A MISSED OPPORTUNITY
*Bogotá: City of the Lost* is a crime drama starring Song Joong-ki, but despite an interesting story, it doesn’t fully deliver. The film follows Kook-hee, a young Korean man who moves to Bogotá and gets involved in the city’s black market. It promises action and suspense but feels slow at times, with too much talking and not enough excitement.One good thing about the movie is its setting - Bogotá looks gritty and realistic, making you feel like you’re really there. Song Joong-ki does a great job acting, but the story doesn’t give enough attention to other characters, making them feel unimportant. The action scenes are also not very thrilling, which is disappointing for a crime movie.
Overall, the movie has some good moments, but it doesn’t live up to expectations. If you’re a big fan of Song Joong-ki, you might enjoy it, but if you’re looking for an intense crime thriller, this one might not be for you.
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This review may contain spoilers
Wrong Addiction
Welcome to those who want to hear my rant/review again and this time it goes to the one and only, "iconic BL series", Addicted Heroin. Wooo. Honestly, I just don't understand why this BL is so popular especially with the problematic tropes being used there. I'll try to elaborate here.I'll start with Gu Hai, the guy who's twisted and who has a terrible obsession over Bai Luo Yin. I am so disgusted by his behaviour over him. The fact he stalked him was creepy made me want to vomit. Also, him hiring people to kidnap Luo Yin. Did that scream romantic to you? If you were in his position, how would you feel? This was Stockholm syndrome on another level. I felt like I was watching 365 days movie, but in Mandarin and between two Chinese men. Not to mention how the dialogues he used, "You want to have nothing to do with me, don't you? Then I will keep you chained here so that you cannot run away" before attacking him with a forced kiss and ending with a "Baby, you've known long before that I have special feelings for you, don't you? So you are not surprised that if I kiss you" and followed by other cringey dialogues, "I sleep with you on one bed, it's because I want to fuck you. I even dreamt of it" and blaming his obsessive behaviour on Luo Yin with no fucking regrets. This was the worst, "Husband who doesn't have sex with their wives is not a good husband" What kind of bullshit message was Gu Hai trying to say? He treated him like a sex object and not like his partner. Here's a surprise, this whole thing just happened in one damn episode, Episode 11 and there's more, SHOCKING!
Episode 12, the scene of what happened in the bedroom. My gosh, that was gross. Gu Hai couldn't control his dick and hormones towards his favourite "object" so he did it again! You could literally tell by Lin Yuo's facial expressions that he was so uncomfortable with it and poor boy had to play along with it when he already asked him to stop. That word came out right from his mouth. Yikes. Wait, that's not it! It also happened in Episode 13. Amazing BL right? https://www.youtube.com/watch?v=RcUiO4lQMr4 (Where I watched it if you guys are wondering) The fact that this loved BL show was romanticizing sexual assault, imagine this show being continued, I'll be counting how many more there will be in after this.
Also, Gu Hai's former girlfriend was so stupid. She's your stereotypical jealous girl who couldn't stand her boyfriend with other women. Of course, there had to be that stupid catfight between other women because of that. I just don't understand why BLs love portraying these type of women? I am tired of seeing it. Stop giving female a bad representation in BL please. I also couldn't understand her shitty behaviour of trying to make Gu Hai jealous by doing a fake affair. It didn't seem fake to me. The only fake I could see was from her fake attitude. Thus, I concluded, birds with the same feather flock together.
In conclusion, this chinese BL is not addictive at all and I am no way going to rewatch this thing again. I feel ashamed because I'm 3/4 Chinese and me seeing this? No. I've lost faith in humanity for those who love this BL. Goodbye!
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The overall story is about two people who encountered hardship in their youth uniting to establish their own sense of love, justice and peace. I am so thrilled that the leads were both charming and smart. There were no senseless games or fights just pure witty and authentic commitment, love and determination.
I would put this series up there with ten miles of peach blossoms and the lengend of fuyao. No cliffhangers, just clean and clear and amazing ending.
Hats off to the young female actress who played “Rong’er” she has some skills. I’ll definitely look for her in future films.
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Surprisingly ADDICTIVE!
I wouldn't say everyone will like this kind of drama, but I LOVE IT.It's not the usual korean drama that comes with a cheerful starting, couple fall in love and followed with the story climax. Some people might not like the "psycho" theme drama because of the dark and depressing content, but I find it pretty addictive of its UNUSUAL setting of characters, story presentation and the chemistry between the main leads! As the female lead is a fairytale story writer, the show uses a "fairytale story telling" method to bring out some principles of life that touches the bottom of your heart, which I find it very special!
You will FALL IN LOVE with the two main leads, because they are not the usual main leads you will find in other dramas. The girl is cold on the outside but warm in the inside whilst the male lead is other way round. They both had some bad memories that shaped their behaviours; they hurt each other, but they protect each other as well :) So I would say their interaction and chemistry are the highlight of the show!!!! Not to mention, the three main leads (including the brother) acting is SUPERB! The brotherhood among the two male leads is very touching too and it will make you cry T^T
For those who are a scaredy-cat, be aware that there are some horror scenes too. Well, it doesn't really have physical ghost in the show (in case you are wondering), but because the main female lead had some dark memories, so she will have bad dreams and having sleep paralysis.
