Reviews

Realistic romance-action drama

I am really shocked to see low-scoring reviews for this drama. It has everything you want. It has bromance, romance, and action. The acting is great. Both lead and support actors/actresses are nailing their parts. The pace of the drama is realistic. It is a modern drama, and as a result, nothing magically happens. It takes time for emotions to be developed and mature.
If you follow the pace of the drama, you will cherish every little development between the leads. I believe people who drop this drama or don't find it satisfying are the ones who are skipping along the episodes and missing important hints.
My advice is to take your time watching this drama, experience the lead's ups and downs with them, and you will have a magical time riding their emotional waves. This is a masterpiece.

Leia Mais

The Ten Commandments of TBL

These are the commandments that have been handed down to us by the gods of Taiwanese BLs. They shall be the commandments by which any present and all future TBLs may be judged.

1. Thou shalt violate an apparent taboo. So it is that a stepbrother may lie in the Biblical sense with another stepbrother, or a stepfather with a stepson, or a teacher with a student. But a real taboo, thou shalt violate not. For it is a sin. Our purpose here is titillation, not transgression.

2. Thou shalt not utter the word ‘gay’. For it is a sin. Thou mayst love another man, but if anyone shall ask of thee if thou dost, thou mayst answer, “I like not men, I like only you.”

3. Thou shalt always include more than one same-sex couple. For it is the law. The number assigned to thee is two. One is too little, for it adheres too close to the earthly realm; three too much, for it adheres too close to the realm of Thai BL.

4. Employ thou a verily bright colour saturation in thy film, to mask the limitations of thy capital and thy cinematographer.

5. Apply thou, always, a verily thick, sweet, intrusive, and insistent music over thy graven images, to mask the limitations of thy talent and thy words. Drown out all the tender and vital moments of thy show with melodies made by AutoTune Pro, and lyrics conjured by Google Translate.

6. Remember thou that there exist only three acceptable settings for a TBL: a school, a university, and a criminal enterprise (the Lord doth favour the mafia). For these do encompass all of life. Thou mayst aim for complexity by leavening one of the first two settings with the third. Leviticus doth indeed condemn leavening, but it is not prohibited by the gods of BL.

7. Thou shalt have no balance. Remember thou that men must fall over and into each other at every step, puddle, path, street, game, instrument, opportunity, or obstacle in existence. This, and this alone, shall be the occasion for their first kiss. The said kiss may be accidental, forced, or incite a wide-eyed surprise. But a loving nor sensual kiss it may not be.

8. Thou shalt depict at least one instance of fornication in thy tale. Or two, if thou hast taken care enough to inscribe a story for the second(ary) couple. But the act shall not unfold until the penultimate chapter. Thou shalt tease thy viewers for ten long hours, and grant them gratification for ten short seconds, which to most shall be proof positive that Moses was heterosexual. Thou mayst inflict additional torture upon thy viewers by interrupting the said gratification with deafening music and wanton cuts.

9. Thou shalt choose from the following any number of ornaments to embellish thy tale: gentle wiping of the lips (for there is a general want of raiment in our kingdom), gentle forehead kiss, gentle lock-of-hair restoration, gentle somnolent confession, a gentle fever, a gentle towel bath for said fever, a gentle pour-over coffee, a gentle post-modern coffee-shop to house that coffee, and forget not thou, a not-so-gentle last-minute conflict, a forced separation, or a wandering to parts abroad wherein shall cease all modern communication. If imagination thou lackst, thou mayst construct a story from these elements alone.

10. Thou shalt by no means indicate homophobia in thy tale, unless it furthereth thy plot and our cynical purpose. Friends and family shall be universally supportive, unless it force a separation between thy characters. (Parents and spouses shall be left otherwise dead, be it from accident or ailment, to anoint the show with cheap sentiment.) Remember thou, always, that this is a world of pandering fantasy, not reality.

Biblical Proportions:
Commandments Broken: 8 (partly).
Commandments Obeyed: 1, 2, 3, 4, 5, 6, 7 (again and again and again), 9, 10.

