Reviews

A fantasy drama that keeps you engaged from beginning to end ?

I started this drama because the synopsis immediately caught my attention, and I wanted to watch it right away. Thankfully, it didn't disappoint. From the very first episode, I was hooked. It rarely felt boring, although a few episodes in the middle were a little slower than the rest.

One of my favorite things about this drama is how the episodic cases weren't just random mysteries. Every demon story slowly built toward the main plot, so everything felt connected. Instead of solving one case and moving on, each arc added something meaningful to the overall story.

The Mirror Demon arc was easily one of my favorites. I actually felt sorry for the demon because he genuinely loved the girl and believed he was making her happy, without realizing the terrible consequences of his actions. It was emotional, entertaining, and made the villain feel more human rather than simply evil. I also loved the Cat Demon episodes and especially the Qin player demon. He was such a memorable character, and the actor portrayed him beautifully. Even though he was a demon, he had a kind heart, which made his story even more touching.

The cast did a wonderful job overall. The male lead was my favorite character because he was mature, calm, and always understood his responsibilities. I appreciated that he never abandoned his duty just for love. The female lead also gave a strong performance, although I do think her character cried a bit too much.

The only issue I had was the pacing of the final episodes. The drama spent a lot of time building its world and mysteries, but once it reached the climax, everything wrapped up very quickly. I also found a few plot points confusing, especially regarding Banxia's search for her father and the sudden appearance of the letter. Maybe I missed some details, but those moments weren't explained very clearly.

Despite that, I really liked the ending. I was worried the male lead would leave all his responsibilities behind just to be with Banxia, and I'm glad the drama didn't go in that direction. His choices stayed true to his character, making the ending feel much more meaningful. It wasn't a perfect fairy-tale ending, but it was satisfying and emotionally rewarding.

Overall, this drama is much more than a simple demon-hunting fantasy. It's filled with emotional stories, memorable characters, and mysteries that slowly come together into one larger picture. Even with a rushed ending and a few confusing moments, I had a great time watching it, and I would definitely recommend it to anyone who enjoys fantasy, romance, and well-written character-driven stories.

Read More

Great character development

The second season wasn't as great as the first one, but overall it was enjoyable. I still loved it a lot. It got fewer fight scenes but every action scene was done well. Also, the brotherhood bonding was still amazing. I believe that's the spotlight of the whole series.

What I loved the most about this season was the character development. It digged deeper into the characters' past and their backstories and explained clearly how they became who they were at the moment. It got so much deeper than in the first season. We got to see Mugen's past and backstories of its founding members. I felt bad for what happened to Kohaku and Tatsuya, but I guess every hero would have a regretful past to bury in their heart forever.

It was also great to see a young and energetic Cobra during his time at Mugen and painfully watch how he became a cold, quiet and reserved leader of Sannoh Hoodlum Squad later on. I also loved to watch Murayama's character development in this second season and how he started to value the strength of friendship. One of my favorite scenes was the short conversation between him and Cobra. I hope they will become good friends in the future.

If only they didn't add so many scenes of Mighty Warriors and focused more on S.W.O.R.D. instead, I think I would have enjoyed it much more. I'm sorry I just couldn't care less about those ridiculous fashion and music dudes. They were just lame. While I kept waiting for the backstories of Rude Boys' and Daruma Ikka's leaders, they didn't have much screentime and barely had any lines. Most of their scenes were just flashbacks from the first season. They should have cut off so many scenes of those Mighty Warriors dudes and gave them to Rude Boys and Daruma Ikka instead.

Read More

Carina

Molto dolce, molto easy, però con una discreta pronfondità. Negli step che devono prendere prima di decidere di dichiararsi, nel comprendersi e nel capirsi. Alla fine dei conti questa è una storia di un giovane amore che cresce e si sviluppa nel tempo fino a diventare inpossibile da nascondarsi. E da li cominciano i primi misunderstanding. I primi momenti dove non si sa cosa dire e cosa fare. Per poi arrivare a quando i personaggi decidono di lasciarsi andare e di accettare l'uno amore dell'altro. Una serie carina e leggera adatta ad intervallarsi a cose magari più pesanti. E che ti lacia con un bel feeling dopo.

Read More

A karma for dismissing what's not special

"Don't judge a book by its cover." That's exactly what the characters in this story are about. The plot is tightly written, with no unnecessary dragging.

I wouldn't call it a masterpiece nor would I say the story is entirely unique. Some of plot twists were predicable and a big plot twist at the end was expected to some extent. However, the ending could be considered the unique essence of the story.

