Reviews

Attention seekers

I finished this drama in about a day and a half, it was fun and I enjoyed most of it. The flaw I found with the plot was too much bs that was honestly kinda boring. The repetitive story with the brother, and the business talk no one really cares for. Other than having to skip a lot because of this, I really enjoyed this cute drama. I found the actors to have good chemistry, it wasn't anything out of this world, but that was just the script, nothing too much (which I liked.) The male lead was very expressive with his eye's; this caught my eye and I though his acting was great. I didn't see his acting and think to myself "wow this guy sucks!" The female lead was very pretty and her acting was also pretty good, no complaints, she's great in front of the camera. And the baby was so cute, talented kid. Overall, it wasn't a masterpiece, just something slightly funny, and very "not taken seriously."

With this being said, I was disappointed, but not that surprised with the mediocre rating and the bad smart alec comments. This show is not fr, it's just a rom/com that's meant to be watched by someone who's probably got no life or overworked, and they just wanted to see something while they eat or to relieve a little stress. The nick picking is honestly cringe; this isn't Shakespeare or some other author where dissection of each line and scene should be done to further our knowledge on such writing techniques. It's just some random drama. I don't get the complaining about the plot when it was kinda something new. I saw some complaining on the events of the romance as well as the question of why a love triangle was needed. Honestly, when is a love triangle not used, even a little. The show was cliche in some respects, and i think that's common/fine. I was okay with the way the romance unfolded, it seemed more pure, though i wished her decision would have had a little more interest besides just realizing she'll never see him again. Even so, the way it was written was fine in my book. We are entitlted to our own options so people can nit pick all they want, i'm simply adding how corny it is to freak out over a kdrama rom/com.

I hope they never see the comments some write about them, their looks, how they seem on camera, and whether or not they seem worthy enough to grace our screen. How exhausting. Overall, i would do what you want, not listen to comments, and form your very own opinion. chaooo.

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Through Sick and Sin

Vanished Name is a suspenseful story about women who have had their identities stolen or hidden for reasons not entirely within their control. The story opens with an infuriated and vengeful Ren Xiaoming, whose husband—acclaimed novelist Liu Xiaoran—has stolen and published her diary as his new coming-of-age novel. She is not amused by this gross violation of not only her privacy but also that of everyone she grew up with. Her cold fury, the way her eyes scrunch up vindictively, is more chilling than any tears or yelling. But this very foolish man thinks that the royalties from book sales will heal all wounds. The diary, along with the discovery of a long-hidden corpse, pulls Xiaoming back into old relationships and a past she long left behind.

The core themes of the narrative are women's struggles and friendships spanning two generations over 36 years (1987–2023). It mostly alternates between Xiaoming's coming-of-age years around 2004 and the present (2023). Xiaoming was a difficult child—brilliant, prickly, selfish, and judgmental. Her mother, Ren Meiyan, whose life's mission seemed to be marrying her way down the list of 100 surnames, was my favorite character. Her ability to smile through her many struggles as if "the sky falls down to be used as her blanket" (天跌落嚟当被冚) moved me unaccountably. It baffled me how such a ditzy, optimistic, and joyful character could have produced such a pompous and narrow-minded daughter. The number of times I itched to smack Xiaoming for judging her and giving her such a hard time!

The narrative alternates between two timelines that reveal the ties binding two generations of women and their complex entanglements. This is one of those dramas I couldn't stop watching because so many questions popped up from the get-go. What on earth possessed Xiaoming to marry such a turd as Liu Xiaoran? How did the bright, mischievous sparkle in Bai Shu's eyes fade into such a dull, cold, and colorless person? I don't particularly like Liu Yase's acting, but her appearance as the grown-up Bai Shu screams that something soul-destroying must have happened to her—and it broke me. I needed to know what happened to her, to all of them.

The young actors got a huge amount of screen time, and they carried this drama. Wang Shengdi, of The Bad Kids fame (Pu Pu), is riveting as the adolescent Ren Xiaoming lashing out at the world (mostly her mom) with her frustration. Her natural and unique chemistry with Bai Shu, and how they came to understand and change each other's worlds for the better, made me smile. Na Yi is another young actor to watch—her transitions from careless joie de vivre to off-the-charts tension in her quiet, passive-aggressive rebellion against Ge Wenjun are flawless. The young He Yuqiong is the unsung hero of the group: generous to a fault and always there for Xiaoming.

