Cheer
The Morgue
I am really a good fan of the God’s Quiz series; it’s one of rarest medical dramas that I can handle with full joy. It also focuses on forensic medicine which is my real life field of study. Although they can dramatize it but centring the investigation procedural on finding criminals and the blowing mystery for each season were definitely my favourite parts of the whole series.
At some point, I began to wonder if it’s the same writer who delivered the previous thrilling mysteries. Did he lost his touch or something? Maybe stretching the story to four seasons’ length can actually affect his writing style and ideas. For starters, the rare diseases weren’t exactly that complicated but I can be lenient with that side because I am medicine major so I could’ve figured most of them in one glimpse and they didn’t write this for people who know about the field. However, what I could not forgive was the main plot; it was plain boring and predictable that you can’t call it a mystery any longer. It’s unlike the previous seasons where the two (or three) last episodes were too exciting and suspenseful. God’s Quiz 4 was unsuccessful in building the thriller suspenseful part.
The individual cases were pretty much acceptable, many of them managed to reach the satisfying level and even went further above it. I believe that what gives this season a good slack but it’s a fact that some of them weren’t even that interesting. Something else bothered me on a personal level: Romance. I know that many people like to insert that part everywhere but I always thought that OCN crime thrillers don’t need that, because most of the people who come to watch are here for the thrills not for the lovey-dovey part. That’s one of the reason why the 3 rd season is my favourite.
The acting was fine; Ryu Deok Hwan and Yoon Joo Hee were good as usual. Even their characters witnessed some pretty good developments such as Dr. Han’s background and Detective Kang’s feminine side. I can’t say the same about the two idol additions; I really don’t see why they were casted for this type of drama. Idol acting don’t suit this sort of drama at all even if their characters were well-written. That super Junior dude was so awkward throughout the whole drama and the girl next to him wasn’t any better.
The cinematography played a very good part in this drama even of it wasn’t different from the previous seasons. I can’t exactly remember the music note so you can guess the rest.
Watch if:
-You liked the previous season but don’t expect a lot from this.
-You like Medical/Forensic/Mystery dramas.
Do not watch if:
-Just don’t watch this unless you saw all the previous seasons.
God’s Quiz Season 4 wasn’t exactly that captivating but it wasn’t a total bore either. Now, I would like OCN to make an end for this series; stretching it more than this will be over-doing in a very bad way. It was a good run; I hope this will be my last goodbye with the God’s Quiz series.
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Being in TV Tokyo’s midnight slot is absolutely one of the reasons that made this drama appealing in its own way. That timeslot always witnesses some pretty cool dramas that usually go unnoticed – unfortunately. Even though this drama follows the usual episodic pattern, it managed to deviate its investigation procedure from an episode to another. It always managed to draw attention to every guest’s issue.
The cases in this drama aren’t mind-boggling or deep. They’re usually simple cases about finding people or looking them up, it may sound boring at first sight but everything becomes different when darkness sneaks in many of those cases. Sometimes, a certain case leaves a deep impression and confusion that’s beyond description. I believe that’s what differentiates this drama from its fellow Japanese detective production; it seeks depth instead of solving a case then getting over with it. There’s absolutely no drop cheesiness and happy-ever after clichés in this drama. However, it’s true that not all 12 cases were interesting.
The cast was pretty well fitting. Odagiri Joe as the main lead was such a master stroke. I am not only saying that because he’s one of my favourite actors but this type of role suits him very well. You can clearly see the actor’s traits through his performance: lazy, calm and with a mysterious charismatic vibe. The other two main characters were in a great harmony with our main lead; an old man who’s supposedly in charge and a sexy assistant to turn the detective agency into a welcoming place.
The majority of the guest characters left a good impression; of course some of them were stronger than the others but overall they were well-suited for the drama’s general atmosphere.
I became a fan of One Hitoshi’s screenwriting and directing style after last year’s great piece “Mahoro Ekimae Bangaishi” and now, I am even more impressed with him. He surely knows how to make a simple piece sound very special. Whether it’s the camera angles, the dark cinematography, the characterization or the choice of music; he did it all! I will have to stalk that screenwriter from now on. Although, I rarely care about directing in dramas but he totally made me interested in his style.
Watch if:
-You like different types of detective dramas.
-You like short dramas (27 minutes per episode).
-You like Odagiri Joe because he’s in top form here.
Do not watch if:
-You can’t handle episodic detective dramas.
Despite being simple, River’s Edge Okawabata Tanteisha managed to grow into a very special piece due to One Hitoshi’s irresistible style.
