Yamato Nadeshiko Shichi Henge
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A Letter to the Ordinary You and Me
I have so many thoughts about this drama that I am not sure I can even fully express it.This drama takes us on a journey with Su Cheng Cheng, an ordinary woman (but also incredibly strong) who gains this filter bracelet that allows her to learn something new about the world and herself with every transformation. Filter is not just about her transformations; it is also about the filters people have on each other that influences our views of each other. Once we have a bad impression of someone, we tend to only view their behaviors in a negative light and vice versa. This drama showed us what we thought was correct might not be the actual truth. Through these trials, Su Cheng Cheng learned what it means to love herself, the platonic loves she had from the very beginning, and a romantic love that shakes her core over and over again.
On the other side of the story, we have Tang Qi, an incredibly intelligent man who can also be awkward. He too had his own filters on which prevented him from seeing the person who was next to him all along. However, Tang Qi proved over and over again that he has the sincerest heart, and he loves with his entire being. He is able to self-reflect and try to see Su Cheng Cheng's POV on why things escalated the way it did. He is one of the best male leads I have seen in terms of development and viewers can't help but fall for him.
This drama has it all; comedy that you don't even see coming, friendship that is mutual and solid, family that is supportive, sci-fi that adds a layer of mystery, case-solving that actually gets intense, introspection about beauty standards, gender, societal norms, and a romantic love that is so pure and sincere that you can't help but smile every time you see Su Cheng Cheng and Tang Qi on screen. It is a story of misunderstanding and a story of relearning each other again. Thank you to this amazing drama and this excellent cast. I was so happy chasing this drama for the past 2-3 weeks and losing sleep was 543753345% worth it.
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I guess I just couldn't drop it. This is the most beautifully shot drama at Netflix this year (and I watched "The end of the fucking World"). The color palette is lovely, and there are some truly inspiring scenes. All of them related to the sea, some of them part of a mini film inputted in the drama. Besides, a 12 episodes drama with ~25min each seems like a pretty tight story - and it was!
The story flows in unexpected ways, and it carries you seamlessly. There are many things going on with this drama, and not superficially. You will wonder how it was able to show so much, to affect so much, and be so short.
It's less than 6hours in total, but I couldn't binge watch it because I kept stopping to ~think~ about what was happening. It's not tragic, it's not violent (in the strict sense of the word), but it is a very ~heavy~ drama that makes you question your morals, society, pressure in women in particular, infidelity, and also how naive teenagers really are. Not light themes, eh?
Although the drama doesn't shy of showing the main character sexual relationship, never for once the drama will try to normalize it. Sometimes it can even be uncomfortable. And not only between her and the teenager but between her and the man as well.
In the end, I felt like I was following the life of a lost woman, a naive woman, maybe a good woman (?), who is passing through the single most important months of her life. Independent of agreeing or not with her, everything will be affected by the choices that she makes here - and she has just started to realize that. You don't find much stuff as interesting as it is going on here.
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the BEST costumed BL from China ( THIS IS A BIASED REVIEW, SEE RATING FOR BETTER ASSESSMENT)
Does it really deserve 9.5, no; in a critical sense. But I can't be unbiased in this, because this drama has made me laugh out loud and cry like a baby.For a drama that is known to have a low budget and with two leads having not much a fan support before this drama, this drama has achieved way more than what other big budget production has not. I do think as fans of BL, especially from China with it's censorship, we need to reward productions who do not skew from the original story, who do non add random female characters, who do focus on story telling with intentions and a POV.
The story is adapted to television and flows through quickly and is evenly paced, the actors brings the life and blood to their characters (leads and side characters), For any viewers with keen sense, this is not a BL adaptation, it's BL. The chemistry between the two MLs are palpable in every scene, as they play back and forth with their words, their gazes, and their body language. They are playful and true to their characters, and I cannot praise enough of Gong Jun's acting in this. At first, I was hesitant to receive his "overt" "eye" acting, but it just conveys so much of his character as being the naive "cat" without it being overacting or farcical. He handles it just right. And ZZH is so good playing the reluctant role of the "mouse" with such subtlety and finesse, that you will find new hints of his intentions at every rewatch. Not to mention all the dynamic supporting roles, written with back stories and characteristic intent that supports this Wuxia JiangHu.
All in all, the script writer deserves the most praise, because for once it's handled by one lady Xiao Chu, who is a Wuxia fan and a fan of Priest. Her love and understanding of the Wuxia genre and the original text really shows how she organically expanded a what is considered a short story in Priest's world. Her adept handling of the subject and the challenges the topic of BL in her homeland is just so perfect, not to mention her knowledge of Chinese literary culture and history brings so much more to artistry to a laymen's entertainment such as tv drama.
