This review may contain spoilers
isn't this just porn ?
A two hour long ugly porn movie? A badly directed, poorly edited, with shitty actors, even worse camera work and sent from hell script? Who wrote this and how is rehab going? What kind of drugs are they on? The dinamic between the best friends? The ex THAT GAVE HIM HIV popping out of noowhere, the rainbow flags that are EVERYWHERE, the weird ass gangbang at the begging? DID HE JUST TREAT THAT USED CONDOM LIKE ITS A SLIME TOY. Girl u r some rediculous whore, and no shit you would come crying back after.The problem is, not even the porn is good, in realty its SO BAD. The actors are not ugly but just not actors, just some random ass porn actors that noone knows about. No back ground music, we are jumping throu scenes like an amusment park ride that I would propably throw up after to the point where it makes zero sense. The actor pretending like he was writing on that computer was hillarious, the other dude pretending being on his phone too ?. Mad rediculous.
Also the fact that I had to watch it on a porn site was crazy. The ending? Kinda diserved honestly, thats what u get when u dont apriciate and just use others around u. The golden shower?? All this ass? I almost cried of how ugly this is. Also the movie was in 3-4 different languages???
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Summing up, an awefull Berlin expirience.
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Its hard to write a review without giving away too much. To anyone who is debating on watching this movie. Just watch it. Its worth every minute.
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I don’t watch family dramas because they’re not my cup of tea but this year I came to watch two family dramas at the same time; this one and ‘I Summon You Gold!’ because of a long story that I won’t trouble your ears (or more specifically your eyes) with.
So what is this about? It’s one of those lengthy Kdramas produced in a non-stop way every year. It has all the elements that a family drama should have such as familial struggles, birth secrets and old respectable figures. There are also light romantic stories that owned about half the drama.
If I had to state the facts, I would say that this drama’s screenwriters weren’t good enough to make the drama interesting until the very last end. It’s a given that Korean family dramas drag and contain many filler episodes but despite that fact, the drama was deliciously entertaining until the 39 or the 40th episode when the writers tried to get smart by adding some twists to the storyline, but guess what? It was an epic failure because… hello!! Family dramas don’t need stupid twists to be good; it needs a complete control of the run time by using the family theme. Furthermore, the screenwriters conducted a mess by cutting off characters without a previous notice or a proper explanation. They also threw meaningless hints and rushed things out at the end; okay, I won’t make them bear all the blame for the last part since it’s not their fault that the drama was cut short to 48 episodes instead of 50 but still, they could’ve made a proper ending considering the fact that this is a long drama.
The cast was reasonably fitting and well chosen. There were some really good actors in here but I can’t say the same about characters since some of them felt all over the place at times. However, the characters’ development was remarkably magnificent.
Now, if I have to state my subject point of view, I would say that this drama was enjoyable overall even with its shortcomings. And that’s coming from a person who doesn’t (as never) watch long family dramas.
In conclusion, I won’t advice anyone to watch this or not because that’s up to you to decide. Just keep in mind that this is a long family drama with notable screenwriting issues that needs a strong commitment and a long breath to finish, but it also has a nice set of cast and it can be somewhat pleasant to watch.
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A good drama gone terribly wrong
This drama is something i had pretty good expectations for but unfortunately it failed to deliver. I don't know how i can possibly rate the show when the second lead couple was much more interesting than the main couple.When i started this show i thought it was so cute, Academic rivals are definitely something you are likely to experience in school and the idea of meeting your academic rival after many years , as well as the fact that they were both facing struggles of different kinds were also quite amusing to me. I personally really resonated with the fl because a lot of parents tell you to work hard and "everything will work out" but that is not always the case. The ml (although not as relatable) also received very less attention and the only time his parents paid any attention to him was when he got into trouble. Now ill go in depth about the pros and the cons.
