Reviews

I started this drama for James ..he is cute
This drama has good flow to it ...no dragging...though there is an evil character like any other Thai drama nothing over the top and surprisingly not really irritating..which is quite a fresh change
Everything is justified..and all characters got what they deserved by the end

I would definitely recommend this drama..
Both leads did well and looked pretty ..supporting characters r very good too ..esp the ones around the evil lady working as her assistants deserve an applause by the end

it's all about how female lead becomes better person with help of male lead !!
Oh btw the theme song for this drama is really good ????

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STORY: I really liked the cute, little moments that made up their lives, and that they were added throughout the film. It definitely conveyed the love they had for each other, that even in the middle of a crisis, they took time to reaffirm their love for one another. That's just so nice, something a lot of other BL dramas get wrong or miss out on.

ACTING/CAST: The fact that the kisses were cute and not two-straight-actors-making-kissing-look-awkward. It's something other series could learn from. It came across that they had been together for some time and weren't afraid to be intimate. (my big gripe against other shows that still make the boys all coy when it comes to intimacy)

MUSIC: There's a theme, but frankly I forgot it already.

REWATCH VALUE: I will watch it again, now that I know the ending was happy.

OVERALL: My only fault with the story is that it's so short. The ending is a bit abrupt and rushed. I would have liked to see a bit more of the brother's motives and coming around, instead of just the phone call. As always, please support the studio and watch their other stuff so they keep making the best Korean BL!

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Better than expected but still so predictable...

After "Love in the Moonlight" I did not expect much... but at least it was not painful to watch. It's still sooooooooooooo predictable, sooooooooo black/white characters and sooooo much forced drama. At least the pictures are pretty, even prettier compared to "Love in the Moonlight".

And because it is as it is, I have not much to say about it. To have a relationsship with the a man whos uncle killed his mom, seems a bit too ridicilous for me especially when his first move was to "steal" his scent and burned his village. For me, this whole story did not make much sense. Most of the time I felt bored out of my mind, because after episode 2 you can predict excactly what will happen.

Overall a medicore show framed in beautiful pictures but very shallow and very trashy. So if you want to watch it, be my guest, it's one of the better shows in the (two) month(s) of crap thai BL.

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62 days in - no signs of true romantic affection.

If you saw the show, you know what I mean. If you did not see, you can vaguely get what I mean. Can’t believe I’m saying it, but it would be so much better if it was not a BL.

Let’s start with some positives. I truly loved how everything here was rather selfish, even when they tried to do things for the other person. Good intentions are not always enough, and expecting gratitude just for the effort, when the result is not preferable is again - egocentric. And I loved it.

While the story might have been lackluster, the characters were actually well written and really consistent. No weird change of behaviors because the scene needed it, no quick character development that removed all the flaws and made the leads saints. Both the leads were frustrating (one more than the other), but they also made sense in their behavior - I might have been mad, but I understood where their behavior came from.

Sadly, the plot did not present the same level of cohesiveness. The first two episodes were great in terms of pacing - proper set up and characters’ introduction. Nothing felt rushed, and that’s what killed the show. Taking the sweet time in the first half forced the director to cram all the important plotlines in the last two episodes - just the highlights of a story, nothing gets truly resolved nor developed.

I don’t want to talk about chemistry. It was great when they were friends, but it stayed “friendly” till the end of the show. 2gether hi5 had more romance behind it, than whatever they tried to do there. I loved the low-key angst and the confusion that came from not realized jealousy, but all that buildup led to nothing.

The acting was decent, but got worse the closer to each other the characters got. The editing was fine, but got worse the closer to the end we’ve got. The directing was nice, but got worse each episode. You get what I mean - all went downhill real fast.

Overall, as much as I enjoyed the first 4 episodes, I truly disliked the next 4. Last two? I was just laughing. Conflicts came out of nowhere, none of the characters actually talked about the events and issues, as if they did not exist. We skipped through so much, it was all meaningless by the end.

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My Heroic Husband Season 1

I just completed Season 1 of My Heroic Husband.

The beginning of the story ties into the ending. Ning Yi's journey from becoming a Matrilocal husband to really falling in love with Tan Er is a sound love story. The importance of brotherhood and have one's back is shown throughout the story. If you understand Sun Tze's Art of War, you know all the tactics are deployed not only as a cloth merchant but also as a conquering Jing strategy. The weak crown Prince of Wu and his weak personality are shown. His Ministers and Generals' disrespect is why the previous Emperor doubts before he died to plan a Secret division and gave a secret eredict to Minister Qin.

