'Makjang' or melodrama is either a hit or miss genre for a lot of people. If viewers are aware that Brilliant Legacy falls under this category and know exactly what to expect (frustrating events and character actions, over the top plot twists, etc.) - better yet, if they don't mind or even look forward to watching these extremes, I think this drama may be well liked. It has the added bonus of being not just a makjang but also a romance and a heartwarming family drama. As a result, the frustrating elements are balanced out by the enjoyable ones.

I wanted to give this a higher rating because it is a good drama but I couldn't due to certain flaws.

- I found the heroine too stupid (even for drama land!); normally in these Asian dramas a lot of the female leads are depicted as naive and innocent. Eun Sung IS a likable heroine- she's cheerful, hardworking and resilient. But I have a personal limit as to how ignorant I am willing for my leads to be and unfortunately, Eun Sung went beyond it. Not only did she make the same mistake once or even twice (my limit) she made it around three or four times. It was frustrating for her to make the same mistakes, for these mistakes to blow up in her face, and for her not to learn a thing from the experience and just do it all over again. I wasn't sure what was wrong with her. Even the most naive person would not have made the same error. It made her mentally handicapped brother seem even more intelligent than her at times. I liked her overall, but her characterization was disappointing. If she had at least learned from her first few mistakes and shown some improvement, I would have forgiven her initial stupidity- I have a pretty high tolerance for erring characters who take awhile to grow into better people. I can be patient enough when these characters get better as the show goes on. But in most cases, Eun Sung was saved by plot armor or the characters around her were there to save her from her mistakes. I wasn't even expecting her to be this badass heroine (although I have my favorites for this type as well) just someone who got better after being exposed to harsh realities.

-Her dad was just as dumb as she was. I guess the apple does not fall far from the tree. It's funny how similar these characters are. Well meaning and kind but with no common sense or foresight.

-Her kid brother had only one purpose in the story. To get lost. I guess I can't consider this as a flaw since this is typical makjang. The actor playing the mentally handicapped Eun Woo does a very good job.

- Moon Chae Won is a much better actress than Hyo Joo IMHO, but the way her second female lead was written was a letdown. Since her character was one of the more interesting ones (being the daughter of a wicked witch isn't easy) I had higher expectations for her...I spent most of the drama wishing that Seung Mi would go from merely feeling guilty about what was happening to Eun Sung/Eun Woo, to taking an actual step in doing the right thing. But she never did. In fact, she takes a turn for the worse.. Seung Mi's characterization makes me think of how unfairly female characters are written at times. Often, when a story shows two men fighting for the affections of one woman, the man who loses out is still depicted as noble, good hearted and even willing to help out. But more often than not, a different approach is taken when it comes to two women fighting for one man. Back stabbing, dishonorable behavior (especially on the part of the second female lead/other woman)...while I am aware of the sexism in writing that brings about these differences...the fact that this sexism exists DOES NOT justify any of the resulting actions anyway. Knowing that Seung Mi was depicted unfairly DID NOT make her likeable all of a sudden for me. Nor did I excuse her behavior. True to form- second male lead Jun Se does not get the girl (as expected) but comparatively speaking, he still makes very different decisions at some point in the drama.

- racist comment in the very first episode. I wish they could remove this.

Despite all that, there were a lot of good things I loved about Brilliant Legacy. I normally don't like to watch dramas with more than 20 episodes but this one was enjoyable and fast paced. No boring or dragging moments. No slowing down of the plot midway. It's not everyday I am able to finish a 20 something drama in just a couple of days.

I think what I really loved about this was the relationship of the Grandmother character with the rest of the other characters. I just loved Granny. She was the boss and at the same time, she was what tied everything and everyone together. Brilliant Legacy, Shining Inheritance isn't just about the romance that develops between the leads- it's about how something (in this case, Granny's will/inheritance) brings people together and makes them better. Hwan (the male lead) becomes a much better person -not just because he falls in love with Eun Sung, but because he wants to prove to his grandmother that he is capable of caring for her legacy. He starts out as the most frustrating character at first (I wanted to strangle him) but later on, he goes through one of the most believable character developments I've seen. I wondered at first how on earth Eun Sung could choose him over Jun Se (played very well by Bae Soo Bin, who I know does a fantastic villain in Secret- it was wonderful to see him so good at playing good for once!) but by the end of the show I thought it all made sense. Hwan was probably my second favorite character, after Granny. The growth and realizations he went through were truly inspiring. They were not abrupt in that they did not seem like they came out of nowhere. The way he fell in love with Eun Sung and the good effect she had on his character was a natural progression of that.

