Rough path with some sweetness and the ending that lost focus…
A Shoulder to Cry On delivered quite a few good messages that would resonate with teens and young adults, and even a few lessons that can change the perspective of the adults, as long as they are willing to think about these topics after the episodes end. A nice step into a different direction in a well known high school set up.That said, is this truly the deep and complex psychological story as some people claim it to be? Depends on what you compare it to. It’s not as sweet and silly as many high school and university BLs, and there is an attempt to add layers to the characters, especially on Tae Hyun’s side. So compared to other K-BLs, one could see it as something more. If you look at it in a broader manner, sadly it’s just another enemy to lovers trope with trauma as a cherry on top.
Yes, it does tackle some serious and important topics like childhood trauma, lack of emotional support, repressed feelings, guilt, resentment, forgiveness. Yet, all on surface level. It’s like a weather talk - just a starter for the conversation.
I think the biggest disappointment for me comes from how black and white they tried to present really complex situations and how fast they moved away from them without truly putting time and effort to give a proper resolution, which was especially obvious in the last two episodes. How to put it… it lacked nuance. It made me feel like the production team does not trust the audience to handle difficult topics so they made them as approachable and simple as possible. God forbid someone finishes an episode with conflicted feelings about the characters.
Personally, my favorite part of the plot was Da Yeol’s doubts about his path. It’s an issue most young people resonate with and many adults still struggle with. It was best written, paced and concluded part of the story and I wish the drama focused on it a little bit more.
Then we have the acting, which was fine during the teen daily life scenes, and questionable at best during the emotional scenes. There were a few moments I could see Shin Ye Chan tried to convey strong emotions, but it just did not translate on screen. Similar issues happened with more “heart wrenching” scenes from Kim Jae Han. Realistically speaking, for debut roles, these were quite challenging, so I’m; not exactly surprised by the end product.
Undoubtedly the production was a massive improvement compared to other short k-bls. Longer episodes allowed the story to have a more even pacing without too many things being painfully rushed (putting aside the final conclusions). While it still lacks in comparison to mainstream dramas, it’s on par with other web dramas, which is far better than what we’ve got until this point from Korean BLs.
Improvement from makeup artists needed though.
Overall, it’s great to see a longer format and I’m glad it was given to a story with an actual plot that at least attempted something more than “sweet teen romance”.
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The Ten Commandments of TBL
These are the commandments that have been handed down to us by the gods of Taiwanese BLs. They shall be the commandments by which any present and all future TBLs may be judged.1. Thou shalt violate an apparent taboo. So it is that a stepbrother may lie in the Biblical sense with another stepbrother, or a stepfather with a stepson, or a teacher with a student. But a real taboo, thou shalt violate not. For it is a sin. Our purpose here is titillation, not transgression.
2. Thou shalt not utter the word ‘gay’. For it is a sin. Thou mayst love another man, but if anyone shall ask of thee if thou dost, thou mayst answer, “I like not men, I like only you.”
3. Thou shalt always include more than one same-sex couple. For it is the law. The number assigned to thee is two. One is too little, for it adheres too close to the earthly realm; three too much, for it adheres too close to the realm of Thai BL.
4. Employ thou a verily bright colour saturation in thy film, to mask the limitations of thy capital and thy cinematographer.
5. Apply thou, always, a verily thick, sweet, intrusive, and insistent music over thy graven images, to mask the limitations of thy talent and thy words. Drown out all the tender and vital moments of thy show with melodies made by AutoTune Pro, and lyrics conjured by Google Translate.
6. Remember thou that there exist only three acceptable settings for a TBL: a school, a university, and a criminal enterprise (the Lord doth favour the mafia). For these do encompass all of life. Thou mayst aim for complexity by leavening one of the first two settings with the third. Leviticus doth indeed condemn leavening, but it is not prohibited by the gods of BL.
7. Thou shalt have no balance. Remember thou that men must fall over and into each other at every step, puddle, path, street, game, instrument, opportunity, or obstacle in existence. This, and this alone, shall be the occasion for their first kiss. The said kiss may be accidental, forced, or incite a wide-eyed surprise. But a loving nor sensual kiss it may not be.
