Reviews

Curti bastante a proposta da série, toda essa pegada isekai com battle royale em um mundo distópico, isso acaba sendo o ponto alto da série, pq tem bastante coisas questionáveis e que acabaram me desanimando com a produção.
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A série tem altos e baixos, no geral, ela acaba sendo um bom entretenimento, mas ela se torna melhor se analisada apenas por episódios, pois possuem alguns muito bons, com uma boa narrativa, bem dinâmico e empolgante.

Por isso digo, não tem como analisar o ponto em que a série começou a "decair", pq cada episódio tinha algo que lhe tornava bom ou ruim. Mas para mim, um dos pontos mais negativos da série foi no episódio 03.

A morte dos amigos dele até é interessante para a narrativa, forçando um amadurecimento, etc. Mas para mim soou apenas como um episódio para 'chocar', trazendo a morte de alguns personagens aparentemente grandes. Não me surpreendeu muito, já que eu imaginava que morreriam em algum momento, mas achei que foi cedo de mais, acaba que no fim eles nem fazem mais falta, acabam sendo personagens tão irrelevantes quanto o próprio protagonista.

E claro, o arco da praia, que para mim foi totalmente desnecessário, foi tudo tão forçado e clichê, além de trazer um protagonista padrão shounem, que não faz NADA a série inteira e acha que converte as pessoas com textão e frases motivacionais.
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Os personagens, para mim, são um ponto bem negativo na história, pois seguem um padrão bem japonês de produções. Quem é acostumado a assistir animes consegue ver nitidamente o perfil desses protagonistas.

Arisu é o típico protagonista fodão que é vendido para o público como alguma coisa, seja por ser muito inteligente e/ou forte. O problema, ao meu ver, é que ele não superou essas expectativas, além de ficar metade da série choramingando, apanhando e fazendo vários nadas, poucas vezes ele fez algo relevante, como ser inteligente de verdade, pq muitas das vezes era apenas o 'modo protagonismo' ligado, como no episódio 1.

Usagi é o típico protagonista feminino de shounem, antes de se juntar ao protagonista é um perfil forte, independente, luta por sua vida, etc. Mas quando o protagonista entra na jogada, mesmo sendo mais fraco que ela, acaba se apagando e vivendo na sombra dele pq ele precisa ser visto como um herói fodão.

Todos os outros são bem descartáveis, nenhum que se sobressaia.
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E como mencionei, o arco da praia é algo tão ruim, mas tão ruim, que me deu preguiça de assisti-lo, para mim foi uma finalização de temporada PÉSSIMA.

O meu problema com esse arco da praia é que as coisas são tão forçadas, toda a "sexualização", bem padrão japonês de arcos de praia, além de ser extremamente clichê, com toda essa pegada de autoritarismo, etc.

A forma como foi conduzido, além de ser tudo muito obvio, como a morte do chapeleiro e quem o matou, a situação em que a praia chega depois que vira uma arena, etc. Acredito que a única coisa que me surpreendeu nesse arco foi a revelação da bruxa, pq de resto...

Isso sem falar no protagonista, que apanhou o arco inteiro, ficou preso o arco inteiro, não viu absolutamente nada e misteriosamente ele descobre todo o plano, sendo que até agora ele não teve uma construção boa o suficiente para criar o famoso "protagonista inteligente", tudo é baseado em protagonismo, 'eu sei pq eu sei'.

Além de também ter o famoso "protagonista textão de twitter", que acha que vence todo mundo na lição de moral, fica fazendo esses diálogos intermináveis.

A finalização do Agni é TOTALMENTE PODRE, o cara matou o chapeleiro, matou 90% da praia sem motivo algum, para no final eles criarem o plot redenção, mostrando que ele era uma boa pessoa e tentou parar o chapeleiro, aí fazem ele se matar para salvar o protagonista e morrer como um "herói", completamente desnecessário.

Todos os outros são bem descartáveis, nenhum que se sobressaia.
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Não é uma série ruim, mas é bem padrão "anime shounem", o que, para quem conhece o gênero, se torna meio boring. Como mencionei, a série é até interessante se analisa-la episódio por episódio, pq a história como um todo, para mim, foi bem mal desenvolvida.