Cons:
1) the drama started out strong but i don't know exactly when but i started getting bored of the romance between the leads, I feel like it would have made much more sense if they both just remained friends because the romance was so unnecessary
2) the mystery behind the issue with the ml's medical mishap was way too complicated, i would have preferred if they just kept one suspect from the beginning and limited the mystery to max 8 episodes
3) the comedy was at most times - just cringe, I dont know if it was the acting, the writing or the directing but the comedy was extremely cringe at certain moments
4) I like park hung sik's acting but for this show it was a bit much, I feel like if the actor looks fake while doing a scene it prevents viewers from immersing themself into the show
5) The misunderstandings were drawn out, i feel like the characters did not age a day (mentally) after high school, i feel like they honestly retain the same level of maturity which shows no character development over time
Pros:
1) First and foremost my high rating for the acting goes mostly for the second leads, their acting was so much more realistic and their situations were also much more relatable, The idea of being single parents to kids of the opposite gender (single mom with son and single dad with daughter) while having hectic jobs as medical professionals and having to navigate life with teenagers was also executed well. After a certain point i was watching the show for them.
2) I feel like the mental health aspect was demonstrated pretty well, the idea of parents always pushing you to be successful and how success does not equal happiness was a strong message.
3) Park shin hye definitely improved her kissing skills, she looked like she was being assaulted in majority of the dramas but she definitely fixed it this time round
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So I've always wondered what makes Jun Pyo click so much. I mean, there are tons of other arrogant chaebols in various dramas that are tamed by Plain Janes. But with Jun Pyo, it's like a whole new level of excitement. I have concluded that it's the childish sincerity. Jun Pyo is a bully but when he's sincere, he just moves you, you know. He has his childish and bully ways but his heart is at the right place. And yes, Lee Min Ho is freaking hot and works those curls charmingly ;)
Coming to other characters. Geum Jandi is disliked by a lot of people. You just have to turn-on the viki comments and (BAM!) you're showered with all the abusive words in the world, directed towards Geum Jandi. But I love her! Yes she's not the typical K-drama lead girl with her long hair and honey voice. She's a total tom boy who takes no bullshit from anyone, yet she's a sweet and simple girl and pretty likeable.
Coming to Jihoo. I know lots of people got their hearts broken Ji Hoo didn't get the girl (and maybe that made people hate Geum Jandi more when she refused his confession). I felt sorry for Ji Hoo too. He had the sweetest smile that could make anyone melt and I shipped him with Geum Jan Di faintly. I think I would've shipped him harder with her if Jun Pyo wasn't so awesome. But Ji Hoo's character was great.
The rest of the characters were great too. The acting is BIG 10 for me, especially because of the lead pair. I know majority of people prefer Lee Min Ho in City Hunter over this drama, but if you ask me, I love his acting more in Boys Over Flowers.
The music is sooo good. This was the drama that introduced me to the world of kpop through Shinee's song "Stand By Me". "Lucky", "Yearning of the Heart", "Paradise" and "Because I'm stupid" are really great songs too and overall this drama has a brilliant OST. Definitely on my top 10.
My rewatch value for this show is a solid 10 because I don't even remember the number of times I have rewtached it (lol). Love it. One of my favorites.
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Should You Watch This Drama? Yes and Here's Why!
First off can I just say I absolutely loveeee the theme song and intro!! I love the cast; it was well put together. As I just randomly browsed through KissAsian, the cover catched my eye. I also found a new k-pop idol to get attached to, Daniel Kang who plays a main character, Wi Seung Hyun. I personally loved his character from the first episode. And the fact that his face card is a solid 1000000 is amazingg. You know what's funny, I was actually watching A Piece of Your Mind before I stopped and started watching Rookie Cops. Chae Soo Bin plays the main role in both dramas. Her character in Rookie Cops is one of a strong, hardheaded person that will stand without wavering when she is giving her opinion about something. From the four episodes watched I can tell that her character will only develop even more, and I can't wait to see! The side characters are everything and very funny! I highly recommend watching this drama even though it's ongoing! I'm sure it's not a drama with disappointment ahead. I'm really looking forward to February 9 for episode 5 & 6!! EEKK! Be sure to watch!!:)xo,
nicki.
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Why is the Chinese drama Only For Love the most sensual romance journey of the year?
