Reviews

No matter what happens in my life, I will go to work!

If you don't have time to read the whole thing, skip to the end where the conclusions are :)

See You at Work Tomorrow introduces us to Kang Si-woo, who seems like the perfect man—attractive and disciplined. Unfortunately, due to his cold and direct personality, he's known as the most difficult person to deal with at work. As department head, he oversees the employees, including Cha Ji-yoon, who has worked there for seven years. Cha Ji-yoon is so good at her job that her colleagues respect her. But she's going through a rough patch in her personal life and is single, and her daily routine is disrupted by her supervisor, Kang Si-woo.

The drama presents a typical office premise, but develops it with a unique style, giving it a fresher feel. The warm office atmosphere makes you feel like you're actually there. The series also explores personal relationships outside of work, the pain of waiting for someone, and teaches us that letting go is okay. However, I don't know if it's just me, but many parts bored me, and honestly, I think she's better off with her ex. It would have been better if there had been a different reason for their breakup, as it seemed too quick to end things and forget about them almost immediately. Even so, I appreciate her courage and that it was her decision, as she wanted to be happy and have stability. Another thing I appreciate is that the drama didn't go down the path of romantic comedies where the protagonist becomes sad in the second half and the conflicts become repetitive. Was there one? Yes, but at least it didn't last the entire second half, which is good. I like how the friendship develops at work, how teamwork is fostered, and how the story portrays the realities of office workers and the problems they deal with daily. Overall, I give the story an 8/10. I feel it could have been more interesting, but that's part of its charm.

The drama utilizes a variety of office characters, making it more diverse, from the special work team to a super cute secondary couple.

Here's my analysis of the main characters:

Kang Si-woo (Seo In-guk): Manager of the DA business division at Saeum Electronics, a department head known as the "three no's man": no smiles, no people, no apologies. He never smiles, not even in the face of success or a ridiculous mistake, but he also doesn't get angry easily. He doesn't yell at employees to tell them the harsh truth, and that's what makes him so unsettling. Because he does his job well, he's rising at lightning speed without flattering his superiors or putting on a show for his subordinates.

Honestly, I don't know if the reason I'm bored with this drama is the character, but I feel like Seo In-guk should step out of this mold in K-dramas and play other characters, since he's almost the same as in Boyfriend On Demand (another one that bored me in parts). While he's arguably better here, I feel he lacks chemistry with Ji-hyun, as he seems to have more chemistry with his ex than with him.

Cha Ji-yoon (Park Ji-hyun): A senior manager in the DA business division of Saeum Electronics, a veteran with seven years of experience and great business acumen. She's always willing to help her colleagues, but as soon as it's time to quit, she invariably gets up from her seat.

I have to say I liked this character; her personality is very sweet. But honestly, I feel like she could have fixed things with her ex, but I'm sure that's what happened so she could end up with the boss. I liked Ji-hyun's acting; the office worker role suits her perfectly. For a moment, I thought she'd look like she did in Our Universe, but I felt like I was watching a different actress, which is impressive.

Yoon No-ah (Kang Min-ah): An employee in the same department, beautiful and intelligent, though a bit clumsy: a contrast that creates a strange and unexpected charm.

She's very cute and, like Ji-hyun, she plays an office worker well. Congratulations!

Cho Ga-eul (Choi Kyung-hoon): Vocalist of the band Autumn, Ji-yoon's college friend and first love.

I like his character's free-spirited style, but he shouldn't have let Ji-yoon go. They made a really cute couple. I think the actor should get more leading roles; it would be great.

Lee Jae-in (Won Kyu-bin), a guy who, whether it's his purple-dyed hair or his languid expression, exudes a mysterious aura.

The role suits him perfectly, and his chemistry with No-ah is simply stunning.

Overall, I give the acting an 8.5/10.

The OST has some really catchy songs; among them, I liked "Hopping," "After Work," and "Like a Cat." Overall, I give it an 8.5/10.

Would I watch it again? It's unlikely, since I struggled to stay engaged and truly love it, but I do appreciate that it portrays that office environment very well. So I'd give it a 6/10.