Observations:
Well, this one is for the books. Every TBL commandment was kept to the letter, except, in small part, for the 8th, and that too only because the love scene between the teacher and student came so early. But then, that scene was so badly done that I wonder if the commandment was broken after all.
There is no writing in this show to speak of, no script, no real story-telling, no serious attempt at characterisation. Nothing. Just the loose outlines of an imaginary BL... The experience of watching this show is something akin to ordering a small package on Amazon. You order a simple toothbrush, and are shocked to find, the next day, a huge cardboard box sitting at your door step, only to realise that, when you open it, there are 7 smaller boxes inside, each stuffed with shredded paper and bubblewrap. By the time you get to the final box, you forget what you ordered, what has arrived, and what you were looking for. You just know there is a huge mess to clean up, and that a lot of trees have given up their lives for it.
The men are beautiful, two of them quite sexy, and for that reason, I gave 'casting' a 5. If any of the actors start *acting*, someone please let me know. I'll be sleeping in the back.
There will be, I imagine, a lot of hand-wringing and pearl-clutching about the teacher-student relationship. But, as the first commandment states, this is just an apparent taboo. No trust has been broken, no consent violated. The age gap is dimunitive, the "teaching" is more like tutoring (lasting a mere few weeks), and both men are above the age of consent. There are no interesting or troubling power dynamics at play here. Nothing to be outraged about. It's just dull.
Finally, for fucks' sake, just say it. It's not the fucking plague. And we are not in Florida.. So say it. Yu Xing is gay. Come, say it with me: "gay". See? The world didn't fall apart.

Verdict:
This is a dreadful show. It might even be one of the worst BLs to come out of Taiwan. Avoid it. Avoid it like radioactive waste.

Reader's Digest:
DO SAY: Blessed Art Thou, O Lord
DON'T SAY: That Don't Impress Me Much

Leia Mais

Exciting, yet gloomy thriller. The murder case being tried by a jury is just a kick off for more…

"Blind" is a fabulous, exciting, somewhat dark thriller.
"Blind" weaves its fictional story around 'survivors' of brutal child abuse and severely traumatizing exploitation as kids. These 'survivors' meet each other and their perpetrators 20 years later as adults. Each of those involved tried in his/her own way to come to terms with the past and lead a more or less normal life. Not only the abusive childhood, but also its psychological effects on their later life are a severe issue - and become a topic here. In addition, in this context complex interdependencies between the perpetrators of the time are dissolved and - against the background of a brutal variant of public vigilante justice - the original roles as perpetrators and victims are turned upside down.
"Blind" is haunting. The focus is on a murder case that is being tried by a jury. More murders follow. The dramaturgical setting is to some extent perhaps a bit reminiscent of an Agatha Christie novel - insofar as suddenly almost everyone in the case-related group of the selected jury could be the perpetrators... the distribution of roles between judges, investigators, victims and presumed suspects is also becoming increasingly opaque and fatefully intertwined. To pretend that one can turn a 'blind' eye to what used to be is no longer possible. Everyone must now look at the past and (even if it is perhaps a little late) bear the consequences. Magnificent.


----- SIDE NOTE: ---Child abuse - a sad and highly topical issue in South Korea ---
The thriller obviously saddles its story on the unspeakably sad topic of child abuse, which due to its unbroken topicality has increasingly made it into South Korea's series and film productions of recent years (among others "Children of Nobody" and "Mother" as drama or "Miss Baek" and "Bring me Home" as movie.) Many a well-established member of society prefer to look the other way when unbelievable deals are being made concerning minors, as long as they might even benefit themselves. And any 'survivors' can be glad if they manage to split off the traumatic experience to some extent - nevertheless most often PTS comes right along. Usually, those ´survivors´ until old age are psychologically still stuck in that desperate helplessness and inner agony of the past.
A South Korean government study from 2021 reveals, that abusive trafficking in minors has been rampant and even increasing in recent years. There is an acute need for action regarding more effective education in all public areas - from prevention to investigation and criminal prosecution up to employee training. A big problem with this: usually police officers or other officials are directly involved and work together with the traffickers, who specialize in the ruthless exploitation of minors. If the children and young people survive this, the psychological consequences of these deeply traumatizing experiences will be very hard - if at all - to be overcome. They are left helpless at the mercy of adults (who actually should take good care of them) and utterly hopeless in the face of a society that turns a blind eye to their torment. The only thing that is left: feeling betrayed and/or obviously of no worth whatsoever...
--------------------------



PS:
It may be that in reality a larger task force would have been set up to investigate the serial murders of the jury members. In my opinion, however, the KDrama didn't take anything away from keeping the circle compact in order to tell the story in its essential entanglements in a powerful way.