What I loved most is how it portrays the contradictions in a person's character, what one person finds special and what another doesn't. That would apply to the viewers as well, at least for me. That's because the motive behind the final revelation didn't feel all that strong, or should I say, special enough drive the whole thing - for me. But for the person involved, it was deeply painful. I guess that's the point.

Read More

Tecnicamente 10-

Allora, capiamoci: è un 10-perché ha lo stesso problema di Reset. Solo che in Reset essendo anche la storia del fratello che mi annoiava alla fine ho dato 9, però il problema di per sé è lo stesso: non capisco l'età che dovrebbe avere Gun in relazione sopratutto con l'età degli altri studenti. O me lo sono perso io (che è anche possibile come cosa, non lo metto in dubbio) o non lo hanno mai detto, però quale dovrebbe essere l'età a cui entrano sti giovani alla Homeschool? E se questa scuola dura tre anni e Run è della Gen4, mentre loro sono la Gen6 in teoria dovrebbe avere 22 anni? Comunque, colpa anche forse del fatto che Gun sembra perennemente un 18enne questa cosa mi pareva un pelo assurda? Detto ciò il resto invece mi è piaciuto molto. Una cosa che ho apprezzato della trama, è che al netto di tutto gli studenti che vanno all'Homeschool sono veramente troubled teens, anche se poi si shifta e si da la colpa di tutto ai genitori che hanno bisogno di un posto che gli permetta di guarire dai loro traumi, anche attraverso i trials che vengono fatti nelle prime puntate. Poi pian piano, mentre vediamo la nascita della scuola e delle ragioni che hanno portato il master Armin a diventare quello che è capisci che c'è qualcosa di più profondo che non va. Come se il personaggio Armin fosse una persona completamente diversa rispetto a quella che era prima. Detto questo l'unica cosa che mi spiace un po' è il fatto che noi non sappiamo le ragioni dietro al come mai il Master cattivo abbiamo fatto il lavaggio del cervello al Master Armin. Ammesso e non concesso che ci sono cattivi che non hanno bisogno di una backstory tragica secondo me ci stava almeno vedere anche il suo punto di vista (anche perché appunto è il cattivo definitivo, o forse no?). Ultimi due punti: mi è spiaciuto un po' che nonostante i personaggi protagonisti in teoria sono tutta la GEN6 ad un certo punto si perdano gli altri e restino solo i personaggi di Film, Jane, Nani, Dew, Chimon e Love, mentre gli altri ricompaiono solo quando servono, parlando degi studenti, tipo mega punto, devo dire che pare un po' impossibile che alcuni personaggi alla fine si mostrino così amici, viste alcune delle cose che hanno passato, ma forse hanno fatto un po' di trauma bonding, che ne sappiamo noi. Detto ciò sono un po' triste che non abbiano almeno provato ad usare la chimica fra Dew e Nani che c'era diciamo grande. Ultima cosa, il finale aperto. Io li amo, quindi ok, però mi piacciono i finali aperti che siano aperti generici, non quelli dove mi viene introdotto un personaggio diciamo in maniera random (nel senso che c'è una ragione dietro all'introduzione di quel personaggio) e poi chiudere così la questione.
Direi seconda stagione?

Read More

Great show! It's very lightweight and easy to enjoy. Four nosy housewives were on a roll, solving a serial murder and other cases, from daily issues to the difficult one. Together, they formed ZoomVengers, a private detective squad, contained one with a "Sherlock" brain, one with an outstanding fighting skill, and two others... not so sure actually (good with acting skills, and the one provide logistics they said). It has good mixture between mystery and comedy. And the plot twist deserves an applause. Storywriters aren't brave enough to pull such plot twist lately.

The building residents were mostly brainrot. How come they dismissed the flasher issue when they mostly talked about building price? Was the flasher planned to became a tourist attraction? They even with no shame, clapped the ZoomVengers walking out from the Tae Sun's case scene, including the security guards! Like a normal superhero story, it definitely has a lot of plot armours. Tae Sun astonishingly failed to kill So Hui, when he never failed before. The shotgun at the supermarket case held too much magazine. The kid Eun Byeol had nearly no impact. The comparation of Kong Mi Ri to Sherlock Holmes was a bit loose though. She didn't even have Holmes trademark skill: being quick-witted.

It's a good show if you're looking for a lightweight mystery show, when you can enjoy it without having to process everything in your brain for too much.

Read More

Refreshing BL That somehow Breaks the Usual Stereotypes!

