1The thundercloud that growled but only drizzled...
A promising beginning which concluded with a lackluster ending.When this drama started, the first four episodes were super intense and exciting. But as it proceeded towards the second half of the drama, it lost the angsty essence and circled around a vague story that was only full of misunderstandings, miscommunications and ego problems. Personally, Jeonghan's character seemed very interesting to me but not Iljo. And shout out to Iljo's best friend Suho, who never expected anything in return but stayed by his side when Iljo was nothing.
Some characters spiked my blood pressure, some only made me roll my eyes, so overall it's a decent drama that you can binge on as a one-time watch, but it won't leave any long-lasting impression on your brain (only the important scenes like— well iykyk 🤭)
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An uneven experience: sometimes frustrating, but still engaging enough to keep you watching
Never Forget Your Enemy starts with a premise that immediately grabs your attention, but over the course of its eight episodes, it becomes clear just how much that initial idea is both its greatest strength and its biggest limitation. The combination of rivals to lovers and amnesia works well as a starting point, creating an engaging emotional conflict between past and present. The reveal that the protagonists were never truly enemies, but rather victims of misunderstandings and poor communication, adds a more human layer to the story. Even so, the development doesn’t always live up to its potential, and what begins as something compelling gradually becomes uneven as the series progresses.The non-linear structure, shifting between different moments in the characters’ lives, is an ambitious choice that adds depth but also creates confusion. At times, the flashbacks genuinely enrich the narrative, showing how the relationship evolved and giving more emotional weight to the present. At others, the execution struggles to clearly distinguish between timelines, which hurts the flow and requires more effort to follow. This sense of disorganization becomes even more noticeable toward the final stretch, when the series expands into thriller elements, introducing more extreme conflicts that clash with the original tone and feel exaggerated or underdeveloped.
The writing is, without a doubt, the most problematic aspect. There is a solid foundation built around themes like memory, identity, and emotional reconnection, but the way these ideas are handled raises several issues. Amnesia, which should be the emotional core of the story, is treated inconsistently, both in how characters react to it and in how the protagonist’s journey unfolds. On top of that, the series tries to juggle too many subplots for its limited runtime, including stalking, revenge, unresolved secrets, and family conflicts, without giving any of them the depth they need. As a result, the narrative often feels rushed, messy, and at times even illogical.
The acting delivers mixed results, but not without clear strengths. The leads have strong chemistry, especially in more intimate scenes, which end up being some of the most convincing moments in the series. There is a natural ease in their physical interactions and an emotional sincerity that helps carry the relationship even when the script falters. However, technical limitations become more noticeable in heavier scenes, where the emotional delivery doesn’t always reach the depth required. One actor shows more confidence, while the other can feel a bit stiff at times, with a more limited range of expression. Even so, considering these are relatively early leading roles, there is clear potential for growth.
In the end, Never Forget Your Enemy comes across as an ambitious series that doesn’t always manage to support everything it sets out to do. There are undeniable strengths, such as the engaging premise, the chemistry between the leads, a memorable soundtrack, and well-executed intimate moments. At the same time, issues with the writing, narrative inconsistencies, and uneven execution keep it from reaching its full potential. It works best when approached as a romantic drama with touches of mystery, without expecting strict realism. It may not stand out as one of the most memorable entries in the genre, but it’s far from forgettable. Ultimately, it’s an uneven experience, sometimes frustrating, but still engaging enough to keep you watching until the end.
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First Disneyplus original Korean drama exceeds my expectations
This show is significant. It’s one of Disney+ first original Korean production, in which they aim to win market share over their competitors. They also managed to get the idol Kang Daniel who is well-known for his dedicated fan base in Korea to star as the male lead in his first acting stint.Rookie Cops has a strong ensemble cast consisting of different personalities. I found it very interesting that the MBTIs of the characters were released before the show - Wi Seung Hyun – ISTJ, Go Eun Gang – ESFP, Ki Han Na – ISTP, Kim Tak – ISFP, Yoo Dae Il – ENFP among others. It’s very relatable in that we see how these different personalities react in such diverse ways in situations and makes for a fascinating study into human nature. Go Eun Kang is very likeable as the female lead. Despite my doubts about idol-actors, Kang Daniel does hold his own in this cast. He manages to have varied expressions yet he does not overact. From the first episode to the last, I can see the improvement in his acting.
