Reviews

Lacked In Comparison To The First Season

Where Season 1 had me, I didn't feel it in this 2nd season. The action didn't really hit me, and Jian never felt like Jian from how she ended S1.

For the first half of the show, there wasn't any action; it felt more like a buildup, and in comparison to Season 1, those who watched the first season should know what I'm pointing at. The second half of the show gave a lot more action than the first half, but still fell back a lot when you get reminded of the first installment. I went into this show expecting something from that end at Season 1: Jian's significant character growth, Jian being the ladyboss in Season 2. The trailer gave a lot more of her as a Ladyboss than the drama itself; trailers can be really misleading. The writers gave nothing about what she went through and became in S1. Firstly, she just ran from what she promised/her responsibilities into the countryside, where she could likely endanger the people living there with her identity. Her staying in that peaceful environment in the first two eps of the drama ADDED NOTHING TO THE SHOW: NO TWIST, NO DISCOVERY, NO VALUE. Jian of this season felt more like how she was at the start of the first season. The Season 2 focus wasn't on Jian's growth but more on the conflict between Muthehelp and Babylon, and it was saddening to me as the writer never cared about the growth Jian had from the first season.

The writers just killed Bale at the midpoint of the drama. It felt like when he died, he was a side character rather than a tough villain from the first season. I was really disappointed by the time he died, how he died, and the way the scene was directed. Bale was such a compelling villain in season 1, with a menacing screen presence, and he just died like a minor character. The actor really did a great job with his portrayal. They never gave a real face-off/showdown between Bale and Jiman; It was just anticlimactic, given how much potential these two characters had to make the show more engaging. J was an interesting character to me, and I would like to see more of his scenes, BUT the writers gave him an intentional death as a plot device in making Q develop a relentless mind in pursuing Jian and killing Jiman. It was dissatisfying. The fact that Q believed what was told of how her brother died, with what she knew of how dangerous Bale was, was NOT MAKING ANY SENSE.

Pasin definitely did what he had to do to save his son, but he really overdid it. If he chose to help his team, he would have found a way, even with him having the chip in his body. At last, the writers just killed him off (I felt the writers made him kill his team's opponent and him casually dying for redemption), and we weren't told what went on with his son in Jiman's hands. The writers picked what was important and left out some minor things I would have loved to see.

The villains of this season weren't as good as the ones from the former. If I were told to choose which villain had me, it would be K; he never talked much and had one gloomy face, but he gave me a villain feel, at least in comparison to the rest of the named Babylon.
Q didn't feel like a villain/an enemy; she felt like someone who had to do something she doesn't want, and her shooting the gun at the wall instead of her foe in front of Jian says it all. Loved how the misunderstanding between Q and Jiman didn't drag out too long; also loved the interaction they had at the end of the show.

Kusanagi Jin didn't actually get me to feel anything, except at times she feels so comical, like a mentally derailed patient in therapy; she just feels so unserious and weird. She gets me laughing when asking for food when something serious and in need of attention occurs. The actress deserves praise for that performance. I couldn't truly get invested in her character as a villain because she actually did nothing other than bossing others around and talking big. They threw in action into her character at the end, and we see her with the guns killing the red team like flies, going through the leader of the reds and bursting into the door unscathed, pointing guns at Jeong Jiman and Jeong Jian. Everything felt so Hmmmm. She passes the red code leader offscreen. CAN'T THEY JUST GIVE ME THE ACTION LIVE AND STOP DOING OFFSCREEN? She came out unscathed from the red team and their guns, without the writers giving us a hint or a backstory to what she did in the past for her to be this strong; this just feels like A LAZY WAY OF WRITING.

Season 2 really fell short in comparison to the first season, and I shouldn't even be surprised; that is the way most series are.
Jian never made real use of a gun, and that was a problem because she felt like she was in the shell of her Season 1 character who hadn't overcome challenges, even though she had done all of that. But I was satisfied by the forehead shot she bestowed upon Kusangi Jin.

If they ever make a Season 3, please keep it engaging, fast-paced, and juice up Jian's character like it should be done.


Thanks for reading the long Review🩷

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Everything About My Relationship...the title literally describes the drama ^.^ it's it's pure romance mixed with humor & lots of cuteness...

The acting is more than good with great chemistry from the whole cast...

The music was OK fitting but not much to make me excited...
I'll sure watch this when I need some laughs mixed with lots of cuteness :D

I loved this drama...I know the plot was simple but that gives it more points for me...no stupid drama staffed in the plot & unjustified misunderstandings...
They broke up & get back together in 2 min.s...because they love each other...
This is how characters should be...there wasn't any annoying characters & amazing finale...this how a drama should be...relaxing & yet not boring at all...
I had a good time & I couldn't get mad at my couple because together they were so good.

