Reviews

Everyone Needed Therapy, Especially the Foxes

📝 Review

(WARNING: Potential Spoilers — I’m Not Saving You from Any Emotional Damage)

This was one of those dramas that immediately grabbed my attention because the premise sounded cool.

Then Lee Dong Wook appeared on screen and suddenly my objectivity left the building.

The story follows Lee Yeon as he continues searching for the reincarnation of the woman he loved centuries ago, and quickly spirals into mythology, ancient grudges, family wounds, supernatural politics, and enough emotional suffering to keep everyone busy for sixteen episodes.

The FL is intelligent, capable, and actively involved in uncovering the mysteries surrounding her own life, while the ML carries centuries of grief and devotion that shape nearly every decision he makes, creating a romance built on fate, memory, and impossible waiting.

The supporting cast and side relationships add humor, heart, and emotional depth, making the world feel much larger than the central romance alone.

These types of dramas tend to rely heavily on their mythology and lore, and this one is no exception.

The folklore elements were some of my favorite parts of the entire show. Every supernatural creature, legend, and mythological reference helped make the world feel rich and lived-in rather than existing solely for plot convenience.

By the middle/end, I was fully invested in both the romance and the family dynamics.

Especially the family dynamics.

Because Kim Bum's Lee Rang spends most of the drama throwing wrenches into everyone's plans while simultaneously making you increasingly concerned for his emotional well-being.

He's not really the main villain.

He's more like a professionally trained troublemaker operating on unresolved trauma and questionable decision-making.

And somehow it works.

The gatekeeper and her husband were also fantastic. Every scene involving them added charm, humor, and a nice break from the constant supernatural disasters unfolding elsewhere.

My brain: invested in Korean mythology.

My emotions: repeatedly manipulated.

My snacks: mysteriously disappearing every episode.

One thing I appreciated was that the series kept moving. It didn't feel padded with endless filler episodes or unnecessary detours. There was always another mystery, another reveal, or another piece of lore waiting around the corner.

In the end, I finished feeling entertained, emotionally satisfied, and slightly concerned about how much I enjoyed watching immortal fox people ruin each other's lives.

And somehow… it worked.

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9/10 Short episodes

9/10 Short episodes
I feel a lot of the story is missing, but it is pretty good. It feels like someone edited out a lot of the content and we've been given a shortened version. Maybe the rest of the show got lost?
Things happen pretty fast or it is time jumping. There are only 10 episodes and I can't find anywhere that there might be more. The last one leaves you hanging without finishing the story. It's not a cliffhanger either. It's a shame because I think the actors are being cheated as well as the audience. ! really would have like the characters to have been built up more. I like the actors that were chosen.

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I’ve already fallen off the cliff. Let me hit bottom and move on.

One reason The Lord of the Rings trilogy remains one of the greatest cinematic achievements of all time is that it was filmed continuously, allowing audiences to stay connected to the same actors who embodied their characters so convincingly. That continuity helped make the story believable and immersive.

Unfortunately, Ever Night Season 2 suffers from the exact opposite problem.
Everything that could go wrong seemed to go wrong. At times, it felt as if I were watching an entirely different production with a different writing team. Having not read the novel, I can only judge what appeared on screen, and the second season felt completely out of sync with the first. While I understood the importance of the Hao Tian Maiden and her role in the story, it often seemed that every other character existed merely to serve a temporary purpose before being discarded. Characters who were carefully developed in Season 1 became little more than sketches on a drawing board.
The pacing didn’t help. The dialogue was often excessively long and painfully dull, leaving me frequently reaching for the fast-forward button. Episodes stretched simple story points into lengthy conversations, while endless flashbacks accompanied by dramatic music became repetitive and exhausting. At times, I felt trapped in a cycle of déjà vu rather than moving forward with the story.
Then there were the casting changes.
Replacing so many actors made it difficult to reconnect with characters I had spent 60 episodes getting to know. The most jarring change was replacing Arthur Chen with Dylan Wang. I understand there were scheduling conflicts, but Ning Que was the heart of the series. Arthur Chen had made the role his own, and despite Dylan Wang’s efforts, the emotional connection was never the same.

