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The Dew Best Story
This mini series, where to start; I was smiling at the sweet puppy love crush, Best was having throughout the series. The friends also made me smile, one of the best of friends to have really, except Dew's acquaintance cause that rat sure isnt a friend. Anyways, War's acting was amazing as always, tore at my heart and squeezed it when it needed to be and Yin improved as well, actually bawled when he did so yeah bring tissues along for your binge. Shame it wasn't longer to really show off their talents with a HEALTHY COUPLE's storyline. Loved the chemistry between the friends as well.As far as production goes, I was a little annoyed at the missing subs especially at a crucial part, luckily fans in the comments translated it but hope they fix it for the future watchers of the series, the cast deserves the best. Would I watch it again? Yes. It's my favorite YinWar series they've done. Gonna miss Dew and Best. Spin off for Ray and Dave seems possible from the hints of something going on throughout...or a second season would be great.
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Fascinating and disturbing
I already expected that I would have to say more positive things about this movie than the previous reviewers. Disclaimer: I feel like there might be several versions of the movie out there, I watched the official one on GagaOOLala.In short: I thought this movie was fascinating and somewhat disturbing, although not entirely satisfying.
Some background information on the movie would be helpful to better understand it. Sadly, I couldn’t find out a whole lot. I also don’t really know about the connections to “Bittersweet Chocolate”, as I have not seen that one. What I understood: the director wanted to pay tribute to classic Pink Films, a particular Japanese genre between art movie and porn. That’s also where the whole gangster/mafia background is derived from. Apart from some smaller Queer Film Festivals, the Movie had its probably most important screening at the Berlin Porn Film Festival, where they announced it as “probably one of this year’s most extreme movies” and explained that the director intended to portray a gay subculture obsessed with outdoor sex as well as a generation of women fascinated by gay sex. If anything, it can be derived from this background that the project was really ambitious. Most of it seems to have been done by the director himself in collaboration with his sister (?) and honestly, I am happy that there are talented actors like Gun Atthaphan out there willing to experiment with such projects, it really adds a lot.
Now, there are obviously things I did not like (or better: things I thought did not contribute in a positive way to the movie as a whole):
- The length. Two hours was way too long. If it had been filled with action (sex, torture, murder, whatever), I wouldn’t mind, but the overall pace of the movie was very slow. That is fine, but then you just need to cut it to a more digestible format. Many of the scenes could simply have been shortened, without cutting them completely, as they just went on for too long.
- The vagueness. By that I mean that there was a promising gangster story unfolding throughout the movie, but the hints given were too vague to understand it even in part. James and Mac had a talk about what? What deal did James and Cherry have? What happened to the drugs? Why did they keep Boy as a prisoner? The gang was dealing with drugs and offering sex work, but other than that the story did not explain any details.
- The character introductions. There were many interesting characters in the movie (and all actors were pretty good in their roles!), but the way they were introduced and how their screen time was split was really confusing. Gold Hair completely disappeared after the first scenes, James appeared rather randomly and Ladyboy and Big Boss were just thrown in somewhere.
But overall I did enjoy the movie. Positive aspects I would like to point out:
- The actors. As I said, they were all doing really well in their roles. Clearly, all of the characters had mental problems: Cherry was bipolar (and probably sexually frustrated), James a drug addict, Mac a BDSM addict, Boy was completely traumatised. I wish they had explored the Ladyboy and Gold Hair characters a bit more though. James got too little screen time, maybe because Gun did not agree to participate in more explicit scenes, but I really enjoyed his presence.
- The cinematography. The construction site was an amazing location for such a movie. The camera knew very well how to capture the scenery, both the buildings and the surrounding nature.
- The soundtrack. The strange drum beats during the explicit scenes and some interesting punk interludes fit very well with what was going on. The movie also wasn’t shy to work with long moments of silence.
- The story. Although I criticised its vagueness and its flawed character introductions, the overall messed-up story was fascinating. I think, with the few clear infos the audience receives, it can be condensed down to the fact that Mac was indebted with the mafia and worked for them as a prostitute. At the end he manages to quit and takes Boy with him, who he apparently fell for during his captivity, cutting ties also with the bad influence of his friend/partner (?) James. James probably kills Cherry for good and goes his own way (but he might also go after Mac and kill Boy as a witness of everything, who knows).
As I already said, I was not satisfied with the movie in the end. Less vagueness and better character introductions would have been great, and I also wouldn’t mind if it was even more “extreme” in some parts, that aspect wasn’t balanced very well. In any case, cutting it down to 90 minutes could work wonders. However, it is a movie that is ambitious, experimental, featuring good actors and giving a lot to think about. Definitely not for the mainstream, but I am thankful that such movies exist!
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First and Last May With You
처음과 마지막 5 월 당신과 함께This is a sweet love story, with no cringe and an unnecessary love triangle. I was waiting for this kind of drama that shows life in 1980. I love the 80's and 90's and I would have liked to live in that period.