I don’t know what everyone else is watching, but it is not Only for Love, considering their scoring. Dylan Wang and Bai Lu are giving masterpiece performances in this intelligently written cat and mouse game of love.He works 24/7 growing his business, and has become quite successful, as he distances himself from the old money of his father. She is a financial and business reporter, only after the true story of his financial wisdom. The way she hooks him is a masterclass of what women do best.
Out of nowhere during her interview with him for her magazine, she begins to flirt with him. He is totally caught off guard, but recovers very quickly. The last thing he needs is to be diverted mentally from his business, away from his quest to make money. He is super intelligent, with great business acumen. He sees it coming and he knows how to avoid this flirtatious trap. What is working in her favor is that she is really knocked off her feet by him, but in the front of her mind, he is just a romance challenge to conquer. She is equally as intelligent, graduating from University with a double degree. It is just a game, she tells herself.
Only for Love is so sensual. The viewer anticipates each move of the other in this game of avoidance and entrapment, and the teasing games between the two is what draws you right in like foreplay.
Only For Love needs set-up time to allow this drama to smolder. Please don’t be impatient with this cat and mouse game.
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A Dream Come True: Big and Park Deliver Magic in “Me and Who”
Wow, the first few episodes are absolutely amazing!Did not expect to see Keng and Namping cameo from Khemjira in episode 1! Mandee Work, you’ve done it again, combining two excellent BLs airing at the moment: Me and Who and Khemjira.
I loved Big and Park in Monster Next Door, and they look even better here. The story brings a refreshing new genre with a non-university theme, and Park’s black hair looks so much more natural and fitting than his blonde hair in his previous role.
This series is fantastic, so fun and engaging. Poor Phopthorn works at a convenience store, and suddenly his soul transfers into the body of Apo, a billionaire with a handsome fiancé, Suriya (Big), who has the power to read minds. Imagine being poor all your life and then waking up as a billionaire with a hot, tall, and handsome fiancé, talk about a dream come true. The fake marriage between the meticulous Suriya and the high-spirited, chaotic Apo begins, creating the perfect mix of chaos, charm, and chemistry.
Every detail is beautifully crafted, from the elegant costumes and stunning mansion to the music and smooth cinematography. And can we talk about that random giraffe walking past Apo’s room? If this isn’t rich, then what is?
Big and Park’s chemistry is undeniable once again, and the balance of romance, comedy, and drama is spot on. Their dynamic is electric, full of tension, humor, and sweet chaos that keeps you glued to the screen.
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Only if your bored
This story started in a relatively positive way and was pretty cute at the beginning. Both the male lead and second male lead were very attractive. The female lead was also quite beautiful in my opinion. The costumes were fun. The female lead was portrayed as a smart independent woman and the male lead as a kind and considerate doctor. Typical chinese drama writing, contract marriage so someone can get what they want. Usually male CEO has to get married but in this drama the female lead was the CEO who needed to get married. Not very inventive but ok! I really did enjoy the drama till about episode 18-20 and then it went completely off the rails. She turned into such a stupid selfish bitch and I really could not stand her in the last 15 episodes. Any woman who hides a child from the father is pretty despicable in my mind. It sends all the wrong signals about what is responsible and decent behavior. This kind of writing just really infuriates me. Why could she not go to Germany with her husband like any normal human would? I get that the writers wanted her to look like she gave him up to help him but really? Her career was over anyway so she chose to run away and divorce him instead of staying by his side as his wife. He loved her and she said she loved him but obviusly she had no idea what love was. She was so self centered and selfish. The writing just made zero sense in the last 10 or15 episodes, it felt like they changed writers or something. This drama could have been 24 epsisodes and it might have been saved. The supporting characters were also very typical, nothing horrible but nothing great either. The formula writing continued. I would say watch if you are bored with nothing else but woud recommend a few other newer shows before this one.Was this review helpful to you?
After watching this movie I was very disappointed. The story line was very weak and felt rushed. By the end of the movie it felt like I had missed most of the story.This would have been great as a drama because the story would have had more time to develop.