The side characters were enjoyable to watch. The butler, Hwan's airheaded mother and sister and even the restaurant staff and manager were all endearing. As for the main villainess...Kim Mi Sook is really good playing the evil stepmother. She is caricature like but this is the norm for a lot of kdramas with villainesses OR villains. No double standards there. They are truly despicable and you love to hate them.

Overall, this was a fun watch with a lot of life lessons. I wouldn't watch it again, but I'm really glad I took the chance to get into something longer than I am used to.

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This series came heavily recommended to me when I was looking through popular website 'favorite kdrama' categories. The premise is that 8 students are stuck in school during Christmas break in the midst of a snow storm and there's a killer on the loose. Being a mystery fan, I decided to give it a try.



Overall, I'm glad I did but it really wasn't as exciting or suspenseful as some of the reviews made it out to be. The first half of the series dragged and was quite boring. The second half picked up and got better. I wouldn't say it wasn't worth the watch and there were things I liked about it. But I can't give it a much higher score due to the 1) slow, dragging pace of practically half the show and 2) there is a glaring plot hole that stretches my suspension of disbelief a little too much. Let's say that in these type of shows, the police/authorities are usually portrayed as somewhat inept in order for the leads shine in the detective/issue solving. In this case, the error was over the top- I couldn't even imagine a rookie cop making such a mistake. I know they wrote it this way so that the leads could have a needed showdown with the antagonist but I had to take away major points since the flaw is inexcusable.



There are good things about White Christmas. All of the teen leads did a good job with the acting and were able to potray the differences in their characters, as well as represent their character issues well. I also liked how each of them (with the exception of Cho Chi Hoon/Cho Ji Hoon) got some character arc focus at some point in the drama. Park Mo Yul was clearly the MVP, but each of them had their moment to 'shine' or something like that. Their interactions with each other, and with the adult characters, were the highlights of the show for me.



I think White Christmas was trying to achieve something unique with the crime/mystery genre but I'm not sure if it succeeded. I will say that it had significant differences compared to the run of the mill whodunnit murder mystery, police procedural or even Battle Royal/Hunger Games type of show where the leads are pit against each other...but did those differences amount to a cohesive plot where all loose ends are tied up in a way that is credible? I'm not so sure. The drama goes on and on about whether or not 'monsters are made or born?' but it doesn't really resolve it (or even leave an open ended question) in a way that made sense.

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I've always loved murder mysteries and crime dramas but to date, I haven't been able to find an asian crime drama series exciting, which is ironic since I love many animated* detective series specifically those from Japan such as Detective Conan, Files of Kindaichi, etc. For live action, I tried watching The Snow White Murder Case movie (Japan), the Galileo series (Japan) and Talvar (India). Unfortunately, while they had some interesting parts here and there, they turned out to be boring overall, with disappointing characterizations, misplaced drama and dragging plotlines. Thankfully, Signal broke the trend and I now see an exciting new world of asian crime drama to explore :D



Signal may not be the best murder mystery series but it is certainly one of my favorites. What's more, it manages to add a supernatural element where characters from the past and present communicate to solve crimes, which gives things a unique twist. I undersand this sort of thing has been done before (see Hollywood movie "Frequency") but Signal ups the ante, makes the theme all its own and gives it a Korean flavor that I can't help but applaud the writer for putting it all together.



The experience is like watching a crime drama, with mystery after mystery being solved by veteran detective Cho So Yun (refreshingly strong but vulnerable- can't help but compare her with the inefficient female counterpart from Galileo) and profiler Park Hae Young, with the help of a character from the past - detective Lee Jae Han (who is now one of my favorite kdrama characters); the result is fun, exciting and a bit tragic.



The series does a good job of letting you know when the scenes are from modern time vs. past time and the scenes from the late 80's and early 90's looked genuine and authentic. I wouldn't say that Signal is a scary show, but it certainly had its fair share of atmospheric, eerie moments. All the characters had good chemistry and I liked every member working in the 'unresolved cases' crime unit. The main villain was despicable but I find that kdramas do a good job in making you hate the villains/antagonists. This one was no different in that I wanted to reach out and slap him in the face, repeatedly.



