The first time I ever saw Lee Jong Suk was in Secret Garden and I remember thinking, 'this man has the looks to make it big'. Ofcourse, at that time I wasn't aware that he had already made it pretty damn big. Seeing him in Pinocchio, there's no denying that he has a talent for acting, combine that with his heavenly looks and you get an almost perfect package.
Even though the name of the drama is based on the female lead, it's obvious that Dal Po is the star of the show. The plot revolves around him and despite the fact that the side characters bring their own charisma, they are ultimately in his orbit.
Park-Shin Hye came to be a pleasant surprise. I'm not going to lie, I disliked her in almost every show she appeared in previously and due to my bad experience with her acting, I had developed a sort of negative bias for her. However, it's always amazing when an actor or a show surprises you and surpasses your expectations. PSH somehow managed to make In Ha a sweet and likable character who the viewers constantly rooted for. The fact that she has to hiccup repeatedly came out as adorable instead of annoying and I couldn't believe myself when I started to feel affection for her.
A lot of people were even happy that she finally improved her kissing techniques. That, I think is pushing it a little bit because if you look at it closely, her movements are as non-existent as ever, but due to some skillful camera work, Lee Jong Suk's kissing prowess is incredibly highlighted which makes it somehow appear as if she's a proficient partner too. But oh well- technicalities.
However, for me the biggest flaw of the show was that the protagonists were not on equal footing. Dal Po clearly over-powers In Ha in the relationship and he comes out as far less commited and invested in the love story. Which is why the romance factor didn't do much for me. They do the right things, say the right words, their union makes complete sense and yet, there is no emotional connection whatsoever.
In Ha makes so many sacrifices for Dal Po, her affection is completely genuine and she let's him take the spotlight from her time and time again whereas Dal Po seems almost detached when it comes to her.
Ultimately, this unequality between the leads was something that started to rub me the wrong way. There were moments where I wanted In Ha to shine individually and to be given more credit for everything she does. Essentially, she's such a huge part of the show and if we ponder about it; she's the backbone behind Dal Po's success and yet, she's never valued enough. The moment she does something substantial is followed by Dal-Po countering it with something more and it always manages to downplay her importance. This is the reason why they are both outstanding and lovable personas in their own right but their co-existence is rather stiff and unnatural.
So, in my opinion the best way to watch Pinocchio is to think of romance as just a subplot and focus on the main story. I had so much love for almost every single character in the show and they are so thoroughly well-developed that I could write a lengthy character sketch on all of them. The drama is filled with small, utterly poignant moments that move you. The script is excellently written and the story flows with a smooth efficiency. The antagonists are three-dimensional and I never truly disliked any of them. Pinocchio thrives on the emotional interactions between its characters and it shows exactly how powerful familial love is.
Over-all this drama, with its brilliant acting, consistent story-line and satisfying ending, manages to bring forth a current of continous entertainment from beginning to end.
Indeed, a good watch.
Enjoy!
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It's adorable, Lee Seok and Min Soo are the sweetest thing on this planet since chocolate, and even though Hyo-jin and her partner didn't get the same amount of screen time, they were still a joy to see.
Some people have said it, but there was some overacting especially with G-Voice (because I doubt that some, if any, of those actors are actually gay...), but somehow I didn't seem to mind. They were a bunch of friends who felt comfortable with each other, not just because of their shared sexuality, and the bond between them is strong. I really envied their friendship, which made the climax that much harder to watch.
"Two Weddings and a Funeral." You know going in that someone is going to die, and I won't say who, but I did not expect to cry that hard. The character's loss is astounding, and the events leading up to it really hit home; the struggles Min Soo faces as a closet homosexual in a homophobic environment are mind-opening, and the struggles he faces are true, in Korea and in many parts of America as well. The film carries a powerful message, and manages to balance the scale with a healthy dose of fun, fluff, and hot kisses. <3
I definitely recommend this movie to a viewer who enjoys LGBT-themed movies, and to someone who... screw it, everyone should watch this movie!
