Why can't people seem to appreciate flawed characters?
This review won't be a review per say but moreso another perspective of the show when compared to the majority of the negative reviews on this site. I feel the need to do this especially because a handful of these reviews almost made me decide not to watch this show. I won't go into a lot of details regarding the storyline since so many reviews have already done so. However, I'd like to leave my two cents here because most of the reviews shown here are negative and most of them are based on two things - Joe's naivety and Ming's toxicity.One thing about this series is that it depcts toxic relationships with very flawed characters. It's been advertised since the beginning, it's based in an infamously toxic chinese novel (by an author who's well known for her toxic main leads), there's sinopsis, tags, trailer, etc. And yet people still seem to be hiper fixated in complaining about it, as if it hasn't been advertised at all.
Don't like these themes? Don't watch.
This is the same issue with Kinnporsche (which has two directors in common). So many people review bombing with negative ratings regarding the toxic storyline. There was even a review that complained so much and at the end considered this one of the best series of this year - giving this a 6. At least be coherent with your words and your scoring.
I understand the issue people have with Ming, he's an obvious red flag who is toxic from the beginning, a very flawed character who is depicted since the beginning as such. Flawed characters have existed in stories, series and movies for a long time and oftentimes they give way to intrigue storylines and help capture the viewers attention to try to understand how this person behaves the way they do. Flawed characters are real and human and I don't understand how so many people fail to appreciate that this type of representation is needed in art too. Yes, Ming is a huge asshole and a toxic narcissist. That makes him an even more compelling main character.
As for Joe, he's an absolute cinammon roll. He's someone who falls in love with someone he shouldn't. I see so many people stating how he's naive for liking Ming and that it's not realistic. Excuse me? How many people end up in toxic relationships despite the clear signs? How many people fail to see the red flags because of the rose-colored glasses? It's as realistic as it can get. Fortunately, My Stand-in still manages not to be as toxic as some relationships in real life get - and not as toxic as the original novel, thankfully. I feel like this show actually managed to tell the story really well, they allowed for Ming's character to grow and for Joe to realize that no matter how much he tried, he couldn't escape his feelings for Ming.
Sure, y'all can say Joe's dumb - he is. But it feels weird to reduce his feelings and struggles to just that - naivety and stupidity. Joe and Ming are such complex characters and to reduce this complexity to just being dumb or toxic is like missing the whole point of the show. The story isn't told just by dialogue or just by nc scenes. There's so many small details the directors focused on to conect the storyline. The actors were amazing too, the change in Up's eyes depending on Ming's emotional stability in different parts of the show was mesmerizing to watch - he's such a great actor. Poom was also absolutely amazing as Joe, reflecting his emotional maturity before and after his death.
Flawed and difficult characters are extremely complex. They're harder to understand, harder to act and harder to love. It's a challenge for the actors involved in these storylines and it's a challenge for the whole team. Yet, they're the most intriguing, the ones that make our brains work to understand, to fill in the blanks. There's a reason why we love villains. It's the same train of thought. Flawed characters are relatable, even if only a tiny little bit. Sure, in Ming's case, I really hope he's not as relatable to everyone out there, but there's realism to his character, like it or not.
This is why I don't understand the hate. I understand the constructive criticism and I have my own too, but to review bomb a show like this based on something it has advertised since the beginning? I don't get it.
Esta resenha foi útil para você?
I want to start this off saying that the undeniable stars of this drama are the leads, played by Kwak Dong-Yeon and Park Se-Wan. Those two have some of the best chemistry together and they were the reason I started watching this drama in the first place.