The portrayal of Sang Sang was even more problematic for me. Watching Ireine Song appear as the childlike Sang Sang in Season 1 and then seeing her suddenly presented as a grown woman and wife in Season 2 created an uncomfortable disconnect. The transition simply wasn’t convincing. A more mature casting choice might have helped bridge that gap. Instead, the character often appeared emotionally frozen in time. Whether it was the writing, the direction, or the performance itself, Sang Sang spent much of the series looking lost, helpless, or detached. Her emotional range seemed limited to smiling, crying, getting angry, and repeating the cycle. Rather than evolving, she felt trapped by the script, and I found myself feeling sorry for both the character and the actress.

As for the ending, perhaps my disappointment stems from expecting something different. The entire season seemed to suggest that hope, redemption, and light were waiting just beyond the horizon. Instead, characters died, lost limbs, lost their sanity, and suffered one tragedy after another. By the end, I found myself asking: where was the heart that made Season 1 so compelling?
Of all the series I’ve watched, this was one of the most difficult to finish. Watching it felt like running a marathon barefoot—painful, exhausting, and something I endured more out of determination than enjoyment.

The contrast between the two seasons could not be greater. Season 1 soared to incredible heights; Season 2 fell off a cliff. If there are plans for a third season, I’m not sure I want to follow. I’ve already fallen with this story, just let me hit the bottom and move on.

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10/10 ones alive will disappear, dead be evoked....

10/10 ones alive will disappear, dead be evoked....
Official pilot, released a year ago, brewed curiosity about this savory plot despite my doubts upon the cast's emoting ability. I have seen a similar kiss before but, regrettably, can't recollect the details. Believe me, upon watching, the narrative siphons you into it's premise. This one is definitely a more estimable series than those with the same title in the past. Every frame is earnestly conceived with beautiful locations, emotional background score ('Too late' by BOY Somphob), optimum amounts of lamo' and presumable events down the plot. Piano notes for intimate scenes misted an imagery of warm sun rays breaking through a window into a dark room. P'Anurak and his team deserve an applause for those sensuous canvas portraits.
Unexpectedly, I found this ruby polished by Khun Pimphat Chutrakul. Every logue had purpose. Extreme heroism portrayed stole my heart the same. 'Por' shoving bullets into his boss's son, 'Chat' licking the sword, 'Satreejit' wiping
'Chanda's blood off the knife, 'Jao' falling into boar trap and
'Phupha's dead body being dragged to hang, suai mak jing jing. P'Pra has proven the might of his pen once again.

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Healing takes time and it’s about care, patience, love, and support.

PerthSanta really made me understand why they are so loved. The chemistry and acting was just on point from both of them. Santa had a more difficult task as he had to portray practically two characters, but I didn’t feel that Perth was behind him — on the contrary. After all, the one who is closest to Solar is Pobmek, and the dramatic weight that the character carries is big.

The support, care, patience and love that we see among the characters here is very beautiful. It’s exactly what a person who’s suffering with any type of mental health need. I was scared seeing the sinopse but they did the age regression thing respectfully and with a lot of care. The flashbacks from the main lead's pasts was a nice move too. It makes us understand their actions more and it also connects perfectly to the present and gives more depth to their present moments. They felt meaningful and not only random scenes. I love it! I loved the OST too! Very cute.

Despite the praises, I have to say that the characters completely ignoring therapy for Solar bothered me a bit. I know it's fiction but seeing the characters do everything to help Solar get better, do all sorts of crazy things—except taking him to therapy sessions—was a bit hard for me to a certain point. I asked myself “Why are they ignoring that?” but eventually I accepted. There were a few other points that I had to close an eye too like Solar forgiving his father too quickly and the school allowing Pobmek to teach even though he doesn’t have a teaching license and everyone accepting that 😂 but well…fiction I guess.

Overall, Love Your Teacher was a very cute and beautiful serie. I got emotional, I smiled, cried, and loved following the story of love, friendship, and companionship between our main leads. It’s not a perfect BL but I think there’s some good points here that deserves more attention.

