ZDorama
USA
But if I thought this movie was gonna be all fun and games, I was SORELY MISINFORMED! ‘Cause though there WAS an awful lot of that in the first half of the movie, at one point, Dear Friends becomes quite somber and turns into a serious and introspective film. Where I thought I would be spending my time drooling and pandering after Keiko, I suddenly found myself weeping like a girlyman instead!
Keiko plays Rina, a sexy girl-about town who has the world of the nightlife in the palm of her hand. She is brash, spoiled and manipulating, but when she finds herself suddenly hospitalized, she is brought crashing back to earth, her partygoing life and thrillseeking friends taking a back seat as Rina is forced to see what really matters in life.
Stellar acting from all the lead actors, especially Keiko and actress Yuika Motokariya, who plays Maki, another sick girl who gives Rina the inner strength to go on with her life when fate has dealt her a bitter hand. Also of merit is the CUTE little girl Mao Sasaki who played Kanae, a tiny shut-in patient who befriends Rina during her initial stay at the hospital. Oh, and a holler out to Hatsume Matsushima who played Rina’s partygoing friend Emi who looked HELLA like Ueto Aya in those opening scenes!
This is my second movie in recent weeks dealing with hospitalization and cancer after seeing equally terrific HEAVEN’S DOOR, the movie that starred Nagase Tomoya as the cancer patient and Mayuko Fukuda as the shut-in hospitalized girl. Though the two movies couldn’t be any more different, they both had heart at its center and guaranteed that I’d be using up all my Kleenex as it took me through its emotional ups and downs!! Sob, Sob!
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Well, in the end, Ryoko’s story (a tale about a set of twins, both played by her) ended up being so-so, and I’m sad to say that statement rang true for most of the other segments, too. In fact out of the five, I only really liked a couple of them- the story SEVEN ROOMS starring Yui ichikawa as an abducted girl in a mysterious holding cell, and segment Four which, in direct contrast to the other tales, was a short clip that was completely animated...It was this story that TOTALLY MADE THE MOVIE FOR ME!
This chapter was called HIDAMARI NO SHI, a story written and animated by Mizusaki Junpei and featuring perfect voice acting by Suzuki Kasumi and Suwaru Ryu. Hidamari No Shi tells a tale of a Scientist and his Robot Girl creation in a futuristic world not so different from our own...
The great charm of this clip is the pacing. As the girl goes about her daily life, the viewer is allowed to look about and take in the scenery along with her, examining what she is examining, reacting as she reacts. Every action is deliberate and precise, every sentence of dialog meaningful and heartfelt, and as I’ve stated before, the voice talent is just awesome, fully fleshing out the animated characters onscreen and making the girl seem real and believable.
The story of HIDAMARI NO SHI is ultimately a philosophical one, for though the girl’s days are spent doing chores like laundry, tending the garden and fetching the water, there are also rabbits and butterflies in her life to observe and chase, sunrises and sunsets to experience, and the quiet, beautiful sound of wind-chimes as they tinkle in the breeze. Yes, he’s created her to cook and to clean, but beneath it all is the lesson he wants her to learn most, and that is the joy and gratitude of simply being alive.
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Keiko's character is a quiet and pure girl who shyly comes into Muga's restaurant looking for a job, and Takuro's so shocked that such a beautiful young thing would want to work in HIS shoppe, he's almost too dumbstruck to reply! It's then that he seeks out the mysterious HANDSOME SUIT to change his appearance so he can sweep Hiroko off her feet...or will he?
Hmmm. While I can understand why a sweet and naïve young girl like Hiroko might be turned off by a showboating egomaniac like Shosuke Tanihara, I have a harder time believing she’d fall instead madly in love with Muga’s character, at least so much that she would go to such drastic measures as she does…
Ah well, in a movie, like this, common sense and credibility are thrown out the window, and you’re there to simply sit back and enjoy the ride, a feat that this movie does effortlessly! SO much fun, and MY does Keiko-chan look absolutely adorable as the shy and innocent Hiroko…! Thumbs Up!
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The movie also stars Keisuke Koide as the Cyborg Girl's love interest, and when we first meet up with the both of them, they're both shopping in a department store: He’s buying a birthday gift for himself, and she’s stealing clothes to wear (to replace her torn time-travel suit)… His eyes meet hers, and much to his surprise, when he leaves, she begins happily following him!
I cannot even begin to fully describe how cute she is in this movie, especially at the beginning. There’s this scene when they’ve just met, and she’s following him around town, smiling that infectious Ayase Haruka smile (Dammit, can anyone resist that?!), and once she has his attention, begins happily dancing and skipping along, MAN! SO CUTE!!!
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This movie was interesting and quick-paced, the fight scenes quick and stylized, and Ayase Haruka, besides being as pretty as ever (even dressed in rags!), is entirely convincing as the cold and ruthless Ichi. I loved every scene she was in, and especially liked the scenes with her and the little boy who shows her around the village and lovingly follows her around as she shuffles through town.
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Despite having the perfect (albeit flawed) girl right in front of him, Makoto only has eyes for classmate Miyuki, and really, who can blame him? As played by gorgeous actress Kuroki Meisa, Miyuki is the total embodiment of unattainable pretty, that holy-grail-ish purity a la John Hughes movies, and when she actually gives Makoto the time of day, no one can fault him for developing tunnel vision for her!
Of course, anyone with a heart knows that Makoto will only find true happiness with nerdy Shizuru, and I think that’s saying something for how lovable Miyazaki’s character is that I found myself yearning for her, and getting irritated whenever Miyuki entered the picture!
Only in a situation like this would I be more attracted to a gal like Shizuru over a delicious babe like Miyuki, but that’s just how it happened! The movie is just crammed full of great characters, and the forest backdrops where Shizuru and Makoto go to take photographs and forget their troubles are almost surreal, like they’ve wandered into painted pictures! All these elements made for a very solid story, and I found that even weeks after I’d watched it, I just couldn’t get it out of my mind. I’d be walking about, right as rain, when I’d suddenly think about the show and become melancholy!
The story of the two nerdy students, the romantic triangle with the “pretty” student, and the “heavenly forest” they escape to, will leave a mark on you, no question about it! Like dramas like Summer Snow, you’ll find yourself thinking about it for years to come!
A story about friendship, love, and the impact we have on each others lives.
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As one of the four motley coal miner’s daughters volunteering for Matsuyuki’s Hula Lessons, Aoi Yu's character Kimiko seemed so steadfast and composed in contrast with the other women… at first I didn’t realize it was the same girl from Honey and Clover! But as she worked each scene, the “Hagumi” character would shine through, and I’d think “Ah! It IS her!”
She seemed a lot more mature than I remembered, too. Then when I finally got to see her perform that “dance routine” that Saburo mentioned, she was so damn sexy doing it, I really started to wonder (read:worry) just how old she was…this was no “little kid”!!!She ROCKED!
The closing scene where the group finally appears onstage and Aoi Yu’s character Kimiko goes all out for her solo routine, all dressed in white, well, that just about did it for me. She looked so “kakkoi” performing , and MAN was she gorgeous, just radiating those good vibrations!!
Needless to say, right after the movie was over, I hopped onto the computer and checked out her Wikipedia stats, which reassuringly declared: Aoi Yu, born August 17th, 1985…
Hmmm…1985. So she was probably around 21 years old when that movie was shot…
WHEW!
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