Although there were some parts not being well explained, I think you shouldn't be too serious about it and enjoy the scenes and stories this drama has brought to us. It brings joy, intense, sadness and also heart-warming relationships that makes you smile :) I love all the main and side roles and also their sweet and nice characters, the entire casting was pretty pleasing and I enjoyed watching it a lot!
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This review may contain spoilers
I honestly don't know where to begin... (Also this is a bit long/rambling because I JUST finished the last episode, so I have a lot of emotions)STORY:
The first 16 episodes were great - so much going on, but it was all so entertaining. But then come episode 17 and it was a completely different story with somewhat different people - even though it was all the same people. Even so, I kept going. Episodes 17-53 though not as great as the first chunk of the drama were still decently entertaining to watch. Especially between the first two parts of the drama, there were just so many discrepancies about what was going on that they never resolved because it really felt like two completely different stories at times. And then somehow the final episode, ep 54 - my mind just went blank and I'm still not sure what I was watching... So I'm gonna rate this as 3 different parts.
A) Ep 1-16
B) Ep 17-53
C) Final ep 54
A) 9/10 - The first few episodes were so great. There was plotting and manipulation but it felt somewhat new and refreshing. Rong Zhi and Chu Yu's relationship was angsty but amazingly enticing to watch. The other characters at the Princess' manor were equally entertaining. It was a constant - what's going to happen next? What is Tian Ji Pavilion going to do? What is Chu Yu going to do? What is Rong Zhi going to do? Really fun to watch and definitely the best part of the drama.
B) 7/10 - the main core of the drama. The majority of the drama was focused on this part of the story - though it really makes viewers question why the drama was written to essentially be 2 different stories. Aside from the two main characters being the same people - though arguably their personalities were a bit warped - the rest of the drama was completely different. The setting moves out of Liu Song and into the kingdom of Wei (where Rong Zhi is now the Prince Regent leading the government for his nephew, the emperor) and Chu Yu is sent from Liu Song with the intention of peace through marriage. While this was the main core of the drama, it was definitely outshined by the first section of the drama, but nonetheless it was still an interesting watch.
There was a lot of framing and manipulation, which comes standard with these types of dramas, but honestly it was made a bit worse because there were SO MANY different people scheming that by the end it just feels like everyone was against everyone. Really it was hard to root for anyone just because of how much manipulation was going on.
Secondly, while miscommunication between the main pair is always a given, it was just a bit much sometimes. You have two very stubborn personalities, with one also constantly scheming to obtain power, but of course neither of them were willing to talk things out and would just essentially give up when the other was upset. It made it really hard to ship the main pair sometimes because it seemed like they were never going to be able to communicate well and understand the other person's feelings.
Lastly, between the second female lead actually playing two different characters there was WAY too much screen time attributed to her (specifically as General Huo Xuan) and honestly it got way too overbearing and annoying that I (and as I've read many others) pretty much skipped through all of her scenes. The writing really made it seem as if they wanted the second lead actress to be the main actress. Between the war zone story lines, to her story lines with Rong Zhi, to her story lines with Gu Huan - it was just way too much time focused on her and not enough on the main actors.
C) 5/10 - The final episode. There are literally very few dramas that have me honestly lost about what the hell happened by the end. Even this drama, everything seemingly went together up until the final episode. Maybe it was because they rushed the ending? Which is ridiculous because they had 54 episodes to work out this whole story, but the last episode was just super weirdly paced and there was so much going on. I honestly don't know if it was a happy or sad ending just because it depends on how you look at it, I suppose. By the end of it, I really just want to know who the writers were supporting this whole time because the way this ended - unless they're planning a sequel - just didn't make sense to me. In 40 minutes time, they crammed in so much stuff with no explanation and they were just like "Welp, that's it." Such a let down.
ACTING/CAST:
Song Wei Long (Rong Zhi) - As the male lead, I feel like SWL did a pretty decent job carrying such a weighty drama. He is definitely a young actor, so hopefully he will progress over the next few years, but even so I think he did a good job. Many people criticize him for not showing emotion very well, which I agree with to an extent. If it was any other character, I'd wholeheartedly agree that he was bad in that regard, but for this drama and this character, I think it still worked out well. Rong Zhi from the beginning was a very complex character who was very reserved, meticulous, and brilliant. For someone who is a genius at manipulation and scheming, I appreciated the fact that he was terrible at expressing himself and his feelings because it showed some kind of weakness in his personality. If he was great at everything, it would have made me dislike him honestly because no one can be perfect at everything.
Guan Xiao Tong (Liu Chu Yu) - A lot of my feelings about her probably come down more to script than it does to her actual acting, so it's hard to give her a fair review. In the first part of the drama, she was portraying Zhu Que of Tian Ji pavilion who took over the life of Liu Chu Yu to complete a mission. This character was smart and cunning, but had compassion and morals. Her character and acting were very entertaining as she portrayed the cunning Zhu Que but also the murderous/lustful Liu Chu Yu.