P.P.S.:
At last, I don't want to leave a pleasant detail (I think) unmentioned. We have seen it so often in KDramas: within the social ranking in South Korea, the older colleagues are obviously allowed to rebuke the younger ones with a shove, a kick or a snap on the forehead. (In view of my German socialization background, that is unheard of, but ...) In "Blind" one can now observe (among other things) that a transformation in this natural ranking behavior may be starting to happen within the younger generation: a colleague police officer in "Blind" actually gives back to his colleague and stands up for himself. So far, I have seen this rather rarely, if at all. Until now, as a rule in comparable situations, the fist usually remained in the pocket. In the mass consciousness, KDrama is relating to, starting 2022 such physical rebuke might obviously no longer be tolerated as a matter of course. Stand-up-for-your-rights seems to/wants to become possible - like a wind breeze of change coming up within a hierarchical tradition since centuries chiseled in stone...

Leia Mais

I'm not going to be writing a really long review but I'm just going to say that this drama was so good! This drama made me cry, laugh, feel fuzzy in the inside! If a drama or movie made me cry, then I would rate it a 10/10! Of course there are some flaws but I really enjoyed it! The story was a bit like Love O20 with the game and stuff, the acting was really good it seamed real, music was good too, i would totally rewatch it but probably from the middle onwards.

Overall, I really recommend this drama if you love romance dramas like me. It's really hard to find a good drama that has at least good looking main leads. I hope they would have a season 2 for this drama!

Leia Mais

This would be one of those dramas you regret not watching when you had the chance. Months before I completed the drama I decided to give this drama a go. However back then all I could think about was Ariel's annoying character from her successful drama It Started with a Kiss 1+2. I played the first 10-15 minutes before Chen Berlin
even appeared and I stopped watching. The first 15 minutes were slow, If I had known that I was a little bit more patient or gave this drama an actual chance then I would find myself falling in love just a few minutes after dropping. Why? Chen Berlin who is known as Li Da Ren in this gem of a drama appeared and he just lit the whole drama up.

I finished the first episode and I was already falling for this drama truly, madly and deeply. I found Ariel lovable! and Chen Berlin dashing!I would slap myself silly for not continuing after those 15 minutes. If only I gave the drama a real go then it would have been in my life longer. We all make silly mistakes and I should really watch 3-5 episodes before thinking about dropping.

So this drama is about two best friends who have known each other for about 10-15 years and one thing is certain from the very start.
Li Da Ren loves and has always loved Cheng You Qing. It is also obvisous that You Qing feels the same but she's a woman and she's naive and I guess you could say she's scared about losing Da Ren. Li Da Ren starts to date a girl called Maggie who is very annoying and If I ever come across a girl like Maggie I will run for the hills. The thing about Maggie is she plans and she plots. Maggie wants the perfect boyfriend/husband and this girl has a list of qualities her perfect man has to have and it just so happens Li Da Ren ticks all of her boxes (He would tick mine too) so this begins the love triangle. Even though I said "I would run for the hills" I would say she did help You Qing wake up a bit but You Qing is very complicated especially in her love life. This is when her ex-boyfriend comes back and they had/have a very intense relationship. You know the type one minute they are arguing and the next they are sucking each others faces off.

Throughout the whole drama we are rooting for Li Da Ren to win his girl! We want Cheng You Qing to wake up and realise that Li Da Ren has always and will always be there for her. He is her soulmate. This is the type of drama where you watch one episode and you don't go "I might watch episode 2 tomorrow" no...you say "Next episode NOW!" and you keep on saying that until you realise 13 hours of your life have passed and the drama is over. The couple is no more and you
won't see anymore Li Da Ren and Cheng You Qing scenes. You will find yourself depressed and it will probably take you about 1-3 weeks to find another drama. However those 1-3 weeks of depression are worth those beautiful 13 hours.

P.S:. If you think Ariel and Joe Cheng are IT then think again. It's all about Chen Berlin and Ariel!

Leia Mais

It's a really good movie, but the movie was a bit depressing in the middle, but that's actually quite realistic in the world. Where there is not trust in both, the relationship won't maintain, relationship exist because of trust, "I believe in you", this is actually a powerful sentence that could made people a good day and feel not alone.