My only complaint was that there were times when both Park Hae Young and (to a lesser extent) Cho So Yun would take too long to react to a shocking piece of news when they'd hear it. It would usually happen at a suspensful moment when it was critical for them to react quickly, so it got on my nerves a bit since I was worried for their characters at those times! This wasn't a deal breaker for me, and I thing Signals advantages far outweigh whatever flaws it has. I think the difference between asian crime drama (using Signal here as the reference point) and the American/English ones I've seen is that the former tends to be overemotional. It works in context though, and I like the fact that I know I'm watching a korean melodrama* as well as a murder mystery.

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*heavy spoilers below!

There is no question that the ML’s actions (big reveal in episode 10) were inexcusable. The problem I had with it though, is that it seemed extremely out of character for him to do what he did. Why on earth would someone like him go to such lengths when he could have just introduced himself and maybe asked her out? He was not written as a shy person. He was confident, authoritative go-getter businessman type of person. He was written as a pretty tough player in the business world. The plot didn’t adequately explain why this character, who had pretty much everything (even women throwing themselves at his feet) would suddenly act like the villain of the drama. The only conclusion I can make is that it was a stupid plot point to add unwanted angst.

I have seen this sort of thing before. In one movie whose name I forget and in another drama (Love Now)... only in the latter the stupid trick is done by the FL’s ‘loving family’ and the plot treats it as a joke. A pretty horrible joke.

To be fair, the plot in this one does NOT excuse the MLs actions. Pretty much every character (including his biased best friend) calls him out and even beats him up for it. The FL also does not take it sitting down and outright leaves him. I don’t think it was right or realistic for her to take him back but I also felt that it was unrealistic for him to act the way he did in the first place. He was pretty much in love with her throughout the entire thing. If you remove episodes 10-13, his behavior is pretty consistent throughout. I did like how it took awhile for the FL to forgive him, and that when she decided to, it was her own choice and she was not forced into it.

Other than that, this is pretty much your standard, run of the mill romcom. I think the first half is stronger than the second but they somehow had to extend to 20 episodes to tie up lose ends and characters. This drama also has the ‘brother vs evil brother’ trope that I have seen in another drama.

What did I like here? I actually like the way the ML looks at the FL. Also, some of the skinship moments were good (if only they removed eps 10-13) and they actually had chemistry. They also included the dreaded amnesia trope which I also hate...but surprisingly, I found the FL’s actions (including the SML’s) hilarious during this time.

I also like the FL’s ‘bromance’ with the SML. I am not sure I can use this word because she’s a woman but I find it refreshing when men and women can be depicted as really good friends without anything else added. Bromance doesn’t have to be just for guys lol.

I don’t recommend this for impressionable younger viewers. Older viewers who like a devoted ML will be able to assess this better, I think. They may either like or hate it. For me, it was nothing special but I did like some parts of it. At the end of the day we have to make our own decisions about what to watch and what we think of them.

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I think what I really enjoyed in Kluen Cheewit is the portrayal of the female lead (FL) Jeerawat, played excellently by Thai actress Urassaya Sperbund. I've seen a lot of other dramas in the melo category and there are plenty of times when the FLs are weaklings. Given that a lot of horrible things happen to them and they suffer all types of unspeakable abuse, it's pretty frustrating for a viewer to watch. In the case of a weak heroine, it's akin to seeing a puppy being kicked over and over by its owner. Good thing that while this drama had loads of abuse to heap, its heroine was no puppy. Jeerawat was fierce and willing to fight anyone who treated her unfairly, no matter who she had to go up against. The thing about creating a fierce heroine is that there is this danger of over emphasizing her strength to the point that she turns out to be unlikable and abrasive...you don't need to be a b-ch to be strong. This is one of the great things about Jeerawat. The writers knew what they were doing when they made a well balanced character who was vulnerable and pitiful, yet strong and capable of defending herself. Depending on the scenario, Jeerawat showed plenty of different sides to her and I rooted for her all the way. She had good chemistry with almost all the characters and not just the male lead (ML). She lit up every scene she was in and made it a joy to watch- whether she was crying, slapping someone back or getting flustered over the ML.

I would say that pretty much all the cast members did well with their roles and that the chemistry between the main couple was believable, despite their rocky start. I wasn't sure how exactly the ML could ever love the FL, given the context of how they met...but somehow they convinced me once it was over. The last episode had some of the cutest romantic scenes in drama- it was a complete 180 degree change from all the hostility and antagonism they showed each other in the earlier episodes.