In the second half, it gets more confusing because you have the real (but not real) Liu Chu Yu and Zhu Que completely disappears (though it's the actually the same character). By now she's just a fairly basic female character. She's still smart (or just really lucky) as she gets herself out of trouble (with tons of help, of course), but she now harbors this idealized sense of morality - even though she is also a part of an imperial family and should be used to the scheming by now. And yet at every turn, she criticizes Rong Zhi and the others for fighting for power, even though it is something to be expected of people in power.
Again, these are all issues I have more with the writing for the character, more so than with Guan Xiao Tong's acting abilities. I think for what she was given, she did a good job - but nothing mind blowing.
Bai Lu (Huo Xuan) - I'm giving her a shout out mostly because I actually REALLY enjoyed General Huo at the very beginning and thought she was really entertaining, but eventually I just stopped watching most of her scenes because there was just way too much focus on her and it got annoying. She honestly did a really good job though (from what I didn't skip xD)
REWATCH/OVERALL:
I'll honestly probably watch this drama again some time in the future because even though there was a lot of stuff I didn't like about it, overall I still enjoyed it as a drama (aside from that last episode). It was nothing groundbreaking or particularly memorable, but for some reason, I was still really intrigued watching it and still felt it was fairly entertaining.
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The plot is sweet enough, but I truly fail to see its purpose. The premises, that is, a girly girl who lifts heavy weights, could have been everyone else that comes to mind – a clown, a dock worker, a truck driver or a simple student. The sport of weightlifting itself does absolutely nothing to deeply define this girl, except for 2 details: 1st, the hardship of balancing love for this sport with the basic womanly needs of being pretty; 2nd, the ridiculous choice of main actress, who is as believable as a weightlifter as I am as the first queen of Goryeo.
In Cheese in the Trap, the last drama I saw her acting in, someone called her "a giraffe", which I'd say is quite accurate a description. Lee Sung Kyung is tall, thin and beautiful, and her acting here consists of an alternation of pouts and a goofy gate that should lead us to believe she's not feminine. While watching, I spent a lot of time deciding whether I should raise one eyebrow or both.
The humour is off, at least for my taste. I didn't laugh once. There's too much screaming and wrestling, and most of all, there's too much eating. When I enter the realm of Korean drama, I'm psychologically prepared to see people eat at every opportunity, but here they really don't do much more. The quantity of food – and junk food – shoved into everyone's mouth is such that I got nauseous.
Acting is average. None of the actors shine in his or her performance, possibly because the script has no room for deep characterization. This isn't even a coming of age kind of story, since all characters end up being basically the same they were in the beginning, but with a partner. All the interesting cues, those that somehow delved deeper into the emotions of some characters, are conveniently skimmed and resolved in the space of a few minutes. Everyone lies to everyone else and calls it either friendship or protection. Bah.
There is some music… I think.
Never to be rewatched. Once was enough to establish this is not my kind of drama and simply forget about it. My 6 is due to the fact that I completed it.
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1When the music burned brighter than the actual plot!
Sometimes, music is the way to express ourselves, and the drama leans heavily into that. Music didn't just set the mood here, it hijacked the plot, stole the spotlight and not in a subtle way. It's the heartbeat of the story. With every strum, beat and verse, the drama tries to convey things its characters can't say directly and even when the writing slips, the music saves it all.The story revolves around Saijo Akane, a drummer who her previous mates abandoned, and gets a second chance when she is invited to join the band "TENBLANK".
TENBLANK band members or should I say the "plots" :
✨Fujitani Naoki: He was the genius but eccentric composer with a messy heart and even messier hair. The creative nucleus of the group. I would describe him as intense, obsessive, borderline reclusive, but a fascinating creature. Under all that facade, he is a man weighed down by unresolved emotions and secrets he would protect at all costs. Takeru Satoh did a great job. I know he is a fine actor and it showed. I recently saw him in Marry my husband and the character difference shows his versatile range.
✨Takaoka Sho: He was the guitarist who didn't demand attention but had mine from start to finish! He was soft spoken, observant and incredibly skilled. Machida Keita completely stole the show for me. From episode one to the finale, his styling was absolutely flawless. From the turtlenecks to that effortlessly perfect long hair, every detail was on point. I know this isn't exactly about his acting (which is already well-respected, no need for testimonials there) but the look he served in this drama was iconic. He had me catching second lead syndrome so bad. I mean, imagine ignoring Satoh... and yet, here I am.
✨Sakamoto Kazushi: He was sharp, confident and wasn't afraid to speak his mind, especially when it came to challenging Naoki's authority. But I feel the writing didn't give him enough to fully bloom. We get glimpses of pride and conflict but it feels underdeveloped. Shison Jun did a solid job in portraying this character. He played the perfect tsundere.
✨And the newly added member was Miss Sajio Akane, the underdog drummer, as they say. She had grit, she listened, she learned and she put in the work, not just for show. Nothing she did felt fake or wasted.
Miyazaki Yu gave a genuinely likeable and grounded performance. She played the perfect mix of insecurity and inner fire. I rooted and cheered for Akane.
