Reviews

Y mis lesbianas??

No le tenía mucha fé pq no me suelen gustar las series de Off y Gun. No superó mis expectativas pero tampoco las bajó(?
Los primeros capítulos son geniales, me cagué de risa. Ryan y su grupo de amigos eran todos personajes simpaticos en los que uno se puede reflejar. Cómo siempre, con el paso de los capítulos decae. La relación de Ryan y Jane no me llamaba mucho la atención, me interesaba más la serie por su comedia.

Ahora, no entiendo que quisieron hacer con Ba-Mhee. Al principio pensé que se iba a quedar con el novio, despues lo engaña con su mentora, termina con Tae, sale un rato con la mina esta y despues vuelve con Tae???? Me enojó de una maneraa. No entiendo cual fue el proposito. Pudieron hacer q Ba-Mhee y Tae tuvieran un conflicto sin meter a la chabona esta tipo(???? que tipo de queerbaiting es este dios.

Al final, le doy un 7. Si bien no me voló la cabeza, la pase bien viendola. Me la ví más q todo pq estaba en emisión, no se si me bancaria verla toda de corrido

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Un gran potencial desperdiciado

el inicio me atrapo, sinceramente adoroo personajes posesivos, y romances en el trabajo. Siento que todo empezo a irse por la borda cuando Sahashi se fue para otra sede, desde alli vimos a un natsume real pero muy muy inseguro (no quiero decir que lo odie pero despues de tantos problemas me canse). Siento que los productores no sabian como hacer un romance, hicieron un perfecto pre-romance pero no pudieron hacer un misero romance decente de dos personas adultas que vivian juntos. No quiero decir que se necesitava escenas spicy pero por lo menos lo minimo para hacerme creer que si eram dos jovenes adultos que se amaban.T ampoco hubieron escenas de ellos siendo una pareja, todo fue voltado al trabajo y sí puedo entender que su foco era su relación era el trabajo pero no hubieron muchas escenas de ellos siendo una pareja feliz
Lo unico que salvo a esta serie fue los protagonitas, si no fuera por ellos hubiera dropeado la serie despues del tercer capitulo.

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Asombroso

Historia

Me pareció asombroso como estaba contada la historia, no me pareció aburrida, no tenía malentendidos innecesarios. Me gustaron los romances que se generaron. Me gustaría saber quién es el o la guionista. Me gustaría saber más de sus trabajos me gusto el desarrollo de los hechos, las sorpresas, los villanos.



Actuación/elenco
Me gustaron todos, satisfecha con todos los actores. Y alabo que ante la manera que fue contada cada rol se sintió importante y especial haciendo más memorable la participacion de ese actor.


Musica
Un tema fue mí favorito. Me gusta el sonido elegido en general. Y me agradaron las canciones.


Valor de repetición
Mírala cuántas veces tu corazón requiera.

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Anusorn Soisa-ngim, the irreverent, the illusionist

