Cheer
The Morgue
The film main point is making a dictionary titled “The Great Passage”, like the chief-editor stated: “A dictionary is a ship which crosses the sea of words and languages”. Being a lover of dictionaries and words in general, I am ashamed to admit that I was ignorant of the hardships and the overwhelming mission of making a dictionary that may take more than a decade to accomplish. Therefore, this film was such a penetrating telling of an intriguing theme.
While watching The Great Passage, you will be stroked by two things: the story’s process and the characters’ portrayals and interactions. The first part is a quite slow narration of events that may not sound impressive at first sight. However, with the film progressing; many parts start to connect and the plot becomes as solid as ever. Moreover, light moments were also used to add some entertainment such as the editors eavesdropping on young girls’ conversation to find out new words invented by the younger generations. Although, this film may not be to everyone’s liking because of the theme and the very slow events’ development but I believe that was the perfect way of making such a film.
The second part is what makes the film quite special too; this film’s characterization was carefully handled to not appear surreal or lacking. For instance, the male lead Majime (literally translated as “serious”) was a quiet man who finds trouble with expressing himself; he’s always surrounded by books and has zero friends and thus no social abilities. The only one who’s able to understand him a little is his landlady. When such a man gets the chance to make a dictionary, he was inspired and determined to make it his life goal. In the meantime, he falls in love and starts struggling to win his lady’s heart, despite his lack of self-expression, while continuing his dream of making the dictionary come to life.
On the other hand there are his co-workers at the dictionary department; his fellows in this enormous mission of defining, refining and editing thousands of words in a modern-day dictionary. All of his colleagues were quite endearing but the most captivating character must’ve been Nishioka; an entirely opposite character of Majime; talkative, social and very affectionate; he was Majime’s right hand because dictionaries can’t be made by bookworms alone.
The acting was powerful. Matsuda Ryuhei is a very talented and versatile actor; I’ve got the chance to see him in five different roles so far and I loved him in all of those but this must be where I become a great fan of his acting style: expressive, calm but turns intense in need. His portrayal of Majime’s was perfect; he involves you with his character at every facial expression. Other actors were also quite good in here especially Miyazaki Aoi and Odagiri Joe, one heck of an iconic Japanese actor.
The selected music for this film was very well synchronized with the film’s theme and developments. It adds a great taste to the watching experience. The cinematography was also pretty well conveyed considering the fact that this film contained many time jumps from the 1995 till 2010.
Watch if:
-You’re interested in different types of films.
-You like watching inspirational films.
-You like to learn more about dictionaries.
-You like watching high-profile acting.
Do not watch if:
-You can’t handle slow films.
-You’re looking for romance.
-You’re not interested in dictionaries or words.
-You find inspiring stories “boring”.
The Great Passage is a motivating film that handles a different topic. It’s certainly not for everyone but if you can handle it then it’s undoubtedly one of those hidden gems that leave you with a smile on your face.
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Khun Chai Puttipat is the third part of the Suparburoot Juthatep’s series. Unlike the previous two brothers; Chai Pat’s story was more exciting to follow; there wasn’t the traditional Thai love story’s telling or the unbearable indecisiveness and rejection from the male lead part. Okay, the female lead contributed in the rejection part but it wasn’t as serious as Chai Yai’s indecisiveness and Chai Ruj’s rejection. This story started fun and ended cute.
Unlike the other two female leads, Kaew wasn’t nobility or royalty; she was a country pumpkin who won the beauty pageant and stole Chai Pat’s heart. Moreover, our male lead’s transformation from a serious workaholic doctor to a lover-boy was such an entertaining watch; Chai Pat’s character caught my eyes in Chai Ruj’s story where he was highlighted as the closest brother to him; of course, that was a way to introduce the following part’s male lead and it succeeded. I found the doctor’s character less interesting than his brothers to be frank but he got the type of personality that makes you want to see him in action. Therefore, his love story was anticipated and somehow it didn’t disappoint.