In short, See You at Work Tomorrow is an office drama with a warmer feel and its own unique style. Besides exploring workplace relationships, it teaches lessons about love and teamwork. So if you're a fan of simple office dramas, this is for you. Overall, I'd give it an 8.0/10. I admit it could have been better.

THANKS FOR READING

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I wanted to like this more than I did

It definitely got cuter as it went on, and just when I thought I was finally getting into it... it would do something that completely took me out again. The relationship progression felt off. One minute they're suddenly acting like a couple, the next they're awkwardly avoiding each other. The ex storyline also dragged for too long and honestly just got annoying. I also couldn't get past how inconsistent the writing was, especially with the main lead's allergies. At the beginning he's obsessive about avoiding them, then later he's having allergic reactions every other episode because he suddenly stopped being careful. It had some genuinely sweet moments, but I just never got really emotionally invested. It remains an ok easy watch

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Wooju Bakery: Years of Waiting for Almost Nothing

*Wooju Bakery* was honestly one of the most disappointing series I have watched.

After all the delays, uncertainty, and years of waiting, I expected at least a decent story or an entertaining romance. Instead, the final result felt cheap, childish, confusing, and unfinished. The alien-and-bakery concept could have worked as a silly romantic comedy, but the writing did almost nothing interesting with it.

The plot was weak, the comedy was embarrassing, the romance had very little development, and the acting often felt awkward. I do not blame the cast entirely because the script and direction gave them very little to work with, but almost nothing in the series felt convincing.

One of the most exhausting parts was the constant switching between Korean, Thai, and English. Multilingual dialogue can be interesting when handled naturally, but here it made many conversations feel disconnected and difficult to follow. At times, it seemed as though the characters were barely communicating with each other.

The editing and production also felt strangely incomplete. Scenes moved awkwardly, emotional moments had no impact, and the entire series looked like an old troubled project that was finally released simply because too much time and money had already been spent on it.

The biggest problem is that the long delay created expectations the series could never meet. After waiting for so long, viewers were given a weak story, poor character development, little chemistry, and almost no satisfying payoff.

Overall, *Wooju Bakery* was not merely disappointing because of the delays. It was simply a bad series on its own: poorly written, badly edited, emotionally empty, and far too dependent on the popularity of its actors.

**Rating: 3/10**

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I blame the director.

I blame the director. It's his responsibility to direct the emotions and motivations more realistically, and the pacing of each scene should have been better, especially the action scenes.
The plot is passable, although Xu Xiao is like an oracle who knows everything in advance, making it hard for viewers to root for the protagonist.
The pacing of each scene is terrible. The action scenes are just characters standing and swinging their arms using special effects; there's no impressive fighting style or martial arts. The composition of the action scenes is poor. For example, in episodes 26-27, when Cao Changqing is about to kill Xu Feng Nian, Yu Youwei suddenly shouts to stop him without even stepping in. Cao Changqing suddenly changes his mind about killing Xu Feng Nian, acting dazed and not even throwing a punch. It's unrealistic. How could the director create a scene like that? Doesn't he see how bad it is? Besides this scene, there are many other scenes where the characters' motivations and emotions lack realism. The camera angles and dialogue pacing in the action scenes are strange, awkward, and inconsistent.

This is an action series that will make you feel sleepy.

I previously watched "Joy of Life" starring Zhang Ruoyun. He performed very well, and the action scenes were good, so I had high expectations for this series because the screenwriter is Wang Juan and the lead actor is Zhang Ruoyun.
I was disappointed.

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I don't recommend this series at all

The characters were portrayed exceptionally well. I felt exactly what the audience was supposed to feel toward each character—anger, sympathy, happiness, and frustration—which shows how strong the performances were. The old actors, in particular, did an excellent job. I also appreciated how the actors' appearances changed with each time jump. It made the passage of time feel convincing and helped sell the story's decade-long timeline.

