Reviews

What makes Double Helix stand out isn't that it tells a tragic love story. It's that it understands tragedy is rarely created by one catastrophic event. More often, it's built through countless small choices, moments of silence, and opportunities missed. That's exactly how this drama unfolds, and it's what kept me completely invested.

The writing is remarkably patient. Rather than chasing constant twists, it allows the characters' personalities to shape the narrative. Lu Feng and Cheng Yichen don't exist to move the plot forward. The plot moves because of who they are. Every major conflict grows naturally from their fears, insecurities, and emotional blind spots, making even their most frustrating decisions feel believable. I often found myself wishing they would make different choices, yet I never felt those choices were out of character.

One of the aspects I admired most was the drama's commitment to emotional continuity. The consequences of a decision don't disappear after a single episode. They linger, altering relationships, changing perceptions, and influencing future actions. Every painful moment leaves an emotional residue that the story refuses to ignore. That attention to continuity makes the narrative feel cohesive and lived-in.

I also appreciated how the series avoids simplistic moral framing. No one is entirely innocent, yet no one is reduced to being irredeemable either. Instead of asking who deserves blame, the story asks how people become trapped in cycles of fear, guilt, obligation, and love. Understanding those cycles doesn't excuse the harm they cause, but it makes the characters feel profoundly human.

Where I think the drama falls slightly short is in its pacing. There are stretches where the emotional conflicts circle familiar territory before moving forward, and while those scenes reinforce the characters' inability to escape old patterns, they occasionally lessen the narrative momentum. A tighter middle act would have strengthened an already excellent story.

I also would have liked the final chapters to spend more time exploring the slow work of rebuilding trust. The series is meticulous in portraying emotional collapse, but comparatively restrained when depicting recovery. Given how carefully the relationships were deconstructed, their reconstruction deserved the same patience.

Even so, Double Helix succeeds because it values emotional truth over dramatic convenience. It isn't interested in creating perfect lovers or neat resolutions. Instead, it explores what happens when two people genuinely care for each other but have been shaped by experiences that leave them unequipped to love in healthy ways.

For me, this is the kind of story that grows stronger after it ends. The more I reflected on the characters' choices, the more I realized how carefully every conflict had been constructed. It's a drama that rewards patience, invites discussion, and refuses easy answers. While not without flaws, its layered storytelling, psychological realism, and emotionally coherent writing make it one of the most memorable BLs I've watched. A well-deserved 9/10.

Lire la suite

The Comedy Had Me in Tears ?

I have a few thoughts, but thankfully they're all happy thoughts because I genuinely had such a good time watching this drama.

Going into Fight for My Way, I didn't have huge expectations. I mean... with a title like that, I thought it was going to be all about fighting and taekwondo. I was mentally preparing myself for match after match, but there were only like three fights, and they barely lasted five minutes. Thank goodness. 😂

Because this drama turned out to be so much more than that. It wasn't about sports at all,it was about chasing your dreams, growing up, friendship, love, and figuring life out. Plus they didn’t fast forwarded their journey to make them successful overnight instead we actually get to see all their struggles and failures. This gave the drama an authentic touch. Even though it looked like Aera will get a fortune after her mother came into the picture but that didn’t happen, which was soo humbling and realistic.

Now I wanna talk about Kim Ji-won... mommy Kim Ji-won. 😩❤️ she nailed her role as Aera. She was soo loud and chaotic and I usually don’t like such female characters but she was soo funny and loveable. And her chemistry with Park Seo-joon? INSANE.

Speaking of Park Seo-joon... he was such a cutie patootie in this drama. 😭 Dong-man was such an idiot sometimes, but in the most lovable way.
Their romance was cheesy, but It never crossed into cringe or overly dramatic territory.

I'll admit, though, I wasn't sold on the second lead couple at first. I honestly didn't care much about their story and found myself waiting for the main couple to come back on screen. But once the love triangle kicked in, I actually started getting invested, and their storyline became surprisingly fun to watch. Sul-hee’s character development was most impressive.