If you haven't seen the jdrama version or read the manga you might enjoy this. The story is really unique and interesting and this version was cute and funny. Even though I won't rewatch this movie I defiantly think it at least worth giving it a try.
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KP shippers still trying to keep a good series down.
Its disturbing when there is a mafia series the KP shippers rush to the comment/review sections to attack the ratings of what they view as “competition“ to their beloved KP. I enjoyed this series and you will be missing out if you don’t give it a watch. It’s refreshing to see some of the production companies moving away from the toxicity that have been taking over the BLs recently. Many fan are upset with the size of Perth’s role in NLMG. Why? When he finished his last BL he said he would not be returning to BLs at all. Well that didn’t really work out for him and now he is back, fans should be happy it’s more than a cameo, he definitely couldn’t carry the series alone. I’m actually surprised GMMTV gave him a role at all after his vocal exit tbh. Take the negative reviews with a grain of salt. A series shouldn’t just be rated to send a message to the production company that some fans are not happy over how large an actors part is or how much skinship or negative behavior is shown. No worries, Love Syndrome is on the way for all those toxicity loversWas this review helpful to you?
18 Again , A Surprisingly Heartwarming Drama...
For those who don’t know, “18 Again” regurgitates the same fundamental premise of the American movie“ 17 again” (2009’). Yet rather than having Matthew Perry in a rugged business suit moping around for most of the opening of the movie, we are instead introduced to Yoon Sang Hyun ( Secret Garden, I Can Hear Your Voice) playing our very different protagonist, Hong Dae- Young.
In a slightly similar manner to his American character counterpart, Dae- Young isn’t living a happy life- his job as a practical handyman brings in only enough for him to survive, he is in the process of a divorce with his former teen sweetheart, Jung Da-jung ( Kim Ha Neul) and to make matters worse, he has totally lost touch with trying to connect with his two children Hong Shi-ah ( Roh Jeong Eui) and Hong Shi-woo( Ryeoun) since they have entered their teen years . A surprising miracle , however, allows Dae- Young to return back to his 18 year-old self ( Lee Do Hyun) as he attempts to relive his glory days back at high-school.
On the other hand, whilst comical misunderstandings from generation gaps to Dae Young’s best friend, Go Deok-jin ( Kim Kang Hyun) having to pose as his father are undeniably taken from the movie for comical effect ,
where the drama divulges in plot from the original movie is by adding a more bittersweet and crisp level of characterisation and backstory to our characters for viewers .
Whilst Sang- Hyun felt a strange and respectfully mismatched choice as the older counterpart of Lee Do Hyun, it soon became apparent how both actors were able to perfectly mimic the other in a fairly complicated manner. Do Hyun had to juggle between portraying his version of Dae-Young and Dae-Young’s new alias, Go Woo- Young in a mature lighting , whereas evidently Sang-Hyun had to channel the elements of being a high schooler again when the camera reverts Do Hyun back to his “ true-self”.
Respectfully this is also thanks to fairly good characterisation as well- rather than merely writing off Do Hyun as a love struck clown like in the movie ready to win back his wife . The reasons behind Do Hyun’s estranged relationship with Da- Jung and his children are far more complicated as a consequence of his biggest challenge in the drama , being to overcome his personal struggle by attaining an altruistic perspective for others, rather than allowing his past problems to consume his sense of identity .
In addition to this one of the most surprising examples of characterisation in the show had to be with Shi-ah ( Roh Jeong Eui), the teenage daughter of Do Hyun. Although Shi- ah appears in the first few episodes of the drama as a stereotypical teen through milking her father for cash , obsessed with her looks and a rebel at school , Shi-ah’s reasons for doing so are actually a lot more complicated than they first appear. Perhaps my only slightly annoyance with Shi-ah’s character portrayal was the desire to pair her off with the cliche of the dreaded stereotype of the “ goody two shoes” childhood friend ( Choi Bo Min) as well as disturbingly the bully of her brother ( Hwang In Yeop). It wasn’t that Shi- ah shouldn’t have had a romantic pairing in the show, however, it took away a lot of focus away from Shi-ah’s own story and familial relationships as an individual more than anything else.