I do like the plot as well. It’s not just all fun and laughter shenanigans by students. There are some intriguing threads in this show, such as the beautifully filmed very violent death scene right at the start of episode one, and I thought they did a commendable job tying everything together in only two episodes.
I found this to be a meaningful show with its memorable lines as well as study of institutional police corruption. The show stays consistent to the theme of how friends come to the rescue when all seems impossible and it was touching when ML talked about banging their heads against the wall together.
However, it was a pity that they did not go further into the ML’s family background. There were some allusions to strained relationships between the ML and his busy police commissioner father, which was in contrast to the warm dinner ML and his best friend shared with Professor Cha. I would have loved it if more time was spent developing his backstory. Instead too much time was wasted on the FL saving the day through various small incidents, and it felt unbelievable and repetitive after a while. Like really, why does she need to be in the police academy if she already has all the skills?
I thought the action scenes in the final episode saved the entire series with the right mix of plot twists, adrenaline and humour. I love it that the squad came together with a plan. I would have wished for a longer action sequence, with Kim Tak and Kang Daniel together facing their opponent in keeping with the theme of friends helping each other.
Nonetheless, the action scenes were still enjoyable. I was impressed by Kang Daniel, since he did not need stuntmen in doing those action scenes. He also showed impressive nuanced acting in the final scene with his father. I feel he has a bright future as an actor! He’s also a good kisser (which is important if he wants to do romantic scenes). Somehow, his kiss scenes are not cringey but heart-fluttering.
I would watch this show again for three main reasons. First, the chemistry of the ensemble cast is great, not just between the male and female leads but all 8 of them are very likeable and relatable. You are likely to recognise yourself or your friends in at least one of them. Second, it has some of the most meaningful lines from kdrama imbued with positivity (e.g. “humans can do anything”). Third, the cinematography is the best I have seen in kdramas. Lush green landscape panoramic shots, gritty close-up shots- it has it all. Overall, it’s an enjoyable show.
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1Lee Dong Wook and Lee Da Hae really impressed me with their acting skills. I often find the childishness of the leading women in Kdramas annoying, as I feel it makes them look downright stupid, not cute. Yet Lee Da Hae's portrayal of Yoo Rin was unexpectedly endearing and funny. Lee Dong Wok was amazing in this role and he didn't play the character as too cold and arrogant, but just right.
I don't know what it was exactly about this drama that really grabbed me, but when it did, I was hooked. I usually hate extreme silliness or angst, and but for a few moments, this drama did these elements perfectly. In addition, even the secondary characters' storylines were interesting and captivating. I often find myself skipping through these plot lines, but, here, even the second male lead seemed more than just an instrument of conflict.
Overall, for me, this drama will stay as one my favourites for a long time for its simplicity, clever humour and well developed romance. Some scenes will stay in my mind forever like the orchard scene, the moving elevators or the romantic farts of Mrs In-Sun. I really recommend this drama!
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And so it goes with Beyond the Clouds, whose central theme is just this. Don’t mistake the drama for a common revenge yarn; though payback might be a driving force for many characters, it’s hard to call it “The Point.” Viewers should instead expect a classy, fatalistic romance, complete with slow-burning melodrama. Will these two deeply traumatized people fall in love despite their cruel circumstances? If they do, will a romantic connection hurt even more—or heal both, becoming their silver lining? That’s more “The Point,” and also the element that works most beautifully.
As to the revenge aspect, it’s fine if sometimes messy. I never fully believed or enjoyed the con-man angle. The “big bad” felt one-dimensional, as did his motivations, while other early villains were the same or even slightly unnecessary. That said, the dangerous atmosphere and situations created by their influence was excellent. It’s an odd combination, but it works.