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May scratch your guilty-pleasure itch for trope-filled, angsty dog's blood drama

Okay, let's first be very clear, the ML is a serious, problematic P.o.S. for the first half dozen episodes or so, and their "explanation" (that he is bi-polar and was "cured"?) is just as problematic. This is a terrible portrayal of mental illness and using it as a throw-away story-telling device (it doesn't really get mentioned again for the rest of the drama) does such a huge disservice to an important issue. (C-dramas in general have a long way to go still when it comes to attitudes towards mental illness -- even in serious, high brow, well-scripted costume dramas, it's still common to see the villain "go crazy" at the end.)

This is otherwise, your classic, trope-filled, angsty dog's blood low-budget soap; this should be very obvious from the get-go. So if you are looking for a high-quality modern romance grounded in reality, you can safely skip this with zero regrets. But if you're looking for a relatively short melodrama fix (20 episodes, 30 minutes each) with low expectations, this might satisfy that guilty-pleasure itch -- you have tortured break-ups, revenge, family drama, backstabbing, people who do terrible things for unrequited love, disapproving in-laws, an ML who really suffers and is put through the wringer when the FL finally leaves him, and an ML who changes for the better and is willing to give up everything for the FL. The only trope missing, as commenters joked, are twins. Don't expect a well-crafted script that offers character development that makes sense -- this is low-budget dramaland at its soapiest, so leave the over-thinking and expectations at the door, make a lot of assumptions, and fill in the blanks yourself. Do all that and you might find yourself not minding this ridiculous ride! And to be perfectly fair, when it comes to plot holes and making sense, there are many, many worse offenders out there.

I watched this primarily because I was curious to see He Riuxian as the FL -- she was stunning in Warm on a Cold Night and her character was pretty kick-ass from what I remember. I also liked Luo Zheng in some of his earlier supporting roles, and -- as my bio notes -- I'm a sucker for angsty journeys that end in happily-ever-afters.

A few good things I wanted to highlight:

-- Asian dramas love their over-the-top public proposals, or proposals that generally put a lot of pressure on the women to say "yes" out of obligation and guilt. So I was pleasantly surprised by a scene that calls out these types of proposals.

-- Modern C-dramas seem to love making their FL's look frumpy -- high-waisted jeans, boxy, unflattering blazers, ugly shirts, bad hairstyles, you name it -- one has to wonder, do the stylists hate them? Here, He Riuxian's character has pretty great style and clothes -- a genuinely rare sight in my viewing experience!

-- The mothers are hilarious near the end. The ML's mom starts off as your typical rich wife/disapproving mother. (It takes a very long time, but she ultimately just wants to see her son happy and comes to accept the FL, recognizing her kindness and formidable strength.) Her encounter with the equally disapproving FL's mother was fairly amusing, but the scene that had me cackling out loud may be when the ML sneaks into the FL's bed to snuggle .... only to stare right into the glaring eyes of the FL's mother, lol. Priceless.

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I am completely empty

This series was a blow to my emotions that I will never recover from. It's not just a depiction of a complicated story but a painful moment realization.

Wang, who has been searching for the remnants of his father's memory his entire life is suddenly drawn to a house in the middle of nowhere. An oasis... a cave? a cage where the man holding the key to the mystery lies impatient.

An unstoppable force meets the immovable object. As a young man full of resolve and fire, crashes into a man that only knows fear and regret masked as prudence.

With a Strindberg-esque theater in it's core, this show brings blade-sharp monologues and dialogues with amazing rythm and ruthlessness. It plays into the inevitability of family and the unfortunate blooming of a love that grows like weeds in concrete.

The cinematography is beautiful, the use of lines and colors to depict meaning is raw and subtle at the same time. Its impossible to pinpoint the "good moments" because it's all so meticulously planned that everyone I tried to get a quote written down I ended up with a transcription of the entire scene.

It's not necessarily sad. I don't cry at "sad". It was just too much. The situation, the emotions, the dialogues are multidimensional and overwhelming.

Pond offered a gut wrenching performance that was always topped with a smile that passes through you.

F*ck, how this shit tore me apart.

If you do not find theater entertaining, if you like explicit, easy, quiet shows definitely skip this one. This is not your typical BL, for the ones coming towards it only because of that label. It is BL, but it became so much more.

This is not a "fun" ride. It's a story of a bird trying to convince another to leave the cage. The door is not locked, the air is much nicer up there... but how could you convince a bird with no wings to fly?

Id rather stay in the labyrinth than join Icarus in the sea.

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Slow-burning, often-overlooked drama of 2020

When My Love Blooms also went under my radar with its melodramatic tone and emphasis on flashbacks. However, WMLB is not so overtly melodramatic, especially in comparison to other kdramas. And, the way flashbacks are incorporated into the story is ambitious and novel. The major weakness of WMLB is that it takes too long to show its main merit and charm.

By committing to longer flashbacks, the drama tells two intertwined stories that make it challenging to buy-in to either. In the beginning, it feels as though we are watching two sets of characters, and it takes the better half of the series to believe that they are the same “people”. This drama needs a longer runway to fully capture its audience, so do not judge on the first 2 or 4 episodes.

