Reviews

二宮和也太帥了吧

我覺得二宮和也在前兩集呈現的混蛋形象真的太好，導致角色溫人痛定思痛堅韌不拔關愛親友的時候，那個形象還揮之不去。

比較打動我的是多部未華子，他飾演角色未知留，焦急等待、喜重逢等橋段的情感表現都有說服力。

在劇情上面可依三起綁架案分成三段劇情，起、轉、合，推進懸疑恐怖的氛圍，只是沒想到家庭溫情竟然是底，家庭分工的失衡造成的情感缺洞若是置之不理就會引發憾事，這樣的意念不斷出現。然而結尾兇手犯案的動機缺也是因為家人，諷刺了一樣的環境會有不同種反應的現象，也讓這樣的信念無法必然達到救贖顯現出來。

是說那個警察真的演的很油條可恨。

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參考大量真實樣本

一部用詼諧方式切入的醫療職人劇，改編自劉宗瑀醫師的同名小說，講述來到鄉下醫院的外科醫師遭遇到的種種無奈與荒謬，以較為詼諧或明快的方式點題。

據宣傳以及劇組，此劇聘請各科醫療顧問，就表演（手術、病痛）、化妝（傷）、聲音都做極為寫實的處理，其中導演甚至遇到因為醫療觀點彼此因年代差異、醫師作法差異有所齟齬而有難以抉擇的狀況。

除了醫院現場的過勞、女性育嬰、醫療糾紛、醫療資源等議題，此劇還穿插幾條感情線，偕同許多笑點軟化了此劇的基調，以更為平易近人的方式傳達這些故事。

蔡淑臻演的小劉醫師真的詮釋地很好，年紀、狀態、經歷。朱軒洋的角色很討喜，有說服力。

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巫堂娛樂化

此劇接檔《紅丹心》在KBS 2播出，男主角南僩儁是一名巫師（박수，卜師／博士？）經營一間名為美男堂的占卜咖啡廳，藉機查探多年前好友死亡的真相。同時在警察局那裡還有一黨人，也在查探此案，以女主角韓渽憘為首。雙方從互看不順眼到彼此合作，大抵上蠻可以預料到的。

不過兄妹互動的情節都好好看，尤其是那個妹妹南惠儁。

另外吸引我注目的是演南僩儁的徐仁國，他的淚痣真的很搶戲，尤其他演的這個角色又很臭屁自信，搭上那張臉和那粒痣就會覺得，好啦都給你說。

還有，此劇沒有滿足到我對於韓國巫俗的好奇心，特意去查了一下，原來女性作為巫比較常見，男性即使從巫，也多要在儀式中著女服。多數巫者都會經歷神病，可能是看見異象、高燒多日等狀況，有可能會遺傳下去。這個我有聽來自中國東北的鄰居家的女性長者，就有經歷過神病。另者，因為儀式多搭配音樂，巫者除了搭配樂師外，也可以自行習樂打奏。鈴鐺、扇子、鍘刀都是常見的用具。

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Good Chemistry

This BL drama "Our Dating Sim" is so nice🤤

Though the story's plot is simple, both actors show their acting naturally. As a netizen said, their physical intimacy is far better than other actors in the same kind of drama.

The main couple of the drama may not become phenomenal celebrities like "Semantic Error" main couple Jaechan and Seo-Ham getting the Best Couple Award from APAN Star Awards. They still did a great job.

Just like many BL dramas, your brother wants to be your lover. It's 真香when you guys have a crush on each other but no one knows. Often, one like another is so hard that he/she will be about to give up. As the process of the story goes on, the audience will know that the one he/she likes also like him/her, in fact. "My Boyfriend is Student President" has a similar structure.

이승규(Lee Seung Gyu) has a tough contour of face like a dog/fox but his face isn't big. So he looks so attractive like a juicy peach. I love 反差so much.