É uma série que, por ser bem sem censura, ser um battle royale japonês, onde o clichê ocidental não aparece, acaba te prendendo bastante, mas tem MUITOS erros bobos.

Por isso, pensando em todos os pontos em relação a série, acredito que ela até é interessante de se assistir, não é uma série que você vai perder seu tempo, mas também não é algo que vai se tornar inesquecível.
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Nota: 7.7/10

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Quando assisto produções asiáticas eu já vou sem esperar muita coisa, quando adicionamos a comédia como gênero, eu espero menos ainda, talvez isso tenha me feito simpatizar com a série, pois minhas expectativas já eram bem baixas.

Esse foi um dorama legal de acompanhar, com histórias engraçadinhas e personagens legais, se você não esperar nada deles, mas está bem longe de ser uma grande obra, falta muito desenvolvimento pra história e para os personagens, além de um roteiro mais dinâmico e com mais conteúdo.
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É uma série simpática de assistir e tem um início interessante pra narrativa, mas derrapa de mais conforme o negócio vai progredindo, pq no fim, ele não progride, ele roda em círculos até o episódio final, quando tudo é resolvido.

Pq se analisarmos a série, foram 16 episódios para resolverem TUDO no ultimo, sendo que poderiam ter começado a desenvolver as tramas dos personagens secundários durante todo o processo, pois não eram grandes o suficiente para serem arrastadas, acabando por entupir o episódio final com muita informação picotada, pq não tiveram tempo o suficiente pra desenvolver tudo em um único episódio.

E esse é o grande problema de séries de comédia romântica, não existe desenvolvimento dramático e tudo acaba sendo superficial e descartável.
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Adoro a mensagem que a história tentou passar, mas pecou de mais no roteiro raso e, em determinados momentos, vazio.

Por exemplo, a história das irmãs da Samdal poderiam ter sido resolvidas durante os 15 episódios antes da final, pois tinham tempo e espaço pra isso.

Seria muito bonito terem trabalhado a Haedal como uma haenyeo, todo o processo de aprender a mergulhar, de seguir as colegas e a mãe e aprender como funciona, além de poder ter trabalhado melhor o relacionamento com o presidente golfinho, teria sido muito mais interessante do que ficar trazendo ela com a filha pra ficar rodando em cima dos mesmos diálogos a série toda.

Algo que também acontece com a história da Jindal com o grupo AS e o ex-marido, que poderiam ter sido desenvolvidas também durante os 15 episódios, pois, no fim, tudo foi jogado para o episódio final e seguiu os mesmos problemas, rodando em diálogos repetidos sempre que se encontravam.

Questões como a exposição da Pam e o "retorno" da Samdal também poderiam ter sido trabalhados durante toda a trama, inclusive, poderiam ter desenvolvido uma queda para a Pam durante alguns episódios e deixar a reta final para o retorno da Samdal para a fotografia, pois acabou sendo apenas uma finalização boba que forçaram pra dizer que ela "pagou na mesma moeda", sendo que poderiam ter feito algo mais trabalhado em relação a isso, para justificar a Samdal ter voltado a fotografar e trabalhar com todas as pessoas que viraram as costas pra ela.

No fim, a história seguiu aquele padrão de "final feliz pra todo mundo", mesmo que eles tenham vivido 20 anos de pura falta de noção, mas aí como a série vai acabar, todos podem se resolver e ser feliz.
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Não somente os secundários, mas o vai e vem da Samdal e Yongpil também ficou cansativo ao decorrer da série, muito chove e não molha para um drama que nem seria desenvolvido no final.

No geral, é uma série legal de assistir, tem uma proposta interessante, uma dinâmica legal com a cidade de Samdal-ri, mas com uma direção fraca, um roteiro ruim e personagens desinteressantes, mas é aquilo, se você vai com a intensão de assistir a uma série sem pretensão, é uma boa pedida, se vai esperando algo, provavelmente vai se frustrar.
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Nota: 8.0/10

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First Impression: The Prosecutor's Proposal

Overall: the first two episodes have me hooked. Airing on GagaOOLala https://www.gagaoolala.com/en/videos/7918/the-prosecutors-proposal-2026-e01 (not available in: Japan, Korea, Americas, Brazil, Angola, Guinea-Bissau, Cape Verde Islands, Mozambique, Sao Tome and Principe, Macau, Timor-Leste, Spain, Portugal, United Kingdom and Oceania) and iQIYI https://www.iq.com/play/a-proposal-in-the-prosecutor-s-office-episode-1-18yruwo0ctw