Although the bandit arc is long and tedious, there's a great significance as to why it went that way. Corruption, disloyalty and even cunningness have always been in ancient Chinese literature. If you can understand this, you know why the bandit arc is of great significance to Ning Yi's story. He had to make a hard decision; let Lin'an fall or be killed for trying knowing that he at least tried. Xi Gua (watermelon) will be a significant support cast for Season 2, and I can see that she will either join Ning Yi or be killed off in Season 2.

The end is a cliffhanger and explained what happened to the person who betrayed Ning Yi initially. The ending is left with Ning Yi in Season 2 to be near the end for him, and it'll be interesting what his tactics are of conquering Jing.

I can't wait for Season 2.

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Lost You Forever as a live adaptation almost made it.

Lost You Forever as a live adaptation almost made it; it could have been perfect. All the elements that brought magic to the world of DaHuang—world-building, complex characters, cinematography, direction, film composition, and editing—were by far the most beautiful and complex I've seen in contemporary Chinese dramas. Based on Tong Hua's novel of the same name, it chronicles Xiao Yao's life and journey to a peaceful existence through entanglements, political upheavals, and depression.

World-building and complex characters were LYF's strongest feats. As a character-led story, we find ourselves moving through all the emotions as we watch our favorite characters succeed and fail, trip and fall, and get up and brush off, in a cycle of questionable decision-making, inability to take action, or willfulness confined in their psychological prisons against a backdrop of reverse harem romance. No character was free from flaws, and no character was inherently good or evil—a melting pot of antiheroes, antivillains, and villains.

Romance-wise, the story plays on multiple tropes present in every Chinese drama one can think of. From childhood promises, 15-year oaths and blood oaths, to piggyback rides, savior complexes, and underwater kisses, Lost You Forever is no exception. There are plenty of heart-inducing moments for all with four different suitors and relationships.

Plot-wise, the story is at its weakest, with Xiao Yao's only ambition in life being to have a life with the person who will always put her first and never abandon her, while Cang Xuan wants to rule the world so he can protect Xiao Yao. Sprinkled among these two plots are cheesy romances, assassination attempts, broken promises, underwater dates, and personal sacrifices (a majority coming from Xiang Liu).

In terms of characters, the drama attempted but failed to portray Xiao Yao's struggle with low self-esteem, self-worth, and depression. These character traits were most prominent in her and plagued her decisions and how she interacted with the people around her. Her feelings of isolation and misplaced identity among her noble peers were also not touched on, all of which were important to her character development (devolving) and her choices, and which would prominently reveal her relationship dynamics among her male leads.

Instead, the drama's attempt to skim over the thematics of trauma-guided decision-making in order to portray an empowered woman whose unwavering requirements for a lover (one who will always put her first and never abandon her) made her out to be a shallow, tunnel-visioned, and uncompromising character wallowing in self-pity. Her dissonance from her environment made her quite ignorant in many aspects. At least, in the novel, her depression can be attributed to her dissonance and disassociation. She desired no power but failed to see the costs of the peaceful life she desired. And without her understanding of those sacrifices, Xiao Yao, as a character like her novel counterpart, has very little character development. In the end, Xiao Yao as a protagonist fails to impress me as the empowered woman the drama had hoped to portray, which comes as such a pity, as XY's character had so much potential in the first act, the Qingshiu Town arc.

In terms of male leads, Cang Xuan's character development being chucked away as some kind of dream in the third act amounted to incredibly lazy writing and it takes away from his growth. From wanting to protect the one he loved the most, to losing her in the end due to his obsession, Cang Xuan emerges to be Xiao Yao's worst enemy, but his eventual self-admittance in defeat to his circumstances and finally realizing that loving Xiao Yao means to let her go comes back in a beautiful circle—that he had lost her once, and he'll lose her again. However, the drama downplaying his villainy took away the power of this narrative.

Jing as a character, ironically, remains true to his novel counterpart, written to fulfill Xiao Yao's requirements, to help bring XY's journey into closure. The drama did attempt to bring dimensionality to his character by giving him extra lines (some stolen from Xiang Liu's character) and extra scenes, attempting to make him more proactive in the plot. However, due to lack of character development and poor character setup, his stagnancy keeps him tied to XY as the plot device to her eventually getting what she had most wanted.