Finally a series that steps away from the usual clichés we often see in Thai dramas and also other countries. this show proved that you dont have to be a mafia boss, have daddy vibes or be rich, or be a CEO to fall in love and build a meaningful story.
Duang, introduced as the top in the couple, and STRONGLY managed to break the biggest clichés that we often see in BL series. He showed that, even in real life, tops are not always cold, possessive, aggressive, or intimidating. There is no single standard for being a top, and anyone, with any kind of personality, can embody that role.
That is exactly why Duang, as a cute, lovable, and simple character, felt so special, fresh, and endearing to me.
After seeing so many red-flag and toxic characters, it was truly refreshing to finally see a green-flag character like duang. its imoportant to have characters like him in BL world because when someone who has never watched BL before is exposed only to those toxic stories, they may wrongly generalize them to the entire LGBTQ+ community. they show that the tops in these relationships can also be emotionally healthy.

In short, the story was lovely, and the characters were beautiful.
As for the acting and performances, I think they were at a very decent level, and I genuinely connected with them even the supporting characters.
Of course, the actors still have space to grow, and I truly hope they keep improving and shining more and more
every day, because they deserve it.❤
The cinematography, and color palette were also excellent.

This series portrayed a healthy, heartwarming relationship built on mutual understanding and personal growth.
The NC scenes were balanced, and I really liked that. Unlike many series in recent years where every episode seems to need a bed scene, here it felt appropriate and well-measured. Of course, if there had been more, I still would have enjoyed watching this couple.😁

In one word, everything was amazing, and I truly feel that BL should be like this.
I am so happy I watched it and got to know these talented actors.
A pure and sincere love, far from toxic and violent spaces.Everything was beautiful.
Thank you to the entire team behind this series. 👊🏻🧡

Read More

A drama of unfulfilled potential

Queenmaker is a solid political drama with considerable potential.

The character development of Do Hee is one of the drama's strongest assets. Watching her evolve throughout the series was genuinely compelling, and her friendship with Sook provided a heartfelt counterbalance to the political intrigue.

The first half of the drama was particularly engaging—I was fully invested and eagerly anticipating each new episode. Unfortunately, the momentum began to falter in the second half. As the pacing slowed, I found myself skipping scenes to maintain interest.

The strategic planning and Do Hee's relentless fight against the system were the highlights of the series. It's a genuine disappointment that the drama couldn't sustain its early energy, as it had all the ingredients to be something truly exceptional.

Verdict: A promising political drama with strong character work and an engaging first half, but it loses its way in the latter episodes. Worth watching for fans of the genre and those invested in Do Hee's journey.

Read More

A Crime Drama Wearing a Romance Costume

I'm a big fan of Up and Poom as an on-screen pair. They have this calm, effortless chemistry that makes them feel like industry veterans who know exactly what they're doing, both individually and together. So when this show was announced, I was genuinely excited. A forbidden romance between a police officer and a host who ends up working undercover for him?
That's an incredibly strong premise.

Which is exactly why it's so frustrating that the series never fully commits to it.

Buried somewhere inside Love of Silom is a far more interesting, more political story—one that explores sex work in Thailand, the complicated relationship between sex workers and the police, or even the realities of sex tourism in a place like Silom. Instead, the series keeps brushing against these ideas without ever really engaging with them. I kept hoping for something closer to Spare Me Your Mercy: a crime drama with a romance at its core, rather than a romance dressed up as a crime drama.

You can feel that missed potential in the characters themselves. Wayu's backstory falls into the familiar trope of financial hardship pushing someone into sex work, and despite supposedly being good at his job, he's written as surprisingly naïve once romance enters the picture. Krit, meanwhile, has a genuinely compelling conflict—a controlling father shaping every aspect of his life—but the series rarely gives that storyline the attention it deserves.
Even the undercover operation, which could have driven the entire plot, is introduced with promise before quickly fading into the background.

Personally, I would have leaned much harder into that premise. Let Wayu already be an experienced host who knows Bangkok's nightlife better than any police officer ever could, and force Krit to rely on someone he initially misunderstands. Their partnership could then have become a way to explore why sex workers often distrust the police, how Thailand's nightlife operates in legal gray areas, and how both men gradually challenge their own assumptions about each other's worlds. I think that would have made not only the investigation, but also the romance, feel far more earned.

To be fair, the show does get some things right. Up and Poom's chemistry carries much of the series, and there are moments that hint at something much stronger: Krit slowly questioning his own prejudices, Wayu refusing to be defined by either his profession or his past, and a relationship that feels built on mutual respect rather than rescue. The ending also feels emotionally satisfying.