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A Great Blend Of Politics, Romance And Women Empowerment
I just finished watching Dominion and Devotion, and I have to say, it was an incredible series. The short length worked well, and everything from the directing to the costumes, set, acting, and even the music was good. On top of that, the story was solid and engaging – definitely time well spent.The series is filled with political intrigue, which can get complex, but I appreciate how everything was explained. There weren’t any major plot holes, which is always a win in my book.
Story Overview:
The main plot revolves around Pei Shen Zhi, the son of the last ruler who fell, and now working as a eunuch with his foster father, Bai Hai Tao. Pei Shen Zhi manipulates the political turmoil surrounding the last emperor to install a puppet ruler, who ends up being Ning Jing Yi, the fifth "prince" of the Great Ning. However, Ning Jing Yi is actually a woman, hiding her identity. She tries to escape the palace with her aunt, but after being caught and facing the threat of her aunt’s life, she reluctantly accepts the role of the "puppet" emperor.
Both lead characters were smart and politically savvy, which I really appreciated. Their dynamic was full of tension, and the romance between them was done so well – from enemies to lovers, forbidden love, and a slow burn. The tension was palpable. I kind of wish Pei Shen Zhi had discovered her true identity a bit later (like after episode 4), but it wasn’t a big deal. His brief "gay panic" moment was fun. When they finally admitted their love for each other, it felt meaningful – not just a small, fleeting thing. The idea of a female emperor and a eunuch as a pair was quite intriguing and unique.
I also loved the antagonist, not because he was likable, but because he was well-written. He was ambitious, smart, and definitely a challenge to deal with, which made him an interesting character.
The supporting cast was fantastic too. Li Jing Xian, Ning Jing Yi’s aunt, was a great character. She was always there for the female lead and cared for her like no one else. While she wasn’t physically strong, she was incredibly brave when it came to protecting Ning Jing Yi. Huo Zheng, a court officer, had a strong sense of justice that I respected. Luo Wen Jing, a woman who had to disguise herself as a man to survive, was another character I admired.
What stood out to me in this show was how it validated women’s rights without downplaying men’s importance. It was refreshing to see women portrayed in such a powerful, empowering way.
Memorable Scenes:
The first kiss between the leads was perfect, and the wedding scene was beautiful too. The series did a great job building up their relationship, and when they finally came together, it was so satisfying.
One of my favorite arcs was the widow village. The women there were hardworking and managed to survive without the help of men. But of course, a man had to come along and destroy everything, and I was so mad at him. It really drove home the message of female strength.
Ending:
As for the ending, while it wasn’t the typical happily-ever-after with the leads living a peaceful married life, I still loved it. Pei Shen Zhi sacrificed for a greater cause, and his absence didn’t diminish their love. The final moments were powerful, showing Ning Jing Yi embracing her power as a female emperor. Her costume was stunning, and I loved how the show didn’t make her rise to power a quick, one-night transformation. The gradual change felt real and meaningful.
Overall, Dominion and Devotion is a fantastic series that balances politics, romance, and strong female representation. It’s definitely worth watching.
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Lots of Actions, Frustrating Relationships
Recently, there have been multiple historical dramas set during the reign of Emperor Tang Taizong (626 – 649): “The Long Ballad” is set when Li Shimin (Emperor Tang Taizong) came to power whereas “Weaving a Tale of Love” is set at the end of Li Shimin’s reign and the beginning reign of his son, Li Zhi (Emperor Tang Gaozong). This drama is set in between those two periods with events that lead to the abdication of the first crown prince and the coronation of Li Zhi as the crown prince.Fu Rou (Li Yi Tong) is the daughter of a wealthy businessman. She is intelligent, well-bred and strategic with a mind that can instantly come up with win-win solutions. When Sheng Chu Mu (Xu Kai) meets her, he falls head over toes in love with her. Sheng Chu Mu’s father is a general serving the Emperor, and Sheng Chu Mu is pampered and spoilt by his mother and older sister who is married to Prince Han, making him a good-for-nothing flamboyant playboy. To get Fu Rou’s love, he vows to better himself, both academically and martially (military). What takes normally years to accomplish, Sheng Chu Mu turbocharges his accomplishments in weeks, if not days, for Sheng Chu Mu is not a normal person - he’s a genius. How he accomplishes his academic and martial prowess is similar to Gump in “Forest Gump”; it is really hilarious, cute and cartoonish. By the middle of the drama, he loses his youthful tomfoorlery and the drama turns rather serious and dark with outrageous actions and events.
