Reviews

FORGET THEM NOT!

Just when you thought you finally moved on from the heartache of not seeing these love teams, GMMTV gave us this series to make us crazy over these guys, all over again.

The whole series is essentially a look at what our favorite couples have been doing years after their original series ended, banking on nostalgia for viewers' pleasure. Each episodes are all well made and is more like a movie rather than a series.

What I love is some of the episodes actually gave us closure to some of the couples' stories. In fact, we can argue that some of the episodes are maybe better than their parent series. It is very evident that these pairings are comfortable with each other, and they all look like they are enjoying themselves - they set the gold standard for their dedication and fan service.

Just a reminder, no, you cant watch this without watching their respective series. I didnt exactly love all of the original series, but I did love all these 5 couples in them, so watch them first, then top it all up with this.

What i hate about the series is it made me long for these couples once again, I thought i was over missing them and then here they are being cute and all, and after an hour i have to face the withrawal syndrome of not seeing them in these characters once again. I just hope they made each episodes longer maybe 2 hours each. Yes, I know I want more, and I know Im selfish.

Leggi di Più

Beautiful and rare story about Humanity, Character growth and Forgiveness.......

LCR can be summed up as “The world is better because of you” This is not a fluffy romance drama and required a mature audience to unravel this beautiful story about humanity. LCR story is adapted from China Blue Sky Rescues volunteer including its rescue scenes. It portrayed different aspects of humanity through 6 main characters and their actions not always what audience wants to see…but happening around us…. It is a rare touching story of the real Hero in our world.

The drama tells the growth of 6 different people, all live in their own worlds some with dark past/traumas, whom received kindness through rescue and overcoming their own pasts/struggles to become light for others through rescue….

In the Mv songs…”When the world did not give me a good start”…That’s how our Leads childhood stories begin…both are orphans victims of natural disaster….and grew up taking different paths to patch their traumas….One savvy successful cunning lawyer and one smart, cautious cold doctor who close herself to outside world….As their not so great start begin, it took many twists and turn before they got together and when they did…one big revelations during their childhood trauma is unravelled (a huge surprise) that lead to their love struggle…..one that need a huge courage to overcome….

You all start with hating LB and boy how much I love him at the end despite all many tragic events he went through for being real, brave, courageous, kind, smart and forgiving…..LB is a true warrior…

We have 2nd couple who are big sweethearts and the 3rd ones that well can do with less screen time.

LCR showed a dozen + amazing rescue scenes. My favs are the earthquake, mudslide, and cave, some channeling Hollywood production…. Finale Glacier rescue is Epic, movie texture quality and cinematography and one that I did not think C Drama is capable of making such a harrowing scenes…

Acting:
Lyx a season actor he showed all aspects of LB multi-faceted traits eloquently, vivid, delicate and detailed. His ability to deduce the state of his character is thoughtful and accurate. In the last Finale rescue, he blown me away with one of the best acting I’ve seen in C drama and I just witness the explosive growth of this talented actor. ……..Hat’s off to Lyx for performing many dangerous stunts himself.

My first WQ full drama. I like her takes as cold doctor. She is truly an underrated actress with solid acting skill. Most support actors are good, only a few weakling…

All 6 main characters are original voice and they are all good, but especially LYX....This rare in C drama....

OST: I keep looping it and how the narration really fits this story of growth….not able to FF the opening song and ending song each time....

Leggi di Più

Offering some food for thought, can be quite lengthy :-)

I spent my afternoon sitting at a quiet, dimly lit corner to watch this movie, and by the end of it I was truly touched by the deep, profound story that this movie portrays.

Having received 11 nominations in the 56th Golden Horse Awards and winning 5 of them, with one being 'Best Film', I know I already have high expectations the moment I clicked into the movie, and boy did the movie not disappoint me. It totally threw me into a whirlwind of emotions. :")

Story and acting wise, I have almost nothing to pick on. The actors were brilliant in their portrayal and well, my ratings are clear enough, and you can watch and judge it for yourself.

Rather, I would like to bring up some themes that lingered in my mind after I've watched the movie.

[We've all been hurt before, and that's how we can become each other's sun.]