That being said, while they were the reason I started, they weren't the only reason why I kept watching. There are two families at the center of this drama's plot. The first isn't a biological family unit, but one of circumstance. Several different individuals wind up staying at the Nakwon Inn (or Paradise Inn as it's translated to) and develop a tight-knit family of their own. The second, the Na family. They're a chaebol family consisted of some (mostly) egocentric individuals, and Hae Jun (he's the only one that doesn't suck royally, in fact, he's pretty cool). Both families filled me with a different set of emotions. The found family was beautiful, the love and support that they provided for each other is enough to give you the warm fuzzies. I was particularly a huge fan of the brother-sister relationship between Woo Jae and Bak Ha. The chaebol family, as expected, pissed me off quite frequently. What I wasn't expecting was to find all of them (well, almost all of them) to have charming aspects to themselves. This doesn't typically happen when I watch a chaebol family in a drama, so it was quite refreshing.
Now, let's talk romance. The central romance was definitely my favorite, but all (but one, Woo Jae and Hae Ri are my ultimate NOTP) of the other romances were also interesting to watch. They had so much chemistry and it was fun to watch their relationships gradually develop. For sure one of my favorite parts.
One of the cool things about this drama is that all of the characters' stories are linked. In the beginning most of the central characters were at the area where the prime conflict (the death of Bak Ha's husband) took place. What's also interesting is that each member of the Nakwon Inn family has some sort of bone to pick with members of the Na family.
Last, and not least, we have the other star of this show, an adorable baby named Yeol Mu. Yeol Mu manages to make everyone love and take care of him. He has an incredible charm that will make your heart melt.
Overall, it's a great drama filled with family, love, and growth. If you're good with longer format shows, it's worth giving a shot.
Esta resenha foi útil para você?
Another Satisfying Youth Drama
Story reminds me of "Go Ahead" (which is one of my favorite dramas by the way). The main plots are similar wherein two people have that non-blood related sibling relationship. But this is lighter and shorter than Go Ahead, and also has less heartbreaking issues/stories so if you liked Go Ahead, When We Were Young, With You, then this would also be a satisfying watch. Transitions of the characters emotions was well planned, and nothing seemed hasted, or dragged.Since it's a lighter drama, and I personally like re-watching heart wrenching ones, then this has a lower rewatch value than the similar dramas I previously mentioned.
Hope to see more of the actors, they were good even if they are newbies
Esta resenha foi útil para você?
Thanks for the miracle
Before you even start this drama, don't try to find an explanation for all this supernatural stuff, just let yourself be carried away by the strength of their chemistry. This drama really gives meaning to the word "love".The time between Mitsuri and Koichi is limited after the latter's accident. As a "living corpse", his future is uncertain and despite all that this implies, Mitsuru tries to remain as calm and rational as possible.
The contrast between the cheerful Koichi and the composed Mitsuru is one of the strengths of this story. It is clear why they fell in love with each other long before this event occurred that puts their story in perspective.
The drama will carry a sense of delicacy, discretion and melancholy throughout the episodes. Their relationship is one that doesn't need to be expressive to know that they love each other, their eye contact gives you butterflies, a feeling of sadness and happiness at the same time.
You will fall in love with Mitsuru's monologues which are poignant, sad, loving, he has such resilience. You will appreciate the message behind each dialogue, dialogues that make us accept grief, the grief of love, the grief of loss. When a simple conversation gives us hope, hope that there will be a tomorrow, hope that we will not be forgotten as long as our memory has a place in the heart of the beloved.
As a bonus, the OSTs are powerful, soft, catchy and accompany each scene very well.
Esta resenha foi útil para você?
When you play the game of thrones, you win or you die.
Qin Dynasty Epic, the fourth and final installment of the highly regarded Qin Dynasty series, is about how Yin Zheng fulfilled "Heaven's Mandate" to unify the Warring States (475-221 BC) and became the first emperor of China at age 38 in 221 BC. Such a monumental task was not achieved without the vision and dedication of many great talents from brilliant tacticians, crafty spies, talented engineers and powerful generals. These characters that made it all possible and how they were pitted against wily and determined opponents from six rival kingdoms is magnificently and vividly brought to life in this stunning production.The production values are very high and there is extraordinary, game of thrones worthy battle footage against some truly breathless backdrops that convey the epic vastness and splendor of the empire. In-depth research and meticulous attention to detail are evident in the costumes, the weapons, the sets and the authentic portrayal of military strategies, diplomacy, espionage, the economics of funding prolonged warfare, the evolution of a common script, immigration and the consequent racial frictions and the conflict between meritocracy and legacy. These themes are seamlessly woven into the visual storytelling in a way that you cannot miss the natural, impenetrable mountain fortress that is Hangu Pass and the Qin life size battle map that further reinforces the topological and geographical advantages of the Qin state.