I think the part that ruined the drama partially was the evil guys’ persistence and deviation to illogical acts. Of course, the second female lead was enormously annoying - as expected. Plus, the overall absence of Chai Yai and Chai Ruj from the story bothered me; I know they wanted to pay extra attention to Chai Lek and Chai Pee’s characters since their stories are coming up and I really like them the best amongst the rest but I wished they would show the harmony, the bromance and the brotherhood once again in this part.
Some parts of the love story didn’t connect but I give the chemistry a high score; Chai Pat and Kaew were a great fit to each other. Although he was only a newbie in this drama, Jame did a nice job with the character. The female lead on the other hand was a little better than him when it comes to acting. The second male lead was a nice one too, as a character I mean, I just love heartwarming second male lead who understand their limits without anyone telling them to.
Watch if:
-You like love stories between different classes.
-You’re looking for good chemistry.
Do not watch if:
-You’re looking for a different type of love stories.
-You dislike slow development.
Khun Chai Puttipat is by far my favorite amongst the three parts I saw. Even though it’s not perfect or impressive by any mean but it was better executed than the other two parts. Of course this is only a temporary judgment until I see my two favorite brothers Chai Lek and Chai Pee.
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The Long Goodbye is another adaptation of the very popular Raymond Chandler’s novel. While watching this drama you would get the exact feeling of watching an old Hollywood noir film with all of those pitch-black moments and intriguing tension. However, that doesn’t deny the persistent existence of Japanese fingerprints such as post-war atmosphere and some elements that represent Japan alone.
This somewhat mini-drama depicts a long mystery, it’s not the type of murder that will keep you on your toes to know the truth but it’s certainly the type that creeps into you to give you a nice blow at the end. The suspense part wasn’t fully used but the mystery build-up and revelation were absolutely captivating. For some reason, this drama wasn’t slowly-sailing at all, you’d expect such a drama to become heavily gloomy at some point but it didn’t. Of course it wasn’t humorous either but the use of the dark aura came with moderation; the poisonous relationships, the filthy lies and the intolerable truth didn’t come in one blow. It was slowly building up until it was mature enough to be revealed.
The name of Asano Tadanobu as the main lead of this drama was enough to make me blindly watch this; it’s not only because he’s one of the greatest Japanese actors alive or because he’s one of my all-times favorite actors; it’s also because the man can choose his roles so well. He’s also films’ star so getting the chance to see him in a drama is one of the better news I read this year. Leaving that aside, his portrayal of Banji Masuzawa was consuming, although his character was silent and he couldn’t do much about it but he was able to make it perfectly charismatic and when he snaps; all you have to do is sit back and see how high-profile acting is supposed to be like.
Other actors for this drama were also amazing. First there’s Ayano Go; someone who slowly building his acting to reach greater levels; he was able to make his character quite appealing even with the little running time. Second, there’s the definition of Japanese beauty Koyuki; she was impressive in Aiko’s role, I had a difficult time comparing this to her previous “innocent” housewife roles. Finally, there’s Furuta Arata; man is a very-underrated Japanese veteran actor, he rarely got roles to shine in them but in The Long Goodbye, he was finally given justice.
The cinematography for this drama was quite catching; Japan in the 1950’s was brought to current days with glamour. As for the music, it was too perfectly-chosen to fit the drama’s developments and tension built up. Other than that, the narration must be the strongest point amongst side effects. Takito’s way of narrating was too intriguing to describe, not only his wonderful tone or use of words; but there’s also this artistic and vibrating meanings behind it.
Watch if:
-You’re looking for a different type of Japanese dramas.
-You like Raymond Chandler’s novel because this is a fine adaptation.
-You’re into dark, slowly-building types of mysteries.
-You like Asano (Duh!)
Do not watch if:
-You’re looking for your standard Japanese detective drama.
-You can’t handle slow-sailing mysteries.
-You dislike noir dramas.
The Long Goodbye is an unusual Japanese detective drama that falls between noir and mystery. It may not be to everyone’s liking but it’s absolutely a drama that was able to distinguish itself from the crowd.