Yoon Kye Sang stars as Jung Se Ro, a gentle man whose experiences have left him unpredictable and angry. This actor shines in Beyond the Clouds, handsome and magnetic. He grabbed my attention as if grabbing my head with both hands, so striking was his performance. Together with leading lady Han Ji Hye, he shared sparkling chemistry. Ji Hye enchants as Han Young Won, playing emotional and romantic scenes well. However, I often noticed her eyes open too wide too often, or glued firmly to the floor. The character can be meek on occasion, but these mannerisms were not strong choices at all.
Though I wasn't crazy about the whole con-man thing, Jo Jin Woong presents well as complicated Park Kang Jae. He’s the most believable and human of the seedy bunch, even the best connected to the main story. Tearful scenes seem to be his forte; he’s fantastic at them. A special mention is reserved for Kim Young Ok, probably the best “grandmother” actress ever. She made me cry so many times it isn’t funny.
Both cinematography and music embrace an elegant, almost classic feel. Early scenes in Thailand are a feast for the eyes, though the rest of the drama delights as well. Songs were well-chosen and interspersed to optimize emotional effect. Unlike in other melodramas, I never grew bored of any of it. Some great vocals include “Whale” (Zitten), “Sin,” (V.O.S), and “The Full Sun,” (Yang Pa).
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The male main character Ning Wei Jin is a talented young surgeon, and although unexperienced with love, he is reliable, caring, and mature. I personally didn't swoon over him but he was excellent boyfriend material. I liked his relationship with his younger sister Ning Wei Xuan and his best friend Gao Ren.
The female main character Ding Ding pursues her dream of designing pet toys and I was rooting for her as she navigated the challenges of running her online shop and creating original designs. (If you love cats, you might like this drama because there's cat pillows, cat cartoons, a cat cafe, and a pet cat.) I loved her loyal, humorous best friend, Xiao Feng, who gave the BEST advice. You could always count on him to call her out on her behavior. Basically, anytime the ex-boyfriend came back into the storyline, it would cause an issue between the main leads, but they (mostly Ding Ding) never seemed to learn and grow from it. It seemed pretty hypocritical on Ding Ding's part given how she felt when she saw Ning Wei Jin with his close female friend.
Ning Wei Xuan is a really energetic, lighthearted character who relentlessly pursues her brother's best friend Gao Ren. Their scenes initially are so much fun - the highlight of the drama for me - and had me laughing out loud. However, there was a point when she really crossed the line and I no longer found her antics funny. I really wanted her to reflect over her actions and grow up a little. Also, while I loved Gao Ren, the introduction of the other doctor really showed how immature he was in comparison...
In conclusion, if you decide to give this drama a try and are tempted to drop it halfway through, I recommend dropping it.
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What I loved: The main couple, and the other subway cops.What I liked: The case-of-the-week format.
What I was meh about: The main plot. It was draggy in the middle, but kept me engaged in early and late episodes.
What I hated: Ha Ma Ri, the metro police in general (they're terrible at their jobs).
The driving force of this drama, for me, has been the personal stories of Go Ji Suk and Yoo Ryung. Both of them are very warm-hearted people who have had to take care of their disabled loved ones all on their own, so they both have experienced a lot of suffering. The case-of-the-week format worked for me as well, with each case having Ji Suk warming to Ryung's style of doing things more and more, as he comes to understand her drive to save people.
The main plot is admittedly weak, because the police seem ridiculously incompetent at finding clues to the Subway Ghost case. The way it's written, without Ryung's help they would never have figured out who the killer was. Lieutenant Ha Ma Ri is lousy at her job, because chooses to be a hateful bitch rather than be a good detective. Ma Ri ignores Ryung's pleas to investigate her sister's disappearance, as well as her theory that the killer used the subway tunnels. She also finds every opportunity to verbally spite Ryung and put her down because Ji Suk falls for Ryung instead of coming back to HER. Ma Ri could have been a great character, but instead she's just plain hateful, an incompetent detective with an inferiority complex.
