Reviews

Great, underrated drama

This was such a great drama with quality writing, story, and acting. You just love and hate characters, you think about it, you enjoy every thrill and everytime you think you cannot be surprised, you just are. This is definitely one of the best dramas of 2023 and its a shame, that such drama has such low rating and not many watchers, just because it's not promoted as some other overrated dramas are... This is an absolute gem and if you love a good thriller with interesting characters, an original storyline and storytelling, and natural emotions, as the drama goes on.... please watch it and forget about ratings, that doesn't decide if the drama is good, or not.

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a fashion show, a screaming wife and unnecessary sex scenes

I can't even describe how trashy this drama is, I was left disappointed and in shock over the whole thing. Honestly, I'm shocked at myself for having finished this discombobulated mess. It almost felt as if this "comeback" drama is a punishment that Seo Ye Ji had to endure before she would be given a more decent script to work on.

Where should I begin? The synopsis, maybe? This is how the synopsis goes: "Lee Ra El idolised her parents, a highly intelligent father and a strikingly beautiful mother." I was actually waiting for more snippets of her happy family life to be revealed, but none of that was given until late, where a meagre birthday celebration of 3 seconds was shown. How smart was his father? He was just described as "the Bill Gates of Korea." This was mentioned in passing in Ep 6 or so. How beautiful was her mother? Was she a walking fashion house, an elegant homemaker? The makeup and image artists for this drama did a disastrous job at dressing up her mother in the flashbacks. The mother was a typically ordinary housewife who apparently loved to dress like a countryside grandmother. They gave her granny floral blouses with straight cuttings, while Ra El gets to wear a different outfit in every scene! Ra El the fashion bombshell was the main focus. The synopsis goes on to say Ra El's goal is to bring down the fam using a USD1.6 billion divorce lawsuit. And yet halfway into the drama, we were told through another character's mouth (Moon Hee) that the original goal was to have the villains arrested using proper evidence and by way of the law. .....What divorce lawsuit? LMAO.

Nevermind that, who cares about what the synopsis says? The drama is nothing like what was advertised. Ra El should have been the glue that holds the story together. The plot centers around her revenge. But she too, changed her mind about only punishing the main culprit who killed her father midway into the drama. Her behaviour became more and more psychologically disturbed, as if she's trying to remind the audience of her past performance in It's Okay to Not Be Okay. Like, why? Wanting to exact vengeance on the person who ruined your life is one thing, but it's unnecessary to be psycho about it. You can still be human about it. There is hardly any need to portray every revenge-seeker as psychotic. Now Ra El, after finding out that Han So Ra murdered her mother, decided that she not only wanted to destroy the patriarch, but also everything in that family now. The targets of her vengeance have increased.

Alas. Despite learning who her mother's killer was, the writers of this drama still insisted on placing the man Ra El seduced, Yoon Geum, at the center of the story. They spent hours upon hours of episode time showing me the dynamics of the seduction. They kept bringing up Yoon Geum's feelings for Ra El, which started with nothing but pure lust. And suddenly, I found myself being shown Yoon Geum's miserable childhood. Do I care? What has his childhood got to do with Ra El's revenge? I know the scriptwriters were trying to say that So Ra losing Yoon Geum is an apt punishment for murdering Ra El's mother, and I'm feeling that the scriptwriters were trying to convince me that Yoon Geum is somehow a guy deserving of some level of sympathy. LOL. He was already steaming with lust the first time he laid his eyes on her. Why would I sympathise with a guy like this? LOL. Ra El uses sex as her weapon, and there's something grossly wrong about this in the year of 2022. Let us all throw a pity party for Yoon Geum, his tortured childhood, his deranged, spoilt wife, and his daughter who wasn't potty trained.

Frankly, I don't give a donkey's ass about this male lead.

The most infuriating thing that I soon realised is, when a man comes back for revenge, he gets to do things like deep researching, device-tracking, surveilling, espionage or military-style anti-reconnaisance without having to sacrifice his body or mental acuity. But when a woman comes back for revenge, she uses her body and sex to get what she wants. She goes through trauma and scarring, out-of-control situations where her mental judgement is impaired and subsequently, criticised, questioned, ridiculed. It always cheapens the female character, and this is unacceptable for me. The year is 2022, not 1972. This drama had set up the situation in such a way that the target is a bunch of fools whose intellectual processes occur in the lower half of their bodies.

The writers gave no information about Yoon Geum's father-in-law, Han Pan Ro, the main villain who gave orders to ruin Ra El's family until the end. Not much was also said about the crimes of his father-in-law's right-hand man either, Joon Cheol, who was directly responsible for Ra El's father's death. I want to know how these main two old crocs are going to get their comeuppance, chop chop. I want to know what Ra El was going to do to them and how she's going to set a trap them. But no. This drama insisted that the focus was placed on Ra El's load of chameleonish outfits, the seduction process, and the boring, lusty object of her seduction. Everything is all over the place. It's garbage.

I mean, don't we need to know, how Ra El gathered the specific evidence to nail the bad guys? Shouldn't I be learning about the villain's specific crimes? Shouldn't I be learning about why Moon Hee, the older woman she's collaborating with in her revenge scheme, and why does she also want Han Pan Ro's head? What's Moon Hee's backstory? But I got nothing. All I got up until Episode 9, was wasting 9 hours of my life watching useless catfights between Han So Ra (the guy's wife, also daughter of Han Pan Ro) and other wives of the upper class, Ra El waltzing and sashaying in different outfits to seduce the guy and finally had sex with him. I also had to watch Han So Ra have sex with a manservant. For what purpose was I shown this? What has So Ra's sex life got to do with Ra El's revenge plot? And I have to put up with scenes of failed attempts to gain entry into Yoon Geum's safe, in order for Ra El to obtain the ledger of her father's company 13 years ago, which is remarkably stupid.