Xiang Liu, the novel readers' favorite character, continues to dominate the story and plot. Despite XL being criticized for several out-of-character scenes and for being too lovelorn, like his novel counterpart who never wasted a single word or page, XL commanded and captivated every minute in the drama. Even though the drama changed and omitted several key scenes and downplayed his relationship with Xiao Yao, XL remains a complete character with a complete arc.

Acting-wise, I believe it is Yangzi's best performance and I hope she continues to grow. She shines the most in her scenes with Tan Jianci, making their on-screen chemistry sizzle like no other. There are a few times where one can tell that Yangzi could have pushed her facial expressions more or that there's just one thing missing to make it a perfect portrayal of Xiao Yao.

Zhang Wangyi portrays Cang Xuan, managing to captivate and bring together a prince whose growing obsession over his love for XY is slowly chipping away his sanity. Zhang Wangyi does a beautiful job of projecting confined jealousy on his face, and these are the moments I live for.

Deng Wei portrays Tushan Jing and my critique of his acting is that he still seems to be very camera conscious, and that shows through his awkward performances. In contrast, Wang Hongyi brings together Chiusui Feng Long, portraying a young noble whose personality is filled with fond memories and optimistic ambitions.

However, it is Tan Jianci's portrayal of Xiang Liu that captivated me the most, as well as many audiences around the world. His immense repertoire for micro-expressions, line delivery, and control body movements brought a convincing Xiang Liu to life.

Among the pretty costumes and beautiful soundtrack, things start to fall at the seams, particularly in the writing of character arcs, conflict resolution, and plot closure. A limited budget also hindered the possibilities within DaHuang that the imagination didn't hold back. Despite strong characters, the adaptation shied away from delving deeper into the heaviest theme present in the novel: how trauma and psychological disorders cripple healthy decision-making.

When you have a world based on mythology, you expect to see a visual interpretation worthy of those myths, which the budget of the drama eventually failed to produce. Production design and CGI were lackluster, in some areas simply looking terrible, i.e., the blood faucet, Xiao Yao's mediocre cherry blossoms, Jade Lake, and Queen Mother's lotus are among the worst culprits. And then throwing in censorship, poor writing experience, and linear storytelling, LYF just couldn't move over the typical threshold that has been holding back Chinese storytelling on the small screen.

LYF had so much potential in the first half, but in the second half where the story starts to come together in closure, it utterly failed to encompass the world of DaHuang, as well as portray the poetry of Tong Hua's novel.

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My score is all over the place and so was this movie. From the beginning until the last 1/3; it was very, very good and this is where my high score comes from; however, somewhere, the story kind of lost me for a few frames and I wasn't sure where they were going with the story. However, the acting was great! A good actor works with what he has. I must say, thanks to this movie, I'll look at Kim Soo Hyun a lot closer now. When he was playing his Dong Gu , he was absolutely phenomenal! The rest paled in comparison. Park Ki Woong, was good but I just couldn't take my eyes off that freaking orange hair! Lee Hyun Woo as the youngest was badass from the beginning.

The action in this movie was well-orchestrated. Every action scene was definite and distinctly different. All of these actors should do more action movies or dramas; they really excelled. Again the biggest hole in the movie was the story towards the end. But be warned. If you are looking at this movie strictly for the actors, I think the ending might be a big disappointment for you but otherwise well worth the 2+ hours. BTW, starting to wonder if the Korean film industry just think SK police are stupid. Just saying.

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Magical. Whenever someone talks to me about “fate” I think about bright stars, hearts, and sweet candy (not that this series doesn’t have none of the above)… needless to say I’m a skeptic about true romances, and that’s coming from a person whose guilty pleasure is romantic comedies. Perhaps I enjoy living outside of my slightly jaded reality by experiencing the made-up drama world? In any case, although in Fated to Love You (abbreviated to FTLY just for short term sake) sent me into a spiral of apprehensive, “did that just happen? How impossible is that!” moments, I love the fact that even the most coincidental meetings can send us on an unexpected life path, which is why literally fell in love with FTYL, every ounce of the jaded heart in me. Now, I will keep this review to a minimum, and I won’t spoil this series for anyone that hasn’t seen it because there's just too much to look forward to people, so if this genre is your cup of tea, then I'll try and convince you to at least watch FTLY because it is actually a pretty magical experience.