🔥 Wild card Toya: I know he isn't the official member of TENBLANK but he isn't the one to ignore. You just can't! He is the kind of character who could walk into a scene mid-chaos and steal every ounce of attention. He is a loud, intense bona fide rockstar who seemed crazy but beneath all that is a man who is haunted by choices, loss and love that never really left. He is both tragic and unforgettable. Some scenes definitely tossed realism out the window, but it served the drama and I ate it up.
Maski Suda devoured this role. At first glance, I didn't recognise him. He was raw, a bit feral and had the reckless energy exuding. You just can't look away.
But not everything in the mix felt right. While the music and the stellar cast were a win, the pacing was all over the place, especially in the second half. This would be just me but we (I) DO NOT need a romantic subplot to show up like the last-minute guest. The story would have worked fine without a romantic storyline, it might have worked better if I were being honest. We could have focused more on the other band members and their stories. I feel there was barely any spotlight given to them. There were times it felt like a one-man show, but then a group performance glossed over that feeling, but it definitely lingered more than it should.
Another thing I noticed and maybe this is just me (again), was how the energy and adrenaline would spike during each performance, but then drop off right after. It didn’t really carry over once that fantastic music stopped playing. The in-between moments felt a bit dull and I kept waiting for them to practice or be back on stage to feel that energy again.
Maybe this is what happens when you have full-blown performances. This wasn't just "slap a ballad or two on it" drama but it gave us actual bangers. I feel the music is the main plot here and the rest of everything feels secondary.
The cinematography was stunning, especially the rain shots. And the camera work during the concert sequences was pure artistry. It screamed budget in the best way.
Overall, despite the scratches, this was an entertaining and binge worthy watch. It didn't exactly stick the landing or maybe I had high expectations from the actual plot "writing", but the journey is worth it for the vibes, stellar cast and amazing soundtracks. It's the kind of predictable plot where you will be rolling your eyes a bit but still replay the songs on loop. Not perfect, but comfortable in its own ways.
If you have made it this far, thank you for reading my review! <3
I thought I was going to keep this short… and yet here we are lmao. If you decide to check out the drama, I hope you enjoy it as much as I did!
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This review may contain spoilers
The Inferno ran out of fuel
This season of Single's Inferno was a whole mess, and if I had to sum it up in eight words, it'd be: Tarzan & Jane: A Dumpster Fire in Hell. The show's attempts at forcing drama and romance were cringeworthy, and the cast was just...meh. The whole thing was a skippable snooze-fest and that’s putting it lightly. Netflix has officially driven Single’s Inferno into the ground, and Season 4 is the flaming wreckage. What started as a mildly entertaining dating show has devolved into a predictable, lazy mess where one contestant hoards all the attention while everyone else fades into irrelevance.This season’s culprit? Sian, the show’s leading lady, who spent ten episodes collecting male validation like Infinity Stones, culminating in a finale where three men lined up to get their hearts stomped on for the privilege of losing to Junseo—the human embodiment of the Cart Titan.
Let’s talk about Junseo. Every interaction was a performance, from the unnecessary back-and-forth with Minseol (as if he’d ever pick her) to the grand finale where he slung Sian over his shoulder like he was Tarzan reclaiming Jane. His entire existence was exhausting, yet somehow, Sian was enthralled. She didn’t want stability, sincerity, or basic respect…. hell no, she wanted someone who’d play mind games with her for ten episodes straight. And she got exactly that.
Meanwhile, the actual interesting contestants: You Jin, Hae Lin, and Min Seol barely got any fucking screen time because the producers were too busy shoving ‘the Sian show’ down our throats. The editing was trash, the pacing was horrific, and it was obvious Netflix has no idea what the hell they were doing. Instead of genuine connections, we got the same old and haggard love triangle formula dragged out like a bad K-drama. The way they were expected to choose people based on looks alone and like a 5 minute conversation pissed me off.
The best part of S4 was Theo, the greenest flag of all the guys and You Jin, the most bubby down to earth girl from the women. They are the reason why I’m giving this show 2 stars because they at least gave me something to look forward to and had me rooting for them even though both were so overlooked.
Lowkey, this season's panel was better than the others, but Dex needed to ditch them and get back to the inferno immediately! Ji Yeon deserved better than what she got like it was so obvious her and Tae Hwan were not compatible. I honestly would’ve liked it more if she turned him down at the end. And, tbh, the wild card men should've all stayed - what was the point of that whole thing, anyway? Jonghoon was hella bland and much too relaxed for my liking. Bro was just there for free vacation like Habin from season 3. He literally put in zero effort, and that "relationship" with Hyejin? Forced, fake, and chemless. Same energy with Jiyeon and Taehwan - I called it from day one, they had zero sparks.
This season was TRASH, and the fact they're making a S5?! HELL NO!!!! WE DO NOT WANT IT!!!!