The set, clothes, cars and even old buses, every scenery and the camera filter they used gave me the '80s vibe. Even if I am not girly, I am a tomboy like Soo Ryeon, I liked all of Myung Hee's outfits and Soo Ryeon dress at the Engagement Ceremony. Ah and because I am a tomboy I loved Hee Tae and Soo Chan outfit too.
And all 31 instrumental soundtracks and those 10 songs with their touching lyrics fit Perfect the story.
Some of them made you smile when was sweet moments, some made you laugh when were funny moments, some made you feel scared and anxious and not forget about the songs that made you cry.
I LOVE the main characters. And Go Min Si and Lee Do Hyun are my favourite actors, actually i have many favourite actors but they are one of them.
First, let's start with HeeTae and MyungHee. Well, this is what I call An Outstanding Chemistry.
They are the definition of Good Chemistry.
They are just perfect on screen. I love their relationship development, it wasn't rushed and everything had its time.
Little by little they got to know each other and fell in love.
Now let's pay attention to their little brothers.
Myung Soo and Jung Tae their relationship weren't that great at the beginning but eventually, they got closer.
I liked the moment when the other kids were making fun of Myung Soo's father because he was limping and Jung Tae punched that guy. I felt so bad for Myung Soo is not easy to watch other kids making fun of your own parents. I guess that is where they started a friendship. And Jung Tae in the present day because of the unexpected incident in the past he was limping too. They didn't show it but I guess that they remained friends. Cause Jung Tae was the first to find out that Myung Hee was found.
I have another 2 more characters that I love
Soo Ryeon even if she is a bit selfish, I liked that she wasn't bothered that HeeTae and MyungHee loved each other. The only reason she wanted to get married to him is because of her father's company.
Soo Chan - he is the definition of a loyal friend that despite liking MyungHee he gave up and wasn't the villain that we all hate. He understood that MyungHee does not belong to him. Even if he was at first a bit disappointed that she wasn't wearing the shoes that he bought for her. But after seeing her happy with HeeTae he just let his feelings to cool down and remain friends.
To be frank, I thought that he will be a villain, but seeing him next to the hurt people and trying to help them changed my opinion about him to 180° from -100 to +100.
Kyung Soo is HeeTae's friend and the soldier that helped Myung Soo to run away. I loved the moment when he shot in the air and told MyungSoo to run away. Pretending that he shot him.
And also he is the last person that saw MyungHee and he is the old person at the train station.
There is a lot to say about the characters but all character shines when the plot is Strong and Interesting.
I loved the love story with strong and touching words in their dialogues. The dialogues made you smile laugh and cry.
Even if it's not the ending that I wanted, I still love the ending.
Even if this love story is not based on a real one, but I think that MyungHee and HeeTae's love story portrayed the love story of many people that had the same tragic final.
Their first and last May together was May 1980.
One thing that hit me hard is when in the present days HeeTae said
"The 41st May when you finally returned"
That just broke my heart, i burst into tears.
Youth Of May sounds beautiful, romantic, sweet, lovely and very sad.
MyungHee died but HeeTae suffered in their YOUTH OF MAY
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A story about two real humans!
Watch this film was a mix of feelings. This movie is about - without spoiler of course - two teenagers who are discovering themselves as homosexuals.In my opinion‚ this film is a masterpiece. It is well-written‚ well-directed‚ everything was perfect.
As I said: This is a story about two real humans and‚ as humans‚ there are pain‚ suffering‚ tears. However‚ there are happiness, desire - in a sexual meaning - and a happy ending after all the pain and suffering.
It was an awesome, amazing and great experience watch this masterpiece.
* This is my first review in English (I'm brazilian)
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Story:
The story is simply stunning, exceptionally well written, well-constructed characters with very human and powerful conflicts. It's different from other kdramas because, although there is a forbidden romance, what is really striking is how it shows the strength of family ties through many souls who can't find happiness because they are tormented by the past (and here, the past is represented by the piano).
To recapitulate. An incompetent former mobster, who has just found out that he has a son, marries a single mother. A few years later when the woman dies in an accident, the stepchildren hate as much the stepfather as one of them ignores him and the other is given to low life almost like revenge.
Thus in this story no one is willing to forgive: the stepchildren don't forgive the stepfather, the stepfather not forgive himself and the stepfather's son can't forgive himself for loving his stepsister. The only one who seems to be happy is the last daughter, who while filled with light the family, at the same time turns out to be the guilty to make the lovers' romance impossible.
Acting:
Absolutely outstanding performances. If I had never seen this drama, I would never have known that Korea also has its Al Pacino and it's called Jo Jae Hyeon. I take my hat off to his talent. On the other hand, I had never seen any work of Jo In Sung, but surely if you see this drama you will never see him in the same way. Most of the time he is covered with wounds and blood, hating his life and his stepfather. His performance is just extraordinary.
