Reviews

good drama, good story~

This drama is very interesting! not like someone said in the review up there! they hate jujingyi, in my opinion, they want to bring this drama down.. even though this drama is very good, starting from the plot, story, scenery, and the acting of the actors/artists, it is also enough to make me comfortable, not too much, to be honest, I compared it with version 6.. I tried watching it but it didn't work. I can stand the FL Sf6 woman's voice like a child and the plot also I like SF4 better so I stopped even though I quite like the ML in SF6 but I like this drama better. Chenzheyuan and Jujingyi have chemistry which is quite cute + romantic, not too much of a CP impression, maybe It depends on taste but this drama is the best :)

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Feel Good, Inspirational Sports Story

This was a fun watch. I really enjoyed the main couple (played by Zhang Xin-Cheng and Janice Wu) and the second couple (played by Qin Tian Yu and He Xuan-Lin). The writers invested the characters with interesting and non-vanilla personalities.

My main point is don't expect something really different or with too big an emotional impact, but just watch it to enjoy the story.

The Good Stuff
- Pleasant story and fun characters
- One of the story’s goals was to be inspirational
- Trauma, but not too heavy IMHO

The Sub-Optimal Stuff
- A bit too long. At the end I was kind of glad it was wrapped up
- Some uncharacteristic choices by the characters, such as a pointless lack of communication leading to a break up. I think what the FL did was wrong (if understandable) and this was never acknowledged.
- End was a nice wrap-up but… a tad weak - like I’ve seen in a lot of dramas recently. I don’t get it. We need a bit more of a splash for an ending!

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A must watch drama!!!

wow from those dramas that remain engraved in the memory, although slow, but at the same time so requested for the type of unconventional plot, it has the power of silence. Perfect casting and acting of actors, from adults to children. Aspire to the actors who learned sign language and to the main actor Jung Woo-Sung, who I suppose is not easy to be silent throughout the plot and in such a professional way to convey messages with looks. A drama that conveys a message of the power of love and the ability to overcome disability.
A beautiful and perfect soundtrack
Great drama and recommended

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Great love story but everything else is too much of a mess . . .

The romance here is great. Forbidden love through lifetimes, epic protectiveness, jealousy and misunderstandings. The acting also rises above - to no surprise. I'm a big fan of 3 of the main actors Zhao Lu Si, I've followed since 'The Romance of Tiger and Rose', Wang An Yu starred in one of my favorite modern romances 'Falling Into You' and I thought Li Yun Ri stole the show in 'Love Like the Galaxy. '

Why then drop? The plot is a mess with too much screen time spent on petty villains and lots of wasted time with our main characters not sharing screen time. The CGI, production and costumes are all lacklustre.

As time went on, I started not just distractedly watching, but actively skipping to scenes with the three main actors mentioned above. Once I realised I was skipping 50% of each episode I decided it was time to stop.

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THE FADING OF THE DAY INTO TWILIGHT IS NOT THE END, BUT THE BEGINNING OF LIFE AND LOVE

