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This Drama Is a Fever Dream and I’m Weirdly Into It
This drama eases you in just enough to make you think you know what you’re getting into—and then promptly proves you wrong.The plot and setting actually had me invested, so I was not prepared for the absolute clownery that followed. The comedy is loud, goofy, borderline cringe, and wildly unserious, yet somehow it still works. Everyone is acting like shame was never invented, and honestly? I laughed more than I expected. You will cringe. You will laugh. You may do both at the same time.
Visually, it’s thriving. The cast is ridiculously good-looking, the aesthetics are clean, and there is no shortage of eye candy. This drama knows its strengths and flexes them regularly.
That said, nine episodes in, the story is juggling a lot. Multiple plotlines, constant tonal shifts, comedy fighting for dominance with actual story progression—it sometimes feels like the show is doing parkour without a helmet. I’m choosing to believe this chaos is intentional and that everything will eventually click into place. Also… why is this full-length? That realization hit me like a jump scare.
The leads are solid. The ML continues his streak of choosing unconventional projects that somehow work, and I have faith. The FL gives strong My Uncanny Destiny vibes, which I loved, so no complaints there.
Overall, I’m having a genuinely good time—laughing, vibing, and enjoying the lightness while it lasts. Because let’s be honest… the angst is warming up in the wings.
Will update once I'm done with the rest of the episodes ✨
✨Update / Final Thoughts✨
Okay… wow. What a ride.
Overall, this turned out to be a genuinely unusual drama. The humor definitely won’t land for everyone, but if you look past the silliness, there’s a surprising amount of depth here. It tackles heavy questions, quiet contemplations, and some truly tragic backstories that hit heavier than expected. The Princess Consorts’ storyline, in particular, might be the most devastating of them all—easily one of the most tragic arcs in the entire drama.
And yes, I absolutely bawled my eyes out over the leads’ story. Especially the ML. A painfully pure soul. Emotionally unsafe levels of purity, honestly.
The cinematography is beautiful, the characters are deeply lovable, and the ending—while technically a happy one—leans bittersweet. It took several tear-detox sessions for me to fully accept that happiness was, in fact, achieved. Even though the background music occasionally goes a little too hard for no reason, it doesn’t take away from how memorable and distinct this drama ends up being.
Also—special shoutout because this deserves to be mentioned—the drama actually references My Uncanny Destiny in a clever, self-aware way that ties in perfectly. Did not expect that lol.
Do I still think it didn’t need such lengthy episodes? Absolutely. But despite that, this is a hidden gem—quirky, emotional, and unexpectedly moving. Definitely recommended.
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I did not get hooked on it initially as the first episode drag on a bit with the introductions. But it slowly grew onto me and just love the landscape, the paintings, the calligraphy and the tai chi moves. It brought back my passion to buy some paint brushes to practice my calligraphy.I actually like Piao Piao acting a lot more that others, her tai chi skills were brillant. She came across as a strong female lead and although she pairs nicely with Wei Chu, I do not see a lot of passion coming across. BTW it is very G rated drama. So do not expect many kiss scenes here.
I am move fascinated with the art works and tai chi moves, and the story behind these than the usual romance drama. This drama has some quality to it and the scenes and locations they build and used are all very nice.
The story tells about how an outcast girl of the tai chi community made a come back helped by her master/boyfriend. They faced many challenges from the tai chi community, school, friendship and battles.
Very basic story line but worth the watch.
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But first, to anyone who hasn't seen this drama yet, I have to say that if you're fond of out-of-the box story arcs, impressive plot twists and memorable confessions, this drama is devoid of any of these things because CHARACTER DEVELOPMENT is the main focus. Thus, the plot is pretty basic, simple and predictable (from the get-go you will see who she'll end up with). There are no bitchy ex-girlfriends/fiancee's. No scary mothers. No amnesia. No birth secrets. No angst. Every single character is loveable and positive. The main girl is a 20-something office lady who goes by the name of Amemiya Hotaru. She's an efficient and responsible employee who works for an interior design company. She's very good at what she does and enjoys a great relationship with her co-workers. On the outside, Hotaru exemplifies a well-mannered, classy intelligent young woman. However, she harbors a "dirty" little secret: at home, she's a TOTAL SLOB who loves to laze around in tattered jerseys and a stained t-shirt with a can of beer in hand. She loves reading manga, doesn't cook, sleeps on her porch with stacks of newspapers for a blanket and talks to stray cats in her backyard. She hates socializing and is so not interested in dating. She's perfectly fine with her lifestyle until her manager, a 40-something soon-to-be divorcee neat freak, moves in with her.
THE GOOD:
CHARACTERS
Every character endeared itself to me. I don't think I've ever hated anybody. No one had managed to raise my blood pressure. I don't even think there was a villain in the story.
Amemiya Hotaru is the type of female lead that every ordinary girl can relate to. It's not because she is dirt poor and average-looking. In fact, she's pretty, smart, optimistic, and more than capable of whatever task she's given. But the childish side to her character as well as her quirks made her loveable. Although her disorganized and klutzy personality was exaggerated (to elicit laughs and provide comic relief, I'm sure), I found myself thinking "that is SO me" most of the time, whether it was about her being too lazy to clean her room, or being insecure in her interactions with the guy she really liked.
Unlike other dramas, most conflicts were cause by misunderstandings and a lack of communication. Yes, there were a LOT of unrequited side romances but the "love rivals" were understanding and considerate. I loved the interactions and relationships in the office as well. They all seemed like one big family who had concern for each other even with regards to matters that were more love-related than work-related. LOL, It made me think. The world would be so much better if things were like that, empty of crab mentality, envy and pettiness. Wouldn't it be wonderful? The characters suffered from lovesick problems from time to time, but they always seemed to be willing to help each other out and give advice to the ones who were problematic.
ROMANCE
There are actually two love stories in this drama:
The first was between Hotaru and Teshima. I honestly preferred Teshima throughout the drama because IMO, their romance was sweet and innocent. Kind of like that puppy love you experience for the first time in high school, you know? Butterflies in the stomach and racing heartbeats. I really liked the fact that he accepted her for who she is, weird habits and all. It was funny watching him and Hotaru being SO clueless as to how to express their feelings properly. In that aspect, they were very much alike. He was patient and sweet albeit a little dull in terms of personality (which gave a negative effect on the acting, unfortunately). However, I blame this on the writing. If only the character had been written with more depth, I would've found him to be a lot more interesting.