Both Fu Rou and Sheng Chu Mu love their families and siblings, especially the latter. He has adorable relationships with his parents and his siblings. Their dynamics are really funny and enjoyable to watch. As Sheng Chu Mu, Xu Kai brings out his adorable charisma. He is egoistic and at the same time, self-deprecates. He is playful, shameless and babyish, but when the situation is dire, he instantly becomes the fearsome and formidable general; he’s the hero who saves the day. Though unrealistic, his scenes are hilarious and I really enjoy watching them.
Li Yi Tong is a natural beauty. Her Fu Rou character is stoic and calm, and she always sticks to the book. I can’t say I like the Fu Rou character very much because I find her too inflexible though this is necessary to maintain law and order in the palace, and to safeguard herself and those she cares. At times, I find it stressful watching Fu Rou for her saintly endurance of mistreatment. Multiple times Sheng Chu Mu and Fu Rou break up and then make up, only to break up again. It is really frustrating for the viewers.
Overall acting by the whole cast is fabulous. Each actor has totally immersed himself/herself into his/her character and it shows in their acting. Every minute emotion and expression is captured. Most characters are black and white except perhaps one or two who are greyish and the actors have brought all the personalities out on the screen.
Everyone seems to be in love. Apart from our main couple, we have Han Wang or Prince of Han (Liu En Shang) and his wife (Sheng Chu Mu’s sister), Princess Xin Nan and Sheng Chu Ling (Kris Fan), the Crown Prince and his wife, the Emperor and the Empress, and so on (you get what I mean). And quite a few lose their virginity before marriage. My favorite female character is perhaps Lu Ying Ying (He Rui Xian). She comes from a powerful and corrupt family with murderous father and brother, and yet she is kind, strong and truthful. Her only fault is for being born to a power-crazy father who has no mercy for others. Multiple times she is thrown into disarray yet she takes it in stride with dignity. Her ending, including the endings for some very well loved characters, is sad and undeserving. Most other characters end either with rewards for their good deeds or retribution for their misdeeds. Having said that, despite all the misdeeds by our antagonists, their punishments are not shown explicitly to satisfy the viewers, and are just skimmed over with.
My Verdict
This is a historical fantasy with a superman who saves the kingdom and the world. A lot of the actions by the leads are over exaggerated. It is intriguing and funny, and the pace is fast. Apart from the Emperor and his princes, most of the characters are fictional and the events are not based on historical records. The writing for the endings of many supporting cast is quite lazy, with many being dropped off like flies – they are dead, and some don’t even have endings, leaving viewers wondering what has happened to these characters. The editing of some episodes are also choppy and incoherent.
Despite these short-comings, this drama is still very entertaining, and I have really enjoyed the Sheng Chu Mu character as he reminds me of "Forrest Gump" which is one of my favorite movies. As long as viewers do not take this drama seriously, it is rather a fun watch.
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It is about Sisterhood - with a deep connection transcending age and nation. Yet in a man´s world.
When watching KMovies, one stumbles across productions that are surprisingly quiet and told with comparatively few words. "Moonlit Winter" is one of them. A quiet road movie of a mother an her daughter enriched with pictorial symbols and allegories. Like a long cold winter night.It's about the unhappy love between two young girls that wasn't allowed to be. (SIDE NOTE: To this day, homosexual love is socially outlawed in South Korea. Starting with the younger generation, a little more tolerance is creeping into society, but only at a snail's pace they are starting to find something like solid ground under their feet.)
It is about the (need for) reconciliation with the past. About shame, guilt and forgiveness. And about choosing yourself first. Self love. And then, strengthened in that, one can choose anything, including a relationship... even if it's a homosexual one that still is socially undesirable...