'Last Twilight' is a coming-of-age story of self-discovery that will surprise and excite you through the two young protagonists, played by Jitaraphol Potiwihok (Jimmy) as Mork, and Tawinan Anukoolprasert (Sea) as Day, whom we have already seen leading the cast artistic of “Viceversa” and “Our Skyy 2”. With this, their third leading role, the young actors seek to consolidate themselves as a ship within GMM25.
Written and directed by Noppharnach Chaiwimol (Aof), renowned director, screenwriter, producer and actor who has dramas such as 'My School Presidente' and 'Moonlight Chicken', both from 2023, among others, presents us with a story that not only seeks to make LGBTQ+ people visible, but also seeks to represent blind and visually impaired people, as well as the reintegration of the individual into society after spending time in prison.
Has Aof realized the dramatic potential of blindness and visual impairment to bring us a story on the subject? The social image of blind people has gone through different phases and, to a certain extent, has overcome the usual negative and stereotypical attitudes. Television is also responsible for the perceived public image of disability. Therefore, the representation of blind people in television programs contributes to the general perception that society has of this group.
Will it be Day's destiny to inspire pity, compassion and marginalization? Will the story focus on his struggle to overcome his limitations? Will the series revolve around the facet of his rehabilitation from a hopeful perspective? Is it intended to offer the image of a person who rehabilitates himself and lives a life that tries to get closer to the most normal that his circumstances allow? Will a story prevail in which the blind character seeks social integration? How to make a story with these characteristics, when in current filmography it is rare to see the person with a disability like any other person? Isn't it due to the fact that audiovisual productions show disability as a medical issue rather than from a social perspective? How to succeed in the process?
Aof has drawn on the changes produced in the way visual disability is represented in film and television. He also knows how society has evolved in its understanding of disability.
Taking all of the above into account, it would be appropriate to ask ourselves: to what extent does the series portray a blind character from a positive perspective? To what extent does it represent, and therefore promote, the progressive inclusion of visually impaired people in society? Is one of the purposes of 'Last Twilight' to contribute to enhancing the general perception that society has of disability? Does Day have a fully developed personality or is her character fundamentally defined by her disability? Does the series reflect Day's character as a unique and distinctive personality or is his disability the main focus of the plot? Is Day's personality unique because his character expresses the desire for independence and not wanting to be pitied?
What is Day's level of inclusion in the community? (considering that this includes areas such as inclusive education, employment, residential environment, community participation, recreation and social activities). What are Day's interpersonal relationships like with the people around him? Will your character move away from the stereotypes with which the visually impaired have been reflected in film and television?
TECHNICAL-ARTISTIC ASSESSMENT
Aof makes a triumphant return behind the cameras to create an entertaining product that had a sufficient dose of credibility in its cast for this plot to revolve between cold and warmth, between detachment and tenderness, suffering and illusion, discouragement. and optimism, darkness and light, although the viewer can, at times, decipher the story for themselves, including the final twist. I don't even doubt that this is one of the reasons why 'Last Twilight' is watchable and enjoyable. It is in its own way dreamy, in its own way hopeful, thanks to Jimmy and Sea's chemistry and the questions it seeks to answer.
With a pair of irresistible protagonists and a straightforward love-overcomes-adversity story, 'Last Twilight' hits the spot for the BL fan market. Others will also be able to enjoy it. Aof tries to fight for the desire that his work show a universal feeling, that knows no genres, and is close to anyone.
Although present, sex is not the mainstay of the relationship. Instead, Aof highlights looks, words, silences, gestures as a connection of feelings. In this sense, the series moves away from a common cliché in gay-themed cinema, which rarely seems concerned with delving into the emotions of its characters from a perspective that does not necessarily imply an immediate sexual attraction.
Without superficialities or exaggerated fuss, 'Last Twilight' tells a romance without causing discomfort and trying to find a universality that brings it closer to a majority audience. The series will touch the hearts of many people because it comes with a suggestive and different narrative when we talk about love stories and gender issues.
The mixture of captivating fiery and total trust between the two men is represented in the photograph, totally serene and at the same time always active, but very subjective.
There is no doubt: the public is faced with an irrefutable fairy tale that can win many followers due to the lyrical way of capturing the concerns of youth. Its episodic rhythm allows us to easily access this story about identity and sacrifices, about breakups and reunions, about pain and hopes.
The series cleverly emphasizes the sensual aspects of a coming-of-age story. Strokes of humor, tearfulness, self-improvement, sacrifice and fantasy give a welcome texture to the softness of the romantic novel. Audiovisual in general works despite its formulaic layout and loose ends.
This ambitious series, well shot, without shame, manages to maintain the charm of a plot made to please lovers of the genre. Premiered on November 10, 2023, the entertainment production company is committed to continuing to be a pioneer and leader in the creation of BL series, both originals and adaptations, with 'Last Twilight'.
Also in its good work with the cast, in addition to the aforementioned leading actors, Aof has other well-known faces in the company, such as Tipnaree Weerawatnodom (Namtan), as Phojai, Mohk's ex-girlfriend and friend; Pakin Kunaanuwit (Mark), as Nigh, Day's brother; Premsinee Ratanasopa (Cream), as Ramon, Day's mother; Thipakorn Thitathan (Ohm), as August, Day's sports partner and first love interest; Rachanun Mahawan (Film), as Gee, Day's friend and badminton partner, Kunchanuj Kengkarnka (Kun), as On, Day's friend and also a blind person, among others.
The series follows the love story of a young athlete who has lost his sight after suffering a traffic accident, and his caregiver. When Mhok, burdened by debt, agrees to be the caretaker of a blind boy named Day, they will both know true love. The two characters maintain a complex relationship, since each one is tied to a problematic reality.
The protagonists of this youth drama that promises and at times declines with a predictable course of events, brim with charisma. The story, which could have been told better, has plenty of heart. I would criticize him for saying that he is rich and he is poor, because to political correctness it would seem like just another melodrama.
Not exempt from melodramatic clichés, the program is original. Its director avoids the pitfalls of the typical audiovisual production of homosexual initiation, and presents us with a beautiful and tender story that will inevitably make you fall in love. Mohk and Day's relationship demonstrates that many people in the LGBT+ community are united by their sexuality, but they are also united by love, and it is a love that they have fought for and won.
Playing on the series' title and the name of one of its two protagonists, contrary to the fading of day into twilight, the effervescent nature of young love is deftly captured in 'Last Twilight'.