OST:
I started watching this show because I listened "Spring days of my life" by CAN, one of the most memorable songs in Korea. In the videoclip they showed scenes of the drama and so I decided to see it. Apart from this popular song, the OST is really very original.
To end. This drama is full of homesickness and teaches us that we never reach happiness without forgiveness. The stepson never understand the love and good intentions of his clumsy stepfather until he discovers how much he can love a child that is not his. Beautiful reflection and sample of how life turns on a dime. Deep message that leaves you thinking how ironic we are as human beings. Furthermore, most likely you'll end up with a fervent desire to learn to play piano.
1000% recommended!
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Une psycopathe, un génie et 3 vœux...
“Genie, Make a Wish”, c’est le genre de drama où le destin décide de s’amuser un peu avec toi. Ka-young est une femme aussi belle que glaciale, quu croise la route d’un génie 🧞♂️ pas du tout cliché. Il est blasé, un peu sombre et traversé part une lassitude millénaire, il teste les humains pour se libérer de sa condition 😮💨✨. C’est le genre d’histoire qui te murmure : “Et toi, tu ferais quel vœu ?!?” 💭🥺Woo Bin en génie, un peu sombre mais traversé d’une douceur inattendue, c’est une vraie masterclass 👌🏻. Il a ce truc de mec à la fois divin et paumé, comme déjà dit on sent la lassitude 😮💨, mais quand il laisse tomber le masque… ouf !!! Le charisme qu’il dégage, c’est presque indécent 🌶️
Et Suzy… wow. Elle m’a scotchée 😳. Ce rôle à la frontière entre fragilité et folie, elle le joue sans jamais forcer. Son sourire mi-ange, mi-dérangée ?!? Un pur régal. Elle est terrifiante et touchante à la fois, et ça, peu peuvent le faire aussi bien. Entre eux, pas de lampes chantantes ni de paillettes, mais des vœux qui font mal et une tension douce-amère qui grandit à chaque échange. Je trouve qu'ils forment un duo magnétique, ils ont une alchimie étrange et fascinante 💥
Mais faut le dire, le ton du drama, lui, part parfois un peu dans tous les sens 😵💫. On saute du rire au drame, du mystique à l’introspectif sans prévenir... j'aurai préféré que l'on reste sur ce ton "léger". Et ensuite, les effets magiques… hmm, pas toujours magiques justement 😬. Certains passages sont sublimes, presque poétiques, d’autres un peu “cheap”, comme si la magie manquait d’étincelles ✨😅, et puis les personnages secondaires... Il y avait clairement du potentiel autour d’eux, mais ils restent trop en retrait... j'ai trouvé ça dommage, ça aurait pu donner encore plus de relief à tout ce bazar cosmique. Par contre, niveau guests, y’avait un cast de qualité qui fait plaisir 😏✨, même si ce sont des passages courts, ça a rajouté un peu de peps au drama 🫶🏻
Malgré ses petits couacs, le drama garde une vraie personnalité 💭. Ce mélange de romance, de fantastique et d'humour un peu absurde, lui donne une vibe unique 👍🏻. Les moments suspendus, les vœux, la symbolique, tout ça crée un petit côtés "contes", et ces clins d’œil qui désamorcent les scènes sombres pile au bon moment… j’ai adoré 🫰🏻. C’est bancal parfois, mais j'ai trouvé que ça reste beau dans sa bizarrerie 🌙
Et la fin… franchement, je m’y attendais pas 😶. Ce n’est pas une "happy ending" classique, et c’est justement ce qui la rend un peu déconcertante. Y’a un truc presque dérangeant dans la façon dont tout se boucle, comme si le drama voulait me laisser avec un goût étrange... pas amer, mais pas doux non plus 🙃. Ce n’est clairement pas anodin comme fin. J’aurais peut-être préféré une autre direction, mais malgré ça, j’ai passé un vrai bon moment devant "Genie, Make a Wish" 🫰🏻
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I haven't been this fascinated by a movie in a long time. Sure, excited and caught by movies but not fascinated.
Story - the story is awesome. The ending did not really go for my taste but I liked it better than expected, let's say - it fits the movie well. While in the beginning you start thinking "Will this movie really be interesting?" the characters suck you into their life and feelings and you cannot stop watching until you know what's gonna happen. I liked how the story went along and like I said the ending fits quite well.
Acting/Cast - First off, I'm amazingly happy that the actor for Jaeha (I just forgot his name right now), a really known and popular actor, is in this movie and it's not just made by newbies or so. This gives this kind of mature movie a more serious and experienced feeling. As for the acting - it was awesome. I loved it. Nothing more to say.
Music - You don't really notice but then you do. It fits really really well.
Rewatch - Probably. Pretty sure.
Overall - Overall, Method is a piece of art where everything was put together neatly. It's definitely interesting, although not to everyone's taste I presume, and I think all the parts fit so well together which makes it enjoyable to watch even if it is quite dark. I recommend it, definitely!