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Following the usual espionage formula with spies, vengeance, betrayal and secrets; this film managed to stay intense for a very long time. It was fast-paced and too packed that it doesn’t allow you to blink an eye. Heck, it was even hard to follow subtitles. Many characters and events were thrown in an immense amount which felt quite entertaining and eye-catching. The car chase scenes were absolutely one of the better car scenes I’ve ever seen. Moreover, the violence, the bloody killings and many hand-to-hand combats were highly involving.
This film’s main issue was its over-length. For an action-thriller that problem can be a killer, The Suspect obviously fell prey to the usual Asian films’ shortcoming: The screenwriting is frequently unable to handle the running time making it incoherent with plot elements. If this film was 30 or even 20 minutes shorter then things would’ve been absolutely better. The second half was so slow which disabled the fast-paced impact of the first half to persist. It was unavoidable that some explanations would be inserted, like the main character’s background and reasons for vengeance but that drama was clearly overdone. It practically killed the action suspense mood so when it finally came back on track near the end, it was already too late for the viewer to go back to that high paced mood.
It was unfortunate because this film could’ve been a remarkable Action thriller if the screenwriter knew how to divide his narration approach and flashbacks on a 2 hours 20 minutes scale. It felt like he was working on a 2 hours version of this film. However, it’s appreciated that he didn’t try to turn this into an intelligence fight with his viewers. The plot wasn’t any complicated because it focused on action sequences and violence instead. I wouldn’t call it gory violence though; I mean that’s the right amount of blood splashing in Korean action thrillers.
The acting was good enough, Gong Yoo’s commitment to his role showed through his character’s movements. The martial arts sequences showed a nice side of him, his character was well written to fit a dark super spy. On the other hand, Park Hee Soon amazed me once again. Although his character wasn’t as important and as penetrating as Gong Yoo’s character but he was very convincing in showing the traits of his hot-blooded personality.
Other characters did well, even if their developments were plain obvious. At least they contributed in the coherence of the packed events.
The cinematography is your standard current-days Korean thrillers’ style. Occasionally, I feel like the same guy is doing the cinematography in all recent Korean thrillers, with some exceptions of course. Although the direction can be marked as decent but the camerawork bothered me in many takes, sometimes it doesn’t allow you to know what’s happening on screen.
Watch if:
-You like Korean action thrillers.
-You like intense films but beware of the events slowing down.
-You like spy films.
Do not watch if:
-You’re looking for a masterpiece out of the action thriller genre.
-You dislike action thrillers.
The Suspect is nothing more than an alright Korean action thriller. But being influenced by the intense high-paced first half, I came to appreciate this film for its entertainment values.
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Despite the mega huge cast and great premise, I was actually a bit reluctant about watching this film. South Korean films started to shine after the millennium so watching something prior to that date is very risky but considering Swiri’s year of production (1999), it was a pretty cool film about a very appealing theme: The North and the South. I tend to adore productions about that theme; they always leave meaningful messages behind. This one didn’t disappoint.
Being a thriller, Shiri handles some plot turns wisely while others were plain predictable. Many “twists” didn’t surprise me at all. I don’t know, maybe because this is 15 years old so smart screenwriting didn’t actually hit hard but it wasn’t very fun to predict many turns of the plot. It’s not that serious though, it didn’t prevent me from enjoying this film to the fullest. Being a film about the two Koreans gives it too much potential to hit many important elements. I hate reviewers who compare this to some Hollywood films; this handles a very personal issue about Korea so it has nothing to do with the US’s filmmaking.
The other side of the coin is action; there were some pretty cool action sequences although I clearly saw some imitation to Hong Kong’s heroic bloodshed genre. I find nothing wrong with that because it added a delicious flavour to the action making of Korean thrillers. It was a pretty violent film and very up to my taste; brutal and pleasant. However, Swiri is not all about action; there were many dramatic moments and even romantic ones. It contained a good variety of genres to enlighten the mood, even the politic parts weren’t any complicated. I like entangled political clashes especially with the Korean peninsula issue but I know that many would find that very boring to follow. Fortunately for them, the plot followed a very simple political approach.
The acting was A class with both big stars Han Seok Kyu and Choi Min Sik ahjussi’s leading the film in the most stylish way ever. Beside them was another big Korean star Song Kang Ho ahjussi who succeeded in playing a supporting yet a well-crafter role. The characters weren’t that deep to be frank, they’re your usual action films’ leaders with great shooting skills and some intelligence to keep them going. But they didn’t feel shallow either, they had some interesting personal traits that made them feel memorable.
The cinematography was actually pretty good for a 1999 film. The explosions were alright but some of them felt completely fake, I can be lenient toward that because the director handled his camera angles and action scenes in a satisfying way.
Watch if:
-You like Korean thrillers because this is one of the films that started it all.
-You like Action thrillers.
-You like films about North and South Korea.
Do not watch if:
-You dislike Action thrillers.