Content Warnings: there are major ones, this is a dark series, I'm keeping the review spoiler free for now

What I Liked
- unique premise
- tension

Room For Improvement
- continuity error in episode 1
- ai in the intro

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Me surpreendi ao ver que o Yin&War estavam em um BL vertical, então dei play, o cenário central é o hotel/moradia, que patrocinou - aparentemente - o drama.
No geral a história é bem levinha, possui um pouco mais de 1 hora e 30 minutos, não há contratempos de fato, há, talvez, um excesso de personagens secundários, que até o Phut (War) brinca ao dizer "personagem novo" kkkkkk

O Yin ficou interessante interpretando dois papéis, apesar do amigo, de fato, mal aparecer. Nesse BL eu consegui perceber o quanto eu gosto desses atores contracenando juntos, eles tem uma sintonia muito boa, crível e suas expressões se completam perfeitamente, mostrando uma harmonia incrível, e que me faz sorrir. Acho que é um dos únicos "ships fixos" da Tailândia que eu realmente gosto.

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Esse mousse virou uma piada, parceiro.

Não acho que seja um dorama ruim, acredito apenas que quiseram mais do que de fato conseguiriam entregar.

O dorama trata de vingança, algo que se espera, no mínimo, uma personagem que esteja disposta a fazer algumas coisas não tão "morais", mas isso não é muito o que a Ji-Won entrega. Sinto que a personagem principal se limita a carão e frase de efeito e não consegue de fato fazer nada muito relevante por boa parte da trama, o que seria aceitável em uma novela de 150 episódios, mas não em um dorama/série de apenas 16. Além disso, a Ji-Won é uma personagem que vendem como autônoma, que quer lutar por suas coisas e refazer sua vida, mas segue o clichê da mocinha que precisa ser salva o tempo inteiro e que nunca consegue entregar NADA nos momentos mais importantes da trama.

Outra questão importante é a facilidade com que a narrativa, que se arrasta em alguns momentos, muda quando é conveniente. Como todo o drama com o avô.

Nesse sentido, sinto que todos os pontos que conectam a história principal são meros detalhes na narrativa e acabam, pela falta de profundidade, não tendo o impacto que poderiam ter tido. É uma história superficial que se escora na performance para sustentar tramas importantes e não consegue justificar muito do que tentou apresentar.
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Por exemplo:
A cena das meninas no restaurante do Eun-ho foi muito legal e teria sido incrível acompanhar uma história de amizade delas com subtramas e o relacionamento amoroso delas também sendo desenvolvido, mas foi uma pena que trocaram tudo isso para focar DE MAIS no Min-hwan, na Su-min e na Yoo Ra.

ompreendo que eles eram os vilões da história, mas é inegável que ficou exaustivo e excessivo muitas aparições deles, em que muitas vezes eram apenas diálogos repetidos e tramas recicladas, porque não houve de fato uma grande progressão. Além disso, a entrada da Yoo Ra foi completamente desnecessária, porque além de não trazer nenhuma novidade, o pouco de coisas que trouxe, não serviu pra nada.
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Sinto também que o "efeito borboleta" desse retorno dela é meio confuso e o dorama não se importa muito em explicar para poder continuar a fazer o que quiser.

Digo isso porque a mudança ela não é linear, o futuro não muda, apenas muda com quem ele vai acontecer, mas também não fica claro os critérios da mudança, principalmente porque algumas situações tem relação direta com outras, nesse sentido, se uma não acontece, a outra também não deveria acontecer.

Digo isso principalmente pela situação da morte do Ji Hyuk, porque na história ele morre após a morte da Ji-Won e isso acontece justamente pela forma como as coisas acontecem e como ele fica após todos os acontecimentos, mas, com a 'não morte' da Ji-Won, qual o critério para a morte dele acontecer e/ou mudar para outra pessoa?