Intense! The list of awards is correspondingly long. However: The intensity could easily be missed, because the quiet, long winter nights are what they are: Long. Dark. Cold. If you don't discover the magic of the diffuse moonlight for yourself, then time can get pretty dreary and gloomy.
The cast fits the show. They are all radiating and keeping the intensity in minimalistic terms.
It is about women with a deep connection transcending age and nation. About Sisterhood!
Tender. True. Yet in a man´s world.
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Another Satisfying Youth Drama
Story reminds me of "Go Ahead" (which is one of my favorite dramas by the way). The main plots are similar wherein two people have that non-blood related sibling relationship. But this is lighter and shorter than Go Ahead, and also has less heartbreaking issues/stories so if you liked Go Ahead, When We Were Young, With You, then this would also be a satisfying watch. Transitions of the characters emotions was well planned, and nothing seemed hasted, or dragged.Since it's a lighter drama, and I personally like re-watching heart wrenching ones, then this has a lower rewatch value than the similar dramas I previously mentioned.
Hope to see more of the actors, they were good even if they are newbies
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The movie is about Kang Do, a brutal being works for the loan sharks and a middle aged woman claim to be his mother. Most of the movie takes place in Myeongdong district in Seul, the poorest one. Apparently if you expect a korean to film outside Gangnam, it's mainly Kim Ki duk or, Park Chan Wok. The movie itself a painful journey, a journey you are glad that you take and you wont take again. Don't take me wrong, i love everything about the movie, from Michelangelo inspired poster to grusome mutilation, but I am quite sure I wont re watch it.
There's nothing much to say about it anyway. It is the first Korean film to win the top prize at three major international film festivals — Venice, Cannes and Berlin. If it suits your taste watch it, if don't, stay the heck away from it.
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Desaparecimento: O Garoto Que Retornou
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I've been anticipating this film since it was first announced because the storyline was so intriguing to me, especially as someone who loves the fantasy genre. Through the premise alone, I already had so many questions, the main one being, 'How did Sungmin become an adult over the course of the last few days?' First, this film is worth watching for the plot alone. The writer is extremely creative and he weaves in the 'fantasy elements' in an eloquent way. As a viewer, it felt realistic, as if it was something that could actually happen, despite the idea of it being so far-fetched. Another thing that is worth mentioning is that he examines the situation from different perspectives - how the average person would view their story (mentions of stockholm syndrome and other psychological analysis) versus how Soorin viewed Sungmin's story. It was extremely thought-provoking. There were comedic scenes, but also heart-wrenching scenes that made me tear up. It was well-paced and kept my attention throughout. I docked half a point for the story because I felt like a scene near the ending wasn't explained very well (it's either a loophole or something I need clarification on). But other than that, I had no qualms with the story.
Moving on to the acting/cast, I will emphasize this over and over again, they could not have chosen better actors for their roles. Kang Dongwon is absolutely impeccable as Sungmin. It's almost as if you are watching the thirteen year old boy Sungmin stuck in a man's body; as evidenced by the way he delivers his lines, the look of naïveté in his eyes, the tears of hurt, and feelings of guilt - in my opinion, no one could have played Sungmin better than him. Shin Eunsoo was the real surprise (as I'm a fan of KDW, so I already knew he would deliver). It's hard to believe this is her first role and she has little to any previous acting experience. She's so talented and her ability to emote is stellar. She has this wonderful ability to express a variety of emotions, and her friendship with Sungmin (the dynamic she had with both young/adult Sungmin) is what made this film so 'real' and beautiful to me (*mini spoiler: their code language was so special). Also, her chemistry with Kang Dongwon is so natural and inherently believable. The rest of the cast fit their roles well, especially Lee Hyoje as young Sungmin and his friends, they were adorable and hilarious at times, but you could also feel how conflicted they were to be in that situation.
The soundtrack fit the atmosphere of the film very well, but there wasn't a particular score that really captured my attention. However, the music did help with the buildup of intensity in certain scenes.
I will definitely rewatch this film, especially since I haven't seen anything else like it. But I also found it quite sad, so I think I'll pick it up again after some time.