My biggest issue is that the series seems far more interested in being charming than challenging. It introduces heavy topics—family rejection, homophobia, human trafficking, sex work, gambling addiction, childhood neglect—but rarely allows them the space they deserve. They're there, but mostly as background decoration rather than subjects the story genuinely wants to explore.

Add in a few overly cheesy moments and I was left with the feeling that the show repeatedly reaches for depth, only to pull back at the last second.

Love of Silom isn't a bad BL. In fact, it's an enjoyable one with likable leads and solid chemistry. I just can't shake the feeling that it had everything it needed to become something far more memorable—and chose to play it safe instead.

Read More

everyone needs therapy

Dare I say I don't like Mun Oh at all?

I knew Mun-oh was a jackass the moment he scribbled "trash" on someone's writing. That single scene told me almost everything I needed to know about him.
As a teacher, you have no right, neither ethically nor morally, to crush a student's confidence like that. If you want to criticise someone's writing, do it properly. Explain what's wrong, point out what can be improved, and help them grow. There's absolutely no need for crude, dismissive remarks that serve no purpose other than humiliating the person in front of you.
Bad writing is still writing. Every writer starts somewhere, and your role as a teacher is to guide them, not belittle them just because you think you're above them. That scene immediately soured me on Mun oh, and everything that followed only reinforced my first impression.

I didn't like either of these characters from the very beginning, and I'm glad I didn't. Otherwise, I would've been pulling my hair out from all the second-hand embarrassment later on.
Even then, I like Lee Kang way more than him. That's saying something because Lee Kang is also a terrible human being. The bar is already in hell, so he isn't exactly reaching far above the threshold of being decent. He's a creep. Spying, eavesdropping, leeching off people, exploiting them, manipulating them, voyeuristically peeping into their lives, stalking, and constantly invading everyone's privacy. That definitely doesn't help his case.

But Mun oh? Somehow, he's even more unlikable.
He's hypocritical, hot-tempered, emotionally stunted, insecure, manipulative, exploitative, deranged, selfish, dismissive, and constantly imposes himself on others. I'm just sitting here watching one guy who's years away from death act less mature than someone who's barely beginning adulthood.

The acting was great. Nothing extraordinary, but it was consistently convincing, and I was more than satisfied with the performances.

I also couldn't pay much attention to the technical aspects of the show because the plot completely carried my attention. It was intense, immersive, and constantly kept me engaged, which is exactly what I want from a thriller. That alone makes it a great watch.

One thing the show absolutely got right was its length. Six episodes were the perfect choice. Any longer and I think the tension would've started to wear off. The pacing remained consistently strong throughout, and I was impressed that it never felt like it was dragging or rushing.

My biggest issue with the writing is Lee Kang's characterisation. I still don't know what kind of person he is outside of this entire situation.
With Mun Oh, I at least have some idea of who he is as a person, even though his character wasn't explored much beyond the central conflict. Lee Kang, on the other hand, remains a mystery until the very end. I understand that the writers wanted to focus on a single plotline. Still, because so much of the story was built on deception and fabricated narratives, I never got a genuine sense of who Lee Kang actually was.
I know his motives. He's deceptive, resentful, obsessive, manipulative, and eventually deranged. But who is he when those motives are stripped away? What kind of person is he in ordinary life?

The only meaningful interaction we get that isn't directly tied to Mun Oh is his brief conversation with the director. Beyond that, his entire existence revolves around orchestrating Mun Oh's downfall. He remains so mysterious throughout the series that, by the end, I found it more frustrating than intriguing.
Because of that, I also hesitate to label either of them as morally grey. One extraordinary situation isn't enough for me to judge someone's entire character. People are capable of doing incredibly irrational and horrifying things under certain circumstances without necessarily being monsters in every aspect of their lives. Human beings are far more complicated than a single incident can capture, so I don't feel comfortable making a definitive judgment about either of them.

One thing I absolutely loved was Mun Oh's wife. She's soft spoken, elegant, intelligent, and emotionally perceptive. Imagine being trapped in a marriage with someone like Mun Oh. I'd be livid. It helps that she's a therapist and figures things out fairly quickly. I would've hated it if she had remained completely in the dark the entire time.
Which brings me to Mun Oh himself.
Why is this man so unnecessarily aggressive toward his wife? She remains calm, polite, and composed even when she's hurt and furious, yet he's the one throwing tantrums like a toddler. For someone who's supposedly emotionally sensitive, he's incredibly emotionally unavailable.