At this point, it’s clear the show is beyond saving unless they bring in regular people instead of these performative plastic diva’s and lazy ass men. Bro the way they need men who actually try instead of them sitting around waiting for women to chase them. Like, I could try to understand if these men thought they were some prize or were super fine, but that wasn’t the case this season. They were all so unbelievably MID. The most decent looking guy to me was honestly Theo or Dongho. Every single one of them was mid compared to the Season 1 and Season 2 cast. It’s safe to say Single’s Inferno’s flame has officially burnt out.
This franchise needs to die expeditiously!
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This review may contain spoilers
Repetitive story
This story is very repetitive, even some scenes were very similar to other wuxia dramas, it's like they mixed a little from all other dramas and copy pasted here. For example immortal samsara, the journey of Chang zi, Ashes of love etc. therez nothing new so it's very predictable. Mainly cuz in the first episode starting scene they themselves mentioned what's going to happen in next 27 episodes where step by step the guy says how ML ended up killing her and everything, that was stuck in my mind when watching it so it was easy to guess what was going to happen next. Some plots were very unnecessary, just to create drama they showed unwanted things like when the evil girl turned good they killed the guy she was going to marry ( when devil can kill literally kill anyone at that point but they choose the groom 😂)just to make her evil again connecting it to Ayin's torture and death for no reason cuz she was anyways going to die but ML goes to great lengths to save her only to kill her in next 2 episodes 😂😂😂 it's funny cuz ML makes a long plan thinking she won't die with his punishment but she died in hands of ML for very silly reason that he didn't know her immortal spirit was already damaged. There is no strong story here, basically one thing lead to another creating such circumstances, some developments are very random.I really like Zhao Lusi but why shez acting same as she did in hidden love? Baby voice and everything, I didn't like it. And ML's acting wasn't that bad but he didn't give main lead vibes at all, other male characters were more charming than him.
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How's the story: does it exist? I don't think so,
Jung Jin Soo is creepy, monsters are funny (literally), Min Hye Jin is reckless but cool (But what's the use?), Kyung Hoon is... wait what's his role? lol. My brother is annoying, Oops sorry this is unrelated. Well, so is the show apparently."When one person suffers from delusions, we call it a mental illness. When the society suffers from them, we call it being normal." -Anonymous
One of the few things done right is the portrayal of society and its mindset lol... I'd rather won't comment on how religious things are shown... but the whole setup of how people (normal people not the crazy dudes) think... was relatable.
For 50×6=300min (approx), I was staring at my laptop screen, was legit for nothing coz this drama is just so random. Some random characters with some random backstories, with their random purpose put together and bunch of super annoying characters are thrown...wait, that explains poster well. Drama ends up being a hot mess that doesn't serve justice to anything, anyone... characters, actors-their acting.
I'm curious what's the writer trying to show actually...Story is like some scattered pieces joined together without giving proper time to explore any character well. I didn't the webtoon to I've no idea abt the background story.. but just judging from the drama. It lacks in many ways, it's confusing, writing just sucks, editing is choppy, the whole cult thing is crazy, why some characters exist... then they just vanish in a thin air. Other than Jung Jin Soo's purpose everything has loose ends, should I call it a Netflix thing so they can create seasons per season.
I do not have a problem with bad CGI even though it made me laugh at the monsters... they legit look funny, or even cinematography. They can have a small budget it's understandable... but what's wrong with lighting? Okay, I get that Netflix is been trying this for a while now... making dark lighting and cinematography to suit the theme of thrillers, but that doesn't mean it should be this bad that I had to check the brightness of my device two times. With bad color grading, it's weirdly dark.
The acting is spot on. Yoo Ah In legit gave me chills... but he doesn't look himself and if he's the sole reason if you want to watch the whole thing, you'll be disappointed he's dangling carrot. I appreciate Kim Hyun Joo's performance too. Park Jung Min and Woo Jin Ah slayed in a very small amount of screen time given.
I think the main problem with it is they just tried to do many things together is a small amount of time. Trying to put many characters... many things happening at the same time. But this season is just meant for the introduction and things are explained in later seasons... I may ignore it but right now I'm just thinking of it as an individual drama.
It doesn't have many surprising, thrilling, action factors. I didn't find it the least bit scary nor any jump-scaring moments. It's gory, disturbing at times...you might get disgusted on many occasions but I won't call it a good horror.
It doesn't bother to explain anything, just wreck your brain on your own. Nothing is impressive... nothing. I admit it's different but not in an extraordinary way. It's just normal... might be good as time pass, as I'm the least bit entertained and thrilled. I just hope the second season (if it's gonna happen) will prove me wrong and this is just a build-up for it.
Am I being harsh? yes. I should be.
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This review may contain spoilers
Messed-up plot. Try to to be clever but fail. Too many loopholes all over the place.
(Review In Progress-- done watching, in-progress reviewing, and after that still needs some edit.
-- sorry, it takes me some time as this such a headache.)
[+] This series is like an experimental work. After finishing, I highly admire the team that they really put a great effort in creating this drama. It's a complex story. The messageS they want to convey are difficult, thus meaningful. And the way to convey it isn't simply about plot writing. This series especially need the collaboration between the plot creating and filming/editing processes. So it's not only the story that is complex, the process for the aimed result is also a hard work here. I feel thankful they made this done. With this work of theirs, they challenge the new level of quality series in all aspects from creating to conveying processes.