Anusorn Soisa-ngim is a 35-year-old Thai man with a frank smile and happy eyes, a clean-shaven beard and modern pants and shirts as his clothing of choice, in which there is no shortage of the image of Britney Spears, which along with love is the other thing in this world that you believe in.
He looks like a high school math teacher. However, sometimes I imagine him in another way, with a wardrobe of bright colors, an earring in his ear and a bohemian air, and in his hands a banner with a motto drawn in the colors of the rainbow, in the middle of a crowd, fighting for the right to equal marriage and the end of the discrimination to which LGBT+ people are subjected in their nation, or actively participating in other protests against harassment and marginalization carried out by executives in the Thai entertainment industry.
Perhaps this way, Aam, as he likes to be called, was more similar to his film work, because Anusorn Soisa-ngim is not dedicated to teaching logarithmic equations to inattentive teenagers: his job is to be a Thai iconoclast or, what is the same, one of the most unique authors of contemporary world cinema.
From his beginnings on the big screen as a screenwriter and director, Aam showed his ways as an original creator. With great artistic skills and indie creation, he says what he thinks and, above all, tells the truth.
Eternal nonconformist and controversial to the core, but never apologetic, few filmmakers can boast in their entire careers the significance of the titles they have delivered from 2012 to date. His debut was with 'Present Perfect', a short film made during his university years, in which he filmed a story related to himself, which would be taken up five years later in a film with the same title, with which he set out to bring back to Toey and Oat, his main characters, with the aim that the audience enjoyed his realistic perspective on what he believes about love, and with the key message that if you think in a new and different way, sometimes it is much better than you expect.
It would then be followed by the films 'Bangkok Dark Tales' (2019), and 'There Is No Space for Me' (2014), the three seasons of '2moons: The Series' (Mello Thailand, 2019), the documentary 'BL Broken Fantasy ' (2020), the feature film 'Present Still Perfect' (with which the cycle momentarily closes, but another installment is planned), the film series 'Call It What You Want' (GagaOOLala, 2021), which includes 'It's Complicated', and the film series 'Till the World Ends', the latter two from 2023.
Their creations share a taste for telling realistic stories that reflect their own lives, or about how they wish society was, how they wish people would treat each other. Despite the stylistic variations between each work, one cannot escape the feeling that they point to the same essences, convictions, fears, securities, philias and intimate worldviews of the author. As if Anusorn Soisa-ngim created a portal to his mind through his filmography, because the Thai director believes in the power of telling stories, in creating content that speaks to people, that makes them feel, think and question . He ultimately believes in being unapologetically himself, no matter what the industry says.
His journey has not been easy. After graduating in 2014, the filmmaker dove headfirst into the world of glitz and glamor that is the entertainment industry, only to discover that it's more about who you know than what you can do. But here's the kicker: Instead of following their rules, Anusorn Soisa-ngim made his own. And that provoked the anger of the hierarchy.
Inspired by real events, 'Call It What You Want' reflected the pressure of the BL industry on artists: plastic surgery, strict diets and, worst of all, the suffering to which young actors are subjected when they are harassed by film producers series, in addition to the need to keep the relationships between many of the protagonists of these dramas a secret from the company and fans. This meant an attempt to silence him.
Being banned from the entertainment industry has meant for him that he is not chained to having to follow guidelines, so he can break the rules and, although he does not have money for his creations, he has been able to push the limits and create art that really means something, without fear that it may generate controversy.
Aam's cinema has as many tricks as a conjurer. Characterized by telling real, raw stories full of passion, his works are about people, life, struggles and triumphs, and that is what makes them unforgettable. His creations go from laughter to horror as they reflect the sexual harassment of young actors by executives in the entertainment industry, or the promises that giving them their bodies would guarantee them entry to Earthly Paradise; but perennially having as its main theme the romance between boys.
Always trying to be himself and, at the same time, trying to understand what the fans really want to see.
Away from fiction, but about it, in the documentary 'BL Broken Fantasy' he addresses the behind-the-scenes of BL. Starring Bright and Win, the protagonists of the famous BL 'Still 2gether', Anusorn Soisa-ngim himself and a group of directors, producers, actors and scriptwriters of the genre, including Aof Noppharnach, Vachirawit Chivaaree and Metawin Opas-iamkajorn, try answer questions such as: Where does the BL series come from? Why are Yaoi fangirls devoting themselves physically and financially to BL?
Revered in 2022 as the best-selling BL sales director, in 2023 he was the Filmmaker of the Pride Month. He was nominated twice for the Asian Contents Awards, the first in 2020 thanks to '2moons: The Series', and then the following year with his second series, 'Call It What You Want', with which he was also nominated for an award. Content Asia, for "illuminating the struggles of independent filmmakers in the cutthroat entertainment sector." This series of films reveals, through the lens of Aam Anusorn, a tapestry of challenges, triumphs, and eternal perseverance.
Known for his unique approach to storytelling, drawing inspiration from his own experiences to create stories, Aam has made a name for himself in the independent film industry, and founded his own production company, COM'ME'TIVE By Aam, while still He was in his second year at Bangkok University, where he earned a bachelor's degree in Film and Performing Arts.