Shiri is a remarkable Korean thriller considering its production year. It has potential to bring you immense entertainment if you appreciate recent Korean Action-Thrillers.
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The Monkey King 1: Havoc In Heaven's Palace
22 people found this review helpful
Adapted from the mega huge Chinese novel “Journey to the West”, this film actually followed the original novel very closely. The novel is in fact one of the fewest Chinese novels I read many years back when I was watching few other adaptations of it. This version is absolutely the closest and the most accurate one.
The film was full of several eye-catching characters, events and costumes. I know, I know; the CGI is what bothered many people about this film. Well, as long as you’re not here to watch “The Lord of the Ring” then it should be alright. It’s true that the special effects were overdone with many misses here and there but having watched several Wuxia films with immense use of CGI in my cinema watching, this doesn’t bother me at all. Actually, I considered it a cool experience with that enormous amount of CGI and wires inserted everywhere. For a normal viewer who’s not familiar with the Chinese/Hong Kong way of using CGI in their productions, it may cause a problem but as long as you’re willing to keep your mind open and accept unfamiliar styles then everything will be satisfactory after a while.
The plot wasn’t very smooth just like it wasn’t heavy either. This is a fantasy so there weren’t any traditional plot elements to follow; it was catching and involving at many phases just like other parts didn’t feel right, rushed or very slow. I am still thankful that they followed Wu Cheng En's classic very closely or I would’ve went very harsh on this Monkey King adaptation.
The acting department was full of huge names in HKC cinema. I have a little confession to make; I was actually reluctant about Donnie’s portrayal of the monkey king. When they first announced the film; I was confident that Jet Li will get to play the Monkey king again since he did a wonderful job with it before but he didn’t get the role. Donnie was casted instead and I was a bit worried. I love Donnie and I consider him one of the better HKC stars but I felt like Sun Wukong’s character doesn’t suit his acting style. Needless to say, I was proved wrong through this film. He did an amazing job with the character to make it feel very believable.
On his side were the marvelous Chow Yun Fat and the cool Aaaron Kwok in main roles. They were pretty much convincing and entertaining to watch. The remaining cast did a cool job including Peter Ho, Kelly Chen and few others. Some characters felt all over the place but it wasn’t unforgivable.
There’s isn’t much scenery to talk about since CGI were the film’s heart and soul. I don’t necessarily consider it a bad thing even though I am the type of person who heavily concentrates on cinematography while watching films. The musical note was pretty much forgettable, I don’t recall anything after finishing the film so yeah, and there you have it.
Watch if:
-You like HKC Wuxia productions.
-You like the classic novels of the Journey to the West because this is the closest adaptation.
-You like Donnie because he does a cool job with the Monkey King’s character here.
Do not watch if:
-You’re expecting a CGI level like in Hollywood film.
-You’re looking for something serious.
-You’re looking for something impressive.
The Monkey King took four long years of production to be finally brought to life this year. That alone deserves giving this film a go. Just try to open your horizons and think of this as an entertaining journey, because that’s the only way to appreciate this film.
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Although this was shorter with only 5 episodes, it felt as heavy as the first season. The reason I gave Mozu no Sakebu Yoru a slack despite some displeasures was because the hope in the second season. The story was incomplete but alas, there’s a second season to make it up for it, the answers weren’t fully provided by TBS but WOWOW will do the job. That’s what most of viewers were thinking after finishing off the first part. It’s safe to say that they didn’t give answers, or better said not satisfying enough.
Mozu is one heck of a high-produced drama compared to other Japanese shows. It’s closer to films’ production value instead of TV dramas which unconsciously built tremendous expectations in viewers’ mind, thinking that this drama will actually change the concept of J-dramas’ making in the future. It’s neither the channels fault nor the audience fault either; it’s the freaking screenwriter’s mistake. This was adapted from novels’ series that were pretty famous so for the sake of dramatization, he could’ve just changed few details and everything would’ve been more than great. But no, he had his own philosophy that we were made to understand. I tried to cope along but that wasn’t fun at all.
Back to the second season, the plot took a major change but the lead’s chase after the truth was still the main point of the drama. A high-scale conspiracy again, a suspenseful race for the truth again, many questions again, too many suspicions again but the outcome was not satisfying…Again! When you play a mystery/suspense game with your audience then you have to put all your cards on the table by the end, this drama only revealed half of its cards by far. And the problem is, the revealed cards weren’t even a surprise. After watching the first season, it becomes so easy to predict the screenwriter’s pattern, which is quite irritating for the genre’s lovers. But thankfully, due to its short amount of episodes; the drama wasn’t slow like in the previous season. Or at least not unbearably slow.
