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BrightestStar

Turns out, there's really no place like home

BrightestStar

Turns out, there's really no place like home
0.5 no Otoko japanese drama review
Completed
0.5 no Otoko
0 people found this review helpful
by BrightestStar
Dec 5, 2023
5 of 5 episodes seen
Completed
Overall 9.0
Story 9.0
Acting/Cast 9.0
Music 8.0
Rewatch Value 8.0

Will 2.5 households become the norm in reality?

It's an enjoyable and relaxing watch of a lovely family in their sweetness and flaws. As Masaharu takes small steps to move forward in life, we see the family adjusting to the new situation. It sounds great on paper, but adjusting or readjusting yourself to live with others isn’t easy. But with rising inflation and recession felt worldwide, probably more and more people will look into living with family as an option like they used to in the past. Therefore the situation presented here will have an increasing number of viewers identifying with it, myself included.

The characters feel very mundane, everyday people which makes it easy to connect with the characters. The focus here is on the choice to live together or on our own. Both have their challenges and rewards, and one must choose which challenge they are willing to face.

There is the grandpa who is used to being served and not pushing himself to help out. He can’t stand being criticized for it by his daughter because he’s always been told it’s okay. Grandma is always here robe of help to everyone, never vocally complaining but her health can’t help it and internally judges. She loves her kids so much that she does too much for their good. The daughter and her husband struggle with wanting support but not wanting to lose their place in their children’s lives. Saori in particular is typical of every working mom, trying to do her best everywhere, an impossible feat, and constantly feeling guilty that she’s unable to attain such expectations. It comes out as frustration and being ungrateful. Ema is a sweet teen whose introverted self makes her resistant to change and moody about it. As for Red, not only is he adorable, but rarely do we see children on TV present it authentically. That morning resistance to go somewhere where he’ll essentially play all day is oh so very real.

Then, there Masaharu. Unlike stereotypical Hikikomori, he’s actually a very normal guy in the way he lives his life immersing himself online in ways he can’t in the real world. It’s not online when we immerse ourselves in sites like MDL and others but maybe gone to the extreme. It’s not like he refuses to live normally, he just doesn’t have the courage. Taking the step for it needed a little motivation from the outside and a GENTLE push from within. I love his connection with the convenience store clerk. But you can tell one of his more important reasons for change was to improve his relationship with his niece. That development went smoothly and felt authentic.

The point here isn’t for the protagonist to become independent and work. It’s made clear that it’s okay to stay, accept help and receive support, as long as an active role is taken at home, to do things together while also pursuing things alone. That’s the difference between being reclusive and being home.

The only part of the drama I might be critical of is Saori’s workplace. It was shown as if we know the characters and are just returning to them, as Saori is. The failure is, that we never get the chance to connect with them or even be interested in them. The cut to their scenes always felt off place and sometimes I’d just skip it.

I have to say, I love the way the new house was presented and the camera filming the family’s movements. The directing makes viewers feel as if they’re peaking into the lives of everyday people. It made the scenes at home that much more interesting and intimate. The actors never felt like they were acting but just going through life, which in itself shows their talent.

The drama is rounded up with fitting music with many quiet moments for contemplation.
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