I like this drama a lot, despite its issues. Some of the lines, like Ryung saying it was her sister's fault (if you've seen it you know what I'm talking about), made no sense at all, and irritated me because it had been established that due to her sister's Autism, her mental state was about the level of a two year old. How can a two year old be to blame for what happened? I can understand why the villain blamed her – he was out of his senses with grief and anger – but I don't understand why anyone else would blame her.
But 90% of the time I really enjoyed watching this drama. So I will recommend it to those who are a fan of slow-burn love stories that have a lot of spark, because the chemistry between Moon Geun Young (Yoo Ryung) and Kim Sun Ho (Go Ji Suk) is amazing in this drama.
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Padam Padam... Os Sons das Batidas dos Corações
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A shining little diamond! An extraordinary masterpiece that touches the heart in more than one way!
For all those who like three-dimensional life in movies and television. For all those who, apart from the clichés, are open to more complex relationships and personal development processes. For all those who want to get involved with a downright hopeless fate at the 'lower' end of the social pyramid. In this context, one should not allow oneself to be driven away immediately by punches and kicking. "Padam Padam... the sound of his heartbeat and hers" rewards with a touching love story that, by Korean standards, takes its place in an almost sensual, sensitive way.I already got to know Jung Woo-sung in "A Moment to Remember" as an exceptional actor, enriching his encounters and relationships with an almost sensual dimension. That alone is a unique feature that contributes enormously to the quality of this KDrama.
Nevertheless, it wouldn't do justice to the story (which is wonderfully told in all instances) to reduce it to just a romance. It tells the story of an ex-con and his fellow inmate. It quickly becomes clear that Yang Kang-chil actually was innocent. And even after his release 13 years later, he is not free from that momentous act that he did not commit. Rather the real perpetrator would like to finally get rid of him for good, as he had witnessed what really happened back then. And others, too, have not forgotten or even forgiven what happened back then.
Kang-chil, on the other hand, would like to make amends for the lifetime that was unjustly stolen from him in prison. He's a simple, uneducated young man, now in his 30s, who only learned crafts in prison. His vita has taught him to engage 100 percent in the NOW. He may seem simple, yet he sees life in simple terms. However, he is quite capable of comprehending, of taking action and responsibility as well. He choses a simple, direct route. If he is happy about something today, then he gives room for this joy TODAY. Not tomorrow. And he doesn't have to weigh up whether it's ok to be happy or not. It's the same with anger. In short: he follows his heart. And there we are with the title of the KDrama: "Padam Padam". As onomatopoeia, it refers to the heartbeat (and takes up the title of a chanson by Edith Piaf of the same name).
------ SIDE NOTE --- Importance of onomatopoeia in the Korean language ---
The title "Padam Padam" also refers to the fact that the so-called onomatopoeia/onomatopoeia is of particular importance in the use of the Korean language - it is about eight times as important as in other languages. In Korean, remarkably often in narratives one can encounter the simple (yet acoustically imitated in a culture-specific way) onomatopoeic imitation of simple natural sounds. The list of everyday onomatopoeic vocabulary is correspondingly long. With this content communication is expressed more directly, more forcefully, more concretely and more immediately. "Padam Padam" therefore not only refers to the heartbeat - symbolic of the life that one wins and loses again, or for the feelings of the two lovers - but also to the special portion of 'directly conveyed, sensually experienceable feelings', which the protagonist places in all of his encounters.
A lot of heart and soul goes into the hand-picked production design, which also mostly wants to leave a consciously direct impression for all senses. (Mainly we are in the rural areas of the coastal region of South Korea.) The landscape, the sunset, the lake at night, the fireworks, etc. impress through a high degree of aestheticization. Sometimes you have the impression that you can literally smell the sweat of the well-trained young men... At other times some scenes are repulsive, ruthless, almost ugly - yet still highly sensual.