PLOT
Day, a player on the Thai national youth badminton team, has begun to lose his sight after suffering a traffic accident. Faced with the impossibility of having a normal life, he accepts Mohk as his caregiver because he senses that Mohk does not feel sorry for him. As the young people begin to get to know each other and get closer, Day will know that in approximately 180 days he will lose his vision completely.
Day considers that his disability represents a burden on his family and society, as he is unable to take care of himself. Hence the need to have care personnel and supervision by a psychic. He believes himself incapable of living a successful life. That is why he permanently abandons his studies and sports, and withdraws from his friends, from whom he hides his blindness.
Day has been rejecting all of his previous caregivers, because he does not want a person by his side who treats him like a sick person and feels sorry for him. After losing much of his vision and thus his autonomy, Day begins to treat everyone with disdain and turns his warm and kind personality into a colder and more distant one. He practically lives locked in his room and maintains contact only with his mother, on whom he is very dependent, his brother and his friend On. He blames Night for the tragedy he experiences. He will meet his father, as he divorced his mother when Day was still a child and was raised without his father's presence.
“I don't know what he looks like, all I know is that Mohk is the only one who doesn't feel sorry for me. “It doesn't make me feel like a disabled person,” says the character played by Sea to those close to him, while Mohk reads him the novel that gives the series its title and they strengthen ties.
That's why Day opts for the mechanic who was involved in a fight and just got out of jail after serving a one-year sentence for a misdemeanor. He will hide the fact that he has a criminal record and that is why he cannot find work in his profession.
Mohk will understand the challenges that a blind person faces.
This is how Mohk will initially become Day's mentor, guide and protector. He understands, like no other person around him, his need to relate to the physical and social world. It teaches you techniques to orient yourself and move in space, as well as to acquire habits of personal autonomy. His primary priority is for Day to know and accept his visual situation. For this, communication and complicity between the two is vital. He judges that Day needs empathy from his peers, above all.
His eyes are going to be Day's eyes. Your voice gives you confidence. Mohk will be in charge of creating soundscapes that will allow Day to imagine the world around him. Their hands, intertwined or attached to the rope as they run, create an imperceptible route that Day automatically makes his own.
Mohk is the first to discover that he is in love, but he keeps his love a secret. Some of the reasons why Day may feel insecure about himself will be the same reasons why Mohk begins to love him.
This relationship will be tested when August, Day's friend, reappears and enters his life once again. The dormant feelings are reborn and Day will confess to Mohk that he has had feelings for his sports partner for a long time. Initially, the caretaker will help Day chase August, but August will end up recognizing that he sees Day as just a friend.
That's when Mohk will confess his love, but Day is still heartbroken. It needs time to heal. The bonds between the two protagonists will continue to strengthen as one cares and the other grows as a person, until Day finally opens up to love. Physical attraction will soon turn into a deeper emotional bond.
From two different worlds, although, at first glance, they do not seem to be the most suitable person for each other, little by little they will get along until they forge a friendship as solid as it is unexpected. This will give way to an unusual love relationship that makes sparks fly and light up the night.
Mohk would become to Day the same as the rose to Antoine de Saint-Exupéry's little prince: although it resembles the other roses in every way, his rose is unique because he has chosen it. And like the fox in that novel, it will allow itself to be “tamed” by its caretaker. Mohk will take responsibility for what he has tamed, while Day will take responsibility for his rose. The strategy used will be the same one proposed by the fox. They will sit on the floor at first a little far from each other. They will look at each other out of the corner of their eyes and say nothing. But every day they will be able to sit a little closer...
By domesticating it, then, they need each other. Mohk will be unique to Day, while Day will be unique in the world to Mohk. This is how Day will come to understand that happiness must be understood as a reward and not as an end. As the main character in 'The Little Prince', Day will understand that no one is ever happy where they are.
Mohk will be someone capable of taking care of everyone, not just Day. She recovers her sister's car, her only legacy when she died, and defends Pohjai from her abusive boyfriend and gives her shelter in her house. He will take care of her unborn child. Meanwhile, he will find work as a chef to prove that he can protect Day. Pohjai will become an accomplice in the passion shared by these two boys.
For Mohk there will only be one situation in which he feels unable to help his lover: he cannot save Day from completely losing her vision. Day will compensate, if it can be said that way, for his dedication and love, choosing his face as the last thing he sees before being totally blind. Mohk will cry out of rage and helplessness at not being able to help him under these circumstances. However, their destinies will be inextricably linked forever.
The trite phrase “love at first sight” has no place in the relationship between the mechanic turned caregiver and the blind athlete. In matters of love, the first has more experiences, while the second is a self-conscious person because, on the one hand, he has never been able to see the face of the boy he loves, and on the other, this is his first love experience, which he would have to add that the same is with a man.
The two characters are totally different, but that won't stop them from loving each other. In addition to the differences in social classes, one of them is still suffering from disappointment in love, while the other, a heterosexual boy who is very popular with women, is not happy because he has not been able to find the right person. They both need to regain the strength of love.
As they find love in each other, Day also gains independence, gaining self-confidence. That pathetic and pitiful person who believed that because of his disability he would be incapable of living a successful life, ceases to exist. In other words, stop being your own worst enemy. Smile again. Little by little, his bitterness will give way to joy and the desire to see all the sunrises.
But Day will face a dilemma: would he allow a beloved, free-spirited person like Mohk to end up tied to a disabled person? Was I being selfish? Wouldn't the right thing be to let him go so he can live his life without a burden like he is? “You want to push me aside even knowing that I love you. Grab your dreams and live them with me. Don't let them survive us,” is the message from Mohk, who sadly sees how the boy he loves abandons him. Will they travel different paths? Will the same love separate them? Will Day understand the meaning of the phrase “What is essential is invisible to the eye,” said by the fox to the little prince?