Overall, objectively I'd rate it a 9.5/10. In terms of my subjective enjoyment of the film, I'd rate it a 10/10. Just a few additional comments I'd like to include, the cinematography is gorgeous and it really contributes to the mystical and melancholic vibe of the film. There are so many scenes that were filmed beautifully, such as close up shots of their eyes, Soorin's hair, the ocean - it was very artistic and aesthetically pleasing. I also thought the CGI was done well, especially the floating items, the scenes filmed in water, water droplets in the cave. It really felt as if time had stopped. Anyhow, this film is definitely worth the watch. It's hard for me to come up with the right words to describe it, but I guarantee that it's a gem. It left me wondering, if time has stopped for everyone else except for me, what would I do? And how would it affect the way I developed as a person?
Vanishing Time: A Boy Who Returned is a well-delivered, thought-provoking film with its own unique eccentric touch. Director and writer Uhm Taehwa astutely adds a touch of realism to this fantasy film.
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This drama really has me hooked from start to finish (I’m actually starting this review with still a week left, since I already know I have to write something , that’s how good it is)
Rain definitely carried this drama so well. I felt all of his emotions as Lee Jae Sang every time! Also seeing his desire to change, yet still be true to himself, it was great. Lee Jae Sang has become one of my favorite protagonist Kdrama characters.
This drama also has my most hated villains too! Not to spoil it, but I loved/hated them because of just how good and convincing they were it’s crazy!!! It actually makes me want to search out any other villain roles they might have been in and watch just for that lol!
I really felt every character was done really well. From Ra Shi On in both worlds showing her hard and soft side.
Lee Bo Na played by Lee Soo Ah is just amazing at only 5 years old! I’m so impressed, she was great, she just made me smile so much, cracking me up and loving her so much! Looking at her MDL profile she’s got some great supporting roles this year, wishing her all the best.
As for the story, it’s not exactly what I was expecting. It starts out really building up the first world, which is his own world and who he is as a person and his relationships. Then through a situation he’s in this alternate world. There is no jumping back and forth between worlds. He’s in the alternate world for a while, learning that he made different choices in this world which altered his path. When he truly begins to accept this new world, he is then back to his reality, where the rest of the story takes place. We see how his experience and time spent in the alternate world affects how he chooses to live going forward.
I’m actually glad it didn’t jump back and forth. I think it made all the emotions and realizations Lee Jae Sang had even more powerful because you understand that regardless of the alternate reality, he has only one life and this is it! What are you going to do with it? This life you are given.
Okay that’s the end of my pre-ending review. I’ll now write how I’m feeling after watching the last episodes...
So I just finished the last episode and I’m smiling. It truly felt complete and even tied up a major loose end. I’m usually a binge watcher, mainly because I easily drop dramas while waiting a whole week for the new episodes to be released. Not with this one. These last 2 months have been so enjoyable with this drama. Well done! I’ll definitely rewatch.
P.S. major shout outs to the subbers that had same day English subtitles, when an episode was released! Real MVPs!!
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The Changing Times
Fascinating, riveting, inspiring, and poignant. In my humble opinion, Our Times truly is a remarkably compelling and vividly presented drama that is very much deserving of attention and praise. It isn’t without flaws but it is still a worthwhile viewing experience as far as C-dramas are concerned. With a douban score of 8.3 at the time of writing, the rating certainly reflects the growing acclaim for this drama.Production Details
Brought to us by the production team of the popular drama Hikaru no Go, notably Liu Chang and Zhuo Yue Pao Mo who serve as main director and screenwriter respectively. Both of them specialise in slice-of-life, coming-of-age and friendship dramas including their collaboration on Somewhere Only We Know. In addition, Liu Chang helmed Dear Missy while Zhuo Yue Pao Mo had written the script for the highly rated My Huckleberry Friends, among others. This drama is co-director Ma Yiming’s directorial debut while five other screenwriters are involved namely Xu Yitian, Nan Difu, Hu Liping, Wang Shumin and Chen Xiao.