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A light entertainment meant to be enjoyed without heavy emotional demands
By the time Duang With You reaches its finale, what initially presents itself as a simple, chaotic university romcom reveals a surprising emotional core beneath its bright and playful surface. The early episodes establish a tone that feels intentionally exaggerated, full of awkward encounters, comedic timing, and almost cartoonish reactions, but as the story unfolds, that lightness becomes the foundation for something more grounded. The series never abandons its cheerful identity, but it gradually allows quieter, more vulnerable moments to take space, creating a balance between humor and emotional sincerity that feels earned rather than forced.Much of the show’s charm comes from Duang, a protagonist whose expansive personality drives much of the story. Optimistic, impulsive, and completely transparent about his feelings, he turns his pursuit of Qin into a constant stream of awkward yet surprisingly endearing moments. Qin, in contrast, serves as the perfect counterbalance. More reserved and seemingly cold at first, he occasionally lets small reactions slip through, hinting that there is far more going on beneath his composed exterior. The contrast between them creates a romantic dynamic that is simple but effective, keeping the story engaging even when it follows familiar paths.
A large part of why Duang works so well lies in TeeTee’s performance. Characters this energetic can easily become exhausting, but he gives Duang a charm that keeps the character consistently endearing. His bursts of excitement, exaggerated reactions, and playful high-pitched tones feel natural rather than forced. What stands out most, however, is how smoothly he shifts between moods. When scenes turn serious, his voice lowers and his energy changes, revealing a more grounded side of the character. In emotional moments, that shift becomes even more noticeable, with Duang’s usual brightness giving way to a heavier, more vulnerable presence.
What truly elevates the series, however, is Qin’s development. If the beginning frames him as distant and emotionally guarded, the later episodes carefully peel back those layers, revealing a character shaped by past pain and unresolved trauma. His journey is not rushed; instead, it unfolds through small, meaningful changes, including lingering glances, hesitant honesty, moments of jealousy, and eventually open affection. By the final episodes, Qin is no longer simply reacting to Duang’s presence; he actively chooses him, and that shift carries significant emotional weight. His growth transforms the title itself into something more meaningful, as “with you” becomes less about proximity and more about emotional safety, trust, and the ability to love without fear.
Their relationship benefits greatly from this progression. What starts as one-sided persistence evolves into a partnership where both characters support and heal each other. Duang’s role as a steady, almost unwavering emotional anchor becomes especially important during the series’ more dramatic conflicts. Episodes that introduce misunderstandings or external interference, particularly the arc that places strain on their relationship, push both characters into uncomfortable emotional territory. Duang, usually so bright and confident, is allowed to feel insecure and lost, while Qin is forced to confront his fears of vulnerability and abandonment. These moments, while at times frustrating, ultimately strengthen the narrative by giving the romance real stakes.
The series also deserves credit for how it handles intimacy. Rather than feeling like a superficial addition, the romantic and physical moments between Duang and Qin are carefully built and emotionally grounded. When they finally come together, those scenes carry a mix of tenderness, longing, and vulnerability that reflects how far both characters have come. It is not just about attraction, but about trust and emotional openness, which makes their connection feel believable and rewarding.
Beyond the main couple, the supporting cast continues to play an important role throughout the series. The friends remain active participants in the story, adding humor, warmth, and occasional chaos, while also reinforcing the sense of community within the university setting. Their presence helps maintain the lighter tone even during heavier narrative arcs, preventing the series from becoming overly dramatic.
From a production standpoint, Duang With You remains consistent in its strengths. The soft visual palette, steady direction, and cohesive soundtrack create a comfortable atmosphere that complements both the comedic and emotional beats. While the music may not be particularly experimental, it supports the tone effectively and reinforces the series’ identity. The direction, in particular, deserves recognition for maintaining a clear vision: even when the plot follows familiar tropes, the execution keeps it engaging.
That said, the series is not without flaws. Some comedic elements, especially the exaggerated sound effects, can feel overused, particularly in the earlier episodes. Certain side storylines, such as the exploration of Qin’s family, could have benefited from more depth and nuance. Additionally, one of the mid-series conflicts leans heavily on miscommunication, which may feel frustrating to some viewers. However, these issues rarely overshadow the overall experience, especially as the emotional core of the story becomes more prominent.
By the end, Duang With You proves that it never needed a complex or groundbreaking plot to leave a lasting impression. Its strength lies in execution: in the chemistry between its leads, in the gradual and believable emotional growth, and in the way it balances lighthearted charm with genuine feeling. What begins as a fun, slightly chaotic romcom ultimately becomes a story about healing, emotional courage, and the quiet but powerful act of choosing someone, and being chosen in return.
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Yeong's worst enemy....