After finishing the drama, I can say this drama has brought the standards of not just BL dramas, but all recent Chinese Wuxia drama standards, up, in terms of story telling. This production has told us you do not need big budget, main leads with rabid fans, all you need is good acting, good direction, and good script to capture the audiences' hearts.
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The Fiery Priest
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CAUTION: WATCH AT YOUR OWN RISK!
Don't watch this show while you're eating, because you'll be laughing so much that chances of choking and dying are a lot.Don't watch this show if you don't want to fall in love with a team of characters that are badass, adorable, witty and will forge a bond with you to the point you'll never want to let go.
Don't watch this show if you like strong badass female characters that kick ass, dominate the screen when they come and have amazing hair to match their amazing intelligence.
Don't watch this if you want to die due to the shortness of breath the titular character Kim Hae Il will cause you by being one of the most iconic characters in K-drama history.
Don't watch it if you can't stand the brilliance that is Kim Nam Gil's acting that gave birth to the baddie of the baddies: a fiery priest who is more like a grim reaper/ death angel 'cause when he comes to you, honey it's judgement day.
Don't watch it if you're someone who gets jealous of the extreme chemistry between all the the characters, don't like bromances, sismances and hilarious antagonists 'cause this show has an abundance of that.
Don't watch it, if you don't want to be addicted to the perfect OST of this show even when it's finished.
Don't watch it if you want to be proved wrong when you said that K-Dramas are just not well- written anymore.
Only watch it, if you are strong enough to take the wholesome awesomeness this megabrilliant masterpiece of a show offers and still remain standing by the end.
You have been warned.
Take care.
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Her Private Life
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both main characters were so smart, levelheaded, understanding, sweet, vulnerable, and yet they were so confident and they never put the other's needs before themselves.. love is great, but self love is important? love doesn't mean "devote your whole existence to the other party"?
I'm worried I'll never watch another "similar" romcom again ;) this is not "original", but it's literally the only acceptable way to deal with cliches... a character driven story...
I'll just describe the characters a little more.... ryan... he's confident, maybe even arrogant and cold, but I love that he shows duk mi his "vulnerable" side.. and he doesn't "push her around".. he asks, he doesn't demand.. he apologizes when he's wrong, and he's not "above making a mistake"... and you can tell that he still wonders "am I asking too much", but she doesn't say no because he isn't asking for something grand, and she's just so precious and I LOVE a confident female lead... strong doesn't equal to mean or a bully, and sweet doesn't equal to a pushover who cries while apologizing for nothing...
also, his goofy playful side... I LOVE that side~ unlike dominic, he only wants "duk mi" to see that side ;)
ps, my rewatch value is just a 1 or a 10, so for this, I'll definitely rewatch it one day. just not the last 2 eps ;)
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MY STORY RELATING TO SKY CASTLE:This drama made me cry. I mean, ugly cry because a lot of the moments I watched throughout this drama related so much to many, if not all, moments in my own life.
I'm Korean but American-born. Though I wasn't reared in Korean society, my parents were still very much Korean traditional. It doesn't really matter where you grow up because your parents are the biggest influence you will ever encounter and will dictate a lot of what happens to you. I related really closely with Se-Ri though. Her story was basically my story. I'm an only child, no brothers or sisters. Me and my parents are the only ones in the States we can call family. I had a tough dad that always pushed me to think about the future. There were many many many times that he would force me to sit down at the kitchen table to lecture me hours on end past midnight about life lessons, how important getting an education is, and how hard and cruel life can be if I don't get it. I was only in middle school and he would go on to do this until I graduated high school. My mom was not a strong-willed person and often bent at the strong-arming of my dad.
I also lied for a time in my life about basically the same thing Seri because I feared disappointing my parents. The only difference is it wasn't Harvard but I did get accepted into a good university. I did OK during my first year, but because of certain reasons my grades started to slip and I eventually got expelled. I was no longer a student but I I couldn't bear to disappoint my parents and tell them that their daughter failed out of university and got expelled. I was also afraid of what my dad would do if he ever found out, just like how Se-Ri was fearful of what her father would do. So, instead of telling them the truth, I continued to pretend that I was going to school. I moved in with my friend after moving my stuff out of my dorm to continue the charade that I was still a student to my parents. My parents didn't know how to work social media and didn't really know their way around the internet but I would call them every now and then and tell them about my classes and friends on campus.