The woman is literally in pain, and instead of asking what's wrong or suggesting they see a doctor, he wants her to stay home. Why? So he can continue obsessing over someone else's wife? If that isn't emotional cheating, I don't know what is.

The only peeping I support in this show is his wife secretly observing all of his ridiculous shenanigans.

Another thing that drove me insane: how does nobody suspect the random guy who's been sneaking around the house and peeping through every corner for weeks? OH, wait, that was fabricated lol.

And why would you even let a stranger stay in your house like that in the first place? I understand they were close, but treating him like family and letting him practically live there felt incredibly unrealistic.

Why didn’t Mun Oh question even once about these stories when everything seemed so idealistic and cinematic? Why didn't he question that even after Se Hyun’s dad committed some crime, he never sent Lee Kang away, after all the serious crimes he committed? The man had so much to lose and still kept him around. Do I admire the audacity or laugh at the sheer stupidity?
The thing that frustrates me most about Mun Oh is how completely oblivious he is to his own hypocrisy.

He exploits Lee Kang, barely seems to care about him as a person, and only becomes invested when their conversations or his own work are affected. What did I expect from a man who can't even be bothered to care about his own wife's health?
The show clearly wanted him to be morally grey, but he just comes across as deeply unlikeable.

Honestly, I enjoyed watching him get deceived. He deserved it. Watching him make a fool of himself was incredibly satisfying.
And the ending? I loved it.

Lee Kang did the dirty work. He wrote practically everything, while Mun Oh fabricated a few things toward the end and suddenly acted like the novel was his. That's not how authorship works.

Sure, Lee Kang manipulated the story to suit himself and ultimately betrayed Mun Oh. But their relationship never had trust to begin with. They were exploiting each other from the very start.
Even on the forum, Lee Kang wasn't completely lying. He took liberties with the truth, just like Mun Oh had done with Se Hyun’s dad. Karma really is a bitch.

If I had to define hypocrisy using a fictional character, I'd point to Mun Oh.

Lee Kang was the mastermind all along. Both of them used each other. The only difference is that Lee Kang took things far beyond what anyone could justify.

Watching Mun Oh also reminded me that maturity doesn't automatically come with age. How can someone be so revoltingly clueless about their own actions while constantly acting betrayed whenever the consequences catch up to them?
His resentment is so one-sided that it genuinely feels like he believes the entire world wronged him while he's the only victim.
Even though what Lee Kang did in the end was undeniably more deranged, I still couldn't bring myself to feel sorry for Mun-oh at all.

The final episode especially delivered. Everything unravelled in a way that genuinely felt worthy of a finale. The storytelling served what it promised, and I couldn’t have been more satisfied.
In the end, both seemed to enjoy the thrill of it, so it's a "happy ending" ig?

Read More

The Eternal Fragrance (2026) — Review

Watching The Eternal Fragrance felt like stepping into a richly layered xianxia-wuxia world that balances grand mythology with intimate character journeys. As someone who appreciates stories where emotional depth drives the plot rather than the other way around, this drama delivered in ways I didn’t fully expect. It’s an adaptation of Shi Si Lang’s novel Qian Xiang Yin, and while it carries the familiar tropes of cultivation academies, ancient secrets, and realm-spanning conflicts, what stayed with me most were the central characters and how their growth, vulnerabilities, and relationship anchored the entire narrative.

Jiang Li Fei / Xiao Bang Chui, portrayed by Ju Jing Yi, is the heart of the story. From her introduction as an orphan from Qingqiu seeking belonging at Chufeng Academy, she carries a quiet determination that feels authentic rather than performative. Ju Jing Yi brings a natural warmth and subtle expressiveness to the role that makes Bang Chui’s early scenes marked by uncertainty and a longing for connection particularly relatable. What I loved most is how the character evolves without losing her core essence. Her transformation into Jiang Li Fei is not just a power-up moment; it’s a profound shift that forces her to grapple with identity, destiny, and the weight of hidden lineages. Ju’s performance shines in these quieter, introspective beats, where you see the internal conflict play across her face. She’s smart, resilient, and occasionally witty in a way that lightens heavier sequences without undermining the seriousness of her arc. By the later episodes, watching her confront societal rejection and embrace her extraordinary abilities felt earned, not rushed.