The drama's biggest problem is that it was difficult to really see the child in the adults. Even though it's hard to find fault with Ni Ni or Zhou You's performances, I just couldn't see the young Xiaoming or Yuqiong in either of them. As for Zhang Fang, this role was completely miscast and took me out of the drama. I am usually a huge fan of Liu Mintao, but I found her acting a bit over the top here. Among the adult roles, Yan Ni (Ren Meiyan) and Dong Jie (Zhou Yun) delivered the most convincing performances. But by the time the adults took over the narrative, the kids had already gotten me too invested in the story.

The most laughable part of this drama is the suspense plot—it is a giant nothing burger. So if you are here for the mystery, best give it a skip. From the nameless corpse that remains genderless for the longest time to the dumb cop who refuses to read the book, this is far from a fast-paced crime thriller. Instead, it is a sober coming-of-age story about friendships that survive through sick and sin—the kind that get you through all the things you can't change in life. Yes, there is closure at the end, but twenty years later is just too late. So late that all the unlimited potential of youth had passed them all by.

I rate the main plot arc about women's struggles and friendship an 8.5/10, but the mystery and ending barely a 6.0/10—for an overall 7.5/10.

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Bloodhounds S2 — No Romance, More Punches

Okay, first things first — if you haven’t watched Season 1, go do that right now. 😅 You can watch Season 2 on its own, but knowing the characters and their past makes the experience way better. You’ll understand why certain people stand where they do, and trust me, that context hits hard.
Now let’s be clear — if you’re expecting a romantic + action mix, this is not your drama. This season is all about raw action, intense fights, and a bit of family emotion on the side. No distractions, just straight-up punches and power moves. 🥊🔥
The action sequences are solid, the pacing keeps you hooked, and the performances do justice to the gritty tone of the show. It sticks to what it does best — crime, revenge, and survival — without trying to add unnecessary fluff.
So if you’re someone who enjoys pure action dramas with strong characters and intense moments, Bloodhounds Season 2 is definitely for you.
P.S. – This is one of those shows where you stay for the story… but also for the fight scenes that make you go “OUCH” every few minutes. 😅

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so amazing

the acting in this was next level definitely top 5 shows I’ve watched so far omg I loved all the characters so much it felt so realistic in the ways they dealt with conflict oh jung-se (sang-tea) completely nailed that character you never want it to look mocking and I feel like it was just perfect

moon young felt like morticia addams while some parts had me annoyed at her I had to realize she just doesn’t really think like them and is just showing love in the way she knows but I did love her overall so much

gang-tea was just perfect the way he was with his brother and the way he treated moon-young just perfection

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Yeah. Ok, just watch it. Umm. Peace.

I apologise for the silly title. I was joking with an MDL senpai, and mentioned I might write an one line review . . . Don't shoot me!

As I just finished The Art of Sarah a few days ago, comparison is unavoidable. I'll keep it simple; Siren’s Kiss is better and both FL looks amazing in couture. If looks could kill!

PMY has been working consistently for years. Not all her dramas are top rated though. If I'm honest, some left me questioning her choices myself. Thankfully, this is one of the better ones. Not perfect, but good enough to keep the faith.

How so? May I present your honour with three pieces of supporting evidence.

Firstly, the optics of PMY is striking. Where she deliberately destroyed her visage in Marry My Husband. She also styled her looks to fit in with her character here. Han Seol-Ah barely eats and mostly survived on water and alcohol. It is a kind of penance, survivor's guilt if you like.

PMY went on a diet before and during the production. She does look gaunt at times which is worrisome. The director knows how to pull your focus towards her in most scenes.

Secondly, the writer-nim did a decent job with the script. While romance is a strong component, it is a whodunit at heart. I won't say that it is the best crime fiction though. It is not hard to see though some of the twist and turns. Now I'm curious about the 1999 J-drama series this is based on.

Thirdly, I have to admit the production team made the most of the posh fine art auction house as its setting. All those beautiful art installations. It is interesting to observe the back-end processes as well. I don't know how realistic it is, but it does elevate it above the typical office drama.

This also allows the show to set up some eye-catching scenes where the boundary between art and reality is blurred.

In terms of acting, PMY is the star. She knows her craft and she is dependable. She ages like a fine wine.