But there were several things which prevented me from giving this a higher score, despite the enjoyment I got out of watching it.

When penning a hate-to-love scenario between characters, it's hardly a good idea to rush the situation and I'm glad they did not do it here. My personal opinion is that - with this sort of thing, it works best to have the relationship develop from dislike, to tolerance, to friendship, then finally to love. And the starting point for the change in the relationship should be midway in the drama. Kluen Cheewit does this well -the island scenes in episode 7/8 are the most exciting ones and they showcase the MLs vulnerability, and the FLs empathy towards him in a perfect way. The problem is that after this turning point, something else happens in the end of episode 11 that breaks down the trust between them (all over again! -_-) where the sweet moments built up from 9-11 turns into a type of love/hate in 11-12. Granted, there is good tension between them (a lot of sexy scenes that showcase their good chemistry) in 11-12, the kind of going back and forth did not flow well, IMHO. Why not just have it so that the sweet moments in 9-11 are switched with 11-12? That way, the development from hate to love would progress more naturally.

The way it was written seemed like they were back to square one and having to start over again. Given that the drama only has a short time frame of 15 episodes made it a bit of a mess. It was only in the very LAST episode where all the misunderstandings were cleared and the ML and FL finally got together...because episodes 13-14 were wasted on secondary characters. And while it's okay to develop a romance between the supporting cast, it should never affect the one between the main couple and that's exactly what happened here. Instead of the ML and FL reconciling by episode 13 and giving us viewers (at the very least) the last three episodes to witness them actually be a couple...we are left with only one episode to witness their happiness. Granted, episode 15 is one of my favorites, the thought that we could have had so much more scenes between the main leads and instead, are force-fed with the secondary romance between annoying secondary leads, was a disappointment.

At the end, I am left with a drama that I enjoyed in parts. I loved Kluen Cheewit for its amazing female lead/character, the good acting (from all the cast members) and for the chemistry between the main couple. Would I recommend this to a fan? Sure, if they were into melodrama and didn't mind all the angst. The genre itself is a hit or miss for most people. This one is flawed, but it's one of the better ones of its kind. I just kind of wish we had more of those squee worthy moments to make up for the turmoil in the earlier episodes.

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The male lead (Pha) is kidnapped when he is a child and forced to live as a bandit. When he tries to be different and educate himself, he is punished and one of the people closest to him is violently killed. From that point on, he doesn’t really go against his evil stepfather (Seua Phan, the head bandit) anymore. In fact, his kidnapping of the female lead (Nampeung) is basically him carrying out orders. Pha is a pretty good fighter and even has superpowers…but unfortunately, he cannot, and does not go against the established power hierarchy in his ‘bandit village’; he doesn’t go against or speak against his evil stepfather until the very end of the series. Seua Phan is the most powerful character here because he dabbles in dark magic…it’s what he uses to keep the village hidden from the police, to teleport and to even to win a fight. I’m not sure why, for all his powers, he couldn’t have the bullet wound in his leg cured, but I let that slide.

I get that a traumatic experience can affect one for life, but it’s normal to hope that that the main heroes and heroines of these stories can somehow overcome and conquer them. At some point much later, Pha indicates that he wants to work with the police, but he doesn’t really do much to bring it about. Despite the fact that Nampeung is forced to be there against her will, she still falls in love with him, but she doesn’t have much choice- he is after all, one of the few good men left in that place and doesn’t touch her or force her to do anything even though he pretends (has to pretend) to. It is disturbing that, if a woman in that village is unmarried/unclaimed, she is sold off to rival gangs and treated like an object.

The hero and heroine do get along and like each other for the most part, but there were times they had these frustrating conflicts because once Nampeung realized that Pha was the same as her (meaning, forced into the same situation as her) she would try to convince him that they could escape, but he simply wouldn't hear of it.

He took care of the people under him but his delusion of being a caring Robin Hood protecting his people forever and ever, was a false one. The people under him may have been safe, but the ones under his evil stepbrother and stepfather certainly weren’t. It took a lot of convincing from his dumbest, most annoying underling that he couldn't live like that forever that finally made him relent, reunite the heroine with her parents and try to work with the police and surrender.