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官僚主義與現代國家的體制

原創故事、編導集於一身的唐福睿，改編鄒族青年湯英伸案發展成我們現在看到的模樣。故事背景轉換為基隆八尺門，死囚換為在台灣工作的印尼東爪哇漁工Abdul，遭殺害者則為八尺門阿美族的漁船船長一家三口。為了劇情效果，公設辯護人與殺人犯也是族人。

這部將案裡案外的故事線發揮地淋漓盡致，不管是法律背後的政治角力、經濟利益，或者法律前如同遊戲（但一旦宣判便成為噩夢）的法庭，或者隨時成為交詰武器的家族、同鄉。

這部的確頗深入移工議題，許多情節都是根據現實的類似事件改編，隱隱約約都可以知道故事會怎麼進行，尤其最後台灣警察押著Abdul那裡之強硬、冷血，一派官僚主義，寒心，這的確也還是事實。在原民議題上，故事著力也很深。光看八尺門阿美族人本身的內耗，就知道他們生活環境與分別接觸到的團體會怎麼將他們分崩離析回不了頭，他們之上是漢人，是倡導「多元價值」的華國政府、是跨國洗錢的遠洋漁業商閥，以及漢化（或者說黑化）的自己。

比較不理解的是部長是佛教徒與故事何關？普門品的偈頌放在劇裡沒什麼加分作用哇？另外我也不理解為什麼有些人看劇完更支持死刑？？？雖然劇中對於死刑有種虛無主義的玩味，但那是根基在劇中人幾乎都支持廢死的理由上（當然這也絕對是政治問題）。

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Chapeau

This drama is so heart-touching and deeply moving. I loved the way they tackled the issue of bullying. I really appreciated how they portrayed the exact reactions we always wish would happen in every real-life bullying situation—even though we know some of those responses aren't entirely realistic, deep down we can't help but cheer for them!
Like the scene where she kept calling and spamming the mother; it was like putting the bullies in a reverse situation to make them see the full picture, forcing them to realize how small they actually are, and that only the weak and insecure rely on violence to communicate.
I also loved that despite the tear-jerking storylines, the overall atmosphere wasn't gloomy at all. The way they injected comedy into the narrative completely changed the whole vibe... Chapeau to the entire production team!

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相信就會產生奇蹟

改編自同名漫畫，以影視音樂劇的方式改編。講述一個家庭負債的可憐少女，遇到一個能變出種種幻境與魔法的魔術師，魔術師聲稱自己是真的「魔術師」，少女也隨著相處過程逐漸打開心房，卻突然發現有些殺人線索似乎也與他有關，少女還是決定相信他。

該劇的雖有許多魔術，但有許多已經是魔法（非人為技術可達）的地步，因此不能從中挖掘出魔術師這個社會形象本身的深度，也幾乎不能討論魔術本身（但可以拉出關於幻覺與希望能夠帶給人什麼意義）。相對而言，魔術師李乙有些像洪吉童加彼得潘糅合的角色，象徵的是純真與幼稚式的正義。

以音樂劇而言，我發現主要角色李乙（池昌旭飾）與尹雅伊（崔成恩飾）佔了八到九成的份量，相當吃重，相較而言另一條副線羅一等（黃寅燁飾）只唱了兩到三首歌，比重而言相當地弱，即使劇情線耗費將近三分之一的篇幅在敘述他的成長歷程。蠻怪的。

劇情和發展大致還算中規中矩，不是到太突出，不過我倒是真的蠻喜歡討論關於信念、信任，或者「相信就會產生奇蹟」的作品。

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關於緬甸的exotic與架空

該劇改編自同名隨筆，作者沈星星以第一人稱敘述2009年從中國入境金三角及緬北賺錢討生活的見聞，蒐羅奇情異事作為主題記錄下來，比方毒犯割據勢力、野生動物買賣、伐木工、人口買賣、民族武裝等，揭示當地複雜且暴力的生態系統。

劇集向著犯罪懸疑架空的方向發展，也是將原作異域的獵奇感（exotic）發揮地更加極致，同時可以避免觸碰到真實性的限制（比如《孤注一擲》引發柬埔寨、緬甸兩國與中國的外交爭議）。導演老算（牟芯岑）將源於2009年金三角搬到架空的地理「三邊坡」，緬甸成為了勃磨聯邦（Burma音轉？）撣邦成了勃邦，緬甸語成了勃磨語，並被語言學家岩温坎以泰語、傣語為基礎重新創造。國境中多元的民族語言，則透過中國官話、不同方言及虛構的勃磨語來呈現，如粵語、四川話、雲南話（昆明腔、版納腔等，然而加上演員本身的口音操起南腔北調的雲南話被雲南觀眾吐槽）。