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Great to begin with, poor ending

I don't usually write reviews, but I felt compelled to write this.

The story begins strong with an interesting idea of a psychometric who can see people's and animal's memories by touching their butts. It's funny and quirky and I liked the idea that the main character develops a relationship with the second male lead instead of main lead for a change.

Towards the final episodes, things change drastically - the second male lead dies, killed by the serial killer.

Bong Ye-bun is rightfully angry at Moon Jang-yeol for suspecting Kim Sun-woo as the killer, yet doesn't feel so traumatised a little while later. When her grandfather is murdered by the serial killer too, again, such a traumatic and horrible event yet Ye-bun doesn't show that much of an emotional reaction.

When the serial killer is found out to be the shaman and Ye-bun challenges him, then sees the memories by touching him and then her final chase with Jang-yeol at the end, they are all cracking jokes and Ye-bun appears to be childishly mocking the shaman as he runs away and gets captured.

Honestly this moment ruined everything - Not only did I hate the fact that Sun-woo got killed (to be fair he was the best character in this series, he was kind, had a strong sense of justice, and despite the fact they tried hard to make him feel and say things that make him sound like the killer, we as an audience were on Ye-bun's side throughout the story as she always stayed by his side.
It annoyed me sooo much tha Jang-yeol would just assume things about Sun-woo and stop Ye-bun from being around him.
If you like her why not tell her? But nah, he pretends he doesn't care about her for a long time. I guess that's what makes it part of the comedic part of the show, but it really annoyed me.

Also, it made sense for Sun-woo not to say anything about the shaman as he would feel not only in danger but if he showed the knife to the police it would have just added to the suspicion even more!