This is a historical drama but if you are not familiar with Qin history, then be warned that there are mild spoilers in the paragraphs ahead.
Duan Yihong's delicious portrayal of Lv Buwei, venal merchant turned kingmaker and indisputably one of history's great adventurers anchors well over half the drama. His economic reforms and policies paved the way for the eventual unification of the Warring States well before Ying Zheng's conquests began. This is the best written and best acted role in the drama that literally steals the show. This wonderfully grey character that was so inspired by a vision bigger than himself that he actively recruited and promoted the best talent even against his own nature and interest, notably in the case of Li Si. Their scheming both as rivals and allies and mutual respect despite their differences is one of the most complex and riveting portrayals in this drama. I find Li Si the character insufferable and while Li Naiwen's acting is good, it is not quite on par with that of Duan Yihong. Even though I think the drama ends at the right place, it is a pity we don't get to see the irony that Li Si whose life work was Qin's unification may have brought about Qin's rapid downfall with his cruel interference in Ying Zheng's succession. I love that this drama properly credits both Lv Buwei and Li Si with many of the lasting reforms made during Ying Zheng's reign; indeed many (not all) were well underway while he was still a powerless boy king.
The most slanderous and malicious accusation in Sima Qian's Shiji (史记 or Records of the Grand Historian) is that Ying Zheng was in fact Lv Buwei's son; that his former concubine Zhao Ji was already pregnant when she married Ying Yiren. Current historians are rightly skeptical as that would have been a 12 month pregnancy but the drama raises the question head on and leaves room for viewers to decide for themselves. It is likely no accident however, that they cast two actors that bear a strong resemblance to each other as Ying Yiren and Ying Zheng; both in terms of stature and elongated, elegant facial features and in sharp contrast to both Zhao Ji and Lv Buwei's more common rounded features. The desire to put both actors side by side results in the drama's biggest judgement error of having a 40 year old man play the 13-year old Ying Zheng. This is a tall ask of any actor and Zhang Luyi did the best he could but it isn't until well over halfway through the drama that the character's age catches up with that of the actor. In a misguided attempt to make Ying Zheng more relatable, we suffer through some unfathomable cringe dialogues as the obviously middle aged Zhang Luyi plays an adolescent Ying Zheng who is bullied, questions his legitimacy, experiences infatuation and grapples with his mommy issues.
In an attempt to appeal to broad audiences, the drama over-indulges in the salacious Lao Ai/Zhao Ji arc. Zhao Ji is mercilessly portrayed as the wanton, shallow, selfish, reckless and easily manipulated harlot who likely turned Ying Zheng into a misogynist whose women were all anonymous. And while Lao Ai's allegedly majestic physical attributes can never be disproven, he definitely had a peanut sized brain and his attempted coup was puny and nowhere near the scale the drama suggests. Although scandal holds timeless appeal, I am here to watch the first emperor of China, not the first gigolo of China. The time would have been better spent building up characters who become prominent after Lv Buwei's exit and indeed the immediate next 1-2 episodes feel like one hand clapping.