My absolute favorite part of the entire drama, though, was the comedy. This show had me laughing from beginning to end. I'd definitely recommend this one as a fun feel good drama!

Lire la suite

There is a quiet confidence in Double Helix that I deeply admired. It never rushes to prove its intelligence through shocking twists or excessive melodrama. Instead, it trusts that carefully written characters and emotionally coherent storytelling are enough to keep the audience invested. For me, that confidence is what makes the drama so compelling.

At its heart, Double Helix is less interested in asking whether its characters are good people than in asking how they became the people they are. Every decision, no matter how painful or morally questionable, is rooted in a lifetime of experiences rather than a single dramatic event. The series understands that people are shaped gradually, and because of that, every emotional turning point feels earned.

What impressed me most was how often the story challenged my perspective. Characters I initially blamed became increasingly understandable as more pieces of their history were revealed. Others I instinctively sympathized with were forced to confront uncomfortable truths about the consequences of their own choices. The narrative never changed the facts. It simply expanded my understanding of them. That ability to continually reframe the audience's perspective without contradicting itself is one of the strongest examples of character writing I've seen in a BL.

I also appreciated that the story never romanticizes pain. Love alone never fixes the damage these characters carry, nor does it erase the mistakes they've made. Instead, the series repeatedly suggests that love without self-awareness can become another source of suffering. That is a far more mature and emotionally honest message than the idea that love is capable of overcoming everything.

If I have any criticism, it's that the drama occasionally becomes too comfortable with repetition. Once the emotional dynamics between the characters are firmly established, a few later conflicts revisit familiar ground without adding enough new insight. The themes remain powerful, but the pacing loses some of its sharpness because the narrative occasionally reinforces ideas it has already communicated effectively.

I also would have welcomed a longer emotional resolution. The series dedicates so much time to exploring how trust breaks down under the weight of fear, guilt, and miscommunication that I hoped the process of rebuilding would receive equal attention. The ending satisfied me emotionally, but I couldn't help feeling that the healing deserved another episode or two to unfold naturally.

Even with those reservations, Double Helix is one of the most thoughtfully written BLs I've watched. It respects its audience enough to embrace ambiguity, trusting us to hold empathy and accountability at the same time. It understands that people can be victims of their past while still being responsible for the choices they make in the present.

For me, the drama's greatest achievement is that it never asked me to decide who was right. It asked me to understand why everyone believed they were. That subtle shift transforms what could have been an ordinary tragic romance into a deeply layered exploration of love, trauma, responsibility, and the long, difficult process of learning how to break cycles that have defined an entire lifetime. It isn't perfect, but its emotional intelligence and compelling storytelling make it an easy 9/10.

Lire la suite

Beautiful Story. It . GMMTV why do you always make me cry?

This was a beautiful story to watch. 6 episodes was not enough. But, not sure if it should have been stretched out just for more episodes either. They have not finished the story with Mom in jail, but we can all guess what’s going to happen with that. They will fins the evidence and rule that she killed her husband to save her son from being beat to death.
This will be filed into my Re-Watchable List & Favorite Pairings Lists. The OST music is all of GMM’s series is always just spot on. I always think they should come out will FULL ALBUMS of the entire musical scores for the entire series including the instrumental scorings involved just like Hollywood movies do. GMM is on that level with their music in series. Great job to GMMTV on this one!

Lire la suite

a cute watch

This story is so cuteeee, and esther yu's chemistry with lin yi clicks. This is the type of cdrama that is light, comfy and minor conflict. Their journey with their friends is also cutee too, we could see their interactions which shape their friendship of fun. I wasn't really familiar with ski sport so i clicked out lf curiosity, and I actually do wanna try it. I was also kind of clickbaited of their cover wherein they wore a crown, so i was really curious if this was during a republican era or what, but it just turns out to be a metaphor. but overall, this drama is not so bad and its good to watch if you watched a cdrama that broke your heart lol

Lire la suite

A wonderful series that has it all!