The star-studded cast wasn’t put to its full use and I hate that! Come on, beside Nishijima and Ikematsu whose skills were used, Kagawa and Maki who were marked as main didn’t serve anything but the lead’s supporters. As if they were his cheerleaders or something. Give me a break! Such amazing actors could’ve been better used than that! Now let’s talk about characters, since the plot was too focused on revealing the truth, characters’ development was almost inexistent. Compared to the first season, Kuraki stayed the same without practically any change, Osugi is no different, Akebochi had the chance to change a little due to the events surrounding her but it wasn’t that obvious. Higashi became crazier and other added characters were absolutely useless most of the time.
The dark cinematography still captured me though, it was immensely used in this part and I completely appreciated it. The music note was no different from the first season.
Watch if:
-You liked the first season but don’t expect much.
Do not watch if:
-You didn’t like the first season. It’s a waste of time in that case.
I think a third season should be in the making for this drama, to provide explanation for unanswered questions that it. This season did answer some from the first part but it still left many things opened. Heck, it even added many others to the mysterious cloud.
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For starters, let me mention the difficulty to assemble my thoughts about such a wonderful drama. It took me a while to know where to start but let’s begin with this: Making a Taiga about one of Japan’s most influential figures was such an astonishing idea! Once again, let me insist on the accuracy of Taiga’s, they abide to historical facts with only few minor changes that can never cause the deviation of the historical flow. There is also the very informative “Travelogue” at the end of each episode to nourish your historical knowledge on some characters with the addition of real places to visit in Japan (when my long dream of visiting Japan comes true, I will go there for sure!).
Ryoma didn’t live much but through his short life, he did many unforgettable deeds for Japan and its people. Being born as a Tosa’s Kashi (Low Samurai rank), he wasn’t handcuffed by the daimyo rules or the common traditions. Instead, he had dreamy ideas to change his country to what Japan became like in our recent days. The Bakumatsu era aka the end of the Tokugawa Shogunate was one of the most turbulent times in Japan’s recent history until the Meiji restoration came along. Our hero had to go through that period with many revolutionary thoughts in his mind. Ideas that were harshly rejected at times, hardly accepted at other times but very much acknowledged most of the time.
Ryoma character always intrigued me, being a low-class samurai who stood up for the well-being of all the people of Japan must be the main reason behind it. When the bakufu was ruling Japan for over 260 years with the same old fashioned thoughts, an air of change had to blow them up and make them realize that the world is moving on and so should they. That air was Sakamoto Ryoma, through his adventures he was able to gather the essence of Japan’s future in a new world. It’s a world where they can be amongst the leading countries instead of falling into the merciless claws of imperialism.
Ryoma’s life had many turns and countless of encounters. It started with his family, his childhood play-pals, going through his first love, his idols in life, his allies, his enemies, his teachers, his women meetings and all of his comrades. Sakamoto Ryoma always managed to leave a deep impression into anyone he met, whether they loved him, hated him or even those who wanted to kill him. I think Ryoma’s most note-worthy quality was his ability to negotiate and convince the other party of the legitimacy of his views; he does that with perfection even against the most fearsome and huge figures of his time. Many believed in him and countless supported him as he embarked his journey towards a bright future and that didn’t come from naught, Ryoma was able to capture them one way or another.
Turbulent times are full of political clashes and endless battles but that made the drama even more exciting. Every detail of the Japanese history at the time was inserted in the most captivating way. Our narrator Yataro played by Kagawa Teruyuki added more attractiveness to the events. His historical tone while telling Ryoma’s life was priceless; one of the best narrations I ever came across in any Asian drama!
Now if I have to state my little displeasure about this drama it would be the over-idolizing of Ryoma’s character. I know about that because I actually read a lot about Sakamoto Ryoma and Japan’s history prior watching this drama and his character isn’t as perfect as the drama describes it to be. I know that they want to honour a Japanese hero and a little dramatization is no escape to make an appealing drama but I felt uneasy about those parts, even a little.
When we talk about Taiga dramas, we need to pay extra attention to acting considering its crucial role in maintaining ground-breaking historical telling. Fukuyama Masaharu nailed it so bad as Sakamoto Ryoma, he was able to make the character feel pretty much alive. He once stated about playing Ryoma’s character: “His appeal stems from being the kind of person onto whom anyone can project themselves”; that explains it all.
The supporting cast was full of many incredible talents such as Omori, Tanihara, Iseya, Takahashi, Aoi, Kiritani, Oizomi, Takito, Oikawa, Maki, Kamikawa, Sato, Kaname and many others. They were able to maintain a very intriguing historical tone throughout the whole drama. It’s no secret that Taiga and historical dramas overall are what make you test an actor’s skills and this drama’s cast gave wonderful credits to the characters they played. However, the best of them all was Kagawa as Yataro, no wonder he got many awards for that role; he was able to flawlessly play the role of Ryoma’s lifelong friend with all of their complex relationship, it takes an actor from a high calibre to pull that off. He undisputedly managed to steal the lights from Fukuyama countless of times.