'PRESENT PERFECT' AND 'PRESENT STILL PERFECT'

Aam's most notable work to date is 'Present Perfect', which he adapted from the original 2012 short film. It is considered the first Thai film to receive funding from the government of Hokkaido, Japan.
The film revolves around Toey, a young Thai man who, after a painful breakup, decides to heal his broken heart in the Japanese city of Higashikawa, where he meets Oat, a man who travels to Japan to experience freedom for the last time in his life, because he is about to get married. From strangers to friends, romance blossoms between the two. Before returning to the "real" world, the two men have to pick up the broken pieces and rebuild them.
Starring Kritsana Maroukasonti as Oat and Tonawanik Adisorn as Toey, for her 2017 debut, Aam Anusorn Soisa-Ngim drew on him own experiences to tell this romantic story that will take the viewer on a moving journey as the characters follow the simple quest of love The encounter forms a beautiful relationship between two men, because each has his own trauma.
For the filmmaker, recovering these characters, especially Oat and Toey, was like seeing himself.
Produced by Nuttachai Jiraanont, Tanwarin Sukapisit and Chen Rong Hua, the film won the Best Film Award at the Amsterdam LGBTQ Film Festival in the Netherlands and was screened at many film festivals around the world, including the World Festival Bangkok Film Festival, the Serile Filmului International Gay Film Festival, Romania, and the Western Visayas Film Festival, Philippines.
Then, the film ended inconclusively, in the airport scene in which both young people have to separate. The director faced a dilemma, when one is about to accept or delete the other's friend request. And he chose to just leave it there, because he wanted people to create their own ending. "Those were those times, in 2017, when gay marriage was something we didn't talk about in Thailand," he told the press at the time.
While 'Present Perfect' is more realistic and intended to be true to life, 'Present Still Perfect', released on March 12, 2020, offers a more idealistic view of same-sex relationships in modern Thailand, while the A pair of former lovers reunites once again on the remote island of Koh Kood.
Four years after what is told in 'Present Perfect', Toey meets Oat at the airport and all his pain returns. In an attempt to cope with her pain, he decides to travel to Koh Kood where he meets Jane (Darina Boonchu), the guesthouse owner who recently discovered that her husband was having an affair, and Kenta (Ryota Omi), a traveler from Japan who was staying at his house.
The peace and beauty of the island brought Toey joy again, but he knew he couldn't ignore her feelings for Oat forever. Until one night he receives a message from Oat about how much he missed him. Toey responds by stating that he loves him too, because deep down being with Oat is all he wants, but he is cautious, knowing that his love is forbidden. The next morning, Oat appears on Koh Kood. Now Toey has to decide whether to follow his heart and rekindle his relationship with Oat or let him go since they can never truly be together.
'Present Still Perfect' is more about how Aam wishes society was. With his dream of getting married one day still unfulfilled, the filmmaker needed his dream to come true, at least on screen. For this reason, he did not hesitate to see his characters triumph in love. "I feel like I'm already married, even though that's not the truth. So yeah, the reason I keep coming back to these characters is because I want them to be successful in love, and ultimately they were."
The sequel to 'Present Perfect' makes a clear statement in favor of same-sex marriage.
And if on the one hand, the film has contributed to changing mentalities and making visible people from the LGBT+ community and their struggles for the legalization of same-sex marriage in Thailand, it also leaves another clear message: the act of letting go, the act of forgiving. If your husband is gay and you already knew it because you have been with him for years, you have to learn to let go and accept the truth.
In 2018 he did not have the budget to film the second part because no one supported him. Then one of his fans suggested, "Why don't you go to Indiegogo.com and then do some crowdfunding?" And after a lot of thinking: "Who is going to pay me the money? I'm a nobody. Nobody cares about me. Why do I have to?", he discovered one day that he had enough money to embark on that other trip. .
On the other hand, much of 'Present Perfect' and its sequel deal with cultural differences. In 'Present Still Perfect', for example, a Japanese character explains how in Japan it is considered disrespectful to let an old woman take her seat on the bus.
However, what is truly extraordinary is the cinematographic wrapping of these topics in films and series that leave the unmistakable feeling of being unique.
This, and no other, is the key to Anusorn Soisa-Ngim's exceptionality. If we look closely, the themes are not different from those of hundreds of authors, many of them also Thai, no matter how much personal quirks are sought in their work. However, his way of conceiving stories on celluloid has such a singularity that there is no other choice but to applaud and applaud him, like the magician who has just pulled a white rabbit out of his hat.

