Reviews

Who's your daddy?

Destined is a story about how an unlikely couple discovers themselves and each other and survive turbulent times together. Liu Yuru has been auditioning all her life to be a worthy wife to the finest young gentlemen in Yangzhou. To her aghast, she finds herself engaged instead to Gu Jiusi, the scandalous scion of Yangzhou's wealthiest family. Gu Jiusi is no less dismayed to find himself shackled to such a paragon of virtue but he is chastened by his careless prank that got them in that situation. They hilariously find that they are actually well suited and the sum of their parts is greater than the whole. The first arc is by far the best; it is funny, romantic and underpinned by genuine chemistry and rapport between Song Yi and Bai Jingting.

The couple's newfound bliss does not last as the country is swept into chaos as civil war breaks out. At their loss of influence in the capital, the Gu family is forced to flee Yangzhou for Youzhou far to the north. There they are still inevitably caught up in the war and ensuing political upheaval. Meanwhile, in the shadows, a hidden mastermind plots their downfall at every turn. There is a marked dark tone shift in the drama as it delves into the political arcs in the latter half. This drama explores the - "Who's your daddy?" question and whether it matters. All of the main characters have bad dads to different degrees; overly-indulgent, indifferent, overly-judgemental, negligent, wilfully blind and missing in action. Most of them are no worst for the wear but others allow their resentment to get the better of them.

This is a very entertaining drama despite that the second half is sloppily written and ridden with logic holes. The source material evidently had more substance and depth but the drama adaptation falls short on multiple fronts. The plot and character designs don’t make sense without novel readers to help connect the dots (see @CloudA’s discussion threads). The best written parts include most of Jiusi and Yuru’s arcs and humorous moments. The political arcs have too many logic gaps and farcical sub-plots that undermines the intelligence of allegedly smart characters. The writers have a very superficial understanding of history, politics and inner palace protocols. It is mystifying why the Dowager Empress does not secure the position of crown princess for her daughter in exchange for her support. Instead she uses up all her goodwill to try to foist her on a happily married man! The new emperor is so weak instead of banishing these harpies to the cold palace, he allows them free rein to bully his loyal court officials and interfere in official proceedings. He puts a known villain in charge of the crown prince's education when both Ye Sh'an and Gu Jiusi are obviously better choices. They forgot to tell us Luo Zishang has an invisibility cloak that gives him better access to the emperor's bedchamber than a favorite concubine! Game of thrones in this drama pretty means Pass the Throne (parcel). This kind of writing is why fluffy romance writers should stick to their knitting and not try to write about stuff they know nothing about.

What does make this drama work is phenomenal acting all around that papers over the lousy writing. All of the main actors are incredibly charismatic and blend into their roles so well that the portrayals surpass the character blueprints. This is especially true of Liu Xueyi's mesmerising ability to make the vicious, misguided and tragicomic Luo Zishang seem sympathetic even though his backstory and motives are not well explored and only fully revealed at the end. As a result, for most of the drama, this character comes across as a cardboard villain; a delusional sociopath that is just evil for the heck of it. Similarly Fan Yu's character evolution takes abrupt turns and his interest in succeeding his father is not well explained. Fortunately the good characters in this drama are far better written than the tired trope of villains who blame their bad behavior on their bad dads. Their motivators are not as forced and it is a lot of fun to watch the rapport, loyalty and friendships between them blossom so organically. After Jiusi and Yuru, Zhou Ye is my favorite character even though he can be a noble idiot. He just gets really hard things done and done right in the nick of time to save the day.

In the final arc, both Jiusi and Yuru are sidelined so that everyone else can do absurd things to let the villain easily get the upper hand. We are short changed of a satisfying final battle of wits between Jiusi and Zishang to make way for a very anti-climatic reveal of Zishang's backstory that devolves further into a maudlin moment of truth and reconciliation that somehow diminishes both characters.Along comes Zhou Gaolang to bravely re-take a city that was already in hand! There was a senseless, gratuitous death of a terrific character just to squeeze a few audience tears and to add insult to the injury, the perpetrator was unjustly sentenced to live the life of the idle rich. While many favourite characters got good outcomes, some of them deserve better and the final denouement fell flat and was anti-climatic This drama peaked too early at King Liang's epic siege and went downhill from there. The early arcs were an 8.5 for me but the back half was at best 7.0/7.5. Even though I can only rate this 8.0 overall, it is still a very enjoyable drama that is shored up by some fantastic acting. It is best watched tipsy or with your brain half switched off as the plot does not bear close scrutiny.

Leia Mais

1) The reason I watched this:

At the time, I was looking for any new drama. I was captured by the cast and the general story and end up watching it.

2 )Storyline/Plot:

I would summarize it in: revenge leads to love; that would be the main idea of the whole drama along with other events that made the story one of its kind somehow.