Just some of my thoughts, people in old times might have more courage than most of the people now. Back then, like this movie, they actually quite hard to connect to each other so they will express the true feeling to the person to make sure they see them again. Unlike now, I know I will see the person through social media or reality every day so I hide my feeling and waiting for her to find it out...

It is really a beautiful movie with a perfect song list.

And I was waiting for the ending that Mi-Soo and Hyun-Woo open back the bakery...

Leia Mais

i just made a very quick review just to give the chaser some advertisement
because its so unpopular..or lets say one of the mdl underrated of 2012. (seen only by 40 mdl users)

Expect not to see any eye candy on here and it was evident on the poster.
I think somebody who come across w/ this drama with an impression like this..

"ooh The chaser? hmm ahjussis?"
*reads synopsis
*looks on the cast
"oops theres no hottie nevermind lol"

Oh well..anyway

for anyone who likes another revenge drama should give this a chance.
It was very relatable with emphasis on importance of living w/ family.
If i would think of a drama that shares some similarity...hmm
Think of city hunter w/o a superhero thing and the rom com stuff and add
the movie "the Crucible" not exactly but just to show some idea.

i will give you some hints on how entertaining this is
- after the 1st episode there is no break on tension or a big pause on plot,
it keeps moving in a above average pace on first 60% of the drama,
- it was so complex and every character interwind in the plot/ very well deveveloped and no weak performance.
- the politics scheme is easy to follow as it really happening on real event.

The Story: It was compelling and there is so many situations/happening in an episode w/ no dull momnets but its up to you.
Since its only 16 episodes...its not so dragging if you spot one.

The Cast/Acting: lets us not so bias if there no fave actor in it but what important is the character developement
and the performance they made. The Main villain has to be one of the great one you will see in a dramaland that isnt annoying.
The Main lead is very relatable and his character will make you symphatize w/ him greatly.

Music: entertaining as what you could expect in a tense drama

Replay: there is a part of me that even i watched this again...it isnt as entertaing as before since i got everything
from my first viewing, anyway it was a satisfying drama....w/ a fulfiliing conclusion as a whole but again its up to you =)

note: I heard this got Daesang award yay!

my other recommendation:

The Devil
Resurrection
Equator MAn
City Hunter
Giant*

Leia Mais

The actors put their heart&soul into it. Soundtrack + camera provide a unique ambience. A Classic.

"All In" is a timeless classic from the early days of KWave. Via main plot and various sidelines involved, you dive into the subculture and parallel world of back room and casino gamblers. In the course of the story, the glitter and glamor of the casino world increasingly take their place, all the way to Las Vegas.

Besides the gaming milieu, the series provides insights into the life of simple, poor young people in the late 1990s, which were shaken by the Asian crisis, and offers interesting local color. The well-established KDrama leitmotif 'Orphanage' also has its place here again. Soundtrack and camera capture the action in an atmospheric and impressive manner.

The actors put their heart and soul into it. In the case of "All In" the milieu-specific ambience was supposed to appear as authentic as possible. Therefore, in advance of shooting Lee Byung-hun and Son Hye-gyo (as adults of the main protagonists) went through an intensive training program, including in a casino in Las Vegas: Lee Byung-hun concentrated on virtuosity Card shuffling techniques and the eye dramaturgy of professional players at the gaming table (he won the Grand Prize at the Baeksan Arts Awards that year, as did the drama itself). Song Hye-gyo, on the other hand, was trained as a croupier and not only convinces when she sorts the chips at a breakneck speed.

The opening scene with a helicopter over the Grand Canyon alone is reminiscent of the beginning of a blockbuster à la Tom Cruise or something similar. "All In" isn't just romance, it's also packed with plenty of action, including brawls and gunfights. It's also about friendship among men. As a milieu study of the gamer's world, it's ultimately about gangsters and mafia, too. (Perhaps it is no coincidence that "the godfather" has a guest appearance in the story: it is shown as a movie in the cinema that shaped the youth of the protagonists.) But of course it's also about great love - in the progress of the 24 episodes facing one obstacle after another - it´s makjang after all...

At the time (2003), this KDrama triggered a veritable All-In-Syndrome in South Korea. The filming locations on Jeju Island became a hotspot for fan tourism. The ratings on public television back then are legendary (at around 47 percent).