原作及該劇皆將緬北、金三角塑造成惡人窩藏之處（不論民族來歷國籍），來這裡的人幾乎沒有好結局，必被同化，否則死去。如app小宇宙的podcast節目「酒神少女」所命名：〈《邊水往事》白沙在涅，與之俱黑〉。並非我要質疑其中生活地方人之態度，然而我確實挺好奇當時在那邊生活的人確實是這麼生活嗎？另外，即使金三角與緬北確實不是宜居之地，然而有必要全然貶斥這片地方嗎？在該集節目主持有兩個女的，一個是廣東人，一個是雲南昆明的。昆明人談到自身上一代教育，學校要教普通話還得找播音員學，但漢化的快，現在他和同鄉的朋友甚至是用普通話聊天，講著講著就說到瑞麗口岸翻山過去就是緬甸，跨越邊境兩個村落彼此通婚，家人不同國籍，經常跨越邊界回去。廣東人打岔說那瑞麗緬甸人不就很多嗎？好恐怖。不是吧，這位大姐，你看劇集和原作，應該知道這裡面的「犯罪份子」中國大陸人居多吧？

原作的主角是個適應能力很快的人，同情心漸漸麻木，道德感不能說沒有，只是很薄弱。放到劇集裡就變成說教式的社會主義好憨狗了，相當地憨。我看著看著就沒來由的氣，更不用說這部劇的收尾實在倉促，且硬是要給個交代（不像原作直接拋在腦後說走就走），反而顯得前面義氣相交，後面像背刺仔。

要說表演，除了吳鎮宇（飾演猜叔），我最喜歡齊溪（飾演劉金翠）、蔣奇明（飾演王安全）。吳將人物做地難以揣度，不知下一步棋，符合此劇基調；齊把方言表演做得生動自然，真的很像身邊會出現的人；蔣刻意製造的粵普口音充分融入其狡詐可憐的性格。

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自我指涉台灣演員圈的生態

劇本用台式溫情的方式，融合很多或幕前幕後的真實故事及影視作品情節，自我指涉台灣演員圈的生態，裡面數個經典的主題，比如女大男小的戀情（前有莒哈絲，後有蕭亞軒）、對年輕後輩的傾羨與嫉妒（想到美恐女巫大集會，甚至想要毀了她）、職場性騷擾、脫星轉型、演藝家庭的齟齬....

其中我覺得最有趣的是第二點，史艾瑪這個角色。他很矛盾，聲音純稚內心不服輸，敢去爭取。起初我以為他是代表「影后」的初心，這些演員如何從素人一步步爬上來，經歷多少的挫折與選擇。後來發現並不是，這其實是編導及諸女星角色害怕的典型，年輕有活力有魅力慾望強且競爭力高的對手，凡是畏懼年紀的，都會畏懼她。因此她背叛朋友、背叛經紀人、背叛男友、背叛新的經紀人、背叛為她背著家庭的男人，她用新世代社群媒體向大牌女星復仇、她僭用自己偶像的化妝品和身份、她攀比每個能使她站更高的人。她自私，她沒有想保護和珍視的他人，她也因此無情亦無義。她是該死的少女。

我並不懷疑真的有這樣的人存在，然而擔當唯一的年輕要角，她其實代表著圈子對年輕女生的惡意揣測，也成為腐爛事物的鏡像，照出他強我弱的社會階級、早就撐不下去的婚姻、隨時都可能風水輪流轉的環境...這個角色，讓我覺得可惡，卻也覺得可憐。

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One of the better non-romance dramas I've watched!!!

I ABSOLUTELY adore the dynamic between the employees of Tengda, it was so fun to watch them interact and go through life together! Despite being colleagues, they felt more like family instead which I loved so much. The premise was so interesting that I immediately downloaded all episodes and watched it, and I would say it lived up to my expectations for the most part. I started this drama because of its premise, stayed for the characters, but almost dropped it due to side plots that I thought took away from the main story.

