for mentally ill
this drama is filled with every possible emotion that you can imagine and that's why i like it so much. it's like writer was taking me on a roller coaster ride with two messed up people. also, casting director knew what he was doing while casting these leads. WDH and LYM's chemistry carries this drama.Was this review helpful to you?
traditional Thai romcom
Overall: this has a lot of frequently seen Thai romcom elements including a ton of comedy sound effects. My favorite was the last arc with Faifa and Wine. 24 episodes about 45 minutes each. Aired on GMMTV's YouTube channel https://youtube.com/playlist?list=PLszepnkojZI7tY-4JZhpydsT6fIpemt3l&si=f7ir8p1MqNiXYXtL and WeTV https://wetv.vip/en/play/feag2shxw6mx76l-Perfect%2010%20Liners For all parts, they should have aired 2 episodes per week instead of it taking 6 months to air and I was not a fan of the constant comedy sound effects.First Arc (episodes 1-8), actors Book and Force play Arm and Arc
Content Warnings: non con touching, non con picture taking/sharing
Watch Suggestions (if you're not a fan of the cold/jerk pursuer trope and if the comedy doesn't work for you)
- watch episode 1
- episode 2: part 1 6:15-7:35, 8:45-11:40, part 2 beginning to 1:30, part 3 2:40-5, part 4 4-end
- episode 3: watch part 1, part 2 watch 6:20-7:10
- episode 4: watch part 1, part 3 start at 3, watch part 4
- episode 5: watch part 3 starting at 2, watch part 4
- episode 6: watch part 1 (can skip or watch parts 2 and 3), watch part 4
- episode 7: watch part 1, part 3 9-10:20 and part 4 16:30-end
- episode 8: watch part 1 15-end, parts 2, 3 and 4
What I Liked
- I did laugh a few times
- subverted tropes
- easy to understand premise
- sweet moments
- nice to see a lot of GMMTV actors
- Pond & Sand breadcrumbs were sweet though some ignoring boundaries at the end of ep 5
- Tay Tawan cameo
- the friend groups
Room For Improvement
- started with the present, then flashback, the flash to the present and then back again the start of episode 3 felt jarring
- has the nonsense 'be a jerk to the person I like' "plan" (though it is nice that the other guy had a bit of a spine and pushed back)
- non con kiss in episode 5 part 4
- love rivals/jealousy
- the "I don't like you smiling at anyone else, I don't like you going around acting cute" in episode 7 part 4
- (neutral) the comedy sound effects didn't make me laugh
Second Arc (episodes 9-16) actors Perth and Santa play Yotha and Gun (dynamic is a hyper child-like character with a reserved stern character)
Content Warnings: punch, fight, non con kiss, blood, violence, non con touching, gaslighting
Watch Suggestions (to avoid one character being hot/cold)
- watch episodes 9 and 10
- episode 11: watch part 1, part 2 skip 2-7, part 3 skip 6:30-11, watch part 4 until 16:45
- episode 12: watch part 1 9:20-11 and 13min, part 2 watch 4-end, part 3 7-end and part 4 beginning-1:30 and 13:05-end
- episode 13: watch part 1 3-4:45 and 16:30-end, part 2 watch 1:40-2:30
- episode 14: watch part 1 beginning-8 and 13:40-end, part 2 5:50-10:15 and 14-end, watch part 4 5:30-9:05 and 14:45-end
- episode 15: watch part 1 2:30-14:15, part 3 3-end, part 4 9:20-end
- watch episode 16 (can start part 3 at 12:40 to avoid nonsense mom drama (why didn't she say something sooner???)
What I Liked
- caring moments like tying the tie
- supportive mom/sister
Room For Improvement
- the one character acts like a child (brings a blankie to university, sleeps with lights on, cat on his shirt, his childish mannerisms)
- a ton of new characters were introduced quickly
- how a character said another character had to take responsibility for his feelings
- a character was frequently drunk
- a different character punched someone for hugging his boyfriend
- the non con kiss to prove something
- treating a character like an object ie saying "quiet dog" in episode 13
- being hot and cold without communication
- "you started this"
- when asked why a character likes another character he can only come up with "he's cute"
- the cliche power of love magically healing deep trauma/phobia
- being pushy, "I don't know means yes", nope yes means yes or nodding your head means yes
Third Arc (episodes 17-24) Actors are Mark and Junior who play Wine and Faifa (dynamic is a peppy people-pleaser with a reserved character)
Content Warnings: slap, internalized homophobia, unwanted outing
Watch Suggestions
- watch episodes 17 and 18 (can start 18 part 3 at 11)
- watch 19-24 (can start ep 23 part 3 at 5:40 unless you enjoy the mom drama)
What I Liked
- caring moments
- one of the very rare examples that prominently features internalized homophobia
- good intimacy (though too much space between bodies which I think applies to all of the couples)
- nice finale
Room For Improvement
- the over the top character, though he at least doesn't feel like a 5 year old
- though it was nice to see previous couples, by the third arc they took up way too much screentime
- didn't care about the mom plot at all and wish the boyfriends would have first consulted their partners
- (Yotha & Gun had another round of "can I (have sex with you)" and "I told you before no one asks about that")
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The world-building that lacks the necessary detail.
I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.
Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.
Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.
What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.
For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.
All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.
Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.
Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.
The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.
I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.
Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.
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Impressions
At the beginning I was not impressed with this drama, I'll be honest. I am not a fan of romanticizing bulling. But my brain apparently didn’t process the "psychological" tag among all the others and when I finally understood I looked at it with a different mindset. It got me hooked, yeah. I guess being in the same idol group helps a lot, because their chemistry was great and their dynamic felt natural. The last 2 eps felt a lil bit rushed, I can't put my finger on the why I felt that, but I can pass that because overall it was great.Now, people and their obsession with kisses!!! Is that really the defining point to score a drama? for real?! my goodness. let me get this straight... So TBLs with mediocre plots and cringe acting are deserving 10 because they do have make out sessions, right?! But an exquisite KBL drama is no good if there's no kissing? I am pissed! A really great drama gets low score because of horny brats who didn't get what they wanted! Look... I get it, it's a romance drama among other tags, but you HAVE the romance. The touches, the glances, the subtle smiles and the straight up lovey dovey staring screams romance! The story was so beautifully portrayed, they had such a great chemistry, loved how natural their dynamic was(yes, I'm repeating myself), the character development was so nice and in the end they were so good at expressing what they feel that they dipped those red flags from the beginning in bright shiny green. From my pov, I am more annoyed when they do kiss but they resemble 2 dead fishes lip locked. I would rather prefer no kiss as long as it's a good drama. If they kiss and it's nice, halleluiah (enters Our dating Sim). KBL takes the industry like a storm and i'm here for it all in no matter if there's kisses or not. They build great background stories, the plot is well constructed and the actors chemistry is always on point... with a few small exceptions. So yeah, Let's go Korea!!!
In conclusion, IT IS WORTH IT!
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3This review may contain spoilers
DOMUNDI HAS FINALLY DONE IT!