The cinematography was pretty well illustrated with all of those charming sceneries in old-times Edo, Tosa and Kyo. I was pretty immersed in the realistic depiction of the historical setting and the soundtrack used in this drama. However, I was displeased with the camerawork. Directing has been the major issue with Taiga dramas. Although it can be disregarded since this is a drama not a film but I still hope this can be changed.
Watch if:
-You like historically accurate dramas.
-You like NHK Taiga dramas.
-You want to watch a drama about one of Japan’s most important figures.
-You like political oriented dramas.
-You want to discover Taiga dramas.
Don’t watch if:
-You don’t appreciate historical Japanese dramas.
Ryoma Den left me with many great thoughts about Ryoma’s character even with the little differences compared to history. My second NHK Taiga adventure was a total success and now I am thirsty for more!
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Guinea Pig 3: Shudder! The Man Who Doesn't Die
10 people found this review helpful
Shudder! He Never Dies is one heck of a hilarious gory film. You didn’t read that wrong, gore films can also be penetrated by important amounts of humour especially if they’re Japanese. They always manage to insert dark humour into the bloodiest productions.
Unlike the previous two Guinea Pig’s films that skipped any attempt to create a plot and jumped to the gore itself. This one tried to build a little plot, okay maybe a tiny bit but it was somewhat meaningful. He Never Dies differentiate itself from all the other films of the Guinea Pig’s series because the main character was the one inducting pain to his own body. He realized that he’s an immortal so he can’t actually die no matter how hard he cuts his wrists, throat or any vital spot.
Having a funny take wasn’t meant to reduce the amount of gore in this film; it was actually reinforcing it with several brutal acts to one’s body. The depiction of gore was plain realistic even while showing the insides or the beheading. The special effects used for this part were pretty much convincing except some little details here and there.
As usual, the lack of a subtle plot forbids me from rating this any higher. As I said before, gore for the sake of gore don’t deserve any high appreciation from me even if this part and Flower of Flesh and Bones pleased me the most out of the whole series.
Watch if:
-You like extreme gore films.
-You like the Guinea Pig’s series.
-You like gore films mixed with dark humour.
Do not watch if:
-You can’t handle bloody sadist gore films.
Shudder! He Never Dies was absolutely the funniest part of the whole Guinea Pig’s series. But being humorous doesn’t mean it was light, the usual elements of sick gore films are still there.
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Guinea Pig 2: Flower of Flesh & Blood
16 people found this review helpful
Once again, this is not real; it’s a fake!
Flower of Flesh and Blood is the sadist, sickest and bloodiest part of the pseudo-snuff Guinea Pig series. Once again, no plot was used; it’s just the director of the film Hideshi Hino himself abducting a woman, tying her to a bed then cutting her body parts little by little. He was wearing samurai armor no less! His place was haunting and dark in too many ways. This film excels in showing pure gore elements like the slow and neat cuts with blood’s splashing and overwhelming the little shooting piece. There are also the little details of cutting and breaking bones that are usually ignored in other gore films.
Although once again, the victim’s pain was oppressed leaving a lingering displeasure but I think it was used to make the film less disturbing than it already is. I don’t understand that part, if they’re going to make such a brutal sadist film then they should’ve went all out. Anyway, it was a little let-down that’s all.
The special effects were very well handled in this film even more than in The Devil’s Experiment; probably because this deals with many blood splashing and dismemberment scenes unlike the first one but they totally nailed it. No wonder many people thought it was real.
Extreme gore scenes were used in this film. Some sick samurai think of women as pieces of art that can be treated as blossoming flowers while they are cut to bits. I think the little dialogue lines used in this film helped to draw the concentration to the sadist acts instead of anything else. Despite the lack of a plot, this film handled its strength points in a good way. However, this can’t get any high rating because as I always say; gore for the sake of gore don’t deserve much appreciation. There needs to be a story and a meaning behind it all.
Watch if:
-You like the Guinea Pig’s series because this is probably the best part.
-You like extreme sadist gore films.
Do not watch if:
Just don’t watch unless you qualify for the two mentioned conditions above. Oh, and you’re not under 18. This is really brutal stuff, you’ve been warned.
Flower of Flesh and Blood is possibly the best part of the Guinea Pig’s series; it tends to show the true nature of sadist brutal and sick type of gore. It makes it hard to watch the other parts without high expectations.
