Reviews

Another Zombie Thriller - Nothing New, Nothing Bad

Colony is a standard zombie thriller, with the twist of a bio-weapon outbreak. The familiar character types are all present: the brave-ones who lead the group, the scared ones who you know will make a mistake and harm others, another pair related as family and bringing in the emotional angle, the selfish ones who will do anything to survive

The main draw is the cast. Gianna Jun provides presence, Ji Chang Wook leans into his action persona, and Koo Kyo-hwan delivers a strong antagonist performance.

Technically, the film is competent—suspenseful pacing, solid acting, effective makeup, and visual effects. However, it offers little that feels new or distinctive.

Overall, Colony is a well-made but conventional entry in the genre. It works as a one-time watch for fans of outbreak thrillers, but it is not especially memorable.

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The show refuses to punish any villain

30 episodes approximately 10 minutes each and it is not some fluffy comedy but a piece of state propaganda on how the status quo should be maintained and as a citizen you should constantly eat bitterness.
I wanted a little bit of light relief after some pretty grotesque propaganda dramas I’ve watched recently but the CCP have just decided to double down on subjugating their citizens even with supposed fluffy romcoms.
We’ve got the two male leads looking to get married to a prominent family of two women and through a (sarcastically) hilarious mixup they end up marrying the wrong bride but it turns out they were the ones they were meant to marry anyway.

Blah blah blah, the end.

The problem is all the villains never seem to get punished and when they do, it is off screen but whenever the heroes get punished, we have to see them getting beaten.

There was one particularly jarring scene where they eventually brought down the corrupt cousin and he was wheeled through town in a box and the citizens were throwing some lettuce at him. His hair was a little messy, you know the odd strand out of place and his prison clothes were immaculate and even looked ironed. In the exact next scene we see are two male leads getting held down and beaten with heavy paddles.
Why? Who knows?
Well, I know, it is the message that even in victory you still have to suffer.
Truly, this is utterly grotesque and putrid having to grow up in this kind of regime that pumps out this consent to continually condition you into having your neck stood on. Sheesh!

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Worth your time on all levels!

If you’re into this genre like me, it would be hard to not love this drama!

It has a slightly different vibe - I think this comes directly from the ML character, who is extremely other-worldly and that never really shifts too much. He doesn’t turn into a relatable, warm n’ gooey human type no matter what the situation. Which is pretty great in terms of giving this a really cool angle. The guy is different than any other being on the planet, and they went with it.

Shen Li herself is a fantastic character. Strong, funny, stubborn, talented, she’s easy to like and cheer for. Loved her for her strength, and her ability to be a fully formed character, not arm candy, scheming, or fake strong. The character kicks butt on her own!

Visuals are good, and the music, ohhhhh man, it’s one of those ear worms that won’t shut up and plays in your head when you’re trying to go to sleep. You’ll know which one I’m talking about (you first hear it played on a leaf)

Side characters are numerous and memorable - actor He Yu’s bimbo playboy airhead (with a good heart) Furong is funny and a standout. There are many things to love about this, from the strong, unique, mature characters to the good effects and epic gods n’ demons storyline, it’s a must-see.

Just for comparison, other dramas Ive loved this much (or nearly) include Love Between Fairy and Devil and Love in the Clouds.

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Sometimes love isn't the hardest part

I don't think this drama is really about choosing between love and faith. It's about what happens when two parts of yourself refuse to coexist, and watching Tanrak wrestle with that inner conflict was both beautiful and heartbreaking. Nothing felt exaggerated. Every hesitation, every glance, and every difficult conversation carried so much weight that I often found myself holding my breath alongside the characters. Barth may be the one who disrupts everything, but neither of them is ever portrayed as right or wrong, and that's what made their journey feel so painfully human.
Gemini and Fourth once again proved why they're among the best of their generation. Bringing Tanrak and Barth to life was never going to be easy. These are deeply layered characters whose story relies on vulnerability, restraint, and everything left unsaid, yet they conveyed every fear, every doubt, and every unspoken feeling with remarkable sincerity. They didn't just play these characters, they became them, and all I can say is standing ovation.
If I have one complaint, it's that I wish this drama had been a few episodes longer. The final stretch felt rushed and heavily cut, leaving several emotional moments without the time they deserved. Even so, none of that stopped me from being completely invested. This drama had me on the edge of my seat until the very last scene, made me feel every emotion alongside the characters, and reminded me that some stories are simply impossible to forget.
This is one I'll be thinking about for a very long time.