8. Thou shalt depict at least one instance of fornication in thy tale. Or two, if thou hast taken care enough to inscribe a story for the second(ary) couple. But the act shall not unfold until the penultimate chapter. Thou shalt tease thy viewers for ten long hours, and grant them gratification for ten short seconds, which to most shall be proof positive that Moses was heterosexual. Thou mayst inflict additional torture upon thy viewers by interrupting the said gratification with deafening music and wanton cuts.
9. Thou shalt choose from the following any number of ornaments to embellish thy tale: gentle wiping of the lips (for there is a general want of raiment in our kingdom), gentle forehead kiss, gentle lock-of-hair restoration, gentle somnolent confession, a gentle fever, a gentle towel bath for said fever, a gentle pour-over coffee, a gentle post-modern coffee-shop to house that coffee, and forget not thou, a not-so-gentle last-minute conflict, a forced separation, or a wandering to parts abroad wherein shall cease all modern communication. If imagination thou lackst, thou mayst construct a story from these elements alone.
10. Thou shalt by no means indicate homophobia in thy tale, unless it furthereth thy plot and our cynical purpose. Friends and family shall be universally supportive, unless it force a separation between thy characters. (Parents and spouses shall be left otherwise dead, be it from accident or ailment, to anoint the show with cheap sentiment.) Remember thou, always, that this is a world of pandering fantasy, not reality.
Biblical Proportions:
Commandments Broken: 8 (partly).
Commandments Obeyed: 1, 2, 3, 4, 5, 6, 7 (again and again and again), 9, 10.
Observations:
Well, this one is for the books. Every TBL commandment was kept to the letter, except, in small part, for the 8th, and that too only because the love scene between the teacher and student came so early. But then, that scene was so badly done that I wonder if the commandment was broken after all.
There is no writing in this show to speak of, no script, no real story-telling, no serious attempt at characterisation. Nothing. Just the loose outlines of an imaginary BL... The experience of watching this show is something akin to ordering a small package on Amazon. You order a simple toothbrush, and are shocked to find, the next day, a huge cardboard box sitting at your door step, only to realise that, when you open it, there are 7 smaller boxes inside, each stuffed with shredded paper and bubblewrap. By the time you get to the final box, you forget what you ordered, what has arrived, and what you were looking for. You just know there is a huge mess to clean up, and that a lot of trees have given up their lives for it.
The men are beautiful, two of them quite sexy, and for that reason, I gave 'casting' a 5. If any of the actors start *acting*, someone please let me know. I'll be sleeping in the back.
There will be, I imagine, a lot of hand-wringing and pearl-clutching about the teacher-student relationship. But, as the first commandment states, this is just an apparent taboo. No trust has been broken, no consent violated. The age gap is dimunitive, the "teaching" is more like tutoring (lasting a mere few weeks), and both men are above the age of consent. There are no interesting or troubling power dynamics at play here. Nothing to be outraged about. It's just dull.
Finally, for fucks' sake, just say it. It's not the fucking plague. And we are not in Florida.. So say it. Yu Xing is gay. Come, say it with me: "gay". See? The world didn't fall apart.
Verdict:
This is a dreadful show. It might even be one of the worst BLs to come out of Taiwan. Avoid it. Avoid it like radioactive waste.
Reader's Digest:
DO SAY: Blessed Art Thou, O Lord
DON'T SAY: That Don't Impress Me Much
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That was bad.
I think everyone here was in the same boat, wondering why on earth we were watching this, and yet we did. For me, it was about the discussion section, which was far more entertaining than the series. This wasn't the worst BL I've ever seen, but it was the most boring and pointless.I'll start with negatives and end on positives, if I can think of any.
- There was no plot. None. Nothing happened the entire season. Well, one thing happened, but I'm putting it under positives.
- Even given there was no plot, the writing was truly terrible. Nothing really made sense. Like Kit and Mark practicing to be apart for almost the entire season. If there was a reason why anyone was watching this, I imagine it was MarKit, and we got almost none of them. There's an episode where a third of the runtime is taken up by a discussion about putting on a play. Not an actual play, but discussing the details of a production, like how the props would be done, and who would play which characters. Much of the rest of the episode was people texting each other. Riveting.
- The main character, Wayu, is the most useless person imaginable. He doesn't do anything, can't do anything, and he has no agency. He's everything wrong with the seme-uke dynamic.
- The romances were so tame that most viewers have likely had racier relationships in primary school. They are nauseatingly saccharine and totally passionless. The only moment of heat the entire season was when Pok attacked Tong in the shower.