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With that out of the way, I saw the Guinea Pig series a long time ago without even realizing it. I came across it recently and as I was watching it, I came to confirm that I am re-watching a gory horror series that I have totally forgotten its title. However, this re-watch session felt refreshing as I got the chance to view it and judge it from another different angle than from few years back.
First, let’s get one thing straight: this is not real! It’s widespread as a snuff film but it’s not (although this is probably the closest thing you would get to a snuff film), this has special effects and “Making of” that the production team had to go through court to prove their innocence so don’t worry, this is fake. But don’t forget that there are more horrifying deeds than this out there in the real world, read about serial killers idealist dreamers!
The Guinea Pig’s series doesn’t follow traditional films’ making not even like other splatter gore films. No credits rolling or plot and characters’ developments, it’s usually a single setting with a certain deviation of actors and acts all around.
Honestly, The Devil's Experiment wasn’t that satisfying; as the first part of the series, I expected more than just capturing a woman, hitting her, kicking her, clawing her nails, burning her, throwing worms and some gluts on her. Amongst other things, that is. I don’t know, something turned me off and torture scenes are usually entertaining in my book. It’s probably the episodic pattern of the torturing scenes, one thing at the time with pauses and chances of recovery given to the tortured girl. Or maybe it’s because the three protagonists didn’t reach the highest level of torture exercised on a human body before giving the last blow. At any rate, the main girl’s fake screams turned me off big time even with the highest levels of torturing and pushing a human body to its limits. I am sure if the acting was better then things would’ve been better appreciated. When the victim doesn’t care about torturing then what’s the point of doing it anyway? She rarely screams with that immense amount of pain, that side was a huge let-down.
Pseudo-snuff and gore for the sake of gore films don’t get high ratings from me, despite my huge like for bloody productions; there has to be something else besides splatter gore and torture scenes to make me like that certain film. There has to be some breathing space, some characters to like or even hate and some events to please you. Thrilling with only torture and bloody scenes for the film’s whole running time is not acceptable and this obviously had no plot to talk about.
Now, if I have to talk about the positives of The Devil’s Experiment, I would mention my complete appreciation of not using sexual torturing, mature sex scenes or pornography. Those are usually the down-side of gory films according to me. So for excluding that, I am thankful for the Guinea Pig’s series overall. Moreover, there were some pretty nice effects used in making this to sound less unreal. I liked some of the torturing scenes even if most of them didn’t rise to my interest as I expected them to.
Watch this if:
-You’re a hardcore fan of gory films.
Do not watch if:
-You’re under 18.
-You can only handle a little amount of gore.
-You can’t handle torture scenes.
Just don’t watch unless you’re into brutal, disturbing gore.
The first part of the Guinea Pig’s series isn’t as exciting as it was supposed to be. But The Devil’s Experiment certainly opens the appetite for the rest of the series.
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Kiyosu Kaigi depicts the power struggle after the death of Oda Nobunaga - the first feudal lord that attempted to unite Japan. Upon his sudden death, two of his most powerful retainers Shibata Katsuie and Saru Hideyoshi started a cold yet an exciting war by siding with one of Nobunaga’s legitimate successors. Until this far, the film may seem like another political clashing plot about the Sengoku period. At the matter of fact, it’s absolutely is! Kiyosu Kaigi is all about the power struggle to reach the top of Japan with each character having its own agenda and secret motives to proceed with. However, that’s not what this film is all about.
In the midst of such a complicated plot within the most serious time of Japanese history; this film takes the comedy turn. Yes, you didn’t read that wrong; this film was overwhelming with hilarious sense of humour to make it lighter and even more enjoyable. You get to see prestigious daimyo lords fighting and wrestling like little children. You also get to witness a candidate successor act like an adorable dork. All of that was mixed with many funny dialogues and “hugs” between famous lords. A history lover as myself never imagined to see those amazing generals acting so silly. But all of that use of humour didn’t drift the film from its original purpose.
The director was able to portray the message he made this film for. Amongst all of those laughing and political struggles, the film managed to deliver an interesting take about Japan in those ancient times. It was quite fascinating to watch the flowing of each event, each character and each hint until it reaches a very stimulating ending. The comic relief and the partial use of parodies was only a way to prevent this film from becoming heavy. It also participates in keeping the somewhat long ride (almost two hours and a half) amusing.
Now the acting; Kiyosu Kaigi is star studded, starting with the veteran and the acknowledged Yakusho Koji; you’re bound to expect a wonderful acting level. Then comes Oizumi Yo with a marvellous performance as Saru (The Monkey). His character was really monkey-like at many turns but his inner philosophy and beliefs still managed to shine in times of need. As if Yakusho and Oizumi weren’t enough to keep this film standing tall; they were supported by other enormous acting talents. All you have to do is entertain your eyes with stunning acting performances from the penetrating Asano, the veteran existence of Kohinata Fumiyo, Sato Koichi, Terajima Susumu and Denden with the young talents of Tsumabuki, Matsuyama and Iseya until you reach the very intriguing female department mainly composed of Nakatani and Suzuki.