But eventually all lies surface in the end. They found out about my expulsion. I pretty much reacted the same way Seri did towards her parents. Of course I felt truly awful lying to them and knowing the kind of grief, sadness, and disappointment they would feel after finding out. But I was also at MY limit. I tried just as much as Seri did in her life to live up to the ridiculously high expectations her parents had for her. I remember a lot of moments in my life where it was suffocating living with my parents because there was no air to breath. But it was heart-breaking knowing that my parents probably didn't love who I was as a person, but loved me for being the kind of daughter who got good grades and did well in school. Anything less than an A was disappointing to them. Even when I got a B, they would always say "You could've gotten an A if you tried a little harder". What broke my heart even more though is that my parents probably couldn't tell me what my favorite color was, or what kind of music I listen to. They probably couldn't tell me what I liked and disliked. Because they never asked and probably didn't care if they knew or not. All they would ask me is "How was school?" or "Did you do good today?".
But anyways, a lot of things happened afterwards. It was a turning point in my life and changed me and how I approached life from then on. What had happened actually broke my family and I ended up moving out but after a year of being apart we were able to reconnect and pick up the pieces again. I think we were quite lucky to have come together because I know that lots of times when families break apart, it's unlikely that they ever have the chance to rebuild it, much less, want to. Me and my parents are together again now but we are still healing from the past and trying to change for the better. It's definitely not been an easy to do, but my parents have gotten much better at being the parents that I always needed them to be in the first place. So, more or less, it's a happy ending. But a bit bittersweet.
FIRST IMPRESSION: I put off watching this drama when it first came out because I judged the drama premise based on it's synopsis. Big mistake. It wasn't until later my curiosity of why everyone was making such a big deal out of this drama that I started watching it a month after it finished airing. This is by far one of the most realistic, gripping, human, relative, and controversial drama I've seen to date. The writing was superbly done with a good steady pace. The plot escalated when it needed to, and declined at the right moments. The cliff-hanger endings of every episode was done flawlessly. The depth of the characters and their development was spot on. The theme of the drama was perfect during these current times. Overall, basically perfect in every way.
STORY: The theme of the overall drama was well suited for how Korea handles the importance of education in their society. Many of the elements and plot points in this drama point to a very controversial yet unspoken side of how Korean citizens treat their children when it comes to rearing them. A lot of the moments told in this dramas related very closely, if not exactly the same, for a lot of children in the real world. Myself included. I got really emotional many times over during the whole span of the drama because a lot of the things that happen to these children, happened to me as well. It made me cry. Truly cry because the drama was not shy to show the rawness of situations like those. It didn't make the issues any more or less than what it really is. The plot itself was very well written.
ACTING/CAST: Honestly, I think this is the first time I'm watching most of these actors/actresses in any drama. There are a few I recognize but most of the main cast I saw for the first time for me. I can't praise enough how extraordinarily talented these actors/actresses were in this drama. It was provoking, touching, heart-wrenching, and amazing. The children cast in this drama also did a fantastic job! But I honestly have to sing gospel praise for Yum Jung-Ah (Han Suh-Jin / Kwak Mi-Hyang) and Lee Hyun-Jin (Coach Kim) for their incredible acting skills. But I have to say that everyone in this drama were just as spectacular with their acting. No matter how small the role, or how little the screen time, every actor/actress made the most of it and displayed their best acting skills forth.
MUSIC: I'm not picky about music and in most of my reviews I don't say more than a few words or a sentence but the music in this drama was well-picked and well composed. Especially the theme song for the drama. It's beautiful, dramatic, and relative to the theme of the drama itself too. The decision and usage of Erlkonig was perfect match to Coach Kim's theme song. The musical choices in this drama definitely sets itself apart from the typical musical choices typical dramas have in their soundtrack. Great job!
OVERALL: This drama was pretty cathartic for me but overall, objectively, I think it was perfect. I really can't poke any holes in it to be honest. Even about the last episode. Some people may have been a bit disgruntled of the lack of going-ons in episode 20 of SKY Castle, but I thought it was a wise decision and a refreshing one to write an easy going episode like that. I especially LOVED the contrast we see from the beginning and ending. This contrast we see from the first episode and the last episode was really beautiful and subtle moment. I appreciate how the writer was able to show us this.
Though the last episode wasn't really eventful it still held a purpose. When a drama ends, I think we can all imagine how everyone exhales after holding their breath for so long, but in most dramas the short sweet happy ending is short-lived and only serves it's purpose of showing smiles and exudes an "all is well" moment and ends the drama. After it's done, sometimes we get a sense of anxiety because after all, we invested 16-20 episodes in watching a situation escalate, then the drama reaches it's peak and drastically cuts down to a happy ending and then THE END. I think episode 20 of SKY Castle served more in the purpose to help the audience take a breather. To better adjust to how things ended. Yea, it's a happy ending but it's also important to know that even after a happy ending, life still goes on and when it does, it's pretty mundane. But usually, mundane moments in life are sometimes the happiest ones.