- Sandee was criminally underused. Bank was easily the best actor in this, and by the end of the series even he'd given up.
- Big, who plays Pha, never once took off his shirt, and that bod needs to be shared. You'd think laying in a hospital bed for an entire season that someone would give him a sponge bath at some point. Speaking of which, why would you bother to have a character that does absolutely nothing but lie in a hospital bed for an entire season? Although I'm not complaining because his death, funeral, and tombstone are 95% of what's good about this series.
Positives:
- Bank as Sandee. The way he can pack malice into a subtle look, or mischief, loneliness, or all of the above made for a character that much of the audience was cheering on, and he was the villain out to destroy everyone. Sadly, he failed.
- There were things in here that were so bad that they were good. Kit and Wayu go to see Pha at the hospital. and as they arrive, his crying mother is exiting the room, and she says "he's gone! (i.e. dead)". So the boys go in and have a conversation with Pha, who has either resurrected, or he had been asleep and his mother just assumed he was dead and didn't bother to check. It's a good thing they're Christians and didn't have him cremated prematurely.
When he did kick the bucket, his funeral involved plopping onto a lawn a tiny casket that might possibly fit a small child, which suggests they had Pha dismembered and stuffed into it. I guess Pha's mother was on a budget and decided to forego gravediggers. She also didn't attend the funeral. That along with her apparent indifference to whether or not he was dead at any given moment created the impression she didn't much care for him.
In a later episode, it appears that wild animals dragged off the coffin as they are wont to do (which is why you need grave diggers), and in its place was the most hysterically funny tombstone you will ever see. That sounds exaggerated, I know. But it was. I couldn't tell if it was a novelty cake or made of styrofoam, except whatever production assistant made it accidentally ran over it with his car and tried to tape it together or something.
Story: 1 - There isn't one.
Acting: 5 - I hate to criticize actors, but none of them except Bank (Sandee) put in a good performance. I think it was probably terrible directing, because I've seen some of these guys do good work elsewhere. But here the directions seems to have been "keep your face and voice as blank as possible, pause for ten seconds between every phrase you speak, and always move unnecessarily slowly."
Music: 1 - you will want to smash things listening to that same two bars of music over and over for 12 episodes.
Rewatch Value: 1 - forget the gun to the head - you'd have to threaten to nuke a country to get me to watch this again. Except the funeral scene. That I could watch again.
Overall: 3. The suggested was 2, but a score that low would have to be for something aggressively awful, instead of passively awful like this series.
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Ok, when I first watched Kiss, I mainly watched for Pete and Kao, and got nothing. Then I watched Kiss Me Again, cause I wanted Pete and Kao. I could care less for Sandee's sisters and their love stories. And when I found out about this, I put it off until I saw it was almost finished. I watched a few episodes and fell off a bit because of watching too many things at once. However, I went through it thoroughly after binge watching it. If you sit down and watch it all at once, it's great. It's amazing. The only thing I didn't like was how possessive Pete can get with Kao. I get it he's your boyfriend, but like don't make it that obvious. Also, the fact that the gang "didn't know" about Pete and Kao, when Sandee revealed their relationship in Kiss the Series. What? You all knew this.
Non. This little f***er. I get your dad doesn't treat you well, but wtf. Classic teenager, lying about how things happened and someone ends up hurt.
Sun and Mork. MY LOVES. I wish they had the series all to themselves at one point. Nothing between them felt forced whatsoever. It was a gradual love. A hate to love, which in my opinion, is the best kind. Also, all of the little things Sun did for him, trying to not get caught in the process, was too cute for my heart to handle.
My mood needed this after watching HIStory3, so thank you.
And I really want Sun and Mork to get their own series. Blue Sky Love or something like that. Black Forest Kiss. IDK something like that.
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- the male lead is NOT portrayed as a wealthy powerful man with whole of the universe revolving around him
- he is NOT someone who is chased by dozens of girls for his popularity
- the female lead is not negative minded and is really a positive minded person
- no character is obsessive or obusive
- NO CHARACTER is hatable.. i mean, eventhough u are annoyed the second male lead and the director for some eps, once u get to know them more, u will not hate them..
- no crazy annoying love triangle
-the second lead girl is NOT evil at all.. rather she is likable as episodes progress..
- Everyone has their own problems. They deal it in their own way..
- daebak chemistry between main couple
- not only the chemistry, gang doo's relation with his granny, noona, little sister, sangman etc were amazingly portrayed..