The screenplay is adapted from the novel Our Times (我们的时代) which was recently published in 2019. Written by Wang Qiang (王强), reportedly a leading figure for business novels in China, Our Times is a trilogy that focuses on chasing dreams, and the ups and downs of the new generation of entrepreneurs who ride the IT Internet wave from 1990 to 2018.
The Narrative
Our Times is set in China of the early 1990s against the backdrop of burgeoning economic growth and rapid IT development. The story spans the better part of the decade across multiple locations including Beijing, Shanghai, Guangzhou, Foshan and Hong Kong (along with Illinois in the US). It focuses on the points of view of four main characters - university classmates and tech researchers Xiao Chuang and Pei Qin Hua, as well as their respective love interests Xie Hang and Tan Yuan. Combining slice-of-life with romance, bromance and light melodrama mainly within the workplace setting, the drama explores relationship dynamics between families, friends, lovers and co-workers as well as themes of office politics, industrial relations, the virtues of self-sacrifice, redemption and the courage to evolve in the pursuit of aspirations and happiness amidst the vicissitudes of life.
The storytelling is progressively paced and satisfyingly engaging with hardly a dull moment or substantial fillers. I particularly enjoy the seamless fusion of certain lighthearted instances along with subtle hints of levity as well as introspective and bittersweet scenes interspersed throughout with predominantly heartwarming undertones.
For a premise of this nature, there is no lack of angst and dramatics which is to be expected where the majority of these arcs are rather promptly and neatly resolved. My main issues with this drama stem from the script or adaptation of the source novel for certain sequences of events and the consistency of the characterization for specific characters. Without giving too much away, I’m not a fan of the noble idiocy trope and the associated extreme self-sacrificial acts of altruism in lieu of open and sincere communication to resolve issues… BUT, it’s quite a relief that the resulting grievances turn out to be somewhat short lived and do not detract from what has largely been an engrossing viewing experience.
It’s worth mentioning that elements of patriotism and nationalistic vibes in the plot are quite noticeable as far as locally-produced PCs versus international imports are concerned, but I think the historical representation is quite balanced to accurately reflect the growing trends of computing technology as well as the political sentiments in the era.
A couple of interesting facets to the plot - it’s not purely about computer designs and programming because a substantial proportion of the entrepreneurial efforts is focused on the marketing and sales aspects. Furthermore, the technology referred therein isn’t just about mainframes and personal computers but also emerging entertainment gadgets such as the LD and VCD technology. The transition of “old tech” to the technology that we are acquainted with, especially for viewers familiar with the era, is depicted with the perfect dose of realism.
The Production Quality and Technical Aspects
This is a well-made production in terms of the overall values, quality, and technical execution. The direction is generally commendable, despite discernible “contrived moments of acting” at certain points. The editing, scene transitions and sequencing of the narrative progression appear cohesive and relatively seamless. In terms of the cinematography, I appreciate the decent camerawork as well as the warm palettes and degree of colour grading applied which provides a cinematic feel to the production. Also on the subject of visual language, I quite like the inclusion of 90s stock footage in certain filler frames or B-reels throughout, which provides viewers with a sense of the atmospherics.
The art direction is superb through the use of authentic set designs and props that enhance the realism of the depiction. From the very first moment of this drama, I was hit by the wave of nostalgia arising from the overwhelming 90s pop culture references. From Sally Yeh and George Lam Cantonese songs to posters of a very young Chow Yun Fat, Andy Lau and countless others plastered all over the walls. The influence of Hong Kong in those days is made abundantly clear in this production. Other references to the time period include the huge mobile phones (aka “tai ko tai”), VHS player and video entertainment outlets, the cassette tape player and, of course, the computers themselves - the classic 486 PCs complete with the large monitors or Visual Display Units. The costuming aspect is quite realistic in general. For the character of Xiao Chuang, however, his dressing comes across as somewhat peculiar for a person with his background but it does reflect his flamboyant demeanour and swagger.