[A Sun, A Son]
The title of this movie holds two meanings, 'A Sun' and 'A Son'. What happens when a family is thrown into darkness when the 'sun' of the family is no longer there? What happens to the family when A-Ho has to move out of the darkness, what hope can he, or rather, they, cling onto?
This is a movie that speaks about relationships within a family: mother and son, father and son, elder and younger sibling, and many many more. But ultimately, this movie explores what it means to be a family, and to be yourself.
Also, note the use of the article 'a' for the title of the movie. Why is it 'a' and not 'the'? How does the difference in definiteness of these two articles change the meaning of this movie?

[Light, Darkness, or Both]
In this movie we have characters who stand out and thrive in the world brightly lit up by the sun. However, some recede into the darkness where they seek comfort and find out their own meaning and interpretation of what they're worth. But how about both? How does having both light and darkness in a character's life influence him in any way?

[Expectations and Hope]
For someone who has been in the light all along, how does he feel about it? How do societal and familial expectations weigh down on such a person? How does he find shade to rest and take a breather?
Whereas, for someone who was always in the darkness, will he be able to find his own ray of sunlight and move into a world where the sun shines brightly upon him and his future? Over here, how does societal and familial expectations differ from that in the aforementioned case?

[The Sun (literally)]
The weather changes throughout the movie helps portray the different settings and atmosphere for each character's feelings, emotions and state of mind. And I must say, the appearance of the sun (or the lack of it), as well as the amount of sunlight shining upon a character, plays a huge part in helping viewers understand what state of mind the characters are in. The visual significance of these scenes are enough in showing us the characters' emotions even without them having to portray them. That's how powerful and well-thought-out the cinematography is in this movie.

[Seize the day. Decide your path.]
This is a recurring slogan in the movie, and we can begin to wonder why it's mentioned in the first place (and many times after) and also how much it weighs on the different people receiving this piece of advice.

Well, that's all I can offer for some thinking after the movie ends. Do watch the movie, you'll not regret it ;)

Leggi di Più

Amazing Female & Male Leads | Precious Romance

I almost missed this wonderful drama because Ren Jialun (aka. Allen Ren) was not on my favorite actor list. I watched him in "The Destiny of White Snake" but couldn't grow to like him. However, in this drama, he is simply fabulous! The Embroidered Uniform really makes him shine above all; he is so perfect in this amazing drama, as if the character Lu Yi is written for him. 

Ren Jialun has a face that fits exactly the face of the Lu Yi character to which Yuan Jin Xia has said, "the face of the Lord of the Netherworld" because his face is sour in its resting state. I normally don't like sour faces, but I find the sour face of Ren Jialun so cool and adorable that I don't even believe myself!  I love him so much in this drama that he is definitely enlisted on my favorite actor list from now on.

The character Lu Yi has a no nonsense demeanor: ruthless, few words, authoritative (he's the head of the Embroidered Uniform Guard), calm, strategic and smart. Ren Jialun simply looks so fabulous in this uniform that, together with his natural acting as an authoritative figure, he merges with Lu Yi as one.

I have always loved Tan Songyun (aka. Seven Tan) who plays the character Yuan Jin Xia. Tan Songyun is so cute and tom boyish with her cleft chin, making her a perfect gutsy police officer in this drama. She has a face that can look like a pre-teen, or a 20 something professional woman, affording her all the flexibility of a fantastic actor and fitting into any roles easily. Her acting is simply top notched.

It is rare for me to like an antagonist, and this drama provides one. The character Yan Shi Fan played by Han Dong is amazing. He's ruthless, deceitful, corrupt, scheming, and a mastermind behind all the evils. The actor Han Dong is tall and good looking. As Yan Shi Fan with a glass eye, devious and a double-faced demeanor, Han Dong's acting is simply immaculate.

The story itself is light and easy to understand and follow. The pace is perfect. There's no one moment that is boring or extra. The romance is adorable and precious. I don't have enough of the male and female leads together, going through all the adventures, solving crimes and mysteries. Every moment of them together is so beautiful, precious and sweet. Their chemistry is incredible! Their relationship has always been complementing and supplementing each other. Lu Yi is strategic and calm whereas Yuan Jin Xia is versatile and meticulous. When Jin Xia gets into trouble, Lu Yi is always there to help her escape unscathed. When Lu Yi faces danger, Jin Xia is always there to face danger with him and protect him. Both are willing to sacrifice their own lives to protect the other. Their love for each other is truthful and undying, and is of the highest level that nothing else can replace. It is this relationship that draws viewers to love the couple and shed tears for them.

This drama has all the adventures, mysteries and romance; a makes-you-feel-good kind of drama, and a great ending providing proper closure - perfect ingredients for a great drama.