On one note of appraisal, however, In Yeop’s character, Goo Ja- sung wasn’t written off like his American counterpart as merely just the “ superficial bully” of the story. Similar to a lot of real-life scenarios, Ja- Sung is a product of his own unhappy environment and thus only begins to learn from his mistakes as a consequence of others like Shi- ah and Dae- Young showing empathy towards him. This is perfectly shown is a tragicomic scene in one later episode of the series where after a certain incident, Dae- Young is able to bond with Ja-Sung (despite his initial anger over bullying his son ) over a similar incident also happening to him . Whilst a fairly sad and heartwarming scene, a great misunderstanding by Ja- Sung over Deok-Jin ( pretending to be Dae-Young’s father) leads him to comically claiming that Deok- Jin doesn’t “ seem the type” to do so.
This naturally moves us onto Ha- Neul as Da- Jung. Initially Ha- Neul’s portrayal as Da- Jung came off a bit too headstrong in the first several scenes of her character introduction, however, as the drama progresses Ha- neul peels back another layer to her character as rather than just a comical plot device through her portrayal of Da- Jung as an individual. Da- Jung’s past with Do Hyun from teen lovers to on the brink of a divorce offers Da- Jung new opportunities as a working news reporter and rekindled connections with her children, yet it also faces her with conflicting over rekindling the past by holding onto memories of Do Hyun as well as her friendship with Choo Ae- Rin ( Lee Mi do) or a new interest in baseball player Ye Ji- hoon ( Wi Ha Joon). Initially whilst Da-Jung’s character was fairly strong, a problem which clearly manifests near the ending of the show is the anticlimactic finale- it isn’t necessarily that the actual ending itself needed to be changed, however, the quality of logic by the end of the show or climaxes seemed to fizzle into nothingness at the end of episode 16.
Obviously not entirely touching new ground with the concept, 18 Again was rough around the edges in parts due to anticlimactic storylines, cliches and again an indulgence of product placement later on in the show ( without rhyme or reason in some cases). On the other hand, there’s no denying that overall 18 Again was one of the few decent dramas overall of 2020 with good acting , casting as well as fairly good characterisation amongst a bittersweet storyline . Although not flawless, 18 Again is a perfect drama to watch if you want something which will touch your heart.
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One of the reasons why I didn’t immediately watch Love Rain is because of its 1970’s era. The first few episodes are really slow and dragging. Moreover, it’s hard to make viewers appreciate it because the target audiences of K-dramas today are mostly teens and young adult. I even had difficulty connecting with the characters in the 1970’s because I’m not familiar with Korea’s culture during that period. What I appreciate in this era was its cinematography. A lot of the beautiful shots of this drama came from the first 4 episodes. The 2012 plot has the typical formula in K-drama now a days. It was only different because of the family issue they incorporated in the story
I was impressed with how well JGK and YoonA played their two roles. They were able to show the difference in the characters and set it apart. You can easily pin point who’s from who without tracing any similarities in their attitudes or mannerisms in their acting.
I was surprised to know that Im YoonA is a member of Girl’s Generation. It’s no wonder I didn’t know because I’m not a fan of K-Pop groups. I listen to Korean songs and I like several singers and power vocal groups but I’m more into ballad than mainstream pop music. I honestly never thought of her as a singer first before an actress because she acts well. Yes, it was a little cutesy here and there but if the scene requires her to act mature, hurt or whatever serious emotion she has to portray, she delivers it—without frills. Just the right emotion needed in the scene. As I’ve said before, not all singers transitioning to acting ends up good. There are few artists who perform well in both worlds. YoonA is lucky to be one of them.
Love Rain is not for everyone. I understand that many viewers think that the plot didn’t work. I’m giving it 8 as overall score for the reason that I simply enjoyed watching it. I admit that there are parts I didn’t like and some are dragging, but then if I go beyond that and see what it really has to offer, it boils down to one thing—it’s a love story. I’m a simple-minded person but with all the dramas I watched and all the contemporary novels I read, I don’t get touched easily—I had that in Love Rain. I felt the pain, the loss, the love. It touched my heart—and that’s what I watch Korean dramas for.