A wonderful series that has it all!
The story is exciting—a bit drawn-out in a few places, but still captivating.
It’s often amusing, funny, and heartwarming, with its own unique, sweet brand of romance. There are plenty of laughs. At the same time, it’s woven together by the suspenseful, sad, and sometimes serious central thread of the main story.
Strong main and supporting characters—some you’ll like more than others, and some don’t fully develop until later in the series.
It incorporates modern art and music that’s wonderful and perfectly captures the moment.
The story, the cast, and the unexpected moments are compelling.
The outfits and music deserve special mention. The clothing is extraordinary and fits the overall picture.

I was swept away, felt deeply for the characters, was amazed, and laughed a lot.

I’d give it between 8.5 and 9.5 points (depending on the episode). Music 10/10.

It was a joy! 😊

Lire la suite

best cdrama of all time.

THE BEST CDRAMA IN XIANXIA OF ALL TIME. TTEOTM is one the first cdrama I have watched and this one is my first drama starring BL and LYX, and I could say their chemistry pretty much clicked.

what I literally quite like all of the elements: production, plot, acting, cgi, ost — these hit me really hard in the heart once you get deep into it. PLUS thr character development?? I LITERALLY CRIED MYSELF AT TANTAI JINS STORY. LYX acting was on point too! tantai jin may appear ruthless, hollow — a demon. BUT once you really know the story, you would soften for him. NOW, on how the fl and ml progressed throughout when ml was still locked or powerless, i really liked the pacing of fl; the effort. cause naturally, ml is cold towards flmat the start but eventually warms up.

I dont really remember much as I'm writing this review in 2026 when I watched this in 2023 lol ( yes i dont rewatch dramas, not even 1 drama💔) but overall, I would keep recommendng this drama. Even though it has been almost 3 years (2023-2026) since the drama was aired, i think none could compare — not even in the slightest, for me. Cause TTEOTM hits hard especially when its one or the first cdramas you watched, it sets the bar HIGH .

Lire la suite

If you want something different from the usual Marvel or DC superhero stories

I watched this series between 17–28 May 2026. At first, I thought it was just another rom-com, but within a few minutes I realized it was actually a superpower fantasy series.

The story follows ordinary people who suddenly gain strange superpowers and end up fighting mysterious villains. What makes the show different is that the powers are not always cool or perfect. Many of them are clumsy, funny, and create some really entertaining situations.

The series is set during the 1999 Y2K era, where mysterious villains and fictional powers create a unique world. Sometimes it feels like an emotional family drama, and other times it turns into pure slapstick comedy.

The pacing can feel a little uneven in a few episodes, but the warm-hearted characters, humor, and human emotions keep the story engaging.

If you want something different from the usual Marvel or DC superhero stories, and you like relatable characters with unusual powers, then you should definitely give this series a chance.

From my side, I would give it 7 out of 10. It is definitely a good one-time watch.

Content Type: K-Drama (Web Series)

Genre: Superhero, Fantasy, Action, Comedy, Drama

Writer/Director: Written by Heo Da-joong. Directed by Yoo In-sik.

Lire la suite

BarthTanrak both deserve sunshine

Ticket to Heaven is one of those series that stays with you long after you've finished watching it.

After watching the initial pilot and later the trailer, I was already expecting an emotional story, but I wasn't prepared for just how deeply it would affect me. This isn't a drama that simply tells a love story of two highschool boys, it is so much more than that. TTH is a story about identity, faith, love, the courage it takes to question everything you have been taught, your purpose/path in life and what it truly means to love yourself, even when that choice comes at an unimaginable cost.

What makes TTH stand out compared to other BLs is the way P'Aof (director) took the risk and broached the rather delicate topic of compatibility of homosexuality and religion with sensitivity and not with contempt.
The series doesn't paint their characters ( i.e. Father Arnon and Magdalena House) as purely right or wrong, it shows that there is no easy answer to a moral question, but rather different nuances. TTH rather shows us different people who got shaped by their beliefs and upbringing, allowing us viewers to understand where everyone is coming from and why some behave the way they do. The characters, specifically Barth and Tanrak, are confronted with new moral obstacles in each episode. Every decision they make, no matter how big or small, carries an emotional weight because it doesn't affect only them but it affects the relationships with the people around them, the same people they've always called home (i.e. Father Arnon or Kongdech).