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Live Up to Your Name
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What was I expecting? I enjoy a good time travel, especially when it mixes modern and Joseon eras, ala Queen Inhyun's Man. And I'm a sucker for romantic comedies, so I was looking for a light romp and plenty of fish out of water fun stuff etc. Well, I got that and so much more with Live Up To Your Name. Firstly, the story... the plot itself wasn't too complex, a doctor from Joseon who practices traditional oriental medicine more out of greed than empathy, is transported through time to modern day Seoul to meet a cardiothoracic surgeon who see's her patients only as the internal organs she can repair. As they start to learn more about each other and their different methodologies, so do they also begin to learn about themselves. You see, more than anything, this story is a character story, and though it might start off as a story of things and circumstances happening to our characters and making them react, it evolves into a story about choices, self-determination, and ultimately, what it is that defines them as people. They learn and grow together in such an organic way that it is beautiful to watch in action.
What I love is how the writer had such a delicate touch when dealing with heavier topics. It could have gone the route of being preachy, but I don't believe it ever veered there, and even the characters who made wrong choices were also humanized in a way that didn't make you absolutely hate them. The romance, of course, was pure gold. Whoever cast Kim Nam Gil as Heo Im and Kim Ah Joong as Choi Ahn Kyung together as the leads deserves a medal. Not only was their chemistry off the charts, but it was so natural and realistic, that I almost felt voyeuristic in some scenes and all they had to do was look at each other. Kim Nam Gil was simply amazing start to finish and has the ability to be goofy and bumbling but also serious and intense all within the span of seconds. Kim Ah Joong took me a while to warm up to, but I think part of that was due to her character's thawing out with each episodes, and by the end, I was definitely mesmerized by her skill. I'm not seen anything else with either of them in, so I'll definitely have to look out for them both.
I can't comment too much on the OST only to say that it suited the themes, wasn't overbearing, and highlighted the poignancy of the show. I'm sure I'll pay more attention on re-watch, which I most certainly plan on doing.
I also want to mention a little something about the medical aspects of this drama. Yes, it is about medicine, both modern and traditional, and yes, it does glamorize medicine in ways that aren't necessarily realistic sometimes, but I can forgive because it is a fantasy (time travel, hello?). But, if you're not into medical dramas, this might not be your thing, however, let me just say that the medicine is just a vehicle to drive the show, it's not really what this show is about. If you are a sucker for character driven stories, then give this one a try. Just close your eyes every time someone sticks a scalpel or a needle into someone else.
And lastly, the method of time travel aka the gimmick that brings Heo Im from past to future, is one of the most unique ones I've seen, and not one I would voluntarily choose. Yikes!
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The story was the typical rich handsome boss and normal/poor girl story, despite it being quite cliche it still had its own cheerful vibe to it which made it seem more unique and special. Being a romantic comedy of course there has to be a love triangle and thus there's the appearance of the 2nd female lead who you would hate but in the end grow to like. The nice thing about this drama is that you would love not only the mains but also the side characters of the drama as they bring alot of joy along with the mains. There isn't much business problems or family issues as I mentioned above as it's a drama focused on the relationship of the boss and the girl.
Acting/Cast I'll be honest a part of the reason why I started this is because of the main leads. I've seen alot of dramas acted by both leads and always ended up enjoying their works so seeing them together in this new drama was a nice surprise for me.
ZhaoLiYing is such an adorable actress and I've became a solid fan of her after the 'Legend of Luzhen'
ZhangHan is also one of my favourite actors, needless to say because of his good looks but also I've seen many of his works including the Queen of SOP.
I also thoroughly support the rest of the cast as they brought so much extra joy to this drama.
The soundtrack nice and enjoyable as I loved hearing the opening and endings, however I haven't been that intrigued to download any of it yet.
This was such a cute and enjoyable drama that I would definitely rewatch in the future. Being 33 episodes I might just skip through once in a while.
Overall this is one of the best modern romantic dramas of China, as I usually just watch chinese historical dramas however this one is defs an exception. It was well made with a great cast that complemented the whole story.
So I recommend this to someone who is looking for some happy sweet and light-hearted as a break from a sad heavy plotted drama.
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!!!!! Wow
Story: AMAZING. There were so many twists and turns in the storyline that just came out of nowhere (in a good way) I was constantly on my toes and never knew who was good or bad and who was in the right or wrong. Are they on the good team? Have they now switched to the bad team or were they there all along? Who knows. (Well me, because I’ve seen it ;) )It made me feel ALL the emotions, even the ones I didn’t want to feel, I was on edge one minute, then swooning at Joon Hwi the next and then crying about something afterwards.