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Khun Chai Pawornruj is the second part of the Suparburoot Jutathep series. It picks right where the first story left off. There were no flashbacks or explanations used; the viewer is immediately thrown into the second brother’s story and struggles. Unlike his four brothers who come from noble descendant, Chai Ruj’s mother was a servant for the first wife until his father raised her rank. So this inferiority complex followed him his entire life with the nickname “Khun Chai in the kitchen”. Although his brothers respect him and love him like an elder and a younger brother, some people outside aren’t of the same view.
Chai Ruj’s love story was in Switzerland with his childhood play-mate that he didn’t recognize. This was practically a travelling love story until the truth unfolds about the identity of his royal girl. The love story was a problem of ranks and some lies when Chai Ruj struggled so much to find love after his first heartbreak. Although he’s a diplomat for the Ministry of Foreign affairs, he was a proud man of his servant bloodline just like his noble side. Chai Ruj is a humble down-to-earth man, the kindest and the most caring between his brothers which made his character show a lot of interesting sides.
There are two reasons why this part managed to raise a little in rating; the first must be the diversity of side characters mainly the fellow travellers in Switzerland and their side love-stories that added a good balance. The second reason was once again, the bromance. The brothers stickled together for Chai Ruj especially Chai Yai (the elder brother) and Chai Pat who’s the closest to him, they showed a lot of caring and support for their second brother.
On the other hand, what this part lacked was the continuation of events; the annoying rejections, developments and some characters. For instance, Granny Oon overdid it with her meddlesome attitude. While the two Taewaporn girls were building that hateful tension which will come in Chai Pat and Chai Pee’s stories. I can obviously tell that Marathee is going to be that evil second female lead type in the upcoming story; I need to brace myself.
The acting was medium; Pope did well while his leading lady sucked so badly, she’s a pretty actress but her smiles, laughs and some attitudes appeared so awkwardly on screen. I know that’s she a newbie so I shouldn’t get too harsh on her but she was bad. The chemistry was good though.
Watch if:
-You liked the first part because this is absolutely better.
-You like travelling romances.
Do not watch if:
-You dislike the push and pulls in romantic stories.
-You’re looking for something impressive.
Khun Chai Pawornruj’s love story was certainly better than Chai Yai’s with little flaws here and there. It was enjoyable overall and I am too darn excited to see the doctor Chai Pat’s share of the series.
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Golden Cross can be divided into two parts: Before episode 15 and after episode 15. The first part was gripping; events kept getting more intense with each minute passing by, the revenge built up was going smoothly, the characters were more rational and interesting to follow. Prior to episode 15, most of things were impressive; I even called it a high-class piece and one of the most underrated currently airing dramas but I guess too much arrogance crushed my dreams to select this as the best K-drama of the year.
After episode 15, everything started to fall apart drastically; the plot lost focus and the story took a dangerous turn. The drama went forward and backward leading all wrong directions without finding its right balance. A certain twist ruined it all for me, I am very disappointed with the writer-nim; she was the woman who wrote a fabulous drama like The Bridal Mask so I thought that she can handle an economical revenge thriller in a better way than this. The woman just couldn’t keep the drama going for 20 hours. I think the right length for this drama should’ve been 16 episodes, if it ended right there; then things would’ve been great.
You simply cannot hate a drama because of five disastrous episodes; but it really depends on thir location in the drama’s airing plan; if these episodes were at the beginning, at the middle or came in separately then the viewer could be lenient but delivering those types of episodes at the end back to back is unforgivable. It’s a fact that the latter episodes of each drama tend to be the most important ones so yeah, it’s absolutely intolerable.
The acting was high-class; there were absolutely mesmerizing and well-chosen actors for this one. You can’t say “no” to Kim Kang Woo’s penetrating acting, Jung Bo Seok’s veteran style, Uhm Ki Joon’s charismatic skills and all other actors’ dedication to their roles. I loved the 100% idol-free main cast; they simply open your appetite for real acting. The characters on the other hand weren’t all appealing. For instance; the female department suffered so badly from laid-back characters without much changes or depth.
The music and cinematography for this one were nice but forgettable; they didn’t add too much impact on the story.