Positive points:

*The script writers gave a special story for this drama. Well, it's not the type that would make you jump off your seat but it's the type that would make you interested.
*The turns in this drama were simply unexpected, I usually anticipate many events while watching dramas especially K-dramas but in here many of them were surprising; I just love it when I find the exact opposite of what I have anticipated.
*There was creativity when script writers chose to show different parts that the ausience has to collect together in order to understand the meaning behind it.
*The drama's events never became slow.

Negative points:

*Some moments weren't necessary.
*Exept that there isn't much to mention.

Story would have 8.5/10

3) Acting/Cast:

Like I said earlier, one of the reasons that made me watch this drama was its cast; they were perfect for their roles.
*Kim So Yeon was so brilliant, she portrayed her role in a perfect way; whether she was the spoiled rich girl, the tough prosecutor, the woman in love or the fashion girl; she would do anything to get new brands no matter how much hardships she may go through plus she's pretty ; she totally made this drama enjoyable.
*Park Shi Hoo: I just love that actor; here he showed many personalities: the cool type, the angry type, the mysterious type, the tough type and many others that made his role very interesting to watch.
*Han Jung Soo: I really fell for him here, his role was nicely done
*Other supporting roles were acceptable overall.

Cast: 9/10
Acting: 8.5/10

4) The ending:

Even if it was a typical rom-com ending but it was what I wanted to see in the last episode.

The ending: 8.5/10

5) My impression (How did it affect me):

*I finished it in three days which means that I really liked it.
*Even though it started in an annoying way, this drama managed to pull it off and grab my attention later on.
*It was interesting from the moment it started until the end.

My impression: 8.5/10

6) Overall:

*If you like special romantic comedis then this is for you.
*If you like to see great actors on screen then watch this.

Overall 8.25/10.

Leia Mais

This drama is considered a must-watch in many ways (this is not an exaggeration). To be honest, i've already watched tons of kdrama and this is my first time giving a review online

The actors:
They gave their best in portraying their role in this drama. In fact, those actors are really great because the way they act is very convincing, as if the situation is real.

The plot:
Though, this kind of drama is not really new but atleast, the writers and the director made this one as an exceptional by making the scenario unique and thrilling in some way. It's a must-watch for me because this doesn't only depicts the issues roaming about prosecutions, criminals and politics it also shows the values (good friendship, loyalty, caring, justice) that we will get by watching it. It'll also makes you cry, laugh, thrilled, sad and angry most of the time.

The OST:
I really love the ost! I really can't say anything about it, but i really like it ??

To summarize everything, all i can say is, you SHOULD watch this drama! It's really great. I'm not exaggerating here, but you should especially if you like actions, friendship, investigation genre, this one is for you!

Oh, by the way, i wasn't able to read all the views regarding this drama, but hey, if there's negative review, please don't believe it for every people has their own preferences. Thank you ????

Leia Mais

God, what a wonderfully powerful story.

Despite a few flaws here and there, Save Me is undoubtedly that one Korean Drama that comes to the closest degree of perfection.

The beauty of the show is in its fearlessness. It yanks out all the controversial social issues that people keep hidden behind opaque curtains and exposes them for what they are.
Religeous extremism, bullying, corruption and abuse of power are laid bare infront of you in their ugliest form.
There's a perverse darkness to the show. This constant undercurrent of foreboding and this feeling that you're watching something that you shouldn't watch. Despite the fact that it has no explicit scenes, the drama still manages to come off as an undeniable Taboo.

Save Me excels at every factor that makes a good show. Excellent direction, a tight narrative and a well-thought out, intelligent script make it impossible for the viewer to not get invested.
Every character and role, no matter how minor, is extremely fleshed out; consequentially making all the more impact.

It is only right that a brilliant script would be backed up by brilliant acting and sure enough, our actors don't disappoint.
At first I thought that I wasn't getting enough from Seo Yeo Ji but as the episodes progress you're entranced by her. Sang Mi is a strong woman caught in a vulnerable position. From determination and rebellion to helplessness, frustration and finally utter desperation; it's an awful never-ending cycle for her.
The deadly world of religeous fanaticism is wonderfully portrayed and Sang Mi's battle with sanity amongst masses of deranged manics shakes you to the core. Her love for her mother, her strong will to save herself, her despair and her agony are all emotions that you feel alongside with her.

However, the star of the show is undoubtedly Woo Do Hwan. I felt so deeply for Dong Cheol that I often found myself tearing up at the unfairness of his situation. He's a warrior with a heart of platinum and a soul that shines. He's sexy, sweet and broken. And I was in love with every version of him. I cherished every moment he was on-screen and missed him every moment he wasn't. It's truly remarkable how excellently Woo Do Hwan acted despite having very little experience under his belt, and that too, in a way that he stole the show from much experienced actors.