- the love story between the webtoon writer&artist, director&noona, they were well written..
- the ending concentrated on all characters life that was amazing..
- TOTALLY THIS DRAMA WAS PORTRAYED IN A REALISTIC MANNER.. it takes through many emotions..
This drama has many amazing quotes too.. Most lovable drama and i am sure u will fall in love with junhoo at end..
Finally the drama is daebak and it breaks off all cliches of kdramas..
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Q10 is surreal, poetic, highly amusing, thought-provoking and surprising . It's brilliantly acted too, which adds to its delicious oddity. It doesn't have even one unpleasant character: they are all very weird and very human, at times histerically hilarious and at others wonderfully deep.
I'm not sure whom I would recommend this drama to; however, I'm certain it won't do for those looking for a rom-com, for an uncomplicated plot, for simple entertainment, for shine or for glamour. The one and only requisite to approach it, is to do so with an open mind. If you believe that people have each their own sound, that calling for help loud enough will make somebody come to the rescue, that death is just a way of thinking and that you achieve a goal because you want and not because you can, then "kiuto" is for you.
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The best Multi-Leads Chinese Drama Ever!
This is my first time writing a full review here on MDL, and this drama absolutely deserves it. First of all, I started watching it right in the middle of its hate train because—what do you mean it’s getting so much hate when I genuinely enjoyed the first few episodes? It’s one of the very few dramas where I actually liked the opening episodes. It’s not boring, it’s not dull—it’s a romcom, and they did it so right!Pacing
Right from the first arc, they introduced us to the Li sisters and established the tone of the story. The backstory of the Li family—why there are only daughters and why they have a single mom—was explained well, with no glaring loopholes. Then, just a few episodes in, the two leads got married. I was shocked. Like, why did they get married so fast? Is the angst coming? But I was even more surprised when the focus suddenly shifted to the 1st sister. That’s when I started piecing everything together—this drama isn’t just about one couple; it has multiple storylines between different leads. Since I didn’t check the plot beforehand, I was confused at first, but honestly? It made me so happy! I was excited to see how the rest of the sisters’ stories would unfold. Overall, the pacing was great—every lead had enough screentime, and everyone felt equal.
Storylines & Character Dynamics
Each couple had their own unique storyline:
1st couple – The noble introverts
2nd couple – The chaotic duo
3rd couple – The scheming masterminds
4th couple – The cold husband and cutie wife + amnesia plot
5th couple – Enemies-to-lovers
Brother’s story – Childhood lovers
This variety in plots made each couple stand out, which is why I never felt like there was a main couple. Instead, it truly felt like a story about a whole family, where everyone was equally important.
The Li Family – Best Family in C-Drama?
Speaking of family, I love the Li family. Honestly, they might be the best family I’ve seen in a C-drama. The bond between the sisters, their mother’s strength, and even their relationships with their in-laws felt heartwarming and genuine.
Production, Acting & Overall Experience
The acting was fantastic—I could feel my blood boiling whenever the villains appeared, but I also found myself giggling at all the sweet moments. The comedic timing was on point, the production quality was solid, and the entire ambiance of the drama was just chef’s kiss.
Rewatch Value? 100%!
I would rewatch this over and over again, just to catch all the subtle interactions between the leads and appreciate the details I might have missed the first time.
Overall Rating: 9.5/10
If you love romcoms with strong family dynamics, engaging storylines, and well-developed characters, then this drama is a must-watch.
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More than a remake. Delicate timbre. Powerful. Reckoning with the void of a luxury-branded world
"Pale Moon" develops a particularly delicate timbre. Fine personality portraits, none of them smooth and pore-deep clean, but rather inwardly crumpled people with dreams and weaknesses, people who sometimes make questionable decisions, who don't stick to the rules, who succumb to the temptation to take the chance to realize their dreams.A little 'noir' here and there. In any case, emotionally dense. Unexcitedly emotional. Quiet and yet powerful.
The KDrama is based on a Japanese Original (Mitsuyo Kakuta), which was successful as a series and movie, too. This is now a South Korean remake. Apparently, Kim Seo-hyung was immediately (after she saw the original in 2015) determined to play the female lead in any potential South Korean remake. You can tell, she is breathing her role.
The original novel is about the embezzlement of bank funds as actually happened in Japan. In South Korea, the list of embezzlement in billions is also long and the remake is accordingly well placed.