Sure, for some “fate” may be an elusive term, it may be non-existing in our time and space for others, and perhaps at the end of the day “fate” is for the wishy-washy people that can’t get out of a peculiar disillusionment of love (only viewing it as perfect) and would rather live dream-like state. Still, in this instance, I prefer living in a dream-like state while watching some drama’s, in this case, what FTLY you has is a combination of metaphors, life lessons, joys, emotional pains, and of course endless possibilities concerning the belief (and questioning) of true love/destiny.

STORY:
Although FTLY was adapted from the Taiwanese version, it definitely lived up to its expectations for being a lighter, more romantically charismatic series. From the beginning to the conclusion of the series, the melodramatic edge to the story filled up necessarily when needed for the plot development, and found that it didn’t drag along the story relentlessly, which was a positive aspect to this series. The humour/comedy in this series is one of the best entertaining factors in this series; I suggest that this is its strongest point for being funny even in times when there were serious moments.

CHARACTERS:
Lee Gun: You will always remember Gunnie. There are many reasons why, and I'm sure those that have seen it are probably going to agree. His bright, sometimes enigmatic appearance/expressions on screen right from the beginning brings this series into a often sweet, but charming edge. He is not the regular main lead trope that constantly berates/belittes the main lead girl. Gun is actually a decent human being. As a male lead he treats Mi Young with sympathy and respect, which I thought was commendable. Of course given the circumstances, all the characters express and act on certain things because of events, but Gun is admirable in his character. If anything, this makes this series redeemable because of the fact that Gun isn’t the stereotypical kind of male lead.

Kim Mi Young: Ahh, Mi Young, my heart bleeds for this woman. She indeed goes on an interesting journey of self discovery and independence, from a “post-it” girl to a wonderfully, talented girl that has the rest of the world ahead of her. Watching a character blossom into their own individuality, while grappling with emotional pains was visceral but also bittersweet. I really felt a “realness” with these characters, and Mi Young especially. The acting just felt natural, definitely not forced. I enjoyed Gun and Mi Young’s chemistry, so in addition to these interesting back histories of each character it was nice to see a couple on screen convince me of their bond.

Daniel: He was breath taking. His character is un-predictable, especially in correlation to Mi Young. Of course I couldn’t help myself by *fan girling* anytime I saw him or Gun on screen just smiling and of course, existing. But there was depth to his character, and I thought at least emotionally speaking, that there was nothing I didn’t like about his character. At the risk of spoiling any more details about these characters, I must say that there are plenty of reasons to watch this series. Aside from the good laughs, good cries, and overall good impressionable moments/dialogue; these characters are sure worth while watching over the course of time. I can go on and on about how wonderful they all are, but I’m pretty sure you get the gist!

SOUND/OST: Simply beautiful. I was already enjoying the music by the second episode. There was a combination of upbeat to melancholic music in terms of the atmosphere/mood of the series, which I thought was played out well. Most of all, the sound was memorable for certain moments in the series. You expected a certain theme/song for certain characters and then certain scenes with characters interacting. It was thoughtfully well done!

OVERALL IMPRESSION: From start to finish I fell in love with this series. It has a refreshing element to it in the sense that the humour and romance was balanced very well. I mean, I found myself bursting out in laughter for certain things Gun would say or do, and I'm sure if you have a funny bone that you'll enjoy it as well. Aside from the melodrama aspect to the drama, I do believe it did justice to audience members in keeping the story line engaging. I guess I was indeed fated to love this series even before it started because I still haven’t gotten over how wonderful it truly is.

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The royal Princess Ja Myung Go,an epic drama in korea, is not just a legend.. it is true story of how love blinded the crown princess of Nakrang La Hee and betrayed her own country for Gugeoryo's crown prince Hodong, she sold her country for love. In the koreanovela, they added the fictional character princess Ja Myung, the half sister of La Hee, who in the drama made as the girl who Ho Dong really loves. In fairness to Ho Dong, even though he is so hateful in the story for using La Hee in revenge for Ja Myung's turning back in their love, thus, wanting to get her country Nakrang, have suffered emotionally... having to be the one to kill Ja Myung's father and can't do something to save his wife La Hee from death, i believe that in spite of the truth that Ja Myung is the one he love, he must have in return cherished La Hee.. how painful it is for having no strength to move on.

Ja Myung loved nobody else but Ho Dong, like what she said, he weighs heavy in the scale of her heart, but she chose her people (it's like rather frightening to have one person powerful in your heart).. onthe other hand, he weighs lighter in the scale of La Hee's heart, yet she chose him coz it's the truth, a simple little truth that holds her happiness, so why ignore it?... Oh, how can love built one's hope and dreams yet ruins one's life at the same time,,, there was no happy ending at all, but if dying together (Ja Mung and Ho Dong) with one sword struck between them, for that last embrace, is the happy ending, and so be it.

