CAST/ACTING: Nam Goong Min was just phenomenal. How he portrayed Na Yi Je from being a kind doctor to a vengeful and power seeking character. His signature expressions was everything!! He truly became one with his character. Kim Byung Chul was just stellar as Seon Min Sik, seriously that smile was creepy, and at times i did find him annoying, but in the 2nd half he really played his cards well. Choi Won Young was great as Lee Jae Jun, the way he had such great control over his expressions and body language to portray his character and the illness. I wish Nara's character was more developed and incorporated. I felt like the female lead was just left as a side character, but whatever scenes Nara had, she was great. And i also loved the supporting cast members, they were soo good! Loved Prosecutor Jung and Miss Oh's interactions a lot!
OST: I personally really liked the soundtrack. They fit in well with the ambience of the drama. There were songs that felt hopeful, but then also sad and agonising.
REWATCH: I don't really re-watch dramas, but there are definitely some scenes that i would watch again.
One of the most well scripted, well directed and well cast drama i have seen in a long time!! This drama is gonna take me a while to digest.
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The Sweet Taste of Pie
"Cutie Pie" has baked itself into a scrumptious treat. With masterful cinematography, a stirring soundtrack, and impressive performances from its male leads, it serves up a feast for both the eyes and the heartThe chemistry between the male leads is electric, a bond so strong that from the very first episode, one can't help but root for them to end up together. In the emotionally-charged episode 9, as the male leads profess their love and vow to belong to each other, the moment becomes more than a simple exchange of affection. It's a powerful statement of love's power to triumph over adversity and unite two individuals of the same sex
The icing on this already delectable dessert is its commentary on the issue of marriage equality. Gay couples deserve recognition and protection under the law, and this is a message that will resonate long after the credits roll
The drama's imperfections, like a slightly burnt crust or uneven filling, are the blemishes that mark a pie and add to its character and depth. They give it its greatest flavor
For those reading the mixed reviews, I urge you to give "Cutie Pie" a chance. Taste the pie with your own palate, and let it work its magic on you. "Cutie Pie" should be savored by anyone with a sweet tooth and an open mind
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Just another timetravel story
Overall Thoughts:Not a bad drama, but not one I’ll be thinking about two months from now. The pacing felt a bit sluggish at times, and I wasn’t fully engaged with the storytelling throughout. This could have been tighter and more impactful as an 8-episode series. While there were twists and turns, most of them were quite predictable. Still, that didn’t stop me from continuing to watch.
What I Liked:
The chemistry between the main couple was genuinely enjoyable and carried a lot of emotional weight.
The lead actors gave solid performances that made their relationship believable and compelling.
The bodyguard/assistant character was a standout, adding charm and balance to the overall tone.
What I Didn’t Like:
Armin’s hairstyle in the early episodes was distracting and oddly styled.
The creators leaned too much into lakorn-style melodrama, including exaggerated acting, outdated tropes, and overly dramatic scenes.
For instance, Armin repeatedly "accidentally" reveals information from the future to people in the past. This happens multiple times and starts to feel repetitive.
When Armin was shot on set, with real or empty bullet, no one would realistically aim directly close range at the heart and fire directly. a blank (or empty) bullet can still be dangerous and even deadly at close range.
The villains were particularly cliché, behaving like stereotypical bad guys from old movies, with theatrical tone, facial expressions, and gestures. The main villian ends up going insane in prison, a trope that felt tired and unnecessary.
Final Verdict:
A watchable drama with strong performances and great chemistry between the leads, but weakened by predictable storytelling and an overreliance on outdated dramatic devices. Enjoyable while it lasts, but not something that leaves a lasting impression.
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A promising start learning to no where
A drama that got me hooked from the very start. I literally went to what I was 2 years ago, impatiently waiting for the new episodes. But it came out quite a surprise how, the creators can ruin their own creations. I literally have no problem with baekedo not ending together, but they way the drama was messed in the second part, and it began hitting the rock bottom.Nam jio hyuk has improved a lot as an actor,and Kim tae ri was phenomenal as usual, osts and BG scores were top notch.
This drama destroyed all of my brain cells. But I do not deny the first half was awesome, the youth phase was incredibly relatable.
WATCH THIS AT YOUR OWN RISK!!!