I LOVED the first half of the drama, but it got too convoluted with all the unnecessary side plots, such as PQ going to work at Sky Fire (what??), and the Sima brothers arc. It became a bit of a drag watching those parts because certain characters were so annoying to watch. Also, the supposed twist at the end felt weak, but I was pretty satisfied with the ending. I do think it was weird that the drama started off in the future talking about the success of Tengda while showing PQ looking weary and sick of everything, but the ending did not touch on that or even relate back to that scene which made me very confused because the ending made it seem like PQ was finally contented with what he had, but the first scene of the drama contradicts that ending? Hm...

Although they hinted at romance between certain characters, they did not develop that storyline much. Surprisingly, I did not mind that because I thought it was better without romance. I felt that romance would have taken away from the story, and that the drama absolutely did not needed that, but I felt that they should not have hinted at it if they were not planning to develop that part of the storyline any further. Felt like an unfinished piece of work.

Either way, it was at the end of the day, still a lighthearted and fun drama that I really enjoyed, so definitely give this drama a watch!

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Watch this for my Alphabet challenge. Let’s discuss drama…

The story is about Kazuki’s family. The story begins following the divorce of Kazuki and his wife, which leaves 15-year-old Kouki living with his father during a crucial transition period in his life.

Struggling with emotional strain and self-doubt after failing his high school entrance exams on his first attempt, Kouki feels adrift. When he finally gets accepted into a high school a year later, Kazuki wants to support his son and make up for lost time.

Together, they make a pact: Kouki promises to attend school every single day without skipping, and Kazuki promises to make him a homemade bento box for lunch every day throughout his three years of high school—totaling 461 school days.

Despite his demanding musician lifestyle, late-night gigs, and lack of initial culinary expertise, Kazuki stays dedicated to his promise. Every morning, he wakes up early to design, cook, and pack creative, balanced meals. As Kouki takes these bentos to school, the colorful lunches attract the curiosity of his classmates, breaking the ice and helping the introverted teenager make lasting friends. Through quiet meals, the daily bento box transforms into an unspoken language of love, reassurance, and steady presence between a father and son navigating growth, independence, and family rebuilding.

That's pretty much the story without giving spoilers.

This heartwarming story about a father who keeps his promise to his son, no matter what his situation is… That promise, the support from father, is sometimes the simplest thing a child needs from their parents…

Although this can be a little bit boring to watch, but this movie is really worth your time to watch it…

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Bestinha

sinceramente, eu esperava mais desse dorama! achei ele muito rápido e muito curto! a atuação estava perfeita e as osts também mas ao decorrer do episódio ele fica bem besta e chato! dropei ele no primeiro ep, não me julguem mas esse não me prendeu! 6.0!￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴￴￴￴ ￴ ￴￴￴￴￴

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Too many tropes and plotholes

Pros:
-The main leads delivered solid performances despite having to work with a weak, messy plot.

Cons:
- The flashbacks add almost nothing to the story and only slow the pacing.
- The show's message about nepotism is bizarre. The company is filled with unqualified family hires, everyone accepts it as normal, and success depends entirely on who you're connected to. It's no surprise the company is struggling. Then the biggest nepotism hire of them all—someone with zero business experience—shows up and saves the day, reinforcing the very problem the story should be criticizing.
- The idea that the entire country has only one person (the male lead) qualified to become Donghe's CTO, and that the company will collapse without him, is completely unbelievable.
The romance relies almost entirely on misunderstandings. One character overhears or sees something out of context, jumps to conclusions, they argue, they make up with a kiss, and then the cycle repeats. It gets repetitive fast and doesn't make for a compelling relationship.
- The secondary couple was easily the weakest part of the drama. The second female lead uses the second male lead until she thinks she has found someone better, dumps him, and chases a wealthy client instead. We then spend multiple episodes watching the poor guy desperately try to win her back. After discovering she's sidepiece number 20, she suddenly decides to return to the second male lead and asks, "How come you never begged me to forgive you?" - - Then, they're back together as if nothing happened.
- Overall, I couldn't find much to redeem this drama. I'd recommend skipping it altogether or only watching it on fast-forward if you're curious.

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