I hated Ho Dong, but pitied him as well.. in any case, will the ending of the story change if Ja Myung stayed as Puku with Ho Dong, if La Hee didn't loved him so much or Ho Dong only lead an ordinarylife.

''does love needs to be greater than desires?
or desires' much greater than love?...''

''will you fight for your love or choose what is more good for the many?''

In the end, there's only one choice to make... and last chance to be with the same feelings again... until death. I suppose it's a story about fighting and letting go of those feelings, in different consequences... but theirs led to their own destruction.

I have to agree that the ending have disappointed some of it's viewers, especially knowing that the planned episodes were cut due to low ratings and they have to make the story short and the ending revised as usual, yet i can say that they won to make it all heartbreaking.

I think that it has a much better story than QSD, unlike the latter which revolves around the main character.. i liked it how JMG made a bird's eyeview of everything, everyone has it's own story to tell.

Not to mention it's OST's Love Is Not A Crime and By Myself.. Oh so lovely songs, so pensive indeed.

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Have you ever been to a Japanese sweet shop?

When I first came to Japan, I had no idea about their original sweets. Most of their media also focus mostly on western pastries (specially French). There was one particular shop I go to and they sell all kind of sweet stuffs, I picked up something that looked like a chocolate muffin one day. Little did I know what was waiting next! Rest assured, it was not a chocolate muffin. It was a wagashi Manju bun with red bean filling, a mouthful of surprise! Is it the best thing I've ever tested? Not sure but it was damn good, couple it with surprise effect, it was one of best experience! I go to that shop every other day to pick up a few of them :)

This drama was like a manju bun hidden among all these vanilla, chocolate pastries. I was just looking forward to kill a couple of hours with a rom-com, ended up spending two days straight in front of my laptop, with a leg cramp, dry eyes and a warm heart (in between, I managed to drag my thesis to hell, that's another story).

Moral of the drama:
'Love will come through, it's just waiting for you' - Travis

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One-Sided Chemistry

I thought the premise of the show was great. I loved that Kawi could not go back in time on subsequent trips to the same moments he'd already gone back to. He got one shot and had to live with whatever domino effect it caused.

Gawin did a great job as Pisaeng. It's so clear when his feelings for Kawi begin to develop. You watch him fall in love with Kawi so naturally. Never once did I doubt the feelings Pisaeng had for Kawi.

I'm not going to remark on Krist's acting because it's hard to determine how much is direction, writing and the actor's choices. What I will comment on is his character, Kawi. Kawi was, at times, very likable and easy to cheer on. However he was also so negative and self-defeating he often became exhausting to watch. Like Kawi, I frequently wondered why Pisaeng liked him. He could have done better, to be honest.

I wish Max got more screen time and more of a storyline of his own. I thought he was a really great character and at one point thought Pisaeng was going to end up dating him during one of the incarnations of the past. I liked that they talked about the political realities of being queer in Thailand with the current laws. My own teenage years in the US were similar to where Max was in the past timeline.

Pearmai was an interesting character. I think she could have been handled better in terms of her liking and sort of waiting for Pisaeng even though she knew he wasn't into her. It was also very poorly handled when she decided to give the guy she'd JUST rejected a shot once she was finally rejected herself. That didn't sit right with me. I really liked her development with her parents and the struggles she had going on there.

I really enjoyed the message of living in the present and choosing to live a life you don't wish to go back and "fix." Easier said than done off screen, of course. I really liked how the time jumps connected to the last moment Kawi was present in the past or future.

The thing that really brought down my rating was Kawi's side of the romance with Pisaeng. As I mentioned already, I never doubted for a moment that Pisaeng had fallen for Kawi. However, I never believed Kawi had genuinely fallen for Pisaeng, with the exception of the majority of the last episode. Instead of being together because he finally realizes he loves Pisaeng, to me it came off a lot more like Kawi had eliminated all the other options and what he was left with was a best friend who was indispensable but in love with him. So he decided to get into a relationship to keep this person in his life.

