanted to see her performance and acting (even though I can make myself clear that I wasn’t a fan of Blackpink, not one of the blinks). Still, I’m rooting for Jisoo journey to be an actress. And, I gotta say, she did quite a good job considering this is her first debut. However, the story line do injustice to her role. Because clearly, the drama portrayed her as someone who is weak-hearted and stood still without doing anything worth mentioning. If only her character could grow and develop for a bit, I could really give a perfect score for this drama. But her actions, most often, unnecessary and she always in Soo Ho’s ways and that’s really complicate things. If only, they can let her take a gun and fight alongside with Soo Ho, they could be the strongest couple..

For me, the big problem here with this drama is the script itself. Very repetitive. I almost think the story is about hostages and the spy who got stuck in the dorm and unable to get out even though there’s so many ways to actually escaped from it. To be freakin’ honest, the scene where all the hostages come out from the dorm in finale episodes can be done in episodes 8, but how they took so long just to get out from that dorm? How can they think the idea of escaping by fooling Mr. An and bring the soldier to the main door only after 16 episodes? This is really mind boggling. They should make the second half of the drama for something else, out from the freakin’ dorm but instead they dragged it till the end. Disappointing is really the word I could think of.

However, despite my critiques towards this drama. I really appreciate all the hardwork from the cast members to bring this drama to life and watchable. Of course, Jung Haein’s performance unquestionably and undeniably good. Yoo In Na’s acting is really great, I am so satisfied with her performance. Thank God she have a good brain to leave the dorm and for once, think about herself. Ms.Pi and Buk-Ok character’s deserved standing ovation. I really hate Buk-Ok for what she did, she boiled me with anger everytime. Jang Ha-na is the real superwoman in here. She really know what to prioritize and I’m glad she did what she did in order to save the students. All the veterans actors did their fabulous job in acting, but their characters often too repetitive and overlapping with one another. And too bad, there’s no scene showing the proper closure between Youngro and her friends, they just left it hanging there. The ending tho quite rushed in my opinion. So many things left unrevealed, and without a proper explanation.

Did I say I would not write a long ass review? Argh, forget that one. I will just continue abit more —

The OSTs from this drama are quite good. Kim Hee Won - Friends & Jamie Miller - Wishes. These two are my fav. Both songs are really unique on its own, sorrowful and heartbreaking too.

Okay, my final thoughts.. watch at your own risk. This is definitely not a lovey dovey melodrama, it’s in fact a slow burn romance that almost burn you with anger. Lol kidding. For a sucker of sad ending drama like me, I’ve seen better and better dramas out there, this is still not that really sad considering you can actually expect that the outcome would be like that. I just hope that they can executed it properly without us audiences thinking that if they do this or that, things could have turn differently. Thus, this drama is just an OK drama that I would not considered to rewatch it again.

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Slice of life murder mystery with some dark and over the top humor.

It’s such a weird mix of genres and tropes, but somehow it works perfectly. You get yourself a crime murder mystery, slice of life with some deep and meaningful moments and conversations, comedy that at times is rather dark, and in other scenes slapstick and over the top. It might seem like a silly comedy at first, but it gets dark closer to the end.

The whole story is led by a genius idiot Ahn Dae Seong. He is what I would call a smart person who is unable to make smart life decisions. How can anyone have such a strong brain power, but still be so street dumb is beyond me, but it works in this scenario extremely well. That said, he is actually a truly nice and genuine person. He apologizes when he does something wrong, works hard if he thinks the cause is worth it, and he cares for people in his life. Even though he might make everyone frustrated, it’s hard not to like him and not to root for him.

The supporting cast is also to die for. Well written and built personal stories and backgrounds with well placed hints made each one of them a perfect suspect, until we found out the truth. It’s hard to predict who the killer is (at least for the first half of the show) and why they do it. As I watched, I might have felt frustrated with how Dae Seong is suspicious and calls everyone a suspect, but when you look at it from his perspective, everyone was in fact acting suspicious, just for vastly different reasons than he assumed.

From all the supporting characters, Fish was my favorite. Truly adorable little potato, knew it from the start. They also have one of the more powerful and interesting back stories of them all, that is presented in a sensible manner.

Of all the characters, the one that annoyed me was the detective and 5dollar, but I still understood where they were coming from. Dae Seong truly did everything he could to seem like a potential killer, and literally no one in that neighborhood was helping with the real investigation. And from 5dollar view, he might have seen himself as a victim, no matter how twisted it might seem from our perspective.

That said, even though I truly enjoyed the premise and many side stories, I feel like at times they tried to do too much in too little time. Since everyone was presented as a potential suspect, they all had to have their own individual stories told to explain the circumstantial evidence. Since the number of supporting characters was high, some stories were bound to get less screen time and felt more like fillers. Since some were not explored enough, they got a little bit boring for me, as I was not that engaged in them. Yet somehow, they were able to give a perfect closure for all presented plot lines.

There were also some situations that I questioned why the characters had barely any reaction to, and took barely any actions to solve them.

The last thing that was a bit unsatisfying was the reveal who the killer was. While for the most part it was not easy to predict who it might be (since everyone seemed equally suspicious), when all suspects started to be proven innocent, all hints pointed in one direction so the suspense died.

I was truly positively surprised by the acting too. Lee Kwang Soo brings a comedic aspect to everything he does, it’s hard to deny it. I was quite scared it would be impossible to create any suspense and a more serious mood when he is on screen and I was completely wrong. He aced the emotional scenes. I actually liked his more serious takes more than the silly comedy ones.

Kim Seol Hyun shined the most closer to the end. In the first half of the show, her character seemed a bit like a plot device, but it all led to quite a prominent role in the later episodes.

All the cast members did their best to present realistic and relatable characters, and for me, they all delivered. Ahn Se Bin as Yul? Amazing performance for a child actress, especially with such a demanding role!

Production value was extremely high for a mini series like that. Aesthetic wise, it had a bit of a retro vibe. Not making it look like a big production was a good choice, since it fits the world building - all happening in a small neighborhood with just a few characters - it should feel familiar.

I have to say, one song from the OST gave me chills when it was first played - Nokdu’s Orange Dream. From the arrangement, instrumentation, vocals, to the lyrics, it truly is a perfection. It serves as a good introduction to Dae Seong as a character - someone stuck in the past glory, dreams and hopes, who is unable to move on. The whole OST was lit and extremely fitting every scene specific songs were played for.

Overall, such a surprisingly good watch. I expected nothing, and got more than I could receive even if I had rather high hopes.

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