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I see the potential but it just never got there
This was an exhausting watch. I suppose you'd expect that given the heightened world of social media but wow did things drag. Idk why i kept watching tbh.I mainly watched for the social commentary but that felt very flat. Rather than adding something new to the social media/consumerism conversation the same points were repeated and got stale. It’s a shame bc these things should be talked about but the script just didn’t deliver. I was confused about exactly what Ah Ri was trying to accomplish. She wasn’t like the other influencers yet she turned into a hypocrite by imitating the actions of people she claimed she wasn’t like.
The actors were all ok. Nobody was outstanding, just ok. This is the second Park Gyu Young drama I’ve seen where she’s the FL, and I didn't like either of them a whole lot. She suits a side character much better, and personally I think she lacks the charisma it takes to be a FL. Kang Min Hyuk was so mf fine here but I’m afraid that's all he was. Why people are saying the leads had such good chemistry, I don't know. Chae Hee was a CHILD. Shi Hyun was supposed to be the opposite of the two extremes I suppose, but she wasn’t giving me anything to work with. She wasn’t annoying so that’s good. The other influencers were forgettable.
This drama obviously had a lot of effort put into the production. You could feel the weight of the materialism through the screen. It still ended up missing the mark in terms of what it was trying to accomplish. Rather than12 eps this could've easily been 10. Hopefully in the future another drama with this subject matter and bettwr execution will come along.
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1Review of "Ski Into Love": From Hibernation to the Crown
Ski Into Love is a romantic comedy drama with a sports theme, focusing on skiing while also serving as a healing drama. It tells the story of a woman and a man who find themselves at the lowest points in their lives, almost as if they are in hibernation. As they embark on their journey to rise again, they cross paths—two lonely souls who begin to accompany and support each other. Together, they chase their dreams, reclaim their place at the top, and regain their crowns.Love That Accompanies, Not Heals
One of the most unique aspects of Ski Into Love is its refreshing take on healing. Unlike most healing dramas that portray love as the ultimate cure, this drama presents love as a companionship rather than a remedy. Instead of healing each other’s wounds, the protagonists provide mutual support, encouragement, and motivation to become better versions of themselves. Love here isn’t about fixing someone; it’s about walking alongside them as they rediscover their strength.
The drama’s original title, "The King is Hibernating," is also quite significant. The word "King" is used in a gender-neutral sense, implying that both the male and female protagonists are "kings" in their own right. They are both in a phase of hibernation, struggling to rise again and reclaim their crowns.
A Stronger Adaptation from the Novel
While the drama is adapted from a novel, there are several key differences that enhance the storytelling. The drama delves deeper into character development and provides more logical plot reasoning. One notable change is why Shanchong treats Weizhi differently from other students—this is tied to their first encounter, which left a lasting impression on him. Unlike others, Weizhi unknowingly broke through his emotional walls, making their connection special from the start.
Similarly, the explanation behind why Weizhi doesn’t recognize Shanchong is made more reasonable in the drama, adding depth to their relationship dynamic.
A particularly commendable aspect is Weizhi’s character portrayal. She is depicted as a kind-hearted, funny, smart, talented, and delightful person with a strong spirit and positivity. She brings warmth to every scene, making it impossible not to root for her. She is not just a passive love interest but a strong, career-driven woman who pursues her dreams with determination. Weizhi learns skiing out of her own desire and has a clear vision for her future, making her a much more compelling and inspiring protagonist.
Additionally, the subplot involving plagiarism and AI-generated comics adds a modern and fresh twist. Given that AI in the art and creative industry is a hot topic today, this storyline makes the drama even more relevant and engaging.
Esther Yu’s Exceptional Performance as Weizhi
Esther Yu delivers a phenomenal performance as Weizhi, proving once again why she is the queen of rom-coms. Her acting is natural, effortless, and incredibly charming. She captures every nuance of Weizhi’s personality—her kindness, her liveliness, her intelligence, and her unwavering determination—with absolute perfection.
Esther’s ability to blend comedy, emotion, and charisma makes Weizhi an unforgettable character. She is funny, lovable, and full of life, making her presence on screen an absolute joy to watch. Whether it’s through her adorable expressions, heartfelt moments, or comedic timing, Esther completely embodies the role, making Weizhi one of the most endearing female leads in recent rom-com dramas.
Lin Yi’s Compelling Portrayal of Shanchong & Their Breathtaking Chemistry
Lin Yi as Shanchong also delivers an excellent performance. Although his version of Shanchong differs from the novel—being more of a green flag, gentle, and swoon-worthy character rather than just cool and distant—he brings a refreshing depth to the role.