The best Thai BL this year!Good things comes to those who wait, or to those who try and try until they succeed - thats how i feel about Domundi/Mandee. Yes, they produced quite a lot of BL shows over the years, some are just plain crap and some even almost veering to goodness but nothing they did before really reached the greatness level - until Khemjira came.
A perfect mix of good production value, good visual effects, the richness of Thai culture and a slew of cutie pie cast.
Its a slow-burn series - maybe not even slow-burn but just plain slow, but it does work on a show like this. Quick recap. Set in a rural Thailand setting, Master shaman Pheem was asked to help save a cursed Khem against an avenging ghost. While Pheem seemed initially reluctant to help, its evident that he cant just say no considering Khem is his wife from their former lives. Keng is just the perfect mysterious yet charming Pheem while Namping is the lovely damsel in distress. Tie and FirstOne( i love his uncanny resemblance to Mixx) are scene stealers as Chan and Jet. You also cant help but emphatize with the villain through the very effecting performance of Green as Ramphueng.
It should also be noted that its from the same team that worked in the also recently concluded The Next Prince. Both shows clearly got huge budget backing that enabled them to create great set pieces and exquiste costumes. While i dont understand why the fictional kingdom in The Next Prince was European inspired even though the country is clearly in Asia, this show, Khemjira, fully embraced the richness of Thai culture, beliefs and traditions. I even loved the songs and the occassional traditional Thai music.
What surprised most fans during the airing of this show is its varying runtime as some of the episodes are like full-length movies at almost 2 hours. The good thing is even the longer episodes doesnt feel like its dragging the story - it is evident thay they have carefully and successfully mapped out a storyline for the entire duration of the series that didnt loose track of what the focus should be so you will not feel like some episodes are there just for fillers. They have achieved a balance between the supernatural fantasy aspect and the things (and tropes) that BL fans love - plus i loved that Domundi has greatly lessened the clickbait sex scenes (hold your horses, there are still some to those looking for it).
I hope Korean BL production companies have watched this series and realize why 15minute 8-episode series just isnt enough .
And while the show is beautifully executed, it is not without faults. However, i loved loved loved that Domundi is clearly investing a lot in improving their contents. I just hope they can keep their next shows in this level (but truth be told im already underwhelmed with the curently airing Me and Who). Other companies (ahemmm GMMTV) should watch out because if they keep spewing the same old sh*ts all the time, clearly Domundi is ready to take their crown.
Will i recommend? Hell yes, the cast alone is enough to watch it. Will i rewatch? After watching almost all episodes twice i think i will give it a rest for now. Overall its a 9.5!
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1Shin Hye Sun Running Circles Around Oppas that Can’t Act and a Crappy Plot that Can’t Plot
You know a writer has overestimated themselves when a show with an interesting premise, distorted timelines, flawed characters and major potential turns into pure, convoluted, nonsensical garbage.❌ The writing and execution in this is seriously bad. Like one of the worst I have seen in a long time. While the drama starts out very promising with unreliable protagonists who slowly reveal their intentions, it loses the plot somewhere in the middle and just ends up being vomit on screen that calls itself a script.
❌ Some things are added just for the sake of it - no logic or reasoning required. Random dead bodies in random freezers, random trucks of doom, random cabins in the freaking forest. There is so much randomness is this show, I was half convinced the writer was on shrooms.
❌ The drama tries desperately to be complicated but ends up coming off as confused as a floppy fish out of water. This was what I was afraid of when I saw who the director was. I have watched almost all of his dramas and things with him go either way. Either he nails his execution and gives you masterpieces like 25-21 and Search WWW or he completely fucks things up like in King Eternal Monarch. Unfortunately, this drama has the same floundering headless chicken execution that King Eternal Monarch had and it’s just sad.
❌ Then, there are the crappy love interests. There are literally three of those in this drama. The third ML is there for no reason. He is also basically a brother figure of the FL’s long term ex boyfriend (the ML) and his pursuit and feelings for her are just awkward, messy and add zero substance to the plot. Just one of those random things the show throws in just for the sake of it.
❌ However, ofcourse, the major downfall of this show are the two main oppas. First of all, neither of them are good actors. They are bland, plastic and have zero nuance to them. Also, their screen presence is in the negatives. I swear Kim Nam Gil’s sock has more screen presence than all of these 3 oppas combined.
❌ Second of all, both of the two male leads are severely unlikeable and selfish for the majority of the show.
❌ The first ML, Hyun Oh, who breaks up with the FL after eight years of dating is trash human being number one. He is selfish and thinks that the world revolves around his mommy issues and the fact that he has two dozen grannies to take care of.
❌ Oh, poor him, his sad oppa problems give him a get out of jail free card to be the most toxic, wishy washy faded red flag that you want to 10000% avoid in real life. And, when I say red flag, I don’t mean the sexy bad guy red flag, I just mean dirty mud blood red flag that is just disappointing and annoying.
❌ Their entire relationship is just about him. He constantly makes her feel like he is better than her and she constantly doubts herself. After dragging her along for eight years and breaking her heart, he still doesn’t cut it off clean. He keeps giving her mixed signals and doing things for her she never asked for so she can never fully move on. And the moment he hears that she COULD move on, he is all scandalised about it.
❌ This man’s head is so far up his own ass that he never realises how someone who he has claimed to love for YEARS is in unbearable pain. And while, I did like their past relationship scenes together and was initially rooting for him, with every episode it seemed he just got worse and worse. By the last episode, I wanted to throw him off a cliff and call it a day.
❌ Then, comes the second main oppa, Ju Yeon. I didn’t like his and Hyeri’s (Fl’s second personality) dynamic from the get go because it came off childish, awkward and silly. Which is fine because that was who Hyeri was supposed to be as a character. What is not fine is that when he learns about her disorder, his reaction is the WORST thing imaginable.
❌ Instead of consoling her or feeling for her, he makes her apologise for hurting him, REPEATEDLY. And then, keeps insisting that she bring the other damaged personality around because he is in love with it.
❌ The whole delusion around the fact that he is in love with a fictional personality and wants her to remain sick just so he can fulfil his own kinks is SICKENING.
❌ After that, I really didn’t see the romance in him waiting around for the personality to show up. It was just stupid and even though the drama later tried to convince us that he’d take her as both Hyeri and her original personality, his actions clearly reflected that he is still very much hung up over Hyeri.
❌ Ofcourse, it’s inevitable that the oppas do get some redeeming moments in the last couple of episodes where they finally focus on people other than themselves but I don’t really give a fuck. I make judgements on characters as the way they are throughout the entire drama not their last minute actions and from the way these two were, the only happy ending for the FL would have been was to stay alone and away. Hell, the 3rd ML who was basically irrelevant cannon fodder was the most likeable option.
❌Also, speaking of shitty things in this drama, let’s talk about the whole DID thing. I usually don’t care about the science and logic of these tropes and I don’t care here either but I feel like it’s almost romanticised. This constant question of were you more happy as the other personality? Then this whole grown ass man being in love with and constantly reinforcing the other personality after knowing the woman for one single MONTH.