So Kang-chil is sensitive, but he's also a tough guy. He's not your usual appealing protagonist. He is peculiar, impetuous, impulsive, irritating, and also disconcerting. But he quickly grows on you in his sincere, direct and sensual way. This is actor Jung Woo-sung at his finest. His female film partner Han Ji-min can't resist the intensity that emanates from him either. It's a pleasure to watch her being drawn into his spell. (Here I can expressly praise the chemistry between the actors...) And then there is Na Moon-hee, who once again embodies the bumpy, complex and yet emotionally real (South Korean) mother-son relationship in a three-dimensional authentic way. By the way, the men here are above all punching, kicking and spitting as if it were the most natural thing in the world. That may be due to the milieu in which the story is set, but not only. Even if it seems strange to the Western eye at times, the KDrama is authentically filled with life throughout.
The story finally offers a not inconsiderable special feature as an encore for its surprising developments away from your ordinary everyday life: a guardian angel (wonderful: Kim Bum with ponytail) .
An extraordinary masterpiece that touches the heart in more than one ways!
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The director worked closely with the writer of the book and the victims. According to one article I read, he was too soft in the movie and that the reality was MUCH worse. He was doing his best to keep a balance between watchable and the truth.
What was shown was enough to make me physically ill. To give you an idea of my maturity? I am 22 going on 80 depending on who you talk to. This stuff normally does not phase me. I would never let my little 18 year old brother watch this. BEWARE.
Also, there are some things changed in the movie to make the teacher look a bit better than he was, please look in the discussion thread for some corrections to the movie. The only criticism I have of the movie was making the teacher look better than he was.
This movie will make you examine exactly how human you are. Victims from this case were extras in the movie. The actors were amazing and they were so good it made it hurt all the more. This is a movie to be watched with your friends: Ben, Jerry, and another human. You will not get through it otherwise. Also, Pepto might be useful.
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Johan North supremacy
To tell you the truth I'm an all time fan of romantic comedy and this series is exactly the same.I dropped the series from the first episode- not because it is boring but it felt a little slow- not to mention whenever there is Earth ( sry I love Earth but his part is always a little slow. only in the 1st 2 episodes. And nothing happens in their storyline either... They are already in love from start to finish) but believe me, you have to watch at double speed just 2- 3 episode and you will enter the world of romantic comedy. Guys it's totally worth it! 17 ep were not enough, I want something eternal!
From now on, Johan is my all-time favorite. His aura, secret smile, possessiveness- I was barely breathing when he put the seatbelt on North.
They have the intimacy chemistry biology and everything, even when they are just looking at each other. Like what ter said, I'm also a shipper for both of them.
I love how jo didn't even get angry at North, even when he knew north was lying to him (He is a mix of red and green flags- I love him). He is completely and madly in love with North. Johan is the standard. His character development and backstory will stay with us forever.
At first, I watched it for hill and ter, but Johan and North surpassed everyone, and they have all my heart. I had zero expectations, but it turned out to be one of my favorites. You have to watch first to understand the feeling-ITS TOTALLY WORTH IT.
Not to mention the director; he has done such a great job and he is also the director of Perfect 10 Liners. Now he's controlling the romantic comedy genre in his hands. Both are now my favourites.
The love for Johan is beyond words for so many fans, including me. We will always support you, whether you're seen as a green or red flag. But from the moon, we can tell you're a lush green forest in North's life. Thank you for loving our cutie pie.
The only downside is in the editing or screenwriting—I’m not sure—but there seems to be some miscommunication in the middle part of the series. Apart from that, it’s the best light-hearted fun series.
OMG!! Guys they announced SEASON 2.
P.s. If you only want to watch johannorth, start from the 5th/6th ep. But I'd recommend watching from the start to understand the friendship btwn the characters.
And please try to watch the UNCUT version, that few extra seconds of kissing scenes can melt you for sure!!
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I was attracted by the synopsis so I decided to give it a try.
2) Storyline/Plot:
The general story isn't complicated nor original; I saw this type of story in "Sweet 18" before yet this film's storyline was really appealing.
Positive points:
*The story was romantic but not too romantic since it focused on family too.