Watch if:
-You’re hardcore fan of revenge dramas.
-You like idol-free dramas.
Do not watch if:
-You’re looking for mind games and mental war.
-You’re looking for a masterpiece out of the revenge theme.
-You’re looking for romance.
Golden Cross was an amazing drama up until episode 15 when everything started heading to the wrong direction. I didn’t hate it but it’s a shame since this drama held too much potentials to become one of the better K-dramas of the year.
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Khun Chai Taratorn is the first part of the very popular Suparburoot Jutathep series. It’s somewhat an exclusive Thai way of making dramas where three, four or five plots are connected by a main thread. In this series’ case, it’s the story of the five noble brothers, set in the after-war times in Thailand.
The first part of the story started in a promising way, it gets extra credit because it introduced us the main characters, their relationships and the general atmosphere. The premise of the plot seemed interesting; antiques robbery, cross-dressing and so on. However, the writing didn’t manage to keep things captivating. I think that’s the main issue with most Thai lakorns, they usually have interesting topics and characters but they tend to mess things up in the middle and near the end.
I found too much Indecisiveness to tolerate. Many main characters kept avoiding the obvious for the longest time that’s why the lakorn could turn out to be a little boring. Of course, the bromance moments between the brothers surely kept my interest, the way they eavesdrop on each other or plot against each other just for fun was priceless. I believe that’s the main strength of this series.
This may have been the non-interesting brother as some may call it but I surely liked Chai Yai’s character, apart from his indecisiveness of course. He was calm, caring and well-worthy of the eldest brother’s title. The acting was, not bad is all I can say. As many of you would know, Thailand doesn’t contain the greatest actors out there but they can be good enough. Grate did well with the character, at least more convincing than Preem’s acting. You see, beside Grate and Pope (playing the first and the second brother) who are well-known actors from Channel 3, Jame, Bomb and James (playing the other brothers) are newbie actors who made their breakthrough with this series so they deserve encouragement.
The female department was nice; I especially liked the two grannies. The triangle was also good, at least there’s no evil second female lead that you would gladly throw in hell. She had your average next-door neighbour girl feel into her despite being in the noble class. She was also a great friend of the female lead (something you would rarely see in lakorns or in Asian dramas in general). It’s her two sisters that I am worried about when Chai Pat and Chai Pee’s stories come; they will be the obnoxious type for sure. The second male lead in this part was also very nice and no, he wasn’t friend-zoned since he never grew a crush on the female lead in the first place.
Watch if:
-You like Thai lakorns.
-You dislike slap/kiss lakorns and prefer the other genres.
-You like good chemistry.
Do not watch if:
-You’re looking for something great.
-You’re not familiar with Thai lakorns; I wouldn’t recommend this as your starting point.
-You’re very impatient for developments to happen.
Khun Chai Taratron love story wasn’t that great to be honest, but as usual the chemistry in Thai lakorns is something you’d gladly watch. I am looking forward to the rest of this series, hoping that the other brothers’ stories will be more interesting than this.
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This film is one of 2013’s most critically acclaimed films domestically and that doesn’t surprise me a bit. You see, The Attorney is based on the real-life story of the ex-president Roh Moo Hyun’s early years, when he used to be an attorney and human rights activist. It also takes a controversial case from 1981 as its main focus. This film is neither a legal thriller nor a courtroom drama. It doesn’t focus on a desperate attorney trying to win a case or someone trying to prove his innocence; it’s more like a serious depiction of the social and political status in South Korea back in the days. Something low-keyed but contains greater value.
The emotions and reactions throughout the film were quite penetrating. You’ve got to give director Yang Woo Seok credit for what he did with the storytelling, he didn’t only direct this film but he also wrote it himself creating a respectable piece. He didn’t use anything that’s high-profiled because basic elements and some emotions-play were more than enough to deliver great developments and captivating events.