However, the South Korean remake is about more than misappropriation of wealth on a large scale. This is generally about lies, deceit and deception - even on a smaller, manageable, interpersonal level. However, it is also about human vulnerability, the cracks in the facade.
The story unfolds against the background of unstoppable consumption - a veritable frenzy of consumption that has long since left any connection or grounding behind. A life-style in a parallel world, that only a few can really afford. This world of luxury, which initially seems appealing, develops an intoxicating, addictive character and ultimately catapults itself into the void. What remains when the lover equips the lover with the designer goods from head to toe, from the car to the house including the interior and the laptop, too? Alert, alert: the luxurious world of matter - initially well camouflaged as the lifestyle of your dreams - becomes an ugly parasite that feeds on substantial emotions, liveliness and passion, but in the end leaves nothing behind...
In the field of tension between the dreary normality of a boring everyday life that is perhaps pimped out on the outside, but emotionally rather empty, almost everyone here is willing to deviate from the path of virtue in order to get a piece of the promisingly dazzling consumer cake.
Nevertheless, the story also tells of the sincere moments of perception and recognition of unsightly vulnerability. These are the moments when sincere encounter happens to become possible. On the outside, these are not the nice, shiny TaDa moments, but on the inside they provide light and warmth, they nourish the soul, like water making flowers bloom. Moments that cannot be bought with money. Moments that are among the most worthless in the dazzling world of consumption, shunned, despised, marginalized, excluded.
In this way, "Paper Moon" is an intelligent approach of reckoning with the consumer-driven social reality in which 'appearance' takes the place of 'being'. Quietly and constantly the KDrama is reminiscent of the basic in human, which has nothing to do with staged perfection, but rather with irrational impulses and irreconcilable paradox. At most, beauty in ´being human´ unfolds when weaknesses become strengths, when ruptures make the whole, when betrayal opens the door to freedom, when loss becomes the gate to abundance, when I find myself by losing myself, etc.
Since we are all human, we can remember (that we are like that too) and empathize and accept ourselves (and others!) even in our (their) 'ugliness', 'despair' and 'failure'. That makes life truly valuable and remains as a valuable experience, even if any material value has long since disappeared.
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SIDE NOTE: -------- 'Paper Moon' vs. 'Pale Moon' ----------
The original title "Paper Moon" was for the international title particularly changed from "Paper Moon" to "Pale Moon" in order to create a certain degree of selectivity from the Japanese original. The story may be remade, but it's retold in characteristic korean-style. Successfully so. And if you like, the changed nuance in the title already testifies to a finely nuanced, additional facet within the KDrama production.
The term "PAPER MOON" refers to a fake, oversized crescent made of cardboard, which became fashionable at the time, with the advent of photography, as a specific variant of (cheap but effective) portrait background. At fairs, etc., photographers as a special gag offered the cheerful visitors unforgettable portrait photography in front of an artificial crescent moon made of cardboard. The happy couples (but also everyone else who had their picture taken) floated optically above the clouds, removed from everyday life, yet oh so close to the (artificially fake) sky... A reMINDer, documenting a very special moment.
Since then, the meaning of the ´paper moon´ generally refers to an object with the help of which a void is filled with fictitious, purely optically reality – a make believe. However, the emptiness is still there. The symbol, enriched with meaning, inspired many a great work. One of them is the piece of music "It's only a Paper Moon" (originally "If you believed in me"), which summarizes the basic idea or the basic feeling in a striking way - as a tightrope walk between hope and hopelessness...
"Say, it's only a paper moon
Sailing over a cardboard sea
But it wouldn't be make-believe
If you believed in me
Yes, it's only a canvas sky
Hanging over a muslin tree
But it wouldn't be make-believe
If you believed in me
Without your love
It's a honky tonk parade
Without your love
It's a melody played in a penny arcade
It's a Barnum and Bailey world (=circus attraction)
Just as phony as it can be
But it wouldn't be make-believe
If you believe in me"
...The unreal reality, the deception, the lie, all of this could be true if only one can convince the others that it is so.
"PALE MOON" on the other hand refers more to the real, pale (full) moon in the night sky, which is repeatedly staged in this KDrama. It's not dazzling like the radiant, all-illuminating, blinding sun, and not loud and spectacular like fireworks, (and not as big and dominant next to me as a paper crescent moon). The pale (full) moon only shimmers in the dark hours of the day. It may light the way and also cast shadows, yet from my perspective it is just tiny and far away.