The second love story was between Hotaru and her boss, the main guy who, strangely enough, had the classic Second Male Lead Syndrome, Takano. Unlike her love story with Teshima which started with a kiss, theirs was a "slow burning" one. It started on the wrong foot as there was NO attraction on first sight. IMO, it was the best because both of them got to know each other's WORST traits first before they appreciated each other's positive areas. I admit though. At first though, I preferred Teshima over the boss because the latter treated her in a way that was typical of a father or an older brother. He constantly berated her for her untidiness, cooked for her, gave her love advice and basically became this all around go-to guy. They seemed more like best friends who often bickered over the tiniest things than potential lovers. Yet as the story progressed, I understood why they were so perfect for each other despite being TOTAL opposites. They helped each other grow and develop their weak areas. Takano helped her develop a little bit of finesse and taught her (begrudgingly) how to become, er, less of a slob, encouraged her whenever she was plagued with insecurities and guided her as she navigated her way to womanhood. Hotaru, on the other hand, taught him how to be more self-giving and considerate. Before they lived together, Takano was a workaholic and didn't know how to treasure personal relationships. When she came into his life, he learned to consider another person's well-being other than his own without being aware of it. They were also very comfortable around each other. Hotaru didn't need to force herself to change nor did she become too self-conscious when she was around him. It was the kind of relationship that is much needed in a long-term companionship like marriage. The steady kind of love that makes you feel secure and content, contrary to the blazing fire of passion often mistaken as "love" in a lot of romantic stories.
THE BAD:
I don't think there's anything negative to comment except the stiff acting and underdeveloped character of Teshima. He was the sole weak link. Maybe a veteran actor would've been better? Also, I thought it was weird that there was no sexual tension between Hotaru and Takano considering that they were still woman and man living under the same roof. I guess the writer of the manga preferred not to give it some focus in favor of the personal connection between the two. Dramas will always be dramas; you can never expect them to be a 100% reflection of reality, not even biographies.
FINAL VERDICT:
A "highly recommended" rom-com. The main reason why I love this drama is because I can relate to it so much! I developed this connection with the characters, especially the main girl Hotaru because in many ways I could see myself in her. Her journey back to love after years of being independent and single, her insecurities with her relationship, her heartbreak and growth from being a "dried up fish" for many years to womanhood, not to mention the wonderful humor and acting that made this little J-drama such a gem! I can't remember how many times I burst out laughing because of her and Takano's squabbles and antics. I loved the slow romantic development between the OTP. I would definitely recommend this to anyone who loves romantic comedies or just any person looking for a very light and funny drama that's full of heart.
I'm looking forward to watching the second season next.
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Balancing genius, intuition & healthy grounding in an elite jungle of an addictive financial world
How far can you go? The focus of these KDramas is greed for BIG money, which has long since lost any reasonable connection to life and people. It's about stock deals by the super-rich, insider trading, short selling, mergers and acquisitions.Hiding behind the title "Midas" is the legendary story of the ancient King Midas. It is said that as a child, ants would put grains of wheat in his mouth while he was sleeping. He was later granted a wish by Dionysus, wishing that everything he touched would turn to gold. The consequences though were life-threatening, because actually everything he came into contact with turned to gold, including food and drinks... The story of the KDrama operates both with the dictum "to have a golden hand", which is inspired by this legend, and with the psychoanalytic concept "Midas complex", which has proven itself in connection with pathological greed.
The protagonists in "Midas" have an offensive urge, almost addictive, to make even more profit with daring investment strategies, sometimes risking to lose the ground under their feet and maneuver themself into existential situations. This KDrama is about the challenge of balancing genius, intuition and a healthy grounding within the elite jungle of an addictive financial world. Thrilling story, complex character studies and emotional rollercoaster are guaranteed. In this world where money, intelligence and high speed set the tone, the intuitive feeling for the right timing prevails. "Midas" broadens the horizon from the (rather usual) Jaebeol family intrigues and inheritance disputes, which also have their place here, to - without regard to losses - partly illegal machinations in the financial world.
"Midas" is sketching a world of high risk and high numbers - abstract, fast pace, fashionable, cold. Yet it is an emotionally intense in-depth study about temptation, including space and time for morals. However, a spot here and there, where the warm and tender wind blows, is given, too. Some call it love...
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I Will Love You No Matter How Many Lifetimes
This drama caught me by surprise. I thought it was going to be the ML being not only obsessive but abusive to the FL, this was not the case. This was a man that was willing to give his life over and over again to have the FL live even if he didn't.The story starts from the ending showing Shangguan Wei Yang (Vicky Liang) shooting an arrow into the back of Ye Bei Chen (Zhang He) who was about to kill her beloved Ye Ming Xuan (Wang Jun Hao). She killed Ye Bei Chen in hatred and fell from the city wall. Watching her fall and holding her lifeless body Ye Bei Chen was left heartbroken and filled with regret for failing to protect her.
Feeling such remorse, he was told that even though she was on the brink of death she could live again. Willing to do anything he takes her to see the Old Poison Freak. This begins the cycle of life and death for Shangguan Wei Yang and Ye Bei Chen.
Ye Bei Chen was the King of Kan and brother to the emperor and also the uncle to Ye Ming Xuan. Ye Bei Chen meets Shangguan Wei Yang after she saved him. He was haunted by memories of Shangguan Wei Yang, his niece-in-law, that he discovered was the woman that his nephew, Ye Ming Xuan was planning to marry.
At all cost Ye Bei Chen protected Shangguan Wei Yang in the shadows. Realizing she was given another opportunity to rectify what had happened in her past life, she was willing to do whatever it took this time to stop Ye Bei Chen. Every time she thought she had outsmarted him; he found a way to wreck her plans. So much so, until he was able to get the emperor to make her his queen nullifying the marriage of his nephew, Ye Min Xuan. This did not sit well with her. All the endless misunderstandings came to head when she found out that it was not Ye Bei Chen who was the culprit but actually the man she had given her heart to, Ye Ming Xuan who was behind all those misdeeds.
Learning of all of this, Shangguan Wei Yang, was regretful of how she had treated Ye Bei Chen. You will be so mad at her because this goes on for quite some time with her treating him so bad. He is injured time after time. Always putting himself on the line for her. By episode 14, they will finally find some common ground, and that leads to the hottest kissing session!!!
Not to be outdone, Ye Ming Xuan was so mad about Ye Bei Chen taking Shangguan Wei Yang from him he vowed to get her back. He sets Ye Bei Chen up for the killing of her father, which again, she believes he did. Something in her mind made her realize it wasn't him and stood up to the emperor to defend him. They both work together to find out what had happened. Of course, it was Ye Ming Xuan because her father found that he was trying to kill his father to become emperor.
We also have Ye Bei Chen knowing that his time is limited with the poison in his body and one of them must die in order for the other to survive. Not telling Shangguan Wei Yang this, he makes sure that she has beautiful memories of being with him. She has finally (you will all be happy) fallen for him. This man really shows he loves her. I mean he will beat anyone if they do anything to her.
There is another prince who is in love with Shangguan Wei Yang, Feng Xuanyi, who is used by Ye Ming Xuan to set up Ye Bei Chen. He also causes issues between them when he tells him that he wants to marry her. But at this point, we knew that would never happen.