No one keeps a 13-year old ledger of a company they usurped illegally from a man they killed. No one does this. They would sooner burn the ledger to get rid of the evidence. I'll quote a real life scenario: Weeks before Enron Corp officially went down, Arthur Andersen started shredding its audit documents related to Enron. So to think that Ra El and Moon Hee's aim was to retrieve a decade-old ledger (13 years lmao) with the assumption that it still exists, is all the more ridiculous. Additionally, what kind of huge company would contain its accounting info in just one thin ledger? Is this junior high accounting class? In the real world, companies in operation are allowed to destroy their documents after a minimum of 7 accounting periods have passed (7 years) by IFRS Standards, which the Korean Accounting Standards Board (KASB) adopts. It doesn't make an ounce of sense then, for the villains to have illegally acquired Ra El's semiconductor company and then still retains the documents detailing their crimes after 13 years. It's common sense that criminals would destroy evidence as soon as possible.

Again, this whole drama really doesn't bother to tell you the specifics of what really happened to Ra El's father or his company. It really only vaguely tells you that the father was accused of being an industrial spy, was forced to sign a confession which he refused, and had his life snuffed out of him and his shares of his company robbed. Which is again, dumb. There are laws which protect a director and his company shares. The script just wanted to use that cheap backstory to give Ra El a motive, and show the audience some fashion houses' outfits worn by Seo Ye Ji, show the audience some skin and sexy times. Oh, and scriptwriters had to make the seduced man's wife, Han So Ra, into a screaming, crazy mess, because it helps with raking up more sympathy points for Ra El. Imagine if So Ra was actually a good person!!! That is a no go for the scriptwriters. It would make Ra El invalid. So of course the wife had to be evil. And she had to be someone who also had a hand in Ra El's mother's death. This was only revealed in Ep 7, by the way, I guess it's the scriptwriters' way of saying, yeah, we know we're focusing way too much on the wife, but there's a reason!!! And still, that reason went to nought. Too many retroactive continuity in this trash.

The side character, Seo Eun Pyeong, the "clean" assemblyman who scorned the rich, who would never agree to meeting any of them for whatever reason, neither accepting a lunch invite nor a gift -- he was a convenient tool for Ra El in this drama. Eun Pyeong was usually so morally upright, that he was incorruptible. But of course, he easily agreed to rubbing his shoulders with Han Pan Ro for the sake of helping Ra El in her quest for revenge. What made this ridiculous was, Ra El was a mere 15-year old child he had helped some 13 years ago. She was a child he had sent to the USA to live a new life after her father's death. This dude was essentially sacrificing his entire career for her now. And the reason? Love! He decided that he loved her, and declared his love out of nowhere. This was after meeting the kid 13 years later and not even spending an inch of time to find out what her character is really like for him to fall in love with her. Nevermind, he fell in love after watching her erotic dance that one time in her studio, I guess that counts. Very logical! I swear this is one of the worst dramas I've ever seen this year.

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A refreshingly sassy KDrama, critically reckoning with the South Korean education system (and love)

“The Midnight Romance in Hagwon” promises a love story with its international title - and that's what we get. Jung Ryeo-won and Wi Ha-joon are creating the relatively adult, authentic aura of a tender but complicated love relationship between a former graduate and his former tutor. Yet, the two are more than a couple. Today, as teachers, they inspire each other to teach didactically creative. And in doing so, they also inspire their students.

Thus, the KDrama, which in the original means something like “The Graduate”, basically offers more than a romance. It is rather a quite critical reckoning with the South Korean education system. The criticism: It's less about education than about grades -and a lot of money is involved in getting good grades. The students learn the correct answers to their questions. They therefore receive any effective support outside of school, mainly in the tutoring academies, provided their parents can afford it. However, there is one thing, the students don't learn: how to ask the right questions. They don't learn to question or get to the bottom of something. They know their material they have to memorize and what formulas they should be able to apply. Everything else is not part of the entrance exam or a prerequisite for qualifying for admission to one of the three large SKY universities. It has to be Seoul National University, Korea University or Yonsei University (S, K and Y), if anyone in South Korea is to become something...

"The Midnight Romance in Hagwon" aka "The Graduate" takes stock of the prevailing, dubious, even misleading values of a society, still trying to convince the people that they have to obsessively achieve something in order to be valuable of some sort.

When it comes to the academy teaching staff, it is about tailor-made exam preparation, courting parents an acquiring new students. Looking to the right or left, seeing a student as an individual human being with dreams and needs, let alone respond to them? Oh my! Whether it's students or scandals, it's never about the people. It's always about the money. A lot of money. The competition is enormous. The South Korean education market is a lucrative economic engine that is humming along happily.

This KDrama offers a wonderfully staged, emotionally sensitive and vivid approach to these issues, using the fate of various ambitious, highly motivated teachers who would like to try something different, but are not allowed to. They are surrounded by elitist parents who are ready to do anything for the glorious future of their beloved, dearest offspring. They are also surrounded by fiercely competitive academies that are just waiting for someone to make a mistake, because then those protégés can easily be poached and their own coffers start ringing instead...

What a refreshingly sassy KDrama, dealing with all those issues...