The characters were complicated, each of them possessed its own perspective and they would do anything to defend it. The relationships between them were even more complex than the characters themselves. You can always sense that something is going to happen any second due to the tension between most of them.
The directing was pretty darn good! The camera angles, the cinematography and especially the scenery were very involving and beautiful-looking.
Watch this:
-You like historical/samurai Japanese films.
-You like to watch a different type of periodic films.
-You like comedy mixed with serious telling.
Do not watch if:
-You’re not interested in historical Japanese film.
Kiyosu Kaigi is a different type of historical pieces. It manages to make a sombre and difficult historical telling sound so pleasant by throwing pits of comedy relief on the sides.
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The plot description released by NHK got me at first sight (or more like at first read). I thought this drama seems intriguing and without second thoughts I started downloading it. Not long after that, I started watching it and finished the whole thing even without subtitles. It was certainly worth the while.
Platonic’s plot, characters and events’ flowing is very similar to the way Japanese used to do dramas back in the late 90’s to the beginning of the millennium. I surely had a nostalgic moment while watching this. That factor amongst others helped this drama to stabilize an interesting watch until the very last end. It wasn’t mind-blowing but it was attention-grabbing. I dislike tearjerkers and everything that falls under that category. Fortunately, Platonic didn’t take that “I am going to die but I love you *cries* *cries*” turn. Instead, the drama took reality’s turn and made feelings and sentiments sound so genuine despite their simplicity. It excels at throwing every surreal sensation and exchanging it with more down to earth and believable emotions
On the other hand, this drama was somewhat slow in depicting some developments. The wait made me impatient and eager to see the whole thing through. Furthermore, the ending didn’t surprise me a bit. I really hate it when the exact same thing I predict happens. However, everything was logical and real enough.
Nakyama Miho was a good fit for the role of a mother who stopped being a woman, this is the first time I see her in recent times since I was used to her performance in older dramas. She was a mature actress and she still maintains that quality very well. Her co-star Domoto Tsuyoshi was quite good for this type of role. Although their chemistry didn’t strike me, they were a possible nice match. I also didn’t mind the age gap that much.
Some other characters added spirit to this drama; they were an undeniable presence just like few of them were a waste of space. I can say that I liked the supporting set as a whole.
This drama’s Music was English, the type that I don’t usually hear but color me surprised! It was such a great fit for the drama, I won’t listen to it again but when watching the drama, you can feel the OST penetrating into you.
Watch this if:
-You like Slice of Life Japanese dramas.
-You like the older Japanese way of doing dramas because this is quite similar.
-You like some unusual terminal diseases’ dramas.
Do not watch if:
-You’re looking for a tearjerker, despite the feel of it; this is not one.
-You dislike Slice of life dramas.
-You’re looking for something dazzling.
Platonic is a slow-sailing drama that goes into the depth of many human emotions. It’s not a tearjerker although it may sound like one at first.
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Khun Chai Ronnapee is the fifth and the last part of the Suparburoot Juthatep’s series. And it was such a fine closure. The younger brother was honestly my favourite; he has this cheerful sneaky playful character that makes you love him. Therefore, I was looking forward to his story and I wasn’t failed. Chai Pee’s character was able to show its existence ever since the four previous parts; he was always there to cool the air and to play the role of the mischievous brother.
The last story included an actress as the female lead but the showbiz element wasn’t as glamorous as it was supposed to be. The love story was alright, it had many turns but it ended up going in circles at some point. The most important thing is: the chemistry was pretty much the best in the Suparburoot Juthatep series; it obviously tops the other four stories even if all of them had good chemistry.
In this part, Chai Pee’s character was able to develop from the playful little brother to the responsible lover-boy who wants to take care of the woman he loves and her family. His solder side that he showed in the latter episodes was also a good side of his character as well. It was nice to see his transformation even if it was pretty much predictable. The side love stories were also fun and cute to follow, they turned pretty cheesy at some point but they added a good flavour to the drama.
Something else added great colours to this part: the presence of the four other couples throughout. I swear that made me add the half to my overall rating; it felt so wonderful to watch the other couples helping Chai Pee and showing their love for each other. The moment the brothers stand in one room holding their wives was precious; I really wish this was shown in other parts as well. Also, the bromance was seriously and deliciously present in the last story, the way they worried, cared and cried for their younger brother was amazing. That’s why; this part gets more points.