Story:
With the concurrent telling of past and present, When My Love Bloom’s plot is surprisingly tight. Flashbacks are not shown just to explain a specific present event, rather they are given their own fully fleshed out story. Splitting time between flashbacks and present does take away from the development of the main plotline, especially because it is hard to believe, at first, that the past and present characters are really one another.

Acting:
Lee Bo Young and Yoo Ji Tae are what I first noticed from their respective 2013 and 2014 hits. I Hear Your Voice and Healer are both considered kdrama classics, and seeing the two leads in 2020 is a treat. No more needs to be said.

Their past counterparts Jeon So Nee and Park Jin Young also deserve praise. Within their storyline, their chemistry and performance are strong. The only minor criticism is that the two pairs could have better aligned their mannerisms because it may have helped bridge the disconnect between them. Still, I prefer the way the past and present are shown in WMLB over the usual where one pair of actors pretends to be 20 in one scene and 40 in another.

Music:
Music is a key point throughout the drama, from the use of 90’s music to the Female Lead’s piano background. The blend of oldies and classical with the more familiar sounds of kdrama ballad/OST is appreciated. But like the story, When My Love Bloom’s novel approach does not quite break away from the typical kdrama mold.

Rewatch Value:
Even though the drama exceeds expectations, it is hard to promise a rewatch. I hesitate to call it slow paced. It is more that there are two stories that could each be a standalone show. By the time the two “stories” fully connect, When My Love Bloom is already at its end. The finale’s lasting impression is that WMLB fails to stand out even with its novel storytelling and directing.

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Very niche, but my favourite show EVER!

"Two men talking in a room" is what you'll get in 60% of this show. 25% of the show has more than two but no more than ten men, or a man and a woman, talking in a room. And another 10% is two or more men talking outdoors... yup, you get the idea. Superficially, that's most of what you'll see in The Wind Blows From Longxi. And it’s also part of the show's very niche appeal.

Longxi checks all my personal boxes for a favourite drama— great acting, real historical events, tight plot, treacherous politics, and zero distracting romance. It’s one of my favourite shows of all time, if not my favourite show ever. In a nutshell, Longxi is about spies during the Three Kingdoms period. Chen Gong is a veteran Shu field agent embedded in Wei. A critical military campaign against Wei goes horribly awry due to wrong intel provided by Chen Gong. How did that happen? Where do Chen Gong's loyalties truly lie? These are the questions that Chen Gong’s sworn brother and in-law, Xun Xu (also an intel veteran), is brought in to investigate. If you’ve read The Tao of Spycraft or any of Ralph Sawyer’s other books on ancient Chinese warfare, many of the spy methods and tactics in this show will be familiar. Since defection and double agents are normal in spycraft, one question is whether the defection is genuine or just a ruse to gain the enemy’s trust. That’s the central issue in this show, which the poster caption 谋中谋 计中计 (“the scheme within the scheme; the plan within the plan”) encapsulates.

Plot: A very twisty plot that doesn’t strain credibility. The least headache-inducing way to follow the plot of this show is to ask whose interests are currently aligned with whose. Without saying too much about what happens (because that would really ruin everything), the whole plot turns on the constantly shifting allegiances of various players, at the highest and lowest levels of society, in the conflict between Shu and Wei. The plot is complicated but doesn’t tie your brain in a knot until the episodes hit the late teens. Thankfully, ep. 21 onwards provide the clarification you need. If you get lost, there is a 5 minute “Cliff’s Notes” recap at the end of every episode that summarises the key developments. However, you’re very much on your own when it comes to the finer plot points, which the recap doesn’t cover. The final resolution is elegant and gut-wrenching, and I am glad the team did not go for a happier ending. That would have been far less satisfying.

Script: The script doesn't waste any time getting the show off the ground, even if it seems that little goes on in the first episode (it's important background context and sets the scene for everything else). Overall, it's just the right length at 24 episodes. Since this is a hardcore spy-plus-politics drama, most of the real action takes place behind closed doors, with bearded, middle-aged men plotting and scheming over cups of tea. The dialogue is exquisitely political and worth following closely. We are treated to scene after scene of various players abandoning old allegiances and cementing new ones, and having those allegiances tested by their new masters. One such scene is the one where Feng Ying (Shu spymaster) seeks out Li Yan (Shu general), formerly from an internal “enemy” faction, to declare his allegiance to Li Yan. Feng Ying tries to get on Li Yan’s good side to protect himself from Li Miao (Shu interim mid-level "civil servant"), who also works for Li Yan, but wants to turn Feng Ying into a scapegoat for his own political purposes. Li Yan appears to believe this is a ruse by Feng Ying and tests him, but goes along with it as it benefits him in the short term. I also liked how there were relatively few flashbacks. The ones in Longxi are short and moving without being too sentimental; I especially loved the one where a ball lying by the door causes a very miserable Guo Gang to reminisce about playing cuju (蹴鞠?) with Chen Gong in the rain. Another striking thing is the judicious use of action scenes. Since Longxi is about politics and intel, there are only a handful of brief action scenes (mostly military skirmishes). Then in ep 23, the viewer is treated to the show's only extended sword-fighting sequence with Chen Gong. The burst of pure violence and pent-up rage in this sequence arguably makes this scene the emotional climax of Longxi. Chen Gong, like any good field agent, has iron self-control. At worst, he has quiet breakdowns in private, then quickly gets his act together again. But in the swordfight scene, he lets it all out. It's moment of pure catharsis for the character that sets the stage for the final episode. Definitely one of the finest moments in an already amazing show.