Acting/Cast: For me, the acting never felt stiff or forced, obviously I can’t speak for others. Everyone played their role well and I think the perfect people were cast for each role. I loved that we got backstories and plots for a lot of the characters as well, it helped immerse me in the story because I felt like I knew everyone I was seeing on screen, I could understand their actions and motives better.
Music: Gosh that one song was catchy “it’s pulling me undeeeerrrrr, it’s driving me CRAAAAZYYYY”. The music was dark and sinister when it needed to be which made me feel in danger at the right moments and help keep the pacing of the show.
I would definitely watch again, if not for Ye Seul’s storyline and Joon Hwi’s heart eyes then for the rush I felt during the high intensity scenes.
If you like investigation/law (kind of detectivy I guess) dramas, then this is a good watch for you. Enjoy!
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2019 Drama of the Year?
Be Melodramatic has the chops to compete for best drama of 2019. Airing on cable network JTBC, this drama went unnoticed, and it did not help itself with a rough start. The show quickly finds its footing and delivers a drama that perfectly encapsulates a 2010s romcom. It hits on multiple progressive themes with its female leads. On top of the premise, there is a thick layer of meta comedy which will have any experienced kdrama watcher rolling in laughter. Watch Be Melodramatic, which I prematurely crown the Best of 2019.Story:
The story comes off a bit lukewarm and light on plot. One might think it is deserving of a “slice of life” tag, but the plot of Be Melodramatic is surprisingly engaging, intertwining the drama with the drama within the drama. The sad surprise is the first three shaky episodes, to put it nicely. It really takes 4 episodes to bring the different pieces of the story together. That is why the MDL rating for Be Melodramatic has only been climbing with each week.
More important than the plot are the characters, specifically the trio of female leads. Again, the trio comes off a bit lukewarm on paper (especially in comparison to the fiery leads of another 2019 drama, Search: WWW), three women with a mashup of common quarter-life problems. Like real people, viewers need time to get to know the leads and grow to like them and their supporting cast.
As the leads strive to produce a drama with double digit ratings, Be Melodramatic struggled to surpass the 2% mark. Perhaps there is a general fatigue with the RomCom genre, but the show deserves more love. Even if the plot synopsis does not interest you, I can assure you that the meta comedy will have you goofy smiling through all 16 episodes.
Acting:
The acting in Be Melodramatic is one of the first signals that put it on my radar, the deadpan humor in the trailers and actor Ahn Jae Hong’s brand of comedy. On the other hand, the three female leads have a very short drama resume, the highlight being Argon from 2016. And what seems like a lighthearted comedy quickly turns into an acting challenge for the entire cast.
Once characters and stories are introduced, the show quickly digs deeper into each character and the different catalysts for their growth. Major props to Jeon Yeon Bin who brought her character, Lee Eun-Jung, to life.
The supporting cast also gets major screentime, even with a large “main” cast. Though they are treated with more of the lightheartedness and comedy, all of them bring an interesting, entertaining character to screen. This highlights the writer’s ability to create loveable characters and the cast’s (and casting director’s) ability to portray them.
Music:
The sound of Be Melodramatic is equally entertaining as the plot. There is a scene where the leads sing one of the OSTs, and I was dying with laughter. Be Melodramatic captures every aspect of the drama making process, including the music. Thoughtful is the word that comes top of mind when thinking back on Be Melodramatic.
However, the soundtrack of 2019 has been stellar with multiple drama OSTs topping the Korean charts, and Be Melodramatic cannot stand up to those powerhouses (looking at you, Hotel Del Luna OST). There is also a slight over-reliance on one song in particular, a song I loved, but a crutch nonetheless.
Rewatch Value:
2019 has been a solid year for Korean dramas, although I believe it rates worse than the past 3-4 years. Based on the shows currently airing and set to air in the final quarter of 2019, I can confidently say that Be Melodramatic will be top of the 2019 RomCom list. If some of the newer shows do not interest me, I might even rewatch Be Melodramatic before 2019 is over. Anyone with extra time during the 2019 holiday season, I recommend giving this drama a try.
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One of the best action, comedy and fun packed dramas!An Absolute Masterpiece
This drama is a pleasant surprise, it has everything I was looking for. Suspense, adventure, action and comedy are superbly balanced. The story is super captivating and entertaining.YGM is extremely fascinating person, it's mind boggling how he manages to be a failure at studies despite being a committed and hardworking student. Its very commendable that even though he has fantastic talent in martial arts, he insists to pursue his dream of achieving what he wants. I love how incredibly witty, bold, brave and zealous he is. He appears to be a nerd, but very ironically he is anything but that which throws his opponents off. Making them believe that he is a weak person and then underestimate him. Anyone who messes with him or his family/friends finds out!