Okay, so you know those flaws I mentioned in the beginning? Well, Han Sang Hwan is the biggest one. Considering I'm an egalitarian, I hate noble idiots and goody two saints equally regardless of their gender; and Sang Hwan, to put it frankly, is a little bitch.

Despite the fact that he is the show's hero and this 'leader' that the drama writers want to force you to like- he isn't much at all. He's the classic privileged rich kid with daddy issues that you can find in every other wealthy neighborhood. His character is like an after-thought to the story and Taecyon for me, was very unmemorable.

I hated the fact that the drama, time and time again took away the spotlight from the life of the show (Dong Cheol) and gave it to him. At one point I was bad-wishing him almost as much as I was cursing the evil guys but hilariously enough, he failed in almost of all his hero missions (rescue plans and outsmarting people) all by himself. Until the last few episodes, his character retains the heroic but dumb vibe and I just couldn't take him seriously. Especially when all the real work was done by Dong Cheol.

However, the saving grace about Save Me is that even though it makes it clear who the main leads are, it doesn't discriminate in screen-time. Every single character is given their moment to shine and that is the sole reason why Taecyon did not make me snatch one star back from the rating.

The villains are cleverly written. They are all complex characters driven by different motivations and are as compelling as they are hateful. There are some very lovable side characters- Mr GateKeeper being my personal favorite- and some good ol' bromance to keep things balanced.

Save Me is a show that makes you feel. I found silent tears trekking my cheeks in miserable moments and then there were times I wanted to scream and yank my hair out from frustration. The drama kept me hooked to the screen from start to finish and brought out a whole lotta physical reactions from me.

The OST, mostly instrumental, is pure genius. Played at all the right moments; it incites dread, anticipation and panic in the on-lookers.

There are no plot inconsistencies and the show ends beautifully, providing deep satisfaction and closure, while simultaneously teasing that maybe all that evil isn't gone for good? Who knows.

Personally, this show was right up my alley. It kept me guessing throughout and from the moment I pressed the play button to the time the ending credits rolled; my heart felt like it was in a chokehold of fear for the characters.

While this show may not be for everyone, if you want to test your boundaries and tread into dark waters; Save me is, without a doubt, a must watch.

Leia Mais

An adaptation no one needed

I'm actually writing this review much later than I actually finished the series, because I was certain my angry screams weren't quite review material. And when I say angry, I was seething.

This is one of the worst things I've watched, and the moral, feel good factor aside, this was literally a mess. After all that, they didn't even get the moral, feel good story right, did they?

I'm trying to be as eloquent as I possibly can, otherwise this would just be a lot of angry rambling, about how the story was beyond horrible, that having the lead spout some generic pap about forgiveness and togetherness after making her go through 12+ episodes of torture and bullying doesn't really cut it. It's so messy and difficult to watch. The storylines are either incredibly boring or downright offensive.
The characters are also the literal worst, I had such a hard time rooting for any of them. You just go from episode to episode wondering how people can be this horrible, insensitive and just plain annoying at times. Sometimes, you just want to go feral and jump through the screen to knock some sense into them, because mostly, they all suck.

The acting.. it wasn't horrible. Well, it wasn't horrible from everyone except the leads. You would think the leads would be the two characters you would most want to see, that they're the ones you would root for, but never have I ever come across two characters whom I have wanted off my screen. Kind of worked though, because Win's character Guy, he's barely in it. Great's character Saint probably had more screentime, as probably did Jane's character Faye. Which would have been fine since the two of them actually acted, but like I said, you don't really want to see any character on screen. Except for Ann. Ann is good, Ann is the best.
Now because Guy isn't featured a lot, he doesn't share a lot of scenes with Baifern's character Liu, and Saint has more scenes with her. So there were a lot of people who had a hard time believing in Guy and Liu as the main couple, and while there may be some truth to this, I don't think it was the main problem. Win and Baifern just don't have chemistry. Yup. They have absolutely no chemistry together which is surprising because I've seen a bunch of their works and they're good actors. They could have pulled off these roles with a much better nuance than they actually did so I don't know what happened. I will admit that the screentime Guy got does have something to do with them not being able to quite convince us that Guy and Liu work well together, but when it comes down to it, the leads have no chemistry. They're both always yelling at each other, or yelling that they're hurting each other or crying about hurting each other that by the time they cross all their misunderstandings and get together, you're praying for them to break up.
Which brings us to the pacing. 10+ episodes on needless bullying, manipulation, trauma, which doesn't really stop until the last ten minutes of the finale. It just shifts from one person to another until you're clutching your head, begging them to end it. And if you came for the romance, let me tell you it took literally forever for them to actually have some semblance of a good relationship and even then, you really can't care enough.