I must mention that Zhang Lu Yi redeems himself with his characterization of the mature Ying Zheng. I was riveted by how he howled like his heart was torn from him when he "fulfilled" Zhao Yan's abominable request only to be overcome with remorse and cowardice when faced with the real thing years later. His portrayal of Ying Zheng's encounter with Jing Ke is also exceptional. That said, I have mixed feelings about how this larger than life figure was written, it somewhat diminishes him. While I like that they humanized him and gave him a benevolent side that is at odds with countless other depictions, I wish they went with a bolder, more controversial interpretation by balancing that out with some vices and a more ruthless, darker side as well. I didn't need to see him cook scholars but even how he dealt with Lao Ai's kids was just glossed over, not to mention his legendary harem and his intense superstition. The real Ying Zheng is probably turning in his undisturbed tomb at this millenial, tree hugging, touchy feely characterization that robs him of the requisite ruthlessness to do great and hard things.
While there are many epic battle scenes the unification wars were fought just as much behind the scenes as on the front lines as all warfare is based on deception. By the time Yin Zheng took over, the six kingdoms appeared to be largely sitting ducks but nonetheless, they put up a really good fight. While the conquest of the remaining kingdoms after Zhao (especially Chu) feels a bit rushed, all the important moments are there. I really felt for the vanquished in this show, was moved by their desperate causes and teared up at their inevitable defeats. The sense of loss experienced by the de-throned young Zhao king with his mother and uncle as regent could have well have been the young Ying Zheng. Under resourced, out smarted, undermined by their own and with the odds against them, Li Mu, Prince Fei and Prince Dan still fought bravely and valiantly. But when you play the game of thrones, you win or you die.
One of my favourite Cantonese expressions is 七国咁乱 which roughly means as chaotic as the warring states. I always find making sense of that messy, turbulent period of Chinese history so mind boggling that I cannot praise enough the clean, smart way this drama's narrative navigates the multitude of important events and characters that lead to the unification of China under Qin and the reforms and contributions that lasted thousands of years. Yes, there are some flaws, some missed opportunities and digressions that do not detract much from this sumptuous and enveloping historical drama that makes this a very solid 9.0 for me.
Esta resenha foi útil para você?
1The boundless promise.
Feng Ren is a Gushi/骨仕, an enigmatic, lethal sworn blade whose sole reason of existence is to protect the coveted Wuliang/无量/Boundless Heart Sutra. He intercepts a blind boy Po Xiao, who may just be a decoy or may be the true custodian of the Wuliang Heart Sutra and together, they flee the city. On their perilous journey they learn each others secrets. Underneath all the half-truths and deceptions between them, an inexplicable bond, an unspoken shared understanding and trust grows between then. For such a short length story, the actors' chemistry and the depth and complexity of emotions they conveyed shook me. Every twist deepens their bond and the boundless promise they make to each other. The important message of this story is that with great power, comes great responsibility. This is dark and heartbreaking wuxia but the break of dawn that pierces the darkness is blinding and immensely powerful.Everything about this movie smacks of Guo Jingming's fabulous taste and hallmark aesthetics. If like me, you watch this after My Journey To You, it is quite clear that the drama expands upon many ideas in terms of style, plot and character design from this 37-minute movie. Feng Ren makes me think of Han Yasi and Po Xiao of Xue Gongzi. The narrative also explores how best to deal with a weapon of unaparallelled power. Due to its short length, the plot is tight with no unnecessary digressions and everything comes to a full circle at the end. It perfectly illustrates the power of a short story in how it captures the heart and the imagination with all that is left unsaid and untold. This is a simple, well executed plot that is a must watch and one that I am happy to rate 8.5/10.
Esta resenha foi útil para você?
Lesbian friendships at the forefront of this little show
Soo not Sue is back with another delightful show. I love the fact that even though there is a romantic storyline, this show is about people. It is about friends, it is about women who are together because they are lesbians, not romantically, but because community is important. This is about the place, Dickinson’s Room (love a good lesbian reference in the name of a place), and the people in it above all else.The main relationship is between Seol and her aunt Jung-won. They have always been close, but Jung-won never told Seol about the fact that she was gay and that she had left her job to open a women-only café/bar. Where Seol is bubbly, Jung-won is introverted and quiet. They are not that different in age, but they have very different outlooks on being out, being open, being in the public eye as a woman who loves women.