This series had me until episode 6 and then it just was a dull hum until the end. It's was a beautiful realistic story. One of the greatest joys was watching Yeong move from being self indulgent over exhuberent college kid to a self aware realist, a published writer. This is also the greatest sadness. He drew on his experiences, his environment and poured it into his writing. Along the way he lost his sparkle.Gyu Ho and Nam Gyu both suffered the same fate. Yeong's inability to accept love without expectations caused him to lose two people who truly love him. It seems all his relationships were doomed due to his desire to have the razzle dazzle fireworks to continue throughout, without being able to accept the mundane. Only after they were over, would he be able to see what he truly lost and regretted. Not knowing his true self and his inability to be alone encouraged two relationships that should never have been. Habibi and Yeong Su came with hidden baggage, one abusive and the other just sad. Yeong Su lived in shadows and manipulated Yeong's niaivete to live in his internalized homophobia. Habibi, with a hidden wife and child, embarks on a journey with him, hoping to capture a bit of Yeong's sparkle to relieve his boredom. Seeing him too drunk and overworked, Yeong chooses himself and walks away. Both relationships were poor choices to facing a life of solitude and expected failures.
His mother is shown to have moved from denial, abhorring, to knowing, to minimally discussing. She doesn't accept his life but still loves her son.
The real charmers, the electricity powering his life, were his close group of friends and roomate Mi Ae. Yet, even with them, some bits of his life were closed. His HIV status is only shown to be discussed with Gyu Ho, who loved him enough to truly accept him as he is. Gyu Ho, after the cowardly way Yeong breaks up with him, never contacts him again. Though, through the bartender at their favorite spot, he let's Yeong know, he is still loved. Not yet ready to make any contact, in the end, it is his friends that he is seen enjoying the fireworks.
The story was beautifully told, and with flashbacks in the last two episodes, we get a fuller history of the reality of his best relationship, Gyu Ho. The sad part for me is that he began to let his status have an effect on him and as he took stock of his life, became more subdued. The last two episode felt like a gradual slide down from the high.
Every character was skillfully brought to life. Yeong was a free spirited over the top whitty self accepting non judgemental dreamer who was scared to dream and Nam Yoon Su killed it. This is a must see at least once.
Note to directors and editors at large:
Flashbacks: This is how it's supposed to be done. Ever flashback should reveal something new and actually propel the story being told.
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How To Turn A Crime Into A Romance...Badly
Watching the trailer for this drama, I got serious KinnPorsche vibes which, despite its own issues, I mostly enjoyed. What I imagined was a slightly dark, gritty, adult drama. What I got was a hot mess and not in a good way. Dark yes, but, again, not in a good way, actually very problematic. Not gritty and not adult, but your typical college BL with typical first world problems, an overpacked plot and very little substance. In short, a disappointment.Let's start with the premise. Everything I read basically said that our two male leads get drunk and have a wild romantic night together. Yeah, not what happened. Yai gets jealous that Mangkorn is evidently vying for the affections of the same woman as him and more successfully at that, and decides to drug and rape him while video taping the whole thing in order to ruin him. Its a truly messed up and sadistic plan. The only hitch is that his bodyguard uses the wrong drug, I'm guessing some kind of aphrodisiac instead of the sedative that was intended, and drugs both drinks so they end up having sex on tape. Mangkorn takes the memory card and proceeds to use it to threaten Yai several times. And somehow, after all this, after making it quite clear how much they dislike each other, in an incredibly, unrealistically short amount of time, they've fallen madly in love. I understand shorter dramas make it necessary to speed things up, but this is borderline absurd. And this whole mess is portrayed as being hot and sexy when its in fact dangerous and criminal. Neither guy comes off looking good here, they're both morally corrupt characters, but Yai is definitely the worst and his behaviour and what he tried to do is really never addressed.
But then there's more. Mangkorn, a fifth year architect student, has apparently been in love with Yai since their first year. Besides the fact that absolutely nothing he does or says gives any inkling that he has romantic feelings for Yai prior to their drugged intercourse, he honestly treats him with derision and contempt for the most part, this is the man who is seen routinely hooking up with and casually flirting with women. So maybe he's bisexual? Both men actually since they're both seen with women. That would have been refreshing. But no, it's never addressed, and they both just suddenly stop being attracted to women apparently which goes into the whole "only gay for you trope" which is problematic in and of itself.
And speaking of women, they seriously did them dirty in this drama. I was so excited watching the trailer that it looked like there was going to be a lesbian couple. I'd never seen that before in a BL so I thought that was going to be a really nice addition. Nope, they screwed that up too. You could barely call them a couple. They didn't act like a couple and they didn't really give off that vibe. It seemed like production just didn't know what to do with them and they ended up coming off just as good friends. I'm not blaming the actresses, I actually thought they did pretty well with the scraps they had to work with. Another issue was the way Yai and Mangkorn, though primarily Mangkorn, treated women like sexual objects, hooking up in back alleys, and showing little respect. That coupled with the way some of the men talked definitely bordered on predatory. Like come on, you have to know that a large part of your audience is women, can you not treat the women in your story with some level of respect? Women in BL dramas are generally underutilized but Thai dramas are the ones that typically go the extra mile of downright disrespect and misogyny, this being one of the worst I've watched recently.