You will love in episode 18 when Ye Bei Chen snatches up Ye Ming Xuan and tells him, "So what if you're the Crown Prince. If you dare to disrespect my fiancé again, I'll make you understand what despair truly means." You have to love this man who really sticks up for his woman. The number of times he is injured, is just unprecedented. You can see the happiness but then here comes Huan Yan, she is the apprentice to the Old Poison Freak and in love with Ye Bei Chen. In spite, she tells Shangguan Wei Yang that only one of them can survive. In reality, it's the Life and Death Gu that was planted in Ye Bei Chen's body. When the time comes, if she doesn't die, he will. She doesn't believe her. She further explains that only those who have the King Gu with them can control Gu worms. The only way to bring someone back is to use one's body as a vessel, enduring the pain of a thousand ants drilling into the heart, and the agony of a thousand worms eating the bones. The Death Gu is used to activate Ling Gu, reversing the course of the sun, moon and stars.
Knowing all of this information Shangguan Wei Yang sets up Ye Bei Chen. She gets him drunk and when he wakes up, he finds Huan Yan in his bed. This was her plot to separate and save him. Of course, our men is too smart and knows something is up. He gets all the information from Huan Yan and bans her from his mansion. At this time, she runs into Ye Ming Xuan who now takes her in. But here comes Ye Bei Chen spear in hand coming to get her. This was the perfect opportunity for Ye Ming Xuan to see if she was truly loyal to him. She kills Ye Bei Chen with an arrow. But she always knew he carried a spearhead that she used in killing him in his first life, which we find out stops him from dying. He then becomes the white-haired Sorcerer King.
Meanwhile, Shangguan Wei Yang was trying to win over Ye Ming Xuan because she wants to kill him in the worse way. She tries everything but each time she just manages to not get caught. She finally figures out the Sorcerer King is Ye Bei Chen. Again, these two and their kisses. Happy reunion. Not to be outdone, Ye Ming Xuan figures out it is Ye Bei Chen too because his man reports back, they discovered the body of the real sorcerer.
Playing along Ye Ming Xuan moves the wedding up, and here comes Ye Bei Chen to get his woman, which he does.
Just when they thought everything was going their way, they had gotten rid of Ye Ming Xuan and all of his men, he escapes. Putting them on edge again but enjoying all of their time. These episodes you will like. His brother makes him the emperor. Not that he wanted the position, but he felt with his love of the people the country that this would be best.
Due to all of the ministers complaining and finding out that someone must die, she decides to leave the palace with Feng Xuanyi. One of Feng Xuanyi men decide on their own accord to blow up the palace killing everyone in it. You know Ye Bei Chen figured it out and replaced the bombs with fireworks. Coming to get her once again, we see Feng Xuanyi standing in front of Shangguan Wei Yang taking an arrow and dying.
One last play, and Ye Bei Chen finds out where Ye Min Xuan is and goes to the forest where they have an epic battle. He finally kills Ye Min Xuan along with Huan Yan who dies as well protecting him. You also see that before she died Huan Yan killed the Old Poison Freak so she would be the only one who knew about the Life and Death Gu. She does tell Ye Bei Chen, "Ye Ming Chen you must live on. Remember, life is death and death is life."
The fight was too much for Ye Bei Chen who dies in the arms of Shangguan Wei Yang but not before he saw that she stabbed herself and died beside him.
Time goes backwards and she sees the life that these two have had together. Taking Shangguan Wei Yang back to the tower wall with arrow in hand, she lets the arrow fly, while Ye Bei Chen with his spear, kills Ye Ming Xuan along with the arrow from Shangguan Wei Yang. Looking up with tears in his eyes, at his love, Shangguan Wei Yang, she thinks, "All the past events are like a grand dream. Ye Bei Chen, our story has only just begun."
I believe you really will enjoy this drama. The ML and FL are two hot together. The kisses they have going on are fire. Definitely one to add to your list.
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In Guk and Si Yang slayed their roles!
I enjoyed this drama so much. It was so fun to watch, In Guk and Si Yang played their roles extremely well, I was not only crying from laughter but of course sad scenes as well, because let's be honest, it's not a kdrama without a few tears. The story line was interesting and kept me invested the entire time I was watching. The whole tory kept me on my toes because of the suspense it also had with the whole plot and everything that went with it. I highly recommend watching this, you won't regret it I promise, bit just remember to go into it with an open mind, don't take everything too serious otherwise you'll ruin this great drama portrayed by wonderful and amazing actors and actresses.Esta resenha foi útil para você?
Beyond Funny
This is unexpectedly hilarious. Suspend your disbelief and prepare to watch a BL in which no one and nothing can be taken seriously and it is universally gay, especially the mansion, furnishings and vegetables.(ha!) I don’t know how the actors could carry out their roles without cracking up. I’ll bet the outtakes are even better than the series. The inept dubbing is part of its charm and allows for some creative voice work. In my imagination the soundtrack was accidentally deleted and they had to go back in after the fact to create one. When they saw how silly it all was they decided to go full tilt: kooky music, animal noises, sound effects, it’s all here!Esta resenha foi útil para você?
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The truth disappears with love
This headline, "the truth disappears with love", is the series' catchphrase and after watching all 10 episodes, it encapsulates the whole theme of the drama.TLDR: Saiai is an original suspense love story work made by producer Arai Junko and helmed by director Tsukahara Ayuko. Well-acted, with a tight pacing, enagaging story, and gorgeous music, this proved to be another masterpiece from the Arai/Tsukahara combi.
✦ STORY ✦
The story is original but draws the familiar themes of suspense/mystery and forbidden love. What would happen if after 15 years, you reunite with your first love, not as simple colleagues or friends but as a detective and a person under suspicion of murder? The premise is tempting and would catch the eye of lovers of drama. Add in the mystery/suspense part - of the unsolved case 15 years back and more unresolved murders in the present - and you have a neat, interesting package. The pacing of the story is tight, with revelations and clues unfolding in each episode, but the strongest episodes are those of the first half and the last. The 6th and 7th episodes are more subdued and might seem draggy since they deal more with character relationships. Despite this, the plot continued to develop and move forward. There were also some characters that I wished we have seen more on the screen, but I'm glad that at least they were used quite well in the story.
✦ ACTING/CAST ✦
The cast delivered in their roles, playing each character wonderfully, I'm so satisfied with each actor's performance. There were two in the supporting team who were quite shaky at first, but gave more nuanced performances as the episodes went on. What I also like about the characters is that they're all so capable in their jobs, from our main three to the supporting cast. It's so inspiring and so amazing to see.
Our main three actors were impressive. Yoshitaka Yuriko gave so much life to Sanada Rio, I often find myself taking too many screenshots of her expressions in each episode because she's just so captivating to watch as the character. She mentioned in an interview before the final episode that she felt that Rio's living somewhere out there, and I fully agree. Like what I have mentioned in the comments below, Sanada Rio's character may be someone that can draw annoyance due to how people always protect her, but the writing and Yuriko's charm and performance made her someone you would want to protect, someone lovable.