❌It gave me a bad taste in my mouth because the FL’s second personality is just a defence mechanism and it’s unnatural, born out of trauma and shouldn’t even exist in the first place, much less be reinforced and constantly validated.
❌ But, I shouldn’t have cared about the technicalities because this drama seriously does not give a shit about authenticity. It pulls out the worst “Oppa’s love heals everything even if it’s freaking DID” card I have ever seen in a drama.
Especially when that love is toxic, unwanted, weirdly codependent and downright stupid. They didn’t even try to pretend like they were using the illness as anything other than a plot device.
❌ To top off the nonsense, every single problem in these people’s lives MAGICALLY gets solved in the eleventh episode. DID? Cured by good old Oppa humping. ML’s reason for breaking up with Fl in the first place which led to this 14 episode worth of junk being made? Solved in 2 seconds. Love triangle? Solved with a good old smiley, breakup date.
It is just outlandish how bad the writing is. There is no real healing or character development anywhere. You won’t find it even with a NASA grade microscope.
✅ So, is there anything good about this show? Yeah, it’s Shin Hye Sun. She is one of my favourite actresses and like always she does an excellent job here as well. Her acting range is insane. She is nuanced, charismatic, expressive and delivers both her roles with perfection.
✅ I loved her as the damaged, sassy, broken, insecure, overly dependent and deeply flawed Ju Eun Ho. She made me feel for her struggles and I absolutely rooted for her. (Atleast, I did root for her before she became a manic panic obsessed oppa groupie who was legit like “I missed your toenails” to her shitty ex boyfriend.)
✅ While I wasn’t as much of a fan of her Hyeri personality with how over the top she was with the whole childish get up, and the exaggeratedly slow speech, I still appreciated SHS for it because it did the job of what the show wanted to deliver with her.
✅ Shin Hye Sun grossly overpowered all other actors with her talent in this drama and it showed. She single-handedly carried it on her back and I hope she asked for a freaking full body deep tissue massage along with a hefty paycheque for this.
✅ To be honest, there are some other good aspects of the show as well. For one, the skin ship and the kisses in it are good. Some episodes pack a surprisingly emotional punch. There are some great cinematography and OST moments. Moreover, the ups and lows of a relationship in flashbacks are also nicely shown but overall, it’s not enough.
❌ Because when you don’t have all the plot holes, the unlikeable male leads, the bad acting, the terrible writing and the confused timelines, you have uninteresting side filler characters taking up the screen.
❌ The grannies are boring, the office people are annoying and all other supporting characters are lacklustre. The only one interesting side character is Hye Yeon but she doesn’t have enough agency to make you invested.
❌ Which is why, on the whole, this drama does feel like a lot of wasted potential and has the tendency to turn your brain cells to rot.
Take my free advice; save your time and your IQ and go watch something else.
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Big Applaud to Female Lead and the Fascinating Plots!
Haven't been watching Korean historical drama for quite a while, or maybe I would say even if I watch, there isn't any that keeps me fascinated throughout the series; but this one, YES YES! One of the best historical drama I've watched over the past few years!In the past, K-dramas are pretty successful in pushing out long series drama such as Queen SeonDeok, Jumong, Dae Jang Geum etc., however I realised these days, some people (Not All) tend to lose interest when the historical drama became intense and dark; short comedy historical drama on the other hand attracts people more, like 100 Days My Prince, The Tale of Nokdu etc. Not complaining because I love it!
I enjoyed how this drama has an equivalent amount on the intense and hilarious scenes. Just when things gotten serious, they insert plots that make you giggle, have the main story going on while keeping you entertained from time to time! But what's special about this drama was probably the interesting characteristic of two main leads; the King looks like a baddie from the outside but inside being allured by the bold Queen despite her wild and inappropriate actions, how he always thought the Queen was playing "hard to get" when she is actually dealing with her "hormone dilemma" XD!!! The plots were always so random but their chemistry had made the series even greater! So fun to watch!
I was also impressed by how Shin Hye Sun pulled off this role again and again in every episode, how she tweaked between acting as a male and female. Just when I thought her acting has achieved to a certain level, she then exceeded my expectation again, just no limit to how good she could be. TBH, among all the actresses who I've seen trying to act as guy, she got the best portrayal! The way she sits, she walks, even the detailed expression on how she reacts, just so natural that I never had a second to not believe it's really a male trapped in a woman's body! (Plus point on her height too)
Mr Queen has a pretty solid story for a 20-episode drama, and I really enjoy drama that has a good plot arrangement, not just good in the start and boring in the second half. For the ending, I would say the team did a pretty good job in creating a perfect ending for it, you know for time travel genre, you can never expect a perfect ending as there were always two voices; which one would prefer the main leads to stay together in the same era and the other voice will be siding towards having them to go back to their own world. It might be pretty sensitive for this drama too, especially the female lead is actually a male, if they were to touch based on the excessive bromance, it might be an issue for them too. So more like treating this as an interesting journey where both of them grown from the experience and wishing the best for each other in their own world. Shouldn't be complaining.
Overall, worth being given a high rating and great production with well-chosen casts!
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Let life be beautiful like summer flowers...
This tantalizing and poignant love story captures the spirit of carpe diem. It opens with a young girl's chance encounter at the hair salon. She is aroused by a strong and silent stranger from the way he caresses her ears and washes her hair. For most girls, it would stop just there; a titillating fantasy not to be acted upon. But He Ran is not like most girls. She throws herself at Xiao Han shamelessly; not one whit bothered that he is well into his prime. Twist and all, this is a simple and very cliched romance plot that hinges on the chemistry between the leads and whether they can convince audiences to root for them.He Ran's relentless pursuit of Xiao Han can very easily come across as crude and thirsty but Xu Ruohan gets this tricky portrayal mostly right down to the small nuances. She is just an artless young, girl headily experiencing infatuation, desire, and possibly even love for the very first time. She can be incredibly petulant, unreasonable, and childish, like the protected and spoiled little rich girl she is. But she taunts and tempts him with the instinctive provocativeness and burgeoning sensuality of a child-woman. The way she looks at him with her heart in her eyes and the effervescent joy in her smile made me shake my head at the futility of Xiao Han's efforts to evade her charms.
As for Xiao Han, his genuine attempts to resist the ardent allure of this captivating young temptress is just the right touch. He rightly has misgivings - she is too young and they are from different worlds. Xiao Han is a man of few words; a gentle giant who is very still and seemingly unmoved by her attempts to seduce him. Only the smallest microexpressions give him away - the hint of a smile, a tensing of his incredible jawline, a barely perceptible slow sidelong glance, and a whisper of innuendo in his tone. While Xiao Han clearly looks and is more mature, the relationship doesn't come across as exploitative largely because He Ran is the instigator and calls most of the shots. Of course, it helps that Jerry Yan does not look a day over thirty and the only offensive thing about him is how well he wears those sleeveless wife-beater T-shirts.