The chemistry between Esther Yu and Lin Yi is simply unmatched. Their connection has been evident since their time on the variety show "Let’s Go Skiing," and this drama further proves how well they complement each other on screen. The production team truly did a fantastic job uniting these two talented actors, creating on-fire, top-notch chemistry that’s simply irresistible.
Breathtaking Cinematography, OST, and Passionate Production
From a visual perspective, the cinematography in this drama is stunning. The skiing sequences are masterfully shot, making even those unfamiliar with the sport feel excited to try it. The costume design is stylish and aesthetically pleasing, adding to the overall charm.
One of the standout aspects of Ski Into Love is its commitment to realism. Instead of relying on CGI, the team shot on-location with real buildings and breathtaking landscapes. Additionally, all the audio was live-recorded on set, which is incredibly rare for a C-drama. This level of dedication shows just how passionate the team was in bringing this drama to life, making the experience feel more authentic and immersive.
The OST selection perfectly matches the drama’s vibe. Even "True Love" by Esther Yu, originally a song from her birthday album, fits seamlessly into the drama’s atmosphere.
One of the most impressive aspects is the meticulous research done by the production team regarding skiing and comic artistry. Their attention to detail, combined with the live-recorded audio and real scenery, makes this drama stand out in terms of production quality.
Endless Promotional Material – A Treat for Fans!
Another reason why Ski Into Love is such a fun drama to follow is the never-ending promotional content. Thanks to Esther Yu, the ultimate promotion queen, fans are spoiled with a constant stream of promotional material. From behind-the-scenes clips, interviews, posters, and bonus content—there is always something new to enjoy!
Not only is Esther always prepared with tons of promo content, but the production team itself has been extremely generous with sharing extra material. They clearly understand how to keep fans engaged, making it an absolute joy to be part of the fandom.
Whether you're watching the drama, enjoying behind-the-scenes clips, or diving into interviews, there’s always something fun to look forward to. If you haven’t joined in yet, now is the perfect time to jump in and enjoy the ride!
Final Verdict: A Must-Watch Drama!
Ski Into Love is a lighthearted, enjoyable, and visually stunning drama that offers a beautiful blend of romance, sports, and personal growth. With an engaging plot, phenomenal chemistry, and breathtaking cinematography, this drama is an absolute delight to watch.
At the heart of it all, Esther Yu’s incredible portrayal of Weizhi makes this drama truly shine. Weizhi is a fantastic character—kind, smart, talented, full of warmth, and endlessly charming, and Esther brings her to life in the most captivating way possible.
For those looking for a drama with healing elements, a sports theme, rom-com charm, or simply a heartwarming love story, Ski Into Love is the perfect choice. Highly recommended!
And if you love dramas that keep on giving with endless promotional content, fun interactions, and extra surprises, this one is an absolute must-watch. Join in and enjoy—it’s a ride you won’t regret!
" As the drama promotion said, Ski Into Love will keep you company until the last snow falls and spring arrives ❤️"
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Overrated
This show was going to be great if it ended at episode 6... but it didn't.First thing to clarify, I hate the kid in this show, his character was the most annoying and was waiting someone to beat the crap of him for good or push him in front of a car so that there is less screen time for him and I didn't have to listen to him anymore. Maybe it's too much but each time I saw him I had the urge to drop the show right there.
Now that we clarified the hate relationship with that character lets continue...
The first 6 episodes was interesting and I was enjoying the show but afterwards everything was going downhill.
The show was trying too much to make each episode some kind of a turning point... I hate him, no I love him, then I hate him again and I love him once again... this game is played till the rest of the show and it was annoying as hell.
I never had a show that had me switch the character I hate the most after each episode (except the kid, he was number one in my hate list).
Pretty much the shows was trying the push the agenda that all men are cheating pigs and women are stupid enough to keep loving/forgiving them nonetheless... maybe it's overgeneralization, but that's the logic that the show was trying to sell us.
And that ending... oh my god... saying that it was stupid will be a compliment to the movie industry. I had to watch a 15min repeat of a whole scene from the previous episode just to finish it... and when I did there was one generic and totally stupid ending, where the previous episode ending (without the last stupid part) would have been a better ending point.
The saving grace was maybe the acting which was really good but no acting can save a bad screen writer.
So how did I score it:
1-6 epsiodes - 9/10
7-10 epsiodes - 7.5/10
11-15 epsiodes - 7/10
16 episode - 6/10
So the final verdict is 6/10 and I wouldn't recommend it to watch it.