While YGM is trying to realise his own dreams, he is unintentionally solving the root problems of the high school. His determination to fight through bravely in the face of discouraging, oppressive, brutal and corrupt system, is inspiring others to do what they always have wanted to do. ML and his study group team mates teaching all the villains the lessons they deserve in very creative and hilarious ways is extremely fun and satisfying. His goals, dreams and actions are helping his teacher LHG achieve her goals of reforming the YTHS for the better and getting justice for those who were oppressed, deceived, used, bullied, belittled, framed, threatened and harmed.
YGM's chemistry with all the new friends is very smooth and dynamic. It's very impressive how all the characters are improving and developing subtly. They all are supporting each other, becoming more trusting, understanding and reliant on each other - becoming a caring family and a very formidable team. All the actors have done impeccable, immaculate and remarkable jobs of portraying their characters perfectly. They have brought the webtoon series' characters to life very cleverly. The iconic scenes of the series are executed astonishingly well.
The fight scenes are the heart and soul of this drama, they are very innovatively and expertly choreographed to perfection. I am absolutely stunned by the unique and powerful and at times funny fighting style of ML. I find it very hilarious that ML's mom is also an awesome martial artist too. An apple doesn't fall far from a tree. It's making me very curious about ML's uncle.
Sun Cheol and his grandfather's story is so touching and beautiful. Its really heart warming how YGM and his friends are saving these lost and trapped souls in the deep dark abyss. He is not only capable of protecting himself but everyone around him. He always extends his hands and holds firmly those who need his help.
This drama is very unique in showing that in this day and age while many students take oppurtinities for studying and peaceful environments for granted, some students around the world like the ones at YTHS were at serious disatvantage. There are students in this world who have to fight very hard to be able to study or follow their dreams. The motto of study group is "i will create opportunities even in hellish situations", its there to establish hope for those kinds of students so they can be encouraged to pursue their dreams.
This drama also shows that although violence is bad but at times its vitally needed when innocent people have to fight to protect people and things precious to them. Martial arts and fighting ability is a tool of self-defence and to protect. The study group members in order to realise their dreams, had to go as far as to face not only school bullies but corrupt teachers, headteacher, deciplinary committee, unsupportive parents, killer street gangs, corrupt police, paparazzi and hidden political agendas. In addition, they had to fight their own inner demons, personal handicaps and socio-economic difficulties to latch onto the hope and motivation to be able to pull through and never give up on themselves and others. The moment you give up on yourself and others is the time you have truly lost. PHU believed firmly that struggling against corrupt embedded system was futile thats why he never tried to change himself but forced others to feel hopeless and fearful like himself under the tyranny of his dad. YGM chellenged his beliefs that he and his friends, family, teachers and good people will show him that people/situations can be changed.
The 'Back Packer' and 'Hood' OSTs have become my most favourites ones, its very impressive that this drama's OSTs are rap-based which perfectly suits ML's badass and awesome personality. These OSTs are spectacularly supporting the fight scenes, enhancing their impact many folds. The opening OST's art work magnificently conveys the idea that this work is a live action of a webtoon series.
I'm very eagerly waiting for S2, I must find out what transpires next and how this best school squad overcomes many new challenges in their way to success. I highly recommend this drama for action, thriller and comedy lovers, it's 100% worth the watch!
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Love by Chance 2
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What were they even thinking?
I was reflecting whether I should write this review as many fans might find it insulting, but screw it!To summarise in two words: AWFUL SEASON. Now let me elaborate more.
Legit I do not understand how they decided to go on with this season. Numerous of people had to agree to the final approach for this season plot. I wanna know who in the world agreed to have 6 recap episodes for the first season in a 13 episodes series. Why? Are we, the fans, a joke to them? We did not watch the new season to remind us what happened in the first season. We can rewatch it if we want to remember what happened.
I do not understand how MAME agreed to this approach and the changes in the story. For example, in this season Pete already left from Bangkok and left Ae behind, but at the same time Tin and Can have not met each other. WHAT? I am trying to watch a bl series not to understand the end of Inception. I do realise that there were not able to work with Saint due to previous drama between them, but dude you can not defy the laws of time in the series. If you can not work with Saint, then we do not need scenes with Ae being shitty and drunk, in a series that focuses in TinCan. I feel that they just had Perth in the series for the fans!
Instead, of giving Perth that much of a screen time, they could focus more on KlaNo. LIKE DUDE IF YOU DO NOT KNOW HOW TO USE THIS COUPLE DO NOT MENTION IT FROM THE BEGINNING. I felt that this couple was used as an intermission and as a chance to change the mood from Ae's and TinCan's story. Moreover, the couple had approximately 20 minutes screen time in total, and for some reason No was getting softer for Kla in every episode. WHAT DID I SAY ABOUT THE LAWS OF TIME? YOU CANT DO WHATEVER YOU WANT WITH THEM. Tbh, I don't like how KlaNo's relationship began in the novel, but you have to show more of what Kla did to win No over. You can't show two scenes were Kla gives No snacks and expect us to believe that this shit is ok.