Without doubt, no one can deny Song Kang Ho’s astonishing acting skills, he’s able to grab any character and make you feel it throughout. It was impressive how he delivered Song’s character, every emotion and every facial expression were too involving. It’s not for naught that Kang Ho ahjussi is one of the fewest critically acclaimed actors in and outside South Korea. The rest of the cast delivered so well, the director knew how to pick his actors because a little exaggerated acting would’ve blown everything into thin air but gladly, none of that happened here.
Considering the fact that this film was set in the late 70’s and the beginning of the 80’s, the cinematography felt fitting but not more than the music, it had an important part to make you connect to the characters and events.
Watch this if:
-You like films that are based on true-life events and characters.
-You like to watch an interesting film about politics in South Korea 30 years ago.
-You like Song Kang Ho; this is one of his better performances.
Do not watch if:
-You’re not into romance-free films with somewhat slow development.
-You’re looking for something light or thriller-like.
The Attorney is an interesting film that concentrates on political and social issues in South Korea back in the 80’s. It’s absolutely a success for the newbie director Yang Woo Seok and a wonderful introduction to follow his work in the future.
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The drama is based on a manga that I haven’t read so I can’t compare but from the overview, I am sure this story can make a fine anime if that’s ever planned. I always said that Japanese tend to pick interesting and different plots for their dramas; this is definitely one of those intriguing topics that invade Japanese seasons each year. The plot may seem a little heavy due to some episodic procedures but it’s smartly written to overtake certain sensitivity against the episodic pattern.
S - Saigo no Keikan (aka S - The Last Policeman) is about Special Forces in the Japanese police organization and their way of handling terrorist attacks or situations. The main focus of the drama is NPS, a new special force that gathers the qualities of two older Special Forces SAT and SIT. NPS’s purpose is to secure criminals without killing them, that’s the main belief of the force, its members and our main lead. The operations’ build-up feels quite real although the final outcome can be fairly dramatized for the sake of emotions.
Despite being a straightforward action drama with lots of gun shooting and explosions, the drama’s main focus was the ethics and the feelings behind each case. It’s indisputably not brainless action for the sake of entertainment, it’s also not action games for the sake of thrills, military techniques or the suspense; it’s action for the sake of human emotions and relationships. It was an interesting take of the police, its higher-ups and the power struggle between Special Forces.
Acting wise, this drama’s producers knew how to choose their leads, supporting roles and even guest stars. Mukai Osamu and Ayano Go had a good chemistry as opposites in the same line of work. Although Ichigo’s character would sound a little cheesy with his over-concentration on not killing any criminal but he managed to keep the character interesting until the very last end. However, Ayano’s Soga was more penetrating with a cold character and a detailed back story. Another interesting character must be Odagiri Joe’s Masaki Keigo, the actor does crazy roles so well; I am glad I will be seeing lots of him this year. If we talk about acting then we shouldn’t forget the veteran Omori Nao and other cast members that delivered so well no matter how small the role was.
The action department was quite intriguing at times, even though shooting and bombs’ explosions weren’t present each episode but the Special Forces techniques and operations’ codes were believably made. The OST and cinematography were also pretty fitting for the drama.
Watch if:
-You’re looking for a good Japanese action drama.
-You like dramas that focus on special themes.
-You’re looking for a good casting line-up.
Do not watch if:
-You can’t stand the episodic pattern.
-You dislike the Japanese way of making action dramas.
-You’re looking for romance.
S - Saigo no Keikan is an entertaining drama with lots of action to keep you entertained mixed with dramatic moments to stimulate emotions. I will be impatiently waiting for the film!
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Hong Kong has been producing some cool action thrillers these years. Although most of them have been trying to unsuccessfully outclass Infernal Affairs but they merit great encouragement. Cold War is one of those films.
The directors Leung and Luk didn’t waste much time in building the thrills, ever since the first minute we get a badass explosion then the five cops were kidnapped triggering the beginning of the war. What I highly appreciated about Cold War is showing the ugly relationship between the higher-ups, some real life situations such as the greed for power and the corrupted systems. Rescuing the five officials became a war to both vice commissioners and those surrounding them. But then, a sneaky conspiracy comes to light making you suspect every single character that appears on screen.