She is ably assisted by the ML. They are well matched and their chemistry is undeniable. Most of the supporting cast did well. The chairwoman and the 2ML are standouts. The SML did ok. He is probably the weaker link.

On top of that, the production value is top-notch. I don't know how realistic it is, but it is certainly a kaleidoscope of excesses. (Cough) The Art of Sarah (cough) OBTW, the OST is pretty good as well.

For me, it is one of the better shows of 2026. It is flawed, but very watchable. I won't quite recommend this to everyone as it is a bit niche in its presentation. It might even spark a debate of style vs substance amongst friends. Peace.

P.S. My original title was "How many femme fatales does it take to change a lightbulb?” . . . Don’t shoot me!

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Unimpressive female lead

The story initially started off with promise but the character of the female lead started to increasingly decline. Unfortunately, unlike the women in the Story of Ming Lan or The Double, the one in this series just seems hypocritical and lacking in moral. I wouldn't have minded the morality aspect as much if that's how the character is supposed to be but her core personality is just all over the place. One minute she's totally fine with arson and potentially killing off an entire household and the next minute, she's playing nice to the child she almost killed - then tries to blame her "assassin" companion for not telling her there were kids in the house. She's not one who is capable of relying on herself and this odd companion of hers is just a really awkward add to the cast.

However, it was still a decent plot and I kept watching... until the scene where a group walked in and the male lead pulled her to the side while covering her mouth to stay hidden. Instead of ascertaining the situation appropriately and using common sense, she decide to stomp on his feet and bite his hand? For what? For both of them to get caught? Meh.

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HOLY AIRBALL - DO NOT WATCH THIS

The Good:
- The actors are capable of acting well and I have seen the ML act in a different show and put in a good performance
- Music is solid
- Cinematography and visual vibes are strong especially in the nostalgic shots

The Bad:
- The two leads are the most incompetent people on planet earth when it comes to interpersonal communication. The first time when they were young it was fine but when they reconnect a decade later its clear that neither of them have grown at all.
- The conflict in the leads relationship the second time is completely ridiculous and if either of them was capable of communication it never would have happened at all.
- The actors I think CAN be good but in this show the male lead especially is written with two emotions, 1. neutral 2. slightly sad, this gets old fast and I would've loved to see this guy emote like a human one time.
- They don't expand upon or wrap up any of the side character stories.


**********SPOILERS************

- The main villain of this story being the fact that the two leads are adults with schedules that they need to work around is frustrating to see play out especially when both of their circumstances are known to be temporary, FL: wants to get closure on her guest house and close it properly...doesn't communicate it at all and leaves out the fact that her ex was involved heavily. ML: grandma is hospitalized and he needs to visit often...knows that this event that causes another hardship in their scheduling is temporary but somehow can't work through it for the short-term.
-The ending. I do not care at all if the leads end up together and my whole perception of the show doesn't hinge on that but what the f**k was that ending. My thoughts going into the last 20 minutes of the last episode was that the two leads would finally have a proper breakup and get their closure......I GUESS I'M A STUPID JACKASS. Instead we get the male lead (who was written as the most passive, uncommunicative, self-loathing, loser of all time) professing his love and sending the FL off to Hawaii to start her new life and to call him if she ever sees a future with him in it. THIS GUY IS PATHETIC. He then decides to fix up her old house, take a job that his mom use to have near the city (he had said previously that he had wanted this job since he was a kid so I don't hate this part), and I guess just wait around for the FL to maybe come back?

Summary:
DO NOT waste your time. The show was only 10 episodes but it managed to make me feel like I spent an eternity trapped inside it. The show starts off strong enough but quickly loses all momentum and grinds to a glacial pace. I had to put this show in 1.5 speed in some sections and it still felt like it was moving in slow motion. The leads both being insufferable to watch interact and the complete lack of a real ending made me genuinely angry as I mourn the hours I spent, and will not get back, watching this steaming mess of a show. I have never written a review on any 30~ dramas I have watched, but I was genuinely raging at the end and needed to get my thoughts out somehow so that I could go to sleep.

Note:
A lot is left to the imagination so I guess if you're creative enough you can spin the ending any way you want to fit whatever narrative you want but this open ended style where neither lead gets a real ending is frustrating to see when you invest this much time into the show. A show that I felt did a similar end a lot better was **SPOILERS** Twenty Five Twenty One. In this show it feels like the leads were able to get closure and grow as people while not ending up together. It seemed like this show was going for that kind of vibe at the end but tripped over their own proverbial feet.