Themes: The 2 main themes of Longxi are (1) the moral neutrality of politics, and (2) that human relationships are a double-edged sword. The life-and-death political struggle between Zhuge Liang and Li Yan is not a matter of good versus evil (even if Li Yan does some truly terrible things), but down to a difference in opinion as to how Shu should ensure its medium-term survival. And at the end, it’s Chen Gong’s feelings for Di Yue (his wife) and Xun Xu that threaten his allies’ best-laid plans, even as his allies exhort him to continue making enormous personal sacrifices for Shu. For both Xun Xu and Chen Gong, what ultimately gives them moral closure and defines their biggest decisions is not self-interest or patriotism, but staying true to their loved ones. Powerful stuff.

Acting: Everyone put in an A+ performance here, except Angelababy. I have nothing against that lady, but she was pretty wooden in this show and looked so airbrushed. She also didn't quite click with Bai Yu on screen. (I don’t watch enough shows to comment on whether this is better or worse than AB’s usual...) Chen Kun was of course brilliant as Chen Gong, but I was equally (if not more) impressed by Bai Yu’s low-key but completely spot-on performance as the dangerously sentimental Xun Xu. Xun Xu has the smarts and EQ to be a great intel guy, but he's too emotional and high-minded for his line of work. He's terrible at lying and makes a few wrong calls that have serious consequences. One gets the sense that he has only survived this long due his kicked puppy expression that tugs at everyone's heartstrings, a good brain, and sheer luck. Bai Yu perfectly captured this precarious balance of vulnerability, world-weariness and cunning at the core of Xun Xu. His final exchange with Chen Gong, especially the delivery of「我看透了你的心」(“I’ve seen through your heart”) in ep. 24 was also a total tear-jerker. With a lesser script and actor, Xun Xu would have been a character whose naivete makes the viewer question how his head has managed to remain on his shoulders. But through the combination of great script characterisation and Bai Yu's acting, Xun Xu becomes a convincing example of the idealistic survivor who manages to keep going even after all the dust has settled. I also really enjoyed Edward Zhang’s performance as the Wuxian cult leader Huang Yu. He fully conveyed his character’s megalomania and cruelty with what little screen-time he was given. The actors playing Feng Ying, Guo Gang and Mi Chong were also absolutely brilliant. I loved them all!

Music: This was okay. It was composed by Kawai Kenji, but I was hoping for thematic music that was less Western in flavour. It was also disappointingly run-of-the-mill "epic"-sounding stuff. But it's not a deal-breaker for me.

All in all, 10/10, A++++ from this very satisfied viewer! For me, I’m not sure if any other mainstream period drama can compare with this show.

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I liked it less than Season 1, but I still appreciated the new season!

I was literally in the middle of randomly rewatching season 1 of Yumi's cells when season 2 finally appeared! Yay!!! If you were a fan of season 1 then season 2 tries hard to recapture that magic and continue Yumi's story right from where the last episode ended. I was glad to see all of the old characters and cells return, but I will also confess that I am unapologetically team Wung, and was rooting for him more than Yumi at the end of season 1. I say that so that my bias is clear, although I will try to not let that cloud my review too much.

I think the main issue I had with this season is that unlike season 1, which was a clear linear plot about the evolution of Yumi & Wung's love story, season 2 tries to possibly do too much. Yes, as you can see from the poster art, Yumi has a new main love interest, Yoo Babi from season 1. We do get to see their relationship turn romantic and get introduced to Babi's cute and festive cells, but a lot of time is also spent on Yumi's writing career, some new characters, and an appreciated update on Wung too. I didn't read the webtoon, so maybe they just tried to fit as much of the original content as they could into the story. Sadly, although Yumi's emotions and the storytelling overall is still super creative and often relatable, the actual plot starts to drag and get repetitive about halfway through. And although watching season 1 first makes the most sense, there are plenty of flashbacks for context just in case you skip to this season for Park Jin Young as the male lead.

He may not have been the ship I wanted to sail but he is cute, so I understand.