There were things that I liked in this drama. The main couple were brought together in an objectionable way, but they got along and had a good relationship for the most part. The actors playing them (Mike and Mookda) had a good and natural chemistry. Mike does well in these physical, macho roles whereas Mookda is very charismatic, spirited and reminded me a lot of a Disney princess. There was a lot of good sismance, too. I like Nampeung’s friendship’s with Namking and Phikun.

This is one of the few dramas were I grew to like the female antagonist. The only thing I didn’t like about Grachao was how she tried to attack Nampeung…but other than that, I really felt sorry for her. She suffered a lot and had no one to protect her. It’s actually a little unbelievable that she didn’t die after all that happened, but I’m glad the story developed her further and gave her a happy ending.

The special effects and fight choreography weren’t much (think early 1990s standards) but they were entertaining and fast paced. I like how they incorporated powers and a bit of Thai folklore here and there. The forest ‘monsters/zombies’ were well rendered and they reminded me of the mythical creatures in a lot of SouthEast Asian tales.

The second male lead (Lieutenant Praothep) started out as very useless but turned out to be a strong character.

The story had a lot of potential. If I were to rewrite it, I would make it so that both Pha and Nampung were undercover and worked together instead of Pha trying to do everything by himself and being very uncommunicative and untrusting of everyone.

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Overall, this was a pretty entertaining watch. I thought it would be just another Squid Game or Battle Royal knock off, but it wasn't. What I found interesting was that even if there were many similarities between these shows, Alice in Borderland was definitely its own thing.

I loved the puzzle games and the variety of challenges; I am not a gamer and I don’t play cards but they explained the rules in a way that could be understood by anyone. The show also used different areas of an abandoned cityscape very effectively for its background. It was refreshing how the game backgrounds would switch from an abandoned building to a hotel to even a beach resort.

The male lead was pretty smart and capable; it was a lot of fun watching him come up with last minute solutions when it seemed that he would lose. Despite being a very good and pure character, he also knew how to trick people, which came as a surprise but very handy for survival. At first, I didn’t like how he seemed to be the only smart character but it turned out that there were other characters (like the mysterious Chisaya) who were just as intelligent and could come up with their own ways to win.

I heard somewhere that the female characters were shallow in comparison but I didn’t think so. All FLs here were very strong, likable and had different capabilities. The parallels between the main FL Usagi and the rabbit from Alice in Wonderland was represented well, in that they made her a mountain climber who was very good at parkour; she also provided a very good motivation for the ML. Kuina, who gave the initial impression of being a beach bum, turned out to be a very capable fighter while Ann was not just the Mad Hatter's henchman but an intelligent forensic researcher.

One of the things I didn’t like is how the characters would sometimes have these overly long, philosophical discussions which really didn’t serve any purpose, It made some of the episodes (and the game that was ongoing) boring. I liked the challenge with the King of Clubs for example, but it could have been more exciting if they trimmed down these overly long conversations between ML Arisu and the king. I am not sure why they did it, it was as if they were trying to make the plot deeper than it had to be and I felt it was unnecessary.

Another thing is that, while I don’t mind the violence, the level of injuries the characters got (particularly in the last episode) was too much that I really could not understand how they survived. While I am happy that they did make it, it seemed impossible, given how brutal the fight scene was.

I am also not sure about the final challenge with the Queen of Hearts and how she was able to make the ML lose hope at first. Even at the very end, I wasn’t sure what the whole point of Borderland was…was it created to punish people who did wrong things in the real world? Two seasons have already passed but many important points weren't cleared yet. I heard there was going to be a third season but to be honest, I kind of worry that they will stretch the plot out too much and ruin it. It was exciting to see the joker card at the very end but there is a danger of ruining a good thing when it takes too long to come up with a proper conclusion.

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The English title for this drama is misleading. The male lead is not a bad person; it just so happens that the female lead’s family disapproves of him because of his background/status. This is basically a reverse Cinderella story with a poor ML and rich FL and a lot of the conflict stems from it. That said, this is a melodrama, so it has the usual tropes and makjang elements one can expect; I only recommend this if one likes watching this type of show in the first place.

It is pretty good for its genre. The best thing about this is the chemistry between the ML and FL, which is very intense and heartfelt. It’s one of the best I’ve seen in a long time and it doesn’t matter whether the ML or FL are having a romantic moment or a scene of heightened conflict. Mario and Yaya really sold it; they got along so well that there were plenty of times when they didn’t even seem to be acting. They were very natural when they were together.