Cast and Characters
As the story unfolds and we learn more about each of the main characters, I find myself utterly immersed and invested in their characterization and growth through the multitudes of varying circumstances and events that they experience. In particular the two male leads, Xiao Chuang and Pei Qing Hua. Despite being infuriating at times to a certain extent, towards the conclusion of the story the maturity and wisdom that they eventually attain provide a palpable sense of redemption and achievement. Tan Yuan is interestingly written yet extremely believable and is my favourite female character in the drama. Xie Hang, on the other hand, feels a little inconsistent in places through her actions and behaviour. Nonetheless, each of the four characters possesses its own distinctive qualities and characteristics that combine well to fit the overall development of the story.
My second time seeing Wu Lei this year after The Long Ballad, he has certainly come a long way since Nirvana in Fire. I wouldn’t exactly call this his breakout role but it does feel that way. Such an exceptional portrayal of Xiao Chuang where his versatility in range truly ran me through the gamut of emotions. I honestly think his performance is the strongest among the cast largely because of his significant and dramatic character arc. As for Neo Hou, he showcases a hugely different side to his portrayal in Psych-Hunter and Lost Tomb 2 where he plays a complete boy scout here - pure, idealistic and noble to a fault - and he absolutely slays this role. Earnestly believable and endearing as Pei Qing Hua, he embodies the role effortlessly indeed. Wu Lei and Neo Hou together make this one of the best bromance partnerships in C-dramas.
My first time seeing both Julia Xiang and Mao Xiao Hui, where their performances are indeed worthy of praise. Julia’s portrayal of Tan Yuan is realistic and relatable where I can’t help but to root for her throughout. Her bubbly personality is the complete opposite of Neo Hou’s down-to-earth Pei Qing Hua but somehow this opposites attract type of relationship culminates in a convincing and organic chemistry that builds up naturally over the course of the story. Xiao Hui’s Xie Hang is the most understated yet nuanced of the female leads. There are so many layers to her character that she delicately brings to life in a slow-burn manner. As one of the two OTPs, Wu Lei and Xiao Hui share some of the most moving moments in the drama amidst the trials and tribulations that they both face.
As for the supporting cast, the veterans comprising Wang Xin Jun, Gai Hai Peng and Wen Zheng Rong deserve mention for playing Tan Qi Zhang, Lin Yi Min and Luo Li Hua respectively. Leewei, as Lydia (Xie Hang’s mentor at Interflow), delivers a powerful interpretation of an intriguing character despite her limited screen time. Wang Meng Li’s investigative journalist Shu Zhi Hong is another interesting characterization that probably deserves a side story or spin-off of her own.
Music
Fei Peng serves as music producer while Japanese composer Akiyama Sayuri composed two ending themes for the production, which are my favourites out of the total of five OSTs including the remake of Sally Yeh’s original, Walk Back to the Wind. Full listing as follows:
呼啸的风 Howling Wind by 侯明昊 Hou Ming Hao (Ending theme)
毫不保留 Without Reservations by 余佳运 Yu Jiayun (Ending theme)
潇洒走一回 Walk Back to the Wind by 孟佳 Meng Jia
一盏灯 A Light by 王栎鑫 Wang Lixin
燃烧的时代 The Burning Era by 袁野 Yuan Ye
谁能明白我 Who Can Understand Me by 林子祥 George Lam
Final Thoughts
Our Times presents an unforgettable journey of discovery by its captivating characters that is filled with beautiful romance and compelling camaraderie, while granting viewers a profound insight into the giddying heights of technological transformation and socio-economic transition in modern China back in the 1990s.
In case you’re wondering about the ending, there will definitely be a second season. The final episode ends on a cliffhanger so stay tuned for the sequel to wrap things up and, hopefully, give our four main characters a fitting closure. All things considered, it has been an incredibly absorbing and insightful viewing experience indeed and I absolutely recommend giving this drama a watch.
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“Tomorrow people will ask you why I died, so make sure to tell them"
The story revolves around Yeong Hee who’s accused of being the main motive of Kyeong Min’s suicide and disappearance, making the whole school betray her by bullying and assaulting her. It also follows Kyeong Min’s mother who also blames Yeong Hee for her daughters death.The movie touches on many negative subjects associated with high school students such as bullying and suicide.