Speaking of Park Jin Young as Babi, I do think he played his role pretty well, but once Babi became the center of the story he also became super boring. He and Kim Go Eun do have some cute chemistry moments in the first episodes but there are also quite a few cringy-trying-too-hard-cute moments too. Their cells often have to save the day to keep the story fun, or make their fights much more engaging. Watching Yumi become super jealous and distrustful on loop was already annoying in season 1, but Babi always being even-keeled with the same bland smile or sad expression just made it worse. If you are a Park Jin Young fan I'm sure he will be sufficiently cute for you to enjoy but compared to the chemistry in season1 I was kinda disappointed. Side couples were often much more interesting than the leads were. Wung's character having a decent amount of guest star screen time helped a lot too, but he always wore a shirt this time : ( #imissedhisabs

The rest of the cast were the same quirky characters I liked in the first season with some good new editions. My favorite of the new characters hands down was illustrator Control Z. ("Zeeeeeeee" lol ). He was another character that saved me from wanting to drop the tedious love story parts. I was hoping Da Eun would be as involved in the story as Sae Yi was, but I feel like she was underutilized. I think because of the self-centered nature of the Yumi character some great performances are more like guest appearances than the feel of an ensemble cast. There were some literal good guest star moments too. Park Jin Joo's cameo was really funny.

And all of the voice actors were amazing once again! I truly missed their antics!

Another plot issue was, as inspiring as Yumi's writing pursuit was, without the cell's POV, that was boring to watch as well, and definitely started to feel like filler in the last episodes.

Kim Go Eun as Yumi grew on me too and had a little more life in her performance this time. Or maybe that's just compared to boring Babi. Bland Babi's character was never allowed to evolve much past pursuing Yumi. Or was the lined black and white version of Babi also a metaphor for his lack of a personality? Apparently, in the original story he's the fan favorite, but I had a hard time seeing his appeal in the show. Their relationship was shady from the start, which was also pretty hard for me to look past after liking Wung so much!

Would I watch this again? Sure. I would definitely skip past a lot of scenes but the same charm of the cells and getting frustrated at Yumi makes even this messy plot still fun to watch. The Cells are everything, and along with favorites (like naughty) they really got creative with some of these new cells... like the hilarious "hand"!

And yes, I still love the OST and the new song editions. I was very glad to hear certain songs again.

Overall, it's super hard to recapture the energy of a successful first season, which the writer even blatantly has Yumi stressed over during the show's last episode (very meta). What Yumi's Cells 2 does well is stick to what worked in season 1 without trying to repeat it exactly. I still never cried, but I LOLed often. It's still the perfect length to binge and re-binge, even if the story drags at times. I got some character updates that I needed. I still wished for more growth from Yumi, but through her chasing her dream I saw some. I was also satisfied with everything ending as it did, and how they implied what was next in Yumi's love life without me needing to see it all played out, but if they do decide to actually go for a season 3, count me in... again!

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After watching this drama, I became certain about one thing: I am a fan of business dramas! I previously watched a couple of other productions from the same genre and liked them but I considered it a mere coincidence that wouldn’t repeat again. Obviously, I was dead wrong.

Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.

The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.

However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.

The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.

The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.

Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.

Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.

Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.

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Slow steps with questionable pacing and timeline. Also, let me just add I love Chot.

It's started off great but it fell flat towards the end. From time to time the plot and the timeline feels off and hard to progress. The plot is not consistent at all. Sometimes it's good and sometimes it feels like it's all over the place and honestly I can't quite grasp the time skip. I don't even know what the screenplay writers were thinking like where is the whole in between story, especially of Jaab and Jen??Also Pat and Jeng, they both have one hell of a chemistry but their storyline is seriously slow, like it can not even be called a slow burn. It leaps from 0 to 1000 and then the next moment they are back to 0. What I am trying to say is the pacing is a mess. This series could have turned out to be so much better. It had so much potential but it couldn't live up to it.

However, hear me out, it's not the best but not the worst either; it's worth a try, especially the first half of the series.

The characters are lovable but then again sometimes a little annoying and even rash. Starting with Jeng, his character is most of the times calm, composed, reasonable, a little controlling and hands down his visuals. Also, it was kind of cute how he was so bothered about the manager performance appraisal review from Pat. And Pat is cute especially when he is drunk. He worries a lot and even messes things up but sooner or later he rectifies it too, of course after the damage is done though. Also, he cried a lot, more so, in the second half of the story and I wasn't quite a fan of it. I do get it that the writers wanted to portray him as a pure, upright and innocent person but he came off to be irritating at times. His actions were questionable and his reasonings didn't quite make sense.

The most disappointing part of the series for me was the story of Jaab and Jen. Damn!! Jaab and Jen , in the starting, the tension between them was so clearly evident. I was actually more interested in their story than the main couple's storyline even though I did love the main leads. I was manifesting them and somehow it worked. They ended up kissing and it left me in total awe - I was like 'WOW' but then at the same time 'What just happened?!' Right after that kiss, it just turned into ghosting and then out of nowhere there is Paint. Also, two years gap. Their story is officially a mess.

What I really really adore in this series is the bond between the two brothers: Jeng and Jaab, it's heartwarming. They bond and blend so well. They are effortlessly funny in the right amount and supportive too. Further, the friend circle of Pat is hilarious and also extremely supportive in whatever he does which is both good and bad but I love them especially Chot. Touchwood to the bond that Pat and Chot share.

