Overall it's a nice found-family drama..
Something I appreciate about japanese dramas like this one, is the focus on found family or just family themes.I binged this drama in one night. The music is good and is fitting. The cast is good. Risa's brother was sleezy and looked lifeless at times, it would've been nice to have seen more of Risa's backstory, to explain their sibling relationship more. Her brother will annoy you whenever he's on screen, but I was also thinking that no matter what he is still her brother, I guess maybe she pitied him in the end.
The main focus of this story was on Maria (Kengo's sister). I liked her bittersweet youthful romance with Ryota.
Now, this drama does say it's a romance, so does it live up to it?
The actors playing Kengo and Risa have a good chemistry. I only wish they had had more sweet scenes together. Like the scene where he teaches her to ride a bike. Just more scenes to make me really believe that they are meant for each other. The show ended up focusing more on building their emotional intimacy. The ending is happy. (Their romance felt more realistic and so did this drama in general)
This drama left more to be desired in the romance aspect, but I'm glad we got some scenes of them together.
The doctor character is played by the actor who plays sojiro in hana yori dango, so I just called him sojiro in this drama too haha.
I saw a comment on mydramalist asking if it really matters what her job was, or if it was just a plot device?
The ending was a bit rushed with the one year time skip and all.. jdramas typically are shorter than kdramas with 45 min episodes, for this drama I wouldn't have minded seeing 10 one hour episodes though.
Overall it was pretty good. I just watched it today so I'll let my feelings towards it marinate more.
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Not for me
To much nonsens, slapstick and CEW's acting still has room for improvement and development.Was this review helpful to you?
This review may contain spoilers
Its cute and easy watch
This was an easy watch, centered around healing, moving on, and slowly learning how to let go of the past. The tone stays gentle throughout, never really rushing or forcing emotions, which makes it feel calm and comforting rather than heavy or dramatic.The scenery is genuinely one of the highlight soft, peaceful, and often carrying more emotional weight than some of the dialogue, It really gives the story space to breathe, especially during the quieter moments. The overall atmosphere makes it feel like a slow reset for the characters as well as for the viewer.
The story itself is simple but effective,nothing overly complicated, just small moments that gradually build up the emotional journey
Anna and Deok Hyeon’s relationship is one of the strongest parts of it,the way they slowly support each other through shared meals, diving, swimming, and everyday routines makes their bond feel natural and grounded,It’s not about big declarations, but about quiet presence and consistency.
The lil girl friend character can be a bit annoying at times, especially in certain scenes where she feels a bit too loud or disruptive compared to the calm tone of the story but it’s not enough to really ruin the experience. The ex irked me gladly he got beaten.
Overall, it’s the kind of show you watch when you want something soft, healing, and visually soothing, without too much stress or emotional intensity.
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A sweet little bedtime fairy tale for red-flag lovers
To J-drama, or not to J-drama... that is the question. Whether 'tis nobler in the mind to suffer the slings and arrows of silly plot lines and questionable style choices, or to take arms against a sea of crappy cop-out endings and, by opposing, end them. To perish... to watch no more.Sigh
So okay, we all know that a j-drama is a j-drama is a j-drama, and only rarely does one reach escape velocity and break through into something with crossover international appeal. Is this one of them? Probably not. Yet I still think that if you are a red-flag lover, this is worth at least one watch and possibly a rewatch or two or three.
Why. Well, for starters, this whole drama is a vehicle - a very sexy vehicle - for an up and coming ML actor, Noa. Noa's professional bread-and-butter is singing, and he comes from an idol music background. Which is why it surprised me that his ML debut was such a solid performance. The role itself doesn't really have much range or complexity, it's a good beginner role. But he is very convincing in it. And very very HOT. Plus his stylist did him right, his hair, clothes, makeup all totally on point. Which is such a relief in a j-drama where normally the style note is noticeably off-key. Not this time. In fact, everyone looks fairly good and no serious couture faux-pas were committed. (Although just as a side note, I cannot WAIT for japan to get over it's fixation with those weird triangle-cut bangs on girls that are skimpy and limp and cut directly on the eye-line so that when they blink, their bangs rustle around. Gawd.)
And in fact did you know, that the OST song 'Say Yes' which is a total banger, was performed by none other than the ML himself. It's really good, and it matches the show perfectly.