I am not surprised about Yaya’s performance since I’m familiar with her work. In her last melo lakorn, she efficiently played a very fierce and strong FL. In Keu Teur, her character is gentler and more subdued, which also works since this means that she gets to play a different type of role. She really nailed the role of Saikhim, a character who loves her father in spite of the fact that he bullied her since childhood. Saikhim comes from a wealthy, but very toxic family and yet she doesn’t lose her goodness throughout. Yaya does facial expressions very well; one example is the scene in the beginning of the second episode where the ML’s ex discovers them together in the garage and the FL tries to flee. FL doesn’t say anything at all in this scene but you can feel her panic just looking at her face.

Mario was a pleasant surprise. It’s the first time I’ve watched him and he plays a very strong, devoted and yet vulnerable ML. At first, I thought he was too baby faced to play this character but he was very fierce when defending himself and going against other characters like the FL’s dad or even his evil ‘stepmom.’ The circumstances of his life put him at a disadvantage many times and yet he was no pushover. I love how he could speak out for himself, was single minded and not wishy washy about the FL and also that he was generous about helping people.

Another thing I really liked was that, unlike in previous dramas, the main misunderstanding between the leads was cleared up way before the last episode. Normally, the writers drag it out until the very last (or second to the last) episode, so the viewers only get to see good moments between the leads at the finale. Not so here. It was a very good decision to clear up the misunderstanding several episodes before the show ended and what’s more- I really liked how, even if the ML came back for revenge, it never went out of line (this is one of the few shows where he is actually justified and only acted out of self defense); also, it was clear that he still loved FL even before* the misunderstanding was cleared, which is another thing I liked.

There are only two flaws that bothered me. One is that both the FL and ML are too forgiving. The FL’s father’s actions were inexcusable; even if he supposedly turned good at the end, it was a little unbelievable. The FL’s friend (the second FL) did something very wrong which led to the leads separating. I could understand why she did it and liked her in general, but the way she looked down on the ML’s background was a bit hypocritical and snobbish, given that she also came from the same humble origins. It’s a good thing she redeemed herself later.

The character who bothered me the most was the ML’s friend, Khem. What he did to land the ML in jail was completely unforgivable. It frustrated me a lot to see him (and everyone else) brush this off at the end and worse, to see him angry at the FL’s father and act like he had no part in what happened to the ML.

There is also a very unpleasant reveal about one of the ML’s relationships at the end that was very uncomfortable and may turn off many viewers, but I saw the ML as a victim in there and not at fault for what happened.

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Most of the Thai dramas I watch are spicy melodramas. Every now and then, I find something I enjoy that makes an impression on me, such as Kluen Cheewit. I wouldn't list The Girl from Nowhere as one of my favorites, but this is definitely one of the lakorns I like because I feel that the over-the-top behavior of the characters actually works here. I don't think the stories are meant to be realistic but that they are supposed to show an exaggerated version of human depravity in extreme situations.

Something about the atmosphere in these stories, along with the main character, reminded me of a horror manga by Junji Ito. I thought Nanno was very charismatic and that the actress playing her (Chicha Amatayakul) was very entertaining. She reminded me a little bit of the Joker or Harley Quinn, only that her character mostly toys with those who are in the side of wrong. I don't think she's meant to be a good character either, but maybe a chaotic neutral.

I also like how the cast of supporting characters, from Claudia Chakrabandhu (Thank You Teacher) to Teeradon Supapunpinyo (Pregnant), performed well to the point that I didn't mind when Nanno was offscreen. Another thing that worked in this type of drama is that each episode had a different story and sometimes one story would take up two or three episodes, so they didn't have to be watched in order. The whole experience for me was like watching a horror anthology comic come to life and I don't even like horror.

There were certain plot points which dragged some of the stories down a notch. I liked Wonderwall for instance, but I could easily find a solution to the problem which didn't involve one of the characters wishing everything away. Some episodes in the second season were also boring and repetitive. Overall, the first season seemed better than the second...although there were some good episodes in the latter, like Minnie and the Four Bodies. I don't mind the introduction of Yuri as a rival for Nanno in the second season but I got kind of annoyed that it had to end in a cliff hanger!