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Did Love Alarm Season 2 Ring Another “ Alarm” Bell For Bad Story-writing?
With a nearly two year gap between season 1 and 2, an additional director Kim Jin Woo onboard, anticipation from drama fans about the fate of Jo Jo ( Kim So Hyun)’s love life, and high expectations about the overall production value , it may surprise a lot of reviewers scrolling through some of the top reviews, how many fans have scored the drama with adequate ratings. Some of these comments tend to argue along the same ineffable and biased notions that it was a “ bad ending” and “ not as good as season 1”, however, how does the story actually play out through an objective criticism in terms of characterisation, coherency and storyline in season 2?
“ Love Alarm Season 2” picks itself up during the initial time-skip of season 1, with previously “ high school” characters now ensuing careers or studies; Jo Jo is a university major, her current “ complicated ” boyfriend Lee Hye Young ( Jung Ga Ram) works as a technician at JoAlarm ( the development company for “ Love Alarm”) and former flame Hwang Sun Oh ( Song Kang) is becoming a famous national model and endorser for the app, however, Jo Jo has been hiding a secret about her app that allowed her to cut off the signal in order to inhibit her true feelings from Hye Young and Sun Oh . With the desire to reveal her feelings again, Jo Jo decides to pursue the mysterious Brian Cheon in order to unlock this feature.
Before addressing anything about the show, it is probably most prominent to point out the confusing chronology at times within the opening of season 2, by not initially “ leaving” off from the cliffhanger of season 1. Although it is understandable that a wide gap between seasons could have left viewers a little cloudy upon events and thus starting on a different storyline wasn’t “ too illogical”, it was a little head-scratching that screenwriters Lee Ah Yeon and Lee Na Jung didn’t attempt to even address or explain this suddenly “ different” storyline from season 1’s ending. This naturally left a massive hole within story development, not least for our main trio and their previously poorly-tackled characterisation from the past season.
Kim So Hyun wasn’t entirely “ unwatchable ” within her role as Jo Jo, but her performance did feel a little lacklustre due to general line deliverances. In terms of Jo Jo’s character development, there were a couple of more notable traits for Jo Jo than her season 1 counterpart , by actually acting out upon her emotions rather than remaining “ obliviously unaware” as well as a fairly traumatic backstory. On the other hand, Jo Jo still failed from breaking her initial mould as the “ prosaic heroine” of the series due to the same ridiculously staid personality traits imposed onto the character by screenwriters Lee Ah Yeon and Lee Na Jung.
The most evident example of this being Jo Jo’s “ complicated” feelings between Hye-Yeong and Sun Oh, which whilst evidently used to “ heighten” the tension of Jo Jo’s love life, still seemed fairly cruel by Jo Jo’s similar indecisiveness as the first season at times, by not forthright addressing her affections rather than leading on both male leads in such an immature manner . ( This is advocated by a later plot development which proves Jo Jo’s true nature.)
It is important to address this factor of immaturity, due to the evident age difference from different seasons often allowing a character to develop and mature as a consequence of their experiences. Instead, Jo Jo seemed to make the same mistakes as her past self by making ridiculously stupid decisions questioning how on earth she lived so long, let alone pass her exams to get into university. This is exemplified in an early scene of the series when she is working at the convenience store and hears a love alarm go off and her stalker’s uncomfortable actions towards her, Jo Jo’s first thought is to walk home by herself, talk to her stalker and then proceed to run away without thinking to call the police or at least her friend Mon Soon ( Bae Da Bin) in order to ensure the same thing doesn’t happen again. Whilst this scene was used to “ drive tension”, it did seem to gloss over the uglier possibility of what could have happened to Jo Jo as a consequence of her stupidity in reality as well as the more “ romanticised” tones of emotional and physical abuse appearing in the series.
This naturally draws us onto the biggest elephant in the room since season 1, the “continuously brooding” ( and “ preferred” love interest by many devoted fans of the series ) Sun Oh. Similar to his costar, Song Kang is a fairly good actor, however, his performance consisted mainly between stoic, constipated expressions and furious yelling for a major proportion of the series.