This show is about showing that neither way is better than the other, that sometimes, you might need to adjust, to be calmer or to be more open.
It’s also about how society and Korean society in particular acts towards wlw. Thanks to the several different lesbian characters, Soo not Sue shows us that there is not one way to be a lesbian in Korea today. That you can be an influencer and be a lesbian, but that you will be prevented from getting jobs by some homophobic people. That you can be out, but that some people are still too afraid for that and that it's okay and you should respect that. That places where you can be yourself exist, but that they’re often hidden away and you need to walk around the block three times before you see it.
It is about the friendship that is made between queer women (and the jokes that if you spend enough time in lesbian spaces, you will be meeting your exes a lot), about how lesbian relationships can be as toxic as straight ones and you really should dump once and for all your ex that keeps asking you to come back together before dumping you again. It is about the fact that friendship is so important and all too often in media, it is put aside in favour of pure romance.
She Makes My Heart Flutter shows us the reverse. A story about queer friendship and family with a healthy dose of a very cute romance on the side.
The cinematography and the production quality in general is tip top, as we have come to expect from Soo Not Sue and Korea in general. The actors did a good job with their characters, even those secondary ones that felt a bit more like stereotypes.
It is a short show, bit quite a bit longer than others when compared to other indie lesbian shows on YouTube. Contrary to some of the short K-BL we have seen in the past few years, this show manages its time quite well and even though I would have appreciated more time to develop the characters and their stories, it didn't feel too lacking because it knew to limit its stories to what fitted in its timeframe.
I had a really good time watching this show and I will be both rewatching it and recommending it to people. Sometimes in those reviews I recommend people watch it with the caveat that it is not very good, but beggars can’t be choosers and we should support wlw shows and short films to show there is interest. But no such caveat here, She Makes My Heart Flutter is good show with a good story, a good message, very high production value and at only 5x13 min, it is a quick watch.
Can someone with a lot of money give Soo Not Sue money to produce a long form drama with lesbians? Please and thank you.
Esta resenha foi útil para você?
The beginning is kind of slow, so i found myself skipping most of the family oriented scenes & only wanted to see the relationship between the 2main leads. But after (i'd say around the 10th-15th episodes maybe?) those were my favorites scenes & i couldn't miss one. Indeed the interactions between all the characters (there are a lot!) are very fun to watch, the characters are lovable & really grow on you & it depicts a lot of aspects of Korean culture which i found really interesting.
One of the most important thing for me is that there aren't any frustrating or despicable characters. They're all amazing (especially Ah Damo, his father, Gongjoo & Sonja!). Even the "bad" ones (annoying jealous rara for instance) change & become nice. Characters getting on my nerves & whose behaviours are stupid, irrational to the point I wanna murder them are the main reason why i often cannot finish dramas (especially when they are the main leads). So the fact that the only person i hated in there has a bad ending, god i wanted to hug the writers!
On the romance side, great great great! Even though the story is somewhat far-fetched (well, it's a kdrama we're talking about), their relationship feels real & reaaaally passionate at the same time. Completely fell in love with Ah damo. (I usually don't fall that hard for a character haha) Dan Saran is also great & strong-willed ,of course she isn't perfect & can get kind of irritating sometimes (Not to me though)
=> If you want a mix of warm&hilarious; family-oriented scenes (Andreeeeeee) and a passionate romance, wrapped up in a nice setting (Gisaeng;)!), providing you're patient (52 episodes!) this is the drama for you !
PS:
I rated 7 for the story because it's good but kind of typical, it's actually the humor & the amazing acting that made the drama ! Rewatch value: i usually don't rewatch dramas, & especially not this one since it's so long, but i have found myself rewatching some parts here & there , still laughing.
Esta resenha foi útil para você?
It wasn't extremely well done or flashy or a "you must watch this" kind of film. In fact I was hesitant because someone had suggested it looked like the young guy falls for older woman scenario. But that wasn't it at all.