However, that doesn’t deny the weaknesses contained in this film. Unfortunately, the film became quite heavy at the middle; pacing problems made some obvious flaws to ignore. It’s mainly related to the suspense part, it didn’t make the film dull but it’s bound to make the viewer impatient to what’s going to happen next. It was a somewhat long phase to ignore it. Moreover, the ending could have been better than that. The way they ended things implies a sequel that may never come. It would’ve been smarter if they cut things cleanly.
The acting department was downright penetrating. The versatile Leung Tony Ka Fai rocked so badly as M.B. Waise Lee, nothing less from such a high-profile Hong Kong actor. On the other hand, Aaron Kwok, who matured so well in recent years, did a marvelous performance as Sean Lau. The bickering scene between Lee and Lau at the first half is an absolute memorable piece. Charlie Yeung, Rahman Lee and the cameo of Andy Lau made this film such a good ground, acting wise.
Considering the fact that this is an action thriller, the action scenes weren’t always that well-made. But the shooting scene at the highway definitely got me; it was probably the best action sequence in the whole film. The cinematography was good enough. However, you have to keep in mind that this was Leung Lok Man and Luk Kim Ching’s debut film as directors and screenwriters. We all know how hard it is to write and direct an action thriller so both of them deserve all the encouragement.
Watch if:
-You’re in the mood for a watchable action-thriller.
-You like politics and higher-ups bickering inside crime thrillers.
-You want to see great performances by Leung Tony Ka Fai and Aaron Kwok.
Do not watch if:
-You’re expecting a great masterpiece.
-You want a flawless action thriller.
Despite its flaws, Cold War is a brave piece of work that’s bound to make you interested. It’s one of those films which make you feel that Hong Kong’s crime thriller genre is still vividly alive.
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Set in the peaceful Edo era, the film is a human drama instead of a straight chambara (swords play) film like the title displays so do not expect heads rolling and straightforward Samurai action the whole time. Once again, Kobayachi harshly criticize the ancient Japanese feudal system and the Bushido codes of Samurai honour that requires blind loyalty.
Screenwriter Hashimoto (Kurosawa’s regular) did a magnificent job with the story’s shades, turns and flashbacks in a way that would make you anticipate the developments of the story; it may feel slow paced at times but that’s the usual Kobayachi way of building strong tension to end it with a blow; heroism was created little by little until it reached the end. The term “Rebellion” isn’t exactly what you think when reading the title, it’s not the story of a samurai establishing justice or honoring his lord, this is the story of an elder samurai’s own codes of honour to help his son and daughter-in-law through the injustice caused by their clan’s lord and the closest higher-ups. Instead of blind loyalty and accepting unfairness without asking questions, they decided to go against their feudal lord, the system and the world they live in.
Samurai Rebellion is also viewed as a family drama with many displayed emotions and connections. It also contains the most touching romantic story I’ve ever seen in any Samurai film; the sacrifices, the mutual understandings and the painful injustice leading to separation. However, that doesn’t deny the presence of action especially at the end. The dual and the fight sequences were splendid considering the fact that they were used to get all of that intensity that’s been constructing during the whole film. It made the perfect finale of the film.
Is it really necessary to talk about acting? It’s Mifune Toshiro, the legendary best actor Japan ever knew and one of the better actors in the world; people usually know Mifune in Kurosawa’s films where he always shined but let me tell you, Mifune’s performance with Kobayachi was one of his finest works ever; he did a flawless job with the character of an elder samurai who built a hero out of himself to confront injustice. There’s also Nakadai Tatsuya, the second Japanese legend. Although he was only a supporting role, he delivered so well and I must say that I completely loved his character that sounded mysterious; he was someone who had to be torn apart between his greed to be the best swordsman in the clan, to be a friend or to serve his lord according to the samurai codes of honour. Someone else deserve all the praise is Tsukasa Yoko, she had one of the strongest female performances I’ve seen in the golden Japanese cinema. Her character Ichi was also one of the better female characters displayed in Samurai films.
The black and white cinematography was top-notch just like the camera angles and the smooth close-ups because Kobayachi is a masterful director after all. What also should be highlighted is the superb music choice to empathize the emotional involvement.