Because the story spans more than ten years, the drama often feels much longer than its 12 episodes. At times, it even feels like multiple seasons compressed into one. A conflict appears, the characters resolve it, and then another major conflict immediately takes its place. While this keeps the story moving, it also makes the narrative feel repetitive and somewhat exhausting.

The resolution is one of the show's weakest aspects. Instead of resolving conflicts through meaningful character growth or confrontation, the story often removes its antagonists by killing them. It feels less like the characters overcome their problems and more like the writers simply eliminate them. While this works for external villains, it creates a problem when the final conflict shifts toward the protagonist's psychological struggles.

I actually liked how the series gradually built up the protagonist's mental health issues. Looking back, the signs were already present in the very first episode. However, I don't think the execution was successful. The show ends up treating the mental illness almost like another antagonist to be defeated. Unlike the previous villains, though, mental illness cannot simply be "killed" or removed, making the ending feel less satisfying.

Another issue I had was how the series seemed to attribute many of the protagonist's toxic behaviors to his mental illness. Rather than holding him accountable and allowing him to grow, it sometimes feels as though the story uses his condition to justify his actions. As a result, his character development feels incomplete, since meaningful personal change is often replaced with explanation instead of accountability.

I also wasn't a fan of how the supporting cast changed with nearly every time jump. Each new stage of the protagonists' lives introduces an entirely new circle of friends while discarding the previous one. This constant reset made it difficult to become attached to the supporting characters and further contributed to the feeling that I was watching several different seasons instead of a single continuous series.

Overall, Double Helix features excellent performances, convincing time progression, and emotionally engaging characters. However, its repetitive conflict structure, reliance on killing antagonists to resolve problems, inconsistent handling of mental health, and constantly changing supporting cast prevent it from reaching its full potential.

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You got exactly what you wanted, at the cost of everything you've ever known

No one in the house 89 deserved the ending they had, be it sad or be it happy .

For a film that has such good visuals, the plot sucks; it could have been better. Also I am someone who can't turn off my brain while watching the movie, so better scripts always fascinate me. It itches my brain to think about how the whole plot felt so dumb and every terrible thing that happened could've been avoided.. its like the characters were just there for the sake of it but not really connecting with ANYTHING. literally no backstory of them .The ending was Not a good idea
It took TOO late for her to protect herself


Cinematography and top-notch acting by all cast!! The scene where the main leads lay together on a stretcher??? Peak peak acting without any dialogues , the male lead made me his fan with this specific scene .
The 2ml ( is he really the 2ml) they tried to give some touch of love triangle but it was more like a platonic trio and a couple.
I liked how Pran wanted to give her a choice to run or stay in the first half, and then in the second half he wanted her to choose him , like ehhhh? that's NOT how choice works

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A story about dreams and first love (how long did it last? 4 episodes?, unfortunately)

Dream To You tells the story of Ju Yi-jae, a fearless teenager, dreamed of becoming a filmmaker and loved shooting short films. Her classmate, Woo Soo-bin, was a diligent, obedient student with no personal ambitions. Soo-bin was inspired by Yi-jae's tenacity, and a friendship blossomed between them, eventually leading to romance. However, after the university entrance exams, Soo-bin disappeared when his family, who had always planned his life, sent him to study abroad. Now in their thirties, they lead very different lives and unexpectedly reunite. Yi-jae is a struggling journalist, disillusioned with life and feeling she has fallen into mediocrity, while Soo-bin is an award-winning film director. He decides to help her rediscover her spark, but she remains resentful of what happened in the past.