Their love story unfolds against a lush, almost surreal romantic palette drenched with deep and lush saturated colors of the riotous blooms adorning Xiao Han's intimate seaside home. The couple's sultry chemistry permeates the screen, captured mesmerizingly by the director's avant-garde and sensual visual composition style. The superbly curated soundtrack supercharges the narrative with all the right emotions at every critical juncture. I was invested in their romance the moment I heard the first song, Cantopop hit (半點心 A Drop of Your Heart). At the time, they had barely even met! I am so busy being a Peeping Tom that it takes me a while to notice that the plot doesn't move much. He Ran is just escaping into Xiao Han's world and their relationship is built around "ask me no questions and I will tell you no lies". They are both secretive and repeatedly fail to communicate. Thus despite its addictive beauty, theirs does not bear the hallmarks of a lasting relationship.
He Ran and Xiao Han's relationship shortcomings are amplified by the too coincidental to be true gender reversed second age-gap romance. There the couple actually dares to call each other out and are open about themselves and their doubts and constraints. That said, their initial attraction is too tropey and not convincing and it is a major subplot that develops too late in the main plot line; right after He Ran and Xiao Han's relationship peaks. This long-winded and often boring digression annoyed me and disrupted the momentum of the main romance. Their sizzling chemistry also highlights a more adult passionate intensity that seems missing in He Ran and Xiao Han's encounters.
The Chinese title of this drama 夏花 / Xià Huā or Summer Flowers, comes from Rabindranath Tagore's poem "Let life be beautiful like summer flowers..." After Shakespeare, Tagore is the most widely read and well-loved foreign poet in China. Thus there is already a lot of foreshadowing in the Chinese title. But I think it is not that important how He Ran and Xiao Han's story ends. Because the story's real message is about living in the moment and daring to live and love with no conditions or expectations for the future. That they did and like summer flowers, their love bloomed with wild abandon drenching the earth with the radiant, ecstatic colors of beautiful life. With a little bit of help from Uncle Han, who is just the best fairy godfather ever.
As for the ending, I didn't like it. Not at all. It diminishes both main characters. It is why even though I love many parts of this drama, I can only rate it a 7.5. A better ending would have gotten an 8.0-8.5 from me. I will elaborate on why I am so disappointed in the ending below. It is of course a major spoiler so please don't scroll down if you have not finished watching the drama.
Warning - major ending spoiler way down below.
Major Ending Spoiler
To me killing off a character is a lot better than killing the character of the character. And that is what leaving the door open for some ambiguity does - both He Ran and Xiao Han's characterizations suffer as a consequence. The ending should have been clear and decisive. The drama consistently builds up to it. This loosey-goosey ending makes the timeline messy and creates unnecessary loose ends. Did Xiao Han not accompany He Ran to seek treatment? What about his promise to care for her? Surely he was not growing flowers at home while she was fighting for her life thousands of miles away. But what really takes the cake is He Ran's unreasonable demand that Xiao Han waits for her and loves no one else. It is utterly selfish and insensitive. What if his first love had demanded that of him and he never gave He Ran the time of the day? Dying is easy, it puts her beyond all further suffering and emotion. From then, the suffering begins for the survivors. She sets her mother free but poor Xiao Han is supposed to miss her for the rest of his life? Did she ever even truly love him? Wow! This cop-out ending made me intensely dislike He Ran instead of remembering her poignantly as the brave young girl she was at the beginning. A girl who chose to live life gloriously if briefly instead of wallowing in self-pity.
"Let life be beautiful like summer flowers and death like autumn leaves." - Stray Birds by Rabindranath Tagore
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Are you looking for a gripping adrenaline fest to watch on the edge of your seat?
Are you looking for a mature story line and brilliant characters?
THEN DON'T WATCH IT !!!!
Not only that this is a huge snooze fest, The actors and the characters have absolutely spark and the story makes no sense. This was the biggest disappointment of 2017 after last year's uncontrollably fond. Not only they managed to completely destroy a beautiful story but they reached new heights of trying to make a fool out of the viewers. This whole drama was just pretty people declaring themselves as deities and acting like snobby little bastards and squabbling like high school kids. The story was long lost and there was almost no chemistry between the leads.
Genre : rom-com, supernatural, manwha
Story : This drama was inspired from the manwha series Bride of water god by Yoon Mi Kyung and then they went ahead to rip the story into shreds turning it into bullshit. If you're looking for a similar story as the manwha about sacrifice, love and grace and politics, then go watch something else because this has absolutely none of that shit. The so called god of water is a narcissistic asshole who's self-centered to the point you're annoyed. Yoon So Ah is a materialistic bitch who is way too involved in acting like the victim. The story makes no sense till a while and the characters that actually were exciting like the one of Im Joo Hwan and the nurse aren't developed further. At least Goblin developed all the characters well.
Actors : Shin se kyung is a bad actress and i don't think i am going to watch any of her other dramas. Nam Joo hyuk's acting was a wasted opportunity same as In joo Hwans story. There is almost no chemistry between the leads and the other side actors aren't that commendable. The only surprise in the package was Crystal who surprisingly was way better than the drama.
Will i watch it again... Hell No.
Will i recommend it to anyone?... I am doing a public service by advising you to go look for some other drama. Seriously there are tons of better ones out there.
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1
1All Warfare Is Based on Deception
The Vendetta of An (or The Twenty-Four Strategies of Chang’an/长安二十四计) is an intense, fast-paced suspense thriller with an intricate plot full of twists and reversals. Set in a fictional dynasty, feudal lord Xiao Wuyang marches into Chang’an and deposes his brother, puppet emperor Xiao Wenjing. Yet his grip on the throne remains tenuous until the tyrannical General Yan Fengshan is captured and his elite shadow army, the Huben, is disbanded. If anyone is up to this perilous task, it must be the son of the Huben’s founder. Finally, the stage is set for Xie Huai’an to return to the capital to demand an accounting for his family’s massacre fifteen years earlier.Though Huai’an is driven by revenge, as the Chinese title suggests, the plot unfolds along the lines of art of war. It is an intriguing and sophisticated conspiracy where the devil is in the details, and the chessboard is not fully visible to all players. These schemes play out amid the daily lives of ordinary people in Chang’an—an innovative take on the classic “empty fort strategy” (空城計, kōng chéng jì). Ultimately, all warfare is based on deception, and Chang’an is the battlefield where hidden protagonists and antagonists attempt to outwit each other with complex, multi-layered stratagems. This drama demands full attention; its dialogue carries literary depth and is laden with clues that hint at complex character motivations.
This is without a doubt one of the most engaging and best-written dramas I’ve watched in 2025. However, across 28 episodes, the drama packs in too many ideas and themes. There is a profound sense of foreshadowing and symmetry, of cause and effect and “an eye for an eye,” that underlies the plot arcs and character outcomes. But it succumbs to the overdose of melodrama and excessive twists that have weighed down too many 2025 dramas—often at the cost of both character and logic. Vendetta takes “falling off a cliff” to new levels in how unbelievably incompetent every character seems at stabbing someone in the guts. The breakneck pace and multiple reversals successfully distract from how certain aspects of the plot and characters don’t fully hold together. It’s high entertainment, but it pushes the limits of suspension of disbelief and doesn’t withstand close scrutiny.