Leia Mais

That was a big waste of time

(6/10) Story: Maybe this story wouldn’t have fit into a typical 90–120-minute film; however, 46 episodes were completely unnecessary. There was excessive screen time for side characters, especially the second female lead, who sometimes took up 90% of an episode. I’m all for developing characters beyond the leads, but in most cases, there was no real development. And when there was development, another misunderstanding or miscommunication would undo any progress.

I think this could have been a 16-episode drama. I’d compare it to My Sunshine (2015), which had an extremely similar storyline but managed to tell it in 32 episodes. The only thing that kept me watching was the fact that there was nothing better airing at the time.

(10/10) Cast: I was so happy when the cast was revealed. Seeing Hans Zhang and Janine Chang reunite was awesome. The last drama I've seen with them as co-leads was The Four (2015). How unfortunate because I gave The Four a 9/10 rating but this drama was a disappointment, though it isn't the actors' fault.

(10/10) Music: Not something I really noticed or cared about. I don't think the music would bother anyone though.

(1/10) Rewatch Value: Totally not worth spending 46 hours on. Even if there is nothing to watch, this was too frustrating. But it did give me something to waste my time on which is why the overall score I've given is a 6.

Leia Mais

✨Don’t ask questions. Just vibe. ✨

This drama? Absolutely ridiculous. Unapologetically over the top. And exactly what the doctor prescribed for a lazy Sunday with a scoop of salted caramel ice cream. 🍦 I mean… people casually waving guns and machetes like they're in a Spicy Telenovela: Martial Arts Edition?? I was howling.

The OST? On actual steroids. I swear the composer was like “give me ADHD in audio form” and hit export. And you know what? We vibed.

Brains? Logic? Emotional continuity? They said: “Nah, we don’t carry those in stock. But here—have some fiery chemistry and bloodstained love stares instead.” And I ate it up.

It gave me major Be Your Knight vibes, which totally tracks because apparently it’s the same director. There are certain things you expect from these dramas: chaos, slow-mo walks, inappropriate background music—and it DELIVERS. 💀

If you come in expecting Shakespeare, you’ll cry. But if you come in with a light heart and zero expectations of realism, you’re in for a wildly fun ride. I’m still wheezing at the romantic theme swelling as the leads lock eyes… absolutely soaked in someone’s blood after just wrecking a dude. Iconic. Cinematic. Absolutely unserious. 10/10 would rewatch this chaos and I'm only on episode 8 🤣🤣🤣🤣 Will update this once I finish it.

Update:
Ok, just finished this and can only say it was a good entertaining watch y’all. The drama stays consistently unhinged till the very end, and dang, I was really invested in the side couple — they had great chemistry. Too bad, cause judging by their chaotic tendencies, they were clearly doomed according to cdrama law (if you're not the main couple and have too much chemistry? yeah, you're done 💀).

Plot? Surprisingly engaging. Characters? Unfiltered madness but somehow loveable. If you’ve been around the mini-drama block, you’ll recognize half the cast — it’s basically a chaotic family reunion with more blood and fewer brain cells.

Now. THE AMOUNT OF ALCOHOL THEY’RE CHUGGING??? Broooo. If they had three livers each, they’d still be on life support. I just mentally replaced it with apple juice to survive those scenes, cause the real thought makes me 💀

And let’s talk about the OST (again) — it went from “Final Boss Battle” to “Haunted House on a Hoverboard” to “Cyberpunk Romance at High Noon” with zero transition. My brain was overstimulated like I was on five tabs of caffeine and a carousel ride. I’m CONVINCED they cranked the volume so high just to distract us from the unhinged lines being said.

But let’s be real, I got exactly what I came here for:

✅ Hot eye candy and surprisingly dope fighting scenes

✅ Men losing their absolute minds over women

✅ Romance and kisses (PSA: the leads only start kissing properly after ep 23 — before that it’s giving CPR dummy)

✅ Iconic supporting cast

✅ And yes, a blessed happy ending for the main couple

Was it messy? Yes.
Did it make sense? Absolutely not.
Did I have a damn good time? 100%.

This ain’t high art — it’s high chaos. And I devoured it.