Matsushita Kouhei's Miyazaki Daiki is so freaking cool. I noticed that Kouhei always gives off a different vibe for each of his roles and it's no different to what he did for Daiki. What I like is that his performance and the writing made Daiki not just that "cool and capable detective", he's also very much human, he's someone who truly cares for his beloved people. He is very capable in his job, but he also has his flaws, and he is - at the core - just someone who lives to help other people, especially Rio and Yuu.
Iura Arata's Kase Kenichiro is a big cinnamon roll, he's probably my favorite character in the series. Kase Kenichiro is a strong, reasurring presence in the Sanada family's lives, and he's there for Rio every step of the way. Iura Arata's acting solidifed Kase's warmth and sharpened the edges that the character also possesses. Kase on paper is Sanada Wellness' watchdog with all the teeth and warmth,Kase on the screen is all that, magnified even more with the presence that Iura Arata gave him.
✦ MUSIC ✦
The music is so beautiful!! It actually really helped in the whole experience, especially in the first episode. Speaking of the first episode, the first two minutes of the pilot ep is a very good hook, and the accompanying music elevated it. The soundtrack was able to give off the feel of "15 years ago in Shirakawa-go", and "today, in Tokyo", and served as good backgrounds to key moments so kudos to Yokoyama Masaru! Aside from their use, the absence of music in some key scenes (!!) is also very tasteful. In these particular scenes, it leads viewers in on the suspense, waiting with baited breath along with the characters on the screen.
(Here's the whole OST on Spotify btw! : https://open.spotify.com/album/7qv1By236WWMlwMWEg9772?si=jOOeq8EvSB60gea8BYKFLg)
✦ REWATCH VALUE ✦
After watching the last episode, you'd want to watch the first episode all over again to catch all the clues and hints that you missed. The character relationships and plot progression would be better appreciated if you binged it, so yes a rewatch is in order haha. The series is very binge-worthy, the pacing of the episodes and the bite-sized clues and hints in each one makes each episode interesting.
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All in all, Saiai - literally "beloved" or "dearest" - was a satisfying drama from start to finish. I was a bit apprehensive of their pacing in the last two episodes in terms of the big reveal, but I'm very glad that they wrapped everything up nicely. There were just two plot threads that I think were not fully explained, but overall, it was a very good last episode. The theme of the drama was also drawn out very well, I can't think of a better title than Saiai, and indeed, the catchphrase "the truth disappears with love" holds true.
What a ride. Saiai is now under my 2021 favorites and my all-time favorites list, and it's all thanks to each part of the series from the production, to the story, acting, music, and rewatch value. Despite my love for this series, I won't erase the truth - and that is that it is a satisfying, well-produced drama that deserves to be watched. So if you haven't yet, this is your sign to watch it now.
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About a love that has somehow lost its suitability for everyday life over the years
“Between Him and Her” is an alternative to the tried and tested Cinderella love story, which usually ends with a supposedly “they lived together happily ever after”. Therefore, this story is about 7 years later...The KDrama is rather down-to-earth. It is set within the world of young creatives of Seoul´s fashion scene and tells about a love that has somehow lost its suitability for everyday life over the years. A love that became a habit.
Eventually, a critical moment causes the barrel of internal, unnamed, silent, consuming dissatisfaction to overflow and thus gives necessary strength to actually question everything. However, questioning everything also means having to ask yourself the unpleasant questions. Unfortunately, the answers are not clearly “yes” or “no”. They´re lurking subtly, are not always logical, nor pragmatic or even negotiable. Sometimes it's a "Yes. But." Sometimes it's a "No. But." The problem is: whether it's "yes" or "no", both are true. Love is not always automatically suitable for a partnership... and even if so, this cannot be considered a given either. Nevertheless, that doesn't make such a love any less true or valuable.
For outsiders, on the other hand, the matter may seem more evident. As a audience, we might want to shake one or the other. But in the end the answer unfolds exclusively from within the very personal, complicated emotional world of him and her. Nobody else can have a say. And the KDrama conveys that quite vividly, rather authentic and painfully realistic, too.
Accordingly, the pacing as the two protagonists are taking stock of their emotional relationship, is rather cautious and introspective. Therefore, subplots are providing some invigorating comedy and a bit of drama on the outside, thus pleasantly topping off this little study on certain facets about love.
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High-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Society in trouble. "Angry Mom" confronts viewers with some unloved topics. Bullying comes first and keeps the door open for one more... and one more... and one more... and one more... It's about the attitude of the parents when it comes to education and school, about prejudice, discrimination against women, male-dominated hierarchies, pedophilia, the power of the powerful...If it weren't for the comedy (even just the fact that the mother, in her mid-30s, puts on a school uniform again and goes to school), it would all be hard to bear. Also, the protagonist's former school friend was deliberately portrayed in an exaggerated manner. She and the gang of men she leads often look like they're straight out of a cartoon - she herself is sometimes reminiscent of the Red Queen from Alice in Wonderland. Her scenes always provide a breather with a little exaggerated fun, even if the bitter seriousness does not fall by the wayside.
The comedy has nothing to do with a charming blinking. It only serves as a channel for anger and dismay (of the viewers). The story itself isnt´t all too easily digestible. The daughter is being bullied, but no help can be expected from the official authorities. The mother does the work herself (absolutely marvelous: Kim Hee-sun!). Without frills, she stumbles right into a male-dominated snake nest in the high school environment. The further she courageously advances, the more unexpected help she gets. However, no one else would dare for themselves, although many do not like what is going on. ... If she would not be a mother with her child being affected, she would probably have given up too...
This is once again high-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Don´t miss it.
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Dynamite is lurking everywhere that could bring the Empire down... but who dares to set it on fire?
First of all: should you watch "The Empire"? In any case. Yes! But: The KDrama isn't funny or soul food at any point... Rather, it provokes by intelligently and multi-layeredly confronting the ugly sides of the glamorous world as well as the almost hopeless rebellion against it."The Empire" stylizes the world of that top 1-10 percent, that outrageously wealthy and influential elite of society who can afford a lifestyle that the rest of society dreams of. At the same time, this elite presents itself as mendacious, bigoted, moral scum. Dynamite is lurking everywhere and could explode at any moment. The KDrama paints a dull, tired, bored, vile, quarreling picture of the rich - not a radiantly beautiful one brimming with vitality. Wealth is displayed in a feudal manner, but it seems a bit pietistic, even from the outside it's rather cold, empty, stale and sad. The color saturation has been reduced accordingly. Some clichés are tickled. Privileged decadence is predominant. Elitist arrogance rules the luxurious, isolated orbit of a calculating, selfish family dynasty. Everything here is expensive, bare, distant, decadent, and nothing is welcoming, warm, beautiful, or friendly. With all that wealth and success, no one is free or happy. ´Trust´ is a foreign word in this family. This makes the KDrama hard to bear in places.