Cinematography was very good. Of course it was, this is a j-drama. They are masters of cinematography. Was this a masterful work, no. But it was good. Clean, creative, gorgeous.
But what makes this really super-watchable, aside from the HOTTT ML, is the hint of yandere that runs through it. I wouldn't call this story a true yandere. But as the show progresses, you can see the red-flag behaviors coming up over and over again, and sweet bunny-rabbit FL can't see it coming that she's slowly becoming immersed in a red-flag relationship, but we can. Like ML after they've only known eachother a short while, just casually asking to see her phone (which she just gives him!) and installing a location tracker app on it so he can always see where she is. She's like "oh how convenient!"
And so as the show progresses you can feel the possessive ML claustrophobia creep in bit by bit. For people who hate this toxic crap, it's gonna make them uncomfortable. But if you like that dynamic, it's tasty.
Another strength of this show is the very good grasp of human psychology that the writer employs as they weave the plot and dialogue together. We get to see how all the elements come together of low self-esteem, parental upbringing, maladaptive coping mechanisms, the search for acceptance, rejection, stockholming, protectiveness.... that meld together to create believable characters doing believable things, couched in a fairy tale of improbable plot.
The pacing is fabulous. J-dramas often cut straight to the chase, and are very low on 'filler'. This is one of those. So much development is crammed into it that each 30 min ep feels like an hour. Yet your attention span is not challenged by things moving too fast to follow.
Overall this was a very lovely amuse-bouche that makes you want seconds. But just don't expect any *overt* yandere, and don't hold out any hope that the ending will be satisfactory or indeed even make any sense. And you might really like it. Just a delicious sense of claustrophobia that slowly rises and takes over as the ML's possessiveness/obsessiveness becomes more and more intense. Good lord, he is almost inhumanly FINE. Admittedly he needs more acting practice under his belt, but this role suited his strengths so well, and he did a great job. Can't wait to see what Noa does next with his acting career.
Wasn't the greatest thing I've ever watched, but passes the bar for "rewatchable", which for me is anything 8 or above, so...
8/10
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Quite good for a short
This is one of the better shorts out there. I really liked the acting and the story was good too. I watched it as a movie, all episodes pasted together and that made it doable.The visuals were good and the music was ok.
The overall acting was good.
The mains had great chemistry and great kisses.
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The Boy and I Who Will Break Up in 100 Days
3 people found this review helpful
This review may contain spoilers
First impression
So far overall, I really like the concept of this series, it's really interesting and feels kind of new. I really like the start to the series, and I hope it will continue to be good without losing its momentum. I'm excited to see more.Episode 1:
I can tell from what I see that Itsuki is quite distanced and less emotional than Yuma, even when they were still a couple in the little interview they did for the TV; you can tell that. I can't tell if that means that he was less emotionally invested in the relationship or maybe showing his emotions less than Yuma. And maybe that's the reason for their breakup, but all of that is mostly just my speculation.
So far all we can see is happening from the TV show perspective, but I do hope for a little switch where we can see behind the scenes more.
I can really appreciate how this series shows so much about the real struggles all LGBTQ+ folks have to endure and go through. So far this series is really good at portraying that kind of stuff, and I really love seeing that.
As I watch more, I can tell that Itsuki is quite socially awkward, so I think I am wrong about him being less emotional and distanced than Yuma, and it's rather that he just isn't a social person or doesn't like showing his emotions in public.
Initially I thought the whole series was just going to be a jump of POVs from a TV program to behind the scenes and so forth, but I started to realize that it might not be the case.
Right now my new guess is that the first episode is for the TV program as sort of an introduction to our main characters, and the next episodes will be in a more familiar type of format for a BL series.
The description to this series says: "Yuma strives to be the perfect partner, while Itsuki feels suffocated by those expectations." And I've got to say, you can really tell, the more I watch, the more I can see how uncomfortable Itsuki is.
Even though he was still acting quite awkward during an interview even while they were still together, now it's even worse, and you can really see that.
The ending of the first episode, leaving us on a sort of cliffhanger, has made me even more invested and excited for the next episodes.
Episode 2:
We are back to the start of the filming process, but now we are behind the scenes.