The entire arc of shaman being a serial killer, murdering several people including Ye-bun's grandfather and love Sun-woo seems to disappear instantly as Ye-bun constantly acts like a child (she is a 30 year old for goodness sake, and she has seen SOME STUFF. LIKE, SOME REALLY, DARK STUFF.

She literally lost her lover, her grandfather, and let's not forget that her MOTHER was killed by the National Assembly of Mujin City and WRITTEN OFF AS A SUICIDE?

She literally watched Sun-woo die (as she ran to the scene and through shaman's memories) and as I said already, her grandfather died, and she was also in danger. She never got to know her grandfather's parkinsons disease problem, and did not realise that her grandfather was trying to help her. She lived her whole life aliented from him in a sense, being ignored
Heck, she should be traumatised, AND ACT LIKE IT! Not go up to the serial killer and say stuff like , "omg im gonna catch you now, whacha gonna do?"

Then proceeds to go back to her job as a vet, happily ever after, and gives off the idea that she likes Jang-yeol now.

The show seemed to lack real emotion at the end, so I wouldn't recommend watching it, as sadly the end ruined all the good moments it had in the beginnign stages.

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Great cast, good acting, interesting theme, good camera work

I really enjoyed this series, so I'm surprised at the negative reviews. I liked it enough to watch some behind the scenes videos that showed how the actors worked to perfect each scene. Dialog and movements were much more ad-libbed and less scripted than I imagined, and I was impressed how they improved from the first run-thoughs.. The weather theme and some poetry enters each episode and is thoughtful. The cast commented that they knew nothing about weather forecasting and had to learn a lot just to carry the scenes. The sound tracks were enjoyable for the most part. ( A song toward the end was a little over the top ) . Camera work, color grading, and editing were also well done.

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Cute but bland story

Usually I like Thaiwanees Bl:s, but unfortunately this one left me quite unaffected. The story is cute, but for me not very engaging. I usually like stories that involves food, but I did not become hungry even once.

The acting is good, and the chemestry sweet, if not passionate. They do the best they can with a skript that is so, so.

I feel that nothing really happens. The writer try to get some tension in to the story, but for me it doesen't feel real.

Bing it if you have nothing else you want to watch, but if your short of time you can skipp it.

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Following your fate blindly or having a bit of courage to challenge your fate, which do you prefer!?

What is it that you actually want to happen in life if you had the choice to choose from:
1. Allow your life to unfold naturally; fall in love with the person who is entwined with you by a crimson thread of fate; and accept the outcome that fate has planned, happy or tragic.
Or,
2. Even if you are aware of your fate and the one that awaits you, muster some bravery and fight against it in order to have a happy ending and spend time with your loved one—not the one that is predestined.


Now, if I talk about this drama, what I actually enjoyed is:
1. The best female character written in kdrama history.
FL, Oh Baek Ryun knew from the get-go whom she liked, what she wanted from him,who was interested in her at the same time,how to make someone fall for you, how to handle third-party interest without playing with their emotions,how to sacrifice for your soulmate,how to fight against your destiny, and lastly, how to wait, praying for your one and only loved one.
I know it's super rare to find someone like her as your partner, but if you find one, you should thank your luck for meeting her.
2. ML, Chun Sang Hyuk. When I first started watching, it seemed like he was constantly falling for different ladies in different decades, all of which ended horribly. He was even warned against falling for any woman, but if he does, it'll end in tragedy. So I was actually worried about how the current timeline would end up. But after knowing that he had unknowingly fallen for the same soul in different decades,I had no choice but to admire his character wholeheartedly.
Although he was reluctant to openly date anyone after his first tragedy occurred, when he came to know that FL was actually the girl from back then, he let go of all other warnings, etc., and finally started to follow his heart to pursue his hidden feelings.
He also fought against his destiny, remained heartbroken for decades with a huge guilt in his heart, fought again against his destiny after learning the truth behind all of the tragedies,died as a fairy, and got reincarnated as a human to live the life he wanted with his loved one.
3. Chun Dong Chil, aka A Bad Day to Be a Dog. He practically carried most of the story as a major supporting character.
I'm not going to say much about him here; you should watch to find out more.