Leer más

Anusorn Soisa-ngim, the irreverent, the illusionist

Anusorn Soisa-ngim is a 35-year-old Thai man with a frank smile and happy eyes, a clean-shaven beard and modern pants and shirts as his clothing of choice, in which there is no shortage of the image of Britney Spears, which along with love is the other thing in this world that you believe in.
He looks like a high school math teacher. However, sometimes I imagine him in another way, with a wardrobe of bright colors, an earring in his ear and a bohemian air, and in his hands a banner with a motto drawn in the colors of the rainbow, in the middle of a crowd, fighting for the right to equal marriage and the end of the discrimination to which LGBT+ people are subjected in their nation, or actively participating in other protests against harassment and marginalization carried out by executives in the Thai entertainment industry.
Perhaps this way, Aam, as he likes to be called, was more similar to his film work, because Anusorn Soisa-ngim is not dedicated to teaching logarithmic equations to inattentive teenagers: his job is to be a Thai iconoclast or, what is the same, one of the most unique authors of contemporary world cinema.
From his beginnings on the big screen as a screenwriter and director, Aam showed his ways as an original creator. With great artistic skills and indie creation, he says what he thinks and, above all, tells the truth.
Eternal nonconformist and controversial to the core, but never apologetic, few filmmakers can boast in their entire careers the significance of the titles they have delivered from 2012 to date. His debut was with 'Present Perfect', a short film made during his university years, in which he filmed a story related to himself, which would be taken up five years later in a film with the same title, with which he set out to bring back to Toey and Oat, his main characters, with the aim that the audience enjoyed his realistic perspective on what he believes about love, and with the key message that if you think in a new and different way, sometimes it is much better than you expect.
It would then be followed by the films 'Bangkok Dark Tales' (2019), and 'There Is No Space for Me' (2014), the three seasons of '2moons: The Series' (Mello Thailand, 2019), the documentary 'BL Broken Fantasy ' (2020), the feature film 'Present Still Perfect' (with which the cycle momentarily closes, but another installment is planned), the film series 'Call It What You Want' (GagaOOLala, 2021), which includes 'It's Complicated', and the film series 'Till the World Ends', the latter two from 2023.
Their creations share a taste for telling realistic stories that reflect their own lives, or about how they wish society was, how they wish people would treat each other. Despite the stylistic variations between each work, one cannot escape the feeling that they point to the same essences, convictions, fears, securities, philias and intimate worldviews of the author. As if Anusorn Soisa-ngim created a portal to his mind through his filmography, because the Thai director believes in the power of telling stories, in creating content that speaks to people, that makes them feel, think and question . He ultimately believes in being unapologetically himself, no matter what the industry says.
His journey has not been easy. After graduating in 2014, the filmmaker dove headfirst into the world of glitz and glamor that is the entertainment industry, only to discover that it's more about who you know than what you can do. But here's the kicker: Instead of following their rules, Anusorn Soisa-ngim made his own. And that provoked the anger of the hierarchy.
Inspired by real events, 'Call It What You Want' reflected the pressure of the BL industry on artists: plastic surgery, strict diets and, worst of all, the suffering to which young actors are subjected when they are harassed by film producers series, in addition to the need to keep the relationships between many of the protagonists of these dramas a secret from the company and fans. This meant an attempt to silence him.
Being banned from the entertainment industry has meant for him that he is not chained to having to follow guidelines, so he can break the rules and, although he does not have money for his creations, he has been able to push the limits and create art that really means something, without fear that it may generate controversy.
Aam's cinema has as many tricks as a conjurer. Characterized by telling real, raw stories full of passion, his works are about people, life, struggles and triumphs, and that is what makes them unforgettable. His creations go from laughter to horror as they reflect the sexual harassment of young actors by executives in the entertainment industry, or the promises that giving them their bodies would guarantee them entry to Earthly Paradise; but perennially having as its main theme the romance between boys.
Always trying to be himself and, at the same time, trying to understand what the fans really want to see.
Away from fiction, but about it, in the documentary 'BL Broken Fantasy' he addresses the behind-the-scenes of BL. Starring Bright and Win, the protagonists of the famous BL 'Still 2gether', Anusorn Soisa-ngim himself and a group of directors, producers, actors and scriptwriters of the genre, including Aof Noppharnach, Vachirawit Chivaaree and Metawin Opas-iamkajorn, try answer questions such as: Where does the BL series come from? Why are Yaoi fangirls devoting themselves physically and financially to BL?
Revered in 2022 as the best-selling BL sales director, in 2023 he was the Filmmaker of the Pride Month. He was nominated twice for the Asian Contents Awards, the first in 2020 thanks to '2moons: The Series', and then the following year with his second series, 'Call It What You Want', with which he was also nominated for an award. Content Asia, for "illuminating the struggles of independent filmmakers in the cutthroat entertainment sector." This series of films reveals, through the lens of Aam Anusorn, a tapestry of challenges, triumphs, and eternal perseverance.
Known for his unique approach to storytelling, drawing inspiration from his own experiences to create stories, Aam has made a name for himself in the independent film industry, and founded his own production company, COM'ME'TIVE By Aam, while still He was in his second year at Bangkok University, where he earned a bachelor's degree in Film and Performing Arts.