Barth and Tanrak aren't those perfect characters, no they have their own flaws which makes their struggles and behavior so much more relatable. As an empath, watching Tanrak navigate the conflict between the expectations he put on himself, namely following his religious path in order to meet his parents in Heaven and personal happiness is bittersweet - on one hand it's heartbreaking how he thinks that loving someone will keep him away from God and on the other hand so beautiful witnessing his journey of finding his true self. His fear of rejection, the desire to belong, the guilt that comes from feeling like you're disappointing the people you love, and the longing to be accepted without having to deny who you are all feel so real.
Also seeing how the loud and mischievous Barth become an insecure boy whenever Tanrak was pulling away from him, how much little Barth had to endure under his father's abuse, how the accumulation of various incidents made him turn away from God and also how he was completely alone in the world and saw Tanrak as his lifeline made his character so multidimensional and interesting.

And let's be honest, GeminiFourth's chemistry makes it easy to become invested in their journey, and even the supporting characters add depth to the overall narrative. They both portrayed their characters so magnificently to the point that you were crying, laughing and suffering with them in every single episode. The way Gemini and Fourth used their mimics, gestures, body language and voice to transmit the character's feelings were simply out of this world and both of them deserve all the recognition in the world. GeminiFourth absolutely smashed these characters, they weren't just playing those roles, no they were actually Barth and Tanrak. And one a little side note, seeing how much GeminiFourth evolved as actors since “My School President” is simply INSANE.

Visually, Ticket to Heaven is beautifully done. The cinematography, the different shooting location and the attention to the color schemes enhance the emotional atmosphere of each scene, letting the viewer have a peak into the characters' emotional state. Not only the cinematography was magnificent, but also the OST done by GeminiFourth complements the series perfectly and somehow draws you even more into the world of BarthTanrak. As a person who loves the use of symbolism in series, TTH really delivered and made me so giddy whenever P'Aof involved objects/colors/angles to support the visual aspect of the storytelling.

In conclusion, Ticket to Heaven is a moving, thought-provoking drama that balances emotional storytelling with beautiful production and memorable performances. It's the kind of series that leaves a lasting impression whether you want or not. Whether you're drawn to character-driven stories, meaningful themes, or heartfelt romance, this is a series that's well worth watching.

Lire la suite

we need more kdramas like this

this was difficult to watch at times, but im glad i did.

firstly, all the characters were amazing. they were layered and they did things and said things that felt real.

the plot progession was good. i like how selling a product didn't take too less or too much time. also liked how their desperation to make it through just one more day was always on the horizon because of the crisis, it actually never felt like typhoon trading had money.

i cried a lot, and laughed a lot and while many people found this drama unbearably negative, i liked it for that reason. we, as a audience, are so used to watching a hero who can always save the day that a helpless guy like kang tae poong, who knows as much about trading as an average person, felt weak. but that's the real thrill of the show— learning how to fly little by little alongside this guy.

my most important discovery though was lew junho. what an actor, and what a splendid performance. whatever he got paid for this project, it definitely was not enough. from the way dressed himself to the way he talked to the way he glowed and sometimes giggled like a little kid, i just fell in love with him as a character.

ps. i really hope that lee junho colors his hair oreo irl for a 2pm comeback too, it really suited him so well and we lost oreo junho in just a single ep.

Lire la suite

One of the Best GLs but With Some Flaws

I loved the show overall. It's my first show that I completely watched in a long time (I don't really watch shows).

The casting, the talent, the acting, the stories, and even the sexiness and comedy were all great. I liked how they kinda switched up from the Novel and took their take to not make it a full adaptation from the novel, as it'll be predictable. JanJingJing has some of the best acting and chemistry I've seen out of a duo, and I hope they get another series soon.