The character development overall felt pretty minimal. Yes, there was some, but when you have characters talking about how much they've changed when they really haven't changed that much, its eye rolling. I know 8 episodes is short, but I was hoping for more. I'm also going to throw in here that the attempts at comedy, mostly with the bodyguards just really fell flat. There were one or two moments that were moderately funny, but I was mostly wondering how two such idiots could possibly be considered bodyguards. If there was ever a legitimate threat on Yai's life, he'd be dead in two seconds flat.
The problems the lead couple faced were equally eye rolling. I mean, talk about first world problems. Okay, not so much the arranged marriage, but even that was blown massively out of proportion. I get being nervous talking to your parents, but seriously, the fact that neither of them had the guts to talk to their dads was a little ridiculous and then it turned out to be no big deal. And maybe because the whole "I have to go abroad" trope is used so frequently, I just really didn't have much sympathy for their separation. It seemed like they made a much bigger deal of it than was necessary. Planes are a thing, Yai's family is absurdly rich, you visit each other. I don't know. I was pretty over them and their petty drama by that point. Their constant fighting and miscommunication and refusal to act like adults, mostly on Yai's part, was incredibly frustrating to watch.
There was also just far too much packed into this drama for 8 episodes. It may have been slightly more successful if they had pared it down and focused on two or three plot points instead of ten. It made an already messy story even more so and added conflict and side stories that served little to no purpose. Was it kind of cute that they actually met when they were kids? Sure. Did it do anything to further the story or really serve a purpose? No. It could have very easily been cut out and almost nothing would have been lost.
There was just so much potential here. Enemies to lovers is always going to be popular and it could have been good here if it hadn't been so dark and downright sinister. There's sexy and then there's wrong and disturbing; this was definitely the latter. And if its done in a way that's at least somewhat believable. There were also some things that were hinted at but never allowed to fully develop. The lesbian relationship was one, but the BDSM aspect was another. It was briefly toyed with, mostly in the first episode with Yai's bondage gear and his friend, and then never seen or mentioned again. That definitely would have added some interest.
There were a very few things that I did like. The smaller cast was nice. Thai casts almost always seem too big and cluttered and its impossible to keep everyone straight. I was thankful they didn't do that with this drama. I was also surprised, but again, thankful at the lack of secondary couples. Again, normally Thai BL dramas are clogged with three or four additional couples to the main and I liked that they didn't do that with this one. Aside from our poor lesbian faux couple, there was no competition, though I kept suspecting they were going to put the bodyguards together. As there's evidently going to be a season 2, that may still happen. The OST was overall good. In particular ISBANKY's song was gorgeous. It embodied everything I had hoped this drama would be in a song but so completely wasn't. I love it, its the one good takeaway. The acting was overall pretty good. I really am going to blame the production and writing for pretty much everything wrong with this drama at this point.
All that being said. Don't waste your time. If you were one of those who thought this was going to be KinnPorsche 2.0, it's not, not even close. It's not even a good knockoff. The only reason I'm rating it as highly as I am is because I didn't think the acting/casting was bad for the most part and I did like the music. The story was a mess though and as for rewatch value? Don't make me laugh.
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Story: This is by the best story line I have ever seen. All the actors are perfect. I felt their pain, their happiness, their frustrations, everything. This drama made me smile, laugh, and cry. Nothing can explain the feelings I had while waiting every week for new episodes.
The writer did such a good job at keeping the suspense always there. The fact that the story has many questions left to answer and is kept for the audience to decipher on what they want to happen is so breathtakingly beautiful. Its just so amazing that the writer and director was able to mesh all that and bring this wonderful work. This drama is definitely by far one of the best detective dramas, or drama overall.
Actors: I love the actors. Every one of them meshed into their character so well, I couldn't even tell they were acting. The child actors just hit my heart so so bad, especially the famous omelet scene. Gotta give it to the boy, I cried so much watching that scene. After this drama, I am definitely having an ahjussi-crush on Jo Jin Woong. The mains of this drama was just the best ones the directors could have gotten. I can't even imagine any one else playing their characters. Kim Hye-soo was also superb. Her acting during the shock scene was just...no words possible. Last but not least, Le Je Hoon was not just eye candy. The emotions he showed touched my heart soo much. I fell for him even more after this drama. Overall, the actors and actresses were TERRIFIC. I wished this drama never ends.
Music: Love the OST. Been jamming with it every day. It's definitely going to be on repeat to relinquish my withdrawals from this drama.
So many questions are left after I finished this drama... Despite that fact, this is still a must watch drama!