Leia Mais

Filming standard à la Hollywood meets melodramatic narrative, emotionally firmly rooted in SK soil

“The Moon” could have easily been titled “The Dark Side of the Moon”. At least we as audience learn quite something about it... But it's actually about much more. The KMovie is delivering action within the high-tech world of space travel. On top of that it is touching, thought-provoking and thus gnawing at fundamental, existential and political questions, too. We get a remarkably balanced production between ´international´ filming standards à la Hollywood and a melodramatic narrative with its emotional roots firmly planted in South Korean soil. So eventually, this lunar expedition is neither/nor, as this KMovie offers something in between. For hard-core fans of Hollywood blockbusters it might be offering too much melodrama. For the hard-core KMovie fan it might not be enough. Well, I simply enjoyed it as the lunar expedition as it is.

The focus is on the ambitious national program that South Korea has recently set up in terms of space research (you may check side note below). With its technological innovations, South Korea is starting to present itself as an increasingly self-confident G7 space power. That is where this story is coming from. And it is against this background that the particularly high level of filmmaking effort must be seen, by which the experience of space is brought almost hyper-real within the audience's grasp.

The special ambience is staged first-class thanks to the applied highly developed audiovisual filming technology and expertise. Seemingly, the production team has spared no effort or expense - with 3D rig camera recordings, premium HDR video technology, Dolby Cinema technology (for the first time in a KMovie), innovative spatial audio technology and sophisticated rendering processes for the finest color nuances. The demand was for high-end cinema quality. And it is surely impressive. Everything in this distant, highly technological, alien world, far way within the orbit of the moon, comes as close to the audience as it can get.

Despite the enormous spatial distance, dense emotional intensity is provided, even though the protagonists are located so far away from each other. This delicate emotional bridging, requiring high-end performance skills, has been the big challenge on the actors´ side. In addition to the proven, first-class veterans Sol Kyung-gu and Kim Hee-ae on the ground at the rather clinically clean setting with high-tech computers and screens of both Aerospace Centres Naro and NASA, especially Doh Kyung-soo (D.O.) offered magnificent top performance as an astronaut lost in space. Mainly those three create and maintain an impressively emotional density (in addition to the overall action).

The plot of "The Moon" revolves around South Korea´s international profile as capable space power, while the eyes of the world are set on their (fictive) second trial of a manned lunar mission. Whereas unfortunately it didn't work out the first time... It's also about politics and tons of money. And in the end, it's all about survival... or rather, whether a human's life in the face of groundbreaking missions for humankind is worth ignoring chains of command, nationalities and costs.

Breathless action on unusual terrain. Intense scenes in an isolated space capsule 380,000 km away from earth, surrounded by darkness and severe cold. Desperate helplessness. The struggle for the 'right' decision – what´s actually the measure of what is right? Maybe ultimately just what I can live with in the end?







----------------------------------------------------------------
SIDE NOTE: --- KSpace ---

Korean movie oder drama productions set in space have so far been few, and for good reason. The KMovie “The Moon” from 2023 as well as i.e. the KDramas “The Silent Sea” (from 2021) and “Ask the Stars” (planned for 2023) are, so to speak, a start. They reflect current (or better: hoped for further) developments regarding KSpace.

After rather unsuccessful endeavors at the beginning of the new millennium, South Korea as the 13th country to have its own space center by now, is increasingly well positioned in the KSpace segment. 2021 was marking the first attempt to launch their own test satellites into the orbit by their launch vehicle Nuri, which had been developed over the past ten years. Yet it failed. Nevertheless, in 2022 and 2023 it succeeded at last. Three more Nuri launch vehicles are already scheduled to be launched into orbit by 2027. According to the plans of the country and the Korea Aerospace Research Institut (KARI) at Naro space center, South Korean spacecraft will be collecting data on the moon in 2032 already. Additionally, the country has Mars scheduled for 2045.

Leia Mais

Inconsistent quality: likable in some ways but sometimes frustrating

This BL has loads of potential and is surprisingly good for quite a number of episodes for such a low-key BL (compared with say, Love by Chance 2, which is airing around the same time). In fact, I stumbled upon it by chance because it doesn't seem to have been listed in lists of Thai BLs.

The main couple starts off being the sort I personally love to see, with them caring for each other in little ways even when they do not make their love for each other obvious. The story of Tan and Oil is interesting at the start with Tan being an archetypal "bully who turns out to be a softie" sort of character who becomes a much more nuanced character especially after the demise of his mother. (It may come as a pleasant surprise that Tan's affection for Oil is more obvious to us from quite early on when he almost kisses a drunk Oil but stops himself.)