Nevertheless, despite appearing almost fragile and delicate, is solidly stands there like a vague, quiet, soothing reminder of something truly beautiful and valuable. Something that is there repeatedly, with beautiful regularity - remaining, just being, no matter what. Something to relate to. Far away it may be, yet emotionally quite substantial - and thus close to the HEART.
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Story-10
The story was a definite 10 for me! I just loved the romance a lot and the love scenes were defiantly super cute!!! The chemistry between the two make me hope that they are a couple off-screen as well! In all honesty, this was defiantly better than the remake.....and the story affirmed that for me! The story has an equilibrium between the romance and comedy which is actually quite tricky to master...but they managed to pull it of exquisitely!
Acting/Cast-10
I absolutely loved the actors and actresses! They suited their roles perfectly! I absolutely loved the chemistry between the two! I will defiantly be watching more of their dramas in the future! The actress does a very good job at pulling off Aom-am's character and the actor also does a very good job when acting as Mike.
Ultimately, the acting was a great plus-it wasn't fake nor was it uninteresting! It seemed realistic and thats why i absolutely loved the show!
Music-9
The music was really good-the only thing i wanted was another song because the same song would of been played at least 2-3 times during a single episode.....however I liked the song and it was cute because the pair actually sang the song themselves :)
Overall-9.5
I loved this drama soooo much and it has been so long since I have encountered a really good rom/com!!! I highly recommend this to anyone in search of a good laugh and 'aww' moments!
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My heart was felt pounding for entirely different reasons:
- The growth of the characters
- The pure and honest depth of the story
- A sense of warming accomplishment communicated by the great acting
With a very easy to follow story that's both believable and motivating, completed by relatable, developing characters whose interactions with each other made me both cry and then grin, Page Turner encapsulates everything a short drama should be.
The story feels mostly predictable but there are certainly twists and surprises! The music is of course fantastic. The acting, I expected no less! And I'd certainly rewatch the whole thing again at some point just to get those butterflies again *cough*andwatchaperkyJiSooagain*cough*. It was a great ride. But be warned, the ending may not be all that you expect it to be.
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A Delightful Sweet Fluffy Romance
If you want a romance that is sweet from the beginning till the end, this is it. Since their first meeting in episode 1, our main couple holds hands, sleeps together and hardly gets separated. There’re hardly any moments they are not together, and when they are not, they miss each other dearly and cannot wait to get back into each other’s arms again. This drama is easy to watch with very little angst though the last few episodes become rather tensed. All the characters are lovable, an antagonist that is revealed from the beginning, and an ending everyone loves.Ji Dinglan (Wang Xingyue) is a prince born with no taste buds nor emotions. He cannot feel pain, happiness nor sadness. No one knows about his condition because if exposed, he is deemed a demon and would be persecuted. He becomes a hermit, changes his name to Mo Qingchen (meaning strange light dust), and lives far away from the palace and everyone else. When he accidentally touches Lin Chi (Bu Guanjin), all his senses come back temporarily. For the first time in his life, he experiences a new world which he has never known before. Since then, he attaches himself to Lin Chi and they quickly fall in love and inseparable from each other. They also realize they can transfer their power to and fro via each other’s tears. Lurking under this romance is Ji Dinglan’s ambitious and vindictive half-brother, Ji Dingyue (Nie Zihao). Time and time again he tries to expose Mo Qingchen’s secret, and he tries to hurt the couple to achieve his goal. Again and again he fails because of the unyielding love and devotion Mo Qingchen has for Lin Chi and she him; both do not hesitate to sacrifice for the other.
I have watched some of Wang Xingyue's previous dramas and find him an excellent actor. This drama is his first drama as a main lead, and his acting here is believable and again outstanding. At the tender age of 19, Wang Xingyue has a chisel good look and mature in his demeanor. He has a great potential ahead of him. Bu Guanjin on the other hand is a lot older than Wang Xingyue, but the pairing doesn’t look awkward because the couple has great chemistry together. Her acting is natural without trying too hard making the Lin Chi character very lovable. As with most young actors, Wang Xingyue is not stingy with his kisses. Nie Zihao has been acting as antagonists for several dramas I have watched. He has a very good-looking face with a sliver of hideousness in it and he is perfect for this tormented role as Ji Dingyue whom I’ve come to empathize. His acting here is applaudable.