Watch if:
-You like Samurai films.
-You want to discover old Japanese films.
-You like Toshiro Mifune because this is one of his better works.
-You like Masaki Kobayachi’s way of making films.
Do not watch if:
-You dislike old films (black and white).
-You dislike Samurai films.
Samurai Rebellion is a timeless Kobayachi masterpiece that defies the usual definitions of samurai codes of honor in the most brutal tragic way.
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Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.
The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.
However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.
The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.
The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.
Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.
Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.
Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.
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Don’t get the wrong picture, I like brainless action and all but it’s a fact that not every director can make it entertaining. I have my specific short list of directors that I would gladly watch their action productions anytime and Go Ohara doesn’t belong to that list Instead, he made a respectable piece of work that doesn’t wholeheartedly depend on action and guns’ play.
This film has more sides to it than the action part. The story of a cold-hearted assassin thinking twice about his life because of a girl is not original in any way but this isn’t exactly a romance, the core of this film is the friendship. Ryo and Misaki’s bromance is priceless, especially after the revelation of their past relationship and the way they survived together; that was probably my favorite part of the film. The acting may not have been the best, seriously it was unbalanced at many points but the main characters were good enough to make the whole department satisfying and the film watchable.
Action wise, this film is low leveled; it’s not because the lack of action but many moments seemed fake. An action lover doesn’t look for realism when watching the genre but it doesn’t have to be plainly obvious like that. Some fighting scenes were uneven and incoherent but the shooting angles and techniques made it up for the bad guns’ play choreography.
The ending of this film was quite expected; I’ve seen that kind of finale repeating in many similar films that’s why I had some hope that it will end otherwise. This is not a fluffy storyline and I consider that a strength point.
Watch if:
-You’re looking for a decent Japanese action film.
-You’re in the mood for action but not the shallow type.
Do not watch if:
-You’re looking for something fluffy.
-You’re looking for a romantic story.
An Assassin is a good action films that stands out a little from the usual Japanese norm. It’s not a masterpiece but it’s definitely a nice watch.
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Takashi Miike is one of my favorite directors. Being the lord of gore is one of the main reason why I like him and Ichi the Killer is absolutely the epitome symphony of violence Miike ever made. I am into bloody productions: mutilation, torturing, splatter-gore, cutting body parts to pieces, heads rolling and everything that belongs to the category; you can call me eccentric or a psycho but those are my personal references and a part of my real life job. However, the reason why I liked Ichi the Killer and many of Miike’s films is not the gore for the sake of gore, it’s true that I like that element but it’s not enough to make me like a film, there has to be a message and a meaning behind it all.
Ichi the Killer has a dark graphic storyline; it tells the story of Ichi, a psycho killer who split people to halves and sometimes to little pieces through razors in his shoes and Kagihara, the masochist who’s looking for the killer of his gang’s leader who happens to be Ichi. That’s the general plot but there’s much more behind the events and the characters’ development, the hidden meanings and the final reveal of the characters’ relationships was pretty amazing and let’s not forget the mind-boggling ending that keeps your imagination wild. None of this would have been done without the fantastic performances of the charismatic brilliant actor Asano Tadanobu and Omori Nao, who had to play a childish character at one second and a sadist killer at the next moment.
Now let’s talk about violence, the main lead in this film; it was creative and pretty well-made sadist type of violence. People call Miike a “cult” or a “sadist” director and he probably is, the way he shot the explicit gore scenes was truly brilliant with all of those cutting and blood’s splashing everywhere. It makes this film one of the kind if we consider how far he went with bloody scenes, I haven’t seen that anywhere before. What also makes the violence special is that it was entertaining, I found myself laughing at few scenes and no, it’s not because of my sick personality; there were some amazing dark humor moments inserted in this film because Miike can mix gore and comedy so well (think Dead or Alive trilogy).
Watch if:
-You like gory films with a meaningful storyline.
-You like Takashi Miike’s way of making films because this is probably his best work.
-You like bizarre Japanese productions.