Unfortunately, the development of their relationship seems to be headed nowhere during the middle of the series despite their attraction to each other. Despite being obviously in love with Tan, Oil inexplicably seems willing to date/consider dating Kun. Yes, he has the right to date others since Tan and him aren't dating and Tan hasn't made his feelings clear. To make matters worse, Oil's affection for both Tan and Kun seems genuine--at one point he appears genuinely happy when Kun confesses his love, and yet he also seems to be considering Kun because he thinks Tan only treats him as a brother.

Towards the end of the series, the plot becomes haphazard, compromising what could have been a reasonably good series. The scriptwriter(s) decides to throw in an incident in which Oil feigns illness, causing Tan to misunderstand him when Tan finds out. Although it is clearly suggested that Oil is under some pressure to feign illness (this isn't clarified even by the end of the series), the already baffled audience doesn't need to be baffled further at this point. The characterization of Tan is also problematic. At one point, he seems willing to let Oil be with Kun, indicating that he will do anything for Oil to be happy. However, he also gets jealous and upset after he realizes that Oil has got into Kun's car while pretending to be ill. (Tan thinks that they have gone out on a date or something.) Such behaviors can perhaps be convincingly portrayed if the actors had the ability to convey the nuanced emotions, but this was a bit too challenging for such young actors.

Apart from the unnecessary events that are added in for no particular reason, characters are added in and cast aside simply to complicate matters. Tan's stepbrother, for example, does not seem to have any particular motivation for his unpleasant behavior and seems to have been added in because the scriptwriters want some tension. Then there's Kun, the poor guy who seems to really like Oil. Oil agrees to go out with him and even agrees to be his boyfriend in the last episode. But just seconds later, Tan appears, takes Oil away, confesses his love to him and they live happily ever after. Nothing is shown about Kun after this, which also possibly and unintentionally also turns Oil into arguably the most selfish bastard in the whole story.

Tin and Sea, as of Episode 8, seems to be the other main couple (potential couple) though this is where things get somewhat confusing. Firstly, apart from the fact that Sea is Tan's friend (we only see them talking to each other over the phone though), Tan and Oil seem to exist in an entirely different social circle from Tin and Sea, and there is practically no connection in the Tan/Oil and Tin/Sea stories. Secondly, it is not entirely clear whether if Tin is in love with Sea even after two-thirds of the series is over. Sea is supposedly straight and in love with his female childhood friend, but we know that this doesn't matter in the world of BL. What is bewildering is Tin seems to have fallen in love with Sea at first sight though later it is revealed that Tin supposedly has a girlfriend. The girlfriend is overseas and only mentioned by the characters, and Tin only ever seems to think of her when he needs an excuse to spend time with Sea.

The confusion regarding Tin/Sea could be something that we can bear with easily if not for the extra confusion arising from the messy friendship/relationship amongst the other characters in Tin/Sea's circle. There is It (a confusing name because I often find myself wondering "What is it?" until I realize that "It" is a name) who seems to have been punished because some other guy (presumably Voice) wrote a note to him saying that he loves him (It)--is that even his fault even if we don't quibble about whether a guy being in love with another guy is wrong? It's love-hate relationship with the music club is also bewildering--he was kicked out of the club (or suspended?) because of the aforementioned declaration of love, but it's not as though everyone in the club has done something against him. I suspect that part of the confusion arises from flaws with the subtitles.

The pacing is fine but uneven. The switches from the Tan/Oil story to the Tin/Sea story makes it feel like I'm watching two different series without being able to finish one before watching the other. As of Episode 8, the series still gives the impression that it can be salvaged. Unfortunately, by Episode 11, one gets the sense that the ending (Episode 12) is going to be very rushed if the series is even going to have something that resembles a proper ending. Episode 11 focuses solely on Tan and Oil, so we are left in the middle of nowhere when it comes to Tin and Sea, after seeing the cute scene of Tin trying to do something to cheer Sea up.)

With a title like "Friend Forever" (or "Friends Forever depending on the translation), one may wonder if there is going to be an awful ending in which everyone just remains friends. Thankfully it doesn't have such an ending. However, the happy ending for multiple couples just happen out of nowhere, which makes the ending really abrupt and bizarre. It's like a student submitting an exam essay that suddenly skips to the conclusion because he has made too many irrelevant digressions to elaborate on his main points within the time limit.