This review is already longer than I intended it to be, so I'll try to keep the rest of my thoughts to a minimum. It was difficult to watch, I appreciate that they tried to portray the reality (to some extent) on the emphasis of physical appearances that is forced onto everyone these days, but nope, it didn't work. It absolutely did not. After everything is said and done, let's be honest, this was an adaptation that never should have happened.

Leia Mais

A gripping action-thriller that deserves more recognition!

If you’re one of those people that wants to find logic in every fictional drama or you’re a nitpicker, then I suggest you to skip this. However, if you’re someone who just enjoys the ride, likes to watch gripping and entertaining dramas with an amazing cast and well-written story, without searching for every little flaw in every episode, you should definitely check this one out!

Thankfully I’m in the latter category, that’s probably the reason why I could enjoy it to the fullest and became one of my favourite shows of all time. This drama has everything: action, suspense, crime, investigation, mystery, humour, teamwork, romance and is very informative, you can learn a thing or two. Everything is nicely balanced. What else could a viewer possibly wish for?

Acting:
The acting here is one of the best I’ve seen this year alongside with Reborn Rich. The definition of perfect casting, all characters have great chemistry with each other and everyone embodies their character smoothly, it just feels so natural. But I have to give an extra applause to Kim Rae Won as he plays this crazy mutt detective role so well, making him stand out from the rest of the cast. Not to mention he has this indescribable charm to him.

Story:
The story is fast-paced and intriguing. They’re showcasing different emergency codes with different cases in every episode, while there’s 1 main case slowly unfolding in the background, so the viewer doesn’t even have time to feel bored. Some cases might be very sad, but the comedic elements are present to balance out the mood. I was hooked from the beginning, every episode was an exciting watch and all the cases were interesting and unique. One of the reasons I absolutely adore this show, is the teamwork, how the fire crew and detectives work together to save people and solve cases. The first episode started off strong and remained like that for the rest of the season, the last episode ended with a cliffhanger, but we get a second season and I’m so excited for that!

Relationships:
The relationship between the main leads develop naturally and for the best throughout the series, the different cases and life threatening situations make them form a strong bond by the last episode. There’s also a little love triangle, but I wouldn’t even call it like that, because it is very obvious what’s one-sided and what’s mutual. The romance part isn’t forced, it’s depicted genuinely and developed slowly. No need to worry if you’re not into romance because, although there is a romantic undertone, it doesn’t overshadows the main plot.

The music is catchy and very nice, matching well with the scenes, paints a picture of the drama every time you listen to it, it’s not overused nor placed in scenes where it’s not needed.

Overall, it is an above average, great watch I would recommend to my fellow action-thriller lovers. I do wish to see more bromance moments between Hogae and Dojin after they sort things out, and my ship sailing in the next part.

Leia Mais

If you are looking for a serious plot and cannot take lame jokes then I'm sorry. This drama is not for you. Do not waste your time on this. But if you are looking for a light hearted drama to watch after a long day of work or a drama to watch while you're eating in which you don't need to pay full attention for. Then you have the right drama here.

*Story*
I'm gonna be honest. When I first watched it, the whole time I was like WTF is this? The plot is lame, the jokes are lame, the acting is really exaggerating and... Wait a minute, am I watching the right drama?! I remember a lot of people being very confused about the genre of the drama. The two female leads call each other wifey, the two male leads has... Like THE most romantic moments EVER! Reading the summery again, I would swear that it's not a gay drama. A lot of people call it Queerbaiting but I actually disagree. It kind of suits the style of the drama and the synopsis clearly states that the male lead will end up with the female lead. The whole drama is just one big comedy with some serious plot in it that will slowly uncover as time passes by. The jokes are so bad in a way that's hilarious. The male lead is someone of modern time who rebirth to the world of this drama and I just love how the lead is also dissing the script so much. To put it short, you need to get through a few episodes to get used to the weird concept, but the moment you do, it becomes so good XD. However... the arcs never really ends... well. There are so many times when I'm like "Uhm, writer? Do you still remember that love line?" But yeah... unless they make a season 2, I felt the plot quite unfinished after finishing the show.

*Characters*
I've not read the original novel so I can't really say if they were similar to the novel or not. However, it did feel a bit exaggerated at first. Especially the female lead. Whether it was her personality or look, I felt like she took the wrong role. Not that she was a bad actor, but it simply didn't suit her. However, as time passed by, I actually started to like her a lot. I guess I had to get used to a foreigner (or at least a mixed race) playing an ancient role. I found her really pretty later and began to love her as well. I guess you have to keep in mind that it is meant to be a comedy so some exaggeration is completely normal. You just gotta get used to it. Generally speaking, none of the actors were really bad. Maybe a bit awkward here and there but not to the point of bad. Generally speaking, it was quite alright.