Compreendo que ele pode ter criado a ideia de que o futuro não muda, que os acontecimentos precisam ocorrer e tal, poderiam explicar melhor, porque se as situações precisam acontecer, alguém precisaria casar com o Ji-Hyuk se se separar dele, como a Yoo Ra, porque ela mudaria o futuro da vida que ela roubou e os outros não?
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Foi um final básico, com resoluções convenientes e uma tentativa de fechar direitinho a história. E Pelo que foi apresentado, acredito que apenas 10 episódios já seriam suficientes.

Nota: 6.3/10

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"You were used by others for most of your life, haven't you had enough?"

Return to Dust was a story about Fate bringing two unloved and unwanted middle-aged people together in a poor rural community. Resigned to their lonely and meager existence, an act born out of callousness opened up a new world they’d never dreamed of.

Ma You Tie aka Fourth Brother aka Iron Ma is coerced into marrying Cao Gui Ying. Both are past the normal age of marrying. Iron is largely an unpaid worker for his older brother. Gui Ying lives in a shed behind her brother’s house and is regularly beaten. She suffers from a physical disability, infertility, and incontinence which has taken her off the marriage market. The two quietly wed and move into an abandoned house. Together they farm the land and gently take care of each other. Tiny acts of kindness and generosity cause the newlyweds to slowly come out of their shells. They begin to lean on each other, surprised that they could experience companionship and contentment so late in life.

While Iron and Gui Ying showed compassion to people, animals, even plants, such was not the case for the people surrounding them. Their families were neglectful and cruel. The local businessman exploited the old peasants working the land refusing to pay them the money he owed, shorting them when their crops came in, always offering one excuse after another. When it turned out Iron shared the same rare “Panda” blood type of the capitalist patriarch, the farmer was called upon to give the wealthy man regular transfusions. As more villagers abandoned farming and moved to the cities it created vacant homes. The government implemented a new beautification policy offering money for the destruction of those houses. City dwellers returned to grab the cash regardless of who had set up housekeeping in the houses, be it people or swallows. The caring couple had to move ahead of the bulldozers twice, finally resolving to build their own mud brick home. Having spent a lifetime being taken advantage of and never having anything handed to them, Iron and Gui Ying simply took the slights in stride.

Oh, but Butterfly, what was the plot? None really. It was an exquisitely shot and scored slice of life about two outcasts diligently working the land and becoming utterly devoted to each other along the way. The villagers even commented on how Iron doted on his “peculiar” wife. It felt and looked very Zhang Yi Mou’ish. And just like ZYM, the director and film landed in trouble, too. *

Return to Dust was a tender, lowkey love story with two social outcasts that felt deeper and more authentic in comparison to grand passionate romances. Iron and Gui Ying may not have had children but they adored their bell wearing donkey (so did I!) and dutifully looked after their little chicks. No debt was left unpaid. For Iron, “The soil doesn’t despise us,” unfortunately, people weren’t always as reliable.

25 June 2026
Trigger warning: Suicide

*Those darned censors notes:
The film was yanked from being shown in China for reasons unknown. It was later released with an alternate ending. What was so offensive? The peasants were hard working, resourceful, and living a simple life without complaint. Perhaps it was the government’s house destruction policy that ended up harming the most vulnerable. Also, the most impoverished were offered low rent apartment housing. Iron wondered where he would keep his livestock. Illiterate and older, how was he supposed to support himself and eat without access to the land? I learned about the film being pulled when I went looking for answers regarding the ending. The last line of dialogue was contrary to the rest of the film and the previous scenes. Apparently, the original ending was replaced with a more acceptable ending to the censors even though it made no sense.

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ABSOLUTELY WORTH IT!!

I honestly doubted myself if I should watch this. BUT YOU KNOW THE DIRECTOR MADE LOVE IN THE BIG CITY SO I TRUSTED WE GOT SOME GOOD STUFF HERE!!

Anyway, it's a unique story, something we don't really see much nowadays (well if we talk about BL). The chemistry is there, the plot is good, the actors played their roles well and every scene gave us good ending hooks! Every ending has a cliffhanger that will make you so interested and impatient to wait for the next episode!!! I was so stressed waiting for 1 week but I'm so happy they weren't selfish in giving us two episodes per week. It's perfect!!!

AHHHH I lost interest in Korean BL these days but this show made me believe that KBLs still have it!!

WILL WAIT FOR THE NEXT MASTERPIECE OF SON TAE GYUM!!