Now, besides all that, there are some flaws with the show.

Pacing
Episodes 7-9 felt like they were trying to add too much drama. The Korn Trope was unnecessarily too long and could've been resolved within 1-2 episodes; we already got Wine's emotions, trauma, and issues with the company, which are good enough drama. We also didn't do any heroism for it, besides probably Wine stepping up against Korn.

Episode 10 had some flaws as well, but it's still a good episode. I think they tried to cram a lot. Like, I thought it was gonna be a more cutesy love story after the Korn stuff, but they added a completely unnecessary drama arc for half the episode over a small thing. At least they made it comedic to save it in the end. Not enough LalWine moments. Maybe that's why there's a Special Episode. Also, I didn't like the development of Proud and Tangkwa. They basically had little screen time, and yet they wanted them to be girlfriends? I guess they'll learn more about each other as they date

Nitpicks: Color Grading
I'm a video editor, so this does bother me a bit. Some scenes were WAY too blue and moody. Certain office and outdoor scenes could have benefited from brighter, more vibrant colors—especially when the tone was meant to be lighthearted and comedic.

Overall, this is definitely one of the top GL series of the year and should absolutely be on your radar if you’re looking for something new to watch. Don’t let my critiques discourage you—this is just my personal opinion, and the show is still very much worth watching.

Lire la suite

How Dare You!? Fool Me Like That!

I kept putting off How Dare You!? because I simply was not in the mood for another comedy. Then because of Cheng Lei, I finally gave in, fully expecting a lighthearted palate cleanser. Instead, the drama pulled off one of the biggest bait and switches I have seen in a while. It dresses itself in comedy, only to slowly reveal that beneath all the jokes, fourth wall breaks, and ridiculous situations lies a surprisingly tragic story.

The story follows workplace rookie Wang Cui Hua, who suddenly wakes up inside the pages of a novel as the infamous demonic consort Yu Wan Yin. There, she discovers she is not the only transmigrator. Emperor Xia Hou Dan is actually Zhang San, someone from the modern world who has been trapped inside the novel for nearly a decade. Like two chess players who unexpectedly realize they are on the same board, they rely on their knowledge of the story to outwit dangerous enemies, survive ruthless palace politics, and challenge a prophecy that insists only one of them can live to see the peaceful future they are trying to build.

The first episode was pure fun. Watching Cui Hua and Zhang San awkwardly test whether the other was also from the modern world while trying to navigate an unfamiliar fictional setting was endlessly entertaining. I find it brilliant to use “how are you? I’n fine thank you, and you?” to find out who’s a transmigrator. Their modern references, chaotic teamwork, and shameless glances at the camera gave the drama a playful charm. Then came the second and third episodes, and suddenly tragedy barged in without knocking. Characters started dying. Violence became more frequent. The stakes grew heavier. Yet somehow the comedy never disappeared. Instead, it became a coping mechanism. The laughs never erased the pain, but they made the journey easier to carry. Of course, the tragedy itself was obviously intentional. It felt comical and somehow highlights that they are in a novel. As the political conflicts became more serious, the drama balanced its darker themes with enough humor to keep everything surprisingly digestible. I did find some palace politics scenes dragging a little, but they ultimately gave the story much more depth.

Wang Cui Hua was an absolute delight. She was bright, loud, vibrant, and completely unapologetic about bringing her modern personality into a historical world. What I appreciated most was that she never tried to become the person who knew better simply because she came from the future. She embraced living as Yu Wan Yin, sympathized with the people around her, and genuinely wanted to help clean up corruption and endless power struggles. She carried herself with so much personality that even the way she walked became memorable. Her first entrance into the Emperor's chambers with that confident, flirty swagger instantly became iconic. Whether casually sitting with her legs wide open or gracefully walking through the palace in breathtaking costumes, Wang Chu Ran completely owned both Cui Hua and Wan Yin. She balanced flirtiness, humor, determination, vulnerability, and heartbreak effortlessly. It certainly helps that she looked absolutely stunning throughout the entire drama. I lost count of how many screenshots I took of her costumes despite knowing I will never wear them.