Opposite her, Song Wei Long’s Lei Xiu Yuan / Ye Sha is the steadfast presence every compelling xianxia-wuxia story needs. His character starts with a clear, personal motivation saving his gravely ill elder brother which grounds him immediately. There’s a quiet intensity to Lei Xiu Yuan that Song Wei Long captures beautifully; he’s not the typical brooding anti-hero shouting about revenge. Instead, he’s loyal, protective, and deeply burdened, yet capable of genuine warmth in his interactions with Bang Chui. Their friendship-to-love progression at the academy is one of the drama’s strongest elements. The shared trials, late-night conversations, and mutual support feel organic. As the story progresses and revelations about fates and powers emerge, Lei Xiu Yuan’s unwavering support becomes a pillar for Bang Chui. Their bond deepens into something profound, especially in the sequences where they navigate danger together. One aspect I particularly appreciated was how the drama allows them time as a couple later on, giving their relationship real emotional weight before the final arcs intensify. It makes the stakes feel personal rather than abstract.

The supporting cast adds meaningful texture. Characters like those in their academy circle start as friends but evolve in ways that reflect the larger conflicts between immortals, demons, and other forces. The drama handles side arcs with varying success some provide welcome levity or additional emotional layers, while others serve more as world-building tools. What impressed me was how even secondary figures contribute to the themes of belonging, sacrifice, and balance across the three realms. The mythical elements, including the Jianmu tree and its powerful fruit, set up high-stakes conflicts without overshadowing the personal stories.

Visually, the production is solid for the genre. The academy settings have a serene beauty that contrasts nicely with the more chaotic battle sequences and realm-shifting moments. Costume design and cinematography enhance the mystical atmosphere, particularly in scenes highlighting Jiang Li Fei’s transformation and the ethereal qualities tied to her origins. The action choreography is competent, though some larger battles lean more on spectacle than innovation. Pacing-wise, the early episodes build the world and relationships effectively, while the middle stretches deepen character motivations. The final arcs bring everything together with satisfying resolutions for the leads and several supporting players, including a hard-won happy ending that respects the sacrifices made along the way.

What I loved most about The Eternal Fragrance is its character focus amid the epic scope. It’s easy for xianxia-wuxia dramas to get lost in power escalations or convoluted prophecies, but here the emotional core remains front and center. Bang Chui’s journey from seeking strength and belonging to accepting a greater destiny is compelling because it’s tied to her relationships and self-discovery. Lei Xiu Yuan’s loyalty isn’t blind; it’s tested and deepened through shared perils and truths uncovered. Their partnership feels like a true alliance of equals by the end, which is refreshing. The drama also explores themes of fate versus choice, societal prejudice against mysterious origins, and the cost of restoring balance ideas that resonate because they’re embodied in the characters’ struggles.

Of course, it’s not flawless. Some plot revelations land with less impact than they could, and certain editing choices make transitions feel abrupt at times. The handling of past-life memories and major identity shifts occasionally lacks the dramatic weight one might expect, coming across almost matter-of-factly. Pacing in the later episodes can feel compressed given the scale of the conflicts. Yet these issues didn’t detract significantly from my overall enjoyment. The performances, particularly from the leads, carry the story through any rough patches.

If you enjoy character-driven xianxia-wuxia with a strong romantic core, meaningful growth, and a blend of academy life, mythical intrigue, and realm-spanning battles, The Eternal Fragrance is worth diving into. It’s the kind of drama where you become invested in the people first, and the grand destiny follows naturally from their choices. Ju Jing Yi and Song Wei Long’s chemistry, combined with the emotional honesty of their characters’ arcs, makes the journey memorable. I finished it feeling satisfied by the balance restored and the bonds that endured. It’s a story that lingers not because of flashy powers, but because of the hearts at its center.

Read More

Adult Swim! All the kids get out the pool!

This series was very interesting to me. Mostly because the only other Korean project that I've seen with this much nudity and focus on sex between men was Double Exposure. As an adult who gets bored with the conservatism and modesty found in most Korean projects, it was nice to find something that wasn't made for teenage fujoshis.

It did feel like watching soft porn. However, the fact that it had an actual story and the actors did an excellent job portraying their roles (*wink wink*) considering how comical certain aspects of the story were, made it worth the watch. So if you're like me, you'll enjoy it. I'm probably in the minority, but I actually enjoy series and movies with strong sexual content and/or nudity. The fluffy stuff is cool occasionally, but modesty & purity culture at boring to me.

If the high-school/uni drama, fish-kiss, repulsed by the idea of sex between adults type of Korean bls feels like watching Barney to you then you'll probably enjoy this and possibly put this on your rewatch list.

Read More