Another thing I dislike is the series' old-fashioned attitude towards cheating in relationships. I felt that the writing would often blame the women involved but put the guy-in-between (the one who actually cheated) on a pedestal. There were some situations, like in the BFF episode- where a guy would send flowers to two girls at the same time and in the same room (his girlfriend and the girl he was cheating with), but the story seemed to blame the women involved without questioning his behavior.

Other than that, I think this is one of the better lakorns. I feel pleasantly surprised that Thailand decided to make something like this because I feel that Japan ought to be the one doing it, given all the content they have in their manga to base it on.

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This came highly recommended to me a few months back but I shied away from it after hearing that the first two episodes were pretty violent. I'm glad I changed my mind because while it (the violence) was difficult to watch at first, it wasn't quite on the level of Squid Game, which I was able to enjoy.

There is a rebirth aspect in this revenge drama that reminded me of Green Rose- an older classic, a re-interpretation of the Count of Monte Cristo and also one of my favorites. The melodrama here is turned up a few notches because it is a makjang but once I had my expectations set, I was able to enjoy everything and take all the melodrama with a grain of salt.

I think the cast was pretty strong here and that every actor/actress did a good job, even the ones with minor roles including the child actress.

I'm glad the main actress chose this role because she is mostly known for playing glamorous, leading lady types and this drama allowed her to try something different. I liked her controlled performance throughout because this restraint created an even more powerful effect during those scenes where she finally had to erupt and get emotional. I also like how she had help from several other, like-minded characters, namely the supporting female lead who was just as abused as she was and also the male lead who played her love interest. One of the tropes here is that they were all broken people who supported each other because they could see eye to eye and because the regular justice system couldn't help them like it should have. I'm also glad because it seemed (even for a melo), realistic for me that she couldn't do everything by herself even if she was clever about some things.

There is one part of the plot that I feel was handled poorly and this is how she got revenge on her former high school teacher. I felt that it was silly and that the guy could have just walked out of the room full of flowers if he was so allergic! Other than that, I liked the drama, even if it isn't something I'd rewatch.

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This one’s a classic and I feel that many of the tropes from shojo manga or even romantic k-drama (plain cinderella surrounded by a bunch of good looking guys, rich guy/poor girl, evil mother in law, etc.) were inspired from this. In other words, it’s got everything people either love or hate depending on their personal tolerance or liking for these old tropes.


The male lead is very controversial. He’s downright mean in the first few episodes and almost does something unforgivable in the fourth episode (something I wish they had removed because the story would have worked just as well without it, IMHO) but I could see what the writer was trying to do with him…he’s a big sweetheart and probably one of the most devoted and unwavering MLs by the 30th episode onwards; almost like an entirely different person but it takes awhile for him to get there and maybe for others (understandably) a little too late.

The relationship between the ML/FL only work out here if* the viewer likes the trope where one character transforms after going through a lot of changes. I was loving the ML/FL by the latter episodes but again, it took a long time to get to that point and there’s a lot of angst a viewer has to wade through, brought on by their social status differences and his meddling evil mother.

I’ve seen several versions of HYD/MG. It was a huge hit when it aired in my country; in fact, it started the asian drama wave in the 2000s. I think this might be the best version because of how closely it follows the manga. It does something better in that it manages to soften the characters even further and inject more sweet moments between the ML and FL, which I didn’t see much of in the HYD comic. I could actually tell that they liked* each other here, compared to other versions where they just bickered most of the time. It also handled the amnesia arc from the comic very effectively…I didn’t like that trope.

Also, casting is on point for all the characters here, especially the F4. I’ve always thought Lee Min Ho from BOF and Bright from the Thai F4 were too soft and pretty to be Domyouji/Dao Ming Si..but they would have been perfectly cast as the 2nd ML. IMHO, only the Japanese, Taiwanese and now the Chinese versions cast the ML right. So far, the only San Cai/Tsukushi I like are the ones played by Barbie Su and Mao Inoue. The one here is just alright. It’s a nice touch that they made her a chef.

The only thing I didn’t like about this version were the episodes that focused on a made up character named Zhou Caina, who was not part of the comic..and also the last episode which seemed rushed and out of the place.

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I really enjoyed watching this light and fluffy romantic gaming series. It was fast paced, didn’t drag and the leads had good chemistry. I’m not a gamer but I was able to feel the stakes for the characters every time they had a challenge, won a game or suffered a loss in their tournaments.