*Music*
I liked it. Have nothing else to say about it

*Rewatch value*
Did I enjoy it? Absolutely. Would I watch it again.... Probably not. One time is enough, but some lame parts/scenes are definitely worth to be put on repeat

Leia Mais

The Princess’s Gumboot more like…

NB. Unlike the majority of my reviews this one contains mild spoilers.

To be honest, this drama suffered even more from the comparison to Nirvana in Fire which I’ve just finished watching. I described that as “sophisticated and intelligent” but unfortunately this one is lame, painful and naive. In reality it is a romance in the enemies to lovers trope wrapped up in an intrigue/mystery plot that has about as much twist and tension as a scrunchy. Because whatever happens, you know beforehand that it won’t cause much of a problem to our dashing, devilish hero who will emerge shining bright like a TRESemmé ad with his wig still immaculate.

How do I know that? Because a good plot is one where the odds have real bite and there is both winning and losing, so that the audience is left insecure. But when death is the only stake from the get go, two things become obvious: firstly there will be no gradual increasing of tension and anticipation, only more of the same; and secondly, the hero/heroine can never lose, whatever the circumstances; come hell fire, explosions, high water, incompetent assassins, miracle survivals, impossible escapes and of course, the compulsory memory loss.

Another consequence is a stupid, one dimensional villain, who has to mess it up every time. The character of Prince Wu You was bafflingly extreme and contradictory but not to worry, he was just the aperitif and was soon replaced by another one. Unfortunately, Prince Wu Yin was cut from the same cookie dough but had an added creepily erotic nanny fetish over the linchpin villain of the piece, whose most notable feature was her absence from the majority of the drama. The loss of the only credible villain, Meng Hui Jin about a third of the way through was a sad day for the plot. One wonders if having an opponent equal to the task was something the writer was not skilled enough to handle.

I wasn’t convinced by the love story either. In fact the writer’s level of emotional literacy throughout, especially in the characters of the villains, hovered around zero. If on first encountering someone they try to kill you, just believe me when I say, you really are never going to trust that person again. Then heap on top of that a huge number of dodgy scenarios and a great deal of warranted mistrust and you have an unredeemable situation. So to think that these psychological obstacles could in some way be cast aside (however much two people lust after each other) is totally naive and snuggled-up-safe-in-bed fantasy-land imagining. And there you have it, I suppose I’m just too old and grounded in reality to appreciate this style of storytelling. I assume that this is a known fact to people who choose to read my reviews (and I’m genuinely grateful to you for being one of them), so no surprises here, lol.

This wasn’t a low budget love story. There was a cast of thousands, a big costuming budget and all the trimmings which were on constant display (they’d got them, so they might as well use them type of attitude). Which might go some way to explaining why our intrepid heroine felt it necessary to still wear a barnet full of ornaments and a silk gown whilst rough travelling hundreds of miles on horseback to rescue her brother. But despite all that jingling finery, the drama still didn’t make the cut because the script and the plot was sooo bad.

It began with a perfectly acceptable high stakes drama (if I was generous, a 7.5) and then, almost purposefully, slid down the long slippery slope to end in the farce that was the coronation scene (now plummeted to a 5) before falling apart completely (which is how we arrived at 4). There were too many threads that were hanging loose and not bound together into a cohesive narrative. The last three episodes felt like having to clean up after a party—washing up the characters, vacuuming out the various plot rooms and polishing off the last dregs in the wine bottle just so you can keep going.

As for the dialogue, it was superficial, explainy and lacked any sort of subtlety or emotional intelligence. When characters start explaining their backstory to people who lived it with them, then you know the writer was chucking an all-nighter to get the scene finished before the dawn shoot and patch the holes made by the scenes that got cut earlier on. This happened throughout, but most cringeworthy was Empress Lv in Episode 34.

The acting wasn’t anything to write home about either. But then it’s difficult to excel with banal lines and wooden direction. It’s hard to pick a winner but I’ll back Lui Ling Zi’s performance as probably the best of a very average bunch.

And the soundtrack? Was there one? I’ve forgotten…

However, to end with, there are one or two things that attracted a favourable response from me. I really like the sets for this drama. Particularly the gambling den, with its rich colouring and ambitious costumes. Also the cinematography followed through on that theme, with some dramatic lighting that provided an interesting visual feast (which saved it from a 3.5).

Leia Mais

Wow, is all I can say.

Thriller/Mystery drama's are not something I watch often, but when I do, it takes a lot for me to commit and do it and when I do; I hope that it's worth it. It's been a while since I've watched a mind blowing K-Drama to be honest and I can say that I didn't know what I was getting into when I started Flower of Evil, but I saw a clip and immediately I was sucked in to something I will never regret watching in my entire life.