The series goes downhill about halfway through, particularly in the last 4 episodes. It is a waste of actors and characters who show promise at the start. Though the unnecessary ambiguity and complexity of emotions prove to be too challenging for him, Leo (who acts as Tan) has been able to carry off his role well for most of the episodes, successfully showing the propensity for the character to appear more cold than he really is, his innocence and hidden insecurities well. Tai, who plays Oil also pretty much conveys the character's slight girlishness and playful streak quite well. Heart and Bank may have less interesting roles as Tin and Sea, but they are really good looking actors whom audiences won't mind seeing. I have never seen someone looking as adorable as Tin while trying to suppress a smile (Episode 6), lol.

This is actually a fairly promising series that would probably have benefitted from a bigger budget and a more experienced team. I remember reading somewhere that it is directed by the same director who directed Love Sick, its sequel and its spinoff, Thank God It's Friday. Perhaps the team really needs a series with as many episodes as Love Sick 2 to do more justice to the material. Friend(s) Forever is better than the rather insipid Thank God It's Friday (though the latter is somewhat more focused and coherent).

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Not an average "sickness plot" movie!

This movie is outstanding. I didn't expect it to be this good. I thought it will be just those average Japanese movie where the female lead sick and stuff.. maybe this will be like Ishuukan Friends, as their main plot are Amnesia.

BUT IT IS NOT

Before I talk about the plot, let's talk about other things.
Don't worry I won't spoil anything especially the plot because it's more enjoyable when you know nothing. You're welcome.


This movie is aesthetically pleasing. Every scene is beautiful. The soft colours and how the sun shine through, it's really fit the concept and story.
The music is really good, but nothing special in my opinion.
The cast is perfect, especially the trio. They reprised the role perfectly. I don't think I should talk about both main leads, they did perfectly, a really cute couple. But I don't expect much from Izumi-chan yet she "stole" the show. Finally someone do justice to the couple's friend lol
I cried twice and one of them was because Izumi-chan's scene.

Now the plot, this is what makes this movie is not an average Japanese movie with sick lead.
The plot dynamic is perfect. Not boring at all despite it's slow pace. I love how it's actually a flashback, and being told simultaneously between Maori, Izumi, and Tooru. I also love how this movie bring up Tooru's family problem in a very neat way. This movie catch me off guards with the plot twist, it has been a long time since I cried because a movie! I just cried twice lol
Comparing with the trailer, I really love that it doesn't give any spoiler and no one would know what's coming. The 3 rules of Tooru and Maori relationship mentioned but finally explained at the end of the movie.
The explanation about memories and the system is really make sense too, I'm not an expert but it's not cliché and not romanticized the problem here. This is really matter when a movie, drama, or whatever it is took a plot about any kind of sickness.
As expected from a novel adaptated movie.

Now I'm not surprised with the fact about how successfull this movie even in South Korea.
So proud of my baby Micchie! (Yes, I actually watch it because of him)

Lastly, I hope Netflix could pick this movie for their platform! This movie fit Netflix style... and of course I would like to let everyone in this world enjoy this movie and know that Japanese movie is really good lol

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Who knew that road construction could make for compelling drama? Or boilers? Or building permits? It is a testament to the skill of the Giant production team that they are able to turn such seemingly mundane matters into taut, dynamic story arcs. While Giant draws on plenty of tricks from the melodrama playbook, it’s distinguished by its complex characters, sharp writing and an extraordinary ensemble cast.

The writing is a bit sketchy in the initial episodes, with extra servings of trauma and some odd lapses in logic. However, the child actors are terrific (why hello, future stars!), and they morph into equally terrific adult actors. The male characters are particularly nuanced, as we watch two generations struggle to drag themselves and their country out of dire poverty. It isn’t always pretty, and I appreciated the show’s willingness to give all of its characters dark edges, especially since it’s equally willing to give them all moments of insight and grace. The female characters initially tend towards angelic but dim or shrewish and evil, but they also become more complex as the show progresses.

Keeping a 60 episode show engaging is no easy task, and Giant does it with sophistication, style and humanity. It has plenty of “big” moments, but it never forgets that even the most ordinary activities can be dramatic. It finds poetry in mud flats and rock piles, and in the rough-edged men fighting to build a nation from them at any cost.

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