*It had a great combination since it was funny, cute while being a little serious
*The story's developement was amazing to follow.
*The whole adult-child love story was somehow innocent even when they lived toghether: I liked that concept.
Negative points:
There isn't, I just wished that they made this into a drama instead; it would have been perfect that way.
Story: 8.5/10
3)Acting/Cast:
It couldn't been any better even though I am not too familiar with the leads.
*The chemistry between them was somehow captivating even though it wasn't that present.
*Moon Geun Young did a great job in portraying the innocent 15 years old girl with all its sides; whether it was with her husband, her family, her school and everything else.
*I loved how Park Sang Min reacted with his little bride by trying to be the responsible adult but that didn't cut out the funny side of his character.
Cast: 7.75/10
Acting: 8/10
4)The ending:
The type of ending that anyone would like to see even though it was typical but that doesn't deny that it was fluffy.
The ending: 8/10
5) My Impression (How did it affect me):
*I was intrested in the whole concept ever since the film began, I had fun while watching it and it wasn't boring, not even the slightest bit.
*This is is a great memorable film.
My Impression: 9/10
6) Overall :
*If you like rom-coms then you must watch this.
*If you like old-young relationships then this is for you.
*If you like innocent love stories then you may like this.
Overall: 8.5/10.
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It is true that the two main leads had their flaws - the commander had lost his purpose in life after traumatic experiences in Vietnam, and the main girl did a marriage of reason also after traumatic experiences from her past. Both are adults who didn't experience true love, and they are overwhelmed by their own feelings.
Overall I liked this movie, and I found that the actors played well.
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Story. Well, the storyline of this drama may not be the most original one - the concept of two old friends falling for each other is used frequently so it's kind of hard to squeeze something new from this idea. This drama couldn't avoid some of cliches - jealousy, the return of cheating ex-boyfriend, crying in the rain, ignoring your own feelings etc., but even if those things did appear, they didn't spoil the fun of watching. Everything was happening at the right moment - nothing seemed rushed or too slow, every episode had its own charm and I didn't feel like fast forwarding even once, I enjoyed every minute of the drama. It was a bit painful watching the sufferings of poor Li Da Ren but this had its purpose and made the story more realistic.
Acting. Well, here I have to admit that I completely changed my mind about Taiwanese actors. In those few dramas I've seen up to now the acting was a bit bad - it seemed fake, exaggerated and naive but in ITWY it was the exact opposite. Every single actor played his/her part natural, like they were real characters and not just the actors. Now I can't imagine Chen Berlin playing the guy who is, let's say, cheating ex-boyfriend - he was so natural playing a sensitive, supporting best friend that I really believed he has to be like that in his pirvate life too. The same can be said about Lin Ariel - she was really convincing in her role of a strong and independent woman who knows what she wants and aims for that.
Music. I have to say that music was the first thing I noticed about this drama - it's really fitting. And the song that Da Ren wrote for You Qing? Yeah, it was perfect!
Rewatch value. That is a hard one - I loved the drama, it was really good and all, but like somebody said before, I don't know if I would bear seeing the sufferings of Li Da Ren once again. But, on the other side, the last episode was so awesomely epic that it redeemed it all; finally, we saw some of the hapily ever after and not just the happy ending!
Overall, I gave it an 8 because this was the best written, acted and executed Taiwanese drama I've ever seen and finally I saw a a female lead who was worth my liking - not some whiny, wimpy girl, but a true woman.
And a cherry on top: nearly all the clothes (and especially shoes!) of You Qing were to die for!
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M2F began with the right pitch; it was extremely funny yet preserved its characters' emotional depth. It wasn't empty comedy and handled serious issues like broken families, society's shallowness, and people's materialism.
I was excited for every new M2F episode more than I was for "Man of Honor", but in the end I was surprised that MBC decided not to do the last episode because MBC Broadcast Entertainers Awards was set at the same time the last episode was supposed to air. That's frickin' brutal.