This is a sweet and wonderful drama not to be missed. TWO THUMBS UP!

Leggi di Più

Haunting. Powerful. Taciturn. Unforgettable.

"Sandglass" is a KDrama that relentlessly, sophisticatedly and yet sensitively processes the pain of the South Korean people, that paves the path towards actual democracy. Here you can get a glimpse of a cultural phenomenon: 'Han', a collectively shared sense of painfully experienced injustice (see side note below). "Sandglass" is one of the first KDramas daring to use the medium of television for more than just entertainment. It is also one of the first who could even dare to do so. Here, recent contemporary history is critically targeted from all sides. And at the same time, it becomes a collective vigil for freedom of speech and opinion, for freedom of travel and for the rule of law that have only recently been painfully achieved.

"Sandglass" tells the story of three young people who were friends during the 1970s and 1980s - Park Tae-soo (Choi Min-soo), who actually would have liked to study but made a career as a thug in gangster milieu, Kang Woo-suk (Park Sang-won ), who hopes for the power of the law and thus studies law, and Yoon Hye-rin (Go Hyun-jung), sort of imprisoned within the golden, solid cage being the daughter of the most influential, officially tolerated casino king in the country, who systematically suplies the government with his money from gambling via anonymous bank accounts. Jumping back and forth in time, the fatal emotional bond between the three is unraveled against the background of social events. It is a dramaturgically conscientious reckoning with the military dictatorship, its abuse of power and its crimes against the people. Original film documents were seamlessly played in, i.e. during the staging of the Gwangju massacre. The presentation of the Samchung re-education camp was also staged as realistically as possible on the basis of original photos and documents. The second half of the story then goes through the destinies of the three protagonists in mafioso style: the gangster, the prosecutor, and the heiress to the casino king. The finale is on the one hand the moment of free election for the people (running in the background), and on the other hand the result of the personal (more or less free) choices of the three protagonists, who still share a world in which despite all recent tumult and uprising basically not much has changed...

More than half of the South Korean population watched the 1995 KDrama "Sandglass". It was praised and praised again. Hard to believe, that it is these days hardly available for streaming with subtitles, never mind as DVD. Apparently, those who have a DVD are reluctant to give it away. I can understand, after I actually saw the KDrama myself - first only in the original version without subtitles (wasn't that bad, because mostly there isn't much talk :-) ), then with a time delay also with subtitles (it was definitely helpful :-) ), and by now also knowing a little more about that historic background. "Sandglass" is truly a masterpiece. Yes, it is taciturn, thrives on the acting, on long shots and on purposefully used, deliberately reduced light. It doesn't sugarcoat anything. It wants to let it sink, each and every moment. The camera accompanies the events almost like a documentary. Without comment, sequences, events, moments in time stand side by side. The story unfolds like a suction and draws you in. The soundtrack supports this pull effect. The story takes its course, the course of which is known, i.e. is predictable: Park dictatorship / suppression of democratic aspirations under the pretext of North Korean infiltration / Chun Doo-hwan supreme military leader, commander of the security and finally new president by coup d´état / martial law, Gwangju Uprising and massacre / cleansing camps / June 1987 fight, abolition of censorship, end of military dictatorship / free elections in 1992. Amazing and grandiose that via TV series a critical review of those bloody 1980s was already possible in 1995. It's brilliant, too, how the protagonists with their very different backgrounds, values ​​and goals are fatally interwoven and mercilessly swallowed up by historical events and social circumstances.

A fantastic K-Drama. Completely consistent. first class.
A sad story. Not funny. Not at all. You have to be able to get involved with the dramaturgically idiosyncratic, taciturn handwriting. (The mood should be right, so to speak.)
(And yes, it's an old ham when it comes to production quality. Screen format, picture and sound quality can hardly keep up with the Netflix era - a digital remastering would definitely be desirable...)

Anyone who is interested in the topic but can't get to the KDrama can grab an impression of the Gwangju massacre in "Youth of May" (2021), or a feeling for the time under military dictatorship and for the concentration camps in "Giant" (2010).
However, if you have the opportunity to see "Sandglass", I recommend that you go for it. Even without historical or socio-cultural interest, KDrama has a lot to offer in terms of impressiveness and melodrama.