I know that's not the intent of the show but its how it came across to me. When they'd kiss Kawi didn't seem to want to be there or participating in it. He fell into a trope I hate in bl of the more passive partner dodging affection (what couple actively avoids kissing each other ALL the time even in private? this is the trope I'm referring to not specifically Kawi as he wasn't that bad but he had plenty of these moments). You wind up with Pisaeng basically begging for attention and affection and Kawi begrudgingly allowing it some of the time. This 100% came off as "I got the consolation prize but I really wanted the actual prize." (Pisaeng being the consolation for Kawi.)

I won't get into it too much, but the whole scene with Kawi being near-unconscious levels of drunk and kissing Pisaeng only for Pisaeng to continue while Kawi is unresponsive was incredibly unsettling. This felt very out of character for someone who had been very careful and considerate of Kawi during the rest of the series.

Gawin carried this show for me

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Viewers will be quick to compare this drama to “Something in the Rain”, which shares the same Director, Writer, and Male Lead, and they would be at no fault for doing so. Like SitR, One Spring Night utilizes a slow pace to portray the relationship between the main leads. However, the pacing and characters of OSN are superior to SitR because of their steadiness. I recommend this drama to all kdrama watchers and promise that you will also slowly and steadily fall in love with the leads episode by episode till the very end.

Story:
I will be honest and say the story outline is similar to SitR, focusing on a relationship that is heavily critiqued by the leads’ friends and family. I believe there are 2 key differentiators which are the strength of the supporting stories and the methodical pace of character development. The supporting cast gets a fair amount of development throughout the drama, and they, themselves, change instead of folding into 2D one directional characters. This actually adds to the “slowness” of the drama as precious time is diverted away from the main leads.

However, I do not find fault in the slow pace. I admit the 16 (32 halves) episode format changes the standard for pace, but I also believe that there is a range of acceptable pace in kdrama. I find bigger fault when the writer/director strays away from the slow pace to try to close certain plot points or make characters behave erratically, which OSN does not suffer from. If anything, OSN is not shy in leaving interactions with little explanation and limited expose/monologue.

This may make it harder for viewers to buy into the relationship between the main leads, but I thoroughly enjoyed the romance that resembled something out of real life rather than a kdrama. One lead doesn’t have to save the other or be connected via childhood past to develop feelings for one another. OSN is the closest example of a life-like relationship in a Korean drama; any more and it would be no fun as a drama (you know you’re trying to escape reality watching kdramas).

I applaud the director/screenwriter for running it back by producing such a comparable drama within one year. They improved on all areas of the plot from SitR and remained true to their style instead of bending to every criticism levied at SitR, which I still ranked at 7.5. I look forward to their next projects with a small longing for something more different.

Acting:
Let’s begin by looking at the Male Lead since, again, it's easy to compare to SitR. Jung Hae In’s acting is markedly improved from SitR. This may be due to his growth as an actor, the improved writing of OSN, the chemistry with the cast, more trust from the director, or some combination of all of the above. He displayed a wide range of thoughts and emotions throughout the drama, and I was especially impressed with his acting when facing the second Male Lead.

Similar compliments can be said for the Female Lead, Lee Jung In. And her chemistry with the male actor was amazing. The biggest evidence of this being how electric the dialogue between the 2 felt; Their conversations conveyed more chemistry than any of their skinship scenes. The acting of the 2 main leads really complimented the direction of the drama, which heavily focused on interactions rather than monologues.

The supporting cast also performed admirably. For example, seeing the FL’s mother in OSN can be quite a shock after watching SitR (or vice versa), but she still nailed both roles and truly deserved to be part of this cast. The FL’s sisters were also great and their acting really conveyed how their characters were shaped by their shared upbringing (and I have a soft spot for “sismance”).

Music:
Funnily enough, even a good chunk of the OST is sung by the artist who contributed to SitR, Rachael Yamagata. Although English in Korean media is improved, it does not compare to having a native English speaker. This should significantly improve the drama viewing experience for international viewers given that some subbers do not sub Korean lyrics.

The actual music works very well with the story and pace. I thought each of the songs in the OST carried tension, even the “happy” song. This tension is well utilized because the story does not have the outrageously tense moments of a thriller or typical melo, so the combination of the story and song was important in conveying conflict and emotional resolution.

Rewatch Value:
There is a high rewatch value for this drama given that it covers a multitude of nuanced issues. Even as a native Korean speaker, I plan to go back and rewatch the drama to better understand and enjoy the conversations and chemistries between all the characters.

The next episode previews were the worst part of this show, so I look forward to not having to deal with them now that it is fully aired.

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