The synopsis in itself is already a rollercoaster, even though this is similar to a lot of other mystery/thriller/crime dramas; you don't really know you'll be invested into something even more mind blowing and emotionally tolling. You have a man that's the perfect husband, father, worker. You have a woman that's the perfect wife, mother and partner in general. They are both hard working, they met randomly by fate one day and the rest is history, their love is absolutely mind blowing and just plain...impeccable. But the male lead has a past, an unknown one. And unfortunately sometimes, you can't run away forever, especially when your demons are not only haunting you mentally, but then they start doing so physically. So you're going to go through what it's like to love someone but want to protect them no matter what happens, you're going to see that some people will go to the end to protect their own even though it's putting themselves on the line, you're going to see what it's like to be abandon by those who love you most and what it's like to be looked at like a monster. There' s so many ups and downs in this show but it's one of the best journey's I've completely been on. The love they had was wonderful, the characters that helped, the officer team, everything was just a nice flow of things.

Let me tell you, this is one of the best acting I've seen in such a long time. I love the raw emotions you got to witness between every single character; but you're taking so many veteran actors and actresses and putting them into something that they made just pure genius. The emotion and control that Lee Jong Gi has is amazing, the strong, bold character that Moon Chae Won played and the CHEMISTRY the two had, is absolutely everything. There was a prefect balance of their love and the show. The daughter was a fantastic aspect. The bad characters were so good at being bad. The reporter was a nice spice; the sister being added into the twist. The way the detective team carried themselves; if this show doesn't win rewards for the story, the ACTING will for sure win something.

The music was wonderful, I loved the timing that they had. I'm obsessed with the OST that Shin Yong Jae put together for this; everything about it is beautiful, raw and emotional all in one and that's how this show will leave you feeling.

Overall, this show was amazing. It's worth watching and rewatching within seconds. I actually binged this show and woke up just to rewatch the last 2 episodes because I couldn't get enough. The ending was quite bittersweet but I felt the craziest thing while watching it and I've never watched a show where I was so satisfied with the 2nd to last episode that I couldn't stopped there. I was literally so satisfied how this show played out and where it went that I'm absolutely mind blown at this beautiful master piece. My heart ached with the emotions of the characters, I cried and was angry all in one. And that's what a good drama is. One that you cannot stop thinking of and that was this for me. This really made me realize how much I love watching Asian Dramas in general. This was so good.

Leia Mais

I started to watch this cause i had finished iris and city hunter and searching for a new action drama like them. Then i found this and say "i can try this. I don't have anything to lose". So i watched and say " this show is definitly one of my favourites" I didn't lose anything but gain a lot of things.

Story: it was great. It never make me stop watching or bored. When i thought story is over, It always make me shocked by its turn overs. It has everything spies,revenge and cold-blooded,handsome man:D

Cast: Lee Jun Ki ( This was the first drama that i saw him) , Nam Sang Mi, Jung Kyong Ho ultimate trio:) the atmosphere between them is so good that you can't stop watching. Especially Lee Jun ki's acting make you bewildered,it likes in one drama he has many characters.

Music: It has a range from rap to classics and none of them unnecessary for drama.

Rewatch value: definitely i will watch tihs over and over again.It is certain that i will find many other things while rewatching:)

If you like action and revenge you must watch this drama. You will never regret:)

Leia Mais

Women hold up half the sky.

Song of Youth is a historical Chinese soap opera that pays tribute to 红楼梦 Hongloumeng (Dream of the Red Chamber), widely regarded as China's greatest novel. Fans of the novel will immediately recognize that the backstory of an aristocratic family in decline and the multiple character blueprints that are based on this vernacular classic. Uniquely, this narrative plucks out the all-consuming, angsty, tragically epic love triangle that forms the core of the novel and focuses instead on broader, often less appreciated themes. The love triangle is still there but it is been muted to the extent that it is only peeks out towards the end.

Lin Shaochun, a talented actress from a performing troupe marries Sun Yulou, the youngest scion of the noble Sun family. With her innate resourcefulness and the support of her husband, she becomes indispensable to his initially disapproving family by ably resolving all their internal and external conflicts and challenges. Bai Lu as always delivers a very enjoyable performance as the supportive and loving wife of Sun Yulou and the clever, thoughtful and femininely authoritative Sun family fixer. Even though I think Wang Yizhe has a lot of potential as an actor, he struggled to get into character and I didn't see much spark between him and Bai Lu. But it doesn't matter because albeit with some challenges, their arc is short and it is ultimately a rather pedestrian love match. After that the narrative explores more complicated and more poignant relationships where the couples have limited ability to make their own choices. Very much like Court Lady, Lin Shaochun is just a tour guide through the social structures, culture, relationships, vanities and daily life details of feudal 18th century China. Thankfully unlike Court Lady, Bai Lu's portrayal of the role as occasionally ruthless and not overly preachy and righteous makes Lin Shaochun very likeable if too infallible to be that interesting.