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It’s worth the watch

I think people are being too harsh on this drama, it’s not as terrible as they are painting it.

It’s not a crazy plot, it can be quite comforting at times and I actually liked how their relationship developed, they truly cared about each other. It can be slow in some episodes but I actually liked that, feels like it touched on some “mundane, not so deep” themes at times.

Now some things I didn’t like, it made me so angry how both leads blamed themselves so much for what happened and people around them did so too, they got too much shit they didn’t deserve. No one cared to investigate further the actual culprit of the incident, and the FL got it the worst I really felt so bad for her and how she was dealing with the whole thing alone.

I wish they would’ve given their mental help issues a better conclusion, not once they mentioned how they should’ve gotten professional help, not only for their guilt but also in regards to the pressure of their jobs, they went back to “let’s be super workaholic again” like that part of the plot didn’t see a moral of the story…

Also, the business proposal and kpop demon hunters references were cringe lol, like I get they wanted to use the popularity of those projects and do the “ha he was on those as well” but it was just so unnecessary.

All that to say (lol), just give it a chance it’s okay.

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The lining of the Story

I love the first season of fourever you , and this second season really filled the story of what was needed. I loved both the first two story’s in this season , the actors had amazing chemistry and the story all lined up . my only issue was Suer and Nao’s story , it wasn’t really natural with the story that was already going on . Even though I liked their part and was entertaining to watch, it would of been better as a stand alone series . I felt as if their part was rushed and could of been better , and it also makes no sense how Nao is in the same year as North , to me the story does not line up . But other than that the whole season was amazing, both fourever you storys are great and I recommend both !

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This kdrama really hit the nail!

Bullying is such a prevalent, occurring, and nonstop issue that has been addressed countless times, and this kdrama really brought light to how serious it really is. I live in America, and I thought our bullying system was bad, but Korea's is a whole other thing. The fact that this story and plot were created based on inspiration from tragic, controversial events is genuinely heartbreaking. Imagining going through these experiences is hard on its own, and this kdrama really brought these cases to life. Teach You a Lesson really dove into these hard discussions of topics such as obsession, drugs, and gambling, letting everything play out in itself. It's safe to say I thoroughly enjoyed watching this quick watch.

I'm glad the cases were resolved cleanly, and they brought justice and showed the victims' stories and what they have gone through. It's devastating that shows like these have to be developed in order to illustrate just how crazy bullying is taken and not accounted for enough in Korea, but this show really did its part. I'm pretty sure there have been protests surrounding this kdrama, which really shows how much netizens and citizens of Korea are not owning up to their faults. Conversely, there have also been rumors regarding a second season, which I'm all open to. I would love to expand on the story and maybe learn more about the characters and their backstory. Furthermore, I would also like to see more real-life inspired bullying cases to show the harsh reality of school in Korea.

This kdrama really showed how Korea isn't all that perfect. People wanting to live in Korea primarily because of kdramas is terribly embarrassing, so I hope this show really proves that living there isn't all that great; there are pros, but also cons. The experience of high school life may not be what you expected, and it's just absurd how many bullying cases are seen every day in the education system.

If there isn't something like the ERPB yet, then Korea should definitely implement a bureau like this one.

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Rewatchable

The OST is literally one song played over and over again, but it didn't annoy me, and it's stuck in my head now, so~

Acting was really good, and I liked the chemistry between all of them as friends and Maxky/Bas & Pie/Golf in romance. Earth and Bas honestly have good chemistry, but I'm pretty sure they are also really good friends IRL. Pond & Earth honestly didn't have the best chemistry in my opinion; it felt very forced and one-dimensional, or maybe I was distracted by the fact that every character Earth plays feels the same. I've seen him in 4 series before this one, and all of the characters feel the same to me. Bas's acting really impressed me right off the bat because the only thing I'd seen him in before this was 2 Moons, which I had fun watching, but it was one of his early roles, and you could tell.

North, Dao, Ger, and Typoon were my favorite characters, while Hill and Easter were my least favorites. Hill was so sappy at times that it was sickening, and Easter's overly dramatic facial expressions paired with his constant whining set my nerves on end.

(Side Note: I can never get over how tiny Tonliew is. He's adorable.)