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Spicy with good looking ML but FL irritated me

I had this drama in my watchlist but only yesterday remembered to watch it because I was missing Zhou Ling Feng's acting. I watched Bend Over a few months ago so I had some expectations with this drama. Unfortunately they were not met. I prefer Bend Over.

What I liked:
1. ML characterisation - He was mysterious from the get go. I wasn't sure whether he had been reborn too when FL thought of it.
2. Romance - Their love language was physical touch. Lotsa kisses. They couldn't get away from each other. Many forms of seduction between them.
3. Zhou Ling Feng - He was good in his role. Insanely in love / lust and the same thing adorable (I blame his baby faced).
4. Styling - I liked their outfits especially when both were wearing emerald green. I also liked the outfits worn by the concubines.
5. Dream - I enjoyed the dream sequences as they provided insights towards ML's characterisation.

What I disliked:
1. FL characterisation - Gosh her character wasn't interesting when she was without ML. So clingy and weak. Her moments with other love rivals were too little.
2. Wang Hai Min - I didn't like her acting her. She looked like she was going to cry all the time and that baby voice irritated me.
3. Antagonists- I didn't like FL's sister and that girl who aspired to be a concubine.

Favourite scene
When FL seduced ML during daytime

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room for much improvement

I was really excited about this drama, based on the cast list, but I'm a slight bit disappointed by how everything plays out.

First, I hoped (based on the title) that this would be a supernatural drama where the FL is actually a siren. I feel like they tease the siren imagery a lot with the water scenes and the mermaid wine bottle logo. It would have fit so well with the mystery/murder/romance themes too! But unfortunately the siren thing is just a motif. Wasted potential, in my opinion. I feel like if the yacht victim is actually killed by some sort of underwater creature, it would make for an even more gripping and riveting plot.

Second, the relationship dynamic between the FL and ML isn't great. They're both great actors and they're visually stellar, but I think the chemistry is a little wonky. There's also an issue of writing in the character dynamic. We don't really know what attracts the characters to one another (aside from a weird stockholm-syndrome-trauma-bond). We can tell that the ML is enraptured by the FL... just like every other man in the drama,.. but we really can't tell WHY. I wanted to know the finer details, not just that he finds her gorgeous and empathizes with her suffering.

On a slight tangent, and I do not mean to body shame, the actress who plays the FL looks worryingly, undernourished. Compared to other roles I've seen her in, I was genuinely concerned by how visible her bones were in this drama. Again, this is not to shame her—and obviously I don't know what is going on in her private life, so it's not my place to say—but I just found myself constantly hoping she was alright when she came onscreen. It kind of took away from the viewing experience too, in like a fourth wall breaking kind of way.

Fourth, the killer reveal is not shocking at all, but it's kind of lackluster. It's satisfying to see who the person is, but then we transition to the ending so quickly that I'm left with so many questions as a viewer. I wanted to know more about the psychological background, motives and goals of the killer. We only get a glimpse! I wanted to know if the killer is capable of true love, or only attachment/obsession. I wanted to know why the killer makes the decision that they make at the end of episode 12, AFTER ALL THAT BUILD UP. Ugh. The ending pisses me off so bad.

Ok, so I did spend most of this review complaining; however, I was genuinely engaged the entire time I was watching this drama. I waited until a bunch of episodes dropped before I started binge watching, then found myself excited each week for the next episode. Is there a lot a room for improvement? Yes. Is it still a fun watch? Sure. Would I recommend it? Most likely.

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Gorgeous visuals, talented cast, amazing romance… and a C-drama curse of a last third slump.

Pursuit of Jade is basically half romance half adrenaline-fueled ride for a huge chunk of the runtime, and honestly… the drama fully deserves the hype people are throwing at it right now despite some of its flaws most C dramas suffer in the second half.

The production is doing THE MOST (in the best way) in this drama. So let me start here because if you are like me and you care even a little about visuals, this show will feed you. I don’t care what others say about excessive filters and other gimmicks but C-dramas are a guilty pleasure for me and I don’t expect much realism from them when I watch them as long as I can wrap my head around it the ideas.

Cinematography: absolutely gorgeous, super vibrant, and honestly imaginative—especially the winter setting. It’s cinematic in a “wait—pause—this is art” way. The cozy small town scenery in the first third) is everything.