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A realistic drama that is worth watching

After finishing *Ye Gou Gu Tou*, I can honestly say that it was a rewarding experience. While it is not a perfect drama, its strengths far outweigh its flaws, making it one of the more memorable crime dramas I have watched this year.

One of the first things that stood out to me was the cinematography. Every frame was beautifully composed and helped establish the emotional tone of the story. The drama also did a great job balancing its emotional moments with the suspense of the criminal investigation, keeping me invested throughout most of the series.

That said, there were a few aspects of the writing that could have been handled better. Some plot points felt underdeveloped, particularly Chen Yi's family background. I kept expecting the drama to explain what happened to his parents, but that part of his story was never fully explored. There were also a few scenes that stretched realism a little too far. For instance, Zhang Bin being stabbed multiple times with such a large knife while showing almost no reaction to the pain felt somewhat unbelievable. Fortunately, these moments were relatively minor and did not take away from the overall experience.

The only creative choice that I personally did not enjoy was the decision to have the main couple live together. It is not something I particularly like seeing, but since the drama has a mature and realistic tone, I accepted it as part of the story rather than letting it affect my enjoyment.

When it comes to the performances, I have to admit that Zhang Jingyi did not immediately win me over. During the earlier episodes, I felt that some emotional scenes lacked impact. However, as the story progressed, her performance became increasingly natural and expressive. By the end of the drama, I completely understood why so many people admire her, and I can confidently say that I have become a fan.

One performance that deserves special recognition is the actress who played Miao Jing's mother. She portrayed such a layered and emotionally conflicted character that I found myself constantly torn between understanding her and feeling frustrated with her decisions. She even reminded me of Yang Zi because of her appearance. Watching her finally regret abandoning her daughter was heartbreaking, yet it also made Miao Jing's emotional distance from her feel entirely justified.

I also felt incredibly sorry for Uncle Zhou. Losing the love of his life was one of the most heartbreaking moments in the drama, and his grief was portrayed with great sincerity.

As for Zhang Bin, he was exactly the kind of antagonist who made every scene feel tense. His unsettling smile alone was enough to make me uncomfortable. He was the type of villain you genuinely wanted to see brought to justice, so watching him receive a life sentence was incredibly satisfying. More importantly, it finally allowed Chen Yi to move forward without fear and without having to hide the truth from Miao Jing.

If there is one thing I wish had been different, it would be the ending. I was really hoping for at least one scene showing Chen Yi and Miao Jing getting married or sharing a glimpse of their future together. Still, seeing Song Weilong and Zhang Jingyi's natural chemistry during their promotional variety appearances somehow made up for that missing moment, so I eventually made peace with the conclusion.

The investigation itself was one of the strongest parts of the drama. Many cases kept me on edge and made me eager to see what would happen next. There were a few slower episodes where I wished the main characters had more screen time, but overall the suspense remained engaging from beginning to end.

I was also happy to see the drama receive a 6.9 rating on Douban. While some international viewers may consider that average, it is actually a respectable score for this type of realistic crime drama and reflects that it found its audience.

Finally, I want to give credit to the entire production team for bringing this story to life. I was especially impressed by Song Weilong's performance. I have often seen people criticize his acting as being stiff, but after watching several of his dramas, I simply cannot agree. I think he has a broad emotional range and expresses subtle emotions remarkably well. More importantly, he understands the characters he plays, and that is one of the reasons his dramas consistently perform well. This role is another example of how much he has continued to grow as an actor.

As for Zhang Jingyi, this was my first drama of hers. Although she needed a few episodes to completely draw me in, she ultimately delivered a performance that felt sincere and emotionally convincing. Together, she and Song Weilong created one of the drama's biggest strengths. Their chemistry felt effortless both on and off screen, making every interaction between Chen Yi and Miao Jing feel believable and heartfelt.

To be clear, I am not a shipper. I simply think they are wonderfully matched as co-stars, and their natural dynamic makes them genuinely enjoyable to watch together.

Overall, *Ye Gou Gu Tou* is not without flaws, but it succeeds where it matters most. With beautiful cinematography, strong performances, emotional storytelling, and an engaging investigation, it delivers an experience that stays with you long after the final episode. It is a realistic drama that I thoroughly enjoyed and one that I would happily recommend to anyone looking for a grounded, emotional crime story.