Now let's talk about what I actually hated:
1. Chun Dong Koo, aka the dumbest irritating fairy amongst the four. A man with a personality like his is a menace to society. His story is only here as a filler. If we can cut his subplot, I guess it'll easily be a super exciting 12-episode drama.
I just find it a shame that after spending so much time on him, the script writer wrote that horrendous ending for him, which makes no sense to me, like, WTF! Why spend so much screen time on him if you already have that shitty ending for him?
3. Seo Jae Hee, the most self-narcissistic delusional freak I've ever seen. He's the second-most pathetic SML I've seen in recent times! A man thinking of him makes my blood boil.
I never liked his character for my own specific reasons, which I shouldn't put here in words.
This feeling only cooled down almost at the end of the drama when he slowly started to let go of his obsession over FL after learning the truth from his past life, which can't completely wash away the fact that I was frustrated with him in the past episode, so kindly bear with me.
3. Chun Dong Pal, Lmao, he's a filler. That's it.
There are also other little but point-worthy things that I liked and disliked in this drama, but I can't include them in this list as it is most likely already very long.
Overall, I believe I will remember this story for a very long time, which makes it well worth my time. If I consider the re-watchability of this drama, I believe once a year is sufficient to reminisce about the leads' fascinating chemistry.

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Lonely hearts

Present Perfect, the feature movie which was based on this short film, was my first thai movie and I liked it very much but I never saw the original before. It is different as it takes place in Thailand and not Japan like the feature. But the core story is the same.

Two men meet in the middle of nowhere. One is escaping a broken heart, and the other is trying to muster up the courage to get married. The first one is openly gay, the second one is still hiding in closet, or at least his gay side! They become friends and then more while healing and growing.

The opening credits have Bangkok University logo so if I remember correctly this is a student movie. And for a student movie it is beautifully made: the production values are high is spite of limited budged. The cinematography is stunning, the sets are beautiful (those little houses have amazing architecture), editing smooth and the music correct. The actors seem inexperienced but they pulled it off nicely in spite of minimal chemistry. There are no explicit scenes, everything is in the glances and gestures: the hottes scene we got is a chaste hug but it is fairly obvious what happened. This only proves the fact that good writing does not need in-your-face NC scenes to make a story about love. Nevertheless, the story draws the audience in and we wish to see more of these characters. Which we got in two feature films, I recommend you watch!

The cast
Oat - Supaponpong Jarin
Toey - Tarathon Noylean
May - Nanthawon Sriwisanpob (the resort owner)
Faii - Suyanee Jaemmankang (Oat's fiancée)

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casting director & stylists saved the day

the story was compelling in the beginning, and i was OBSESSED initially. but then....oh well.

the leads being a stunning couple was the e
best part of the show. (I'm sorry, but my bro song kang still can NAWT act very well? he's better in non romance dramas imo.) regardless, him and KYJ had amazing chemistry imo, aside from some of the v cringy lines the writer included for whatever reason, the two's chemistry carried the whole show. i started watching the drama for kim yoojung, and she did NOT disappoint. she somehow looked even prettier thanks to the amazing stylists. same to song kang, who i actually never realized was so handsome but damn the stylists really went tf off in this drama.

unfortunately, this and the great osts+visual effects are the only good parts. the story went downhill every episode tbh. gah damn the writing was so ass, and clearly with a LOT of borrowed elements from other dramas like Goblin?

they did not have to do sm to hide who the villain was at first to just grand reveal it to be the most obvious villainy dude? no seokmin was the big bad guy? really? people literally overlooked him and thought it would be someone else as hr was such an obvious choice that no one would've ever been surprised...but damn. like um, yay for the lack of creativity?

what was the point of the first creepy assassin dude hired to
go after dohee? could've just shown no do-gyeong in disguise
(masked like the SGBS villain maybe?) carrying out no seok-min's tasks. it would have made do-gyeong's character more impactful. or hell, even seokhoon being evil like everyone else was guessing would've been better than the introduction of a completely new character who dies out randomly and has no other part.

wish the side characters like perilla leaf gang and the secretaries had more useful roles. tho the gang stuff was actually pretty funny at first, it could be better. the secretary romance could've been MUCH more as ms shin had past trauma about relationships, so it could have been very emotionally impactful if her relationship with bokgyu actually developed in a better way. But naw. it was just cringy.