While watching this series, I was looking out for foreshadowing and little moments between the couples for season 2. I would have overlooked the little uneasy looks between Typoon and Tonfah if I hadn't been looking for them. Tiger is just too adorable in his crush, and I honestly feel really bad for him. And Dao! He and Arthit don't meet once! You'd think that, being in the same friend group, they would have met at least in passing, but nope!

The friend groups are easily one of my favorite things about the series. Great chemistry, and I honestly love the teasing. Ter teasing North about Jo did get annoying fast, but the moments were short. The "shipping" is also something I think aged poorly now that I know how crazy and toxic some BL fans can be. I would say this friend group is at least in my top 10 favorite friend groups. Maybe the top 5 after I watch season 2.

Moving on to the main couples!

I loved JoNorth so much. Their kisses. Their cuddles. The way that Jo is down bad and super possessive, but is still a green flag about it. Or, well, at least a yellow flag. I'm convinced his family has ties to the mafia. He and Tiger seem to have known each other a while, and Tiger's father is in the mafia (if what I heard is true), so I need answers. Both of them seem to have an unlimited amount of money to throw around, and if they want something done or someone to disappear, they have no problem doing it. What really happened to Day? I doubt he was just fired.

Moving on, their moments were my favorite, especially all the cafe ones, and they were honestly the only reason I didn't drop the show. I was about to give up on the show until their storyline was introduced in episode 6; that's when things finally got interesting. It's hard to go wrong with a plot where the love interest owes the other money. I normally like it to be enemies to lovers, like in We Are, but this one sucked me in. I think that was mainly because North was actually trying to work more jobs to get the money. That is probably the only thing I didn't like about North now that I'm thinking about it. Who uses their college tuition and rent on a gaming computer? The boy needs someone to manage his spending. . . . . I keep getting sidetracked, sorry. There are also many moments of Jo hugging North like he's the cutest thing, and pulling him into his lap. AKA the best seat in the house. I just love them being together.

I couldn't care less about Hill and Easter's relationship. All of their problems are from miscommunication and an unwillingness to communicate. Yes, the grandpa didn't help, and he's a right bitter old man that deserves a good punch to the face, but he didn't cause all of their problems. He just started them. They became a stronger couple because of it, and hopefully, they won't make the same mistake again.

We spent around 13 episodes, maybe more, of these two orbiting each other and refusing to talk about what happened and how they feel about each other. Ter thinking that Hill liked Mild or Christmas made me wonder how he saw Jo liking North. Jo wasn't very obvious about it, and everyone could see from space how much Hill liked Ter. It was honestly annoying, especially when Ter told North that Hill never showed signs of liking him in high school. I'm sorry, did you just dream that he had you half naked on his bed with his tongue down your throat? WHAT DO YOU MEAN THERE WERE NO SIGNS! He didn't contact you after? Did you ever think he got grounded and his phone taken away? Why did you never try to go to his house to check on him? Or ask his friends if they had heard from him? Why did you jump straight to blocking his number?

Then, when they meet again, you'd think that one of them would try to explain/inquirer about what happened, but nope! Hill just flirts, and Ter goes along with it because no matter how hurt he was, he still has feelings for Hill and lets him do whatever he wants, all while believing that he doesn't like him. Make that make sense! If you really believe the boy doesn't like you, then put your foot down. Stop letting him hold your hand, stop the car rides, stop all unnecessary contact!

Their whole storyline should have been 7 episodes at most, but instead it's dragged out through most of the series!

The flashbacks were also very annoying, and spread out through multiple episodes when they could have been all in 1 or 2 episodes. All of Jo and North's flashbacks took up 1 whole episode, and I was invested the whole time. Hill and Easter's were so spread out and sometimes so short that it disrupted the flow of the story more than it made me care. The only flashback that didn't do either of those things is when they are looking through a photo album near the end of the series, and Ter learns that he had met Hill long before Hill transferred to his school. That flashback wasn't out of place; it was long, and it got you invested.

Near the end, my interest in their relationship was at rock bottom, and my attention started to drift, so I began watching their scenes at X2 speed.

I do recommend the series because it was still good, and I really liked everything outside of Hill and Easter's relationship. Hill was actually likeable when it was just him and his friends.