Battle scenes + war scenery are masterfully choreographed and shot. The energy feels real, and the staging/camera work makes it way more immersive than “generic C-drama fighting.”

From the very beginning, the drama sets a really high bar, and it stays there more often than not. And when I say high bar, I don’t mean just the production value. I mean, as far as the romance goes.

Romance occupies first 10 episodes almost entirely, laying a foundation for later. After episode 10 the story begins to expand (and it works… mostly).
We start getting deeper backstory for other important characters and the whole thing starts widening into a bigger picture.

Now, I’m picky about this because I usually watch Asian dramas for romance (and yes, they often do it better than Western shows). Sometimes when romance is super intense at the start and then “becomes a background story,” it loses its spark. That’s why this drama is a bit of a mixed bag for me. It’s heavy on romance at first, and it sets up a mood and an expectation for the rest of the series, then it steers towards other areas and never quite gets back to romance in the same capacity it’s presented to us at the beginning. Romance magic does come very close in the final couple of episodes to the romance at the beginning of the drama.

Overall if you’re watching Pursuit of Jade for romance, you’ll still get what you want here. While it wobbles a little, it remains consistent throughout the 40 episodes. And if you want romance *plus* other historical high stakes stuff, you’ll enjoy it too.

The characters (including villains) feel real. I liked how the cast was fleshed out—not just the main couple. But the pig slaughtering squad, the villagers, the children. The villains aren’t just “villains because plot said so.” They are multifaceted.

Zhang Ling He as Marquis of Wu’an aka Yan Zheng is stunning. Like… he’s gorgeous (and we all know it) and the performance is strong. Doesn’t matter that he stays in bed and is mostly wounded for at least half the drama if not more. I think this actually makes it more realistic. He does have pretty good fighting scenes, but as far as palace setting stretch of episodes, I wish he would have done more scheming of his own. But again, I think it has a lot to do with the source material.

And regarding all the online criticism going around about his makeup: it’s irrelevant and driven by haters. The reason you’ll see people picking at it is probably because Zhang Ling He’s popularity is rising internationally—so of course the haters get louder. People will look for anything to pick on. Also—let’s be real—both Luo Yunxi as Tantai Jin and Chen Zheyuan as Prince Feng Suige in their respective dramas have way heavier makeup. Somehow no one has said anything at the time. So yeah. Ignore the nonsense.

Zhang Ling He’s performance is versatile and he delivers the kind of male lead energy you want in a romantic historical drama. He has been working very hard this past few years. He deserves all the success because I can’t imagine to star in as many successful dramas he has since Love Between Fairy and Devil came out. I’m looking forward to more of his work.

Tian Xi Wei as Fan Chang Yu is also convincingly great. She feels natural in the role and carries the emotional beats well. The “country bumpkin” arc dragged a bit in my opinion. But her change in episode 26 was INTENSE. I actually liked seeing her true colors open up because she looks like a completely different person in that battle scene. That’s one of the most intense battle scenes in the whole drama. The only thing that bothers me here is that the transition wasn’t seamless, but rather immediate. I would have liked to see her transition from a simple country girl to military power house slower, but more organic.

The chemistry? Yeah, it’s one of the best I’ve seen in a while between leads. It’s genuinely top tier—like, not forced. You believe they’re in love on screen.

If I’m being honest, the romance is the reason I stuck so hard and rewatched certain moments.

And I think the production crew matters a lot here too—direction, cinematography, how intimate moments are translated. I’m not the kind of person who replays scenes for fun, but I did rewatch several of theirs because the acting and execution were just that good. Their emotional scenes are very well acted out. You can feel it.

I enjoyed the power dynamic shifts, the dramatic moments between them, and the amount of skinship we got. I feel their story is mostly satisfying—with just a few could’ve been slightly more opportunities for more interesting romance high stakes situations. Specifically towards words the end.

One thing I really didn’t love (my personal pet peeve) is the separation.

This is personal preference, but it bothers me: I’m not a fan of third-act breakups/separations where one person just decides to step back because they “think it’s best,” instead of it being clearly justified, discussed, and agreed in a healthier way.

Without actually asking the other one what they want—Fan Chang Yu suddenly draws that line between herself and Yan Zheng aka Marquis of Wu’an, first because of difference in status, and then other factors. Girl didn’t even ask him. Just made a decision for him while he is simping so hard, it’s difficult to watch. I was like *okay… I’m supposed to take this seriously… right?* Because how come she can be a strong female lead in every way except for *keeping your man in your grabby hands* way? I was expecting that this separation was there for a reason. It made me think that something would come off it later in the drama. But it didn’t really pay off in a way that felt meaningful later.