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9/10 Bad Guy My Boo

This is an office romance BL series where the main couple being the boss and the secretary. Unlike some series that I've watched, this one don't beat around the bush. It always went straight to the point in every episodes, that's why you won't get bored watching it. Some people are complaining about the toxic behavior of the main lead. But what those people don't get is that there's a cause for everything, including that. If you keep watching from the very first episode to the very end, you'll know the cause of his bad behavior, you'll also witness his transformation, and finally, the satisfying ending. I think it's a really good story with a very good ending. There's even a special episode for BL fans at the end of the series, which is full of sweetness that can give you diabetes just by watching it. The only thing that kinda weird me out is that none of the couples have any relatives. The plot never involved any parents nor siblings, and that's kinda weird. At least in my opinion.

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9/10 To Be Happy Ever After

9/10 To Be Happy Ever After
The plot for this series is simple, yet it was made complicated for some silly reasons. At the beginning, the audience were presented with a conflict which didn't have any explanation yet. As the plot progressed, a series of flash backs unfolded the mysteries one by one. This series relies on these flash backs a lot. I think it's okay to use flash backs as a tool. It's just that you need to make it clear to the audience. Because if it went on for too long, it can get confusing easily. The acting from most actors were good.
There was no unnecessary scenes which gets dragged on just for the sake of fulfilling the quantity of episodes. Which is a good thing, cause that means that this series is not boring. Although it's not as interesting as Bed Friend, it's still good to watch. For fujoshis, this one must be put in your watch list.

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What am I expecting??

The simplicity of this series carries such deep emotions. This is why I fell in love with JBL, and honestly, it's been a while since I last felt this way about one.
I fell in love with it in the first episode, then slowly fell out of love after two or three episodes. But then I stopped and asked myself: What exactly was I expecting from this series?
The characters are literally in their late 30s. So what was I expecting? Fluff? Pick-up lines? Cringey romantic moments?
And that's when I fell in love with it all over again.
This series is not for everyone. As I've mentioned before, this isn't your usual fluffy, student-themed BL. This is real life. There's very little fantasy in it. Instead, it hits hard with themes like midlife crises, the struggle between choosing stability or happiness, the pain of slowly losing people through death, falling apart, and of course, love and marriage—especially as a queer person.
So yeah, it's not for everyone, but I'll definitely recommend it to all of you.
Bye and peace

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6/10 The Last Confusion

This Thai BL series started out very cringey and boring. The jokes they're making were dry and unfunny. I almost didn't want to continue watching, but I did. Cause there's still a chance that the story gets better. And thank goodness that I did, cause the story indeed got better. The first 2 episodes seemed pointless, but they were just the starters. The following episodes brought much better dramas. And although some actors' acting skills weren't spot on, it's still watchable. They spent too much time on the side couples that it seemed like they almost forgot to take care of the main couple. Which had the worst chemistry ever, if you asked me. Ryu seemed uninterested with Arm until the last episode, he suddenly smitten with him. What's up with that?
And Arm also had the weirdest taste in men. He likes cold, mean and much older men?! The plot made Arm called Ryu his senior, when he looked more like an uncle to him. I guess the series suffered from bad directing? I think with a better director and screen writer, this series could've turned out better. They also didn't explain Ryu's past where he lost his fiance in an accident. Which could've helped with the plot. I don't recommend you this one, it's not very good.

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8/10 A Beautiful Love Story Lost in the Shadows of Kowloon Walled City