Chot really is the MVP of this series. He is sassy, confident, funny in the right amount, a reliable friend, an understanding lover and a heart stealer. Also, the office plot in the starting is so on point from the part of not getting the credit for the work one has done to the gossiping colleagues and this kind of really riled me up.

The series is not the best but it's still worth a try.

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I have many thoughts about this drama. First the good: it is one of the most atmospheric and beautiful ones I've seen in a while, on par with the quality of Sword and Flower in its cinematic-like portrayal. The framework of certain scenes was just breathtaking. (Changing the aspect ratio at the end as well — just… outstanding). Also, it was very good at building up historical events, like the heart-wrenching fight of the Joseon people, the dread of being colonized by Japan, etc. The latter especially, every time a scene was characterizing that, the camera work paired with the ominous music portrayed the doom-and-gloom perfectly, enough to send chills down your spine. Its action scenes were a work of art as well, with the fast-paced sword work and quickness of biting bullets. When the drama focused on action, it was a joy to watch. If this had been the majority of the drama, I would’ve given it a higher score for sure.

Another praise I want to give the drama is its realistic sets and costumes. I loved the mix of traditional and modern clothes, the slow-yet-rapid advancement of technology, etc. It really felt like we were given a glimpse of living in those “turbulent times,” as Ae-shin says at the beginning.

Which leads me to second, the cons. The elements of this drama that made me not rush to watch it, that always had me on the verge of feeling utterly unabsorbed and frustrated at times. The pace is just too slow at times; there are one too many longing looks between the two leads and lingering goodbye scenes. While it could be argued that the pace of the drama matches its tone and atmosphere, that it builds slowly because it’s reflecting how historical events slowly build up with tension until they explode, there’s a balance that unfortunately was mostly not reached. It leaned too heavily into following the slow precession of the hour hand instead of the quick ticking of the second hand on a clock (throwback to Hui-Seong). Those slow scenes lost the tension that is essential for a drama like this. I was reluctantly uninterested in many character-to-character moments when those should’ve been the spine of the plot. Instead, it was the political backdrop and those types of events that held the story together rather than the original story-beats of the drama itself.

Finally, that leads me to the characters. I liked them overall, but I never fell in love with any of them. They had good character arcs (for the most part. Looking at you, Gu Dong-Mae, the man with a million lives) and the actors played them excellently, But there was just something missing, like a disconnect between the characters, their motivations, and the overall story. The characters felt more like an afterthought, a throwaway the director can rely on when they need the story to go forward, but couldn’t use a historical event yet, so they have the characters muse and muddle about in the same problems they’ve had since the beginning. I guess I felt like they weren’t fleshed out enough and didn’t feel like they were an essential enough part of the story, which seems weird because they are the main characters, and they’re /in/ every scene. They just didn’t feel… real enough? I don’t know. My favorites were Hina Kudo, Go Sa-Hong, and Kyle Moore. The other four were lost in their convoluted love-square and unrelenting, stubborn pursuit of a single passion, with the exception of Hui-Seong, who weaved in and out of the story seemingly uselessly until the very end. I liked his final resolution, at least.

I’ll leave it at that. Obviously I had a lot to say, so this drama is memorable in that way. I think it’s overall worth watching, but I would recommend it to people who are most plot-focused than character-driven, and even then to expect some meandering scenes. It was well-acted and brilliantly shot, and it does have many redeeming factors (those last three episodes even got a few tears out of me, which is rare). It’s a decent drama, it just has some outstanding flaws that unfortunately keep it from reaching its best potential.

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What's Wrong With Secretary Kim is a drama mainly about a vice chairman and his secretary. One day, secretary Kim decides that she wants to quit her job as a secretary. Lee Young Joon, vice chairman, goes on a quest to find out why she wants to quit. Throughout this quest, the two begin to learn more about each other. They start to fall in love and hilarity ensues. Does my little summary interest you? If so, I recommend you go watch the drama immediately! Otherwise, please keep reading to find out my thoughts about this amazing show!

Story [8/10] The story isn't exactly anything new or mind-blowing. Why does it deserve a 8 for the story then? The thing this drama does well is it does its comedy and romance very well. The story is your typical rom-com in the sense that you know how it's going to end. You start out with two people who meet. They fall in love. We see some angst in their relationship and bam they end up happily every after at the end. This drama is not too bad in the fact that the middle of the story is not to predictable even though the ending is easy to predict.

My main complaint from this drama isn't really the plot. As you can still have great k-dramas without complex plots. The thing that bothers me is the fact the characters are one dimensional (in addition to the simple plot). You can literally describe a lot of the characters in the drama in one word. I.e. You have a character who is the narcissist, one who who is loyal, one who is the klutz, another character who is frugal, and one who is lustful. If you've watched the drama, you probably know who I'm talking about. I find that stories that deserves a 10/10 has stories/characters that the viewer/readers can relate to and make connections with. I had a hard time making connections in this drama since the characters all seemed very unreal. I do realized that it's a drama and things are dramatized. However, at the same time, I don't believe the drama deserved a 10 in the story department (although I wanted it to be a 10). Hence I'm just giving some reasons as to why I docked points from the story category. This drama does great in the rom-com department, but not so great in the character development department.