The conservative elite in "The Empire" feigns progressiveness by throwing snippets of English into their conversations. However, this seems artificial (dramaturgically quite effective) and (yet) not very convincing, rather quite strange, because their arrogant fantasies of exclusivity are nothing more than mendacious, feudally inspired traditions, old energy full of cobwebs. When the young, life-disappointed but highly talented student brazenly appears in front of the self-proclaimed aristocrats on her vendetta, it is downright unheard of. But basically it is exactly that and much more of it, what it takes to push the dusty elitist behavior to its limits and ultimately really abolish it. There is no awe in this young woman. It may be that she has the courage of the desperate. Never mind After all! The modern system is already stumbling through her presumptuous impertinence. Interesting that this brave young woman is actually introduced as the bad guy - because we as viewers see the story (initially) through the indignant eyes of the self-ennobled nouveau riche - those who want to represent a class of their own and who are used to directing fortunes behind closed doors according to their interests. To a certain extent, the dramaturgy identifies 'us' with those who govern the "Empire". 'We' are identified with order being maintained and respected. And yet it is difficult for 'us' to side with them. This elitist world presents itself as too lost, too sick, too decadent. ... This collision of two worlds is highly explosive and wonderfully depicts the inner turmoil and contradictions within society.
In between, the journalist seems a bit helpless as a plaything for those who provide her with information for her interests. Despite all the bite she has, she is first on the hunt for her own professional success. The 'thing', what needs to be researched and uncovered, becomes a means to a personal end. Journalism, with its democratic mission, is thus also floating on the edge of decadence and gives little hope. (Yet, hope there is...)
And then there is the protagonist Han Hye-ryul: herself a child of that problematic, ambivalent elite, third generation of the empire full of influential lawyers founded by her grandfather. At the same time bearer of hope for a modern democratic society. She takes her responsibility seriously and uses the opportunities that her origins gave her in the cradle constructively in the service of the community - she does NOT bend the law according to her personal discretion, but her truly innovative credo is: she sticks to it for ALL binding law. She tries to follow her professional path with true integrity. Such genuine integrity gives hope to the masses. On the other hand, they frighten the elite, because this robs them of the foundation of their shadow power.
However, the torchbearer of legal integrity is, beyond her professional ethics, also a person who grew up in a world full of privileges. As a child of the elite, she not only automatically inherits money, fame and influence, but also old guilt, and when in doubt she is pilloried. As a woman, she has feelings like everyone else. As a wife, or rather a betrayed wife, too. As a daughter. And as a mother too. She is therefore challenged on several fronts at the same time.
"The Empire" tells the story of a woman who, out of deep conviction and belief in a legal system, wants to undermine the autocratic, arrogant elite coalition. However, she is the child of a family that is involved in such things whether she wants to or not. And yet it is precisely this family tradition that makes her the full-blooded prosecutor that she is. By tradition, she wants to do her work excellently and in an exemplary manner. And for her personally, that means cleaning up the mess of backroom deals and exclusive privileges. Finally someone who believes the rule of law is above ALL? And not only that: the protagonist is one with an ego that (luckily in this case?) is strong enough to actually take on the powerful enemies. So is there perhaps still hope for a better, fairer world? "The Empire" works intelligently on this question. There is no easy answer to that. The crushing moral swamp to traverse is overwhelming...
... And then there is the fourth generation in the family clan... the son of Han Hye-ryul. He actually ticks quite differently ... for his part, he is the bearer of hope for a new dimension. He wants to swim his way out of the swamp of tradition, and yet he is torn between his feelings for his parents and grandparents and his own needs and desires. He doesn't dare, and yet...
------------------ Side note: --- Inflation of KDrama productions, in which the rich and powerful take center stage in the context of law and order---
The corrupt networks, which want to reach the top circles and the blue house, have become an almost inflationary context for KDramas and movies. A trend that has already been observed in recent years. But 2022 will surpass everything that has been produced so far. "The Empire" is one of many 2022 productions that settle accounts with the discrepancy between free democracy, responsible citizens and equal rights for all on the one hand and class society, strict traditions, hierarchies and autocracy on the other. "The Empire" unashamedly and unequivocally, without any ribbons or icing on the cake, unveils how difficult and long the road still is - to a society in which citizens are actually all treated equally before the law. There is obviously still one instance of power that in 2022 in South Korea is firmly convinced that it is above the law...
Why is the profusion of KDrama productions, in which the rich and powerful take center stage in connection with law and order, so inflated at the moment? So that it maybe/hopefully slowly really sinks into mass consciousness and from there it gets to each individual that this must/want/can come to an end! So sledgehammer: monarchical Joseon is history! Aristocracy and class society are history! Dictatorship is history. Let's go South Korea! Stand tall, walk tall! Don't be blinded. Don't be tempted to join in with this old class thinking and to feel a little more valuable if you have someone you can trample on...
No more reverence and respect. No more feudal lords and serfs. Actually, this is presented every week in KDrama, in the cinema and in the news: that the venerable elite is actually morally rather underground and such a life is neither honorable nor desirable. But as long as the viewer's gaze continues to be dazzled by arrogant behavior and luxury items and prefers to look past the lazy core, there will (have to) be endless KDrama variations with sometimes bigger or sometimes smaller sledgehammers. But that's not surprising either, because the centuries, even millennia-old, tradition teaches something completely different... it has been class-thinking all along...
Nonetheless. South Korea counts the year 2022. It is official: We (even in KDrama Land) ALL have a value and worth regardless of origin, past or future - not just a few percent wearing particularly expensive clothes. Wealth or poverty or anything in between and beyond is independent of a person's worth before the law. If we, who apply the law, still act according to ´other´ laws, allow ourselves to be seduced and bought and used, secretly hoping to be able to take such a quick shortcut further up, then it is our own fault. No one has the right to beat us, use and exploit us and throw us away after use like garbage! No one.
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Rough around the edges, but super fun!
I had little to no expectations going into Fish Upon the Sky, as I found the trailer and concept pretty underwhelming and cliche. On top of that, it began airing a week after Tale of a Thousand Stars, which I absolutely loved, so the bar was set pretty high in my mind at that point. Now, after having completed the series, I can say with complete certainty that, although it does not surpass TOTS in the slightest, Fish Upon the Sky is one of GMMTV's stronger series over the past few years.I'd first like to go over what I loved about this series and then what I didn't love as much:
To start, and I'd say this is the main selling point that sets it apart from it's predecessors, Fish Upon the Sky is absolutely one of, if not, THE funniest GMMTV series I've seen. I find a lot of the delivery comedy wise in GMMTV series to be a little cringy and sometimes hard to find funny, but this series does not have that problem in the slightest. Although Pi and Mork have some really funny scenes, especially towards the beginning, the humor really shines in the "Story of a fifth-year student" scenes with Meen and Duen. Both of them have really perfect comedic timing, and the ridiculousness of their scenes are so fun to watch!