'PRESENT PERFECT' AND 'PRESENT STILL PERFECT'

Aam's most notable work to date is 'Present Perfect', which he adapted from the original 2012 short film. It is considered the first Thai film to receive funding from the government of Hokkaido, Japan.
The film revolves around Toey, a young Thai man who, after a painful breakup, decides to heal his broken heart in the Japanese city of Higashikawa, where he meets Oat, a man who travels to Japan to experience freedom for the last time in his life, because he is about to get married. From strangers to friends, romance blossoms between the two. Before returning to the "real" world, the two men have to pick up the broken pieces and rebuild them.
Starring Kritsana Maroukasonti as Oat and Tonawanik Adisorn as Toey, for her 2017 debut, Aam Anusorn Soisa-Ngim drew on him own experiences to tell this romantic story that will take the viewer on a moving journey as the characters follow the simple quest of love The encounter forms a beautiful relationship between two men, because each has his own trauma.
For the filmmaker, recovering these characters, especially Oat and Toey, was like seeing himself.
Produced by Nuttachai Jiraanont, Tanwarin Sukapisit and Chen Rong Hua, the film won the Best Film Award at the Amsterdam LGBTQ Film Festival in the Netherlands and was screened at many film festivals around the world, including the World Festival Bangkok Film Festival, the Serile Filmului International Gay Film Festival, Romania, and the Western Visayas Film Festival, Philippines.
Then, the film ended inconclusively, in the airport scene in which both young people have to separate. The director faced a dilemma, when one is about to accept or delete the other's friend request. And he chose to just leave it there, because he wanted people to create their own ending. "Those were those times, in 2017, when gay marriage was something we didn't talk about in Thailand," he told the press at the time.
While 'Present Perfect' is more realistic and intended to be true to life, 'Present Still Perfect', released on March 12, 2020, offers a more idealistic view of same-sex relationships in modern Thailand, while the A pair of former lovers reunites once again on the remote island of Koh Kood.
Four years after what is told in 'Present Perfect', Toey meets Oat at the airport and all his pain returns. In an attempt to cope with her pain, he decides to travel to Koh Kood where he meets Jane (Darina Boonchu), the guesthouse owner who recently discovered that her husband was having an affair, and Kenta (Ryota Omi), a traveler from Japan who was staying at his house.
The peace and beauty of the island brought Toey joy again, but he knew he couldn't ignore her feelings for Oat forever. Until one night he receives a message from Oat about how much he missed him. Toey responds by stating that he loves him too, because deep down being with Oat is all he wants, but he is cautious, knowing that his love is forbidden. The next morning, Oat appears on Koh Kood. Now Toey has to decide whether to follow his heart and rekindle his relationship with Oat or let him go since they can never truly be together.
'Present Still Perfect' is more about how Aam wishes society was. With his dream of getting married one day still unfulfilled, the filmmaker needed his dream to come true, at least on screen. For this reason, he did not hesitate to see his characters triumph in love. "I feel like I'm already married, even though that's not the truth. So yeah, the reason I keep coming back to these characters is because I want them to be successful in love, and ultimately they were."