Itsuki seems kind of mean. I don't know their reason for the breakup, so maybe he has a reason to be this way towards Yuma. But I don't know, I still don't think it's really okay to be that sort of mean to your ex, especially since you still live with him.
They constantly get into little petty fights. Even the person filming them for the show says that they don't look like a couple, which is true; they are not a couple anymore, but still the animosity is definitely in the air. Mostly from Itsuki, though I don't know which side I'm on and if I even want to take sides, but I don't know if I agree more with Yuma acting for the camera like they are still a couple and there is no problem or with Itsuki throwing little eye rolls and petty things during filming as well as behind the scenes.
They both clearly have their own things they are going through. The problem is that they don't try and fix it in a healthy way.
I love seeing a little cute and silly side of Itsuki.
Episode 3:
The president/CEO always does or says something weird. I do believe that he doesn't mean to be so misogynistic and at times homophobic, but a lot of his actions are exactly that, and it's nothing less than annoying.
Seeing Naomi in such a state is incredibly sad. Postpartum depression is a scary thing, and even though I cannot relate, I can tell that it is really hitting her.
While I love that this series shows so much about the struggles that LGBTQ+ people go through, I also really appreciate that they show the struggles other parts of society go through.
Specifically, I can greatly appreciate how they show what a lot of women go through with Mori Naomi and Kayano Shiho.
They both are female characters that are here to show/represent so much more than just being a female side character. That's why I really love this series so far; it's portraying real-life problems.
Episode 4:
Sleeping with someone in your ex's house where you live for free because you have no job is a ballsy move for sure. I definitely lost a lot of respect for Itsuki. While I understand that they are broken up, there are a lot of other reasons for why he at least shouldn't have brought this guy into Yuma's house.
This moment actually shook me. I genuinely didn't expect something like that to happen.
I mentioned this before, but I can appreciate that they also portray what most women have to go through in this series. Even though it pains me to see Shino get constantly harassed and dismissed due to her just being a woman. Unfortunately, that's just how real life looks to so many other women.
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Quiet in the most comforting way
Such a calm and comforting watch. The drama never tries to be overly dramatic or emotionally loud, it just lets the story unfold gently and naturally, and I think that’s exactly what made it work for me. Through the sea, the diving, and the quiet connections between people, it slowly talks about anxiety, exhaustion, fear of the future, and the need to find a place where you can finally breathe again. The chemistry between the leads felt very natural too, nothing exaggerated, just two people finding comfort and understanding in each other little by little. Overall, it’s the kind of short drama that doesn’t demand too much from you emotionally but still leaves you with a soft and peaceful feeling by the end. Honestly perfect for a relaxing evening.Was this review helpful to you?
We Are All Just Trying completely surprised me!
I went into it expecting a simple, surface-level romantic K-drama about a film writer, but it turned out to be one of the most emotionally layered and character-driven dramas I’ve watched in a long time.The plot itself isn’t overly dramatic or complex, but the characters are what make the series so compelling. Every character feels human, flawed, layered, and emotionally real. Their emotional highs and lows drive the story more than the actual events, which made every interaction feel meaningful.
Hwang Dong-man was such a fascinating protagonist. He’s unpredictable, loud, extroverted, cringey, pitiful, funny, and somehow still incredibly lovable all at once. Meanwhile, Eun Na is much quieter and more introverted, but there’s so much happening beneath the surface. Watching the two of them connect and understand each other so naturally was one of the best parts of the show.
This drama balances comedy and emotional pain so well. It can make you laugh and cry within the same episode without either feeling forced. Every character brought something interesting to the story, and by the end, it felt less like watching fictional people and more like watching real lives unfold.
100/10. Easily one of my favorite K-dramas of 2026 and absolutely a drama I would rewatch.
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The Extra Episode Changed Everything
I’m honestly so happy I found out about the extra episode because the official ending completely pissed me off at first. Even though the drama was such a beautiful journey from beginning to end, that traumatic ending really would’ve ruined the mood for me and probably made this a one-time watch only.After getting so emotionally attached to He Simu and Duan Xu, seeing everything end in such a painful way felt unfair, especially after all the growth, emotions, and beautiful moments they shared together. Their relationship felt so genuine and emotional that I just wanted proper closure for them.