The ML/FL were adorable. I think this might have the funniest ML I’ve ever seen in awhile. He had this way of cracking a joke, insulting someone or being very sweet towards the FL with this deadpan expression which made the situation really funny. The FL was even more expressionless but it didn’t bother me; I think it’s because it made her seem calm and in control when she was gaming…and also because she had many funny scenes herself and her blank face made it more laughable. The other team members were also very likable and had good interactions with the leads. It’s great how there were episodes that focused on some of them and their back stories; it fleshed them out better.

There’s an OW here but what I like about this drama is that it doesn’t create annoying situations where the other party fakes something which causes unnecessary angst, separations and stupid decision making from the leads. ML basically tells her point blank that he isn’t into her and she respects it, which is how it should be. There’s also an OM at some point but it’s mostly played for laughs and all the characters are very respectful to each other.

One criticism I have is that the gaming is a bit confusing because the camera doesn’t zoom in enough and when it does, there’s no indication who is playing which character. They make use of characters from a real game called Onmyouji Arena, but the thing is that the characters here tend to look similar…it’s not like Street Fighter where the characters look distinctive. One remedy for this would have been showing a small picture of the real player when a character appears.

I think I might like this even more than LoveO2O but I liked that one as well, for different reasons.

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WARNING: major spoilers

This is a good romantic drama but only if you don’t mind a bit of filler/fluff/slower episodes, which is the reason why it took me awhile to finish this. I know a lot of people like a slower pace which is fine, it’s just a matter of preference. I thought the chemistry between the leads was pretty good despite the repetitiveness of some scenes. They were pretty believable as a couple. The only thing is that once you see them get to the solution where they are finally able to leave North Korea…you might roll your eyes and wonder why they didn’t do this in the first place and why they had to go through much harder routes. Also, the main bad guy was ridiculous at times. The actor did fine, but there was a scene where he is shot several times at close range and still doesn’t die like he’s superhuman or something. When I thought about it, I felt that they should have made his commanding officer the main villain instead since he was just following his orders.

There’s a good bromance between the four soldiers under the ML and also some sismance between the elderly ajummas who befriend the FL. All heartwarming.

I also liked the second FL. I felt sorry for her at first…I normally do not* like this type of love triangle. Actually, I don’t care for love triangles in general but the worst are the ones with two females and a male (usually written by male authors but there are some* exceptions) mostly because I do not like how the female characters are written in these stories…but in here, given that the ML had an arranged marriage with her and this is North Korea we are talking about, I felt that what happened after made sense.

Some might not like the rosy depiction of North Korea, which I understand. I’ve had some conversations with some South Koreans about this, and some of them have expressed wanting to have a peaceful relationship with NK…not sure if this is the reason for how NK is depicted here. But if you want to see a realistic depiction of NK, this is not it.

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I'm not a gamer but I really enjoyed this drama. It was pretty unique in how it showed the characters in both the gaming world and the real world- I've never seen anything like this before. The main leads had chemistry, there was bromance (among the male lead and his buddies), sismance (among the female lead and her buddies) and most of the characters (even the antagonists) were either likeable or managed to redeem themselves in the end. The relationship between the main couple here was cute and believable. One criticism I have is that the main male lead was too robotic. I liked his character and his relationship with the FL a lot but...he just didn't seem human. I don't think it has to do with how 'perfect' he was. I've seen a lot of dramas (Korean dramas, Chinese dramas, Japanese dramas etc) with perfect leading characters and this never bothered me if the story was well written. But in here, ML didn't seem to have any emotions except for being smiling, confident or blank faced.

The FL had moments were she felt bad (ex: when her friend grew angry with her etc) and moments where she appeared to be a normal human girl (ex: giggling with her friends, getting upset, feeling unhappy, etc)...but I never witnessed the ML here go through any human emotions like that. It was pretty weird...like watching a mannequin walk and talk. There are a LOT of other MLs (ex: Ye Hua from Eternal Love, etc) that fall into the 'perfect male' category but for some reason, even Yehua who happens to be an actual god seemed somehow more human than Xiao Nai. I think they should have given him scenes were he shows just a little bit of vulnerability. Another thing that bothered me was how all the employees in his company were male, save for the FL. I wouldn't have minded if they had thrown in a few female programmers. It would have made it less unrealistic.

Still, it was a pretty good drama. There were serious moments but nothing too angsty and its overall lightheartedness made it a fun, relaxing watch.

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