[-] Anyway, they try too hard to be clever. In the end, there're still too many loopholes both in the main plot and sub-plots. To find a positive excuse for this, I'd blame the time constraint. The time limitation especially affects the writer. I feel that the writer only has solid ideas on the main things she wants to make happen, but she lacks the ideas to logically connect two or more dots, resulting in a messy resolvement that relies on cheating the audience.
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Two main cheating ways of this series that are unaccepatable for me are:-
1) They indulgedly create many conditions in the story on their own without caring the universal laws. These conditions are not the kind of reasonable conditions that would serve them right if they had a unique universe of their own story. These conditions are just to serve their own conveninece in resolving the conflicts the easy way because they can't think of how to resolve it properly without cheating. Let me give an example,
- The conflict is A wants to kill B who is a criminal treated at a hospital, but B is protected by two polices standing guard at the patient door at all time.
- Resolution of this series to let A kill B is to let C who is another police says via the walkie talkie that there's some incident happening near the hospital area and he needs some support at the moment. On hearing that, the two polices both left their position immediately. They shouldn't leave their post in the first place, but when they do, they do it so naturally like it's the way the world normally is as they don't even need to disccuss or hesistate a bit before setting off running away.
The above is just one example. There're A LOT along the way. The plot needs media to be stupid, needs people to be stupid, needs doctors to be able to do things that normally they are not able to. All of these for the sake of connecting the solid point A to point B. Remember what I mentioned above? They only have the solid ideas on main points while have no idea of how to connect them.
Their self-indulgement frustrates me a lot. They look down on the audience like me.
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2) Because they can't find the proper way to solve their conflicts, they trick the audience by manipulating the scenes. The plot is mean to deceive the audience at first, so that they can make a surprise twist later. The proper way to do it is to give the same set of information to the audience as to the investigative storyline (= the storyline of solving the conflicts). An improper way to do it is to hide some parts of the information that the storyline knows from the audience. This series make a worse thing by manipulating the information. In some crucial scenes that would become the surprised twists later, they film it in 2 different ways - one is the way that actually happens, the other is the way they want the audience to believe happening. Then, they firstly show the audience the wrong occurrence to mislead the viewers. And later, when they reveal the twist, they show the other occurrence. This is cheating. You don't have skills to make things right. You want to be wise, but if you cheat it doesn't shows that you're wise anymore. It shows that you're just pretentious.
As unskilled as you are, you still need to learn a lot more to not anger the audience this way. Find a place to learn? Go read more works of Dan Brown and Agatha Christie!
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More rants:
(1) Story [-]
- Too many loopholes
- Like ep.1-2 pretty much
- Ep.3 starts to have loopholes in the details.
- Ep.4-5 have too many unrealistic parts esp. about media, human behaviors in society, and decision-making relating to social impact. These surreal parts are essential for story development. If there's none of these, the story wouldn't go on the way it is written, which means the production team is not smart enough to make a proper investigative story without constructing some special conditions that would help them make the story progress easier. What a convenient way to solve a question that outwits them, right? They do it by making a condition that says whatever they say is true. Anyway, in the end, this just portrays that everything in the story is pretentious.
- Ep.8, 10 - more so-called loopholes - the self-conditioned parts that help the story to progress along the way they want.
[[ spoiled note: 8-the surveillance officers / 10-the physical call instead of phone call; the criminal didn't have father at first but now has?? huh; the criminal's mother supposed to give birth after Yohan's mother in the early ep but now she did it before for 6-7 yrs?? ]]
- Ep.14
1) Why the TV producer takes that guy in her car?? -_-
2) How that kid gets to that man's house?? << It's like everyone is a character in an RPG game doing things without motive, no situation progresses in a logical process. It's like these characters and situations happening around them are programmed in a game.
Ep.15
1) Conveniently skip the memory about chasing on the road scene?
2) Suddenly the older police who usually fails to observe the details about everything notices the very subtle details of a victim. How convenient, the writer makes everyone change in a wink, makes any situation to occurs or changes from before like magic.
3) I also don't forget the alibi of everyone in the 1st case and waiting for you to properly explain, writer!
Ep.17 - The new paint on the wall can be removed by tissue paper??!!
- This story shows that polices are generally stupid. The supervisors would choose their subordinates to make an important decision instead of them while the subs are not clever enough.
- The media in this story breaks the law and their ethics all the time. It's the circle that there're only people who think about their own benefits. They dare to publicly take advantage of the situations even when there are other people's lives at stake. And no one at all blames the media. Nor does the media get sued. Very weird society.
- The story shows the people of Korea are stupid, always ready to be pulled to the left then dragged to the right without the ability to think on their own. They believe whatever words from TV. The people/audience in this story is much stupider than those characters in the novel 1984.