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was mostly a 10/10, but sigh….

was mostly a 10/10, but sigh the plot went downhill after ep 30. I’ll separate my reviews in parts I think

1) first off, in general
- I think the coloring, scenery and cinematography was good and beautiful
- I loved the costume and I really like the hairstyle on FL
- I loved the music
- everyone’s acting was good
- CGi was good to me and fighting scenes too

2) eps 1-29 :

I was hooked at their first encounter. I liked their fighting scene too
Cold ML, that will fall hard and soften, more bubbly flirty FL. Totally my type.
The development and the interactions between the leads was very good to me. How she was following him, flirting with him, him wanting to go way. Them slowly falling for each other. I think their chemistry was very good, their dynamic was also perfect

When ML fell, he fell hard. He would do anything for her.
- After she was imprisoned in that cold prison and they wanted to kill her, hated her. He defended her, went against the other, claiming she was one of Snow city people (one of his people). She was ready to die for him, but no he was gonna save her at all cost. And he did, he took out the demoniac power in her and make her gain spiritual power back. Even the people in snow city, accepted her back
- I have to say, I really loved ML smile and how he looked at her❤️
- She hurt him many times (even if it was intentional or she wasn’t herself). He was never mad at her, he never gave up on her, he knew she wasn’t like that. After she forgot all emotions, he did everything to get her emotions back. It was a bit reversed here it was funny, now it was her who wanted to go away and him not letting her go. Even without her emotions, her heart didn’t forget him, that was good how she had some heartache because of him.
- when she died, that made me so emotional. When he was climbing the stairs, I honestly started crying. He loved her so bad, was ready to do everything to get her back. And then, he sacrificed himself for her, I also cried here. Even the divine dude cry, that was something
FL too, she was ready to die for him and how she literally died for him, giving him the talisman from SMl because she wanted him to live… another heartbreaking moment

In general, their love story really touched me. How much they loved each other, how much they wanted to protect and do anything for each other, even sacrificing their life for each other. I was really feeling their love for each other. They also understood each other. She understood his duty and how important it was for him to protect the world. She wanted to continu protecting the world for him after he died. That episode when Sang Qi when to get her in snow city, he went back to save the village instead of saving FL right away. She understood. Like him, knew what she wanted

At the beginning I liked the friendship with SML even if later on I hated this guy… No one can make me like him

Bao was so cute, I loved every interaction with FL

Never really dislike the SFL and I liked the development and how they formed a friendship. We didn’t get much, but I like the little love story with Fu Lang

I think the story was flowing nicely and well writing, I think the plot was engaging for the most part, maybe a bit more slow in snow city, but still enjoyed it.
There was really good other parts to me, like :
- How they went with FL being the caos pearl, that episode where they revealed this and the flashbacks, I really loved that episode, think it was well written
- the time travel was well done
- how it was ML all along, when we saw it was him that went back in the past to meet FL when she was a kid and he was her ge ge all along. How it was actually her who saved his life too in the past
- Sang Qi : I liked his story later on, I truly felt bad for him when we learned what happened. the betrayal and the misunderstanding… a tragic love story. She ended her life because she thought he was dead and didn’t wanna be forced to marry someone else. When he learned she never betrayed him… Then he sacrificed himself for FL, he was like a father to her even if he did hurt her more than once, can’t deny that. I liked this ending for him
- Fu Lang parents : I liked how they showed a bit their story and spend some screentime on them. They were bickering and all that, but in the end, truly loved each other. Their last few moments make me emotional and cry a bit, another tragic love story…
- the other couple in the forest : that was seriously such a depressing story. Her, reliving the same day forever ? him, her shadow accompanying her all the time, but never being able to see each other. How she never knew he actually loved her. A misunderstanding from the past that will not be solve… how they introduced the the dude and how you can go there and make a wish, how it all link to later on when he went there to save FL.

3) ZM and pearl (past life)

That was definitely too long…

There was some cute moments between the leads, but don’t think it was well written to really feel their story. Screentime wasted on more useless things too

Interesting how ZM personality was

I like the little time on second couple, tragic end. How they were also like fated and meet again/fell in love in their second life. How what they wished for the other came true.

Probably exaggerating😅😅 but too much importance on FL and SML story that I honestly didn’t give a damn about, could have cut some moments of that. I’m the last 10 eps, felt more like FL and SML story than FL and ML

Only thing that I think was somehow interesting in this was how everything was fake, the fake memories regarding ZM actions in the book of fate and in ZM + everyone memories. Also FL going over there and crashing out killing all of them after ZM imprisonment was cool😎 and then giving like f**k you to SML was satisfying

Will finish the last arc another day, the most disappointing part of the drama…

4) last arc in the present + ending :
Weeks later ahaha should I finally finish this review 😂 what did I even wanted to say, gonna go in general, it’s far in my mind

They changed the sypnosis, wish it was this one since the beginning, it was misleading… it was something like « she uses the power of love to blah blah blah… after ML comes back as the demon Lord » this is not what happened. This was something that really disappointed me : they really separated past and present. Mu Xuan Ling and Pearl never became one, just like both version of ML (even if maybe they did at the very end…). I thought this would be about both of them like merge, being both and loving both of the other lead version. But no, after XXC died and his soul got back to ZM, she was like he his dead, etc… I thought she would go to the demon world to help him, fight for him because in the end he is still XXC and both of the version her 2 self loved, but that never happened. Don’t know if I am being clear😂😂 I was excited about demon ML, but that was disappointing in the end. Didn’t like how they went with the plot in the last few episodes and the sparks and love for the romance between the leads I was loving was mostly gone

SML was still annoying as hell. When she saved him by giving him half her power🙄🙄 I know why she did it, but just no girl. He’s still the one who did all that in the past and literally caused your death and the death of the person you love. it’s also like she could somehow recognized/accept him as NXY and TMS, but not XXC and ZM? Why again making the SML have some kind of hero dead, rolling my eyes… Cdramas writers have been doing this lately when the SML doesn’t deserve it.