------------------ HISTORICAL BACKGROUND INFORMATION -----------------------

Admittedly, being able to classify the historic events, helped for me. E.g. at the beginning there are scenes in which thugs and police bus-wise arrive at a building and disperse the opponent party´s event. This was actually the key historical point, marking the beginning of the massive social unrest, which resulted in actual free elections 13 years later. In fact, it was originally a comparatively small strike in 1979, which took place on the 4th floor of the New Democratic Party's headquarters. Around 200 women, workers at the textile company YH Trading Corporation, protested against the closure of their factory. Unions had no place during Yushin dictatorship, however his sit-in-demonstration was actually almost too minor, to interfere. Nevertheless, the government used the particular context at the opposition party building as a cover for a major anti-opposition operation - 'Operation 101'. Around 1,000 police officers in uniform and civilian gangs of thugs assaulted leading party members and 174 of the demonstrating women workers. Union leader Kim Gyeong-sook died while jumping out of the window.

The civilian thugs (fictional Tae-soo in "Sandglass" being one of them), were subordinate to the main money-provider of the regime (here the casino king and Hye-rin's father, who clean-washed his income for political means.)

That factory workers´ trade union action by no means was the reason for the following uprising. However the occasion served as the momentum for what was to come. Against this background, the later (fictive) encounter between Hye-rin and one of those women from 1979 becomes understandable. Hye-rin adores the by now torture-broken woman for her brave fight for democracy back then. That woman, however, never wanted a political revolt, she just didn't want to lose her job. In fact she feels betrayed and instrumentalized in a political fight that she really didn't want to fight and in which she lost everything, even herself, her dignity and self-respect.

Responsible for the politicization of events that had taken on a dynamic of its own, was actually the Park regime itself: it´s attempt to split and suppress the opposition. By demanding the party leader Kim Young-sam and his deputies to resign from their mandate provoked and politicized the public. Since this coincided with the beginning of the winter semester, the student movement, too, took the incidence for a red-hot political profile: demanding the end of the Park government. A corresponding demonstration in Busan was violently suppressed in this context. A few days later, president Park was assassinated by the head of the Korean Central Intelligence Agency (KCIA). This assassination had nothing to do with the students and their demands. Neither does North Korean Communism. It just coincided timewise with the Busan demonstration. The military, in turn, took advantage of the political power vacuum situation, imposed martial law on the mainland, installed a far-reaching investigative body and thus paved the way for the meteoric rise of Chun Doo-hwan, who was appointed chief investigator. He used his chance consistently and purposefully. After 8 months of military coup, the country had a new dictator in uniform who presented himself as the savior of the nation.

He repreatedly and systematically declared the pro-democracy drive the enemy by spreading conspiracy and infiltration theories about North Korea's ambitions. Press and public were massively manipulated with so-called K-operations (king´s operations) in order to convince the people by the good of military rule. The credo was: the military and Chun Doo-hwan were the only chance to counter the spreading, communist-manipulated unrest, in creating something like order and security. At the same time, the military units were drilled with the so-called Choongjung (True Heart) training for a particularly aggressive and efficient suppression of demonstrations. New paratrooper units were created as special forces. In addition to physical fitness, the training included the development of a strong corps-spirit and the use of massive violence and targeted abuse.

Against this background, the situation among the military units deployed in Gwangju in May 1980 can also become somewhat more understandable. On the one hand, they were brainwashed. On the other hand, to date it has still not really been clarified who gave the orders for the escalating violence in May 1980 - e.g. orders to shoot and the use of paratroopers. Internal ambivalence and irritation was common at all levels of command. But that didn't help. In the end the corps-spirit was more binding and prevailed. In this respect, the executing soldiers, as perpetrators, somehow became victims in those sad May days, too. The proclaimed enemy - North Korean Communism, which is behind the pro-democracy movement - and the unshakable pillar of power - the military dictatorship with all its arrogance - posed such a strong, effective, powerful threat, so that it was so frightening people in uniform (and without) and made them hitting their brothers and sisters indiscriminately (again, after barely three decades). Because someone had chosen Gwangju as the place of the example. And because the sides there had just turned out that way - those who lived in, studied in or visited Gwangju on the one hand, and those who were doing their military service at nearby barracks at the time. On the other hand, the political vision or just a simple wish, that everybody might finally live freely under fair conditions, seemed hopeless. Suddenly the fight was (rather apolitical) about pure survival and desperate rebellion against arbitrary violence.