The sequel to 'Present Perfect' makes a clear statement in favor of same-sex marriage.
And if on the one hand, the film has contributed to changing mentalities and making visible people from the LGBT+ community and their struggles for the legalization of same-sex marriage in Thailand, it also leaves another clear message: the act of letting go, the act of forgiving. If your husband is gay and you already knew it because you have been with him for years, you have to learn to let go and accept the truth.
In 2018 he did not have the budget to film the second part because no one supported him. Then one of his fans suggested, "Why don't you go to Indiegogo.com and then do some crowdfunding?" And after a lot of thinking: "Who is going to pay me the money? I'm a nobody. Nobody cares about me. Why do I have to?", he discovered one day that he had enough money to embark on that other trip. .
On the other hand, much of 'Present Perfect' and its sequel deal with cultural differences. In 'Present Still Perfect', for example, a Japanese character explains how in Japan it is considered disrespectful to let an old woman take her seat on the bus.
However, what is truly extraordinary is the cinematographic wrapping of these topics in films and series that leave the unmistakable feeling of being unique.
This, and no other, is the key to Anusorn Soisa-Ngim's exceptionality. If we look closely, the themes are not different from those of hundreds of authors, many of them also Thai, no matter how much personal quirks are sought in their work. However, his way of conceiving stories on celluloid has such a singularity that there is no other choice but to applaud and applaud him, like the magician who has just pulled a white rabbit out of his hat.

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Quizá no es buena idea seguir con esta fórmula

Me preocupa decir que la fórmula que hace tan buenas a Blue Boys o Bad Guy, que implica poner todo el peso de las narrativas en la capacidad actoral de los protagonistas, pueda ser una estrategia que no llegue muy lejos si todas las historias siguen la misma dinámica de sota, caballo y rey.

¿Que ha sido muy buena idea coger a Jeong Riu y a Choi Seungjin para que trabajasen juntos? Tremenda. ¿Que este último es un actorazo tremendo y que mantienen una muy buena química entre ambos? También. ¿Que Sukfilm tiene que buscar otra estrategia de financiación si quiere que sus producciones lleguen a nuevas cotas? Desgraciadamente, tercer sí.

La serie es muy buena, eh, pero siguiendo una estela de producciones en el mismo año... quizá narrativamente sea la más floja.

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No es un BL al uso, y eso la daña

GMMTV debe ser muy cuidadosa con la forma en que promociona sus producciones, especialmente cuando se trata de propuestas corales que podrían ser mucho mejor recibidas si se presentaran como tales... si es lo que se espera, claro.

Yo esperaba más de OffGun, y al final tuve muy poco. Además, el personaje de Jumpol me cayó fatal. ¿Cómo es posible que, después de tardar 11 episodios en pedirle salir a Atthaphan, te marches y pases tanto tiempo sin hablarle porque "si te hubiera hablado, habría querido volver antes", pero "todo sigue igual"? ¿Cómo puedes ser tan egoísta, Jane?