Sammy's Children's Day is one of the most unique romance dramas of 2026, blending crime, action, and a surprisingly heartfelt love story against the unforgettable backdrop of Hong Kong's Kowloon Walled City. From the very first episode, the series pulls you into its gritty yet strangely nostalgic world, where gang violence and corruption constantly lurk beneath the surface. The cinematography, atmosphere, and production design are exceptional, often making the drama feel more like a beautifully shot Hong Kong crime film than a traditional romance series.
The heart of the show lies in the relationship between Xia Liu Yi and He Chu San. Their dynamic is captivating trom start to finish, with one being impulsive and dangerous while the other remains calm, intelligent, and quietly calculating. The chemistry between the leads feels natural, and both actors deliver performances filled with subtle emotions, making even the smallest moments meaningful.
What impressed me most was how much story, character development, and emotional depth the series managed to fit into only nine episodes. Despite the fast pacing, the romance never feels forced, and the supporting cast adds plenty of charm to the overall experience.
My biggest issue is the ending. While emotionally satisfying in some ways, it leaves several important questions unanswered. We never learn the full truth behind Liu Yi's sister and brother-in-law's deaths, nor do we discover who his brother-in-law truly loved, which seems central to the tragedy. These unresolved mysteries make the finale feel incomplete and somewhat frustrating after becoming so invested in the story.
Even with its flaws, Sammy's Children's Day stands out as a memorable and beautifully crafted drama. Its atmosphere, performances, and unconventional romance are strong enough to outweigh the confusing ending, making it an easy recommendation for anyone looking for something different from the usual romance series.

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It was alright. The ost was pissing me off though, I felt like all the music except that one Yena song felt out of place to the situation it was being placed in. It was also strange how they did not give Boyfriend on Demand that much flack in the end, I thought they would pull a "None of this is real and thats the problem" but they never really did so it was a bit strange. There was also quite a bit gen ai use in the scenes which was ironic considering they're editers for webtoon artists. Overall though it was a rather light hearted drama with some good comedic moments.

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Rude FL ~ the name or this drama should have been "Spring Cooking & Eating".

Wtf. How to invest money and time in such mediocre drama, nothing interesting, sparkle, inspiring. The only thing you can say is lovely is the visuals of the ML and the seaside, the nature.

She, FL, is so rude, a jerk, entitled and act like a toddler... how a masculine man can accept such a toddler girl.
for example.. she is unhappy that she was saved with mouth-to-mouth resuscitation and that she has a boyfriend?!?! how he dare to do that... wtf. ... is she mentally retarded? is this how a woman behaves in korea?

The drama is about cooking and eating?! 90% of time is about cooking. 90% about FL rudeness and the rest about life.

So mediocre and time waste.

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Suspense e aflição

Dei play nesse filme pois vi um vídeo no Instagram e fiquei curiosa.
Fulga da meia noite é um filme de suspense que prende sua atenção do início ao fim. A história acompanha uma jovem surda que acaba cruzando o caminho de um psicopata completamente maluco, e daí pra frente é uma perseguição constante que dá muita aflição.
O que mais me chamou atenção foi o suspense. Em vários momentos eu fiquei pensando: “não entra aí!”, “olha pra trás!”, “corre!”. O filme consegue criar uma tensão muito boa e faz a gente ficar apreensiva junto com a protagonista. E o psicopata? Um verdadeiro doido. Frio, manipulador e daqueles personagens que dão raiva só de aparecer na tela.
Também gostei da protagonista, que mesmo passando por situações extremamente difíceis não desiste de lutar. Isso fez com que eu torcesse ainda mais por ela durante toda a história. Me deu uma aflição tão grande ver essa correr um tempão e o assadinho conseguir pegar ela.
Se você gosta de filmes de suspense com perseguições, tensão e um vilão que faz a gente passar nervoso, Fuga da Meia-Noite vale muito a pena. Não é um filme cheio de grandes reviravoltas, mas entrega muito bem a proposta de manter o espectador preso à tela até o final.

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9/10 Me Likey :]

9/10 Me Likey :]
Overall, I enjoyed this series a pretty fair amount. I will say though, the synopsis doesn't give enough insight as to what the series is actually about. There's actually way more that goes down in the series. I won't spoil it, but be ready for certain things like domestic abuse and grief; which aren't consistently displayed throughout the series, but are big parts of the plot. Normally I skip certain scenes in shows because it's just a long clip of the characters kissing something; do not do that while watching this, you *will* miss an important sentence. Every time I skipped I'd have to go back cause I'd be like "wait what just happened." It's a good series, especially for being Chinese (being they have censorship laws and whatnot) I'm glad it has a happy ending. If you don't watch the after-credits on the final episode you WILL miss this though and it'll be a sad ending.
- MAKE SURE TO STAY FOR THE AFTER CREDITS SCENE ON THE LAST EPISODE!!!

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