This drama tells the typical story of reuniting with first love, but it does so in a way that captivated me. Although the plot has been seen countless times, the first few episodes were the best. I don't remember ever enjoying the first few episodes so much. The plot, the characters, the flashbacks—everything was wonderful. But, unfortunately, the story takes an unexpected turn. It seems that ENA makes all its dramas captivating in the first few episodes and then ruins the rest, so I should consider not watching any more dramas from this channel. All that drew me in, and the reason I was looking forward to it after seeing the trailers, was a first-love story, the kind we all want to experience. But I don't understand how the series gradually forgot that purpose. The feeling of freshness disappeared to the point that sometimes I didn't even remember they were each other's first love. They seemed like two people who met and simply fell in love without that idea of ​​first love. Scenes I was really looking forward to... In the end, they felt bland, not like in the trailers that excited me so much I wanted to see them. The kissing scenes felt a bit empty without that emotional impact. The point I was definitely hoping for was that they would become a couple, but in the end, I felt nothing. Ha-na's mother is simply a monster. I don't see any chemistry between the secondary couple, to be honest. From the beginning, I was rooting for the leads. Another problem is the changes the characters underwent. Woo Soo-bin went from being simply charming to losing all his charm. Ju Yi-jae went from being such an energetic fighter, which is what captivated me about her, to losing all of that. Their wonderful chemistry was affected by that unstable plot, which is sad. I was hoping to see Baek Seong-cheol again because his characters captivated me, but this one didn't, and that hairstyle doesn't suit him at all. It seems the producers of ENA... love having the irritating ex appear in every show on this channel, and there's absolutely no need for him to be there. It was supposed to be exciting to see them make their movie, but in the end, I liked the one they made about their past better; it felt better because now they don't seem to be making any progress at all. The third couple is one of the worst you'll ever see; she just used him for fun, and that's it, and the poor guy was supposedly in love. The series introduces so many subplots that there's no screen time left for the main characters, and these subplots are pure filler and barely developed. As for clichés, this series uses several, and I'm not just talking about the first romantic reunion, but also: abusive parents, the protagonist who goes abroad and leaves his partner (who surely returns and they live happily ever after), the ex who comes back and is just a nuisance, and above all, that stupid breakup: who comes up with that in a serious drama?


3.709
The drama uses somewhat repetitive characters, seen in other dramas. Speaking of the secondary characters, the lead couple had good chemistry that could have been perfect were it not for a weak script. A sincere question: in the towns depicted in ENA dramas, are there only elderly people? Were our protagonists the only young ones?

Here is my analysis of the main characters:

Woo Soo-bin (Hwang In-yeop): A brilliant film director. After spending his adolescence immersed in the world created by his parents and his twenties breaking free from his shell and running fiercely, he finally achieved his dream of becoming a film director. After a spectacular debut with his first feature film, which swept international festivals, he returns to Korea to reunite with his first love, the person who instilled the dream in him and with whom he promised to make films.

I must say that Hwang In-yeop's acting surprised me. I didn't think he could create such a charismatic character, so different from his role in True Beauty. Unfortunately, his character gradually loses its charm and ends up being quite meh. In the romantic scenes, there was hardly any emotion. Even so, he did a good job, as I feel it was all about the character and not his actual acting skills.

Ju Yi-jae (Lee Hye-ri): A journalist struggling to make a living, gifted with passion and talent. She was a fearless teenager driven by a dream, and later a twenty-something frustrated by harsh reality; now she lives in an existential void, like so many other anonymous people.

This is my first time seeing Hye-ri, and I loved her, but just like with Hwang In-yeop, her character gradually loses all her energy and charisma, and that drive she had in the first two episodes. But I think she's a good actress.

Shim Yu-geon (Baek Seong-cheol): an aspiring actor who still gets nervous in front of the camera.

I was looking forward to seeing Baek Seong-cheol again, but his character disappointed me. I didn't like him as much as in his other projects; he was too selfish, and that haircut just didn't suit him. The chemistry with Ha-na was simply nonexistent.

Oh Ha-na (Lee Yeol-eum): A rising star.

I didn't dislike her character, but she was pretty meh, to be honest. But all in all, good work.

This drama missed many opportunities with its characters. They were introduced and then left flat. The third couple was simply filler. What happened to Yu-geon's father? What about Soo-bin's father and his divorce? They never showed Gu-yeon in high school. What about Ha-na's mother and her relationship with her children? Everything was left incomplete.

The OST isn't extraordinary, but there are some songs I liked, including "Beyond The Dream" (a gem), "Sailing Back To You," and "My Everything." The rest just weren't to my taste.