Although Huai’an is widely touted as a brilliant strategist several steps ahead of everyone else, his wins are few and far between. They come at a high cost, often by adopting the “self-injury stratagem” (苦肉計, kǔ ròu jì). This is fitting—the stakes are sky-high, and Huai’an is under-resourced and outmanoeuvred by hidden foes who, like him, play the long game. In this story, characters are allowed to fail, with real consequences. While Huai’an has loyal allies, they make mistakes and, worse, need rescuing at pivotal moments. Often, the antagonists seem smarter, more competent and more ruthless. Yet they, too, are grounded in reality; miscalculate and possess flaws that can be exploited to snatch victory from the jaws of defeat. With such well-matched players, the margin between victory and defeat is razor-thin, turning on a dime.
Plot-wise, the narrative builds through multiple exciting twists to a thrilling and satisfying climax about two-thirds of the way through. Lurking in the shadows are Tiemo sleeper cells, ready to “loot a burning house” (趁火打劫, chèn huǒ dǎ jié) by exploiting Chang’an’s internal strife. Huai’an is taken by surprise, routed, and trapped at a disadvantage as hidden enemies emerge from the woodwork and barbarians gather at the gates. This story arc contains so many double- and triple-crosses, schemes within schemes, and bombshells that the plot becomes slightly deformed. For me, the best subplot was Wang Pu’s short arc, a masterclass in psychological warfare. In contrast, Baiwan’s arc felt unnecessary, adding little beyond forced angst while artificially lowering the intelligence of Huai’an’s team. That time would have been better spent deepening more interesting characters and tying up loose ends.
Cheng Yi navigates Xie Huai’an’s introspective transitions well, particularly as he reins in his obsession with an unchangeable past and finds a higher cause in a changeable future. The main aspect of his portrayal that missed the mark for me was its overly maudlin tone. The frequent waterworks made it seem as though he was the only character who had ever suffered loss during chaotic times. It’s also difficult to root for a protagonist so world-weary and single-minded in purpose. Thus, for me, Li Lianhua remains Cheng Yi’s best role, even though Vendetta of An has the stronger plot.
The main characters are multifaceted, with interesting backstories anchored by an impressive roster of veterans and solid performances all around. I found Wenjing’s duality—the twists and turns of his journey and his struggle against his true nature—most compelling. Unfortunately, his character was eventually dumbed down and squandered for shock value and cheap angst. Among the younger cast, Liu Yitong's Han Ziling was memorable. While I can’t fault the acting, Wang Jinsong’s gentle aura felt mismatched to his role. Yan Fengshan emerges as a more intense and menacing villain than the primary antagonist.
The finale builds to another exciting, action-packed, high-stakes climax in which Huai’an deftly “lures the tiger down the mountain” (調虎離山, diào hǔ lí shān) with yet another self-injury stratagem, then “shuts the door to catch the thief” (關門捉賊, guān mén zhuō zéi) and “borrows a corpse to resurrect the soul” (借屍還魂, jiè shī huán hún). There’s much to unpack in the excellent finale, though it leaves several loose ends only partly tied up in the special episode. The ending was more clear on a second watch—more on that in the spoiler section below. Most importantly, Huai’an’s final epiphany brings his character journey to a fitting close.
Overall, this drama that is a feast for the eyes and a boot camp for the little gray cells would have benefited from fewer themes and narrative curveballs. A tighter plot with fewer logic holes could have earned a 9.0 from me, but as it stands, it’s a highly recommended 8.5/10.
ENDING SPOILERS & ADDITIONAL COMMENTS
(Do not scroll further if you have not finished the drama.)
On a second watch, I realized the final episode is far more definitive than I initially believed. To begin with, Huai’an’s hair did not magically turn white overnight; he dyed it again, just as he did before infiltrating Hidden Soldier Valley. According to Cen Weizong’s reading of his natal chart, Baitou's hair would not turn white again until the end of his lifespan (83 years). He was playing to the Tiemo King's superstition by suggesting he was at death’s door.
As Huai’an is stabbed and his life flashes before his eyes, he finally admits he still wants to live—if only to remember his family a little longer. He breaks free from his obsession with revenge and reclaims his identity as Liu Zhi, a Huben shadow guard sworn to protect Chang’an. When he triggers the explosion, he discards his identity as Xie Huai’an, who stays in the granary and dies in the blast. Liu Zhi, however emerges and takes a day or two to live as an ordinary person. One could argue Liu Zhi never walked out of the granary either, but what matters more is that the character’s journey comes full circle. It’s a good ending, even without the special.
The special episode ties up loose ends and is clearly a prelude to a second season. Wuyang ends up on the throne, while Wenjing remains officially dead, choosing to serve the court incognito as the former pageboy Zhang Mo. Ye Zheng leaves to court his love Zhaolu, and Xiaoqing becomes a doctor.
The mysterious figure in Yulong Ridge is quite obviously Liu Zhi. He lets his hair down and imprisons himself there among his Huben guard—much like the Tiemo King did—to manipulate events from the shadows. He owes Cen a favor (likely a quid pro quo for luring the Tiemo King to the granary), after which they are square. This sets up the next season involving a mysterious figure at Mt. Shiluoman in Tiemo. Liu Zhi's work is not done; 200,000 Tiemo troops can still be deployed at any time. Until that threat is neutralized and lasting peace is achieved, it’s convenient to let the world believe Huai’an/Liu Zhi is dead. The person at Mt. Shiluoman is likely a high priest—probably Cen’s superior. When Huai’an kidnapped the Tiemo envoy, he mentions an altar at Mt. Shiluoman where nobles undergo a ceremony to receive the token around his neck. A new king should soon be chosen in Tiemo. It is in Liu Zhi/Chang'an's interest to try to influence the process.
One of the larger open plot holes for me is what drove Liu Ziyan and Yan Fengshan to turn on Liu Zhiwei. The only explanation that makes some sense is that they blamed him for the disastrous mission to rescue a high-ranking Huben spy captured by the Tiemo King 25 years earlier. I don’t believe that spy was Liu Zhi’s mother, as the timeline doesn’t align: she couldn’t have given birth to Liu Li/Baiwan if she died 25 years ago, and it contradicts Huai’an’s statement that his mother died when he was ten. I also find it difficult to believe that two uneducated Tiemo slaves raised as wolf bait could rise to become two of the most erudite and high-ranking officials in Chang’an. I could go on but I will stop here because I did enjoy this drama quite a bit despite the logic holes.
WANG PU ARC SPOILERS
Wang Pu made a fatal mistake when he couldn't resist meeting with Huai'an. He lost the moment he went to that temple by himself. He wasn't alone of course but he didn't realize Huai'an's men would kill all of his men that were following him there.
When Wang Pu learned of that YFS murdered his parents, he didn't care at all. The problem is YFS would NEVER believe that and would never trust him the same way again. This is the brilliance of Huai'an's trap - he ruined their relationship simply by meeting alone with Wang Pu to tell him his origin story. It is his nature - YFS would never be able to trust Wang Pu again. This left poor Stockholm Syndrom Wang Pu no choice but to prove his loyalty by killing himself. But YFS is a sick son-of-a-bitch. He could have refused to confirm what Huai'an told Wang Pu. But instead he told him in bloody detail anyway and when he was finished Wang Pu started eating the poisoned dumplings.