Acting [10/10] The acting/cast in this drama was fabulous! I am especially a big fan of the two MC's acting. I especially loved their facials expressions. There are some pretty good kisses in this drama too if you know what I mean ;). My favorite one is probably the "chair push kiss". Someone should make a meme out of that. I also really loved Park Min Young's facial expression during the many comedic scenes. It's like she knows how to make the perfect face for the right moment. I was already a fan of Park Min Young and Park Seo Joon. However this drama has made me an even bigger fan now!

Music [9/10] I generally don't give music scores higher than an 8. However, I must say this drama did a very good job with the music. The music often made funny moments even more funnier. Other times it made awkward moments even more awkward. I think you essentially get the gist of what I'm trying to say here. The music in this drama helps put you in a certain mood when you hear it. Not many dramas do a very good at this. Often times the music is barely noticeable and does nothing to make a certain scene in a drama better. That's not the case here.

Rewatch Value [8/10] I also don't generally give out a high rewatch score. As most dramas are often a one and done kind of thing. However every so often you find a gem where you feel like a part of you is missing after you finish watching it. What's Wrong With Secretary Kim is one of those dramas. It makes me sad that this drama is coming to an end. There were so many moments where my emotions were bursting through because of a certain episode. Some times I was angry at the MCs for being annoying. Other times I'm anxious for the MCs because I want their relationship to go well. MOST IMPORTANTLY I spent a lot of time laughing while watching this drama. I would give this drama a 10/10 if we had emotional involvement as a new category.

Overall the story is probably the weakest link in this drama. Although a 8/10 for story is still great (in my subjective opinion). However, I often like to bring up both the good and bad thing about the drama. The drama does not get a perfect score for the story from because it's sort of your typical rom-com plotline with some one-dimensional characters. On the flip side it gets a 9 from me because it does its rom-com moments very well. You can feel the romance and the drama makes you laugh every single episode. It's probably one of the best rom-com I've seen in a while, if not to date!

The acting/cast is probably the strongest link in this drama. One of the things I noticed a lot in this drama is the facial expressions from the MCs. I really loved Park Min Young and Park Seo Joon's facial expressions in this drama. As I felt like their faces really added flavor to certain situations and made everything seem more realistic and hilarious. The music was also a very great asset in the sense that it played up certain moments. It made certain cute/funny/awkward scenes go from a 9/10 on the cuto/funnio/awkwardo meter to an 11/10!

All in all, this drama excels in many areas. It's definitely one of the best(rom-coms) dramas of 2018 that I've watched so far(what a great year for good dramas!). I recommend you go and watch it if you haven't already.

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Not worth 6 months of wait

Starting off it was still better till I assume episode 7. After that oh lord. The leads had no chemistry AT ALL and I don’t think there’s been a single episode where both of them ACTUALLY willingly loved eachother.

I see a lot of people who had issues with the ai intro but that wasn’t even important considering how bad the plot got.

I felt like I was watching a vertical drama with unnecessary drama. Ep 15ish till the end was really boring to a point I felt— “What even is happening in this?”

The ending was the cherry on top– It was so messy. I was hoping for a resolution, maybe it’s a sad ending or maybe it’s a happy one, but unfortunately it seemed as if the ending was hurried with no proper ending.

I mean you had 7 episodes till 40 episodes and you still give us a horrid ending?

In my opinion, it was not worth the wait AT ALL. I had so much expectations from this considering how well it was promoted but the direction was horrible, plot wasn’t well written and somehow the acting was cringe at some points too.

The only reason I’m giving rewatch value a 1 is because I apparently can’t leave it at 0 😓

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A "Siren" Who Forgot to Sing

Why is she called a Siren when she refuses to use any of her abilities to charm her way into the world and push people away constantly? When I first started watching this drama, I thought it was incredibly underrated and had the potential to be one of the top shows of the year. However, as the episodes progressed, my attention and love for the series began to fade.
First of all, there was no need for it to be twelve episodes long or released on a weekly schedule. This drama had the scope of an eight-episode binge-watch and nothing more. Returning weekly makes viewers want to drop it because the payoff doesn't feel worth the wait. Twelve episodes felt like too much for this specific plot, so the writers added unnecessary filler to bridge the gaps, only to wrap it all up with a predictable killer and anticlimactic ending
Given the title Siren's Kiss, I expected the female lead to be an enchanting, "siren-like" figure who used her wit and charm to make men succumb to her. Instead, she was portrayed as a traumatized victim whom men flocked to out of pity. It would have been a much better twist if she actually were the killer; sirens are supposed to be mystical, beautiful, and deadly, but we mostly watched her in a state of perpetual fear and anxiety for twelve episodes straight.
As for the main couple, their chemistry feels like a 50/50 split. In some scenes, the acting feels forced and lacks passion, while in others, they look great together—especially in the kissing scenes. It feels like the "chemistry" comes mostly from the fact that they are two very attractive people rather than a deep, natural connection.
The side characters were also quite frustrating. From the sister and the police officers to her coworkers, almost everyone except the leads felt like "rage-bait." Then there is the killer—who didn't clock that? From episode one, it was the most obvious person. Why choose them? The comment sections were full of people calling it early on. Making the female lead the villain would have provided the "gag" the show desperately needed. Instead, every "reveal" felt flat. Whenever the crimes pointed to her, it was only used as a cheap cliffhanger for the next episode, only to be resolved immediately with no real tension.
Overall, the drama has a decent storyline that is easy to follow and a good-looking cast, but the villains are average. It isn't special enough to go out of your way for, but it’s not a complete waste of time either. They could have done more, but in the end, they did an "okay" job. Not bad, not great—just okay.