Would I watch it again? I think if I do, it'll be for the first two episodes, but if I had to choose, I wouldn't watch it again, honestly.

In short, Dream To You is a drama about first loves and dreams, which unfortunately suffers from so many poorly developed subplots that the main storyline gets sidelined and underdeveloped, leaving many things unresolved. Even so, I enjoyed the first few episodes and they inspired me to want to experience my first love (although I already did, but not in the way I wanted, since I couldn't do anything with her, but she still brought some light to my life, even if it was from afar) :( . Overall, I'd give it a 7.5/10. It could have been one of my favorite dramas, but due to a lack of ideas, it fell into the same old patterns.

Despite all this, I didn't hate the drama, but it did get boring in parts. I'm disappointed.




THANKS FOR READING

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Beautiful, Addictive, and Emotionally Complex, but Weaker Toward the End

While I was watching The First Jasmine, I was completely immersed. It was the kind of drama that constantly made me curious about what would happen next, and I became so attached to its world and characters that I felt strangely empty after finishing it. Perhaps binge-watching intensified that feeling, but I also think the final few episodes were genuinely underwhelming compared with everything that came before them.

For me, the first thirty episodes were the strongest part of the drama. I loved Ye Li and Xi Yao’s marriage era, the political intrigue, the revenge storyline, and the way Ye Li moved through the story while secretly pursuing her plans. Their divorce arc genuinely broke my heart, but it was also incredibly well executed. The moment Xi Yao discovered how ill she was, along with the eventual revelation of what had happened on the mountain, was one of the emotional peaks of the entire drama. Everything leading up to that point felt intense, layered, and deeply engaging.

Ye Li is easily one of the most fascinating female characters I have encountered in a historical drama. She is deeply broken, psychologically complicated, and filled with layers that are gradually uncovered throughout the story. Her trauma, anger, determination, and self-destructive tendencies made her unpredictable and compelling. Bai Lu gave one of her strongest performances here. She portrayed Ye Li’s pain and emotional instability with so much depth that I could not look away. Her acting was immaculate, particularly during the heavier and more heartbreaking moments.

However, Ye Li gradually seemed to lose some of her spark toward the end. The revengeful, determined energy that made her so intriguing began to fade, and even though the final confrontation should have been her defining moment, it did not carry the emotional impact I expected. After such a memorable portrayal of her trauma, the conclusion to her revenge felt strangely muted. The revenge plot did not provide enough closure or transformation, especially considering how much of the drama had been built around it.

I also loved Xi Yao, particularly during the first half of the drama. It was refreshing to see Cheng Lei play a vulnerable and physically broken character rather than the powerful, commanding roles I usually associate him with. His performance while Xi Yao was confined to the wheelchair was incredible, and his quiet pain, loyalty, and emotional restraint were beautifully portrayed. He also looked amazing with the grey hair; that entire look was such a refreshing change for him.

Unfortunately, Xi Yao became increasingly sidelined as the story progressed. He was no less a victim of what had happened, so I strongly felt that he deserved to be involved in the final confrontation. I understand allowing the heroine to lead the finale of a female-centered revenge story, but completely pushing the male lead aside made the ending feel incomplete. His character had so much emotional depth and potential, yet the drama gradually reduced his importance. Even during the war sequences, we barely saw him fight, which felt like another wasted opportunity, especially because Cheng Lei is so good in action scenes.

The relationship between Ye Li and Xi Yao was essential to the story, even though the drama was never romance-centered. Their love helped both of them heal. Ye Li did not simply recover on her own; through Xi Yao, she found someone who remained beside her, while she also helped him rediscover his will to live. Their connection was therefore more than a romantic subplot—it was part of both characters’ emotional journeys. That is why I was disappointed when the drama gradually moved away not only from their romantic scenes, but from the healing relationship itself.