Arguably there were some better insights than season 1 into Sun Oh’s fairly estranged relationship with his mother Jung Mi Mi ( Song Sun Mi) and his unhappy family life, however, rather than screenwriters allowing this to gradually mature or allow Sun Oh to develop from his inferiority complex in season one, his personality is still written off as fractious, immature and egotistical within his portrayal in season 2 by often storming off, breaking things and hurting others in the procedure. In particular, this is seen through how Sun Oh interacts emotionlessly his “ girlfriend” Yook Jo ( Kim Shi Eun) and often manipulating her overt feelings towards him, as well as his interactions with Jo Jo.
With his unrequited love towards Jo Jo since high school becomes the main highlight of their “ possible pairing” for many fans and whilst it is understandable why Sun Oh felt anger or upset towards Jo Jo not replicating her feelings, it does not excuse some of his terrible actions towards our female lead. Sun Oh’s actions of publicly embarrassing Jo Jo in front or her classmates , kissing her without permission whilst she is respectfully dating Hye-Hyeong and then throwing another temper tantrum by flaring up in Hye Hyeong’s face without accepting or apologising for his mistakes , made him an incredibly difficult individual to truly romantically pair with Jo Jo by his lack of respect towards her feelings ( and his former best friend Hye Young).
This naturally draws us to the lovelorn Lee Hye Young, who viewers are made aware early on in the series that he is aware of Jo Jo’s ambiguous feelings towards him in their relationship , yet nevertheless does not force or implicate Jo Jo to give him an answer. Whilst Hye Young remained the most respectful towards Jo Jo as an individual and as a love interest, his obsequious beliefs that “ one day she will love me too” seemed a little questionable towards Hye-Young’s fairly hot pursuit of his own feelings towards Jo Jo in in season 1. Consequently, the introduced relationship between the two characters felt more “ obliged” in order to keep the “ storyline moving ”, than intricately complicated as it should have been with Jo Jo’s feelings. In addition to this, there still remained many unanswered questions towards how Hye-Young landed a job at the company as well as more realistic insight into his qualifications at work whilst presumably not in full-education.
Perhaps the one actual interesting element of the second season remained within the mysterious appearance of Brian Cheon ( Ki Do Hoon) who makes the characters ( most notably Jo Jo) wonder if he is actually their “ dead” classmate and seemingly former developer Duk Gu. Whilst this is an overarching storyline in parts of the episode, the ending result felt incredibly letdown and lacklustre by lacking development or screen time as well as wider development for second female lead Park Gul Mi( Go Min Si), rather than in favour of the heroine’s questionable romantic pairings.
As a consequence, the pacing of the show felt oddly imbalanced between moments of genuine interesting development, and dragging scenes of puppy dog eyes by Hye Young and Sun Oh towards Jo Jo from a distance creating many notable plot inconsistencies . The ending of the series was more a matter of opinion that particularly “ bad” or “ good”. Diehard fans who haven’t really acknowledged the direction of the plot, may feel disappointment, yet whilst still undeniably half-baked in comparison to the initial premise introduced in the show back in season 1, it was not an entirely “dire ending” for the show as well .
Ultimately, “ Love Alarm Season 2” did initiate more mature themes and backstories behind our characters, however, lacking character development, inconsistencies, a coherent and riveting plot line in a fictionalised reality and rushed development in parts, made the second season feel more like a surreal dream phase, than a coherent and complete finale for “ Love Alarm”.
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The Shipper is a love story, but not in the way you think.
From day one, as people fussed over endgame, what is and isn’t BL, what was appropriate for TV or what wasn’t, I felt something was different about this show. Scratch that—I knew something was different. The writing had something to say, and as I continued to watch the series unfold, what I wanted this show to be didn’t really matter to me anymore. I was simply content to see where the director, Aticha Muilanie (who has proven herself quite adept at injecting narrative with purpose), wanted to take us.The Shipper, at its core, is a humble parable. It’s about trusting in yourself and trusting in others. It’s about learning to forgive and to be forgiven. Growth. Relationships (in and out of them). Love…
The Shipper is a love story, but not in the way you think.
This is a story about what it means to be loved. To understand that, no matter where our place in the grand scheme of things, we are worthy of being loved.
That seed is planted from the very first episode and carried all the way to the very end through all the shenanigans and hijinks that ensue. It will make you laugh, it will make you cry, but most importantly, it will make sure you remember what it has to say.
With its expertly directed cast, excellent use of colour, pleasing camera work, and charming soundtrack, it’s a grounded fantasy that’s hard to say goodbye to. I know I will be coming back to it again and again.