What stands out about this drama is that very much like Hongloumeng, it celebrates the contribution of women to society - Mao Zedong was far from the first to acknowledge that women hold up half the sky. True to the novel, the drama is very female centric - Lin Shaochun is the main protagonist and in a fitting role reversal the ML Sun Yulou is just a prop; an attractive, decorative vase. Even the best antagonists are formidable and devious women. In fact, most of the male characters in the drama are rather weak and not that intelligent - Sun Yulou only pulls himself together to be worthy of Lin Shaochun, his oldest brother is a foolish gold digger's wet dream, his second brother is the most capable of the lot and his third brother is a henpecked wastrel. All of them become better, more successful men thanks to their smart, determined and capable wives. I find both the eldest and (especially) the second brothers' stories to be far more interesting than that of the main CP. Unfortunately the second brother's story fizzles out in the middle and ends in a slightly disappointing way. Nonetheless, Yao Dizu is by far the most multi-faceted and refreshing character in the drama, more so than Lin Shaochun. She is also the only character that gets to be the author of her own story. If Lin Shaochun were written to be more of a bystander and less of the person who always saves the day, this would be a much better drama. She always wins by the same modus operandi so by the second or third arc, I was on to her and the "twists" become predictable.

The other problem with this drama is that it doesn't seem to be written in one voice or tone and thus gives the impression that it doesn't know what it wants to be. I think it is intended to be a satire or parody of bourgeois upper society during Ming Dynasty. Unfortunately in parts the humor is quite slapstick when it comes to Lamu Yangzi and some of Jin Chen's scenes because that matches the kind of humor they do best. Bai Lu and the rest of the cast however, are better suited towards more subtle, satirical humor and when the writing tries for something in between, it comes across as forced and half the time it misses the mark. That said, there are some really good laugh out loud moments but overall the wit and humor is hit or miss. The rhythm of the screenplay is particularly awkward at the beginning but more enjoyable from the middle episodes. After the four brothers' stories, the recycling of themes around the fallout from arranged marriages gets old and the final arcs flatline - I saw the final end twist a mile away so the end was predictable and anti-climatic.

This gorgeous production was clearly shot with meticulous attention to detail from the sets to the authenticity of the costumes, make up and the cultural details. The only lapse is perhaps the fact that the classic Cantonese opera Legend of the Purple Hairpin is sung in Mandarin and not in its original language (this was one of my grandma's favorite operas, she used to play the Liza Wang/Adam Cheng recording all the time). Overall a high quality production that is an enjoyable light watch even though it falls well short of Hongloumeng in terms of panoramic impression, breadth of social commentary and lasting impact. This is fun enough for me to rate this a 7.5.

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DOMUNDI HAS FINALLY DONE IT!

The best Thai BL this year!

Good things comes to those who wait, or to those who try and try until they succeed - thats how i feel about Domundi/Mandee. Yes, they produced quite a lot of BL shows over the years, some are just plain crap and some even almost veering to goodness but nothing they did before really reached the greatness level - until Khemjira came.

A perfect mix of good production value, good visual effects, the richness of Thai culture and a slew of cutie pie cast.

Its a slow-burn series - maybe not even slow-burn but just plain slow, but it does work on a show like this. Quick recap. Set in a rural Thailand setting, Master shaman Pheem was asked to help save a cursed Khem against an avenging ghost. While Pheem seemed initially reluctant to help, its evident that he cant just say no considering Khem is his wife from their former lives. Keng is just the perfect mysterious yet charming Pheem while Namping is the lovely damsel in distress. Tie and FirstOne( i love his uncanny resemblance to Mixx) are scene stealers as Chan and Jet. You also cant help but emphatize with the villain through the very effecting performance of Green as Ramphueng.

It should also be noted that its from the same team that worked in the also recently concluded The Next Prince. Both shows clearly got huge budget backing that enabled them to create great set pieces and exquiste costumes. While i dont understand why the fictional kingdom in The Next Prince was European inspired even though the country is clearly in Asia, this show, Khemjira, fully embraced the richness of Thai culture, beliefs and traditions. I even loved the songs and the occassional traditional Thai music.

What surprised most fans during the airing of this show is its varying runtime as some of the episodes are like full-length movies at almost 2 hours. The good thing is even the longer episodes doesnt feel like its dragging the story - it is evident thay they have carefully and successfully mapped out a storyline for the entire duration of the series that didnt loose track of what the focus should be so you will not feel like some episodes are there just for fillers. They have achieved a balance between the supernatural fantasy aspect and the things (and tropes) that BL fans love - plus i loved that Domundi has greatly lessened the clickbait sex scenes (hold your horses, there are still some to those looking for it).

I hope Korean BL production companies have watched this series and realize why 15minute 8-episode series just isnt enough .