- Let me yell at this series a bit:- The real media don't work like that. The real polices don't work like that, either. And the people of Korea or most of the places in the world are not like that. The production team of this drama is just an imposter pretending to know what social psychology is, pretending to know how journalists and polices work while they actually Know NOTHING. What they do is just spreading the wrong perceptions about everything.
p.s. Damn to this drama, where the hell in the world that a TV channel would intentionally live broadcast a crime as a criminal wants? Furthermore, two TV channels even argue/criticize/condemn each other on TV-live-broadcasting to make the situation benefit the criminal. The media here are very much stupid and very much immature. Nonsense. In reality, this kind of TV station would surely be heavily investigated by law and backfired by social pressure.
P.S.2 And the ER doctors don't work in patients' rooms! You don't know how doctors work, either. You -writer, director, producer of this series- truly Know Nothing.
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(2) Acting [~]
- The older police always overacts. The paradox is they mention about overacting represents the lack of understanding in the thing the overactor tries to depict (ep.7).
- The acting of the TV program's female producer is substandard. She doesn't know the way to show her character's expressions through her face. I don't feel that she feels what she acts. She just makes a subtly disturbed face, and continues to make it the whole time. There's only one kind of facial expression from her, which is the kind of expression that I don't feel that she feels it.
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(3) Script [-]
- Bad script. It's like the characters in the series are the RPG-game players. They walk around talking to witnesses, interviewing people in the RPG-game style that we have to stop and talk on the way to certain people to get more information to complete each mission. The conversations in that kind of interviewing/asking strangers in the series are blocked and unnatural - if we get to the right person, the convo would flow as well as directly get to the point, no small talk, no introduction. No matter how weird or rude the questions of the characters are to the strangers, those strangers answer along the way that the characters want to know without opposing. No matter how private the information they get asked, they don't feel it and are willingly answer them.
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Interesting but Unmemorable
Let me start with some disclaimers because, as you'll find out, my rating for this mini-series is much lower than the majority of other reviewers/raters. Suffice it to say I have always struggled with Japanese Dramas.I think their stories are interesting -- especially those that delve into the dark psychological aspects of human nature. However, almost all, without exception, have failed to elicit any emotion from me. For whatever reason, I often find that characters in J-Dramas fall flat. Alice in Borderland, unfortunately, is no exception.
Another important thing of note is that this review pertains only to this drama. I'm aware the story is based on a manga that I have not read, and the truth is told, I don't plan to check out. So keep in mind that I jumped into this series without knowing anything about it.
PLOT: Interesting, albeit left mostly unexplored
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The world (aka country/reality) in which this drama takes place is hands down the most interesting aspect of this series. So much so, that wanting to know more about the world and explore it through the "escape rooms" game-dynamic kept me engaged enough to finish this one in three days.
Sadly, the series had to juggle too many characters, so the world itself was left vastly unexplored. Of course, this is only the beginning and I've heard rumors of a second season, so they may simply want to keep some mysteries to resolve in the sequel. If so, I'll probably watch it in hopes of getting some answers to my numerous questions, though I won't really be holding my breath for it.
CHARACTERS: Flat and forgettable
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Rather than talk about each of the main characters, I'll talk about them as a whole, since they all share the same problem and that is... none of them are really fleshed out.
You could blame the length of the drama, certainly. But that would be a cheap excuse. These characters lack complexity and it was that alone that made me feel nothing for them. They could've all died by the end and I wouldn't have shed a single tear.
Now, there was an attempt at building emotion. But it felt superficial, rushed, and "formulaic". I knew when a character was going to be axed because we got to hear their sob story through a quick dialogue with another character.
To be frank, if you like being engaged by the characters this Drama may fall short for you. But if you don't mind simple characters we don't really "get to know", so long as the world they inhabit is interesting, then this will make a decent watch.
MALE VS FEMALE CHARACTERS: Problematic
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I want to take a moment to express a problem I have with Japanese Dramas. Mind you, I haven't tried that many... but my avoidance of them has to do precisely with the reasons I'm about to briefly delve into.
This Drama is male-centric. Meaning, male characters tend to be given more depth than female characters. As such, the drama gave almost every male character some kind of motivation which explained why they made each of their decisions.
Unfortunately, female characters were left unexplored and at times, downright untouched. Even Usagi (the FL) was stripped from giving her depth by focusing her flashbacks on her father, rather than on her own life/aspirations. There's only one female character (a transgender gal) who was given a brief but beautiful story. Her aside, though, female characters were depicted as disposable, selfish, useless, and/or simple eye-candy.
Unlike female characters, male characters were usually portrayed in a nobler way. Even minor male characters were shown willing to sacrifice themselves for other men/friends. While female characters were killed off for reasons verging on the absurd (like showing the audience the dangers of a room, for example). I don't want to add spoilers here, but if you're interested to know more, add a comment and I'll explain using the spoiler tags.
FRAMING: toxic male gaze
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The above points lead me to talk about how the Drama was directed because it's one of the most problematic areas and maybe the aspect that spoiled my enjoyment the most.
Many of the decisions here were taken with the idea that "sex sales" and, of course, most times that means female bodies will be exploited. So as the series crossed into the last quarter (when they reach the beach), a rule was set that everyone should walk around in a bathing suit to ensure "no one can hide any weapons".