It was simple, sweet, and about a woman trying to live the principles she was struggling to teach her daughter. In fact from the the male character's point of view I would describe this film as 'appreciate your mother because you don't know how long your going to have her' or as a 'your lucky to have a mother - if your not going to appreciate her than I'll take her'.
I loved how the story unfolded. I truly could feel him slowly growing attached to her - as a son, with every moment she spent with his family. You could feel how much he needed her influence in his life and than suddenly you saw him have an influence on hers. "Break down the door," he said and I cheered (because I completely agreed with him).
It is an all around a good story. Easy to watch. Easy to enjoy. And something I will watch again when I am in the mood for something slow pace.
Hope that helps.
Esta resenha foi útil para você?
An absolute gem. One that flew under everyone's radar, and it would have flown under mine as well if it wasn't recommended to me by another Avengers Social Club fan.
Spring Turns to Spring is a very lighthearted comedy revolving around body swapping of two women and all the hilarity that ensues. The plot never takes itself too seriously, while also tackling issues such as corruption, infidelity, misogyny in a comedic fashion. We're also given an abundance of hilarious revenge schemes, quirky office humor and interactions, endearing sismance and mother-daughter bonding, and more. If you've seen Avengers Social Club and enjoyed it, I can almost guarantee you'll enjoy this drama as well.
The cast and acting were amazing, especially our two leads, Lee Yoo Ri and Uhm Ji Won.
What I never saw in this drama were the actresses Lee Yoo Ri and Uhm Ji Won--only the characters Kim Bomi and Lee Bom. The way both actresses portrayed characters was so breathtakingly convincing, I couldn't help but think to myself every episode as they changed personalities, "wow, these two are incredible at acting!" You could instantly recognize the change in character by the shift in facial expressions, voice, and body mannerisms. How each character was portrayed so seemingly accurate and similar by two different actresses was stunning, especially when you consider how contrasting Bomi and Bom's personalities were.
The rest of the cast were no slouch either.
Lee Jong Hyuk's interactions with Lee Yoo Ri were godsend regardless of which character she was currently in. Choi Byung Mo never fails to perfect the role of a world class douche of a husband and human. The Bom brothers by Kim Nam Hee and Ahn Se Ha were golden. I have to admit the broken English by Bom Il was disconcerting at first, but eventually grew on me as a comedy factor. Heck, even the foreign actors were a joy to watch, as the scenes were always pretty self aware that they were mostly to serve as comedy.
The OST was fitting and catchy; the songs never felt unnatural to their respective scenes. I also eventually found myself singing along to the intro of every episode with its "Yeh, yeh, yeh, yeh~". The main theme "Well come to the Bom" slowly grew on me throughout the show with it's upbeat, catchy tune and how it was always inserted at the perfect moments--I could always expect a welcome shift in mood whenever the song played.
Just an overall very feel good drama. A great watch if you're feeling a bit down, looking for nonsense comedy, or just want to turn your brain off and enjoy a K-drama.
And so, as Winter turns to Spring, I encourage those who haven't seen Spring Turns to Spring to give this gem a chance; you won't regret it!
Esta resenha foi útil para você?
Esta resenha pode conter spoilers
It´s opaque and rather gloomy, venturing to juggle shadow rather than light
"The Road: The Tragedy of One" is based on a (Japanese) novella by Rintaro Norizuki with its spotlight on the higher end of high society. The KDrama "Mine" from the same production year, which is located in a comparable segment at the top of the social pyramid, chose rich bright colors and extravagantly shimmering robes amidst glitz and glamor as the backdrop for a study on decadence and greed. In contrast, the TV production "The Road: The Tragedy of One" makes no attempt whatsoever to immerse human abysses in a colorful light that is somehow aimable and pleasently digestibility. No. This KDrama has a rather gloomy side to it. It´s opaque. Outrageous.You may vainly search for anything virtuous here. Let alone family values, especially when it comes to raising children. People mysteriously die. There is crime. Corruption. Affairs. Cowardice. Selfishness. There is (almost) nothing left of high moral standards. The series is heavy opera. Yet, excellently casted throughout. Everyone is doing their best. Still, whatsoever, it's not nice to look at. If the human ugliness is shown all too ruthlessly... who should one identify with? You have to delve far into your own abysses to sympathize and feel with the protagonists... (maybe one of the reasons, why the viewer ratings aren´t quite balanced to the true quality of the show...)