This leads to my next point. ENOUGH WITH THE PRODUCT PLACEMENTS! I know that you have to find sponsors to produce a series, but there were many scenes that only existed for product placement and had nothing to do with the plot. You could use them in a more discreet way rather than showing Kla giving No those snacks and him eating them. I do not know how the rest of the viewers feel about product placement, but when I see a product being placed in this straightforward way, I usually hate the product.
Now moving on with the acting. Was it bad? Yes! I really enjoyed Mean's acting in the first season, but thanks to the plot changes I felt that what I was watching was not Tin but someone else! You can not have an actor establish a role's character in the series and the next season make him change that. As for Plan, well he was cute in the first season but he was must softer in this season. I repeat: IF YOU WANTED TO USE THE SAME CHARACTERS YOU SHOULDN'T HAVE CHANGED THEIR BACKGROUND! Now as for Perth, I felt that in the first season he was amazing (taking into account his young age), but in this season he was acting bratty and as an asshole. I know that this is how Ae behaved in the novel, but at some point I grew tired of watching the same scene over and over again. So, for the last 4 episodes I always skipped Ae's scenes. You are sad about Pete leaving you. WE GET IT! NOW GET OVER IT AND TRY TO UNDERSTAND THAT THE WORLD HAS SERIOUS PROBLEMS! However, I feel that Gun's acting has improved. In LBC he was awkward and had no flow what so ever, while in this season he was still awkward but at least not that much. As for Mark's acting, I thought that he was the best actor in LBC, but I can not compare with this season as HE APPEARED ONLY 4 MINUTES IN TOTAL!
To summarise, I feel that MAME and the producers created this season just to make us shut up! They had 2 years to prepare for this series but in the end we got something awful. Tbh, after finishing this season I hoped that we did not get this season at all. For some reason, I believe that MAME and the rest of the team, bet everything in TharnType and in order to please us for TinCan, they just wrote the script in two days with no revision and gave it to the cast a day before filming.
I think that the wisest thing to do is to always ask a fan's opinion prior the decision of a script approach and production. I know that they might worry for any plot leak if they share their ideas with fans; however, they could find someone to trust from the fanbase and let the fan help them with continuous feedback. I feel that if that was done then we wouldnt get 6 recap episodes and the plot would be more fast paced!
P.S. STOP INTRODUCING TOO MANY NEW CHARACTERS IN NEW SEASONS!
I DONT HAVE THE TIME TO INVEST IN THEM AND KNOW THEM BETTER. I WOULD PROBABLY END UP HATING THEM!
That's it! A chance to love was shitty. Change my mind!
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The Greatest Love
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Likes:
1. CSW's perfect delivery of lines
2. Funny acts
3. OSTs (totally love Du Geun2x)
4. the potato
5. Dingdong kid
6. CSW's extremely HOOOOOOT body!
7. plot
8. ending message of CSW (my first time to watch a drama with an ending msg from one of the characters)
9. sneakers
10. their love for each other
Dislikes:
NONE!!!!!!!!!
SCORE: 10/10
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Questa recensione può contenere spoiler
Captivating. Cinematic. Action-packed, yet offering impressive quiet & heartwarming tuning, too
Gando is the land of the desperate, the realm of the desperados of Joseon. In the 1920s, it was also a territory in which political responsibilities and affiliations were vaguely regulated. Some things may remind you of the Wild West. Yet this Wild North in the Far East is quite different...“Song of the Bandits” is a brilliant Netflix historical drama about a certain chapter of recent Korean history. Moving. Captivating. Cinematic. It exudes the vibes of an Eastern. The KDrama surely is gory action and turbulence at most times, but offers impressive quiet and heartwarming tuning, too. Action-packed it is, yet humor and romance modestly fit in as well. "Song of the Bandits" is astonishingly well balanced in this respect and for a Netflix production, despite its polished and action-driven choreography for a broad international audience, sticks surprisingly consistently to a more subtle Korean series style. Nicely done at all scales. We get a feeling of the Manchurian landscape with Gando impressions filmed at original locations. This all framed within a consistently beautiful soundtrack. It all lasts for 9 episodes (only! Yet?). In spite the overall ambitious commercial production context, aiming at an international “Squid Game”-like success, “Song of the Bandits” was able to impress me with a historically and emotionally complex story with great mimes - Kim Nam-gil, Yoo Jae-myung, Lee Ho-jung and Lee Hyun-wook in their element. But so is everyone else. This is where KDrama and Netflix perfectly come together...