Huai'an already said Checkmate to Wang Pu at the end, both knowing how this would play out. But Wang Pu thought he would be able to deliver YFS a final win by luring Huai'an to watch his downfall. But even in this, he was outplayed bc Huai'an never showed up. It was an eye for an eye for Bai Wan's death.
X
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10/10 for creepiness
Trigger Warning: Immense Cult Practice, Killings, Gore, Brainwashing, Terribly Scary and awfully creepy.Cult thriller trope is not very new for Kdramas and has it's own separate fanbase but what makes HOMETOWN different is the execution and portrayal of real cult shits that might take a toll on your mind, so be careful in case you're sensitive.
HOMETOWN is set up in the fictional small rural town namely Saju (somewhere in Busan irl) in the year of 1999 with a major past of the year 1987 connected to it. Everything starts from a welfare centre that existed years ago, then a series of tragic incidents in 1987 and then in 1999 where a number of serial killings take place, all rooting to a mixtape cassette with mysterious creepy sounds.
It involves MIU Detective Choi Hyung In (Yoo Jae Myung), who has been connected to the entire event all along in his subconscious. He discovers astonishing facts related to his life while trying to get to the root of it, simultaneously dealing with his deteriorating mental health. Jo Jung Hyun (Han Ye Ri) is determined to find his lost niece who is already staged to be dead. In her journey with his old friend, she discovers horrifying truth about her past and finds herself in terrifying situations that might eat her up to the core. Uhm Tae Goo (Jo Kyung Ho) is Jung Hyun's brother and a terrorist who is prisoned for life for killing a number of people at Saju Station in 1987 by releasing toxic Sarin gas. (These ain't spoilers bcs you'll find them in the synopsis.)
These 3 actors are indeed seasoned artists with main acclaimed works & recognitions and their performance surely will surpass your standard, no doubt. Especially, Uhm Tae Goo as a psychopath,who can control mind, served his role so well that you might wish to kill him, every time he comes into the frame. Him sighing is one of the creepiest things I have ever experienced, eww.
Other than them there are also some other good actors in the major role. Choi Kwang Il as Im In Gwan is deeply involved with the cult group. Cha Rae Hyung as Kang Young Taek, Jung Hyun's highschool friend and a part of the magazine club. Jo Bok Rae as Lee Si Jung is a Sergeant and Det. Hyung In's partner. The 4 teen actress were also good; Lee Re as Jo Jae Young and Heo Jung Eun as Kim Moon Suk are major parts of the story.
I must say that this drama needs a lot of patience, even when you're an avid thriller fan, because till the last 2 episodes of this 12 ep drama, the ultimate reason of the entire event is very very confusing. The way everything is unfolded one by one, in an intricate way will make you go crazy to a great deal. For viewers, it's like solving a puzzle to reach the answer whose fragmented pieces are scattered in a disorganized way. It's like you'll have to analyze, compare and relate the information you have and group them in an order first, before you set everything into their rightful places and finally get the biggest picture on the board.
You'll have new information revealed at each episode and there are lots of flashbacks to reminisce and extract out the tiniest of detail from what you've seen till the moment. The plot development is not steady, rather scattered with many flashbacks and revelations, which are not entirely revealed at once. For a 12 episode short drama, the progression along with plot-twists and mystery divulgence is drawn very well by the writer. The writer has done a good job in presenting the character arcs of all the 3 main characters well.
I somehow felt the 6th episode was kinda slow and nothing that interesting of sort took place in there except the ending, though that episode was also filled with revelations and realizations. After binging 10 episodes in 2 goes, I was concerned how they'll wrap it up in the finale week because there were still so many things to be revealed along with the primary force behind everything. Again after the 11th episode revelation, it was a tragic feeling but also gave rise to more anxiety as to what's next but glad they wrapped uo everything without any issue. Also, the seemingly intertwined story and it's details were still to be revealed in the finale, which were surprising ngl. However, it felt a bit slow and was a lil uninteresting in the 1st half. What was more worrisome that the script might have some potholes left but glad it was all fine.
Hometown also stands out for using a different approach in cult thrillers that's Hinduism. Most of the cult dramas rely on Christianity and Shamanism to showcase cult behaviour but for the first time the makers of Hometown has dared to go for Hinduism and has even executed it very well. The ancient tradition of guru-sishya (teacher-student) was basically incorporated with pseudo-religious practises with immense brainwashing and drug abuse. Only thing that seemed funny was the symbolism of that "crossing-hand" mudra, it wasn't well explained I felt. It felt like they were trynna make a scary gesture but it was in fact very funny. Otherwise, they were able to keep up the intense and thrill till the end and I liked it.
Note: This is not insulting to neither Hinduism or the Indian tradition, rather a fictional portrayal involving pseudo-religious practices which give out alternative interpretations of any particular belief. If other religions could be used then why not this. It's not my pov as an atheist rather as a avid stan of dramas & movies and their values.
The sound production is top notch. They knew very well how to make the mood creepy with the accurate use of background scores and the cult mantras. What also accompanied in grace was the rainy weather scenario. The sound of heavy rain was a perfect feather to the thriller cap. Cinematography is also appropriately handled. Since it's a thriller that too investigative mystery and cult group story, the frame is mostly dark and shady. The camera movement focusing the objects and zooming sequences are well edited. The main prop used in here is the mixtape cassettes with creepy and chilling sounds which was the cause of all the tragedy.
The finishing sequences of the story that summed up the entire event was good enough for a decent thriller. There was no philosophy or justification to the acts done but there sure was learning. Ain't gonna say the actual reason but sure only word to describe the force behind it is an action that can be simply described by 2 words, one starting with 'r' and the other with 'v'.
Overally, Hometown surely is a thrilling and catchy watch which will keep you up till the very end. Starting from it's biggest advantage, i. e. to direction, script, production value, etc. have been taken care of well with a lot of effort. Can't say it's amazing though it's one of the creepiest but it sure is a good one in terms of cult thriller mystery. I made sure not to talk about the story a lot because idk to how to explain things without spoiling. Just make sure to remain sane throughout, haha.
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Your destiny is a matter of your choices.
"Yumi's Cell" is indeed an unique drama you'll ever get to witness with an entirely different approach to showcase human psychological behaviour, their relationships and their lives. This drama is an example of how the simplest of stories can be made interesting, meaningful and valuable with the use of a creative mind, and an idiosyncratic storytelling method. I naturally came here for the cast but despite a decent performance from them what kept me hooked was "the cells." The cells took over the star-studded cast, I swear.Before anything else, let's spare some moment to praise and applause the writer of the original webtoon writer of the same title, Lee Dung Gun, who has done a very commendable job with their creative approach and analytical mind. This work will force the audience to keep everything else at one side and look up to the drama as the episode goes by.