That actually leads me to my next point, which is that the side couple is so charming! I often find myself skipping side couple scenes in a lot of GMMTV series such as MilPhukong in 2gether (I'm sorry FrankDrake!!) which is, similarly to FUTS, based on a Jittirain novel. However, in FUTS, the side couple is so incredibly likable and fun to watch! Both Neo and Louis give really fun performances and have great chemistry both comedically and romantically. To be honest, and I'll touch on this later, I actually would sometimes find myself skipping scenes with the main couple just so I could get to their scenes! Their dynamic is just so refreshing and cute! Towards the beginning of the series, they reminded me a lot of PickRome from Senior Secret Love: Puppy Honey, but as the series went on, they proved to be a lot less toxic and a lot more lighthearted, which I absolutely loved. I believe Louis is a new face at GMM, and I absolutely hope that he has more roles in the future because he's packing so much talent (he can sing, dance, act, he's funny, and he's just so freaking adorable!! PLEASE I"M BEGGING YOU GIVE HIM MORE ATTENTION!!!)
I think the last stand out thing I really enjoyed about this series was Phuwin's role as Pi. I think Pi was a super unique BL protagonist. His struggles were super relatable, and his snarky attitude was really fun. I also liked that he wasn't afraid to stand up for himself when he was being harassed online Phuwin really really surprised me in this role, as I was only familiar with him from The Gifted Graduation, where I found his acting a little overdone and uncomfortable at times, but here, he felt super natural and authentic, like you could know him in real life! I know he's around my age, so it's super impressive to me that he's able to do so well as he did, and I hope to see him in more roles in the future!
Alright now onto the stuff I didn't particularly enjoy:
This is definitely an unpopular opinion, but I really did not enjoy Mork for the majority of the series. I think a lot of fans were really charmed by his looks (Don't get me wrong, I was too, Pond is VERY pretty), but I think because of that, they overlooked a lot of the glaring flaws in his character. For one, he was super pushy with Pi. He kept insisting and insisting and insisting that Pi really liked him, and ignored when Pi asked him to leave him alone. Moreover, him egging on the MorkPi fanpage shippers was really not cool, especially after Pi made it VERY clear he was uncomfortable with it. I just found a lot his behavior to be reminiscent of the toxic archetypes commonly used in BL, and that just did not vibe with me, I'm sorry. I think he did have his good moments, for instance, the confession scene in episode 9, but overall, he was just way too aggressive and forward with Pi for my comfort levels. On top of that, and I really hate to say it because he seems like such a sweetheart, but I don't think Pond's acting skills were developed enough for this big of a role just yet. As far as I know, this is his second role ever after The Gifted Graduation, where he wasn't even in the actual show, but a narrative ad that played after the last few episodes, and it really shows. A lot of his line delivery fell flat to me, and his more emotional scenes didn't hit me at all like Phuwin's did. I think he has a lot of potential, and I'll definitely follow his work moving forward, but I don't think he was ready for this performance.
Another thing I didn't love was the story. Like I said, before going into FOTS, I set my expectations low because the plot was so cliche, and although I was impressed and surprised by other aspects of the show, which I touched on earlier, the plot was absolutely everything I expected, and not in a good way. The whole "ugly duckling" storyline is super played out, and paired with the original enemies to lovers dynamic MorkPi originally has, it just feels like nothing new or interesting. What's worse, in the Pi is perfectly good looking even before his whole "transformation"!! I feel like "My Dear Loser: Edge of 17" is a prime example of a well told ugly duckling story because you see the transition in both looks and personality, and how those affect the protagonist, whereas FOTS doesn't fully commit to this storyline, so it falls flat and feels unnecessary.
This is kind of similar to my last point, but this series is really hypocritical in its message, as it tries to both denounce a lot of common BL tropes while feeding into those same tropes at the same time! The whole storyline with the MorkPi shippers is a great example. Pi stands up to the shippers and defends his privacy, telling them how serious what they're doing actually is, which is fantastic, but right after, the show goes back to making the shippers seem goofy and lighthearted when, just as Pi said, what they're doing is really not a joke. The female characters, which in this show are far and few between, are either annoying, or used as a plot device to get one of the two couples closer together, which plays into the incredibly damaging BL trope of demonizing women. Bam was a really great character because she genuinely wanted Pi and Mork to get together, and then in the end out of no where, with literally ZERO foreshadowing, she sabotages them because she's apparently been secretly in love with Mork the whole time? Like wtf? There was no reason to do that with a perfectly good character just for the sake of causing drama in the last episode, especially when it was all resolved so quickly.
Finally, and this is SUPER nitpick-y, but the music in this show is so bad?? I'm not talking about the opening and ending songs which are both really beautiful and catchy, I'm talking abut the random English songs they use constantly that are laughably horrible and really distracting throughout. I know that's like not important at all, but I haven't seen anyone mentioning it so I just wanted to point it out lol.
Overall, although it's littered with overused tropes and sometimes uncomfortable acting, Fish Upon the Sky is a really fun series that deserves a lot of the love it's getting. I can't wait to see what these actors do next!
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“You can always be on the receiving end.”
To say I was impressed is an understatement. I am honestly shocked how well this story was presented, acted and developed for how short it was. It was engaging from the beginning till the end. It completely took over my life for a month. I am not ashamed to admit, this will be a full on positive analysis of the unforgettable story. I will point out some minor flaws I have seen, but for making me this obsessed, I cannot care for them too much.This is a great presentation of how external circumstances can shape a person. How one can be a perpetrator without being a victim first, be a victim and become the perpetrator, and sometimes just be the victim who tries to free themselves out of the abuse. How one cannot be saved from toxic relationships, they need to leave them willingly. How our current situation is not always our fault, but it is our responsibility.
I appreciate so much that Da On did not fall under either a submissive shy mouse, nor a chaotic victim who acts with no reason. I loved how he did try to set boundaries, sometimes he managed to, sometimes he failed. He knew the limits of how much he can do without putting himself in harm's way. There was a clear pattern to his behavior - he was more willing to say no to Su Hyeon in public, than in private. He set boundaries and when the situation escalated, he gave in. Yes, him not being straightforward was frustrating to watch, but that’s life. Su Hyeon had too much power over Da On’s life. There was too much trauma associated with his aggressive behavior to move past it quickly. Leaving an abusive relationship takes time, learning how to set boundaries has to be learned. It’s a process.
Even with limited length, they were able to explain the context of Da On’s life. Being neglected, living in a toxic environment, feeling like he has to carry too much responsibility from a young age, being ridiculed for being poor, isolated from others by Jae Min, attacked and abused, and on top of that abandoned by the person he liked. He did not know what it means to be in a healthy relationship. Or what is an appropriate behavior. He was simply groomed by Jae Min - to trust him only, alone with no other relations. Being groomed for 11 years has a massive impact on you, and you cannot just cut these people off like it’s not a big deal. Even if they do something awful, traumatic, scary - they have been part of you and your life. Da On acting like that was annoying, but it was not lazy writing. People wanted him to go from victim to a completely healthy person with proper coping mechanisms right away, and were frustrated when it did not happen.