Another thing which I didn't understand is why a lot of people made a big issue out of Yoon Si Yoon looking really boyish/young for his role and how Kim Jae Won would've been more convincing. OMG, are you sure we're watching the same show? I can't imagine anybody else but Si Yoon as Jae Hee. He didn't feel like an actor playing a character, he *was* the character. Love the guy.
The writer threw me off at the end though, why all the fantasy thrown in at the end when the drama was so realistic all along? That's another thing which made me feel it was because of the last episode being cancelled.
I'm really sad because this drama, as awesome as it is, could've been so much better.
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The tale of involuntary naps and ass whopping.
So, I’m not gonna lie, Midnight Museum is a complete mess - from how the characters are written, through the countless plot holes and underdeveloped plotlines, up till the rushed ending. It’s entertaining though. I think it is… I honestly cannot be sure how much of my enjoyment came from all the chats, comments, posts and discussions with other mdl users. This is a perfect show to hype each other up about. (psst... I do love the show though. I sold my soul to it).While the idea behind the plot is brilliant, the execution left a lot to desire. From the start it was an episodic type of a deal, which seemed to exist more as a promo for all the GMMTV actors and less as a means to tell a cohesive story. Not to mention the mix of supernatural, fantasy and even sci-fi theories - nothing to be explained or explored. It’s just a big bag of everything, that ends up being nothing.
I understand where they were going with the plot, but I honestly think they lacked a writer and director with experience in that genre. Midnight Museum is just not a smooth viewing experience. They did not highlight important details in the scenes, lines that were explaining connections between plotlines, hints that would make it easier for viewers to understand the whole picture. When you watch the episode, it’s hard to tell what you should focus on and what info might be useful later on.
You know what it feels like? Like watching just a middle season of a tv show - you don’t get a proper setup for the characters nor a well explained conclusion. It just felt like there should be more at the beginning and the end. All that said, the second half of the last episode was just phenomenal. Added 0.5 to my rating just because of these last 40 minutes. But it also made me truly see how much potential to be a masterpiece this drama had.
While I love Khatha and Dome for their interactions (local straight boys acting gay, if you know what I mean), and Khatha was quite a “mood” on many occasions, I don’t think I have ever seen weaker main characters than them. Dome was forced to take a few too many involuntary naps and Khatha got his ass whooped by almost every bad character. That said, this was a bromance on the level of Chinese censored gay romance and for that I am grateful.
Then we have all the supporting characters: Anthika served looks, Triphop and Bam got the “kind of competent, but not really” presentation with a 0.5% fling going on, June was there to make Khatha accept his feelings for Dome and Boon… barely existed. That’s more or less what the characters brought to the table. I think it’s kind of an achievement to have 10 episodes and not one character actually developed.
What saved all of these characters? Amazing acting. Tor and Gun did a great job and their on screen chemistry was to die for. It’s nice to see two competent actors together, because too often we watch one person carry the whole show on their backs.
Supporting cast did a great job too. Yes, I would appreciate Saiparn going one step further and exaggerating the character just a little bit more and Tay giving me a little bit more expression during some scenes, but overall, I don’t really have many complaints. I’m especially content with all the guest appearances and the quality of acting there.
The MVP award goes to Nanon though. This guy delivered probably his best performance up to date.
For the production value - it fluctuated. I was not exactly on board with the set designs. The museum felt painfully empty and not grand enough. I think the majority of the costume budget went to dress Tor, so the rest was underwhelming (especially June - the design for the dress was great, but the quality of it seemed cheap). Some special effects were nice, some were rather questionable. There is also the case of actors not being used to acting with nothing, which made the CGI elements stand out more and not feel like they were part of the picture.
Overall, entertaining mess. It had a lot of potential, but most of it was not used. They tried to pack too much into these 10 episodes so we ended up with a diluted story with little details and world building. I would highly recommend it as a group watch, because it benefits greatly from exchanging theories and hyping each other up as you watch. It’s a great memes and joke source.
That ending though. I don't think I could be more happy with all that crazy shit at the end. Exactly my type of a deal.
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