Por otro lado, ¿de verdad les parece buena idea venderle representación a las sáficas solo para que todo termine en drama? Chicas, el drama es algo que las sáficas ya tienen de sobra en los GL. Que den gracias de que no hacen como las fans de OhmNanon, que mandaron furgonetas con carteles dando vueltas por Bangkok...

Qué desperdicio, porque la serie empezó siendo fresca, con una propuesta que te hacía reír y hacía que la hora se pasara volando.

La salva el hecho de que, aun siendo un desastre, OffGun siempre ofrece una actuación de calidad.

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La premisa confunde...

La sinopsis de la serie nos indicaba que Great tenía "el poder" de ver 4 minutos en el futuro, y lo hacía de una forma muy deliberada. Esto generó confusión en nosotras como espectadoras, ya que muchas creímos que estábamos viendo líneas temporales distintas o que la historia se narraba de manera desordenada.

Sin embargo, el enfoque de 4 Minutes va mucho más allá del simple uso de recursos narrativos llamativos. La serie se centra en los dilemas éticos que enfrentan las personas cuando hieren a alguien que aman, lo que estamos dispuestos a hacer bajo el pretexto de la supervivencia y el miedo a las cuestiones no resueltas ante la posibilidad de dejar este mundo.

No creo que solo Jes y Bible se hayan destacado; todo el elenco ha estado sublime, asumiendo riesgos poco comunes en la industria, especialmente en escenas NC que quizás no eran imprescindibles, pero fueron filmadas con la clara intención de satisfacer a un público internacional.

En cuanto a la cinematografía, BOC siempre sobresale.

Me entristece pensar que podría pasar mucho tiempo hasta que Bible tenga otro proyecto de esta magnitud, o que Jes solo haya firmado para este y no continúe con la dinámica del "ship"...

Pero bueno, siempre podemos volver a ver 4 Minutes.

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¿Por qué todos los BLs japoneses hay problemas de comunicación entre los protagonistas?

¿Por qué todos los BLs japoneses hay problemas de comunicación entre los protagonistas? ¿Es el main point de la serie? Toda la historia que se precie tiene que tener un point donde los protagonistas tienen sus momentos, donde parece que todo va a acabar mal y entonces para no hacerse daño deciden separarse. ¿Por qué los japoneses deciden que sea siempre la falta de comunicación? Es algo que me fascina , la mayoría de los BLs japoneses que he visto pasa eso tío, estoy al moño y más en esta serie que parecía que Taichi iba directo diciendo las cosas. Los primeros seis capítulos son maravillosos y serían un 10 pero siento que la segunda mitad hace todo que la serie vaya a peor. Desde la introducción de una tercera persona, que no para de tocar las narices porque separa a los protagonistas y se las da de sabionda que me ha hecho odiarla en todas sus apariciones, a meter un nuevo trabajo a Taichi, que si bien le hace replantarse las cosas, guay. Me parece que el reducido tiempo (menos de 6 capitulos de menos de 30 min) , no consiguen establecer una buena base para la trama y asi que tenga sentido. No me he enterado bien que hace la empresa y que intenta cambiar Taichi de los valores de la empresa. No entiendo porque Taichi no le cuenta donde trabaja a Kouhei, es algo que no comprendo. La confesión sinceramente me ha dejado fría, han habido mejores momentos (en mi mente se confesaron cuando estaban de viaje con los amigos y estaban ellos dos solos de noche viendo las estrellas).
Me parece que hace un trabajo mágnifico en la actuación Nakazawa Motoki. No te conocía cariño pero me parece que has sabido lleva muy bien tu personaje.
No considero que en si sea un BL porque el único momento que podría considerarse BL me ponen un ángulo de cámara que no me deja ver el beso :(

P.D: tenía ganas de ver este BL casi desde cuando salió, me esperé porque sabía que una vez que empezase me iba a enganchar y como he dicho los 6 primeros capítulos son buenos pero luego se echa a perder y eso me ha dado pena. Si hubiera visto la serie durante la emisión probablemente la hubiese dejado porque me hubiera tocado sobreranamente las narices.
Esperaba mas de estos gays :(

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Enamorada!