I actually enjoyed the slow-burn romance for most of the drama. Their love was gentle, warm, supportive, and often unspoken rather than passionate or electric. They sometimes gave me the feeling of an older married couple, and I do not necessarily mean that negatively. Their affection came through in the quiet gestures, particularly from Xi Yao, who carried much of the romantic side of the relationship. Ye Li was written as emotionally closed off and could sometimes feel like a block of wood when it came to expressing affection, so most of the direct romantic gestures came from him.

The problem was not the lack of kissing or intimate scenes. The drama worked perfectly well without them. My issue was the way so many promising moments between the couple were abruptly cut short. Just as a scene began building emotional closeness or chemistry, it would suddenly move elsewhere. The romance constantly felt within reach but never fully explored. The actors did have a warm spark, particularly earlier in the drama, but the script and editing did not allow that chemistry to develop naturally. By the end, it felt as though the connection had faded—not because the relationship itself lacked potential, but because the drama kept taking time away from it.

Their dynamic was also weakened by Ye Li constantly acting behind Xi Yao’s back. They shared the same enemies, goals, and ambitions, yet they continued walking toward those goals separately. Even when Xi Yao understood what she was doing, Ye Li rarely chose to place her trust in him and work openly beside him. I would have preferred to see them combine their strengths and pursue their shared goal together rather than repeatedly taking different roads toward the same destination.

I also think some viewers misunderstood Xi Yao’s decision to leave her. He needed to be hurt and broken by Ye Li before he could truly understand her pain and ultimately help her heal. His actions make more sense when viewed through the emotional complexity of both characters rather than simply as a romantic betrayal. With characters this complicated, criticism and differing interpretations are inevitable, but that complexity is also one of the drama’s greatest strengths.

Beyond the leads, the drama introduced many interesting characters and storylines that never reached their full potential. Han Mingxi seemed as though he would play a more consequential role, and his interactions with Ye Ying had so much entertaining potential. Mo Jingli was perhaps the greatest missed opportunity. He was intelligent, cunning, and morally layered—a man pursuing what he believed was a just cause through questionable methods. Yet the narrative gradually diminished his motivations, intelligence, and overall importance as it approached the finale.

This became the drama’s biggest weakness: it tried to handle too many themes, characters, and conflicts without properly completing all of them. Many characters initially appeared to possess genuine agency and complexity, only to be pushed into familiar tropes or sidelined when the story needed to conclude. The ending closed several plotlines and was technically happy, but it did not feel like a proper emotional goodbye. We barely saw the main couple together, Xi Yao was largely absent, and even Ye Li no longer felt fully present in her own story. After spending so much time with them, I wanted a conclusion that allowed their relationship and individual journeys to breathe.

Visually, however, the drama is absolutely stunning. The costumes are beautifully designed, the cinematography is gorgeous, and the entire production is rich, colorful, and vibrant. The styling, sets, and use of color created a world that was consistently beautiful to look at.

The music deserves even more praise. This drama has one of the best and most memorable soundtracks I have heard. I do not mean only the OST songs, although those are also beautifully done—the background score itself is phenomenal. The music elevates the tension, heartbreak, mystery, and emotional weight of so many scenes. It remained in my mind long after the drama ended, and it is easily one of the strongest aspects of the entire production. Honestly, well done.

Despite my frustrations with the final stretch, The First Jasmine contains so many memorable scenes, complex characters, and excellent performances. It is an unusual mixture of revenge, politics, trauma, healing, and subtle romance. I would not recommend watching it solely for the romance, because the relationship supports the story rather than carrying it. Those expecting a highly passionate or intimacy-heavy romance may be disappointed. However, anyone interested in a compelling storyline, emotionally damaged characters, stellar acting, and a beautifully produced historical drama will find plenty to appreciate.

The ending may not have delivered everything the earlier episodes promised, but the journey was still exciting, emotionally absorbing, and different from the typical romance-focused historical drama. Despite its flaws, I would definitely recommend it.

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Undeserved Backlash

Many viewers are criticizing this movie because they believe it portrays a teacher-student dynamic that involves grooming, but I completely disagree.