I like the second couple and all the side characters. The acting by the whole cast is solid with an intact script and commendable editing. The background props look authentic and the costumes are carefully designed and made. The official soundtracks are some of the most impressive ballads in recent historical dramas.
My Verdict
This is such a delightful drama that has a very clear plot with very few visible plot holes or flaws. The flow is good and the pace is on spot. Despite the couple spending a lot of time conveying their love and admiration for each other, this doesn’t feel draggy because there are other things happening simultaneously. The acting is solid by the whole cast. The comedy is light and dialogues are humorous. Though rather predictable, I find this drama a great de-stressor that gives us a make-believe world that perhaps such love and devotion do exist. If you’re a romance buff and want something easy to watch with no angst, this is it. This is a story well told and deserves a bravo!
Don't miss it!
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Cheesy? Damn right.
Shameless bromance? Hell yes! I wouldn't miss a single moment of it.
This is one of those brainless, binge worthy dramas. It doesn't take itself too seriously and makes the most of its cheesiness. The many ways the hero tried to ingratiate himself with the dark lord had me rolling my eyes while laughing like a hyena. I love all the characters: From the dark lord's venomous foster brother to the hero's slightly dense senior brothers. From the sassy servant girl to the foxy courtesan. They are a hoot to watch in action.
Their hilarious absurdity aside. The drama pleasantly surprised me with its fighting scenes. They are pretty decent and I can honestly say this is a wuxia drama (comedy) and not a wuxia wannabe.
If you have a couple hours to kill and just want a lighthearted drama that gives you good belly laughs now and then, this is the drama to watch.
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A worthwhile watch!
Leave behind your judgements for a while and give this series a chance. It is not what you think whatsoever!Zhang Yi Xiang is a 17 going on 18 year old high school student who is known to be a bit of a spoilt brat. Xie Shu Fen is his mother and a helicopter parent. She is also the chairwoman of their school and thus a very influential person when it comes to the school's decision making and manages to get her son out of trouble every time. Chen Meng Yun is her son's teacher and a new hire. Yi Xiang takes a sudden interest for his teacher and creates problems for her by crossing the line however she discovers that he is acting out at school mainly because of his overbearing mother and is actually helpful towards his peers.
There is a lot to love about this drama. Although it appears like an inappropriate relationship, it is not because of the teacher's direct actions. There are a lot of unexpected plot twists and a whole mystery subplot that makes this series a brilliant and exciting watch. The series also deals with relationships of children with their parents and the stress of parents in trying to help their children do their best.
The show has a decent pace that keeps you engaged. Each actor did a wonderful job at portraying their characters. The chemistry between the actors is good too.
One of the best aspects is the ending. Things are not always as they seem.
I hope that more viewers are able to give Lesson In Love a try and you might just discover something unique.
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script sat in the sun too long
Overall: The number of times I screamed "what is going on?" might have been a record. I was both bored and confused. Beautiful location and great actors were wasted with this nonsense plot. Watched on iQIYI.Content Warnings: suicidal ideation played as comedy, dub con kissing, held against will, manipulation, slap, drugging
What I Liked
- beautiful ocean side location/beach town
- cute intro but on the long side (3 minutes)
- Boun & Prem!!! It was fun to see actors from several different BL series together in this series
- the end of the boxing match was bizarre but cute
- the dads discussing love is love
- the outro with the behind the scenes footage
Room For Improvement
- too many couples, there were (I think) 4 and maybe one or two love triangles. This was just too many for six episodes.
- boring, 1/3 of episode 3 was getting down from a mountain, 5 full minutes of cleaning in episode 4
- confusing, there were several times where I just did not understand what on earth was going on, things just happened and we didn't get enough explanation. The most clear plot was the two boxers and they had about a minute per episode of screen time.
- nonsense things i.e. what was the dad's "plan"?, who leaves their (expensive) adult stuff lying all over a bedroom?, Arthid's elaborate plan instead of just...talking to him?
- some choppiness
- the comedy fell flat for me, the comedy sound effects didn't help
- that suicidal ideation was played as comedy
- the two trans/effeminate male characters played as slapstick comedy characters
- the red/orange hair and glasses weren't my favorite style (would have preferred tattoos/lip ring/etc) but I didn't take off points for it
- subtitle errors, but I didn't deduct points for them
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