Eventually they got back together, and it felt like the separation happened mostly because that’s what the plot requires.

Again—this is just my gripe. I’ve watched too many C-dramas so I already know what I’ll like and what will annoy me.

Side story: Yu Qian Qian + Qi Min / Sui Yuan Huai felt dark… but also messy.

I found Qi Min’s character very compelling. But… I don’t think he was written in a super organic way in the script.

He doesn’t feel introduced with a clean flow. It took me a lot of the drama to finally piece together what the relationship between him and Qian Qian even truly was. I didn’t understand what he saw in her until the last episode, and we didn’t get much insight into her mental state either. I also didn’t understand why he didn’t want his son to live. Some motivations felt unclear to me—like the presentation was all over the place. I basically had to piece together his character from the choppy pieces of the story we were given. I think having better written dialogues for them would have clarified some of the things.

That said Deng Kai does really well in the role. I’m pretty sure he’s ML-material, he just needs the right kind of projects.

Another small thing that bothered me were pointless characters that were introduced that eventually get deserted or get endings that feel kind of “that’s it?”

We don’t hear from them again much, and it makes it feel like some setup doesn’t land.

For example: Sui Yuan Qing. There’s a lot of fuss in the beginning implying he’ll matter hugely… but he’s basically dead 2/3 into the drama. A chunk of screen time early on that was given to him and his feud between our lead couple feels wasted. He has such insane chemistry and potential for a great conflict with Fan Chang Yu. But apparently, poor guy was mostly there to be a tool for something else. His ending is pitiful. Similar vibe with Wei Xuan and a few others, including Li Wen Kan. He just kind of got forgotten halfway through the show after he served his purpose. He only shows up at the end to provide military support.

My biggest issue is pacing, mostly the last third slump. This is probably the core reason this didn’t become a perfect experience.

First and second thirds were interesting, romantic, and super satisfying. Romance is strong early, then military action ramps up, and that actually works. But after episode 30, like… very many Chinese dramas do this, and I felt it happen here too: the drama starts losing steam.

I almost wish they had fewer episodes and a tighter last third instead of all those longer dragging scenes for characters who only appear briefly no one cares to know what they think, plotlines that exist mainly so the characters can die for someone.

The ending is still satisfactory and production quality stays high—BUT the ending still feels a little anti-climactic. The big reveal about who Fan Chang Yu’s father is and the consequences and the revenge were glossed over. Her husband it’s supposed to help her figure it out, but he wasn’t even around half the times. there is a lot of wasted potential here with this storyline. And then in the very last episode, we need to go back in time and see what happened. At this point of the drama, viewers don’t care what happened in the past.

So… should you watch it?
Yes. Strongly.

Pursuit of Jade is still a very well-made drama and I genuinely recommend it to people who want:

- adrenaline-fueled battle scenes
- high-stakes energy
- mind-blowing romance
- charming and talented leads
- lots of comedic elements
- gorgeous visuals, including color grading + vibrant cinematography
- a talented cast + intrigue + backstories

Are there a couple of better ones I’ve personally loved more? Sure. But this is absolutely worth checking out, especially if you’re the type who wants romance + action that doesn’t feel boring for most of the runtime.

If you’re on the fence, I’d say give it a shot—because the first stretch has serious momentum, and the production is too good to ignore. In the end, you will still want to stick around to see how it all wraps up. It’s still a really really good historical drama with strong romance, strong acting, and a very high production value.

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De lo absurdo a lo adictivo ?☺️

Una historia loca y descarrilada ,sin logica ni coherencia pero muy adictiva. No es necesario entender de que va la trama o como sucedieron los sucesos/ hechos de la historia, lo que importancia es disfrutar con todos tus cincos sentidos de esta maravillosa historia. Sin mencionar que la química entre los protagonistas es tan palpable en las pantalla , aún más en las escenas de tensión inciales del drama.
La banda sonora le da este climax , llevando al espectador a estar enganchado y queder ver más y más.
Si quieres disfrutar de una historia original y fuera de lo común, de la lógica y coherente este drama es para ti. Sinceramente para mí este drama vale 10/10☺️

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