I researched what the director, writers, and actresses have said about the characters' pasts, and none of them have ever mentioned this. Based on what is actually shown in the film, there is never any explicit age gap established between the two main leads. Even in the flashbacks, they look roughly the same age.

I suspect people are assuming there is a teacher-student relationship simply because of one flashback scene set inside a classroom. This rumor is unfounded, and it is frustrating to see it ruin the movie's overall rating.

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A very good final entry to the OUaTiC film series.

I was kinda surprised that no one bothered to write any reviews for this movie, cos I can never get tired of rewatching this movie over and over again.

Just as one thought there would be no more continuation to the OUaTiC series since the disaster of the fifth, we got another one, which is set in western America. And to make it better, Jet Li has returned to reprise his role as Wong Feihong alongside Rosamund Kwan and Hung Yanyan as Siu Kwan and Ah Chat. Ah So is also in this movie, which made sense... since he would be a reason why a new PCL branch could be placed in America anyway. Also, for once, Leung Foon was not included in the returning cast and I'm very glad about it. Because I felt that Leung Foon was only in the past movies just to act silly and be a perv, which may stem from the setting when Yuen Biao was playing him.

I could barely recall how happy I used to be as a child when I heard that Jet LI would be reprising his Wong Feihong role. It's always a pleasure to watch him on screen with Rosamund Kwan and I had fun watching this movie. So this time, Feihong, Siu Kwan and Ah Chat head to America to visit Ah So... and in the middle of it, they met with a cowboy named Billy. Somehow, afterwards, the convoy was attacked by a group of Red Indians and the trio ended up falling into the river before they got separated. Siu Kwan and Ah Chat were soon rescued by Chinese miners at the fort town nearby, but Feihong ended up losing his memory and was taken in by a different Indian tribe.

Got to say it was really fun watching this movie. It was really amusing to see Feihong trying to practice his English in what Jet Li would often refer to as his Limited English Company mode, and to see his interaction with the Indians and later the other Americans at the fort town. And it was a nice homage to the past movies as Ah Chat tried to trigger Feihong's memories by posing as two of Feihong's past enemies, though it was never explained how he knew about them.

Something that I like to point out here is how different Jet Li's portrayal of Wong Feihong was compared to Vincent Zhou's. And you can clearly see it from how Feihong was shown in this movie, where, while he was still amnesiac and living with the Indian tribe, a daughter of the tribal chief had taken a liking to him. And Feihong treated her as nicely and politely as he possibly could while remaining clueless about the latter's affection. He also behaved the same way to Siu Kwan and got angry when she suddenly took back Feihong's ring, not knowing its significance. Cos back then Siu Kwan was a stranger to him and the chief's daughter was his benefactor. But Feihong never act too flirty to the daughter even while amnesiac, which was a stark difference with how Vincent's Feihong acts towards Lady Miao and 14th aunt.

Also, when he regained his memories, Feihong still had his awkward moments in trying to show his feelings towards Siu Kwan, but he still does try his best to care for his fiancée. This was something that was missing in Vincent's portrayal, and what was endearing about Feihong's and Siu Kwan's relationship. I also love the budding friendship Ah Chat had with Billy despite the language barrier. And I love the running jokes about Feihong's long speeches.

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Knight Flower (2024) is a great thrilling Korean comedy set during historical times with ML: Lee Jong Won (as Park Su Ho) and FL: Lee Ha Nee (as Cho Yeo Hwa) in the leading couple role. This is a star studded drama with fantastic performances, writing and editing, music. choreography, costumes, and direction. The chemistry among the cast was remarkable and, even though there were no romantic scenes between the leading couple, one can see and feel their growing likeness and respect for each other. There is great storytelling between the present time and the events from 15 years prior that links 3 families and the royal palace to bring about a story of palace intrigues, pursue of justice, and a fated and heart fluttering love story. Overall, this drama is excellent and entertaining; enjoy it!

SPOILER ALERT:
For romance seekers, the drama might get 9 stars because the romance was beautiful but toned down without intimate scenes.

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