STORY it was an extremely impactful story, it’s a movie that doesn’t hold back with the truth it gets to the nitty gritty of reality, throughout the movie it shows flashbacks of when Kyeong Min was still alive and shows the friendship between the two, the flashbacks were a key element to understanding the story better and adding significant backstory to the already heart wrenching story line
ACTING Can I just say the acting was phenomenal The actress of Kyeong Min’s mother showed the most prodigious acting in this movie, the amount of emotion displayed in her acting was breathtakingly melancholy, Also despite Yeong Hee’s character being quite an emotionless person the actress was superb at conveying emotions across to the audience.
MUSIC there was not a single piece of music played throughout not even at the ending, that is what I loved about this movie, the silent impact it left it made it seem real, in real life music won’t just overlay a moment, the silence made the atmosphere it didn’t need music to create an atmosphere it was already powerful, it also made it feel extremely realistic.
OVERALL I was really hesitant watching this movie due to the low score but I’m glad I gave it a chance, it isn’t lighthearted at the slightest, it shows real life social problems and people’s lives when they have no hope left,.
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If it doesn´t concern you, you will watch a great drama.
The first episode is a bit slow, but after that its really great. The story gets better and better and the relationships getting complicated, but overall all the charas are so original (especially Joe Chengs chara, really cute).
The acting and music is good.
From time to time i watch my favorite scenes from this drama, so the rewatch value is really high.
One of the best taiwanese drama that i ever saw. I really recommend it.
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this had so much potential....
the beginning was good but this show over time became kinda pointless... the whole time girl is tryingto save him from what? her father who gave up after they had a one minute argument about it. There was almost no romantic interactions between main two leads, only thing that was romantic was when he was in hospital and the last clip of the show.... if you think him following her is romantic you are in some weird shit. At some points i even forgot who was the "main couple". Honestly kinda waste of time but it was short so i continued watching till the end. Cast attractive but their acting was really cringy im sorry if u love these actorsEsta resenha foi útil para você?
Overall, I just want to say that I like the this drama is not as bright and cheery as the Korean version. It has a darker tone, which I think only helps to sell its story. This is BY FAR, my favorite version of BOF (I've seen all the versions including the Mainland Chinese one) and I'm an advocate of almost every aspect of this drama. I do, of course, suggest that you watch the first season before you start this one: you will appreciate the characters so much more. :)
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- Lev Tolstoy
I hope you can forgive me if my penchant for quotes invades a review. I have watched Osozaki no Himawari some time ago and loved it but never came around to write a review for it. Then I stumbled upon the words of Tolstoy and was immediately reminded of it.
The essence of this drama is, ultimately, the pursuit of happiness. It shows how this last can be found in the most unexpected places, with the most random people, doing things we would never have taken into consideration, if we hadn't been forced to do so by the circumstances.
The simple message this drama tries to send is beautifully conveyed, thanks to a wonderful cast that creates lovely characters and warms the heart. Ikuta Toma is perfect for the part: he's goofy and reasonable at the same time, I'd say he is the new element that unconsciously brings an otherwise sleepy community to a new life, while he himself learns to adapt and understand.
Jotaro's interactions with Kahori, wonderfully portrayed by a talented Maki Yoko are priceless, and their phone conversations are the sweetest thing ever. "Ore ore" will remain in my memory for a long time.
What makes this drama so special, besides the adorable ensemble of characters, is the cinematography. Perhaps the Shimanto River Region is so beautiful one doesn't need to be a particularly skilled photographer to capture its charm on screen; whatever the case, the end result is stunning. If the intention of this drama direction was to promote the region, I must say they succeded: when I finally visit Japan, it will be one of the first places I put on my itinerary.
The music is lovely too, and I agree with Sewitches that the idea of having the whole cast sing the leitmotif is brilliant.
If you are the type of person who feels at ease in the countryside, who finds happiness in small things, this drama will appeal to you. On the other hand, if you need the dizziness of crowded cities with a lot of events going on, it may not. This is a relaxing trot, not a wild gallop.
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