Eventually, with "Sandglass" the South Korean population became seriously aware of what had really happened in Gwangju in 1980: a people´s uprising against military oppression, being brutally suppressed. Because of the propagandistic K-operations and the censorship (which was repealed only in 1987), knowledge of these events was never really able to spread. Numerous witnesses had deliberately been put into camps or imprisoned. For the television audience in 1995, these street-fighting scenes must have come as a complete shock, not only because they are terrifying in themselves (regardless of where and when), but because they actually had taken place in such brutal manner and in such close proximity completely without their knowledge. In this way, "Sandglass" also became the trigger for nationwide latest history processing. The TV production paved the way for more critical historical scrutiny in the media and also apparently accelerated the course of the trial and sentencing of ex-President Chun Doo-hwan in 1996. He was sentenced to death. (However, on appeal it was turned into a life sentence. His assets, of course, were safely parked, too. He died of cancer in 2021.)





---------------- Side note: --- NATIONAL SECURITY ACT ----

The National Security Law has been in force in South Korea since 1948 - until today. Its primary purpose was to push through anti-communist propaganda and to control or shut down opposing intellectuals, artists, journalists, students etc.. This National Security Act de facto restricts freedom up to this day and ultimately violates the 1948 Universal Declaration of Human Rights and the 1976 International Covenant on Civil and Political Rights, which South Korea had actually ratified. Fatally, it seamlessly continues a relic from the days unter Japanese rule. Several 100,000 people have fallen victim to this law over the past few decades. The verdicts resulted in prison sentences of thirty to forty years, which is among the longest in the world. It has served military dictatorships well, opening the door to arrest and torture countless times. Even after the end of the dictatorship, as late as 1989, obviously an average of 3.3 people each day were arrested, tortured and sentenced to prison under this national security law. To this day, the law is still officially considered constitutional...






--------------- Side note: --- RE-EDUCATION, CLEANSING AND CONCENTRATION CAMPS ---

A unique dubious institution during the Chun Doo-hwan dictatorship were the concentration camps for re-educating unwanted citizens. 25 such camps were set up in the aftermath of the Gwangju massacres. They served to systematically clear the streets of South Korea of ​​unwanted people (and yet mostly arbitrarily as a military demonstration of power). The camps were primarily used for brutal abuse - any dignity was broken, body and soul pushed to the limit.

The detainees were divided into 4 categories: A implied prison; B and C an agonizing time in one of the re-education camps; D a warning. Category B and C inmates often ended up in prison as well, provided they survived the re-education camps. E.g. a former military prison in Yeoncheon, Gyeonggi was thus modified according to 'Samchung Plan No. 5'. This location officially was established to fight North Korean Communism: up to 100,000 innocent people may have gone through hell without a warrant - and rarely enough survived.




--------------- Side note: --- HAN ---

Han can be considered a collectively shared, identity-forming cultural pain in the sense of sad and angry grief. This cultural characteristic developed in the course of Japanese colonization of Joseon. There has been, and still is, debate about the extent to which Han can or cannot be considered a collective trait that creates identity. In any case, as a shared painful experience of that time, a specific form of expression of grief developed, while behind melancholy suppressed anger also resonates. Han has found its very unique solemn, deeply and sadly swinging aesthetic in Korean culture, which we can observe/feel in music, film, television, literature, poetry etc. It can be considered a collectively shared state of mind, that feeds on the traumatic experience of humiliation and abuse as a people that Joseon endured so massively at the hands of the Japanese oppressors. Han addresses helplessness in the face of overwhelming injustice. But despite all the pain and sadness, there is also something tough in Han: an inner resilience, a rebellion, that still provides something like strength in the darkest depths.

Han was further nurtured in the post-Joseon era by the separation of families into two antagonized nations. Finally those brutal 1980s, which are revived in "Sandglass" in the sense of a solidary vigil, tie directly to this collective Han - as a basic feeling that continuously and silently runs through (especially) the first half of the KDrama. A collective emotional state from which one cannot escape: the experience of suffering; the ability of suffering; the national destiny of suffering.

In the course of South Korean turbo-capitalism over the past two decades, Han as an issue has receded somewhat into the background among the younger generation. Nevertheless, there is already a new, modified, less beautiful form of expression: ´Hwabyeong´, the culture-specific Korean manifestation of a depressive psychosomatic disorder with characteristic symptoms, that already affects wide circles - as a result of suppressed anger in the face of overwhelming social circumstances experienced as unfair. (e.g. victims of any sort of bullying in school or at work etc.)
(I wonder, whether it would not be better to continue to give Han an explicit, contemporary, aesthetic expression - in contrast to the embellished, perfected facades e.g. in KPop + KDrama culture... but that would be another topic.. .)