Out of all the scenes, the one that truly got me a bit confused was when Da On willingly left the building and got into Su Hyeon’s car just to avoid Seong Hyeon. This scene was weirdly constructed and contradictory. They were really clear Da On wanted to have nothing to do with Su Hyeon… but then he put himself in the position to be with him alone with no valid external reason.
I also lowered my rating from a perfect 10 to 9.5 because of that presentation. That scene was more psychotic than anything Jae Min did in the whole show. After being kidnapped and almost killed, witnessing the man he loves stabbed, having his face smeared with blood… He went and did the presentation. What the actual fuck.
That said, except for these two moments, while his actions were frustrating, they were cohesive, they made sense in the context of the show and who he was as a character, they were believable. I will die on this hill if needed, but I do believe Da On was not a weak person nor weak character. And here comes the compliments for Kim Jun Seo’s acting. I cannot believe this was his first role. To be able to present so much vulnerability and deep emotions, while also showing determination and strength. The duality!
Then we have the toxic and the psycho - Su Hyeon and Jae Min. Can we appreciate that we got two completely different and distinctive versions of different abusive relationships thanks to these characters? We really got a deep dive on what can go wrong between two people. Be it constant criticism and belittlement, psychical violence and intimidation, excessive jealousy and controlling behavior, lack of respect and boundaries that Su Hyeon presented, or lies and deception, emotional manipulation and gaslighting, unhealthy dependence and isolation that we saw with Jae Min. They are both toxic, they are both unhealthy, even if they are vastly different.
I know people love to have a soft spot for Su Hyeon, mostly because of his rather tough upbringing in a psychotic family and how he was not as aggressive in the flashbacks. I get it. But the fact is - there is nothing redeemable about him in the present timeline and I strongly believe even without Jae Min in the picture, he would still turn violent at some point. Why? Because from the start the issue was not Jae Min, but Su Hyeon’s complete lack of emotional maturity and emotional regulation. If it’s not Jae Min, he would snap because of his family. If not the family, he would snap if Da On would not be able to handle the constant micromanagement, jealousy and possessiveness. Su Hyeon does not know how to deal with negative emotions and frustration, they always lead to anger and aggression.
Yes, the flashbacks were great. I agree that the library scene with him pinning Da On on the desk and the chat about the ring was great. But putting it into the context of who his character is and how he behaved - this is way too little for me to see him as a right person for Da On. Or anyone if I must be honest. Maybe a “hot date” with a psychiatrist. Can he get better? Yes. But that would require a lot of work. To be honest, I did not want him to be redeemable, but the last episode changed my mind a little bit. I struggled with seeing what could possibly happen for me to believe he might change. But with how psychopathic Jae Min became, I think the shock of that situation could potentially be enough to make Su Hyeon do 180.
On the other hand I believe Jae Min cannot get better. The difference for me between Su Hyeon and Jae Min is why they act the way they do. Su Hyeon had bad tendencies that were reinforced by his environment - he learned a lot of negative actions from his aggressive father. As far as I see it, Jae Min’s natural negative tendencies were actually held back by his environment. The advantages of acting good and not going full psycho were strong enough to keep him in check. Let’s be honest, if he grew up in the same environment that Su Hyeon did, by university age he would be a serial killer.
And that’s when I knew the one that kidnapped Da On was Jae Min. Because it’s not something Su Hyeon would be capable of doing. Not that he wouldn’t want to, he just couldn’t. Su Hyeon would never go full psycho, because he still has many things that limit him and things he fears - especially his family and his father. He acted out as much as he could with the external restrictions he had.
On the other hand the only restrictions Jae Min had were the ones he placed on himself. He acted as this model teacher, great friend, cool hyung - perfect man, because it was advantageous for him. He controlled himself, because it was worth it. But when he lost control over Da On, keeping that perfect persona was useless, he let go of all the restrictions he placed on himself, and now nothing was stopping him from going full loco.
And when Jae Min went full loco, he truly did not hold back. What glorious moments these were. I am amazed with Kim Ho Young’s acting. You watch him act and you understand why people believed his fake personality. But you also truly see how out of control he is when the hell breaks loose. Whenever it was his nice act, or the chaotic outburst - they were acted perfectly.
Cha Jung Woo did not do worse. Truth to be told, the whole cast did an amazing job. Kim Su Hyeon was such an annoying character, and yet even I saw the charm he had during some scenes. I could understand why Da On fell for him. And the last episode? Outstanding.
While these character had many differences there was one thing that they had in common - they wanted to own Da On, claiming they love him. Love and obsession are different though. Neither of them truly cared about Da On, his feelings, happiness, life, well-being. All that mattered was to possess him. They both believed it would be better to have him in their life broken (or dead), than set him free. From the start they kept using terms like “What I want”, “What I lost” - indicating they saw Da On not as a person, but as a thing they wanted to possess.
And that’s when Seong Hyeon shows up. And you know what I love about this character? That he makes mistakes. That he is not in fact this perfect green flag with no flaws. He is a human being with his own feelings that also get hurt. He sometimes reacted emotionally, childish even. And that’s what made him real. Because of these moments when he acted more selfish, when he did something without thinking - that’s what made his character more interesting.
While he had a lot of great personality traits like being helpful, kind, patient, mature when dealing with setting boundaries, and confident, he also had many relatable flaws. He was childish and pity when he thought someone was not following certain social norms he deemed important. Sometimes he regretted saying something, sometimes he regretted taking actions. And then at times he regretted backing off.
One of the aspects of his character I found the most fascinating was his ability to be really flexible in his reactions and behaviors. Depending on the external context, he reacted differently to the situation, but it was all consistent with his motivations and goals. He was more straightforward with Da On when he saw he was in a good “state”, he tried to distract Da On instead if he saw he was exhausted. Even without understanding the reasons behind Da On’s state, he was really good at reading his emotions and acting accordingly.
What separates him from Jae Min and Su Hyeon is the fact he knows how to love and how to receive love. How to care for people and receive that help. How to view relationships as mutual support and not transactions. For Seong Hyeon it is not “I want”, but “Can I?”. Can I stay with you? Can I hold your hand? While Jae Min and Su Hyeon try to control Da On, Seong Hyeon gives Da On the choice. He asks instead of stating. While Jae Min and Su Hyeon said they want to be with Da On, Seong Hyeon asks if he can stay with Da On. Yes, he is persistent in his approach, but there is something gentle about it. Rather than forcing himself and his presence, it seems more like a reassurance that he is willing to wait, to fight for Da On, to be there for him. Reminder that he is waiting and still there, whenever Da On is ready.
One thing I feel like Seong Hyeon and Su Hyeon share is the fact they are rather emotionally expressive. The difference? Seong Hyeon is expressive, but in control of his emotions and how he expresses them, while Su Hyeon is completely lost in his emotions and has no control over them. Then Jae Min is not expressive, but also in control of his emotions (until he is not… oops).