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Amor entre Uma Fada e um Demónio
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Love Can Melt Even the Coldest of Hearts
If there is a must-watch Xianxia drama every year, Love Between Fairy and Devil (苍兰诀) undoubtedly earns this honor for 2022. The novel with the same name is written by author Jiu Lu Fei Xiang (九鹭非香), who is a proclaimed writer in China for many of her famous novels, a few of which have been adapted into successful dramas, including The Legends and The Blue Whisper, and a few more on the way. The Chinese title of LBFAD directly translates to “The Legend of Cang and Orchid”, which is exactly what the story is about, a romance between the lofty Moon Tribe leader Dong Fang Qing Cang and a girl with the true form of an orchid flower.However, don’t fret! Love Between Fairy and Devil is not your usual tropey Chinese fantasy romance. Instead, the introduction of a unique plot and characters is wonderful for veteran Xianxia lovers who have begun to become tired of Xianxias with cold and powerful god male leads and naive and pretty much powerless female leads. The love story between Dong Fang Qing Cang and Xiao Lanhua is pretty much a beautiful forbidden love, as there are over thirty thousand years of hatred between the Moon Tribe and Immortal Tribe, where these two lovers are from, respectively. While other Xianxia male leads are busy “protecting the world” and “ensuring eternal peace”, Dong Fang Qing Cang has set his world on destroying Shui Yun Tian, the home of his enemy tribe, the immortals. An emotionless man, he only knows of hurting and killing.
That is, until he meets Xiao Lanhua, a pure soul who believes that every little life is precious. Unfortunately for the timid little orchid at the beginning, fate ties her to the terrifying Moon Lord. One glare from Dong Fang Qing Cang is enough to make her shiver for hours, but even DFQC wasn’t an exception to her immense love for the world. A few viewers have even mentioned that their romance gave off a Beauty and the Beast vibe at the beginning, and I can totally see it, however, Xiao Lanhua quickly became the only person that could make Dong Fang Qing Cang, smile, laugh, and scream his heart out for her.
Even if she was a mere orchid. And this is the beauty of this forbidden romance, how this emotionless man who killed without hesitating warmed up in front of Xiao Lanhua, showing that human relationships can indeed help heal and recover from painful pasts. True love does not have boundaries, nor does it care about status or nobility.
Before gushing about the talented cast, it is crucial to talk about the production of this drama. As with most dramas, the production of a series can either destroy or bring the story to light. The latter was the case for LBFAD. From the ethereal beads that glistened against Xiao Lanhua’s hair to Dong Fang Qing Cang’s golden branch-like crown, it is clear that everything, from hairstyles to costumes to the sets has been meticulously planned to enhance the entire drama experience. The director of LBFAD, Yi Zheng, once mentioned that preparation before filming took more than 4 years, the reason for the gorgeous production quality. Costumes embodied every character’s personality, from the hyper Jie Li with a dark past to Xiao Lanhua’s pastel translucent dresses. The interior of Dong Fang Qing Cang’s Moon Palace is also very appealing to the eyes, including a bit of western influence, as apparent in his grand canopy bed and busy inner courtyard. Although a Chinese drama, the Moon tribe sets surprisingly gave off a rather early European vibe.
Character and location names were added to the side, and were immensely helpful to both new and veteran Xianxia watchers, as we all know, a large majority of Chinese costume dramas tend to have countless characters, and it takes quite a few episodes to remember who is who. That being said, the different locations in the drama each have different feelings for their unique appearances. Shui Yun Tian is home to these supposedly “good” immortals, the vastness of the palaces and hall bereft of friends and family, while the small villages filled with Moon Tribe women are filled with love and care as they grieve for their dead husbands, brothers, and sons.
When I first learned of the cast of Love Between Fairy and Devil, I admit, with full guilt now, that I scoffed at the lead pairing. But please, please do not give up the thought of watching this drama because of Yu Shuxin (Esther) and Wang Hedi. In fact, I believe that Director Yi made one of the best decisions by casting these two talented actors. If you, like me, have watched a few of YSX and WHD’s previous dramas, you will be blown away by how much their acting has improved. Not only have they perfectly embraced Dong Fang Qing Cang and Xiao Lanhua, but they have also truly brought them to life. When they smile and laugh, we follow along. When they cry, bawling their tears out, the audience can’t help but do the same.
Here’s an important heads up: If you’ve watched Yu Shuxin’s Moonlight, you have already gotten a sense of her voice, which she dubs herself. I myself do not find her voice annoying, however, many have expressed their opinions when it comes to her rather high-pitched voice, which is not very appealing to some. Xiao Lanhua’s high voice does not indicate a naive little girl, or what we would call a ‘Sha bai tian’ (傻白甜) in China, but rather shows her character growth in the series, which will become more apparent in further episodes. Yu Shuxin started as a very talented singer, and she was blessed with the talent of being able to change notes and pitches flawlessly. Xiao Lanhua’s higher voice at the beginning is an indication of her carefreeness as an unimportant orchid as she travels on this journey.
The personality contrast between the leads is interesting, but what’s more special about this pairing is how different they are from what one could call your ‘usual’ Xianxia pairing. It’s about time we got a badass evil sexy male lead who was trying to destroy the Three Realms. No more wonderful Three Realms saver! The female lead doesn’t need saving every time, either. Although she is much weaker than Dong Fang Qing Cang, Xiao Lanhua’s broad understanding of love has taken her a long way. As she’s said before, “I love all beings, but I also love one person.”