Esta seria tenia muchos años en mi lista y por fin la vi, la verdad es que no me arrepiento de nada.

La historia nos narra la vida dentro de un cómic de romance de los personajes secundarios o extras y nos muestra un lado diferente de la historia, como estos personajes despiertan y se dan cuanta de su realidad, sus verdades y limitaciones y buscan la forma de crear un futuro donde ellos sean que dicten que puede pasar.

La verdad es que es una historia que todo amante a la lectura le encantaría, incluso s no lo eres, seguro te va a gustar, este drama tiene de todo, romance, comedia, e incluso se puede decir que un poco de drama de época, todo esto confinado, a mi parecer lo hace extraordinario.

La verdad es que disfrute viéndolo, considero que los actores son increíbles y la química que tienen es demasiado buena, el antagonista Baek Guyong logro su cometido, logre odiar y en cierto momento entenderlo y hasta perdonarlo??... o eso creo, la verdad es que soy fan de este actor y le tengo mucho cariño pero en este papel solo quería pasarle una aplanadora por arriba XD

Para mi todos hicieron un trabajo increíble y les creía todo, ademas siempre estaba intentando averiguar o entender mas de cada personaje, aveces pensaba que uno era bueno o malo, pero al final te das cuenta de que son eso, personajes y que no pueden cambiar mucho mas allá de lo que fue escrito para ellos.

la musica de este drama es hermosa, espero encontrar el ost en alguna pagina y comprarlo, porque la verdad me enamoro, incluso había canciones que me sabia y que no tenia ni idea que pertenecían a este drama.

No me arrepiento de verlo y creo que este drama estará para siempre en mi corazón porque sin duda vale la pena verlo.

Espero que todo el que le guste un drama que al menos para mi, es diferente a muchos que he visto, con una trama bastante interesante , porque si bien es cierto que existen mas dramas ambientados en webtoon, no había visto el tema abordado como lo hicieron aquí, así que les recomiendo verlo.

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Mucho potencial de cara a una segunda temporada ??

El ritmo es lento, pero es algo que puedes esperar de este tipo de producciones japonesas. Taichi es la persona más densa del mundo y si esperas que haya cercanía física entre los personajes, no estás en el sitio correcto.

Con dosis de humor y un gran trabajo de contención de Nakazawa, creo que tiene mucho espacio de crecimiento si decidieran hacer una segunda temporada con un poco más de desarrollo, ahora que, doce episodios después, ambos han comprendido sus sentimientos.

El JBL nos ha dado grandes obras este año.

We've been served, we've been fed.

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Muy buena serie con un confuso y horrible final

Estaba todo tan bien hasta el capítulo 9/10. Pudo haber terminado ahí. La escena final del capítulo 9 fue hermosa, hace mucho que no lloraba tanto. Los personajes habían tenido un desarrollo, crecimiento y camino a la aceptación muy bueno.
Digo de vuelta, que necesidad de forzar un conflicto para hacer un final "emotivo" forzado?? Abruptamente terminan en el capítulo 11 por????? Tiran a la basura todo el crecimiento que habían tenido Day y Mhok, después te muestran un timeskip de 3 años en el q los dos siguen sus vidas sin el otro y de la nada vuelven??? Ah, y Day recupera su vista. Lo que me enojó un poco porqué me habia gustado mucho como habia logrado aceptarse a si mismo y aprender a vivir con las condiciones que se le dieron.

La actuación de todos acá es muy buena. Los paralelismos con Day y Mee y toda la cosa del libro era muy interesante. Es una pena q tenga un final tan???? Por eso voy a fingir demencia y para mí last twilight solo tuvo 9 capitulos

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