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Tumbling down a rabbit hole of problems
Was it warm and healing as advertised?Not really, no.
This drama was at its best when it had this just-go-with-the wind vibe. But, for some reason, they decided to throw in a bunch of out-of-nowhere tragedies and drama that eventually took over and left warmth and healing on the backburner.
And while the ML was being sweet and thoughtful the FL was letting herself be walked over by others to an annoying degree. I can take slow growth in a drama, that's fine. But she actually didn't change in that respect. Also, the prominent excusing/dismissal of abuse left a bad taste in my mouth, tainting a lot of my attempts to enjoy Summer Strike.
I don't know, I guess I just expected more; which is funny because I started this drama on a whim.
Do I recommend watching it? If you're looking for more kind MLs, sure. Otherwise, this might be one to skip.
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Why I decided to watch The Moon/Sun is a long story which I'm kindly going to spare you. Suffice to know, 20 minutes in and I was hooked. This review is therefore dedicated to viewers who, like me, have never been fond of the genre.
Captivated by the details of folklore scattered throughout this drama, I decided to read up on their historical dependability. I so found out that the Saeguks of the past were all based upon true facts derived from Joseon annals, while the newer productions often deviate from this norm, by either introducing a few fictional facts on a documented background (fusion Saeguks) or creating a fantasy world in terms of characters, plot, even costumes. The Moon embracing the Sun falls into the latter category, so if what you look for is a lesson on how royalty lived in the Joseon era, you'd better forget this drama. This isn't a perfect Saeguk by far, possibly not a perfect drama either. It is, however, a perfect fairytale and in this light I believe it fully deserves the high marks many of us awarded it and the success it attained in Korea.
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The fairytale elements are all there from the very beginning. Prepare yourself for a journey into magic, undying love, friendship, betrayal, hate, tears, laughter, curses and so on and so forth. A childlike approach to the viewing is needed, lest you want to spend your time wondering at its credibility or lack thereof. And because a work of fiction should never be judged outside its narrative context, it is undeniable this story works, and works well. Now that I have completed it, I fully understand the complains of those who wished for a different epilogue for some of the characters, but personally I was prepared to face losses and would go as far as to say they were a necessity induced by the premises of this story.
I won't spend too many words on the acting. Everybody has sang praises for the teenagers' cast, which I second. Nevertheless, the adult cast was outstanding, Han Ga In included – it was truly hard to surpass the grace, beauty and artless charm of the 13 year old Yeom Woo. Han Ga In didn't steal my heart at first but sneaked into it with steadfast progression. She has one of the most pleasant voices I know. I was literally mesmerized by Kim Soo Hyun, but I won't lie: I have a hard time separating my hormonal reaction to my logical thinking, when it comes to him. Whatever the case, he gave life to a multilayered, unforgettable character.
I'd love to talk in detail about each and every endearing character – see on top the Eunuch and Wun – but I fear this is becoming long enough.
I thought the transition from children to adults was marvellously made, and not surprisingly my very favourite scene is the 8 years jump, both on a visual as well as an emotional and symbolic level.
There have been times when I wished they had made use of more open-space sets, but not only I have not enough experience in period dramas to know whether this is often the case, but following what I wrote before, the enclosed setting works well in creating a sort of fantasy bubble out of time and reality.
Little visual details made my day, and I have no qualms in declaring this drama displays the most beautiful letter ever shown on screen.
A huge part of this drama emotional impact is played by the music. Mainly instrumental and with lovely insertions of traditional instruments such as zithers, harps and lutes, it would be perfectly fit for a grand period movie. Notable mention for the minor key pieces, especially 'Like Petals, Like Flames', 'The Sorrow Song of Love' and the enchanting 'Butterfly Dance'. They all play on the viewer's emotion and are wonderfully suggestive of the scene they soundtrack.
As for re-watch value… I am toying with the idea of starting afresh next week. I suppose this says it all.
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