Classic annoying 5 min happy ending that gives nothing. Honestly when she said « who are you » (I think that’s what she said, it’s been a while), I rolled my eyes again, it shouldn’t matter, but showing again how they really separate the characters. This could have been at the middle of the episode, I can agree it was still a beautiful scene under the tree and the come back to the tree blossoming and then could have giving us an aftermath… like them living happily, a wedding, I don’t know anything!!!!! Most writers have 0 imagination and don’t wanna give what watchers actually want

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I don't know. It's cute yes but hmmn, the feeling was just not there. Not a movie to remember. The first part was fun but it just flowed forward into boring scenes.

I'm totally not convinced by the main roles Yamashita Tomohisa and Komatsu Nana in this movie. The acting was just soso. It could have had lot's of more feeling. If you're watching this movie for Yamashita Tomohisa's appearance then you should watch this, handsome in every scene. Yamamoto Mizuki did a great job as a supporting character! I want to see more of her.

Also a very very cliché story..Don't expect something unique. A typical manga love story.

I liked the music!

Watch this if you're bored and don't expect much, then maybe it's good for you!

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Missunderstood and underrated Masterpiece

I normaly do not bother to write reviews after watching beautifull but "brain dead" dramas. But now after finding a hidden gem with a very deep meaning and message beeing utterly missunderstoood and underrated, I had to write one.

First off, watch the drama and continue to read this review after watching it! You will not be dissapointed. Even without understanding it completely, it is a fun and crazy ride with good acting and a good cast. But only by understanding the story and message it will be really good.

If you have thought this drama is all about aliens, friendship and cults you are wrong and most likely one of those persons depicted in the drama itself as, blindly trusting belivers and following their leaders "cult leaders/papas" all the way to the end, untill you are told into dying for your believes.
Are you a leader? Are you a believer?
Or are you one of those beautifull but unique " Bo Ra" beings that knew there was something hidden and at least searched for the real meaning by thinking against the "norm". Or maybe are you the one who was shure to know the story untill waking up at some point by understanding the real meaning, like the FL did wake up from her "boring" predestined life?

"It is not about aliens, friendship or cults but about what people believe and how societies work. By whom and how the meaning of craziness or norm is defined and what characters people choose to be. A believer, a leader, a beautifull and unique person, or the messiah."

I choose to be crazy...

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How to suffer successfully.

This is a truly epic fantasy xianxia romance spanning three realms that is heavily imbued with characters, cosmic rules and hierarchies, black and white magic and other elements from Chinese mythology and legend. Even though many of the themes are familiar, they are brilliantly woven into a riveting and memorable fantasy fairy-tale of how all beings - deities, demons and humans are capable of good and evil; no one is immune from love and hate and all the emotions in between. We are all different and yet still the same.

After an devastating war, both the demon lord and god of war disappear and peace returns to the realms. A thousand years later, Chu Xuanji is born into the Chaoyang Sect; one of the righteous cultivating sects. At an elite martial arts tournament, she meets Yu Sifeng, the rising star and heir apparent of the mysterious Lize Palace. A strong bond of friendship is formed between the younger generation that leads them on many adventures as they pledge to help Xuanji recover shards of a magical artifact that can restore her six senses. In doing so, they set in motion a chain of events that can lead to the return of both the god of war and the demon lord and once again bring chaos to the realms. They also uncover secrets of their past incarnations and conspiracies that follow them to the present.

Where this xianxia stands out from the other huge xianxia hits of past years is that there is a very well written external plot that is not just there to facilitate the love story. Both the internal and external plot are very well woven together and are mostly evenly paced so that both plot lines converge into a very satisfying and climatic ending. In fact, the external plot is much more intriguing and balanced than the love story so I urge you to resist spoilers and just enjoy the gradual reveal of the backstory and the way it impacts many of the main characters. Although this director still cannot seem to restrain his excessive love of angst, at least in this drama the internal plot did not manage to destroy the external plot as it did in Under the Power. Indeed I personally enjoyed the external plot and colorful surrounding characters much more than the love story notwithstanding the sparkle between the leads.

As for the love story, well it has all the hallmarks of a xianxia hit - it is an extreme and obsessive love story that transcends many lifetimes and thousands of years and is undaunted in the face of challenges by more powerful beings from the three realms. Phew! Exhausting! The chemistry between the OTP is undeniably both sizzling and moving. It does not hurt at all that both actors smooch with an enthusiasm rarely seen in these kinds of shows. But the way the relationship is written is too unbalanced with Sifeng taking way too many hits for Xuanji. Most of the angst takes place in episodes ~40s+ which is late in the game and after the couple already goes through many experiences that should cement their mutual trust. So for Xuanji to be so easily swayed and manipulated makes her character regress and seem just not smart (as opposed to heartless). To deal with her so shabbily just so that Sifeng (who had already gone through so much), can spit blood a few more times is unnecessary and excessive. Within the most angsty arc, the drama indulges in flashbacks and digresses into boring one dimensional characters (e.g. Yanran) with little plot advancement. Everything comes together again in the final 6 episodes that culminates in one of the most engaging and strongest finishes I have seen in a long time. It would have been much better had they explored some of the threads in the last 6 episodes earlier and in greater depth.