In any case, the KDrama is thrilling in its own pace and style. There are plenty of secrets throughout. You get Makjang, too ... obviously it can always get worse... (KDrama somehow always is great at drama!) It's opaque up to the end. The story takes its time to unravel the tangled threads. The screenplay is particularly atmospheric. Eventually, more of a trip into darkness. Literally (i.e. optically), too. I would call it an experiment in the latest KDrama Orbit, that dares to juggle shadow rather than light and ventures to tell a story without wholesome, easily digestible sweets.
Esta resenha foi útil para você?
With this, the "Ama-chan effect" hit me hard. I couldn't stop watching it. I finished this series after 11 days, and I'm sad it ended. This is probably also due to the phenomen, that the episodes are rather short with a runtime of 15 minutes, and you keep watching and watching, while you tell yourself: 'just another one, then i'll stop.', but you just can't. Its one of those series you really never want to end.
The Story itself i really addicting, as its absolutly not repetitve. The constant up and downs make oneself really go with it and feel it. It makes you sad, It makes you cheer, it makes you feel lost. If a series is able to this, then its a masterpiece. Kankuro Kudo really made a awesome job.
The Characters are absolutly memorable. You could really notice the cast was putting their hearts into it. I've never watched a series where the acting was this good. Each actor played their character so well, i could really belive everything could have happened in a village close to mine. There was no way you couldn't feel with your favorite character. (Which was Yui in my case.)
A enormous portion of this series marks the soundtrack. I'm usually one of those people skipping the Opening Sequence, i absolutely refused to do that when i watched Ama-chan. I found myself boucing around whenever the opening started. From the "inserts Songs" which where played pretty often, i must say i never found them annoying at any time, eventho they brought them up a lot in recalls or in different versions. On the other hand, the BGM music really gave this series its essence. Every musicportion in the series transported so many emotions in every single second. It really sticks to your brain and you'll find yourself humming it here and there without even noticing. I had to sing and hum along every single time.
You might wonder about the 9 instead of 10 points for the Rewatch Value. I have to admit, i had to deduct a point, just because its not a series you could watch again in just a single day, but thats about it. This is a Series you really can watch and enjoy everytime. Watch it with your friends, family, girlfriend, they'll love it.
Overall i Can only say, this series made a huge impact and is my new favorite Series of all times. If you haven't i can only say: YOU MUST WATCH IT!
Esta resenha foi útil para você?
EP 10-12 were painfully slow, they could have been cut and pasted into 1.5 episodes.
13 was ehhhh.... This isn't a masterpiece, the writing is loosely constructed and poorly executed. The story has little depth or substance to hold it together for 13 hours. I can't connect with the female lead's choices (especially in the later half) or her pitiful deer lost in headlights expression...I was hoping it would be a drama somewhat like 1% of Something since the director is the same, but it doesn't even come close in comparison. I Liked Ep. 1-9 but Ep. 10-13.5 are a hard sell.
Esta resenha foi útil para você?
Love & Hate. Trust & Betrayal. A hopeless romantic drama with a dash of politics.