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Some stories just need room to breathe

I'll admit that one of the main reasons I started this drama was Fluke, and it was so nice to finally have him back on my screen. There's something comforting about seeing an actor you've missed, and he reminded me why I've always enjoyed watching him. I liked the idea behind Saithan and Sila's relationship, and the peaceful farm setting gave the story a warm, cozy atmosphere that made it easy to watch. Sila was much softer and more caring than I expected, while Saithan's determination to stand on his own made him easy to root for. My biggest issue, though, was the pacing. Everything, especially the development of their relationship, happened a little too quickly. I never felt like I had enough time to fully see their feelings grow, which made some emotional moments less impactful than they could have been. Even so, I still had a good time with it. It may not be one of the strongest BLs I've seen, but it was a pleasant watch, and having Fluke back in a leading role was definitely one of the highlights for me.

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Mediocre. Nothing special.

Rich with women scheming over men, to the point it’s uncomfortable.

Flatline (and even plain bad) acting, esp Dilraba and the super clingy female villains. All female characters are scheming or weak and lip trembling frail. Uninspired, bored acting in bad wigs.

Cheesy visuals like jumping on a bird to fly, but it looks shaky. This genre (which I love) needs at least some good effects to help bring the otherworldliness to life without recoiling and thinking, omg, that looked SO bad!

I found the side characters of Ghost Lord prince (Zhang BinBin) and his sister interesting, wish there was more.

Overall, I was so ready for a big love story between the leads and was bored by ep 25. Plus, Women wailing over nothing gets so old. It’s so second rate on so many levels, I’m shocked at the ratings.

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For a micro-drama, this series is pretty good.

"Beneath the Moon's Shadow" is another dark-themed series we rarely have in the GL market. This micro-drama breaks away from the typical "fluffy" romance tropes by weaving a suspenseful story that combines a serial killer mystery with an enemies-to-lovers romantic dynamic.

Like most micro-dramas, the series' fast narrative pacing ensures that every 3-minute episode keeps viewers hooked with immediate cliffhangers. The tension between the two main characters—Lieutenant Thara and her rival Natcha—drives much of the story and how it doesn't center its main conflict onto disapproving parents or annoying exes. Their "forced proximity" trope effectively builds a complex romantic bond layered with mistrust and uncertainty while still focusing on the serial killer. However, despite its thrilling plot and good chemistry, the limitation of micro-drama format leads to certain flaws - the plot progression feels rushed and the complex plotlines suffer from a lack of deep exploration, leading to minimum character development. Also, the shift from being enemies to lovers feels abrupt.

Overall, Beneath the Moon's Shadow managed to deliver an engaging storyline, blending thriller elements with romantic tension, but still with some evident flaws. However, it can be considered a worthwhile addition to the GL genre, especially for anyone seeking a darker, more suspenseful storyline and also for anyone like me who's already tired of the generic GL romance series in the market.

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Was Under The Radar, Turns Out Very Intense

What a surprise! This show was totally under the radar before. It was very intense, and they were able to keep the intensity throughout the whole show. This intensity sometimes made me forget that this show was aired free-to-air in local Korean TV, because the vibe and intensity totally matched OTT original productions.

The overall storyline wasn't the strongest point. It seemed very cliche with the story of some North Korean defector being wanted by both countries. Instead, they were able to cover it up and took advantages on other points such as the outstanding intensity. Since the first episode, the intensity continued to increase. Not a single episode would let you down. The casts were all really good, especially So Ji Sub as a ruthless secret agent. Seo Su Min did and impressive job as Kim Min Ji. The chemistry between characters Kim, Han Su and Jin Cheol was also excellent. The action scenes was the highlight for me. Tthe insert of comedy scenes was refreshing, thanks to Choi Dae Hoon and Yoon Kyung Ho to make it happen.

For an action show, the first episode was painfully slow. As usual, there are a lot of makjangs in the storyline, even from the beginning. The writer somewhat began to be a little confident about it, and as the story progressing there was more and more makjangs. Min Ji was tortured and locked in the trunk for like more than three days, but she somehow woke up with pretty good strength and even managed to escape.

Rare occasion where a free-to-air show came up with such intensity. It's should be on your 2026 watchlist!

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Excitement fizzle out halfway through the drama

The initial few episodes were refreshing and nice. The island backdrop, medical drama, romance, and strong leads were all there, but it all came to a disappointing end. I got bored after a few episodes as the storyline got very monotonous and dull. There was absolutely no chemistry between the 2 leads, and the romance felt very forced. The female lead is constantly crying, and her smile looks forced. I actually found the second romance between the Eastern Korean Medicine doctor and the nurse much more refreshing. Towards the last few episodes, the story got really draggy, and I found myself fast-forwarding it. Overall, the drama lacks depth, lacks chemistry between the leads, and becomes so boring towards the end.