Here sadly comes one issue I had writing wise - the non-consensual kiss between him and Da On, and the aftermath of it. Truth to be told, I was not even “angry” at the writer for including the kiss. As I said, I love the fact that Seong Hyeon fucks up from time to time, and this was one of these cases. There was no excuse for that kiss to happen and then continue with Da On being this drunk. But while I can understand what led to it happening, the fact that it was not once addressed later on kind of annoyed me. He apologized for wrong things. It’s less a character fault, but more cultural norm fault though.
Now, Cha Sun Hyung’s acting. I still cannot get over how he switched from Puppy to Guard Dog depending on the scene. The way he was able to present that golden retriever energy, but without looking dumb and silly that often happens with characters like him. He still looked mature, strong and confident.
For the general writing, directing and editing:
I really liked the structure. I think the placement of the flashbacks was perfect. The way they were cut in just the right places to give some information, but also mislead us as viewers. The way they made it seem like Da On liked Jae Min in the past, just to reveal it was Su Hyeon. Or who Su Hyeon attacked and why. They just cut the scenes smartly. How much we want to show, how much we want to confuse the viewers - all seemed like deliberate choices, carefully crafted.
Was the “borderline childhood connection” needed? No. I honestly dislike that so much. This was just… unnecessary and added nothing to the show for me.
I’m not going to lie, I am more of the internal analyzer of the bigger picture and the context, than someone who looks for details and symbolism. So to truly appreciate the production, I had to do some research, because I simply do not pay that much attention to things that are in fact important.
Let’s start with the fact the drama was more or less color coded for specific characters (Da On - yellow, Su Hyeon - green, Jae Min - pink, Seong Hyeon - blue). The scenes for the characters were actually often light in a specific color hue. Even in the intro scene with Da On and Jae Min they used this peach pinkish hue, the scene where Su Hyeon attacked the guy with the bottle was yellowish-green. The color flipped only between Da On and Seong Hyeon. Da On’s narration had a blue background, and the scene between Seong Hyeon and Da On had the yellow/orange warm tone from the setting sun. Am I reading too much, or was it a deliberate choice to hint who the end game is? Who knows, I like to pretend it was all planned and hype myself more about why I love this drama.
Colors aside, they also really did a good job with just the lights and the warmth of it. Perfect example - the scene when Su Hyeon dragged Da On away to his apartment, leaving Seong Hyeon behind. The part of the corridor with Su Hyeon and Da On is cold and dark, while where Seong Hyeon is staning it has this warm orange light.
Then we have the symbolism of chess connected to Jae Min - how from the start it was hinted (for some less, for some more obvious), how he was the mastermind behind it all, how he manipulated both Su Hyeon and Da On for years. How he was the one controlling the situation.
Also, extremely random thought, but white is such a psychopath color, so the fact Jae Min was the only one wearing the white outfit in the intro is just cherry on top. And how it had a comeback when he completely lost his marbles in the last episode. Greatly appreciated.
Overall, what a fucking ride. I get it. This drama had flaws. It was not some high budget production, but the way it won my heart is illogical. One could say I was in a completely toxic and dependent relationship with it for the past month. I’m Da On - blind to flaws the same way he was blind to all these red flags.
If you want to tell me that I’m reading too much into it, overanalyzing things that make no sense. How there was no logic behind the characters behavior and it was all ridiculous - you are free to do so, I might even entertain you with a few replies. But I am not changing my mind. I’m annoyingly stubborn.
Added characters' analysis in comments under spoiler. Written them after episode 6, and damn Jae Min's one had to be quite tweaked - I overestimated how loco he was.
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STORY
The story revolves around a restaurant that's only open from 12 midnight to 7 in the morning. He doesn't really have a menu, if he has the ingredients, he'll make you whatever you want. The whole show is about the people that come and go through the restaurant. In all the times that he's been the proprietor of the restaurant, Master (that's what his customers call him), has met interesting people. His regular customers get their story told too. Some episodes are not as memorable as the rest.
ACTING/CAST
I actually watched this drama for Nam Taehyun. I really think he's not that bad of an actor. He acts the way he's supposed to act, I think. But the other actors are great too.
Kim Seung Woo as Master, I think did a good job to appear the friendly restaurant owner.
I love the regular customers who pop up from time to time.
Nam Taehyun plays Minwoo, a student who has so many part time jobs.
Choi Jae Sung who plays Ryu, the mysterious gangster with a heart of gold.
Jung Han Hun (Mr. Kim, the fisherman) & Joo Won Sung (quack doctor), I love their friendly banter.
Jin Seo Yun as Cherry, she works at the bar close by
Park Jun Myun as the manga writer
Ban Min Jung, Song Hwa Ryeong & Jang Hee Jung as the Noodle sisters. Compared to their Japanese counterparts, I like them better.
Son Sang Gyeong as Deongchi, Ryu's scary looking but kinda like a big teddy bear bodyguard.
At the end of most episodes, there's like scenes of his customers going home. I cried seeing the very last one because the show made me like the camaraderie between all of them.
There were a lot of the well known actors as guests like Ji Jin Hee, Oh Ji Ho, Seo Woo, Ahn Jae Wook, Lee Ki Woo etc.
MUSIC
There's not really that much of a music. But I love the opening song "Till the Morning Comes" by Younha.
REWATCH VALUE
Definitely! The episodes are only 30 minutes and like I said, I really like the cast. They made me laugh, they made me cry.
OVERALL
Compared to the original version, I'd rather watch this than that one. I maybe k-drama biased but I really think the original was more boring.
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At times like that we need friends who help us, who'll reach their hand out, who'll walk the difficult and hard path towards that faraway dream. Because sometimes you simply can't do it alone. And why should you have to, if you have friends by your side who are willing to support you?
If you ask me that's the main thought of the whole drama. People aren't born strong. When they're alone they'll often feel insecure and won't be able to do what they truly want. People are able to get stronger when they have the unconditional support from friends though, people who'll stand by their side no matter what. People who'll fight for them. Who'll bring happiness but also lighten the pain and sadness.
But what Tumbling teaches you is that those people, your dear friends, are also only humans. They will also get hurt, feel insecure, get angry, lonely or frustrated. They're also capable of losing hope or making wrong choices. And just as they help you, you should support them when they need it.
Tumbling is a really amazing and very touching drama. I am simply yet madly in love with it.
At first I thought the drama would only be about Tumbling itself and bullying but it deals with so much more than that, it honestly surprised me, in a good way. In my opinion the actors are the ones who make the drama as great as it is, every character has it's own role within the story and gets the opportunity to grow and change slowly.
Tumbling sounds like a typical sport drama but it's so much more than that. Besides the sport itself it deals with your normal teenage problems, insecurity, loneliness, violence, sadness but mainly about hopes, dreams and above all; friendship.
It's really hard for me to explain what I love about the drama without spoiling too much but I guess it's the way the characters develop themselves. Even though Wataru starts off as your typical delinquent, he turns out to be so much more. And not only him, everyone in the drama gets a moment to shine.
Even though there are cheesy or cliché moments I think the drama pulled everything off perfectly fine, the story is simple yet really touching at moments and the actors are all simply amazing.
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