The result was having most female characters walk around in small bikinis while male characters got to wear baggy trunks and shirts. The fact that they didn't march around shirtless nullified the supposed "purpose/logic" of the rule. To the point where we even see a few of these male characters taking out weapons from the back of their swimming trunks...
But perhaps more intolerable than this was a scene that involved what would've been a gang-rape had the scene not been interrupted. Luckily, the director decided not to undress the character who gets kidnapped and almost assaulted (which I believe is supposed to be an underage girl).
Yet, the entire scene still felt crass because the camera hovered over the assailant's shoulder, making the audience complicit by showing the scene from his POV instead of the victim's. The result is that sexual assault ends up portrayed as something quasi-erotic, rather than as something horrific that is happening to the victim. This didn't settle well with me, as this has been a technique I thought we'd move past with the rise of the #metoo movement...
OVERALL: On the fence
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To be honest, this one is a tough one to recommend without putting on the table all the additional notes/flaws I've pointed out in this review. I think the world is interesting enough to make this drama watchable --binge-watchable even!-- and the "escape room" games were hands-down the best part.
However, the characters are not memorable or even original. They felt cartoonish to me and ultimately unengaging. I also hated the directing and the constant "butt framing". The disparity in how the genders were handled was especially jarring, so I wouldn't recommend this one if you care about that at all.
I also think this show calls for some trigger warnings because we see: attempted gang rape, executions, and a number of shootouts that may hit close to home to someone living in the USA; as it is reminiscent of many real schools shootouts in the way they were portrayed. So keep all that in mind if you decide to watch. If any of these things trigger you, I'll recommend staying away from this one.
If, on the other hand, you don't care about these things and like watching psychological mysteries (which are constructed like anime), then you'll probably really enjoy this one.
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How to be a people pleasear | lack of romance
So sad to watch another drama where the FL is an example how to be a boxing bag, how to be a victim, how to not trust yourself at all, to be a people pleasear... the toxic life of koreans.... to be abused but to continue the contact, working with abusers. I dont understand how can be an example for young girls that whatch this kdrama.How can you have, treat with kindness, even visit a frind that always wanted nothing for you. Bullying is a thing that koreans like so much... it become a normality to entrain.
I would have loved to see how she fights for her, how to gain self-confidence, to be in her own power, how to stand for yourself, how to speak for yourself.
The romance is absent completely.
There are some beautiful stories also and for this I give it a 5 but I don't recommend.
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EYECANDIES
While i cant say anything bad about the 4 main cast, who may be some of the best looking cast in any BL show, the story and the execution is a bit lacking.The plot is a typical Thai BL setting - boy hates (or pretends) to hate another boy only to fall in love in the end - whats worse is this time we got 2 of that (or 3 or 4 if you count the side characters). There is no real climax to the story except to make these guys fall inlove with each other - there was very little time for the characters to grow. Initially they were trying to tell the backstories of Zon and Tutor, only for all of that to not matter in the end. There was no antagonist and no real (or very little) conflict and the finale felt like it was really rushed - nothing really happened in the final episode, other than Saifzon's first time.
If they didnt try to be so serious in the beginning and just made it a completely light hearted romance drama, things would have been better.
Saint is always amazing but for me Zee stole the show. The way he cried when they broke up and the way he begged Tutor to take him back broke my heart too.
Thank god Tommy was cute enough that even if his character is so annoyingly written I cant still hate him. Jimmy is just charming and cute as hell. These 2 deserve a better series of their own.
Will i rewatch the series again - maybe, only for the EYECANDIES, and if i am locked down again at home for a long period of time. Otherwise not at all.
I do understand the pressure of finishing a show in the midst of the covid pandemic - we all know that the production was heavily affected by it. And because of their effort to not hang the fans in the middle of the show, im still giving the show a 7.
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Someone please hand Jung Kyung Ho an Oscar. It's such a shame that I never knew this actor existed. His acting messes with your mind and emotions because the way he portrays "Doc Son" no one else could have. He adds his own element of mysteriousness.
When gruesome fights and drug deals can excite you to this extent you know you got yourself something special. The action is ecstasy. When the fights start it's like you're watching something blissful.
I think the greatest thing about this show is it's realistic factor. I see realism within the characters and their pasts. There is so much complications and emotions going on that you go on the journey along with them.
Less the complications the better? Not in this case. You just want more and more of each thing whether it be complicated or messed up because it still delivers and grabs a hold of your attention.
Our OTP. Action and romance together it has the tendency to get mushy and "throw it all away for the woman." BUT not in this case. Our main lead knows the difference between professionalism and personal business. They're such a pleasure to watch because they compliment each other very well. They add heat. They add comfort. They add soul. This couple is a package between amazing chemistry and realistic expectations.
This show will never stop surprising you. Every cliffhangers has left an emotional scar. When you watch this show you'll be glued to your seat and you'll be literally in the face of the screen because you don't want to miss a single aspect of this drama.
It's dark. It's bloody. It's got drug deals. Power. Corruption. Heat. It's got everything. How can you turn yourself away from this.
I feel like I'm not talking about Heartless City/Cruel City If I don't mention that this the best drama of 2013.
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