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O Isqueiro e o vestido da Princesa
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OVER THE TOP! SUCH A MEMORABLE SERIES! <3
Please, love everything!!! Maybe because it's from a novel so it's well-written. Well-written, good dialogue and everything is perfect! There's so much motivating and touching dialogues. The plots are seriously great and amazing. Not to mention the values. Too many values are given in this series. Lately, if you feel like you don't believe in love anymore, please binge-watch this series. Full marks!! There's no draggy and messy at all but kept me craving for more and more. Such a perfect series and this is what I want! It is not a repeating drama, not typical enemy-lover story omg I'm getting tired. This drama had such meaningful stories. Gotta says finally I found the best Cdrama for this year <3333 And of course it will be my favorite drama for all the time!Their acting is much better. To be honest, no one can replace Chen Feiyu and Zhang Jingyi as Li Xun and Zhu Yun. The chemistry of the main lead love love love! The way they looked at each other were full of love and everything felt so pure. I love Zhu Yun's character the most. I love everything about her. If I'm a man I'm gonna date her then never let her go. SERIOUS TALK! What a beautifully portrayed characters that will stay in my heart for a long time!!
Every OSTs are sooooooo good! Suits the situation, the vibes are indescribable!! The effects of the OSTs, every time I listened to the songs, I miss the drama and keep wanting to rewatch the series. Yes, I’m not moving on!
Will rewatch this drama again and again. Highly recommended! 100% RECOMMENDED!!
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Kimi to Nara Koi wo Shite Mite mo
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MISSING THEM ALREADY!
I started this off with good intentions and I was right to do so! This series is just overall sweet and gives me what I've been needing after the toxic relationships in the past BLs I've watched. If you are unsure to watch it, hopefully my review makes you decide!THE STORY:
Kaido Amane moves to Enoshima and decides he may want to actually find someone he loves, instead of just sleeping around. While there, he comes across Yamasuge Ryuji, a boy around his age, who works at a restaurant. After becoming friends, Amane quickly realized his feelings for Ryuji. But, does Ryuji feel the same way?
First off.. let's talk about the characters. Amane is bubbly, but a straightforward guy when it comes to his feelings. Ryuji? HE IS A GREEN FLAG! When I say a GREEN FLAG, I mean the GREENEST FLAG. He's probably one of the greenest flags I've seen in JBL. Ryuji is understanding, and nice. He didn't leave Amane even when he knew that he had feelings for him. He considered his feelings and didn't EVER act like he wasn't there. When Amane confesses to Ryuji, he doesn't really know what to do because he never thought of his feelings this way towards the same gender.
COMMUNICATION IS KEY!!
There was no misunderstandings between the two. Why? BECAUSE THEY TALKED IT OUT. When there was a problem, they talked it over. Why is that a good thing? Because some BLs, Japanese or not, always are miscommunicating and have all sorts of problems. And they never fix to probleme until EPISODESSS later.
THE 2 KISSES IN EPISODE 5??? I SCREAMED AT 6AM. They were so cute together, and even though it was so short, it was so enjoyable!
This series is so cute and I'll definitely be rewatching it! If you want a BL without any misunderstandings, with adorable leads and a adorable cat, watch THIS!!!
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Just an Encore is absolutely beautiful, and heart wrenching at the same time. The characters are not perfect, they get jealous, they can be selfish and petty. And yet it is precisely these qualities that make them so lovable, and more real.
But I won't lie, the reason why I loved it so much can be summed up in three words:
He Xin Liang.
He has set a new record for book boyfriends. He is so damn caring, patient and sweet,..... andjust all kinds of amazing.
Your heart breaks for him so many times.
He is just...too good.
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Intriguing but slow and boring
I waited every week eagerly for a new episode of My Liberation Notes and I watched it till very end...The characters were definitely intriguing and unique and were played really well by the actors especially Lee Min Ki and Lee El. Btw Lee Min Ki's character had one of the best character arcs I've seen in kdramas. And that's a win for the writer to create such interesting and realistic characters. Yet overall I found the show to be boring and slow and pretentious at times. MLN has been compared a lot to My Mister, the writer's other show and My Mister was a slower show too, but it was sharper and more engaging. I actually thought some episodes were more similar to Be Melo, in the way the characters talked and random situations occurred. The other common thing with My Mister is that MLN teases the audience when it comes to the romantic relationships. In My Mister there was the age gap issue but here I'm not sure why the director and writer choose to stay away from any romantic scenes. How I think about it is don't show all this tension between the actors if it's not ending up in anything and it also seemed very unnatural and stark for them to have feelings for each other but hardly show any intimacy on screen.The dialogues though random are well written and thoughtful. But the show overall is very dialogue heavy which can be a disadvantage for non-Korean speakers, but I enjoyed that part to some extent. MLN was going for something interesting but the writer doesn’t do as good of a job to tie things together and make it engaging enough. You may like the show if you like deep philosophical conversations and if you're an introvert you may relate to the FL atleast in the first few episodes. But the show leaves with too many loose ends and the reveals or mystery the show builds on and creates anticipation on are not as interesting in the end.