Leggi di Più

Why should you watch a sitcom (never watched one before) that is 123 eps long? That’s what I asked myself as well before I even thought about starting it…

Story- Yes there are an abundance of episodes but each one is not even a half hour long and they feel so short because the writers did a great job of giving each main character a story line of their own, which fills the time nicely. What I liked about the writing is not only are most eps truly funny but some eps deal with serious stuff so you also get to feel for the characters. Really though the writing was phenomenal cause it kept me watching all the eps without getting bored. In fact they could have continued after ep 123 and I would have kept watching cause I felt like they had so much more story to tell. As for the ending, while not bad like High Kick S2, I would of liked different outcomes for some of the characters.

Acting/Characters- Whats funny is that I came into this not knowing most of the actors, and even if I did know them, there’s no way I would want to watch a 123 ep sitcom just for them. However, after watching a couple eps I realized that the casting was perfect. Every actor whether main or supporting, made his or her characters stand out. I was rooting for everyone to find their success. The main featured family really did feel like they were a family as they had good chemistry. The only loveline that managed to turn into something (Ji Suk & Ha Sun) had really good chemistry and their relationship was just so cute/funny. My favorite character though happened to be Sung Yoon (Joon Sook’s best friend) because he was just so odd but really cute/sweet/innocent. And surprisingly a character that I was completely annoyed by in the beginning (Krystal) became one of my favorites by the end (really good character development for her). There were a couple of characters I just did not ever manage to like (Dr. Yoon Gye Sang, Bak Jin Hee, and Ji Won) their personalities were awful and i even had to start fast-forwarding through their scenes).

Music- Each episode had its own OST, that being said there were too many songs to remember but I remember liking a lot of the songs within various eps.

Rewatch- While the drama is entertaining enough to watch the entire series again, my favorite part of the drama is the second half so I’ll probably stick to watching those eps over and over whenever I feel like a good laugh.

Overall if your like me and had never seen a Korean sitcom, do try this one out because it’s a lot of fun and you get attached to the characters.

Leggi di Più

Let me start off by prefacing that I never write reviews but I noticed that no one has reviewed this drama & felt I had to rectify that glaring omission.

I stumbled across this drama never thinking I would really like it that much I had read the synopsis in MDL & was intrigued, anyway I was hooked from the first episode (which is rare). The main actors played their roles really well sweet without being saccharine.

What I liked best about it was the story yes its a a makjang & if you don't like that then steer clear, I personally love makjangs :D

The story had twists & turns & always kept you glued to your seat breathless with anticipation as to what would happen next. I found myself shouting at the screen at the near misses/missed opportunities for the protagonists & I am sure you will as well.

The whole look of the drama looks a little dated (fashion wise) as it is from 2004 but that didn't really phase me.

I have given a low score to the music simply because it wasn't particularly memorable to me.

Also a low re-watch score as I rarely re-watch dramas as I have too many to watch on my Plan To Watch List.

If you like dramatic, fast-paced storylines with lots of cliff hangers & good acting then this is the drama for you.

Leggi di Più

What I liked the most about this drama is Dong Yi's character, a beautiful and smart water maid of the Royal Palace. Thanks to her intelligence, she has managed to make her way in the difficult politics of the royal court.
Women are the real protagonists of this story, from the wise and kind queen Inhyeon to the terrible villain Jang Hui Bin.

The plot is really interesting, full of intrigues and conspiracies.. a look at korean history and a tender and fresh love story between the king Sukjong and Dong Yi.. It may seem like a never-ending drama since it has 60 episodes, instead it was really nice and smooth..and it seemed to have really followed Dong Yi's whole life..

There were many unforgettable characters like king Sukjong, a wise leader for his people and a skilled politician but also a kind hearted and even funny person.. thanks to Jin Ji Hee's acting^^
I also loved many supporting roles..who can forget the eunuch? XD

Han Hyo Joo is one of my favorite actresses and I don't need to say that she was great as Dong Yi.

I loved the setting of the royal palace, the sumptuous and colorful costumes and the lovely music. The OST gave a nostalgic feeling to the whole drama.

If you want to know more about korean history in a beautiful and interesting way this is a drama for you^^

Ps: sorry for my English

Leggi di Più

First 3/4 episodes : I was bored. The cast was great but I didnt understand where the drama was going, it was slow and there was no real storyline, I thought it was about the rivalry between two prosecutors but the drama didn't really develop that aspect either.