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A waste of chemistry

I haven’t written a review so bear with me. Honestly I had high hopes for this one because the reviews were higher than most lakorns but goodness me. I think most of the plot devices in this drama were highly irritating and irrelevant. The biggest one being the marriage thing. The two leads get married cause she says she needs money and she specifically picks ml to spy on his dad? And maybe get revenge on her cousin. The only plot that is actually explored to a satisfying level is the story line with the dad but even then, I skipped too much to even know what was going on.

Moreover, i really disliked ml and the storyline around him and janjaeng. He did not handle the situation well especially for someone that knew her mental state. The whole time ml was supposedly falling in love with fl, he was also being overly kind and misleading to her cousin to the point where even i was starting to get confused. Moreover, the whole him agreeing to marry janjaeng knowing that he has a whole wife and now a kid on the way was honestly just disturbing to me.

As much as I disliked the ml, I hated the fl more lol. I honestly think that if she wants to be alone so bad then he should have just left her alone. One thing i really hate about lakorns is that they always try to last ditch effort things. At the last minute on the second to last episode they have some drama to separate them so the drama can end in a hug in the last 3 mins after torturing us with more of the bs that happened in the middle. The whole palai refusing to be with him anymore and separation thing was just plain stupid. And he was dumber for going back. There were so many unnecessary things that occurred in this show that u don’t Ben know what it was about by the time I finished it. Oh not to forget. Half the cast is dead, I dont know if she got her company back or if her aunt ever confessed to any of the crimes she committed. All in all, I think this drama was just dumb.

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At least something different...

is the best I can say about this show. It had soooo much potential but the script and acting could not let it shine.
Compared to most of the Thai BL crap we get, this had an interesting premise, but the script did neither develop the characters nor made sense of the whole "drug" case. For me, it felt cobbled together in a hurry.

I have no clue how the case resolved with all the dead around. I can only asume the notebook - or was it a tablet? - was found or Chu left it with Mr. police gay guy, otherwise how could they solve the case? To have two Kims as ML is quite funny to me, but the older Kim was not good in acting at all... he felt out of place at times. Besides not really capable to be a police officer he often felt lost. The younger Kim did his best and I see his talent but he can't lead a BL alone when is partner is not capable - yet.

For young/new talents a workshop would have worked wonders, but I doubt they had one, Production quality overall was good, even the limited locations did not bother me. But the biggest question, how did Mr. police guy find his love? Not explained, he just appeared and we get the typical happy BL end - which I could have lived without. A time-jump where they meet by coincidence, for example Mr. Killer would have his first art exhibition... would have made more sense.

It's no secret that I don't like stories which leave questions or are not logical, especially if it's a kind of suspence, crime or thriller genre. The initial idea was good, but the execution failed. The team gets bonus points for presenting us with a novel concept, with some characters acted out well and suspence background music. Overall it's ok to watch, it's not stellar and not catastrophical bad, but not good either.

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This drama series delivers an unforgettable experience from the very first episode. The plot masterfully weaves together suspense, romance, and emotional depth, creating a story that is both captivating and heartfelt. Each scene feels purposeful, drawing the viewer into a world where every twist carries weight and consequence. The pacing is tight, maintaining tension without sacrificing character development, which ensures that the emotional stakes always feel earned.

The standout element of the series is its performances, particularly Xu Kai’s portrayal of the lead character. He brings an intensity and vulnerability to his role that makes each moment feel authentic. His ability to convey complex emotions with subtle expressions keeps the audience fully invested in his journey. The supporting cast complements his performance perfectly, adding layers of warmth, humor, and tension to the narrative.

Visually, the drama is stunning. Cinematography, lighting, and set design work in harmony to create a rich atmosphere that enhances the storytelling. The soundtrack heightens the emotional resonance, with music cues that linger long after an episode ends. These production choices elevate the series from a simple drama to a deeply immersive experience.

What truly sets this drama apart is its ability to balance heart-wrenching moments with uplifting scenes of love, hope, and resilience. The writing never feels forced; instead, it flows naturally, allowing the characters to grow in ways that feel both believable and impactful. By the end of each episode, viewers are left not just entertained but moved, eager to see how the journey will continue.

This series is more than just a story—it’s an emotional ride that connects with its audience on multiple levels. With its seamless blend of gripping plotlines, compelling performances, and polished production, this drama stands out as one of the most memorable offerings of recent years.

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