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Started it for Jisoo, Stayed for Amber
Amber was the only rational person in this drama, she was understanding, pure, nonjudgmental and she went after what she wanted but she didn't take hwan's bs and called him out for it, honestly I wonder how she was written by that same writer xDeveryone else just loves to inflict pain and suffering onto themselves and call it "love".
yeji loved to play the victim card "why are you back to ruin my peace", "I'm the most miserable woman on earth"
hwan was crazy enough to say "I want to ruin my life" for someone who keeps refusing him, "I want to suffer", the dude had alot of problems ;/
jin was all sad and wallowing in self pity and he diverted all his angst onto controlling others
the mom is honestly so distant she doesn't deserve to be a mom
and the dad looks nice but again yet he only used hwan as his caregiver then yeji as the substitute
yeji's mom is living through the pain that was "unshcokingly" done becasue of yeji
yeji's aunt is crazy and overdramatic
and they had the audacity of wasting time on the side side characters and their messed up romance
so basically Amber is the only normal person, she's sweet, fun loving and she's adorable and naturally cute and happy, the only time hwan genuinely smiled was when he was around her.
in the end they just added more ridiculous plot line after the other and they literally ended it with "I shouldn't have done that" ;/
yeji was wrong for accepting the marriage but she was even more wrong for fueling hwan's feelings and then she had the audacity to act as if hwan only "noticed" her good deeds while she was the one leading him on ;/
and with everything, in the last ep they were crying over how they can't be together, just to let them reunite and then go back to "we can't be together" and cry some more. it should've ended by ep31 but it should've just stayed as a noona romance with small doses of brotherly rivalry like a normal kdrama xD
this is what happens when they hire a horrible writer with zero planning skills...
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On both sides of the mirror
Aksorn (Beck Pitchayutt Chatchawansombut) and Songjam (Parky Napavit Tewaphankul), in their respective first major roles in their acting credits, represent two young people who are fighting for the same cause: the pursuit of happiness and love, which is not only that of romantic love but also that of love for one's own identity.Adapted from the web novel 'Memories in Letters' (ท ร ง จำ ใ น อั ก ษ ร), by Hungrybird, the eponymous drama of six episodes of about 35 minutes each, is one of the most beautiful, emotional series and addictive Thai of recent years, and follows the love story of two young people in two different worlds and the miracles that come with it.
Playing on the series' title, Parky plays the character "Songjam," which means "Letter," while Beck plays "Aksorn," which translates to "Memories," a rebellious soul searching for love, understanding and happiness.
The two protagonists quickly fall in love and treat each other with love and care, which makes the loneliness, the absence of the mother and suffering the intolerance of the father in one of the worlds make Aksorn's life happier. On their respective sides of the mirror, feelings will begin to grow between the two young people towards each other, while they discover their sexual orientation and identity.
With an extraordinary ability to guide the viewer's imagination, the script, written by Nirattisai Ratphithak, presents us with an adventure that mixes reality and fiction, which explores the world of parallel universes. This is a supernatural story of romance and mystery with which any teenager and young person, and older ones too, will immediately identify.
The protagonist and main narrator, Aksorn, moves into a bedroom on the top floor of an old building after being kicked out of home by his authoritarian father, who does not accept that his son is a writer. After a meteor shower, accompanied by an earthquake, Aksorn discovers that a mirror left by the previous tenant in his room has become a portal to another universe, specifically to a bedroom inhabited by a young adventurer who is not afraid to defy the laws of physics.
As they deepen their relationship, Aksorn forges a mysterious connection with the boy who lives inside the mirror in his room. From the first exchanges, both young people feel emotionally and physically attracted to each other.
Jinthaphat Sakkaen's photography contributes to the effort to tell a story set in an extraordinary reality that defies all logic, following the romance between these two young people and the obstacles they will face to be together.