Thankfully, the extra episode completely changed my feelings about the drama. It gave back the warmth and happiness that was missing from the official ending and finally made the whole journey feel complete. Now instead of remembering only the pain, I can remember how beautiful He Simu and Duan Xu’s story truly was.
Their chemistry, emotional connection, and the way they slowly became each other’s comfort made them one of the most memorable couples I’ve watched in a long time. I’m genuinely going to miss seeing them on screen together. 🥹♥️
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One of the best drama on my list, It's make me cry so many time
I like all the actor, especially Tian Jia Rui. Every scene of jiling cry, iy's get very emotion. I know so many viewers say that this drama is not really good they only rally on the Visual and the story is very confusing. But in my opinion what do you expected, it's a story of a fox (where they know to be very charming and alluring) and it's true that the story kinda confusing but if you REALLY watch it than it will make sense. Just give this drama a change, no need to spread hate. If you don't like it then don't watch it.Was this review helpful to you?
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Not the best, not the worst
The setting was what drew me in, i'll always love the seaside small village stories and this one was no different. Story was okayish, MLs story was bit over dramatic probably to play up the tension in the short episode count, FLs story was pretty much the same as every other story like this, ie. need to get away from everything. Nothing groundbreaking and it doesn't have to be, it works just fine and i enjoyed the story for what it was.Visually this surprised me the most, this has great visuals which are usually absent in short dramas due to lower budgets. You could've told me that it was full drama on this aspect and i would've believed you.
Acting all over the board was kinda meh, but that's expected in short dramas at this point. Sometimes it feels like actors are just here for pay check and here is no different expect the village singer girl was the worst actor i've seen, she was pretty jarring. So acting left a lot to be desired.
Whole skin tone speak left me kinda disappointed how it is still a thing in 2026, FL is kinda racist, lol
Ending was meh, good conclusion for our characters but bit silly how we got to it. The ''villain'' of this drama was bit laughable.
Conclusion
Decent short drama, if you like the setting this isn't the worst 3 hours of your life but you aren't missing anything by skipping this though acting might be bit tough if you aren't use to short dramas, visually great. I'll give it 5/10.
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Alright Medical Drama
Overalll nice drama about the medical doctors in the Oby ward. The writing could have been better. Spoiler ahead... I did skip through some parts because I was better vested into the main character and some of the other characters. I just wish that Dr Oh fought back a bit more against Dr. Myung a bit more. The things Dr. Myung got away with would definetly lead to some seriour reprimands and the last lasce with thepregrant woman making her do a VD instead of a C section almost put the patient at risk and then blaming Dr. Oh. I think Dr. Oh should have reported Dr. Myung on more than one occasions. Stealing someone elses work ...This is my main gripe with this whole series there are some doctors and interns that do the stupidest things makes you wornder how they passed medical school as there is some sort of pratice before hand. I would not want those interns working at the hospital or want them to treat me. Some of the intern mistakses were sheer idoicy! Not having sensitivity arouind the patients and saying things will hurt or you are going to feel pain when I take your blood... some of the interns pissed me off.
There is character growth so that is a big plus. It could have done with a few more episode or definetly a season 2, which I would watch to see where the characters end up. If you like medical dramas watch it it is good from that prespective. Would I watch it again not really as I don't watch show twice unless I realy really loved the show.
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Azure spring
Well I feel that my opinion will be unpopular, cause I did not like it very much. To be honest I think that this drama should be a movie, 1,5 an hours and that would be enough to tell this story. Also, maybe it was a mistake to watch it when I am also watching Gold Land.I do not think that there are any spoilers, but I will still add: be aware that they can be some minor spoilers.
Yes, it is calm, peaceful and type of healing drama, in this aspect it is done alright but writing was completely off. Characters - especially girls (& and ex boyfriend, but he does not matter much) - were hard to like. Acting was not the best - I will write a little more later. It was also super annoying that the animated the cats, I do not have a problem with animated animals, all could be that way, even the ones in the water, but cats looked ridiculous - there were moments when they were real and the moments when they animated some not necessary facial expressions or crazy big eyes.....I really do not understand what was the point.