Then there is Zhang San, easily one of the most tragic characters in the series. Imagine entering a novel as a teenager, growing up entirely inside its world, and slowly forgetting your real life. After nearly ten years, Zhang San had become Xia Hou Dan in every sense of the word. He mastered court politics, learned to survive endless schemes, and even perfected the act of pretending to be an incompetent puppet emperor just to fool the Empress Dowager and Xia Hou Bo. When Cui Hua finally appeared, he was no longer just relieved to find another transmigrator. He had finally found someone who understood the loneliness of existing between two worlds.

Cheng Lei once again reminded me why I keep watching his dramas. His greatest strength has always been his facial expressions. He can deliver the smallest, softest emotions just as convincingly as explosive anger, grief, or comedy. His performance made Zhang San's internal conflict feel believable. There were moments when he admitted he had deliberately drawn information from Cui Hua to help himself survive, and instead of making him feel manipulative, it made him feel painfully human. Survival had become second nature. Yet despite his own motives, his feelings for Cui Hua never felt dishonest. When he told her, "In you I found home," it became one of the sweetest lines in the entire drama. There was one small detail that felt inconsistent, though. Since he had spent nearly a decade living entirely as Xia Hou Dan, hearing him casually mention needing a CT scan, even when Cui Hua was not around, felt oddly out of character. By that point, modern vocabulary should have come much less naturally.

The chemistry between Cui Hua and Zhang San was one of my favorite parts of the drama. They were lovers, partners, best friends, and fellow survivors all at once. They respected each other, trusted each other, and always found their way back to each other no matter how dangerous things became. Their relationship never relied on possessiveness or misunderstandings for drama. Instead, it was built on quiet support and mutual understanding. Some of my favorite scenes were simply the two of them eating hotpot together. There was something wonderfully hilarious about watching modern souls happily enjoying hotpot while dressed in elaborate historical costumes. Their planning sessions, complete with occasional looks straight into the camera, were equally entertaining. Beneath all the laughter, though, was the bittersweet reality that they were the only two people who truly understood each other's circumstances. They were wandering souls who finally found home in one another.

One of this drama's greatest strengths is how memorable its supporting characters become. Xie Yong Er completely surprised me. At first, I was convinced she was another transmigrator from the modern world. Later, I became convinced she had come from the future. I was wrong twice. The reveal that she was actually a fictional character who had transmigrated into another fictional story genuinely made my brain short circuit. It was such a clever twist. I loved her friendship with Cui Hua, their girls' moments together, and seeing her happily sharing hotpot and dumplings with everyone. That only made her tragic fate hurt even more. I was rooting so hard for her happiness, especially with Xiao Tian Cai.

The tragedy did not stop there. Xu Yao's death came shockingly early and signaled that nobody was safe. Then came the scholars, whose unwavering loyalty to justice turned them into one heartbreaking sacrifice after another. After the first scholar died, I should have realized what the drama was preparing me for, yet every subsequent death still landed. The series did an excellent job developing even its supporting characters enough that losing them genuinely hurt.

The death that broke me the most was Bei Shu's. He was far more than Xia Hou Dan's loyal protector. He became the father figure Zhang San never had during all his years trapped inside the novel. Watching Zhang San lose the one constant source of unconditional support was devastating. Even knowing the narrative reasons behind his sacrifice, I still cannot shake the feeling that it was unnecessary. Seeing him lying inside the casket genuinely broke my heart alongside Zhang San's. Cui Yi and Fan Siu Wong portrayed Bei Shu with so much warmth that his absence left a lasting void.

As for the villains, Xia Hou Bo and the Empress Dowager were thoroughly detestable. Xia Hou Bo had the classic tragic backstory of an abused child growing into a resentful adult, but his suffering never excused his actions. Manipulating Yong Er, using her love, and forcing her into such cruel circumstances made him absolutely disgusting. Tang Xiao Tian played him remarkably well because I spent most of the drama wanting someone to punch him. The Empress Dowager was equally infuriating. Power mattered more to her than anything else. She manipulated Xia Hou Dan, isolated him from everyone he cared about, and remained determined to control him even after he saved her life.