As the backstory is revealed, it is evident that Xuanji is an old soul that experienced a lot of trauma that still echoes from her past incarnations and restrains her emotional development. This doesn't really come out until the end because while the main cast is really quite exceptional, Yuan Bingyan is the weak link. She did an amazing job as the young and artless Xuanji and as Xuanji in love with Sifeng but was not able to mature the character or convey some of the rage, torment from her past incarnations that haunts her character nor can she fully convey the inner conflict Xuanji experiences when forced into heart wrenching choices. This becomes most apparent at the end when stacked up against the more nuanced and compelling portrayals by Cheng Yi, Li Xinze and of course Liu Xueyi as the drama draws to an emotionally epic climax at the end.

I know Cheng Yi is by far the fan favorite and is in a completely different league in terms of his acting skills and his unforgettable portrayal of Sifeng's indomitable love and the unthinkable suffering he goes through for Xuanji. This character and this actor is a true example of how to suffer successfully, spitting blood so painfully beautifully time after time that it never fails to fan the flames of rabid fandom to new heights. While he is a truly amazing actor, I think it is actually Liu Xueyi's Haochen that is the anchor of the entire production. I know this is an unpopular and uncommon view but the truth is this drama begins and ends with this character. He must be one of the most manipulative, duplicitous, hypocritical and universally hated villains out there that I still can't help feeling pity for. Liu Xueyi's acting is truly phenomenal from his portrayal of an arrogant high deity who can't even see that he has fallen in love to his conscious acknowledgement that he has strayed from the right path but keeps on going nonetheless. The complexity of his emotions, the suppressed fury when he is thwarted and the inner conflicts he experiences is effortlessly and subtly conveyed with the twitch of a facial muscle, a flicker of an eyelid or a tiny tightening of the lips. In his own way, he suffers as much as Sifeng but obviously not as successfully - probably because he swallows and bottles up all that venom and suffering instead of spitting it right out like our Sifeng. I will leave you with one final thought - love him or hate him, we must thank Haochen. Because if he did the right thing to begin with, there would be no love story.

While for me this falls short of a masterpiece, there is so much more to it than a smoking hot love story and it is so rare to get such a good villain that is complemented by such an outstanding cast. The production value is very high and they did a fabulous job with the CGI. When I finished watching it, I felt like it was a 9.0 but unfortunately a year later, I was never even tempted to re-watch any part of it so I downgraded this to an 8.5/10.0.

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SAY HELLO TO THE REAL ME

Hey, everybody. Ji Woo here.

It's no secret that you loved me in "To My Star", because I've read the glowing reviews and comments here on MDL as well as every other social media platform. In that series I'm a grumpy chef with no patience for celebrities or celebrity culture, who ironically ends up having to live with a major movie star and falls in love. The series was one of the great romantic comedies of 2021, with amazing rewatchability.

I must confess, though, that I wasn't really cool with it. You see, while in that series I made deadpan wisecracks and rolled my eyes at the rascal behavior of my soon-to-be boyfriend, beneath the surface I was actually a seething cauldron of rage, further hobbled by a malignant case of low self-esteem.

I know, I know -- I did an amazing job hiding it. To watch me in "To My Star" you would never know how profoundly unhappy I was, or how much I resented the man you thought I loved.

But I have good news -- there's a Season Two now, and in that series I let it all hang out. For TMS2 I made it known I wanted my toxic antisocial side to be as front and center as possible, despite however much it might clash with the lovable grouch I was in Season One.

I asked the director if we could start out by brainstorming on how to debunk the me of TMS1. And she was up for it, let me tell you. By then she'd achieved tons of acclaim for the romantic comedies she'd directed. The notices about her were even better than mine or the ones for TMS1 itself -- they made out like she was the goddam Nora Ephron of Asian drama. But to her credit she wasn't satisfied with that and wanted to achieve a new level of creativity, kind of like Woody Allen did when he brought out "Interiors" after his own string of legendary romantic comedies. (Sorry -- I know it's probably not PC to mention the Woodster.)

So, she and I got to work, and since you've read this far I'll share some of what you can look forward to.

In TMS2, I:

1. Leave my boyfriend on his birthday after he doesn't show up on time for the birthday party I never told him about, and which I can't possibly postpone until the next day because, well, in Season One I'd also walked out on him on his birthday. The viewers who want an early start on talk of how deep this season is will love the parallels.

2. To signify that this series will be the cold winter that befalls the warm summer of Season One, leave my boyfriend a terse breakup note along with the box containing the uneaten birthday cake, placing the box where he'll be sure to find it when he returns to the darkened, silent house.

3. Disappear for a year while making no contact whatsoever. True -- it's risky to drag it out unrealistically, but it has to be a full year because a two or three month disappearance is for sissies. We're reaching for extremes here.

4. Start up an Italian restaurant in my bleak home town, opening for business every day for months without a single customer while still buying food and supplies that I prep in the kitchen each morning.

5. Bear the crushing weight of a dark scandal caused by a friend of my parents, that everyone in town takes out on me by not eating at my restaurant.

6. Have my obsessed ex-girlfriend show up all the way from the USA with one goal in mind: rekindling the relationship we had as teenagers. In a dramatic contrast to my horrible treatment of my boyfriend, make sure I treat her only with kindness and understanding.

7. Befriend a little moppet straight out of Central Casting: precocious and adorable, spouting lines of adult dialog like they were written by Neil Simon, but then hurt and vulnerable when we need to generate a crisis. Above all, make sure I always treat her with kindness and understanding as well. Heck, let's even have her start out by calling me "Dad".