Ye Ri - her character was either acting stupid/rude (like really stealing food from fridge??!!) or trying to be too cute. I hardly believe that all acting problems were because of the director or script since I know that this girl can act. My second problem is with her agency, you really want me to believe that a famous idol can not get a bigger roles in bigger dramas? She changed company recently so maybe it will start working better.
Kang Sang Jun - looks like a mix of Ju Ji Hoon and Seo In Guk (and there were moments when he have similar type of acting - I hardly believe that it was intentional), sama as with Ye Ri I think that when he was acting "stiff" were either because of script or director.
Chemistry between characters was cute, I can give this one as something done really well.
I do not know if I would recommend, but since it is short and in the end many people love it I can sum up with: you need to check yourself.
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When Justice Expires , Only Truth Remains
The series is highly praised for prioritizing the devastating emotional trauma of the victims' families over the shock value of the murders.Viewers heavily compare the atmosphere to the classic thriller Memories of Murder, capturing a gritty, nostalgic era across a 33-year timeline.
Park Hae-soo delivers a powerhouse performance as detective Tae-joo, perfectly portraying a broken man consumed by decades of guilt.
The pacing is consistently tight, building immense tension by exposing corrupt police cover-ups and flawed forensic blunders step-by-step.
The plot takes a dark turn when it is revealed that Tae-joo’s own sister and his partner Cha Si-young hid critical case details.
Audiences were deeply riled up by prosecutor Cha Si-young's extreme, borderline-monstrous depravity to save his own political career.
The ultimate mystery shifts from identifying the killer to unmasking how many lives were ruined by systemic failures.
The finale left many fans frustrated yet deeply moved, as the actual perpetrators escape legal punishment due to the statute of limitations.
Despite the lack of legal justice, the ending brings a bittersweet sense of closure as a weary Tae-joo finally finds personal peace.
Overall, it is a masterclass in slow-burn suspense that trades basic jump-scares for a profound, haunting look at human guilt.
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Strong Start, Repetitive Middle, Lost Identity by the End”
I think “Now, We Are Breaking Up” started with a genuinely strong premise and emotional conflict. The idea of a man falling in love with the woman once loved by his deceased brother was complicated, painful, and emotionally layered. Even if the relationship between the woman and the brother lasted only two months, it was still a passionate relationship, and the emotional consequences felt believable at first.The drama was strongest in its early episodes. The chemistry between the leads was intense, especially in quieter romantic scenes. The directing, fashion world setting, cinematography, and physical tension between the characters created a mature atmosphere rarely seen in many K-dramas.
However, around the middle of the series, the writing started losing direction. The story became repetitive, with the characters emotionally trapped in the exact same cycle: “We should break up,” “breaking up is love,” “love does not end with separation,” repeated over and over without meaningful development. The drama confused emotional depth with repetition.
I am not against slow-paced dramas or philosophical stories. I actually enjoy quiet and emotionally reflective narratives when they are supported by strong dialogue and character progression. But this drama eventually felt emotionally stagnant. The problem was not the slowness — it was the lack of movement.
The writer seemed to approach the script almost like a novel, where repeated emotions and inner reflections can work because prose allows psychological depth and narration. But television drama needs progression through action, evolving dialogue, and visible transformation. Here, many conversations — especially from the female lead — began sounding recycled rather than emotionally evolving.
The drama also tried to connect fashion, clothing design, love, and life philosophically. That could have been beautiful if the story itself had more depth and stronger progression, but the execution weakened the impact.
Unfortunately, most of the side stories felt cliché. Even the subplot involving the friend with cancer gradually lost its emotional power because of unnecessary stretching and repetitive emotional beats.
By the final episodes, the drama had lost its identity. It became a story about people who loved each other, separated, and endlessly repeated poetic lines about love and separation without real emotional escalation. I rarely get bored with slow dramas, but after episode 12, I genuinely struggled to continue. I finished the last two episodes mostly by skipping scenes simply because I wanted to complete a drama I had already invested time in.
The acting remained one of the stronger aspects. Song Hye-kyo and Jang Ki-yong both gave emotionally restrained performances, and I still think Song Hye-kyo especially conveyed emotional helplessness very well through subtle facial expressions, body language, and quiet emotional breakdowns. However, toward the end, even the actors started feeling emotionally exhausted by the repetitive script, as if they were simply reciting dialogue rather than living through evolving emotions.
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