The core of this drama is the love story between the leads, with a bit of a mix of Beauty and the Beast + Romeo and Juliet vibes. The drama is about the female lead, who is sent to form a marriage alliance with the male lead’s family, in order to stop the feud between them. However, the male lead, a General and Lord of his clan, is reluctant to accept her, as he still harbours resentment towards her family. From distrust and hate, the leads slowly build trust and fall in love, while working together towards their common goal - to help their people live a peaceful life.The best thing about this drama is that it made me FEEL. The characters were written so well, they all felt like real people. I laughed with them, I cried with them and worried for them. The angst hit hard, the romance was sweetness overload and the emotional moments landed at the perfect timing. It is indeed rare to find a drama that pulls you in so deeply, that you connect with so much emotionally, and this one totally did.
POSITIVE:
- Smart & strong female lead. She used her brain to fight war and I loved it.
- Red to green flag male lead. He was a layered character. Started off as a red flag and kind of a jerk towards everyone. But knowing what he has experienced, it all made sense. Falling for his wife softened him - towards her and his people. But at the same time, as a Lord and General, he was still badass, smart, firm and masculine.
- Rom-com vibes. Unexpectedly, the middle of the drama was non-stop laughter and cute romantic scenes. I’m usually all for angst but I absolutely loved this part as it truly built up the characters and love story.
- Comedy was gold. There were so many ridiculously funny and very entertaining scenes that made me smile all day. It’s been a long time since a drama made me laugh this much.
- Emotional rollercoaster. The heartwarming romance made me smile all day, while the heartbreaking moments made me cry buckets of tears.
- Slow burn romance that burned HARD. The romantic tension between the leads was the driving force of this drama and their enemies to lovers arc was brilliantly written.
- Hot kisses. Only 2-3 scenes but they totally broke the scale in terms of heat.
- Support cast was great. I’m looking at the four generals, especially dear Wei Liang, who was the heart of this drama and made me giggle like crazy.
- Villains. What I liked about this drama is that all villains felt human. Their actions made sense, their evil deeds made sense. In fact, if the script was flipped at the start, I could see some of them being the heroes. The villains weren’t villains for the sake of it but because their life circumstances and past pain had shaped them to be this way.
- Cinematography, OST, costumes - everything was done really well.
NEGATIVE:
There were little bits that bugged me. I wasn’t a fan of the second male lead but I did grow fond of him later. The political and war side towards the end felt a bit rushed. I wouldn’t have minded if the drama had 2 more episodes to extend the story. I’m guessing they didn’t have that much budget for a huge war scene in the finale episode, but the villain just standing there doing nothing was kind of lame. But still, none of these things were a huge overkill because the core of the drama was always romance, not politics or war.
OVERALL:
This is one of the best 2025 cdramas for me. It has everything, from well developed characters, brilliantly crafted romance, to a perfect blend of suspense, tragedy, angst and comedy. If you are here for logic, politics and war, you will most likely be disappointed. But if you want a brilliantly crafted love story, packed with a rollercoaster of emotions and an adorable support cast of generals, PLUS you are a hopeless romantic at heart, I highly, highly, highly recommend this drama.
FAVOURITE QUOTE:
“You see me as a jewel but you treat all others as ants” by the female lead
“If I succeed, it is my fortune. If I fail it is my fate. Even if I die, I’ll have no regrets.” by the villain
Esta resenha foi útil para você?
Maeng Se-na (Choi Soo-young) is a brilliant character. Watching her shift from an implacable "villain's lawyer" in the courtroom to hiding her Gold Boys photocards and stickers whenever her client walks in is hilarious, yet deeply human.
Kim Jae-young delivers an outstanding performance as Do Ra-ik, a broken idol dealing with panic attacks and sasaeng harassment before getting entangled in the murder of his own groupmate. Personally, I believe this is one of the best-acted roles of his career, though, in my eyes, he’s always perfect.
Unlike other idol dramas, the whodunit here keeps you constantly on edge. It makes you question whether we truly know our idols or if we simply love the mask they project.
It’s meta, intense, and features explosive chemistry (at times made awkward by the legal context) between the leads. If you enjoyed The Judge from Hell or legal dramas with a modern twist, this is a 2025/2026 gem you cannot miss.
Esta resenha foi útil para você?