The acting was fine as the usual formula of lakorns; James was a newbie in this series so he deserves encouragement for what he did here. His female lead was a little better than him only because Mint belongs to the industry more than him. As for characters, they were pretty much watchable; but of course you would’ve guessed by now that the second female lead was evil as her sister in Chai Pat’s story if not more. Most second female leads in Thai lakorns are so overdone with their evil tricks that it becomes unbearable after a while.
Watch if:
-You liked any of the previous parts.
-You’re looking for a great chemistry.
Do not watch if:
-You’re expecting something impressive.
Khun Chai Ronnapee was a good closure of the Suparburoot Juthatep’s series. It had great chemistry and yummy bromance.
I will surely miss the five Gentlemen of Juthatep.
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Khun Chai Rachanon is the fourth part of the Suparburoot Juthatep’s series. It had a different approach than the other three parts. Chai Lek and Chai Pee are my two favourite brothers so I was certainly looking forward to the last two stories but that’s not all. Beside the fact that Chai Lek was player and a fun character to follow; the written plot for his part was without doubt better than his three elder brothers.
Chai Lek isn’t a heavy player like Chai Pee; he’s also not sneaky as the youngest brother but he can be very sarcastic and warm in need. The fourth part stirred an interesting turn of events; another kingdom, crown prince-search and a contract marriage within. Although the last idea may seem too repetitive since it was used in Chai Pat’s story but this one was entirely different. There weren’t too much love story going on here since the plot concentrated on the Viangphukham kingdom problems and some birth secrets (that were plain obvious) here and there.
Chai Lek’s character couldn’t shine as much as his brothers’ characters in their stories; maybe that’s due to the packed characters and events. Of course, he stopped being a player and started falling in love but that part wasn’t well-illustrated. There should’ve been more characters’ developments than that.
The acting was okay, Bomb wasn’t that great of an actor to be honest but it was acceptable as your average Thai lakorns’ acting. Taew was better though, she had this way of making her character believable and enjoyable to follow. The chemistry was cool but slow-sailing, it took me some time to connect to their couple. As I mentioned above, this part was packed with many characters and thus we had a nice side love story and some good characters here and there. However, none of them is that memorable.
The bromance in this part was present with strength, the five brothers cared for each other and they were united to fight for a common cause. Although the action was lame as your standard Thai lakorns but the five lions of Juthatep can be quite badasses when the duty calls.
Watch if:
-You liked the previous three stories.
-You like adventurous lakorns.
Do not watch if:
-You’re looking for an excellent lakorn.
-You’re looking for a gripping love story.
Khun Chai Rachanon is the better executed part thus far but it doesn’t mean it was excellent by any chance. Now, I am certainly looking forward to the last brother and my favourite player of the bunch; Khun Chai Ronnapee.
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Don’t get the wrong idea, this drama is better than other Jdramas I saw this season; it’s also unique and quite exciting to follow but it simply couldn’t keep the pace. Mozu started amazingly; packed events, intriguing characters and an involving high-scale mystery. With such a promising beginning, you would draw certain lines in your head, such as “this drama will be some sort of masterpiece”. However, that never lasted for too long.
The problem with Mozu is the unbalanced events and empty parts that made concentration almost impossible. The screenwriting of this drama failed to keep thing coherent and well-built even with all the potential they gave it at first. Some episodes were too slow to ingest while others were too packed to fully understand, the screenwriter couldn’t spread his story the right way. Moreover, the high-scale conspiracy turned out to become too predictable for my taste; that was almost a criminal act against mystery/suspense lovers, I surely expected more than that from a drama co-produced by two of my favorite Japanese channels TBS and WOWOW.
The acting was superb; Nishijima was really good as Kuraki, he had an aura that I love to see in my male lead’s character especially with his tone and facial expressions. Maki and Kagawa were great main characters too; their acting was well suited for their characters. The remaining cast were remarkable, especially Ikematsu and Hisegawa; these two actors gave a chilling performance to make their character feel so complicated, hateful and even lovable.
The characterization for this drama was really nice especially with the back stories given to many characters in order to explain their behaviors. Although some characters weren’t that interesting and others didn’t maintain their involving traits until the end but overall, they were acceptable and even enjoyable.
The soundtrack for Mozu isn’t forgettable; I liked the way it connects with what’s happening. The cinematography was also dark and gloomy in a way that fits the drama’s tone.
Watch if:
-You like action, crime dramas.
-You like interesting characterization.
Do not watch if:
-You’re looking for a mind-blowing drama.
-You’re looking for a puzzling mystery.
On a personal level, I really didn’t hate Mozu despite all of its flaws. It sneaks into you somehow and makes you addicted especially if you’re into crime oriented stories. I enjoyed this and I certainly tried to overlook many of its obvious flaws. I call it a guilty pleasure but I surely liked this drama. I am only hoping that the screenwriter will revise his way of making events in the second season.
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