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Can't judge a book by its cover.

Judge Dee is one of the most widely adapted and iconic ancient Chinese detective figures in popular culture. Di Renjie, or Judge Dee was a prominent Tang Dynasty official and twice chancellor to Empress Wu Tzetian. In the 19th century, Dutch sinologist and diplomat Robert Van Gulik translated an 18th century novel by an anonymous author Dí Gōng Àn/狄公案/Celebrated Cases of Judge Dee, into English. He went on to write numerous other Judge Dee mysteries, increasingly crafting Judge Dee in his own image. Van Gulik's books are regarded as a cultural bridge between East and West. They were devoured by the Chinese diaspora long before Tsui Hark fanned the flames with his wildly popular Detective Dee movies.

Judge Dee's Mystery/大唐狄公案 loosely adapts nine cases from Van Gulik's novels for the small screen. This drama has notably high production values with lavish sets and costumes designed to create an immersive visual experience. The cases are well crafted with meticulous attention to detail and pay homage to Judge Dee's reputation as a people's hero; a champion of truth and justice for the common people. The cases highlight the discontent at some of Empress Wu's policies and shortcomings of the Tang Code, China's earliest legal code. Di Renjie gained many insights on the struggles and aspirations of the common citizens as magistrate of many important provinces across the empire. This shaped him into a great statesman and reformer in his later years; a chancellor often known to stand up to the formidable Empress.

This is the kind of drama that I should love - its my favorite genre featuring my favorite Chinese detective, set in my favorite Chinese dynasty and is helmed by a few of my favorite actors. The fight scenes are fantastic and the whole thing just looks gorgeous and bloody expensive. Which just goes to show you, you just can't judge a book by its cover. Because even though there are some really great moments, overall this drama just bored me silly.

The problem with the cases is that the four episode are too long when the villain is usually obvious from the beginning. There is not enough development of the suspects or the victims to make the audience care about the why-did-it. The audience also does not get to participate in the solution. Instead, the intricacies of the how-did-its are revealed as flashbacks in Judge Dee's mind's eye. The cases do get better in the latter half as they tie into Judge Dee's past and are shored up by the appearance of characters like Diao Xiaoguan (Zhang Ruoyun) and Lin Fan (Jiang Yi). Even then, the writing tends to tie the minute details together well while leaving big gaps on important things. Thus it is never fully explained what Diao Xiaoguan's motives were or what terrible thing the young scion of a noble household did that got him disowned and left to fend for himself.

The biggest issue with this drama is that Zhou Yiwei pretty much carries the entire crime-solving team by himself. None of the supporting characters are well designed and there is zero chemistry between Ma Rong, Qiao Tai and Judge Dee. This is made even more obvious when Deng Xiaoguan shows up and there is a tangible difference in the dynamics between everyone. Both of Dee's sidekicks appear and disappear inexplicably in the middle of a case as and when the plot requires. Ma Rong is written to be a comically obnoxious character but there is nothing funny about her obnoxiousness. This is the obvious the weak link in the cast and one that is utterly lacking in charisma that unfortunately gets too much airtime. Inasmuch as Zhou Yiwei and Wang Likun deliver a heart-stopping and mature portrayal of attraction and love at first sight, sadly Cao An is written to be a blank character; an elegant musician well past her youth clinging to a silly girlish fantasy over a highwayman (face palm). She only serves decorative purposes until the final case, where she finally gets to shine with her bravery and her foolishness.

In conclusion, this is a visually stunning production that stays true to its source material in terms of setting and thematic elements. However, despite some exciting and well choreographed action scenes, it fails to deliver truly captivating mysteries and is bogged down by lackluster supporting performances. While the cases in Strange Tales of Tang Dynasty (2022) are only a tad more tightly written, the humor and fantastic crime solving team dynamic elevates that series over this one. That said, Judge Dee's Mystery is not a terrible way to pass some time even though it ultimately falls short of making a lasting impression. I rate this Seasons 1 a 7.5/10.0. Season 2 has been filmed and should air by early 2025.

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