i liked what they did with star jin at the end, the angel arc, but kinda wish that was dohee ngl. if star jin's character was completely removed from the show, it actually wouldn't change anything storywise. i think the whole "dohee's dad signing a contract w guwon and saving her life" plot was actually extremely unnecessary. it was interesting af when introduced, but they didn't make good use of it. poor dohee was yet again tortured mentally and emotionally, and then the inevitable breakup(ah, the return of the noble idiocy trope) which lasts like less than half an episode until they're back again(and then guwon leaves AGAIN goblin style and then comes back again in less than half the ep like girl??? ). wtf was the point?

then the repetition of the past lives stuff from wolshim's pov. it added the "he saved me" part sure, but was mostly just recycled from guwon's flashbacks so stuff we had already seen. like, was all of this really necessary? we get that yall have a save each other trope going on, but damn they alr saved eo like a thousand times even without all these, like WE UNDERSTAND?

they should've just chosen either the past lives stuff or dad's contract stuff tbh. or imo just made dohee that little girl instead of star jin, which would've been smmmm better as the dad would sign a contract anyway and she could've been able to be adopted by madam ju anyway if just a few tweaks were made to the story yk? but naw they aint doing that.

let's get to episode 15. oh god, the worst episode.


i think a better way to go about this would've been if seokmin, after reading the demon manual, realised that he just needed to kill people and then commit suicide for him to turn into a demon.

then it would've explained his invincibility because how tf did this ordinary ass guy get thrown against a wall with enough force to crack all his bones, get crushed by part of the cement ceiling, yet still somehow get up fine, run that far, grab his gun and shoot all within a few seconds of dohee and guwon hugging???and why didn't guwon just.....stop the bullet? if dohee had enough time to react and turn around to protect him, im sure guwon did too?

not to mention HOW THE HELL DID SEOKMIN SURVIVE THE
FALL FROM THAT TALL ASS TOWER? even if it was a river, there's barely any chances of survival as hitting still water from that height is like hitting concrete. plus he just set his damn face on fire and didn't even react???????? be so fr is the immortal powerful demon guwon or seokmin??

the writers really lost the plot after guwon got his powers back. i wish they'd just have wrapped it up there and not drag it on for 16 episodes and ruin the show like...


anyway, i LOVE yoojung in general (loved her in 20th century
girl!) + her w song kang is cuteee, so I stuck with the drama and enjoyed it a lot initially. this is sad, because i was lowkey emotionally attached to this and looked forward to every friday and saturday because of it. even tho i had a lot of negatives to say, i still liked it enough and i feel bad leaving a negative review. but i think i only liked it because of yoojung. if the leads were different, tho.... would've never finished it

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If you are expecting a Prince Charming and a Cinderella-story from this drama, don’t count on it. I get it that not all heroes wear capes, because this one just flicks a lighter but doesn’t smoke. Yes, Li Xun is a genius in his own right, but he could be less cocky and I would have been fine with it. Right at his heels, Zhu Yun attempts to tame this golden retriever by chasing after him, like she’s herself a dog that won’t let go of a bone.

The pacing is choppy, but manageable to watch. Cinematography and choice of music are good. The cast is diverse, so are the secondary characters, but all these good points do not negate the fact that I struggled to finish the show due to various factors. For instance, the inconsistent re-introduction of some characters who show up at odd times in the drama. I feel some characters are even under utilized (ahem, Tian Xiu Zhu) and just serve as props to the main leads, which is a sad fact because other stories could have been more developed.

For example, I would have been interested in how Ren Di’s band went from obscurity to popularity, or how her relationship with Xiao Liu evolved. Or even how Shu Miao took a legal path in her career, when she was a major part of Zhu Yun’s college days. Instead, we see such as useless POS like Zhi Jing be part of L&P board of directors and living prosperously, as if he weren’t the one tormenting Li Xun and Zhu Yun in their early days. Instead, Li Xun and his group were prohibited from joining competitions for years, while Zhi Jing could still pull strings despite being exposed in public.

Another case in point is that both male and female protagonists are unfailingly stubborn, sometimes to the point of infuriating, hardly giving leeway to anybody except to each other. They do this awkward dance where they are hot/cold towards each other, but with other people, they are self-righteous, if not selfish. I get it that Li Xun had a tough childhood, and Zhu Yun an over-protected one, but I wasn’t buying the cool-aid that because of their backstory, they expect the world to owe them something.