If you see, the storyline and basic plot of "Yumi's Cell" is not anything new or of that sort but what makes it stand out on a far high level is the utilization of various kinds of 'cells' of the body; not the biological cells, but the cells representing various types of emotions, expressions and important factors of our lives. Then, the way everything has been executed with the appropriate use of science, psychology and technology, makes the entire thing even more interesting. Basically, most of them are brain cells, coordinating with the entire body and Yumi's mental health.
The drama is basically a romcom, with some "slice of life" of elements and whatever shown in here might seem silly, but my dear, these are the real-life relationship issues that every single couples go through in a dating relationship. The seemingly slow screenplay in the later half of the show, is nothing but the gradual buildup in a relationship, that we don't always see in Kdramas. The chemistry development and story progression is in fact very light and instead of the cast, the cells play the key roles here, hence it's a story of the cells portrayed through the human beings.
The Cells here are not the cells you think, these are rather tiny smurf-like cartoons or let's say human beings, playing different cells inside Yumi. Yumi, in the story, is a simple girl, living a simple life, maintaining the balance between her work and almost nonexistent personal life. The basic plot is about Kim Yu Mi (Kim Go Eun) & Gu Woong (Ahn Bo Hyun), them coming together, trying to date, ending up a relationship and then the most important part, maintaining it with their best efforts. Yes, that sums up the entire story, then what's interesting in it? It's the action of these cute little cells that narrates what exactly happens inside Yumi while all these things happen.
The justifying title shined very bright because the drama when says Yumi's Cell, it signifies solely Yumi and everything about her; It's only her who thinks, analyses, examines and makes choices for herself. The human-like cells and their convictions are what makes Yumi function as a human being and whatever happens is always a processs that relies on factors, that only Yumi has control over. The cells are in fact very humane, their actions are impetuous and has the reflection of naturalness. Though presented in the form of animation, the screenplay is realistic and relatable to a great deal. Again, the implementation has been done in such a way, the cell village and their interactions just feels like our daily lives; evoking every kind of emotions. It's infact also funny in regards of this, as in the stupid yet seemingly sensible causes behind the cells' behaviour and their responses with the given stimuli, that make it an interesting watch throughout.
The screenplay distribution between the cells and the real humans is very appropriately done, I must say. The cells, without any doubt, got more screentime than the cast, which is only fair but whatever the cast got was a perfect combination as well. The simultaneous screenplay through the live actions of the cells, showing their rapid & spontaneous response to everything, is such a cheerful and exciting thing that you keep wishing for more. Lee Sang Yeob PDnim is not a new face in the industry, but given the concept of the drama and his period of existence in the rapidly-changing technological aspects of production, he has done a very wonderful job in directing, managing and editing the entire drama and every single thing has been implemented very well.
The screenwriters, however changed for the drama, have done a good job in setting up the entire story. I can't judge their work while comparing it with the original webtoon because I haven't read it at all, so for me, their job was amazingly done and their experience actually shows from the script.
There are so many things about this drama to fall in love with and at the same time, there are few plots plus elements to get mad about. But then, while considering reality and judging from the perspective of characters, I tended to shift my way of thinking, which helped me to a great extent in understanding and relating to them. Because, irl, we never know someone very well to predict their moves and assume what they're thinking, that's basic human psychology.
Ahn Bo Hyun's effortless fashion sense was also something that had attracted me to the drama and for first few episodes I was so very happy seeing him but the biggest disappointment about the drama is the fact that, they changed it. Idk about anyone else, but I wanted Gu Woong to keep up with his looks; his long hair, his Bohemian beard, his choice of outfits, him in short pants, everything about him was so enticing, oof. I will always be mad about it TT.
A great message that the drama also served is that, every single being has some flaws and nobody is that perfect to be doing the "only right" actions all the times. We commit mistakes, hold onto it, then come to realise our actions, try to solve it, reflect on it with guilt and finally try to overcome it; this is life. Not just Yumi and Woong, it was also the major side characters like Seo Se Yi (Park Ji Hyun), Ruby (Lee Yoo Bi), Yoo Ba Bi or Bobby ( Park Jin Young), Chae Wu Gi (Choi Min Ho) and in fact the cells, all of them go through the same process. Some characters are one-dimensional and weren't much explained but again, the story is from Yumi's pov, so the side characters are what she thinks they're.
I am happy about Jin Young and Minho being here, which I was unaware of before the drama started airing; even more happy about their character arcs. Didn't except Minho to be playing such a character (you'll know what when you watch) though he's a very minor character who appears sometimes randomly; nevertheless, he also was a key reason for the happenings of the basic plot. Jin Young also is a minor character in s1 but from what I read about the webtoin in short, he shares a good amount of timing in s2 serving a major role in further in the story, hopefully.
There is no manual for dating, there's no order for the sequence of events that should happen in a relationship as long as it's meant to be. Don't force everyone into your ideals that are basically stereotypes and makes people think that deviating from it is a taboo, which in turn also affects their mental health. I said this because in the course of the drama ongoing, I've seen people complaining about the direction of Yumi & Woong's relationship and how that felt boring and honestly, it turns a lil slow from 9th episode onwards but what we should also remember that, constant failure is very real. And not everything follows as we wish them to; things not necessarily happen right the next time just because it was wrong in the previous one. This reminds me a quote from the drama "Start-up" that said, "Time doesn't heal all the wounds". I liked how the motive of the story changed from a simple romcom to a relationship progression from there, which at first, I thought would not be interesting.
Obviously, in a relationship one is more insecure than the other but those insecurities are not always from the experiences of past relationships but can also be the result of own's convictions and conclusions. It's okay to be indecisive when it comes to vital turning points of life, because it's not so easy to just clap and make choices instantly. We learn through thin & thicks over time and thar period time varies from person to person. Even in a room full of 100 people, every single one differs by 0.001% from the other and that's okay. Noone is 100% honest in their relationships, there are things that you fear to share even with the closest person of your life, assuming that might affect whatever is there between. All these things are closesly associated with our psychology and thinking process which has to vary, otherwise life would have been very simple without any pain, that is practically impossible.
The drama also throws light on One's "Priorities". Most of us spend too much time on what is urgent and not enough time on what is important. When you know what's most important to you, making a decision is quite simple. But it's not the case in real. As I said, we learn things over time. Another element is courage that again reminds of this quote, "Man cannot discover new oceans unless he has the courage to lose sight of the shore." That also applies to relationships, because If you are lucky enough to find a way of life you love, you have to find the courage to live it.
The ending.... Umm yes it has a sad ending but sad endings are not bad endings and again the definition of happiness & sadness or good & bad is upon ones perceptions. It was made obvious that there'll be another season since the webtoon is awfully lengthy, but I was still praying them to wrap up though I knew what'll happen. Not like I don't want more, it's just I am very impatient and anxious to wait for a year. Anyways, I don't think the very ending was absurd and since we have another season left, I wish for good.
There could be things that won't please you but I must repeat, this drama is about the cells and not the human beings. Watching it with an open mind will surely help you like it and it'll naturally grown upon you. It's entertaining, cheerful and definitely a mood buster. For me, it was a beautiful and decent watch which I needed after watching 3 thriller dramas back to back and I am sure I loved the entire thing, especially the cells. So the purpose and goal of the story has been causally served, if you're in love with the cells. Please go for it.