Perhaps the most astonishing aspect of LBFAD, however, is how much the leads’ have improved with their acting. Wang Hedi and Yu Shuxin were absolutely BOMB in a way that no one saw coming. When DFCQ and XLH swapped bodies, it was still clear as ever who was who. Wang Hedi immediately embodied Xiao Lanhua’s bubbly but panicked appearance, while Yu Shuxin became a stone-faced character in a pastel-costumed girl. Furthermore, as the story advanced and the leads experience more together, their acting drops mouths as our leads smile and laugh, and eventually, cry and scream. It is simply astonishing how much Dylan Wang and Esther Yu have improved that it’s pretty much hard to describe in words. And their chemistry? Hands down a flammable perfect. I’m sure all of us who have watched the entire drama would agree that it wouldn’t be fair for them to not win a prestigious acting award for their roles in LBFAD. This drama is truly their drama breakthrough, winning them millions of followers on social media platforms, not just in China, but all around the world.
It was also nice to see the spotlight on supporting characters in a balanced way. They weren’t given too much screen time nor were they not given enough. All the stories of the more relevant supporting characters were addressed in very well-rounded ways. No matter good or evil, each character showed significant growth, prompting the audience to cheer them on. This is another beauty of the series, how each figure was given a bit of screen time with an understandable and apparent growth in their experiences and personalities. Even the so-called ‘villains’ had their own backstories and reasons. (cough cough, besides Yun Zhong Jun, aka Lord in the Clouds) I myself have a selection of favorite supporting characters, from the ‘stupid’ black dragon Shang Que to even the villainous Rong Hao. Li Yitong even acted as Xiao Lanhua’s master, Si Ming. Although she was invited as a guest role, she has had an immense impact on this drama.
Finally, this review would not at all be complete without a description of this amazing OST. It’s been a long time since a Chinese drama has had such a well-rounded soundtrack. By well-rounded, I imply songs with smaller stories woven in, with a multitude of well-known talented singers. Zhou Shen, Liu Yuning, Faye Chan, twins Jing Long and Jing Di, Shuang Sheng, basically any famous Cdrama singer you can think of. Do you want a song of longing? You got it. A song of the happy romance between the leads? Here you are, sung by our wonderful leads. Each melody was beautifully written and sung, and you probably won’t find a better 2022 Cdrama OST than this one:
1. Finding You (寻一个你) - Liu Yu Ning
2. Remaining Feelings (余情) - Zhou Shen
3. Cutting Off Love (诀爱) - Faye Chan
4. Shore (彼岸) - Jing Long & Jing Di
5. Longing (念) - Shuang Sheng
6. Amnesia (失忆) - Yu Shu Xin
7. Cang-Lan’s Oath (苍兰契) - Li Chang Chao
8. I Still Remember That Day - Shen Yi Cheng
(我还记得那天)
9. I Want To Be With You - Yu Shuxin, Wang Hedi
(想和你)
All in all, if you’re tired of the cliche Xianxias that have been aired over the past few years, you’re in the perfect place. The drama is also ‘only’ 36 episodes, which is quite short for a well-produced Xianxia romance (which tend to be 50-70 episodes long), but is so well-rounded in all aspects that you will be longing for more when you finish the last episode. The romance between Dong Fang Qing Cang and Xiao Lanhua is so pure, yet so beautiful. With a nice little ending, you will certainly fall in love with LBFAD.
“My Xiao Lanhua, there is no reasoning to love. No matter good or evil, immortal or mortal, if you love him, you love him.”
-Si Ming
Update: Btw, check out my article with Cho na about LBFAD!
https://mydramalist.com/article/how-to-make-a-romantic-xianxia-love-between-fairy-and-devil
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- the male lead is NOT portrayed as a wealthy powerful man with whole of the universe revolving around him
- he is NOT someone who is chased by dozens of girls for his popularity
- the female lead is not negative minded and is really a positive minded person
- no character is obsessive or obusive
- NO CHARACTER is hatable.. i mean, eventhough u are annoyed the second male lead and the director for some eps, once u get to know them more, u will not hate them..
- no crazy annoying love triangle
-the second lead girl is NOT evil at all.. rather she is likable as episodes progress..
- Everyone has their own problems. They deal it in their own way..
- daebak chemistry between main couple
- not only the chemistry, gang doo's relation with his granny, noona, little sister, sangman etc were amazingly portrayed..
- the love story between the webtoon writer&artist, director&noona, they were well written..
- the ending concentrated on all characters life that was amazing..
- TOTALLY THIS DRAMA WAS PORTRAYED IN A REALISTIC MANNER.. it takes through many emotions..
This drama has many amazing quotes too.. Most lovable drama and i am sure u will fall in love with junhoo at end..
Finally the drama is daebak and it breaks off all cliches of kdramas..
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