'Bandit: The Song of the Sword' is the original title. In fact, people don't swing swords so much as they use firearms. The KDrama is epically processed, offers great emotions, while telling about people and the range of motives for which people are prepared to fight. It's about resistance, obedience, venality, oppression, social affiliation, the fight for freedom. There are even some spiritual thoughts attached to it along the way. It is about the Joseon people, some personal fate, as well as 'the' history of Chosen - an emotionally quite ´Korean´ excerpt of modern history. Its thematic historic setting (even if the rest of the world might not care so much about it, as it is not requisite for an entertaining series pleasure) contains a lot of explosive material by Korean standards. Therefore firearms are in several respects quite consistent in this context…
As far as I am concerned, I do care about the historical context. On the contrary, I find it quite intriguing - besides the dramaturgically action-packed and emotionally charged story with its complex, interwoven relationship dynamics and conflicts. As I said, you don't really need to know the background to be enthusiastic about "Song of the Bandits". But if anyone might be interested, see the historical side note about 'Gando', the border region on the north bank of the Tumen river, which today also marks the border between northeast China and North Korea.
PS:
Yep, the ending of the story...
If you like, you can dream of more. It could be possible. Yet, it would still go on and on.
Who knows if there may be a sequel...
Nevertheless, from my perspective the ending is quite fitting. (Whether I like it or not.) In terms of the historical events, things are as they are. We want fiction to write a different ending, but it still wouldn´t be any better, rosier or brighter for hardly any of the various protagonists... Therefore, from a Korean perspective the ending of this story remains true to the spirit of the actual Chosen-history: For Joseon people it is and remains unsatisfactory, unfair and painful. ´We´, as an international audience (temporarily and figuratively with our personal discontent), can/shall/must/may thus empathically share this collective emotion, too.
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SIDE NOTE: --- Gando, also called Jiandao, and today Yanbian ---
Gando historically stands for a specific borderland. To this day it is a region with a high proportion of people of Korean origin.
Gando is a small, perhaps inconspicuous scar in Korean history – yet a scar that is still weeping, sort of...
Gando (and Manchuria in general) is also associated with the regrouping of the Rightous Army and thus with the patriotic pride of resistance against colonial oppression. With "Song of the Bandits", the issue of Gando has now obtained an impressive, international onstage introduction...
This 'Gando', Jiandao or Yanbian was the last nail of hope for an increasing number of desperate people from Joseon (and still is for some North Koreans today) who had nothing to lose and would rather settle for an arduous life and try their luck in this section of Manchuria - a back then relatively undeveloped marshland on the north bank of the Tumen river.
First - in the course of, and especially at the end of, the 19th century - famine and poverty drove poor Joseon people to the far north. Then, at the beginning of the 20th century, it was the hope to escape from Chosen, which was finally officially annexed by the Japanese. The Righteous Army militia was also formed anew in Manchuria at that time.
After the annexation of Joseon, with respect to a relatively large population of Joseon people, the Japanese as part of their aggressive expansion efforts also demanded this coastal territory north of the Tumen from the Chinese. Infiltration was followed by an invasion in 1907, but already by 1909 there was withdrawal again. Officially, as a result of the diplomatic negotiations, the area eventually became Chinese again and Japan received railroad concessions, while the Joseon people remained under Japanese rule due to their Korean descent.
"Song of the Bandits" sets its story in this political quagmire: the decade before the belligerent 1930s, before the Empire of Japan invaded Manchuria, established the puppet state 'Mandschukuo' and used it for its own political and economic purposes. The prerequisite for this was a massive expansion of railway lines - especially the North Chosen Line along the border region between Chosen and Manchuria, that had been built during those previous years, while the Bandits sang their song...
Outlook:
After the end of the Second World War, many Koreans went back to their homeland, but by no means all of them. Around 810,000 people of Korean origin apparently still live in the Yanbian Autonomous District of China's Jilin Province to this day. In 1952, the proportion of the population with a Korean migrant background was around 60 percent. Then, Korean language was official. However, especially since the late 1990s, the Chinese government had specifically tried to force linguistic and cultural assimilation in order to counteract political currents in South Korea and discussions about a possible legitimate Korean claim to 'Gando'. These currents believe that - regarding those dubious events of the early 20th century and Gando Convention between Japan and China becoming obsolete with the ending of the World War II – this Gando territory actually is political void and should now belong to (in this case North?) Korea. Thus, Gando's territorial status for some still is not satisfactorily resolved…
Incidentally, desperate North Korean refugees are continuously trying to get to China via the Tumen river, which is icy during the long, cold winter months. Thus, Gando territory invariably remains a last nail of hope for desperate Koreans even up until today...
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