Do not watch if:
-This is absolutely NOT for the faint of heart.
-You dislike anything that has to do with gore or you can only handle a little amount of it.
-You dislike over-the-top violence.
-You’re easily disturbed or grossed.
Ichi the Killer is the highest level of cinematically shot violence. It’s without doubt not for everyone, it can be a hit or a miss, some would find it a masterpiece and others would run away from the first few scenes. It’s bloody as hell and I completely loved it.
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After watching many Korean suspense thrillers, I became surer that there’s no other genre that can top thrillers in Korean cinema because they’re simply too good at making those and Parallel Life belongs to the good ones. This film starts off a bit slow and may not captivate your interest ever since the beginning, but all of those introductions were necessary for the film’s latter events and developments.
Parallel Life analyses the “Parallel theory” where two people have the exact same life with an amount of years apart. Of course that may seem unbelievable at the beginning and can always be considered as a coincidence but as the film develops, many facts come to light and surprise us. In order to conclude whether a thriller suspense film was good or not, you need to ask yourself this simple question: “Was I surprised and entertained”? If the answer is “no” then the film was a failure for its genre but if it was a “yes” then you know that this film can be considered a good one out of its genre. Parallel Life fits in the second category.
This film’s suspense and mystery were tight and intriguing, they always manage to attract you in and make you suspect every single character that appears on screen. What makes this film even more captivating is the final outcome, you can hardly predict who was behind it all even if the “why” was a little obvious to me but it’s intriguing how can the “Parallel theory” interfere that deeply in one’s life.
The acting was pretty well done. I am ashamed to admit that this is my first time seeing Ji Jin Hee in anything. But this first successful encounter will allow me to pick many of his other productions because he was truly amazing in this as well as many other actors. The characters were nicely written, it was interesting to find out the similarities between Kim Seok Hyun and Han Sang Jun as well as their destinies and the way things will turn out to be. The characterization is written in a way that will oblige you to relate to them.
In a line, I would mention that the cinematography was good enough and the music was fitting for the thriller/suspense mood.
Watch if:
-You’re looking for a good suspense/thriller.
-You like the Korean way of making thrillers.
-You like surprising plots.
Do not watch if:
-You dislike the genres.
-You’re looking for a bloody/violent thriller.
Parallel Life is a well-crafted suspense thriller which appeals to the fans of intriguing plots.
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I watched this because I thought it would be an enjoyable Ninja film and heck, I was so wrong! Everything about this film is amateurish; from the directing, the storytelling, the action and the dreadful acting. It’s true that the film tells the story of a female shinobi (ninja) but everything felt all over the place and absolutely predictable. The plot wasn’t coherent at all; it felt unbearably weak with many stupid cheesy dialogues and events.
The action was so freaking fake in a foolish bothersome way, this is a disgrace to ninjas; if they were still alive they would come and kill everyone in this film and get over with it. Now, the mature scenes, they were terrible and it’s not because I hate mature scenes but because they were random, unbelievable and used as time-fillers. Some of them didn’t even make sense to show, they were crappy meaningless porn.
The acting was a deep disaster, the female lead’s expressions almost drove through the wall; she was painful to watch and the rest of the cast didn’t do any better either. I was thinking that they maybe these guys are porn stars or something? Because that would make sense if this was supposed to be porn with a stupid plot but I don’t think so. The actors were originally bad and their characters were even worse than they were or it’s their outrageous acting that made them feel that way.
The cinematography was dumb, the costumes were pretty bad and the music was horrible. I told you this is an amateurish film which I believe it had one of the lowest budgets and it would have been better if they didn’t make it in the first place. Re-watch? Never in the world, it was an absolute waste of time the first time around so how on earth do you expect me to repeat that?
Watch if:
-I won’t recommend it to anyone so this will remain blank.
Do not watch if:
-You think this would be a good ninja story.
-You think there’s any decent action in this.
-Well, just don’t watch it if you don’t want to waste your time.
The Secret Female Ninja is an absolute amateurish film containing a dumb storyline and horrible acting. Hey film, give me my 90 minutes back!
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