7. Have my boyfriend show up after a year of desperate searching, begging to understand what has happened and with one goal in mind: bringing our relationship back from the brink. In contrast to my benevolent treatment of my ex and my friend's daughter, have me treat him like a piece of dogshit I thought I'd scraped off my shoe months ago.

8. Make sure this includes me telling my boyfriend repeatedly how I never actually loved him. I'll gaslight him by implying it must have been his imagination the whole time.

9. But, in a plot twist, have me give him a big sloppy kiss one night and then sleep with him ... only to revert back to the shit treatment the next morning.

10. After my boyfriend finally gives up and leaves, have me read about the relapse of his illness, which is almost certainly due to the stress I've put him through.

11. But then, before viewers can start to blame me, include a scene where I finally turn on the phone I've had switched off since the day I disappeared. Show me ugly-crying while I read the poignant messages from the man I abandoned.

12. Finally reveal the reason why I wanted my boyfriend to feel so much pain: I was lonely. He had a job that kept him busy, and while I certainly could have gone back to working in a restaurant or even opened one of my own, I stayed home and quietly seethed.

There's more, but I don't want to spoil it for you.

Tbh, there were moments when I worried we might go too far with all my terrible behavior. Fans of Season One would want to kick my ass over the 180 in my personality and the dark, angry tone of the whole enterprise. That's when the director reassured me that in the last two episodes we'd do another 180. My personality from Season One would miraculously reappear.

I worried that such a HEA ending might seem too fake and forced. After revealing my rotten core, how could even a wane smile from me ring true? But the director insisted. She felt that as much as she'd enjoyed the challenge of throwing Season One under the bus she had to reclaim her romantic creds. The final two episodes would be a return to the bright and easy comforts of Season One. After enduring so much sadness and frustration, viewers would be weeping for joy over the tsunamis of fluff suddenly crashing over them. Even better, the return of the Season One vibe would almost certainly silence the critics while making TMS2's defenders all the more adamant.

Still, I was skeptical, I'm telling you.

She reassured me, though. She said that this kind of crazy shit makes people go tribal. If anybody complains about the sudden happy ending, or about the whiplash plot points or the inexplicable disconnect between the grumpy but lovable me of Season One and the asshole I am in Season Two, it won't be a question of defending the show on its merits -- fans will just change the subject and say the complainers have no eye for genius. Season Two will be declared an absolute masterpiece no matter what. And if commenters dare to dissent they'll be told that all they want to watch is fluff, and they wouldn't know Great Art if a painting fell on them in The Louvre.

Finally, if you end up loving TMS2 as much as I do you'll be pleased to know that we're already thinking about a Season Three. It would feature even more crazy antics by yours truly, because, honestly, unless I get some serious therapy there's no telling when I'll relapse. The possibilities are endless!

Sincerely,
Han Ji Woo

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Only if you're a Liu Yu Ning fan

After watching The Prisoner of Beauty I really wanted to love this but it wasn't meant to be. Don't get me wrong Liu Yu Ning was terrific as the male lead Nan Heng / Li Shi Liu unfortunately he couldn't save this drama.

I have never been so angry watching a drama before. But this one managed to piss me off to no end. How could one character (the male lead at that) be so hated. Everyone (aside from his people) were mean, downright cruel to him. And then along comes the female lead and dang if she isn't the worse of the lot (and that includes the emperor and that's saying something)

His own father hated him for something he didn't do. Honestly how could a child be responsible for a grown up's death? And it just went downhill from there.

Every episode seemed to get worse starting from the very first episode. In just a couple of episodes I was actually rooting for Nan Heng to ride off into the sunset and leave the rest to their own fate.

Then around episode 30 the writer decides to change it up and have the emperor realize he'd wronged Nan Heng. And of course the female lead finally comes in with the "White head, same heart" but personally, I felt it was too little too late.

Great happy ending.

Would I recommend it? No. But if you are a Liu Yu Ning fan and you've seen everything else of his then give it a shot, he's the only reason to watch it. However, I'd recommend a rewatch of The Prisoner of Beauty instead.

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A Quirky, Fun Rom-Com

So I was hyped for this one K-drama ever since I watched the trailer. It didn't disappoint me at all. The story was a breath of fresh; it was fun, easygoing and had just the right amout of quirks to keep you watching. The cast was fun to watch. I really loved the office scenes. I persomally loved the rivalry between Mirae and Kyeongnam. It was really funny and cute. That being said, I do wish there were more scenes between the two because they were so cute together. Now with that being said, this brings us to a few issues that could have handled better.

The pacing threw me off guard sometimes. The first few episodes focused on the VR boyfriends and it was fun to see all these different cameos. But it sort of dragged on for longer than it should have when all this time could have been used to develop the relationship with the leads. The Seo Eun Ho storyline should have ended in college as soon as she accepted the breakup for what it was. But I did like the way Mirae got the ick from Eunho. It could have ended earlier to explore more of the actual relationship instead. The reality aspect was far more charming than the fantasy one although I loved the dating manager. But since it's a rom-com fantasy drama, I should not complain much about how they focused more on the fantasy aspect when the reality aspect was their strength.

Boyfriend on Demand is a fun drama to binge watch but it was let down by the pacing and not untapping the full potential of the leads.