Visually, this drama was absolutely gorgeous. Normally I find overly polished historical dramas a little too artificial, but here the dreamy aesthetic actually worked. The costumes were easily one of the production's biggest strengths. Yu Wan Yin's wardrobe was simply breathtaking, while Xia Hou Dan's elegant robes and hairstyles perfectly complemented both his character and Wang Chu Ran's glamorous appearance. Together they looked like they had stepped straight out of an illustrated fairytale. The soundtrack also grew on me. At first, it barely registered. By the end, the songs had quietly settled into my head and refused to leave.

The ending may not satisfy everyone, but I appreciated what it tried to do. The fictional world wrapped up much like a classic novel with hope after overwhelming hardship, even if a few threads remained unresolved. The sudden return to the modern world happened so quickly that I barely had time to process it, but given the limitations, it was probably the closest thing to a satisfying closure. What I appreciated most was that the drama addressed the exact question I had been asking myself. Were Cui Hua and Zhang San only in love because they happened to be the only two modern people trapped inside the same novel? Would they still choose each other back in the real world? Zhang San's quiet reassurance that they would was enough for me. I may still have my doubts, but sometimes closure does not need certainty. Sometimes hope is enough.

Overall, How Dare You!? turned out to be so much more than I expected. It tells a solid story filled with lovable characters, heartbreaking sacrifices, palace intrigue, beautiful visuals, dreamy costumes, and a soundtrack that slowly sneaks into your playlist. Most importantly, it understands that laughter and grief are not opposites. They often sit at the same table, sharing hotpot while pretending everything will be okay.

Lire la suite

this is easily most heartbreakingly beautiful film i have ever seen in my entire life.

the cinematography was absolutely gorgeous and i loved how the series was just 2 broken people navigating what love and care means. and although they don’t face the exact challenges when it comes to their familial neglect, it doesn’t change the fact that they both experienced abandonment and standards.

i loved how they open haruki was about getting to know jin but still being careful knowing what type of image that might create for him. i love their mutual sacrifice for one another despite knowing the consequences of being involved with each other. i absolutely loved how haruki found meaning in his life through jin and how he dropped habits for him while Jin ended up picking them up. it really shows how strongly they felt for one another and how distance wasn’t going to change that.

i thoroughly enjoyed how after they met again in the timeskip haruki wasn’t afraid to get straight to the point and continue to keep in contact because he didn’t want to lose jin again.

the line, “your sea and my sea must be connected somewhere,” really spoke to me, and so many lines were so beautifully written it makes me forget that films like this even exist.

haruki’s letter to jin especially broke my heart and really showed me the lengths he’d go to change for him. him leaving behind the cd and his letter inside shows his growth to leaving behind his past and starting a new life, the lines in his letter,“if i hadn’t met you, i think i would have lived hating myself forever. being around you made me think i wanted to become a proper person for the first time. you, who are so extremely different from me, are exceedingly special to me. i think you’re amazing. i began to want to be a person who is worthy of that you.” it really characterizes his growth and his willingness to try harder. even just going to school more often because haruki wanted to see jin was progress. and i feel like the story was slightly realistic when haruki really believed he couldn’t change when he got accused for the shoplifting incident. i think it really shows how jin and haruki can’t fix each other entirely, but they can grow towards new versions of themselves together.

there’s a common theme in these type of films where they will use a time skip to emphasize growth and a lot of them are done poorly. however, i think the time skip in our youth is one of the examples of a time skip done properly and executed well. i loved how neither of them were actively seeking each other out and how haruki had proper time to grow and develop into a “better” person before meeting jin again. the time spent apart taught them a lot about themselves and the people they want to become and i think that aspect of the series was beautifully done.

overall, so beautiful and i will never forget the first time i watched this.

Lire la suite