'Memories in Letters' takes place in a surprising and unique environment, divided into two different worlds located opposite each other. The distance that separates both sides barely exceeds the width of a thin crystal, but the natural and physical conditions of each of the worlds make accessibility from one place to another extremely difficult. The boys can see each other, but not touch each other.
Aksorn is a university student of Literature who has lied to his father about the course he is studying at the university and who likes to read the work of Oscar Wilde in one of the two worlds that are on both sides of the mirror. His passionate nature is responsible for fueling his dreams of being a great writer. For his part, Songjam is a happy and smiling young student who dreams of being a doctor and who likes to dance and listen to music recorded on vinyl records in the world opposite to Aksorn's.
One day, an online novel about two people from two different worlds who meet through a mirror becomes the fascination of readers. However, it turns out to be based on the life of Aksorn and his lover. Who wrote this story? How did the writer learn about the personal history of the two young people? Is Songjam the author? Who is Likit, the only clue that surrounds the mystery? What will the complex network of human relationships and time travel on which the story revolves have in store for us? Is there any way the two guys can meet in person? Will they be able to live their romance? Will love triumph?
While the novel may be the only key that breaks the wall between Aksorn and Songjam, the mirror, the only obstacle that separates them, remains at the same time the only thing that unites them.
Eager to be reunited with his loved one, during another meteor shower, Songjam manages to jump to the world of Aksorn through the mirror. However, while it is in the right area, it arrives 27 years early. Luckily, he meets a kind young woman, Likit (Nattatida Klinsuwan, Pear), and Pallop (Pattarapol Kantapoj, Dew), who will give him a roof over his head and help direct his steps.
The three of them living together in perfect harmony, as the years go by, Songjam grows closer to the young couple and finally confides in Likit the truth about him and his incredible story. It is a story that, after being heard, Likit begins to turn into a novel that he will leave unfinished, the same novel that Aksorn will find almost three decades later online, creating a complex web of relationships and time travel.
Years later, Songjam, now a prestigious doctor, changes his name to Kyo and reunites with Likit and Pallop in bittersweet circumstances, when these two, now married, arrive at the hospital after a car accident. Although Likit succumbs to post-traumatic injuries, Kyo is able to save the baby she is carrying. Pallop then reveals the name of the child he holds in his arms: Aksorn.
Playing with verisimilitude, realism and fantasy, the series seeks a coup d'état and achieves a surprising, but incredible, twist in the plot: Likit and Pallop are Aksorn's parents, and Songjam has always known this and has been present in their lives waiting for the child to be born, grow up and, as a man, in the future, be able to find him in another era through the mirror that he will intentionally leave in a bedroom on the top floor of an old building. Without a doubt, an unexpected and moving twist that adds depth to the narrative.
This romantic drama with a touch of fantasy is the first BL series from Studio Say-Yes.
As in every love triangle, in this story about coming of age, friendship, love, discovery and acceptance, a third character is missing, and this is Khiao, played by Atirut Kittipattana, the well-known actor, singer and presenter of Thai news, who plays a doctor with a secret identity that will cause an important twist in the story.
As the enigma adds new layers of suspense and intrigue to the already captivating story, the trio will travel together, on both sides of the mirror, and we will learn more about them and their past. But will it be a true and classic love triangle?
I am struck by how Beck's character offers an image of a gay teenager who, despite his youth and family trauma, has maturity when it comes to relating to others, and maintains a healthy relationship with those around him, something which is sometimes missing or failing in other series of the genre, as it is not written and represented as delicately and carefully as on this occasion.
Through a modern fairy tale, 'Memories in Letters' demonstrates the interest in making homosexuality visible during the adolescent-youth stage approached from everyday life, that is, without the characters experiencing it with drama or histrionics, as traditionally happened.
Homosexuality as a theme is inserted not only in fictions aimed at a youth target or audience, but also in audiovisual content intended for adults, offering greater understanding to those who deal with adolescents, that is, family members, friends and those people in their school environment who participate in their personal and psychological development.
The musical themes "Crossing Paths", performed by Atirut Kittipattana and Parky Napavit Tewaphankul, and "Definition of Love", by Soravit Thitipawat, reinforce the action on the screen to tell this amazing story of love that overcomes all barriers and limits of its realities going beyond science and its properties, and that, in addition, demonstrates that with a low budget you can also work on the genre when there is passion and creativity for the story you want to tell.
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