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Most important this was not extended, we bow to the overlords for not killing us. The drama overlords got wind OR just not enough snack or juice companies to advertise.
Story: what was the story? What were we to gather from all these stories moving parts. Too many moving parts, no value characters, and stuff that still has me perplexed. Key point: No character development at all for 90% of characters!
Acting: not infuriate reviewers. FL has minor acting improvement from previous roles however she was perfect for this airhead role - no acting stretch required or needed. ML has a swagger, smexiness, and carried the FL. Admittedly, the combo was sizzling chemistry. The rest of cast were flat and uninteresting.
Music: ML song was decent
RW: please don’t ask me to do this!
Beware don’t get sucked in by the leads chemistry, it sizzles! It keeps you coming back. This could have been a 18eps of sizzling chemistry and solid story rather than 45eps of musical chairs and delving into the rabbit hole only to find slime.

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Don't know how I made it to the end

There are quite a few issues with this series unfortunately. Some massive and others subjective. I'll list them and leave it to you to decide how you feel about watching this series.

1. The series drags a bit and could have been wrapped up sooner. I almost didn't feel like continuing several times. Nearly 70% of the episodes were watched in 1.25x or 1.5x speed for this reason.

2. Casting issues that feel confusing. The FL is depicted as knowing the ML as a child while he was already an adult. But later they seem to be of the same age. Similarly, an adult female character is introduced to two children and later they look like they are older than her or the same age while she hasn't aged at all.

3. The FL is initially shown as a powerful force and a strong woman but her character deteriorates significantly. She becomes unbearable, overbearing, a bully, extremely suspicious without justification at times, breaks and enters while portraying a cop, beats up the ML, her fight scenes are a joke, she ruins investigations and leads by the ML, and is the worst character in the series.

4. No chemistry between the ML and FL. I don't understand why they even like each other.

5. The humour is funny but at times cringeworthy. For example baby talk, split pants, pulling faces. Not really my style.

6. The action was ruined in the finale. Something that I had been looking forward to. Almost fell asleep at one point.

The good aspects that got me through.
1. The cafe Minamdang team has good chemistry and they are the heart of this show.

2. The male lead acting as a shaman could have easily come across as over the top but he kept it classy. He lives up to his character as a profiler and is good at catching clues.

3. The mystery element is decent.

4. When the humour is good, it's entertaining. I am glad that this was a light show considering the number of murders taking place.

5. If you enjoy strong female leads then that would be the character of the sister. Enjoyable persona.

Cafe Minamdang is not the best mystery, detective, comedy, action series so I wouldn't honesty recommend it for any of these genres. There are better shows out there. But if you like the male lead then you'll enjoy it.

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This series is bonkers on so many levels, and I love it so damn much for it.

I don't write reviews but I wanted to at least for my favorite drama and Vincenzo has a special place in my heart <3
FYI: LONG ONE (like really long)! Just dumping my love letter for the show here because amidst all the negative reviews & misjudgement, I wanna voice my appreciation since rarely do I love a show so much I wish for amnesia to experience it all over again.

Vincenzo is an eventful, fast-paced dark comedy and a rollercoaster ride of a drama that had me at the edge of my seat anticipating or dreading what's next to come, crying of either laughter or sadness, or simply wanting to applaud at the sheer audacity of its plot (happened a lot). While there's an abundance of corruption, broken bones and back and forth between protagonists and antagonists, there's also a large chunk of comedy and lightheartedness. Add in some romance & just the right amount of emotional depth and you have a perfect mix. I myself didn't find the start slow at all. It's true that in episode 4, things truly pick up - with one of the best twists I've ever seen in a show - but the beginning is just as fun and crucial in setting up the story, as Hong Yu-chan is a central character in laying the foundation for Vincenzo's and Cha-young's motivation to take on the fight against Babel. Afterwards, it's pure entertainment. Overall, the story constantly keeps you busy and there's barely a dull moment as lots of twists & turns keep it interesting. The ending is nothing short of the definition of cathartic and shows once again that this drama, no matter its funny exterior, isn't afraid to go unflinchingly dark with its approach on retribution and justice.

You just can't wait to find out what shenanigans the characters will be up to next, and when you do find out, it's a joy to watch. Many of the schemes that Vincenzo, Cha-young and the tenants pull against Babel range from absolute tomfoolery to well-thought-out, meticulous plans. The scenarios are yes, over the top, but at the same time ironically believable and more importantly, fun! You can tell how much fun the writer, actors and production team had with this project; tons of creative choices feel like they were handled with some sense of wild abandon, which might as well be the secret as to why it's such an entertaining show. Considering all the improv, this rings quite true. Many of the characters' mannerisms, quirks and some entire scenes were completely adlibbed (and after consuming copious amounts of BTS content, I can genuinely confirm this). It's something I really loved about the show, and which tells you just how well the cast and director collaborated. It also results in a series forming its own unique character, which I think worked really well with Vincenzo.

I feel like many people don't understand it for what it essentially is and thus kind of miss the whole point of it. They claim it's bad for example due to its absurdist comedy which, of course, isn't everyone's cup of tea but that doesn't make it a bad drama, but a matter of preference. Without the jarring contrast of silliness and seriousness, Vincenzo wouldn't be what it's supposed to be. It's about relishing in the ridiculousness of it all and you have to be willing to do that in order for you to really enjoy it. So yes, this show is very contradictive and lots of people did not like or even hated that, but I loved it all the more. It's both parody and homage in the way it reminds of K-Drama, gangster movies and action comedies alike. It can be funny and satirical but also knows when to be badass or tense. And while it's true that the genre mix is blatant, it proves through an engaging script and characters that it's not really a parody after all.
In the end, it does have its own style and you do need to vibe with the writer's humor and/or his intentions, so it's natural that it might be too much for those with more traditional tastes or who don't see eye to eye with his execution and so on. But this show is unrealistic on purpose! The protagonist comes out on top all the time on purpose! I've read some say they liked the show but drew the line at a certain scene in episode 15 for being too unrealistic, which is funny considering it's a drama about a mafia lawyer who accidentally fights for justice while trying to get some gold bars out of a basement. It's bizarre, ridiculous and in-your-face on purpose! It is The Whole Point Of It All. When we get tired of the whole corrupt, capitalist hellhole that we live in, this show wants to offer some escapism and makes it fun while it's at it.