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Who is the big bad wolf?
This is a passionate fantasy fairytale that unflinchingly explores the thin line between love and hate and many emotions in between with a dark intensity that will not appeal to everyone. Hidden within this dark, at times ugly complexity is a simple, intense mythical love story that is beautiful in its fleetingness.Once upon a time, Xing'er, the lonely young daughter of a feudal lord befriends Langzai, a wild orphan boy raised in the forest by wolves. Even before they understand what it means, they fall in love and form an unbreakable bond. But after a terrible misunderstanding, Langzai is whisked away by the tyrannical, paranoid and evil emperor Chu Kui who weaponizes him. When they meet again, Langzai is the fearsome Prince Bo, a ruthless, lethal military leader who keeps the mad, bad despot's internal and external foes in check. And Xing'er has grown up to be the beautiful Princess Ma Zaixing, a pawn whose family's military might is coveted by both Chu Kui and the rival Jin king. A damning accusation, divided loyalties and duty forces them to be mortal enemies and opposing forces push them towards what appears to be mutually assured destruction. Can true love uncover the truth that can defeat the darkness in their souls and free their land from evil?
This drama is not plot driven; the story is easy to follow with a few well conceived mysteries to be revealed but the villains are known from the outset and there are no shocking twists. It is very well paced and the action and battle scenes are ferocious, brutal and gripping. Rather it is largely a character driven drama where the main protagonists fight for who they choose to be and who they want the love of their life to be. It asks the question - who is the big bad wolf or who are the monsters? Is it the wolf in wolf's clothing or the wolf in sheep's clothing?
This character drama is made especially memorable by the many well cast and compellingly delivered roles. They are difficult roles to convey because all of the main characters are flawed and they all have inner animal avatars. When they are tempted or threatened their most primitive instincts emerge and we see both their best and worst selves. To properly appreciate this drama, it is important to keep this in context because the writing does not try to sugarcoat or suppress these traits, instead it gives them free rein to build into raw moments of enraged conflict, unimaginable pain, dark passion, misguided loyalty, pure love and violent hatred. All of the characters make mistakes both selfish and well-intentioned mistakes with heartbreaking and irreversible consequences.
The styling and costumes of the characters are designed to accentuate their inner animals and each of them are written to highlight their inner animal's associated personalities and strengths and weaknesses. We know that Langzai/Bo Wang (Prince Bo), the titular character is a wolf. Xing'er/Ma Zaixing is a butterfly, the least complex, most single minded character of them all. Ji Chong is an eagle and Bao Na is a horse. Yao Ji, the most underrated character in this drama is an enigmatic, treacherous and wise snake (I think). Her relationship with Bo Wang is the most surprising, complex and interesting relationship in the drama, much more so than both Bo Wang and Ji Chong's relationship with Xing'er. I wonder how many supernatural abilities these characters were originally endowed with before the censors erased all of that stuff.
The following is a deeper discussion of the main characters and their relationships that inevitably contains mild spoilers. You can stop reading here and come back to the rest after you are done with the drama.
I initially mistook Xing'er for a frustrating character - weak, naive, unwilling to grow up and one dimensional. But that is her nature - she is a butterfly - a delicate, transitory being that is a symbol of youth, joy, love and beauty. Female butterflies mate only once and then they die. Her goals are simple and she is pure hearted but she is by no means weak; on the contrary she is single minded and unyielding in her love for Langzai and her determination to recall him from the darkness that is Bo Wang. Her heart is gently cruel in its lack of capacity to to let anyone else in. This kind of role is both very easy and very difficult and Li Qin pulled it off phenomenally (despite a shrill and atrocious voice dubber). I could feel her pain and disillusionment and teared up as I watched Xing'er innocence and love of life get extinguished into the strong, mature, revenge driven but indifferent Ma Zhaixing.
Bo Wang is a sexy, magnificent, conflicted and tortured beast of a character that I loved to hate in the beginning and hated to love at the end. He is the big bad wolf, a ruthless predator with savage methods but he is also highly intelligent, passionate and devoted to his pack or his family. Wang Dalu's portrayal is so vivid and potent that I could see a wolf lurking behind Bo Wang's every facial expression and gesture - I can't believe I have never watched this actor before. The scorching chemistry between Bo Wang and Xing'er is the most outstanding feature of this drama. Both actors have such intense screen presence that anyone that shares the screen with them becomes invisible. Their passionate, tormented kisses and the intense longing in their gazes give lie to their often toxic verbal exchanges. Their relationship scales the tortured depths of hatred and despair to the breathtaking heights of love and ecstasy. They are so convincing and moving as a couple that all of their love rivals pale in comparison.
Ji Chong is an eagle, a bird of prey that can see the big picture from high above and swoops down opportunistically and tactically to force the lovers to face each other as mortal enemies. Like Bo Wang, Ji Chong also tries to save Xing'er by changing her; in this matter he and Bo Wang have a common agenda. While their methods are diametrically opposite, the outcome is the same in that they both cause her to suffer enormously. Bo Wang pushes her away harshly and cruelly while Ji Chong albeit charmingly, imprisons her with duty and obligation to her clan. Bo Wang loves her enough to give her up but Ji Chong more selfishly and somewhat naively tries to wheedle and manipulate his way into her heart. Ji Chong and Bo Wang are both ultimately well intentioned but make many mistakes and are thus equally responsible for all but erasing the Xing'er they love. I am very impressed that Xiao Zhan chose to play such an interesting, endearingly immature and flawed second lead rather than yet another insipid and suffocatingly noble and selfless one. Just as with his iconic interpretation of Wei Wuxian, Xiao Zhan's blinding charisma compels us to forgive Ji Chong's flaws and weaknesses and even empathize with him.
Surviving to exist is not important to Xing'er who only cares that she rescues her Langzai so that they can retreat into the forest away from the two legged monsters that walk the world outside. With this in mind, the drama's ending is not just good, it is also fitting. As someone who loves such beautifully flawed and even dark characters, I find Xing'e and Langzai's mythical love story to be unforgettable so this has to be a 9.0 possibly even a 9.5 for me. I can understand why others may find the themes too darkly disturbing and judge the characters much more harshly.
I will end with a nursery rhyme I vandalized for @sony_t:
Wheedle eagle, pudding and pie,
Kissed the butterfly and made her cry,
When the wolf came out to play,
Wheedle eagle flew away.
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My favorite thing about this drama is the chemistry between the two main leads. They're acting is just incredible. The way they acted made it all seem so real. They definitely reached out to the audience. They are both so cute and adorable. From the very beginning to the end, I loved this drama so much. I regret not watching this before. The many tears I had shed in this drama are just uncountable. The story was also very good. The way it paced evenly with the romance between the two main lead was just very well done. I'm really surprised how this drama isn't popular at all. I really thought that this show was going to bore to death but it really surprised me that it didn't. It now turns out that this is one of my favorite dramas.
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