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Not Perfect, But Definitely Enjoyable

I honestly didn't expect much from Prosecutor's Proposal, especially since it's a low-budget BL K-drama, but it was actually pretty good. Sure, the plot was kind of predictable, and I could see most of the twists coming, but that didn't stop me from enjoying it. There were quite a few scenes that were genuinely interesting and kept me invested, and the chemistry between the leads was nice to watch.

One thing that really stood out to me was the acting. I thought the cast did a really good job and made the characters feel believable, which definitely made the drama more enjoyable. My only complaint is that I wish the episodes had been a bit longer because I wanted more time with the characters and their story.

It's not a groundbreaking drama, but for what it is, it delivers a fun and enjoyable experience. If you go into it without expecting anything too complex, it's definitely worth watching. Overall, it was a good watch, and I don't regret giving it a chance.

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They carried this story with nothing but their eyes

What I loved most was how much was left unsaid. The emotions never felt exaggerated, and that made every heartfelt moment land even harder. Sky and Nani never fail to convey every emotion with so little, and I honestly think this is my favourite performance from both of them so far. They made their characters feel incredibly real, allowing me to understand their fears, flaws, and growth without needing dramatic speeches or over-the-top scenes. Their chemistry felt effortless, but what really stood out was how naturally they embodied these two people and made me root for them from beginning to end. I only wish a couple of storylines had been explored a little further, but that didn't take away from how much I enjoyed the journey. By the final episode, saying goodbye to these characters was much harder than I expected, and that's always the sign of a drama that truly did something right.

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Low-key masochist/sadist, high-key chemistry.

There are dramas that you feel are too short, but you also saw enough to be satisfied, And then there are dramas like this one - when it's too short and you need to see more. Sure, they did best they could with the limited time they had, but this plot and dynamic deserve more.

Cannot believe we are finally slowly getting Korean BLs with proper plots and new settings. Was the case extremely simple and predictable? Yes. But it’s better this way. There is nothing worse than a complex story forced into a short format - it never delivers. Smart productions know their limits and try to present the best version of what’s possible. BLs are a sub-genre of romance and you do not watch romance for the plot, you watch it for the relationship and the chemistry. Of course having an interesting plot is always a good thing which separates mediocre romance from great romance, but the plot is not the core of the project. So yeah, I am not mad about how simple the story was here. It worked and that’s what matters.

To the more important aspect - the relationship between Lee Chae Ha and Ju Tae Seon. Would I want to swim in the sea of angst delivered by the set up a little bit more, before we move on to mutual positive feelings? Yes. Pinning, angst, contradicting feelings a character has that make them frustrated to the core - I could eat it for breakfast, lunch and dinner. I just love when characters are so sure of what they are feeling and what drives their actions, to then get all confused when love hits them in the face. But I also understand, yet again, that there was a limited time to show the progression from enemies to lovers and for good balance, you just cannot focus too much on just one phase of that dynamic.

The angry angst era was iconic, the confusion and suppressed care was iconic, the desperate love was iconic. These two truly worked well together. I actually like how cliche they felt - Lee Chae Ha had no backbone for most of the drama and Ju Tae Seon was borderline psycho. If you ask me they are low-key masochists and sadists and that’s how I view their dynamics. Sometimes the aggressive beginnings in dramas make me feel uncomfortable, but here it just worked, because I did feel like Lee Chae Ha was into it.

On that note, the office scene. If you saw the drama you know exactly what scene I am talking about. Hot damn. Masterpiece. Thank you.

For the villains. One, the glorious O Ja Hyeon is presented as one from the beginning and more are hiding in the shadows, but are also rather obvious by episode 2. For O Ja Hyeon - loved to hate her. That one scene where she spilled all the tea was amazing. What a performance from Seo Han Gyeol. She stole that moment completely. I kind of wished she had even more presence in the drama. The other two villains were… fine? I think they missed an opportunity for a plot twist here, and went with the safer option.

Performances were mostly good. There were a few more intense scenes where I was not completely convinced by Park Si Woo’s performance. The issue could yet again be the length of the show. Sometimes both the characters and viewers should sit on the emotions a little bit longer, but pressed for time, the drama had to move on with the dialogues a bit too quickly.

I liked the production and the soundtrack. I like how the lighting and the music matched the intensity of some scenes. I always appreciate the good use of light and shadows. Also, go listen to Marionette, it’s a great song!
I am not going to talk about the intro - I just kept skipping it.

Overall, a pleasant surprise. It was a lot better than what I expected in all areas - plot, dynamics, acting, production.

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