From the 4th/5th episode : the drama is based on what working as a prosecutor looks like in reality and that's the only continuous storyline.
The underlying concept is showing a different side of society in each episode. Theres an episode about domestic abuse, one about fraud, one about school violence ... and so on.

And in every theme, you witness 4 sides : the victim, the assailant, the entourage and the prosecutor.
What are the hardships, the reactions and the motives of each one of them.

As soon as I started watching the drama as an observation of society rather than trying to look for a continuous drama-like storyline, I got completely hooked.
This drama takes a huge risk in trying to portray reality and using episodic stories which may seem slow or boring for the viewers but I think the drama was amazingly done within the concept chosen.
The acting was really on point. I definitely cried a couple times.

If you like realistic and emotional dramas, this one is for you, give it time ?

Leggi di Più

Too Many Filters, Not Enough Depth

Before diving into this drama, ask yourself:


A. Have you read the manhwa?

B. Do you hate romcoms?

C. Are you a modern feminist?

D. Do you enjoy old-school romcoms and need a filler?

If you answered A, B, or C, maybe skip this one.

This drama sticks to the classic chaebol-meets-Cinderella formula, complete with a one-night stand that leads to pregnancy. Groundbreaking? Not really. Deep? Nope. But if you’re in the mood for something light and easy, it might just hit the spot.

The leads are refreshingly in their 30s and 40s, which is a nice change from the usual 25-year-old CEOs we’re somehow supposed to believe. That said, even these “mature” characters can’t resist acting like teenagers once love and romantic rivals enter the picture. Ah, clichés—can’t live with them, can’t escape them.

Speaking of clichés, the second male lead is... a lot. He’s the kind of character that makes you want to fast-forward, and his excessive screentime takes away from what could’ve been the heart of the story: the leads building their relationship organically and navigating pregnancy together. Oh, and yes, there’s an evil sister-in-law scheming to take over the company. Because of course there is.

The supporting cast checks all the usual boxes: a quirky sidekick for comic relief, supportive colleagues, and a team director who’s self-serving but not entirely awful. They’re fine, but nothing to write home about.

As for production, don’t expect glammed-up wardrobes or high-budget sets. It’s a modest production, and that’s okay. What’s not okay? The overuse of filters. If you’re going to feature a more mature cast (which is a great idea, by the way), just embrace it! The blurry lenses are doing no one any favors.

In short, it’s a drama that knows its lane and stays in it. If you’re here for a breezy, old-school romcom with a mature twist, it might just be your cup of tea. Just don’t expect it to reinvent the wheel.

Leggi di Più

I'd recommend watching both the series and the movie, it's worth it!

There are just a few points in which they differ from each other:

1. The Inner Monologues:
What the movie didn't include are the inner monologues of Gook and Taejoo, which I really loved in the series. But what surprised me was, that even tho they left them out everything still works perfectly fine, just because of the amazing acting. You'll notice that even without words you can just read everything from their faces and that's honestly so impressive.

2. The Music:
The movie gives of a different vibe mostly due to the different soundtrack.
In my opinion it was a bit more intense and emphasized the emotions of the characters better in some scenes.
What made me a bit sad was, that the part of the soundtrack which I personally love the most wasn't present in the movie as much as it was in the series (I'm talking about 'Light' by KEUM JO). In the series it was playing at the end of every episode and I loved it so frickin much!!

3. The Transitions/Cuts:
The transitions were different cuz (obviously) they can't just mash everything together and call it a movie.
Some scenes where cut short while some were a little longer than in the series. And it honestly didn't bother me at all!
I think everyone can see how much thought they've put into how to assemble every cut/transition.
Everything just works together very well

I myself watched the movie after the series but I guess the order doesn't really matter! Both versions have their charm and are definitely worth watching!

Leggi di Più

Romantic movie when you need one

There is nothing new here- the storyline has been done before many times. But what makes it really work is the actors’ sweet, intensely romantic performances. The two leads have excellent chemistry. The music suits the movie, the sets work well, the supporting actors have little screen time but handle what time they have with ease. If you need something to remind you about the importance of treating our lovers with great care and romance here it is. Highly recommended for those snowy or rainy days to lose yourself in the feeling of being swept away watching a depth of love we all want to find and keep.

Leggi di Più