And while the show is beautifully executed, it is not without faults. However, i loved loved loved that Domundi is clearly investing a lot in improving their contents. I just hope they can keep their next shows in this level (but truth be told im already underwhelmed with the curently airing Me and Who). Other companies (ahemmm GMMTV) should watch out because if they keep spewing the same old sh*ts all the time, clearly Domundi is ready to take their crown.

Will i recommend? Hell yes, the cast alone is enough to watch it. Will i rewatch? After watching almost all episodes twice i think i will give it a rest for now. Overall its a 9.5!

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Someone made this at gunpoint.

Putting production aside, which you have to if you're determined to watch this, I have to begin with the cast. All but the two leads are unmemorable and oft squealing. Folk as Bar is adequate and a committed actor. I think under better circumstances, his Bar could have been quite charming.

I didn't expect when I looked up Win (Gun) that he might be any older than eighteen. This, possibly because of his struggle to fill Gun's bold shoes. There's nothing wrong with a romantic lead whose soft or less-than-stunning as long as they're written that way. There's no equivocating, Gun was written for someone charming, muscular, and worthy of fawning. Win's Gun (I'm sorry Win) is none of these things and we're meant to believe it because the other characters say so.

The plot of this show is negligible. Undoubtedly the short run of this show is in part to blame for the jumbled mess of the plot. There were seeds of events, such as competing love interests and a half-assed faculty competition, that suggested to me a once-complete story. The micro inclusion of these elements was more confusing and unmoving than it might have been had they cut them entirely or chosen to focus on decidedly less and written them to their full potential.

In all honesty, I sped through the last episode as I had had enough by the start of the third. I was never able to latch onto any characters and the conclusion of their relationship was unconvincing.

If all you ask for in a show is a happy ending, go for it I guess.

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Shining characters trapped in a drab plot line

Standout characters immediately grab your attention, and Do You Like Brahms? starts with one of the strongest first 4 episodes of 2020 premieres, second only to Flower of Evil. The two main leads, a burned out superstar and a struggling artist, seem cliché, but their foil is fully explored and surprisingly relatable. However, little substance is built on the foundation of their relationship. You better understand and relate with each character, with each episode, but the evolution of their relationship stagnates. Either DYLB? should have been told in fewer episodes or bigger dramatics were needed to stimulate a more engaging reaction.

Story:
The contrast between the quality of characters vs plot is stark by the ending of Do You Like Brahms? From leads to supports, the characters have an incredible amount of depth. Even the motivations of the antagonists are mired in complexity. As a character drama, DYLB? excels by making the unique lives and challenges of musicians relatable to casual drama viewers.

As a thrilling romance or gripping melodrama, it falls short. The love triangle(s) that is crux to the plot of DYLB? is presented in the first couple episodes, and its potential outcome feels inevitable (i.e. miscommunication, confusion, heartbreak). The lack of suspense transforms into frustration as the middle segment of DYLB? trundles toward the finale following a subdued climax.

I want to include one last comment about time skips and flashbacks. They were not always crystal clear, but I appreciate that the director did not baby the audience with title cards like “1 year ago”, “1 month later”, etc. Overall, the plot is the main weakness in an otherwise well directed drama.

Acting:
The combination of character design and cast brings to life the fictional characters on screen. Park Eun Bin adds another excellent role after her underappreciated performance in Hot Stove League. Kim Min Jae has a long list of great roles for such a young actor, almost comparable to Yeo Jin Goo. Their interpretations of their characters just make sense. They act and behave like genuine human beings instead of characters.

The rest of the cast is equally decorated, but I will specifically praise Choi Dae Hoon and Baek Ji Won for creating characters that knew all the right buttons to push for maximum irritation. The way they frustrate the viewers and the main leads is the definition of entertainment, in stark contrast to my frustration with the flat plot.

Music:
More so than the characters and cast, the music within Do You Like Brahms? rises above First, the use of classical music is slightly cheesy and often used as a plot device, but it is refreshing to hear a different sound from the standard drama ballads. Second, the OST of DYLB? is anything but “standard”. The same musical producer from Hotel Del Luna worked on this drama, and the quality of the OST is unparalleled in 2020. It is hit after hit sung by some of the biggest names in Korean music, from Taeyeon to Heize. It is good enough to listen without even watching DYLB?

Rewatch Value:
The lack of dynamic plot and explosive confrontations make it hard to justify a rewatch. This weakness even bleeds into the strong character designs. The main female lead starts off as a relatable, struggling young adult, but she seems too perfect as the story drags on. Being untalented or soft-spoken is far from a real character flaw, and her immaculate actions wear her initial relatability thin. I may be overly critical since I started DYLB? with high hopes. Unfortunately, it falls short of the best drama of 2020 which currently belongs to Crash Landing on You (depends if you consider it a 2019 or 2020 drama) or Flower of Evil.

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