Yes, tenacity is good, ambitions are even better, but there’s a limit to which these things are met where it doesn’t adversely affect other people. Good news is, both Li Xun and Zhu Yun learned their lessons, over the course of their journey, to be more forgiving of others. Whereas Jian Hong failed, and in a karmic joke, life serves him an eff you, but Li Na, to her credit, stood by his side despite being given a reason to run for the hills.

Another case that baffled me is the fact that, Zhu Yun’s helicoptering mother, for all her scrutiny and apparently above-exceptional monitoring skills, failed to learn how her daughter ditched to study/work abroad to be with Li Xun, not once but twice is beyond me. I am not saying that I agree that the mother should control a full-grown adult who has her own right to choose, but I find this comically inconsistent. And how Zhu Yun, who is normally pushy when it comes to her boyfriend’s welfare, is suddenly timid at the sight of her mother. Also, the way Zhu Yun manipulates Tian Xiu Zhu to cover her whereabouts, without the latter getting anything in return but a “thank you”, wasn’t really supposed to be how “an innocent young lady” behaves.

The ending for me was anti-climactic, especially in the case of Zhi Jing. Are we supposed to forget how his behavior drove his ex-girlfriend to suicide? How his deplorable actions indirectly caused the death of Li Xun’s sister? Though granted, he did not inflict the final blow, and her death was more a result of a string of coincidental events. Still, he had malicious intent and his lack of remorse didn’t justify the punishment he got, but fully deserved.

For all its flaws, the drama isn’t bad, but not that great either. I only finished this show because of the rave reviews, but I didn’t love it as much as I probably should have.

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Better than reviews led me to believe.

Apparently, if you watch the trailer then you will be disappointed because it hints at a more serious storyline than what the series actually ended up being. I, personally did not watch the trailer therefore I had zero expectations going into the series which I would personally recommend is the way to go. Because from a lot of the reviews, it makes it sound like this series was horrible which it certainly wasn't. I found it to be an interesting and engaging watch overall, if not a little juvenile in places (but that's to be expected in a high school setting.)

I think initially, they were aiming for a similar vibe to Never Let Me Go with the danger element and such since Perth and Chimon's role in that series was very popular. But when you put the setting in a high school with really only a debt collector as the main threat, that's not exactly a thrilling plot. I found more "danger" in regards to Kang's heart where Sailom was concerned. Their relationship was worth sticking around for while the side couples were a bit hit and miss sometimes.

At the start of the series, I was already close to dropping it because of the juvenile bullying. But the way Sailom stood up and fought back in his own way without involving others was very refreshing. He knew he was superior and wouldn't allow Kang to treat him lower than he deserved. This made for some great bickering and build-up of tension between them that had the victim on the offensive more often than not.

The side couple of Guy and Nawa was entertaining as well though when the main couple is already an enemies to lovers trope, it kind of becomes redundant in the secondary couple. They played it well enough, but it was just lost in the background most of the time. Which is a shame because they had a decent storyline going as well.

I really wish there was more between Saifah and Name, especially since it was more like a reunion of friends. There were hints of a potential romance but nothing concrete the whole series which left me guessing right up until the last scene they have together in the jail. But by then, it's like "I need more!!" and we just don't get it. Not only with their storyline but with the actors Papang and Pepper... these two seriously need a series together where they are the leads because they totally have the chops for it. I hate that they are typecast as the older siblings or school mentors because they are closer to 30yrs old instead of all the actors in their late teens/early 20s. I would love to see a more mature series with these two. (Doesn't have to be mature as in NSFW but just a story that is about adults "adulting" and not about kids being immature.)

Speaking of NSFW, I kind of wish they just left that part out of this series, and that's coming from someone who lives for the smut. While Perth and Chimon had good chemistry with the bickering and even with the flirting, their actual physical chemistry wasn't great. It looked almost uncomfortable. I would rather it be implied than shown at just 40% effectiveness.

With all that said, I did find it to be a good watch overall and I would recommend it. There were quite a few funny moments that had me cackling and there were some heartfelt moments that pulled at the feels.

And, yeah, someone give Papang and Pepper their own series.

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