Vincenzo's character himself practically represents what the writer wanted to convey to the audience. Quite specific to South Korea but still widely applicable, it's an answer to the kind of feeling when watching the news and being angry at yet another corruption scandal, nasty politician or powerful figure/group that still reigns at the top and goes on about their unscrupulous business, and you sit there, not being able to do anything about it. In such moments we just want to see the worst of society be uncompromisingly punished for their actions, "whether it is legal or not", as Hong Yu-chan said.
An activist through and through, his character is proof that even the most righteous people can't do much more than just try their best, yet they too may harbor a desire to go beyond their own means to win. In a perfect world, it would have been him to fight tirelessly and successfully against the antagonists, achieving justice by the book. But that sadly isn't the world we, or the charactes, live in. Sometimes just "fighting the good fight" isn't enough, the efforts of the virtuous and pure are trampled on without remorse, and the corrupt system resembles an indestructible wall. And so we wish to see it collapse fully and we want to feel good about seeing that, want to feel vindicated in our desire to rid the world of The Powers That Be. Vincenzo wants to scratch exactly that itch, through an anti-hero without qualms or strict moral compass that hold him back in anything. He's the personification of what none of us can ever allow ourselves to be because in reality we've got laws and morals and couldn't ever justify what he does to be of actual reasoning. Thankfully this isn't reality! He allows us to live vicariously through his persona, who stops at nothing to deliver retribution – whether or not it's a viable solution to corruption & crime – and maybe leaves us a bit of romantic hope for a better future, albeit in his own darkly twisted way.
An interesting point that Song Joong-ki once made is how he found the audience's unwavering support of Vincenzo to be quite sad. So while this show isn't supposed to offer any solution, I think it offers an interesting observation; how easily, and maybe even desperately, we want to cling to outlandish and fictional escapism like this. How bad is our own reality, that we're able to cheer on even a character like Vincenzo with all his brazen, reckless vigilantism, and not even bat an eye - what does that say about us? The show makes us root for him all the way up til the end, then turns the mirror at us and literally and figuratively looks us in the eye. Yes, evil in its many forms is prevalent and vehement in our world and will always be, but what we choose to do with it is ultimately our choice. You might somewhat agree with the show's ideology – that when all else is lost, the only way to fight a monster is another monster – or strongly oppose it. Either way, by the end, you’ve likely understood the societal lamentations echoing through the narrative, and maybe even have felt a tiny bit of satisfaction and relief in watching Vincenzo be unapologetically himself. I know I did.

Besides him, there's lots to be said about Hong Cha-young because people just don't seem to get her. It was intent for her to be "annoying" at the start & Jeon Yeo-been knew she'd get judged for that, yet she took on the role and made it her own. She nailed all her traits, from her weirdness, ambition and anger up to her loneliness and kind heart. Cha-young, like Vincenzo himself, hides her utmost vulnerabilities behind a razor-sharp gaze and only opens up to those she's truly comfortable with. Yet her soft side isn't a contradiction to her loud one at all; both are two sides of the same coin. She too doesn't compromise and is always the most unapologetic version of herself – a rarity in a world that deems types like her "too out there" or "too much", and she looks past such criticisms with but a glance and blows you a kiss while donning expensive sunglasses. If you paid attention, you'd know her character isn't one-dimensional. She's an amazing female lead and one of the most unique out there, fight me at 3 AM in a parking lot about this. Actually, you'll have to fight Vincenzo first.
Both are morally complex protagonists that don't fall into clichés and instead boast a healthy, respectful relationship. It's riveting to watch them go from strangers to partners in crime to genuine friends and self-proclaimed soulmates by the end. The moment they meet they complement each other, in their joint revenge (it helps they're both relentless opportunists) as in all other things. Their connection ran so deep, excessive skinship or dramatic confessions weren't needed. I'm biased, but they're the best example of "soulmates" I know. Despite what some dramas tell you, soulmates are born of choice, not fate and they made that choice for themselves. And above all, they're just fun to watch! They have some of the best chemistry between two leads I've ever seen and I've yet to find a pair I love just as much as them.

Them and the rest of the cast know how to act believably in even the most preposterous situations, another reason why I love this show so much: While it's very farcical, it stays grounded in the way characters react emotionally and accordingly to their goals or motivations. And so you can't help other than just cheer along with – or against them as they go through all of these ridiculous, unbelievable things. By the end, I got so attached that I just sat in disbelief as the end-credits ran and didn't want to believe it was really over. With any good story ending, you don't want to let go, want to spend more time in its world, but are instead left with a giant, bloody hole in your heart. Then again that should be par for the course.
Everyone has a drama that left a big impression on them and for me it was this crime-comedy about a Korean-Italian Mafia lawyer who has arson and murder on his daily schedule, yet is at his wit's end because of a pigeon on his windowsill. I sure didn't expect that, when watching episode 1 with the hope of trying to stay awake during nightshift (needless to say it woke me the fuck up), but the best shows come to you when you least expect it.

TLDR; Vincenzo has much to offer for those who want to be fully engrossed by a show, without sacrificing one genre for the other. But in no way does it play it safe, it 100% goes all in. And if you like to have fun with TV, then it's definitely something you shouldn't miss!

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